Book Worms Quotes

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away and he almost burnt the house down with a tinder.

Razo hopped back up and adopted a posture that said he was completely unruffled, never had been, and in fact was ready to do something manly like lift boulders or swallow live worms.

But books, like people, die. They die in fires or floods or in the mouths of worms or at the whims of tyrants. If they are not safeguarded, they go out of the world. And when a book goes out of the world, the memory dies a second death.

For him that stealeth, or borroweth and returneth not, this book from its owner, let it change into a serpent in his hand and rend him. Let him be struck with palsy, and all his members blasted. Let him languish in pain, crying aloud for mercy, and let there be no surcease to this agony till he sing in dissolution. Let bookworms gnaw his entrails in token of the worm that dieth not, and when at last he goeth to his last punishment, let the flames of hell consume him for ever. Curse on book thieves, from the monastery of San Pedro, Barcelona, Spain

Let every book-worm, when in any fragrant, scarce old tome, he discovers a sentence, a story, an illustration, that does his heart good, hasten to give it the widest circulation that newspapers and magazines, penny and halfpenny, can afford.

I believe . . . that the petal of a flower or a tiny worm on the path says far more, contains far more than all the books in the library. One cannot say very much with mere letters and words. Sometimes I'll be writing a Greek letter, a theta or an omega, and tilt my pen just the slightest bit; suddenly the letter has a tail and becomes a fish; in a second it evokes all the streams and rivers of the world, all that is cool and humid, Homer's sea and the waters on which Saint Peter wandered; or becomes a bird, flaps its tail, shakes out its feathers, puffs itself up, laughs, flies away. You probably don't appreciate letters like that, very much, do you, Narcissus? But I say: with them God wrote the world.

Repository,” he finally says, “you know this word? A resting place. A text—a book—is a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.” His eyes open very widely then, as though he peers into a great darkness. “But books, like people, die. They die in fires or floods or in the mouths of worms or at the whims of tyrants. If they are not safeguarded, they go out of the world. And when a book goes out of the world, the memory dies a second death.

To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming — like worms when a rock is lifted — under the huge abstract boulder of the meaningless blue sky.

The book worm, the foreign-looking one with the dark, close set eyes an the Roman nose, who had never been sought after or cherished; who had always been left alone, to read.

When you collect marine animals there are certain flat worms so delicate that they are almost impossible to catch whole for they will break and tatter under the touch. You must let them ooze and crawl of their own will onto a knife blade and lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-to open the page and let the stories crawl in by themselves.

01210 is a pyramid, & worms move like handicapped snakes. My dream belongs in a wheelchair, because I just spilled coffee all over my sleep.

The words in his book wormed off the pages. Everything glittered like blank paper.

Memories must enter the bloodstream, must churn awhile through the heart's mill, must be crushed and polished, be nearly forgotten or cling like burs to other stories before they spill forth in purple patterns, shapes of small bones and worm rot, shapes of clouds and the spaces between leaves.

For him that stealeth, or borroweth and returneth not, this book from its owner, Let it change into a serpent in his hand and rend him. Let him be struck with palsy and all his members blasted. Let him languish in pain crying out for mercy, Let there be no surcease to his agony till he sink in dissolution. Let bookworms gnaw his entrails in token of the worm that dieth not. When at last he goeth to his final punishment, Let the flames of Hell consume him forever. [attributed to the Monastery of San Pedro in Barcelona, Spain]

I believe books should be like a prime rib steak ~ good and thick.

The worm hissed. "You said it couldn't see!" shouted Oates, forgetting Umber's instruction to be silent. He shook a fist. "We all heard it, Umber! You specifically said, it couldn't see!" "I know-isn't it wonderful to learn something new?" Umber laughed.

Your favourite virtue ... Simplicity Your favourite virtue in man ... Strength Your favourite virtue in woman ... Weakness Your chief characteristic ... Singleness of purpose Your idea of happiness ... To fight Your idea of misery ... Submission The vice you excuse most ... Gullibility The vice you detest most ... Servility Your aversion ... Martin Tupper Favourite occupation ... Book-worming Favourite poet ... Shakespeare, Aeschylus, Goethe Favourite prose-writer ... Diderot Favourite hero ... Spartacus, Kepler Favourite heroine ... Gretchen [Heroine of Goethe's Faust] Favourite flower ... Daphne Favourite colour ... Red Favourite name ... Laura, Jenny Favourite dish ... Fish Favourite maxim ... Nihil humani a me alienum puto [Nothing human is alien to me] Favourite motto ... De omnibus dubitandum [Everything must be doubted].

The heart is a place with worm holes made by feelings you aren't supposed to have but do.

Time machines, magic portals, transporters, worm holes, flying carpets, relocation charms—such things do exist. They're called books.

I am a book lover. I buy, collect and read books.

This is Quick Ben’s game, O Elder. The bones are in his sweaty hands and they have been for some time. Now, if at his table you’ll find the Worm of Autumn, and the once Lord of Death, and Shadowthrone and Cotillion, not to mention the past players Anomander Rake and Dessembrae, and who knows who else, well – did you really believe a few thousand damned Nah’ruk could take him down? The thing about Adaephon Delat’s game is this: he cheats.

The book [Joyce's "Ulysses"] can just as well be read backwards, for it has no back and no front, no top and no bottom. Everything could easily have happened before, or might have happened afterwards. You can read any of the conversations just as pleasurably backwards, for you don't miss the point of the gags. Every sentence is a gag, but taken together they make no point. You can also stop in the middle of a sentence--the first half still makes sense enough to live by itself, or at least seems to. The whole work has the character of a worm cut in half, that can grow a new head or a new tail as required.

How can the poem and the stink and the grating noise - the quality of light, the tone, the habit and the dream - be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will onto a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book - to open the page and let the stories crawl in by themselves.

The early bird catches the worm and the twelve-year-old prostitute attracts the ambassador.

Great indebtedness does not make men grateful, but vengeful; and if a little charity is not forgotten, it turns into a gnawing worm.

Some believe that everyone is born with a moral compass already inside them, like an appendix, or a fear of worms. Others believe that a moral compass develops over time, as a person learns about the decisions of others by observing the world and reading books. In any case, a moral compass appears to be a delicate device, and as people grow older and venture out into the world it often becomes more and more difficult to figure out which direction one's moral compass is pointing, so it is harder and harder to figure out the proper thing to do.

You can make it all right if you will only be satisfied to remain small,' I told myself. I had to keep saying it over and over to myself. 'Be little. Don't try to be big. Work under the guns. Be a little worm in the fair apple of life.' I got all of these sayings at my tongue's end, used to go through the streets of Chicago muttering them to myself.

I have been hanging here headless for so long that the body has forgotten why or where or when it happened and the toes walk along in shoes that do not care and although the fingers slice things and hold things and move things and touch things such as oranges apples onions books bodies I am no longer reasonably sure what these things are they are mostly like lamplight and fog then often the hands will go to the lost head and hold the head like the hands of a child around a ball a block air and wood - no teeth no thinking part and when a window blows open to a church hill woman dog or something singing the fingers of the hand are senseless to vibration because they have no ears senseless to color because they have no eyes senseless to smell without a nose they country goes by as nonsense the continents the daylights and evenings shine on my dirty fingernails and in some mirror my face a block to vanish scuffed part of a child’s ball while everywhere moves worms and aircraft fires on the land tall violets in sanctity my hands let go let go let go

You are like the winged goddess from Greek mythology. As beautiful and soaring like an angel as her". #MilanoVeneziani. #ItalianPassion:

Without a use this shining woman lived - Or did she only live to be at death the food of worms.

What was the power that turned the worm into a moth? It was greater than any power the Builders had had, he was sure of that. The power that ran the city of Ember was feeble by comparison...

Very soon he’ll be well enough to roll about in mud, eat worms, and walk aimlessly around Nam Poo Fountain again.’ ‘I’m sure he doesn’t see it as aimless. We all have different goals. His are achievable.

When I was younger I thought I had superpowers Thought if I sat real still and stared at a book No one would be able to see me I got so good at it I forgot that I’m the only one playing the game Sit still with a book or my head down And you can go missing

Eventually everyone dies, but death, in various forms and ways, still comes as a shock. Then they throw dirt in your face. Then the worms eat you. Or they consign you to flames. The flesh sizzles and the bones crackle. be grateful it happens in that order.

Dragons are notable for their lust for gold, not a bad quality taken in moderation. Dragons are immune to fire, obviously. All dragons are terrifically vain, indeed as to who is more vain, a dragon or an elf, I would not want to be the one to decide. Hint: an elf. A dragon should never be engaged in conversation as they are inveterate liars and tricksters, though if you're actually talking to a dragon, you're pretty much toast anyway. Never, ever call a dragon a worm, no matter how much they're asking for it.

THE BODY of BENJAMIN FRANKLIN Printer like the cover of an old book, its contents torn out, and stripped of its lettering and gilding lies here, food for worms; Yet the work itself shall not be lost, For it will (as he believed) appear once more, in a new, and more beautiful edition, corrected and amended By The AUTHOR

The body of B. Franklin, Printer; Like the cover of an old book (it's contents torn out, and stript of its lettering and guilding), lies here, food for worms But the work shall not be wholly lost, for it will (as he believed) appear once more, in a new and more perfect edition, corrected and amended, by the Author.

This book was written by a traitor to his class. It is dedicated to bigots everywhere. Ladies and gentlemen of the black shirts, I call upon you to unite, to strike with claws and kitchen pokers, to burn the grub-worms of equality’s brood with sulfur and oil, to huddle together whispering about the silverfish in your basements, to make decrees in your great solemn rotten assemblies concerning what is proper, for you have nothing to lose but your last feeble principles.

I never had been by any means a book-worm; but the very outside of a book had a charm to me. It was a kind of sacrament—an outward and visible sign of an inward and spiritual grace; as, indeed, what on God's earth is not?

Well, all right. Something in what you say, I suppose. Consider you treacherous worm and contemptible, spineless cowardly custard, but have booked Spink-Bottle. Stay where you are, then, and I hope you get run over by an omnibus. Love. Travers

Who is the writer here? YOU ARE. Whose book is it? YOUR BOOK. There are no writing police. No one is going to arrest you if you write a teen vampire novel post Twilight. No one is going to send you off to a desert island to live a wretched life of worm eating and regret because your book includes things that could be seen as cliché.

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away, and he almost burnt the house down with a tinder. To put it in a nutshell, leaving the novelist to smooth out the crumpled silk and all its implications, he was a nobleman afflicted with a love of literature.

I am a book-worm and a scholar, and am unfamiliar with practical affairs.

Weekends should be called book days.

The magical library was a book worm's candy store--filled to the brim with delicious books.

Instead of being assembled by genes, the worm was assembled by “memes,” a word coined by British scientist and polemicist Richard Dawkins in his 1976 book, The Selfish Gene. Memes are original ideas. Dawkins argued that they play the same role in cultural evolution as genes play in biology, getting passed along from person to person, surviving and adapting as they move.

For weeks Octavio returned to the shelter of the trees. The woman would appear as the sun reached midday. She would walk to the edge of the trees, find her chair and drag it to the boat pond. Every Sunday the same chair, the same spot. Every Sunday a book. He needed only one word to imagine a hundred stories: she - was a dancer; cooling her feet after a morning of twists and leaps. was the daughter of a sea captain, remembering her childhood as the toy boats crossed the pond. was an empress hiding among her subjects, shielding her face with a scarf made from the silk of ten thousand worms. Five thousand green, five thousand blue. was a teacher, a lover of learning, patient and gentle with her students. She - was a reader. He had a library.

Cinderella arrived.  She was dressed in a clinging gown woven of silk stolen from unsuspecting silk-worms.  Her hair was festooned with pearls plundered from hard-working, defenseless oysters.  And on her feet, dangerous though it may seem, she wore slippers made of finely cut crystal.

Most people are afflicted with an inability to say what they see or think. They say there’s nothing more difficult than to define a spiral in words; they claim it is necessary to use the unliterary hand, twirling it in a steadily upward direction, so that human eyes will perceive the abstract figure immanent in wire spring and a certain type of staircase. But if we remember that to say is to renew, we will have no trouble defining a spiral; it’s a circle that rises without ever closing. I realize that most people would never dare to define it this way, for they suppose that defining is to say what others want us to say rather than what’s required for the definition. I’ll say it more accurately: a spiral is a potential circle that winds round as it rises, without ever completing itself. But no, the definition is still abstract. I’ll resort to the concrete, and all will become clear: a spiral is a snake without a snake, vertically wound around nothing. All literature is an attempt to make life real. All of us know, even when we act on what we don’t know, life is absolutely unreal in its directly real form; the country, the city and our ideas are absolutely fictitious things, the offspring of our complex sensation of our own selves. Impressions are incommunicable unless we make them literary. Children are particularly literary, for they say what they feel not what someone has taught them to feel. Once I heard a child, who wished to say that he was on the verge of tears, say not ‘I feel like crying’, which is what an adult, i.e., an idiot, would say but rather, ’ I feel like tears.’ And this phrase -so literary it would seem affected in a well-known poet, if he could ever invent it - decisively refers to the warm presence of tears about to burst from eyelids that feel the liquid bitterness. ‘I feel like tears’! The small child aptly defined his spiral. To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming- like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky.

There is a sort of busy worm, That will the fairest book deform. Their tasteless tooth will tear and taint The poet, patriot, sage or saint, Nor sparing wit nor learning. Now, if you’d know the reason why, The best of reasons I’ll supply: ’Tis bread to the poor vermin. J. Doraston, quoted by W. Blades

Why was he doing this? So that life could continue in the metro? Right. So that they could grow mushrooms and pigs at VDNKh in the future, and so that his stepfather and Zhenkina’s family lived there in peace, so that people unknown to him could settle at Alekseevskaya and at Rizhskaya, and so that the uneasy bustle of trade at Byelorusskaya didn’t die away. So that the Brahmins could stroll about Polis in their robes and rustle the pages of books, grasping the ancient knowledge and passing it on to subsequent generations. So that the fascists could build their Reich, capturing racial enemies and torturing them to death, and so that the Worm people could spirit away strangers’ children and eat adults, and so that the woman at Mayakovskaya could bargain with her young son in the future, earning herself and him some bread. So that the rat races at Paveletskaya didn’t end, and the fighters of the revolutionary brigade could continue their assaults on fascists and their funny dialectical arguments. And so that thousands of people throughout the whole metro could breathe, eat, love one another, give life to their children, defecate and sleep, dream, fight, kill, be ravished and betrayed, philosophize and hate, and so that each could believe in his own paradise and his own hell . . . So that life in the metro, senseless and useless, exalted and filled with light, dirty and seething, endlessly diverse, so miraculous and fine could continue.

For him that stealeth, or borroweth and returneth not, this book from its owner,” one of these curses runs, let it change into a serpent in his hand and rend him. Let him be struck with palsy, and all his members blasted. Let him languish in pain crying aloud for mercy, and let there be no surcease to his agony till he sing in dissolution. Let bookworms gnaw his entrails in token of the Worm that dieth not, and when at last he goeth to his final punishment, let the flames of Hell consume him forever.

She came downstairs like a doe stepping into a clearing on the first day of hunting season. I felt like a coward. I was lower than dirt. I had used every trick in my book to get her to come downstairs. I had manipulated her emotions, cheated and wormed to beat her at this game we were playing. But then I saw her, and I was so happy. I knew I would have burned the building down for the sight of her running toward me out of the flames.

I first met Winston Churchill in the early summer of 1906 at a dinner party to which I went as a very young girl. Our hostess was Lady Wemyss and I remember that Arthur Balfour, George Wyndman, Hilaire Belloc and Charles Whibley were among the guests… I found myself sitting next to this young man who seemed to me quite different from any other young man I had ever met. For a long time he seemed sunk in abstraction. Then he appeared to become suddenly aware of my existence. He turned on me a lowering gaze and asked me abruptly how old I was. I replied that I was nineteen. “And I,” he said despairingly, “am thirty-two already. Younger than anyone else who counts, though, “he added, as if to comfort himself. Then savagely: “Curse ruthless time! Curse our mortality. How cruelly short is this allotted span for all we must cram into it!” And he burst forth into an eloquent diatribe on the shortness of human life, the immensity of possible human accomplishment—a theme so well exploited by the poets, prophets, and philosophers of all ages that it might seem difficult to invest it with new and startling significance. Yet for me he did so, in a torrent of magnificent language which appeared to be both effortless and inexhaustible and ended up with the words I shall always remember: “We are all worms. But I do believe that I am a glow worm.” By this time I was convinced of it—and my conviction remained unshaken throughout the years that followed. Later he asked me whether I thought that words had a magic and music quite independent of their meaning. I said I certainly thought so, and I quoted as a classic though familiar instance the first lines that came into my head. Charm’d magic casements, opening on the foam Of perilous seas, in faery lands forlorn. His eyes blazed with excitement. “Say that again,” he said, “say it again—it is marvelous!” “But I objected, “You know these lines. You know the ‘Ode to a Nightengale.’ ” He had apparently never read or heard of it before (I must, however, add that next time I met him he had not learned not merely this but all of the odes to Keats by heart—and he recited them quite mercilessly from start to finish, not sparing me a syllable). Finding that he liked poetry, I quoted to him from one of my own favorite poets, Blake. He listened avidly, repeating some lines to himself with varying emphases and stresses, then added meditatively: “I never knew that old Admiral had found so much time to write such good poetry.” I was astounded that he, with his acute susceptibility to words and power of using them, should have left such tracts of English literature entirely unexplored. But however it happened he had lost nothing by it, when he approached books it was “with a hungry, empty mind and with fairly srong jaws, and what I got I *bit*.” And his ear for the beauty of language needed no tuning fork. Until the end of dinner I listened to him spellbound. I can remember thinking: This is what people mean when they talk of seeing stars. That is what I am doing now. I do not to this day know who was on my other side. Good manners, social obligation, duty—all had gone with the wind. I was transfixed, transported into a new element. I knew only that I had seen a great light. I recognized it as the light of genius… I cannot attempt to analyze, still less transmit, the light of genius. But I will try to set down, as I remember them, some of the differences which struck me between him and all the others, young and old, whom I have known. First and foremost he was incalculable. He ran true to no form. There lurked in his every thought and world the ambush of the unexpected. I felt also that the impact of life, ideas and even words upon his mind, was not only vivid and immediate, but direct. Between him and them there was no shock absorber of vicarious thought or precedent gleaned either from books or other minds. His relationship wit

I’ve laid down ten statistical commandments in this book. First, we should learn to stop and notice our emotional reaction to a claim, rather than accepting or rejecting it because of how it makes us feel. Second, we should look for ways to combine the “bird’s eye” statistical perspective with the “worm’s eye” view from personal experience. Third, we should look at the labels on the data we’re being given, and ask if we understand what’s really being described. Fourth, we should look for comparisons and context, putting any claim into perspective. Fifth, we should look behind the statistics at where they came from—and what other data might have vanished into obscurity. Sixth, we should ask who is missing from the data we’re being shown, and whether our conclusions might differ if they were included. Seventh, we should ask tough questions about algorithms and the big datasets that drive them, recognizing that without intelligent openness they cannot be trusted. Eighth, we should pay more attention to the bedrock of official statistics—and the sometimes heroic statisticians who protect it. Ninth, we should look under the surface of any beautiful graph or chart. And tenth, we should keep an open mind, asking how we might be mistaken, and whether the facts have changed.

I am no god: I feel it all too deeply. I am the worm that writhes in dust: see, As in the dust it lives, and seeks to eat, It’s crushed and buried by the passing feet.    [655] Is this not dust, what these vaults hold, These hundred shelves that cramp me: This junk, and all the thousand-fold Shapes, of a moth-ridden world, around me? Will I find here what I’m lacking else,    [660] Shall I read, perhaps, as a thousand books insist, That Mankind everywhere torments itself, So, here and there, some happy man exists?

…like the horse in the old ballads, which Romanticism found in the medieval castle and left in the streets of our own century. The Romanticists rode the poor best until he was so nearly dead that he finally lay down in the gutter, where the realists found him, his flesh eaten away by sores and worms, and, out of pity, carried him away to their books.

In nature, the bird who gets up earliest catches the most worms, but in book collecting the prizes fall to birds who know worms when they see them.

I invited Onyx to be my plus one. Of course she was all in when I added that Grandma A had a massive swimming pool and was within a short driving distance to a two-story bookstore.

People who love reading are often called bookworms — but that’s the wrong way around. It’s not you that worms into a book; it’s books that worm into you.” — Amanda Craig

Bookworms are the most precious worms in the world when they are humans, feeding upon the paper's body with their starving minds.

I traced my fingers along the book spines, taking comfort in the aged paper scent.

But books, like people, die. They die in fires or floods or in the mouths of worms or at the whims of tyrants.

On occasion monasteries tried to secure their possession by freighting their precious manuscripts with curses. “For him that stealeth, or borroweth and returneth not, this book from its owner,” one of these curses runs, let it change into a serpent in his hand and rend him. Let him be struck with palsy, and all his members blasted. Let him languish in pain crying aloud for mercy, and let there be no surcease to his agony till he sing in dissolution. Let bookworms gnaw his entrails in token of the Worm that dieth not, and when at last he goeth to his final punishment, let the flames of Hell consume him forever. Even a worldly skeptic, with a strong craving for what he had in his hands, might have hesitated before slipping such a book into his cloak.

These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.

you were last seen walking through a field of pianos. no. a museum of mouths. in the kitchen of a bustling restaurant, cracking eggs and releasing doves. no. eating glow worms and waltzing past my bedroom. last seen riding the subway, literally, straddling its metal back, clutching electrical cables as reins. you were wearing a dress made out of envelopes and stamps, this was how you travelled. i was the mannequin in the storefront window you could have sworn moved. the library card in the book you were reading until that dog trotted up and licked your face. the cookie with two fortunes. the one jamming herself through the paper shredder, afraid to talk to you. the beggar, hat outstretched bumming for more minutes. the phone number on the bathroom stall with no agenda other than a good time. the good time is a picnic on water, or a movie theatre that only plays your childhood home videos and no one hushes when you talk through them. when they play my videos i throw milk duds at the screen during the scenes i watch myself letting you go – lost to the other side of an elevator – your face switching to someone else’s with the swish of a geisha’s fan. my father could have been a travelling salesman. i could have been born on any doorstep. there are 2,469,501 cities in this world, and a lot of doorsteps. meet me on the boardwalk. i’ll be sure to wear my eyes. do not forget your face. i could never.

Winterset Hollow was one of those timeless, inimitable books that was simple and pure and patently entertaining on the surface, but so much more underneath. It spoke about life and loss and struggle, fear and bravery and sacrifice in a way that was so approachable it was almost easy to miss, and it immediately wormed its way under Eamon's skin and stayed there like good, strong ink from the day he first opened the cover.

Listening is an act of community, which takes space, time and silence. Reading is a means of listening. Reading is not as passive as hearing or viewing. It’s an act: you do it. You read at your pace, your own speed, not the ceaseless, incoherent, gabbling, shout rush of the media. You take in what you can and want to take in, not what they shove at you fast and hard and loud in order to overwhelm and control you. Reading a story, you may be told something, but you’re not being sold anything. And though you’re usually alone when you read, you are in communion with another mind. You aren’t being brainwashed or co-opted or used; you’ve joined in an act of the imagination. […] Books may not be “books”, of course, they may not be ink on wood pulp but a flicker of electronics in the palm of a hand. Incoherent and commercialized and worm-eaten with porn and hype and blather as it is, electronic publication offers those who read a strong new means of active community. The technology is not what matters. Words are what matter. The sharing of words. The activation of imagination through the reading of words.

On the day I lose my phone, I decide to live à la Ladakh: write a letter on paper, go to the post office, wait for his reply for a long time, appreciate a meal a day and a few clothes, be grateful for having been born as a human, read the Tibetan Book of the Dead, buy vegetables from an old street vendor, and save a bee’s life. On the day I lose my wallet, I decide to live à la Ladakh: plant a seed, wait for a long time, and share the fruit with a worm.

books, like people, die. They die in fires or floods or in the mouths of worms or at the whims of tyrants. If they are not safeguarded, they go out of the world. And when a book goes out of the world, the memory dies a second death.

THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.

(As to how the Gatekeeper came to life) Once a bookworm, always a bookworm. But inspiration starts once that lowly worm crawls up your brain; it would be too difficult to contain and all hell breaks loose, and that otherwise blank piece of paper becomes its battleground, teeming with chicken-scratch scribbles of what was going on in that nook that used to be your secret sanctuary. You have no choice but just to concede, and surrender to its call to breathe life into a name.

He knew he could worm his way beneath her defenses—he’d read every word of those diaries. He knew the one absolute way to fulfill her every dream. The problem was, could he do that to her? He didn’t have to. He could turn about this moment and ride away. Yet that would mean leaving her forever.

Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!

Time. Day after day, year after year, time wipes the old books from the world. The manuscript you brought us before? That was written by Aelian, a learned man who lived at the time of the Caesers. For it to reach us in this room, in this hour, the lines within it had to survive a dozen centuries. A scribe had to copy it, and a second scribe, decades later, had to recopy that copy, transform it from a scroll to a codex, and long after the second scribe's bones were in the earth, a third came along and recopied it again, and all this time the book was being hunted. One bad-tempered abbot, one clumsy friar, one invading barbarian, an overturned candle, a hungry worm-and all those centuries are undone.

There was malachite green, and red; the intense red known as worm scarlet—tola’at shani in Hebrew—extracted from tree-dwelling insects, crushed up and boiled in lye. Later, when alchemists learned how to make a similar red from sulfur and mercury, they still named the color “little worm”—vermiculum. Some things don’t change: we call it vermilion even today.

This is a somewhat risky translation. It pivots on the Hebrew word for “great” gadal (#H1431 גְדִּ֖ל). This word can mean many things, including: horn, as in the horn of a powerful bull, the spike of a crown, the authority that a powerful king can wield to knock down an enemy, or gore them into bloody submission. This word also carries God-given authority to change history—as it was used in the book of Jonah. Jehovah made six things “great”: Nineveh (Jon 1:2); the storm (Jon 1:4); the fish (Jon 2:1); the plant (Jon 4:6); the worm (Jon 4:7); the wind (Jon 4:8). Each of these items were smaller tools being used by God to prod the bigger tool, like Assyria, into playing God’s weapon to punish unfaithful Israel. (Is 9:5-6) pg 15

My favorite, how did you put it now? Landscapes, animals, plants? Favorite what? Books, music, architecture, painting? I don't have any favorite animals, no favorite mosquitoes, favorite beetles, favorite worms, even with the best will in the world I cannot tell you which birds or fish or predators I prefer, it would also be difficult for me to have to choose much more generally.

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away, and he almost burnt the house down with a tinder. To put it in a nutshell, leaving the novelist to smooth out the crumpled silk and all its implications, he was a nobleman afflicted with a love of literature. Many people of his time, still more of his rank, escaped the infection and were thus free to run or ride or make love at their own sweet will. But some were early infected by a germ said to be bred of the pollen of the asphodel and to be blown out of Greece and Italy, which was of so deadly a nature that it would shake the hand as it was raised to strike, and cloud the eye as it sought its prey, and make the tongue stammer as it declared its love. It was the fatal nature of this disease to substitute a phantom for reality, so that Orlando, to whom fortune had given every gift--plate, linen, houses, men-servants, carpets, beds in profusion--had only to open a book for the whole vast accumulation to turn to mist. The nine acres of stone which were his house vanished; one hundred and fifty indoor servants disappeared; his eighty riding horses became invisible; it would take too long to count the carpets, sofas, trappings, china, plate, cruets, chafing dishes and other movables often of beaten gold, which evaporated like so much sea mist under the miasma. So it was, and Orlando would sit by himself, reading, a naked man.

Life is the saddest thing there is, next to death; yet there are always new countries to see, new books to read (and, I hope to write), a thousand little daily wonders to marvel at and rejoice in.... The visible is a daily miracle for those who have eyes and ears; and I still worm my hands thankfully by the old fire, through every year it is fed with the dry wood of more memories. --A Backward Glance

But we don't know how much it hurts. And we don't know, either, if the worm is afraid it's going to hurt. But anyway, it dos have the feeling that something sharp is getting closer and closer all the time. This is instinct. And I can tell you this much, it's no fair to say it's too little, or it only has a digestive canal, and so that's why it doesn't hurt. I am sure it does hurt, but maybe only for a second.

1:52-53 THE NIGHT VIGIL Darkness has been given a nightshirt to sleep in (25:47). Remember how human beings were composed from water and dust for blood and flesh with oily resins heated in fire to make a skeleton. Then the soul, the divine light, was breathed into human shapes. The work now is to help our bodies become pure light. It may look like this is not happening. But in a cocoon every bit of worm-dissolving slime becomes silk. As we take in light, each part of us turns to silk. We made the night a darkness, but we bring shining dawnlight out of that. In the same way the mound of your grave will bloom with resurrection. Sufis and those on the path of the heart use darkness to go within. During the night vigil the universe is theirs (40:16). With all the kings and sultans and their learned counselors asleep, everyone is unemployed, except those wakeful few and the divine presence.

-and noticing, more each day, the countless deaths that occur around you- of other people, of animals, of insects, of the sick and infirm, of accident victims, of plants ripped from the earth and worms crushed beneath the blades of plows- of authors in their rooms, scribbling out desperate words in the backs of books no one will ever read- even the shattering of molecular bonds, the disintegration of atomic structures, happening every moment, millions each nanosecond, everywhere-

For it to reach us in this room, in this hour, the lines within had to survive a dozen centuries. A scribe had to copy it, and a second scribe, decades later, had to recopy that copy, transform it from a scroll to a codex, and long after the second scribe’s bones were in the earth, a third came along and recopied it again, and all this time the book was being hunted. One bad tempered abbot, one clumsy friar, one invading barbarian, an overturned candle, a hungry worm—and all those centuries are undone.

Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.

says. ‘Heaven was made for the likes of us,’ he says; ‘just for poor working folks like us, that have been sober and godly and kept our Communions regular.’ That’s the best way, ain’t it, Miss Dorothy—poor in this life and rich in the next? Not like some of them rich folks as all their motor-cars and their beautiful houses won’t save from the worm that dieth not and the fire that’s not quenched. Such a beautiful text, that is. Do you think you could say a little prayer with me, Miss Dorothy? I been looking forward all the morning to a little prayer.” Mrs.

There is a question that has been haunting me,’ he replied over the sound of the first horns announcing column formation. ‘How does a mortal win over a god? Has it ever happened before, even? Has the old order been overturned? Or is this just … special circumstance? A moment unique in all of history?’ ‘You have won the Worm of Autumn to her cause, Priest?’ At Lostara’s question, Banaschar frowned. He studied her for a moment, and then glanced at Ruthan Gudd. ‘You look shocked,’ he said to him. ‘Is it that I somehow possessed that power? Or is it the very idea that what we do in this mortal world – with our lives, with our will – could make a god kneel before us?’ Then he shook his head. ‘But you both misunderstood me. I was not speaking of myself at all. I cannot win over a god, even when I am the last priest in that god’s House. Don’t you understand? It’s her. She did it. Not me.’ ‘She spoke to your god?’ Banaschar grunted. ‘No, Lostara. She rarely speaks at all – you of all people should know that by now. No. Instead, she simply refused to waver from her path, and by that alone she has humbled the gods. Do you understand me? Humbled them.’ Ruthan Gudd shook his head. ‘The gods are too arrogant to ever be humbled.’ ‘A year ago, lying drunk on my cot, I would have agreed with you, Captain. So tell me now, will you fight for her?’ His eyes were thinned as he studied Banaschar, and then he said, ‘With all my heart.’ The gasp that came from Lostara was almost a sob.

The psychoanalyst Otto Rank paired “life anxiety” and “death anxiety.” He called the first that of realizing one’s self as an individual, one who is vulnerable, lonely, separate. The latter is the realization that the only way to overcome our loneliness is to merge with others and lose our precious individuality. We are left afraid of both life and death. In 1973, Ernest Becker, a cultural anthropologist, built on the ideas of Rank and others in an influential book called The Denial of Death. He believed that the “fear-of-death layer” is innermost in the human psyche, “the layer of our true and basic animal anxieties, the terror that we carry around in our secret heart.” The human, he wrote, “is a worm and food for worms . . . a terrifying dilemma to be in and to have to live with.

Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky-tonks, restaurants and whore-houses, and little crowded groceries, and laboratories and flop-houses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peep-hole he might have said: "Saints and angels and martyrs and holy men," and he would have meant the same thing. In the morning when the sardine fleet has made a catch, the purse-seiners waddle heavily into the bay blowing their whistles. The deep-laden boats pull in against the coast where the canneries dip their tails into the bay. The figure is advisedly chosen, for if the canneries dipped their mouths into the bay the canned sardines which emerge from the other end would be metaphorically, at least, even more horrifying. Then cannery whistles scream and all over the town men and women scramble into their clothes and come running down to the Row to go to work. Then shining cars bring the upper classes down: superintendents, accountants, owners who disappear into offices. Then from the town pour Wops and Chinamen and Polaks, men and women in trousers and rubber coats and oilcloth aprons. They come running to clean and cut and pack and cook and can the fish. The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the boats and the boats rise higher and higher in the water until they are empty. The canneries rumble and rattle and squeak until the last fish is cleaned and cut and cooked and canned and then the whistles scream again and the dripping, smelly, tired Wops and Chinamen and Polaks, men and women, straggle out and droop their ways up the hill into the town and Cannery Row becomes itself again-quiet and magical. Its normal life returns. The bums who retired in disgust under the black cypress-tree come out to sit on the rusty pipes in the vacant lot. The girls from Dora's emerge for a bit of sun if there is any. Doc strolls from the Western Biological Laboratory and crosses the street to Lee Chong's grocery for two quarts of beer. Henri the painter noses like an Airedale through the junk in the grass-grown lot for some pan or piece of wood or metal he needs for the boat he is building. Then the darkness edges in and the street light comes on in front of Dora's-- the lamp which makes perpetual moonlight in Cannery Row. Callers arrive at Western Biological to see Doc, and he crosses the street to Lee Chong's for five quarts of beer. How can the poem and the stink and the grating noise-- the quality of light, the tone, the habit and the dream-- be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will on to a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-- to open the page and to let the stories crawl in by themselves.

Books.” The scribe smiles. “And in our tale of Noah and the ship of books, can you guess what is the flood?” She shakes her head. “Time. Day after day, year after year, time wipes the old books from the world. The manuscript you brought us before? That was written by Aelian, a learned man who lived at the time of the Caesars. For it to reach us in this room, in this hour, the lines within it had to survive a dozen centuries. A scribe had to copy it, and a second scribe, decades later, had to recopy that copy, transform it from a scroll to a codex, and long after the second scribe’s bones were in the earth, a third came along and recopied it again, and all this time the book was being hunted. One bad-tempered abbot, one clumsy friar, one invading barbarian, an overturned candle, a hungry worm—and all those centuries are undone.

Miranda was curled up against the wall, her pink calico skirts bunched carelessly above her knees in uncharacteristic abandon. A green measuring worm inched himself unchecked across the smooth bodice of her dress. The May breeze, fragrant with apple-blossoms and clover from the adjacent pasture, blew her loosened hair into her eyes. She pushed the strand back impatiently with one hand while the other clutched her book, as Miranda devoured the fascinating pages of The Beautiful Adulteress. So compelling were the beautiful adulteress's adventures, that even when Miranda's sunbonnet slipped off and hot sunshine fell through the elm trees onto her skin, she did not pause to replace the bonnet. And yet the transparent whiteness of that skin was the envy of her friends and part product of many a tedious treatment with buttermilk and cucumber poultices.

What are the heights, and depths, and lengths, of human science, with all the boasted acquisitions of the brightest genius of mankind! Learning and science can measure the globe, can sound the depths of the sea, can compass the heavens, can mete out the distances of the sun and moon, and mark out the path of every twinkling star for many ages past, or ages to come; but they cannot acquaint us with the way of salvation from this long, this endless distress. What are all the sublime reasonings of philosophers upon the abstruse and most difficult subjects? What is the whole circle of sciences which human wit and thought can trace out and comprehend? Can they deliver us from the guilt of one sin? Can they free us from one of the terrors of the Almighty? Can they assuage the torment of a wounded spirit, or guard us from the impressions of divine indignation? Alas, they are all but trifles in comparison of this blessed Gospel, which saves us from eternal anguish and death. It is the Gospel that teaches us the holy skill to prevent this worm of conscience from gnawing the soul, and instructs us how to kill it in the seed and first springs of it, to mortify the corruptions of the heart, to resist the temptations of Satan, and where to wash away the guilt of sin. It is this blessed Gospel that clearly discovers to us how we may guard against the fire of divine wrath, or rather how to secure our souls from becoming the fuel of it. It is this Book that teaches us to sprinkle the blood of Christ on a guilty conscience by faith, by receiving Him as sincere penitents, and thereby defends us from the angel of death and destruction. This is that experimental philosophy of the saints in Heaven whereby they have been released from the bonds of their sins, have been rescued from the curse of the law, and have been secured from the gnawing worm and devouring fire.

The severe frost last February destroyed many branches as well as young trees that had already been full of sap as a result of the warm weather. In addition to this punishment by God, there is another one, namely, an unbelievable number of caterpillar-type worms which do very great damage to our wheat, barley, and oats. They also eat down to the ground the Indian corn sprouts and whatever young plants we have in our gardens. It would be even worse except for the birds, particularly the starlings, which fly over the fields in large numbers and eat the worms. . . . Last month the unusually large number of worms threatened to ruin our crops completely, but it pleased God (for, according to the Second Book of Chronicles 7:13, He commands the locusts to devour the land and, according to Verse 14, He promises to heal it) that a large number of starlings and other small birds came to the fields and gradually ate all the worms. Thanks be to God for His merciful regime!

Nettie turned her eyes toward me. "Bookworm, are you?" The way she said that word absolutely made my skin crawl. She made me sound like I was some spineless, mindless creature living on mold underground. I do love books, but there is nothing wormy about it. I would much prefer to be called a bat than a worm any day of the week. Just that afternoon at the library storytime, Nancy had read a beautiful poem about a baby bat being born. It described the bats' "sharp ears, their sharp teeth, their quick sharp faces." It told how they soared and looped through the night, how they listened by sending out what the poet called "shining needlepoints of sound." Bats live by hearing. I realized, standing in front of Nettie right then, that when I read I am like a bat soaring and swooping through the night, skimming across the treetops to find my way through the densest forest in the darkest night. I listen to the shining needlepoints of sound in every book I read. I am no bookworm. I am the bookbat.

Thus Epicurus also, when he designs to destroy the natural fellowship of mankind, at the same time makes use of that which he destroys. For what does he say? ‘Be not deceived, men, nor be led astray, nor be mistaken: there is no natural fellowship among rational animals; believe me. But those who say otherwise, deceive you and seduce you by false reasons.’—What is this to you? Permit us to be deceived. Will you fare worse, if all the rest of us are persuaded that there is a natural fellowship among us, and that it ought by all means to be preserved? Nay, it will be much better and safer for you. Man, why do you trouble yourself about us? Why do you keep awake for us? Why do you light your lamp? Why do you rise early? Why do you write so many books, that no one of us may be deceived about the gods and believe that they take care of men; or that no one may suppose the nature of good to be other than pleasure? For if this is so, lie down and sleep, and lead the life of a worm, of which you judged yourself worthy: eat and drink, and enjoy women, and ease yourself, and snore. And what is it to you, how the rest shall think about these things, whether right or wrong? For what have we to do with you? You take care of sheep because they supply us with wool and milk, and last of all with their flesh. Would it not be a desirable thing if men could be lulled and enchanted by the Stoics, and sleep and present themselves to you and to those like you to be shorn and milked? For this you ought to say to your brother Epicureans: but ought you not to conceal it from others, and particularly before every thing to persuade them, that we are by nature adapted for fellowship, that temperance is a good thing; in order that all things may be secured for you? Or ought we to maintain this fellowship with some and not with others? With whom then ought we to maintain it? With such as on their part also maintain it, or with such as violate this fellowship? And who violate it more than you who establish such doctrines? What then was it that waked Epicurus from his sleepiness, and compelled him to write what he did write?

How can you say such things?!' demanded Kon Fiji. 'Our lives may have changed, but death has not. Respect for the elderly and honor given for a life well lived connect us to the accumulated wisdom of the past. When you die, do you wish to be buried as a common peasant instead of as a great scholar worthy of admiration?' 'In a hundred years, Master Kon Fiji, you and I will both be dust, and even the worms and birds who feast on our flesh will also have traveled through multiple revolutions of the wheel of life. Our lives are finite, but the universe is infinite. We are but flashes of lightning bugs on a summer night against the eternal stars. When I die, I wish to be laid out in the open so that the Big Island will act as my coffin, and the River of Heavenly Pearls my shroud; the cicadas will play my funeral possession, and the blooming flowers will be my incense burners; my flesh will feed ten thousand lives, and my bones will enrich the soil. I will return to the great Flow of the universe. Such honor can never be matched by mortal rites enacted by those obeying dead words copied out of a book.

Pray, do not speak to me of weather Not sun, not cloud, not of the places Where storms are born I would not know of wind shivering the heather Nor sleet, nor rain, nor of ancient traces On stone grey and worn Pray, do not regale the troubles of ill health Not self, not kin, not of the old woman At the road’s end I will spare no time nor in mercy yield wealth Nor thought, nor feeling, nor shrouds woven To tempt luck’s send Pray, tell me of deep chasms crossed Not left, not turned, not of the betrayals Breeding like worms I would you cry out your rage ’gainst what is lost Now strong, now to weep, now to make fist and rail On earth so firm Pray, sing loud the wretched glories of love Now pain, now drunken, now torn from all reason In laughter and tears I would you bargain with the fey gods above Nor care, nor cost, nor turn of season To wintry fears Sing to me this and I will find you unflinching Now knowing, now seeing, now in the face Of the howling storm Sing your life as if a life without ending And your love, sun’s bright fire, on its celestial pace To where truth is born Pray, An End to Inconsequential Things Baedisk of Nathilog

Put anything you want,” said Sophia impatiently. “Just so they’ll understand. Now don’t interrupt. It goes on like this: The worm probably knows that if it comes apart, both halves will start growing separately. Space. But we don’t know how much it hurts. And we don’t know, either, if the worm is afraid it’s going to hurt. But anyway, it does have a feeling that something sharp is getting closer and closer all the time. This is instinct. And I can tell you this much, it’s no fair to say it’s too little, or it only has a digestive canal, and so that’s why it doesn’t hurt. I am sure it does hurt, but maybe only for a second. Now take the smart worm that made itself long and came apart in the middle, that may have been like pulling a tooth, for example, except it didn’t hurt. When it had calmed its nerves, it could tell right away it was shorter, and then it saw the other half right beside it. Let me make this a little easier to understand by putting it this way: Both halves fell down to the ground, and the person with the hook went away. They couldn’t grow back together, because they were terribly upset, and then, of course, they didn’t stop to think, either. And they knew that by and by they’d grow out again, both of them. I think they looked at each other, and thought they looked awful, and then crawled away from each other as fast as they could. Then they started to think. They realised that from now on life would be quite different, but they didn’t know how, that is, in what way.

I think this book is the most healed and loving form I can make. Then should I send this book across the ocean to where my grandmother is buried-give it to the worms and bugs who live in the soil of my grandmother’s grave? But why do they deserve this sadness? Maybe I’ll just scatter it like ash in the world-as if publishing a book is like scattering ashes from an urn-in the sea, in the forest, in a city, anywhere. Maybe I will take this book to my mother’s house. I will knock on her door and go up to her and say, It’s here. On the page. Your mother’s sadness, and your sadness, and mine. Although not all of the reasons. I don’t know all of the reasons. As she reads through it, I’ll stand there and wonder: Do you think with our lives we validated your mother? Do you think we helped her at all? Did we do our job? Can her life be said to be worth what you thought it was worth? Is this the first thing we have ever done together? You carried the nightmares, and I carried them, too. Can we put them down now? In putting down this book, will you put your sadness down? Put down whatever remains of your task, and finally rest satisfied? Maybe she will say, It’s okay that you don’t know all of the reasons. When I diagnose a cancer, I don’t need to say the reasons. I’m just asked whether it’s malignant or benign. Then these tears, I will say, this pain, this sadness, this tumour-like growth. In your professional opinion, is it malignant or benign? I’ve looked it over carefully-and my opinion is that it’s benign. My suggestion is not to operate. There are more dangers associated with taking it out than leaving it inside.

Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.