Shakespeare Quotations Quotes

I remember the will said, 'May God thy gold refine.' That must be from the Bible." "Shakespeare," Turtle said. All quotations were either from the Bible or Shakespeare.

All quotations were either from the Bible or Shakespeare.

Tis well thou art not fish; if thou hadst, thou hadst been poor-John.

There is nothing but quotations left for us. Our language is a system of quotations.

I bought you something" Willows blurts out. "You bought...What?" Willow closes her eyes for a second. She's a little surprised she's going to give it to him after all, but there's no going back now. She has to. "At the bookstore." She reaches into her bag again, and pushes the package across the table towards him. Guy takes the book out of the bag slowly, Willow waits for him to look disappointed, to look confused that she would buy him such a battered, old- "I love it when used books have notes in the margins, it's the best," Guy says as he flips through the pages. "I always imagine who read it before me." He pauses and looks at one of Prospero's speeches. "I have way too much homework to read this now, but you know what? Screw it. I want to know why it's your favorite Shakespeare. Thank you, that was really nice of you. I mean, you really didn't have to." "But I did anyway," Willow says so quietly she's not even sure hears her. Hey," Guy frowns for a second. "You didn't write anything in here." "Oh, I didn't even think...I, well, I wouldn't even know what to write," Willow says shyly. "Well, maybe you'll think of something later," he says. Willow watches Guy read the opening. There's no mistaking it. His smile is genuine, and she can't help thinking that if she can't make David look like this, at least she can do it for someone.

God made him, and therefore let him pass for a man. In truth, I know it is a sin to be a mocker, but he! why, he hath a horse better than the Neapolitan’s, a better bad habit of frowning than the Count Palentine; he is every man in no man. If a throstle sing, he falls straight a-cap’ring. He will fence with his own shadow. If I should marry him, I should marry twenty husbands.

Was this stab in my heart, this rapture, really mine or had I merely read about it? For every feeling, every vicissitude of my passion, there would spring into my mind a quotation from the poets. Shakespeare or Donne or Heine had the exact phrase for it. Comforting, perhaps, but enraging too. Nothing ever seemed spontaneously my own.

There were occasions when Shakespeare was a very bad writer indeed. You can see how often in books of quotations. People who like quotations love meaningless generalizations.

Q (Quiller-Couch) was all by himself my college education. I went down to the public library one day when I was seventeen looking for books on the art of writing, and found five books of lectures which Q had delivered to his students of writing at Cambridge. "Just what I need!" I congratulated myself. I hurried home with the first volume and started reading and got to page 3 and hit a snag: Q was lecturing to young men educated at Eton and Harrow. He therefore assumed his students − including me − had read Paradise Lost as a matter of course and would understand his analysis of the "Invocation to Light" in Book 9. So I said, "Wait here," and went down to the library and got Paradise Lost and took it home and started reading it and got to page 3, when I hit a snag: Milton assumed I'd read the Christian version of Isaiah and the New Testament and had learned all about Lucifer and the War in Heaven, and since I'd been reared in Judaism I hadn't. So I said, "Wait here," and borrowed a Christian Bible and read about Lucifer and so forth, and then went back to Milton and read Paradise Lost, and then finally got back to Q, page 3. On page 4 or 5, I discovered that the point of the sentence at the top of the page was in Latin and the long quotation at the bottom of the page was in Greek. So I advertised in the Saturday Review for somebody to teach me Latin and Greek, and went back to Q meanwhile, and discovered he assumed I not only knew all the plays by Shakespeare, and Boswell's Johnson, but also the Second books of Esdras, which is not in the Old Testament and not in the New Testament, it's in the Apocrypha, which is a set of books nobody had ever thought to tell me existed. So what with one thing and another and an average of three "Wait here's" a week, it took me eleven years to get through Q's five books of lectures.

That was when Petra spoke up. "This is India, and you know the word. It's satyagraha, and it doesn't mean peaceful or passive resistance at all." "Not everyone here speaks Hindi," said a Tamil planner. "But everyone here should know Gandhi," said Petra. Sayagi agreed with her. "Satyagraha is something else. The willingness to endure great personal suffering in order to do what's right." "What's the difference, really?" "Sometimes," said Petra, "what's right is not peaceful or passive. What matters is that you do not hide from the consequences. You bear what must be borne." "That sounds more like courage than anything else," said the Tamil. "Courage to do right," said Sayagi. "Courage even when you can't win." "What happened to 'discretion is the better part of valor'?" "A quotation from a cowardly character in Shakespeare," someone else pointed out. "Not contradictory, anyway," said Sayagi. "Completely different circumstances. If there's a chance of victory later through withdrawal now, you keep your forces intact. But personally, as an individual, if you know that the price of doing right is terrible loss or suffering or even death, satyagraha means that you are all the more determined to do right, for fear that fear might make you unrighteous." "Oh, paradoxes within paradoxes." But Petra turned it from superficial philosophy to something else entirely. "I am trying," she said, "to achieve satyagraha.