Mr Slate Quotes

We've searched our database for all the quotes and captions related to Mr Slate. Here they are! All 19 of them:

When I pointed to him his palms slipped slightly, leaving greasy sweat streaks on the wall, and he hooked his thumbs in his belt. A strange spasm shook him, as if he heard fingernails scrape slate, but as I gazed at him in wonder the tension slowly drained from his face. His lips parted into a timid smile, and our neighbor’s image blurred with my sudden tears. “Hey, Boo,” I said. “Mr. Arthur, honey,” said Atticus, gently correcting me. “Jean Louise, this is Mr. Arthur Radley. I believe he already knows you.
Harper Lee (To Kill a Mockingbird)
LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed? NOAKES: The hermitage, my lady? LADY CROOM: It is a cowshed. NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney -- LADY CROOM: And who is to live in it? NOAKES: Why, the hermit. LADY CROOM: Where is he? NOAKES: Madam? LADY CROOM: You surely do not supply an hermitage without a hermit? NOAKES: Indeed, madam -- LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have? NOAKES: I have no hermits, my lady. LADY CROOM: Not one? I am speechless. NOAKES: I am sure a hermit can be found. One could advertise. LADY CROOM: Advertise? NOAKES: In the newspapers. LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence.
Tom Stoppard (Arcadia)
There is an incident which occurred at the examination during my first year at the high school and which is worth recording. Mr. Giles, the Educational Inspector, had come on a visit of inspection. He had set us five words to write as a spelling exercise. One of the words was 'kettle'. I had mis-spelt it. The teacher tried to prompt me with the point of his boot, but I would not be prompted. It was beyond me to see that he wanted me to copy the spelling from my neighbour's slate, for I had thought that the teacher was there to supervise us against copying. The result was that all the boys, except myself, were found to have spelt every word correctly. Only I had been stupid. The teacher tried later to bring this stupidity home to me, but without effect. I never could learn the art of 'copying'.
Mahatma Gandhi (All Men Are Brothers: Autobiographical Reflections)
It was late in Ruana and Ray's visit when Samuel started talking about the gothic revival house that Lindsey and he had found along an overgrown section of Route 30. As he told Abigail about it in detail, describing how he had realized he wanted to propose to Lindsey and live there with her, Ray found himself asking, "Does it have a big hole in the ceiling of the back room and cool windows above the front door?" "Yes," Samuel said, as my father grew alarmed. "But it can be fixed, Mr. Salmon. I'm sure of it." "Ruth's dad owns that," Ray said. Everyone was quiet for a moment and then Ray continued. "He took out a loan on his business to buy up old places that aren't already slated for destruction. He wants to restore them," Ray said. "My God," Samuel said. And I was gone. (Susie finnally giving up on earth and moving on)
Alice Sebold (The Lovely Bones)
This was the clean slate he had thought about on the boat coming over from America. This was the real annihilation of his past and of himself, Tom Ripley, who was made up of that past, and his rebirth as a completely new person.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
George Williams, the revered evolutionary biologist, describes the natural world as “grossly immoral.” Having no foresight or compassion, natural selection “can honestly be described as a process for maximizing short-sighted selfishness.” On top of all the miseries inflicted by predators and parasites, the members of a species show no pity to their own kind. Infanticide, siblicide, and rape can be observed in many kinds of animals; infidelity is common even in so-called pair-bonded species; cannibalism can be expected in all species that are not strict vegetarians; death from fighting is more common in most animal species than it is in the most violent American cities. Commenting on how biologists used to describe the killing of starving deer by mountain lions as an act of mercy, Williams wrote: “The simple facts are that both predation and starvation are painful prospects for deer, and that the lion's lot is no more enviable. Perhaps biology would have been able to mature more rapidly in a culture not dominated by Judeo-Christian theology and the Romantic tradition. It might have been well served by the First Holy Truth from [Buddha's] Sermon at Benares: “Birth is painful, old age is painful, sickness is painful, death is painful...”” As soon as we recognize that there is nothing morally commendable about the products of evolution, we can describe human psychology honestly, without the fear that identifying a “natural” trait is the same as condoning it. As Katharine Hepburn says to Humphrey Bogart in The African Queen, “Nature, Mr. Allnut, is what we are put in this world to rise above.
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
The glamour of inexperience is over your eyes,” Mr. Rochester answered; “and you see it through a charmed medium: you cannot discern that the gilding is slime and the silk draperies cobwebs; that the marble is sordid slate, and the polished woods mere refuse chips and scaly bark.
Hilary Davidson (Her Last Breath)
Tom had never found any difficulty in discerning a pointer from a setter, when once he had been told the distinction, and his perceptive powers were not at all deficient. I fancy they were quite as strong as those of the Rev. Mr Stelling; for Tom could predict with accuracy what number of horses were cantering behind him, he could throw a stone right into the centre of a given ripple, he could guess to a fraction how many lengths of his stick it would take to reach across the playground, and could draw almost perfect squares on his slate without any measurement. But Mr Stelling took no note of those things: he only observed that Tom's faculties failed him before the abstractions hideously symbolized to him in the pages of the Eton Grammar, and that he was in a state bordering on idiocy with regard to the demonstration that two given triangles must be equal - though he could discern with great promptitude and certainty the fact that they were equal.
George Eliot (The Mill on the Floss)
Tell me what you make of Locke, then, and his difference with Descartes." Vivian took the book from him and spread her small hand on the morocco leather binding. "Mr. Locke argues that the human mind is a blank tablet at birth... doesn't he?" She glanced at Morgan and received an encouraging nod. "And he claims that knowledge is founded in experience. Thought can only come after we learn through our senses. But I don't think I agree with him entirely. We are not born blank slates, are we? I think some things must exist in us at birth, before experience begins to work upon us.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Mr. Mitchell should stop worrying and put Steph in charge. She will be good at this; she has the party planning gene in her family. I swear, they always have the entire familia over for every occasion. All her tias, tios, cousins, friends, ninas, and ninos go to her house for practically anything. Every day is a holiday at Casa Ayala. Anyway, we’re placed into committees, which totally sucks, because the fab four get split up. Keesha and I get selected for Activities, while Amy and Steph are slated for Rally committee. All the upperclassmen say these are the best committees, and we should feel lucky.
Julie Prestsater (So I'm a Double Threat (Double Threat, #1))
their records. Then you killed an orderly and got away. You said I’m not going back, because you knew as soon as you arrived anywhere somebody would realize you weren’t Hobie. They’d find out who you were, and you’d be back in the shit. So you just disappeared. A new life, a new name. A clean slate. You want to deny anything yet?” Allen tightened his grip on Jodie. “It’s all bullshit" he said. Reacher shook his head. Pain flashed in his eye like a camera. “No, it’s all true" he said. “Nash Newman just identified Victor Hobie’s skeleton. It’s lying in a casket in Hawaii with your dog tags around its neck.” “Bullshit" Allen said again. “It was the teeth" Reacher said. “Mr. and Mrs. Hobie sent their boy to the dentist thirty-five times, to give him perfect teeth. Newman says they’re definitive. He spent an hour with the X rays, programming the computer. Then he recognized the exact same skull when he walked back past the casket. Definitive match.” Allen
Lee Child (Tripwire (Jack Reacher, #3))
Celia realized she'd shocked Mr. Pinter when his thick black brows drew together in a frown. His lean form seemed even more rigid than usual, and his angular features-the arrow of a nose and bladed jaw-even more stark. IN his severe morning attire of black serge and white linen, he radiated male disapproval. But why? He knew she was the only "hellion" left unmarried. Did he think she would let her brothers and sisters lose their inheritance out of some rebellious desire to thwart Gran's ultimatum? Of course he did. He'd been so kind and considerate during her recitation of the dream that she'd almost forgotten he hated her. Why else were his eyes, gray as slate after a storm, now so cold and remote? The blasted fellow was always so condescending and sure of himself, so...so... Male. "Forgive me, my lady," he said in his oddly raspy voice, "but I was unaware you had any suitors." Curse him for being right. "Well, I don't...exactly. There are men who might be interested but haven't gone so far as to offer marriage." Or even to show a partiality to her. "And you're hoping I'll twist their arms so they will?" She colored under his piercing gaze. "Don't be ridiculous." This was the Mr. Pinter she knew, the one who'd called her "a reckless society miss" and a "troublemaker." Not that she cared what he thought. He was like her brother's friends, who saw her as a tomboy because she could demonstrate a rifle's fine qualities. And like Cousin Ned. Scrawny bitch with no tits-you don't have an ounce of anything female on you. Curse Ned to hell.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
He patted her hand. “But I will settle for an amiable wife.” It was as close to making a declaration of his intentions as he’d come. So of course Mr. Pinter chose that inopportune moment to enter the breakfast room. “And whose amiable wife are you settling for, sir?” he said in a snide tone. His gaze dropped to the viscount’s hand resting on hers, then darkened. She resisted the urge to snatch her hand free. The viscount bristled, tightening his hand almost possessively on hers. “Do I know you, sir?” “Not yet. The name is Jackson Pinter.” He came to stand directly across the table and bent forward over it to offer his hand to Lord Basto, forcing the viscount to release her hand to take it. “Some would call me Mrs. Plumtree’s ‘lackey,’” he added with a side glance at Celia. “Though I work for Lord Stoneville.” She colored, remembering the conversation they’d had a few months ago, when she’d called him that. He was clearly spoiling for a fight. No doubt he was still smarting over her pulling a pistol on him last night. “Mr. Pinter does investigations of all kinds,” she explained. “For money.” Mr. Pinter’s slate-gray eyes bore into her. “Some of us cannot live on our family’s fortune, my lady.” “While some of us are very fond of biting the hand that feeds them.” If he could throw her past words at her, then she could throw back what he’d said to her months ago. She was surprised when a reluctant smile tugged at his lips. “A hit direct, madam. Perhaps I should get out of the line of the fire while I still have my head.” “Perhaps you should refrain from putting yourself in the line of fire in the first place,” she quipped. “An officer of the law ought to know better.” “Know better than what?” Oliver asked as he entered with the duke at his side. Generally, she liked being in a room full of men. But when it was her brother, two suitors, and the only man whose kisses had ever affected her, there was a bit too much manliness in the air for her taste. “Your sister and I were just having one of our usual discussions,” Mr. Pinter said. “You mean she was raking you over the coals again?” Oliver said. “I believe the coal raking was mutual this time,” she said lightly. Oliver snorted. She could feel the viscount’s gaze on her, and the duke seemed to be watching both her and Mr. Pinter. It was very unsettling.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Men dream of starting over. Not even necessarily with another woman. They dream of a clean slate, of disappearing, of walking off a plane on a layover and making a new life for themselves in a strange city--Grand Rapids say, or Nashville. They dream of an apartment all of their own, of silence, of joining Delta Force and fighting in Iraq, of introducing themselves by the nickname they'd always wished they had. Of a time and place where they can use everything they know now that they hadn't known then--that is, before they were married. And then they might be happy.
Adam Ross (Mr. Peanut)
Mr. Windham. I hope you’ve had a pleasant morning.” “I most assuredly have not.” Val’s smile faded slightly. “Soames was, as usual, late with his deliveries, Darius is in a brown study about something to do with his brother, the Visigoths discovered the cobbler, and my hand hurts.” “Come along.” She pulled off her gloves and held out a hand to him. “I am to be taken to the woodshed for a thrashing?” Val asked as he linked his fingers with hers. “You should be. You no doubt spent the morning mending stone walls, laying slate, unloading wagons, and entirely undoing all the benefit you gained resting over the weekend. You are stubborn, sir, but I did not take you for stupid.” “That smarts a bit, Ellen.” Val peered at her, trying to ascertain if she were truly angry. “Oh, don’t mind me.” Ellen sighed gustily. “I shouldn’t complain. Your excesses give me an excuse to get out of the sun and to hold hands with a handsome fellow, don’t they?” She
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Time to get to work, Mr. Slate. I don’t have all day.” God, hearing her find her voice and tease me was even more of a turn-on than her luscious body. “Who needs a shower when you’re already wet?
Siena Trap (Scoring the Princess (The Remington Royals, #1))
The screenplay was written by pacifists Hans Janowitz and Carl Mayer, whose World War I experiences left them with a profound distrust of authority. Caligari can be read as a pointed attack on the dangers of unquestioning obedience. Fritz Lang (Metropolis) was originally slated to direct before backing out at the last moment. Prior to his departure, Lang modified a framing story already present in the script, implementing the now-familiar “it-was-all-a-dream” twist that neuters the film’s anti-authoritarian thrust. (This trick is found as long ago as 1910 at the end of prolific Danish director August Blom’s Dr. Jekyll and Mr. Hyde.)
Brad Weismann (Lost in the Dark: A World History of Horror Film)
You’d better muse over your lessons and sums,” said Marilla, concealing her delight at this development of the situation. “If you’re going back to school I hope we’ll hear no more of breaking slates over people’s heads and such carryings on. Behave yourself and do just what your teacher tells you.” “I’ll try to be a model pupil,” agreed Anne dolefully. “There won’t be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn’t a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I’m going round by the road. I couldn’t bear to go by the Birch Path all alone. I should weep bitter tears if I did.” Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue—a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied carefully on a piece of pale pink paper scalloped on the edges the following effusion: When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far.
L.M. Montgomery (Anne of Green Gables)
I have a theory about this, which I think may have been someone else's theory first. Part of the appeal is that when the world ends, all your day-to-day cares and woes and angsts and crises end with it. It's like the first day of the summer holidays, with this big undivided space opening up in front of you. You'll never have to make another mortgage payment, work in a job you hate, worry about your cholesterol, or any of that. The apocalypse starts as a wiping of the slate. A rebirth.
M.R. Carey