Pallor Quotes

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This is about Tessa. I knew it was." Will flushed, a wash of color across the pallor of this face. "Not just her." "But you love her." Will stared at him. "Of course I do," he said finally. "I had come to think i would never love anyone, but I love her.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Scar tissue has no character. It's not like skin. It doesn't show age or illness or pallor or tan. It has no pores, no hair, no wrinkles. It's like a slip cover. It shields and disguises what's beneath. That's why we grow it; we have something to hide.
Susanna Kaysen (Girl, Interrupted)
There are things of which I may not speak; There are dreams that cannot die; There are thoughts that make the strong heart weak, And bring a pallor into the cheek, And a mist before the eye.
Henry Wadsworth Longfellow
I think fatigue suits you, Zoya. The pallor. The shadows beneath your eyes. You look like a heroine in a novel. " "I look like a woman about to step on your foot. " "Now, now. You're managing remarkably well. And the smiling hasn't killed you yet." "Yet.
Leigh Bardugo (King of Scars (King of Scars, #1))
We see our sins reflected everywhere: in the pallor of our intimates’ faces, in the scratching of tree branches against windows, in the strange movements of everyday objects. These may be messages from God or tricks of the eye, but in neither case are we permitted to ignore them.
Anna Godbersen (The Luxe (Luxe, #1))
He must have been handsome when he was alive and was handsome still, although made monstrous by his pallor and her awareness of what he was. His mouth looked soft, his cheekbones as sharp as blades, and his jaw curved, giving him an off-kilter beauty. His black hair a mad forest of dirty curls.
Holly Black (The Coldest Girl in Coldtown)
My captivity with Dimitri. The way his mouth—so, so warm, despite his cold skin—had kissed mine. The feel of his fangs pressing into my neck and the sweet bliss that followed... He looked exactly the same too, with that chalky white pallor and red-ringed eyes that so conflicted with the soft, chin-length brown hair and otherwise gorgeous lines of his face. He even had a leather duster on.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
What passing bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifle's rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers, nor bells, Nor any voice of mourning save the choirs, The shrill demented choirs of wailing shells, And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes, Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall, Their flowers the tenderness of patient minds, And each, slow dusk a drawing down of blinds.
Wilfred Owen (The War Poems)
And in the kisses, what deep sweetness! There are women's mouths that seem to ignite with love the breath that opens them. Whether they are reddened by blood richer than purple, or frozen by the pallor of agony, whether they are illuminated by the goodness of consent or darkened by the shadow of disdain, they always carry within them an enigma that disturbs men of intellect, and attracts them and captivates them. A constant discord between the expression of the lips and that of the eyes generates the mystery; it seems as if a duplicitous soul reveals itself there with a different beauty, happy and sad, cold and passionate, cruel and merciful, humble and proud, laughing and mocking; and the abiguity arouses discomfort in the spirit that takes pleasure in dark things.
Gabriele d'Annunzio (The Child Of Pleasure)
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))