Ball Gown Quotes

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Did Cinderella ever consider fessing up to the prince, that night she was enjoying herself in the fancy ball gown? Did she even think of telling him, oh, by the way, Prince, the coach isn’t mine, I’m really a filthy little barefoot servant on borrowed time? No. She took her moment. And then went quietly away after midnight.
Lissa Price (Starters (Starters, #1))
Puttin’ on a cowboy hat & a pair of boots doesn’t make you country; Like puttin’ on a ball gown & glass heels won’t make me Cinderella.
Kellie Elmore
With a resigned shrug, she screamed and collapsed into a faint. She stayed resolutely fainted, despite the liberal application of smelling salts, which made her eyes water most tremendously, a cramp in the back of one knee, and the fact that her new ball gown was getting most awfully wrinkled.
Gail Carriger (Soulless (Parasol Protectorate, #1))
here is nothing unfeminist about the girl who chooses the ball gown & the prince. there is everything unfeminist about those who try to shame her for her choices.
Amanda Lovelace (Break Your Glass Slippers (You Are Your Own Fairy Tale, #1))
if there’s one thing I’ve learned from being in the Selection, it’s that some girls have a frightening killer instinct. Don’t let the ball gowns fool you,” she finished with a smile.
Kiera Cass (The Elite (The Selection #2))
We have a ball to attend tomorrow night. Assuming you don’t already have plans?” A slow sexy smile grew on his face. A ball? A new gown? With him? It could be worse.
J.J. Sorel (A Taste of Peace)
If there's one thing I've learned from being in the Selection, it's that some girls have a frightening killer instinct. Don't let the ball gowns fool you," she finished with a smile.
Kiera Cass
You get into trouble the way debutantes get into ball gowns.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
Suddenly, Vin grew pale. Elend paused, glancing at her, sensing that something was wrong. Not with what he'd said, something else. What is it? Assassins? Mist spirits? Koloss? "I just realized something," Vin said, looking at him with those intense eyes of hers. "I can't go to a ball—I didn't bring a gown!
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
Maybe there aren’t any happily ever afters, or white knights who ride in on valiant steeds to save the day. Maybe, in real life, Prince Charming isn’t always perfect – he’s just as flawed as everyone else in the tale. And that princess, alone in her tower? She’s not perfect either. Birds don’t braid her hair every morning, she can’t serenade wild forest creatures into servitude, and she doesn’t even own a ball gown. But she’s also smart enough to know not to accept poisoned apples from strangers, or prick her finger on deadly spindles. She doesn’t wait around for a prince to charge in and slay the dragon. Maybe she saves herself and in the end, rides off into her own goddamned sunset.
Julie Johnson (Like Gravity)
I can't wear a man's jacket with a ball gown." She rolls her eyes at him, sighs. But thanks, honey.
Kathryn Stockett (The Help)
There was a little spritz of sequined leaves across the right shoulder because you didn’t seem to be able to get away with none. Apparently the majority of ball gowns were designed by five-year-old girls armed with glitter guns, but at least this one didn’t look entirely like an explosion in a Barbie factory.
Ruth Ware (The Woman in Cabin 10)
not all of us were drawn to Prince Charming. Some little girls ate up the stories of ball gowns and castles and knights who slayed the dragon . . . While some little girls read the stories of a dark pathway into the woods . . . a twisted mansion with black windows and fog covering the grounds . . . That’s where we wanted to go. No matter what we might find inside . . .
Sophie Lark (There Are No Saints (Sinners, #1))
Walking in heels while wearing a ball gown was, as it turned out, more difficult than finagling an invitation to a state dinner.
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
They're so excited for one day in a pretty dress... someone should really tell them. They can wear a retty dress whenever they want... Women are out there tethering themselves to mediocre men just so they can wear a ball gown. It's a shame.
Rachel Harrison (Cackle)
Apparently the majority of ball gowns were designed by five-year-old girls armed with glitter guns, but at least this one didn’t look entirely like an explosion in a Barbie factory. I
Ruth Ware (The Woman in Cabin 10)
There’s something quite thrilling about fucking a woman in a ball gown. It’s like having a secret that no one else knows, a sin that no one else can see.
Sierra Simone (American King (New Camelot Trilogy, #3))
Now tell me the truth, Lapsus, why do you write about things you've never seen before in your life? Things you don't have the slightest idea about? Why is 'peignoir' a ball gown in your poem 'Canton'? Why?
Ilya Ilf (The Twelve Chairs)
A ferocious growl drew my gaze to the back of the room, where a hairy beast wore a yellow ball gown. I tried to block out the memory of Beauty in that dress earlier this evening.
Betsy Schow (Spelled (The Storymakers, #1))
Death wears a ball gown.
Lisa Mantchev (Ticker)
You know the part in Cinderella when everyone goes to the ball and she sits at home, crying? It wasn’t because her gown was ripped. It was because she knew she was an idiot for thinking she could grab a prince.
Kelly Bingham
My outfit was a black dress with a corset waist, off-the-shoulder sleeves, and a large ball gown skirt. It looked like something someone might‘ve worn to a Gothic wedding. And then they‘d been buried in it for a few months.
Amanda Hocking (Crystal Kingdom (Kanin Chronicles, #3))
You can put a pig in a ball gown, Minka. That doesn’t make it a debutante.
Jodi Picoult (The Storyteller)
Our parents' love is not some grand passion, there are no swoons of lust, no ball gowns and tuxedos, but here is the truth: they have not spent a night apart since the day they married. How can we ever hope to find a love to live up to that?
Eleanor Brown (The Weird Sisters)
It's hazy but she remembers Jane telling her about drag shows she used to go to in the '70s, the balls, how queens would go hungry for weeks to buy gowns, the shimmering nightclubs that sometimes felt like the only safe places. She lets Jane's memories transpose over here, now, like double exposed film, two different generations of messy, loud, brave and scared and brave again people stomping their feet and waving hands with bitten nails, all the things they share and all the things they don't, the things she has that people like Jane smashed windows and spat blood for.
Casey McQuiston (One Last Stop)
Some people, however, say that they do not eat eggs because they do no like them. This is suspicious. Eggs are tremendously flexible and can be prepared in a variety of ways, all of which are different experiences in one's mouth. If you say you do not like eggs, it is like saying you do not like books or light or wearing a ball gown. It means you simply have not found the right kind.
Lemony Snicket (Poison for Breakfast)
My dreams were always the same I could see myself laughing . I was standing somewhere in a forest a raindrop rolled down a branch and fell on my nose . My hair was a sparkling red color and I was wearing a white flowing ball gown made from silk. I could feel him the one I loved staring at me intensely . His eyes as gold as the sun . I could hear him saying my love Fleur .. you are everything to me. His fingertips lightly shivering as he touched my face beckoning for me to come closer. I don't know what I would do if I lost you . "Are you sure you want to be with me?" My body protested as I fought for him to stay but he never did. As soon as I woke up his presence was gone.
Isabella Kruger (Afterlife (A Discovery of Vampires, #1))
There is much made in the psychological literature of the effects of divorce on children, particularly as it comes to their own marriages, lo those many years later. We have always wondered why there is not more research done on the children of happy marriages. Our parents' love is not some grand passion, there are no swoons of lust, no ball gowns and tuxedos, but here is the truth: they have not spent a night apart since the day they married. How can we ever hope to find a love to live up to that?
Eleanor Brown
...you’d best warn them to bring an extra pair of balls , because I’ll be ripping off the first and wearing them for earrings...the red should complement my gown nicely.
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
Cinderella, until lately, has never been a passive dreamer waiting for rescue. The forerunners of the Ash-girl have all been hardy, active heroines who take their lives into their own hands and work out their own salvations .... Cinderella speaks to all of us in whatever skin we inhabit: the child mistreated, a princess or highborn lady in disguise bearing her trials with patience, fortitude, and determination. Cinderella makes intelligent decisions, for she knows that wishing solves nothing without concomitant action. We have each been that child. (Even boys and men share thatdream, as evidenced by the many Ash-boy variants.) It is the longing of any youngster sent supperless to bed or given less than a full share at Christmas. And of course it is the adolescent dream. To make Cinderella less than she is, an ill-treated but passive princess awaiting her rescue, cheapens our most cherished dreams and makes a mockery of the magic inside us all—the ability to change our own lives, the ability to control our own destinies. [The Walt Disney film] set a new pattern for Cinderella: a helpless, hapless, pitiable, useless heroine who has to be saved time and time again by the talking mice and birds because she is “off in a world of dreams.” It is a Cinderella who is not recognized by her prince until she is magically back in her ball gown, beribboned and bejewelled. Poor Cinderella. Poor us.
Jane Yolen (Once Upon a Time (she said))
She was wearing her best dress, a ball gown made of iridescent shot silk, which appeared silver from one angle, and lavender from another. The front was simple in design, with a smooth, tight-fitting bodice and a low scooped neckline. A web of intricate tucks in the back flowed into a cascade of silk that fluttered and shimmered whenever she moved.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The duke’s house was a three-story affair with gilded pillars and marble facing, and it was as ugly as a gator in a pink satin ball gown.
Sarah Monette (The Virtu (Doctrine of Labyrinths, #2))
The entire room turns and stares. There’s no doubt what they see—ripped jeans, a black T-shirt, tattoos and earrings. I don’t care what they see. All I care about is what she sees: a person unwelcomed or the guy she loves. A tear flows down her face, and the hand wrapped at her waist tells me she’s paralyzed. In a long gold ball gown that’s more skirt than dress, Rachel is truly the angel I believe her to be. A man in a tuxedo stands. “Son, I think you have the wrong room.” “No. I don’t.” I stride between the tables, keeping my eyes locked with hers. The closer I get, the more she straightens. Her hand falls from her stomach, and the tear clears from her face. Rachel gazes at me as if I’m a dream. I extend my hand, palm out. “I need help.” Her blue eyes lose their glaze, and the hue of violet I love so much returns. “So do I.”
Katie McGarry (Crash into You (Pushing the Limits, #3))
The Shubert grandparents. No comfort there. He in uniform, she in a ball gown, displaying absurd self-satisfaction. They had got what they wanted, Sophia supposed, and had only contempt for those not so conniving or so lucky.
Alice Munro (Too Much Happiness)
How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you?
Margaret C. Sullivan (The Jane Austen Handbook: A Sensible Yet Elegant Guide to Her World)
Sejanus appeared, in another brand-new suit, with a rumpled little woman in an expensive flowered dress on his arm. It didn't matter. You could put a turnip in a ball gown and it would still beg to be mashed. Coriolanus had no doubt this could only be Ma.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
The offices are decorated with neon-Louis XVI furniture and are dominated by grey, Mr. Dior’s favourite colour when he opened the famous house on avenue Montaigne back in 1947. The design is even more stunning than I remembered: both chic and understated, with lots of open space –the apex of luxury. The silk curtains dressing the window fall to the floor like ball gowns, delicate silver vases holding pink roses have been artfully placed throughout the room, and grey and white settees and oval-backed chairs provided artful seating areas.
Isabelle Lafleche (J'Adore Paris)
I really don't think anyone can blame us for wanting no part of the marriage mart if she is already the belle of the ball," Ella said. "My mother even had the audacity to ask me earlier if I didn't think I should have a gown made like hers! Lord deliver me from the London season
Sarah MacLean (The Season)
Mrs. Lawson, she called. I've changed my mind. I'm going to the ball. Heat your iron. But first, run outside and get the pink gown off the rhododendron.
Amelia Grey (How to Train Your Earl (First Comes Love, #3))
Happiness depends on being free, Kestrel’s father often said, and freedom depends on being courageous. She thought of the muslin-wrapped ball gown. Why shouldn’t she go to the ball? What had she to fear? The stares? Let them stare. She was not defenseless, nor did she need her father’s protection, or the captain’s. Kestrel had been injured, but she wasn’t anymore.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling.
Jun'ichirō Tanizaki (In Praise of Shadows)
exceeded by the cost of her parents’ extravagant lifestyle. Meagan thought back with bewildered horror to the sumptuous dinners and balls, her mother’s silk and satin gowns, the expensive furniture, and
Cynthia Wright (Touch The Sun (Beauvisage, #2))
Perhaps we can discuss this further during the dancing portion of the evening. You'll enjoy waltzing with me later this evening, Miss Eversea. I dance very well, despite the height.: "Your modesty is as appealing as your sensitivity, Lord Moncrieffe. But perhaps a reel other than the waltz? We differ so in height I shall be speaking to your third buttom throughout the dance. Else you will need to look a great distance down and I will need to look a great distance up. I shouldn't like you to end the evening with an aching neck." Inevitable at your creaky, advanced age, she left eloquently, palpably unspoken. He looked down at her for a moment, head slightly cocked, as if he could hear that unworthy thought echoing in her mind. “My third button is so often a wallflower during balls I doubt it will mind your conversation overmuch.” She blinked. This was so delightfully ... silly... she forgot herself absolutely for a moment. She stole a glance at his third button. It was nacre, of course, as were the rest of them, and looked like an expensive and luminous tiny moon brought down from the sky specifically to button up the duke. A row of snobs, those buttons, all of them. Lovely gown, it might say to her. But can you trace your ancestry back to the Conqueror?
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
For a summer of drug abuse on the island of Capri, she packed a wardrobe of black Morticia gowns, dyed her hair green, and paraded through the village streets with a crystal ball, followed by a retainer in gold body paint.
Scot D. Ryersson (The Marchesa Casati: Portraits of a Muse)
Peonies are a gift from the heavens above. I mean, just look at this flower, so big and round. The ruffled petals that look like they belong on a ball gown? Absolute perfection. That scent? It always reminds me of rose and jasmine. I sell these stems at the Sweetplace, but there's no better place for them than in a wedding bouquet, since peonies represent a happy marriage and a happy life. Mix them with some good stock in a bouquet, and well, you're kicking married life off right.
Heather Webber (In the Middle of Hickory Lane)
But, as Margaret half suspected, Edith had fallen asleep. She lay curled up on the sofa in the back drawing-room in Harley Street, looking very lovely in her white muslin and blue ribbons. If Titania had ever been dressed in white muslin and blue ribbons, and had fallen asleep on a crimson damask sofa in a back drawing-room, Edith might have been taken for her. Margaret was struck afresh by her cousin's beauty. They had grown up together from childhood, and all along Edith had been remarked upon by every one, except Margaret, for her prettiness; but Margaret had never thought about it until the last few days, when the prospect of soon losing her companion seemed to give force to every sweet quality and charm which Edith possessed. They had been talking about wedding dresses, and wedding ceremonies; and Captain Lennox, and what he had told Edith about her future life at Corfu, where his regiment was stationed; and the difficulty of keeping a piano in good tune (a difficulty which Edith seemed to consider as one of the most formidable that could befall her in her married life), and what gowns she should want in the visits to Scotland, which would immediately succeed her marriage; but the whispered tone had latterly become more drowsy; and Margaret, after a pause of a few minutes, found, as she fancied, that in spite of the buzz in the next room, Edith had rolled herself up into a soft ball of muslin and ribbon, and silken curls, and gone off into a peaceful little after-dinner nap.
Elizabeth Gaskell (North and South)
As a teenager with morbid proclivities, my only real social outlets in Hawai’i were the gothic and S&M fetish clubs with names like “Flesh” and “The Dungeon” that took place on Saturday nights in warehouses down by the airport. My friends and I, all uniform-wearing private-school girls by day, would tell our parents we were having a sleepover and instead change into black vinyl ball gowns we ordered off the Internet. Then we’d go to the clubs and get tied to iron crosses and publicly flogged amid puffing fog machines. After the clubs closed at two a.m. we’d go into a twenty-four-hour diner called Zippy’s, invariably get called “witches” by some confused late-night patrons, wash off our makeup in the bathroom, and sleep for a few hours in my parents’ car. Since I was also on my school’s competitive outrigger canoe paddling team, the next morning I would have to peel off the vinyl ball gown and paddle in the open ocean for two hours as dolphins leapt majestically next to our boat. Hawai’i is an interesting place to grow up.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
When the Bolide Fragmentation Rate shot up through a certain level on Day 701, marking the formal beginning of the White Sky, a number of cultural organizations launched programs that they had been planning since around the time of the Crater Lake announcement. Many of these were broadcast on shortwave radio, and so Ivy had her pick of programs from Notre Dame, Westminster Abbey, St. Patrick’s Cathedral, the Imperial Palace in Tokyo, Tiananmen Square, the Potala Palace, the Great Pyramids, the Wailing Wall. After sampling all of them she locked her radio dial on Notre Dame, where they were holding the Vigil for the End of the World and would continue doing so until the cathedral fell down in ruins upon the performers’ heads and extinguished all life in the remains of the building. She couldn’t watch it, since video bandwidth was scarce, but she could imagine it well: the Orchestre Philharmonique de Radio France, its ranks swollen by the most prestigious musicians of the Francophone world, all dressed in white tie and tails, ball gowns and tiaras, performing in shifts around the clock, playing a few secular classics but emphasizing the sacred repertoire: masses and requiems. The music was marred by the occasional thud, which she took to be the sonic booms of incoming bolides. In most cases the musicians played right through. Sometimes a singer would skip a beat. An especially big boom produced screams and howls of dismay from the audience, blended with the clank and clatter of shattered stained glass raining to the cathedral’s stone floor. But for the most part the music played sweetly, until it didn’t. Then there was nothing.
Neal Stephenson (Seveneves)
Here are three things I know for sure: 1. When I was born, someone- I like to think it was my mother- wrapped me in a blue ball gown. 2. There is a color in this world that was named after a king's daughter, who always wore gowns that were made of exactly the same shade of blue. The stories about her make me wish sometimes I could have been friends with her; she smoked in public (at a time when women didn't), once jumped fully clothed into a swimming pool with the captain of a ship, often wore a boa constrictor around her neck, and another time shot at telegraph poles from a moving train. 3. My favorite story goes like this: once, on an island not far from here, there was a queen who climbed a tree waiting for her husband to return from a battle. She tied herself to a branch and vowed to remain there until he returned. She waited for so long that she slowly transformed into an orchid, which was an exact replica of the pattern on the blue gown she was wearing. Here's one more thing that I know for sure is true. On the day June told us she was going to hospital to bring you home, I was in the workshop pressing blue lady orchids. I've always loved them best because their centres are my favorite color: the color of the gown I was once wrapped in. The color of a king's wayward daughter favored. A color called Alice blue.
Holly Ringland (The Lost Flowers of Alice Hart)
As he and Serena walked toward the door to the church, he breathed in the crisp winter day and imagined Serena in a duchess's finery. A satin ball gown in green, to match her eyes. Jewels hanging from her ears and around her neck, dipping into the ivory hollow of her throat. White silken gloves that reached just above her elbows where the tender flesh of her upper arm would he bare until the slender lace of a sleeve began. With her hair artfully arranged and just a touch of pink on her lips... she would be devastating. And she had no idea, no idea the power she could wield. He pictured her dancing, close in his arms, whirling to the violins in one of the many grand ballrooms of his world.
Jamie Carie (The Duchess and the Dragon)
She had applied to college without her parents' knowledge, and when she got her choral scholarship she broke from childhood, choosing music as her religion. Emily and Jess pressed him, but they didn't understand. Their mother's life began when she came up to Cambridge on her own. "It's like a fairyland here," she used to say, when they walked through the ancient cloisters. She was a quiet rebel, buying a Liberty-dress pattern and sewing her own gown for the Emmanuel College ball, dancing until dawn, and then slipping barefoot onto the velvet lawns reserved for Fellows. As a soprano she sang for services and feasts. As an adventurer, she tried champagne for the first time and pork loin and frog's legs.
Allegra Goodman (The Cookbook Collector)
A woman stood in the kitchen with her, wearing an elaborate ball gown that looked like it came from the eighteenth century. “Mon dieu!” Rochelle exclaimed. The woman stared down her thin, imperious nose at Rochelle. Rochelle put on her best snarl, the one she used on bouncers who wouldn’t let her into clubs, or waitresses who took too long with her food. “Qu’est-ce que vous voulez?” she asked, a challenge in her voice. But the woman didn’t answer the question, didn’t tell Rochelle what she wanted. Instead, she pointed to the counter. Rochelle looked to see what the woman was pointing at — And just as she turned her head, the large knife sailed through the air, straight toward the softest part of her neck.
Katie Alender (Marie Antoinette, Serial Killer)
He'd seen how uncomfortable she'd looked being the center of attention. His aunt had told him how, when she'd asked Cinderella what she wished to wear for the ball, she'd replied, "Something blue. It was my mother's favorite color, and I wish with all my heart she could have met Charles and seen us together." Other young women in the kingdom would have asked for a gown fit for a princess, for satin gloves rimmed with crystals, a tiara studded with rubies. Cinderella had asked for none of these things. That was why he loved her. For the earnest way she thought of her words before she spoke, or how her eyebrows danced when she smiled, or how her voice became singsong when she teased him. That was why he missed her.
Elizabeth Lim (So This is Love)
This ball, this gown constituted a new endeavor for women, and she was one of them, wearing these symbols that marked a new life: these pearlized lines of strength, this dove of peace, this poppy in all its complexity, this flame, this bridge. The impossible bridge across impossible obstacles. She would be wearing that bridge. No, she thought, I am my own bridge.
Diane C. McPhail (The Seamstress of New Orleans)
Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
By this time in their lives, Joseph, Elaine, and Ivory were like lil maids, waking up and making their beds first thing, sweeping and dusting, the house would be shining. We were brought up with cleanliness. All of Lolo’s children knew how to clean, including the boy. “Guess who be out there windin’ them clothes through that wringer? Your big uncle,” Uncle Joe told me. When two of Lolo’s friends whom the children called Aunt Ruth and Aunt Agnes arrived at Roman Street for the annual Mardi Gras and Nursing Club balls, Joseph, Elaine, and Ivory pressed their gowns and laid them out on the bed for the women to slip into after they had taken their baths. When they returned from their parties, they found lamplit rooms, their slippers by turned-down beds, their nightclothes already laid out for them.
Sarah M. Broom (The Yellow House)
Y-You love me?” Gazing down at her pert nose and the freckles that made him think of an adorable pixie, he felt his throat constrict. “I want you every hour of the day. I can’t imagine a future without you in it. The idea of returning to my empty house alone is so hellish that I’d rather wander the world at your heels than be without you. Tell me, is that love?” She cast him a blazing smile. “It sounds like it.” “Then I love you, my wonderful, sword-wielding, tart-tongued angel. I want you to be my wife. I want you to preside over my table and accompany me to balls and share my bed.” A most uncharacteristic happiness surged through him. “And I want to have children with you, lots of them, filling every room in Halstead Hall.” A sudden understanding lit her face. His clever love didn’t miss the fact that he was offering her not just himself, but everything else he’d neglected, as well. Everything that he wanted to put to rights. That he needed to put to rights. “Not filling every room, I hope,” she teased, even as tears shone in her eyes. “There are three hundred, after all.” “Then I suppose we’ll have to get started right away,” he said, matching her light tone. His heart near to bursting, he reached again for the buttons on the back of her gown. “These things should never be left until the last minute.” As a laugh of pure joy bubbled out of her, she began to untie his cravat. “I can see you’re going to be quite the lusty husband, aren’t you?” He stripped her gown from her, then turned her around to undo her stays. “You have no idea,” he murmured, and filled his hands with the breasts he’d freed. Moaning, she pressed her bottom against him. “I have some idea.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Remember, happiness isn't just a smile. You can't force it to come true.... Go to this masquerade ball with your new friends, put on a pretty gown, and dance the night away. Sneak out into the royal gardens and drink tea under the moonlight. Get lost in the streets of Valors and spend some of your wages on something that'll make you happy to look at every morning. Even the small joys are worth cherishing, and they will lead to greater ones.
Elizabeth Lim (So This is Love)
After Evie had finished her plate, Sebastian tugged her to the billiards table and handed her a cue stick with a leather tip. Ignoring her attempts to refuse him, he proceeded to instruct her in the basics of the game. “Don’t try to claim this is too scandalous for you,” he told her with mock severity. “After running off with me to Gretna Green, nothing is beyond you. Certainly not one little billiards game. Bend over the table.” She complied awkwardly, flushing as she felt him lean over her, his body forming an exciting masculine cage as his hands arranged hers on the cue stick. “Now,” she heard him say, “curl your index finger around the tip of the shaft. That’s right. Don’t grip so tightly, sweet…let your hand relax. Perfect.” His head was close to hers, the light scent of sandalwood cologne rising from his warm skin. “Try to imagine a path between the cue ball—that’s the white one—and the colored ball. You’ll want to strike right about there”—he pointed to a place just above center on the cue ball—“to send the object ball into the side pocket. It’s a straight-on shot, you see? Lower your head a bit. Draw the cue stick back and try to strike in a smooth motion.” Attempting the shot, Evie felt the tip of the cue stick fail to make proper contact with the white ball, sending it spinning clumsily off to the side of the table. “A miscue,” Sebastian remarked, deftly catching the cue ball in his hand and repositioning it. “Whenever that happens, reach for more chalk, and apply it to the tip of the cue stick while looking thoughtful. Always imply that your equipment is to blame, rather than your skills.” Evie felt a smile rising to her lips, and she leaned over the table once more. Perhaps it was wrong, with her father having passed away so recently, but for the first time in a long while, she was having fun. Sebastian covered her from behind again, sliding his hands over hers. “Let me show you the proper motion of the cue stick—keep it level—like this.” Together they concentrated on the steady, even slide of the cue stick through the little circle Evie had made of her fingers. The sexual entendre of the motion could hardly escape her, and she felt a flush rise up from the neck of her gown. “Shame on you,” she heard him murmur. “No proper young woman would have such thoughts.” A helpless giggle escaped Evie’s lips, and Sebastian moved to the side, watching her with a lazy smile. “Try again.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Before his death your father begged a promise from me. He made me swear that I would look after you and your mother.” “And you have,” she insisted. He held up his hand to prevent her from saying more. “And made me give my word that I would never touch you in any manner other than brotherly.” Another rueful smile. “So you see, I preferred being able to pretend that I had kept my promise rather than face the truth of breaking my word.” He broke her heart, damn him. “He made me promise not to become attached to you,” she confided, continuing with the evening’s truthful trend. “It seems Papa saw something that neither one of us did.” “Oh, I saw it. I’ve seen it since you were eighteen years old and we danced together at some insipid ball. I don’t remember where it was, or the day of the week, but I remember that you wore a pale tea-colored gown with Belgian lace, and that you had pearls in your hair.” She couldn’t breathe. The tilt of his lips, the bleakness of his gaze, it was all too horrible. “And you wore a red cravat,” she whispered. “I thought you looked so rakish in it.” “I was rakish,” he admitted. “Your father knew that.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
It's hazy, but she remembers Jane telling her about drag shows she used to go to in the '70s, the balls, how queens would go hungry for weeks to buy gowns, the shimmering nightclubs that sometimes felt like the only safe places. She lets Jane's memories transpose over here, now, like double-exposed film, two different generations of messy, loud, brave and scared and brave again people stomping their feet and waving hands with bitten nails, all the things they share and all the things they don't, the things she has that people like Jane smashed windows and spat blood for.
Casey McQuiston (One Last Stop)
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders. She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring.
Lisa Kleypas (Suddenly You)
The most shocking costume, however, was neither an abstract concept nor a famous aristocrat lending Old World cachet to New World wealth. Writing in his memoir, Ward McAllister recalled that the most remarkable costume at the famous Vanderbilt ball was that of a young woman, Miss Kate Fearing Strong, who came dressed as a cat. Her costume consisted of a gown made of white cat tails with a bodice of skinned cat heads and was topped with a hat made of a taxidermied white cat curled up and perched upon her heaps of blond curls. Around her throat, Miss Strong wore a black velvet ribbon with a bell and the word puss spelled out on the choker in large diamond letters.
Anderson Cooper (Vanderbilt: The Rise and Fall of an American Dynasty)
And just as Catskin went to the ball, and Cendrillon, and Aschenputtel, so must you. The ball that will be given soon in the palace; I've heard talk of it in the kitchens. The servants say one is held each year. Have you never gone?" She shook her head. "Then you must go this year dressed in a fine gown as it is done in the stories." She sat staring at him. "Me, Gillie? I don’t belong at the ball." "As much as Cinderella did." "But they are only stories; they’re not things that can happen." She studied him for a long time. He did not seem to be making a joke. "It's what you dream, Thursey. You should do what you dream of doing, else where is the good in dreaming?
Shirley Rousseau Murphy (Silver Woven in My Hair)
At first glance you would think it was nothing more than an ordinary house-gown, but only at first glance. If you looked at it again, you could tell right away that it met all the requirements of a fancy ball-gown. What struck Abramka most was that it had no waist line, that it did not consist of bodice and skirt. That was strange. It was just caught lightly together under the bosom, which it brought out in relief. Draped over the whole was a sort of upper garment of exquisite old-rose lace embroidered with large silk flowers, which fell from the shoulders and broadened out in bold superb lines. The dress was cut low and edged with a narrow strip of black down around the bosom, around the bottom of the lace drapery, and around the hem of the skirt. A wonderful fan of feathers to match the down edging gave the finishing touch.
Thomas Seltzer (Best Russian Short Stories)
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
For those of you familiar with fairy tales, I’m known as the Fairy Godmother. I’m best remembered for transforming Cinderella’s raggedy clothes into a beautiful gown for the prince’s ball – but I won’t give anything else away in case you haven’t read it. You’ll be delighted to see it’s the first story in this treasury. I understand this all may come as a bit of a surprise. It’s not every day you learn that a place like the Land of Stories exists outside one’s imagination. Although it shouldn’t be that shocking if you think about it: After all, if fiction is inspired by mythology, and myths are just embellished legends, and legends are exaggerated history, then all stories must have an element of truth to them. And I can assure you that the fairy-tale world is as real as the book you’re holding in your hands. You’re probably wondering how the stories of the fairy-tale world became so prevalent in your world. Allow me to explain, for I am entirely to
Chris Colfer (An Author's Odyssey (The Land of Stories #5))
Look into this one,' the Bomb says with a strange expression. It's Cardan as a very small child. He is dressed in a shirt that's too large for him. It hangs down like a gown. He is barefoot, his feet and shirt streaked with mud, but he wears dangling hoops in his ears, as though an adult gave him their earrings. A horned faerie woman stands nearby, and when he runs to her, she grabs his wrists before he can put his dirty hands on her skirts. She says something stern and shoves him away. When he falls, she barely notices, too busy being drawn in to conversation with other courtiers. I expect Cardan to cry, but he doesn't. Instead, he stomps off to a tree that an older boy is climbing. The boy says something, and Cardan grabs for his ankle. A moment later, the boy is on the ground, and Cardan's small grubby hand is forming a fist. At the sound of the scuffle, the faerie woman turns and laughs, clearly delighted by his escapade. When Cardan looks back at her, he's smiling, too. I shove the crystal ball back in to the drawer. Who would cherish this? It's horrible.
Holly Black (The Wicked King (The Folk of the Air, #2))
The princess found herself being gently prodded and pushed and combed and magicked, and her hair felt weird. When she was spun around to face the mirror again, she was in a yellow dress, waves of sunshine spilling down from her bodice to her toes. Her shoulders were bare, which was a little strange, but they were pale and perfect and delicate. 'Swanlike,' she could hear the minstrel saying. Her hair was loosely braided over one shoulder, a yellow ribbon tying it off. The fairies gasped. "You are 'sooooo' beautiful!" Even 'more' beautiful!" "Can it be possible?" "Look at 'this'," a fairy commanded. With a serious look and a wave of her wand, she transformed the princess again. This time her hair was piled high on her head in an elegant chignon, a simple ribbon holding it back. A light blue dress puffed out around her softly, like a cloud. The finest gloves she had ever worn covered her bare arms up to her shoulders. Funny little tinkling shoes felt chilly on her feet. She put her hands on the skirt and twisted this way and that; what a dress to dance in! She would look like a fairy herself. Or a bride.
Liz Braswell (Once Upon a Dream)
You're in there somewhere." He tapped at her collarbone. "You'll pop out again when-Well,when the time is right. But for now,you've slipped entirely inside your past. Like a cute little turtle in a borrowed shell.Except it's more than that.When you're in Lys's body, your very beings are entwined, so all sorts of good stuff comes with the package.Her memories,her passions,her manners-lucky for you.Of course,you also have to grapple with her shortcomings.This one,if I recall,puts her foot in her mouth with some regularity.So watch out." "Amazing," Luce whispered. "So if I could just find Daniel,I'd be able to feel exactly what she feels toward him." "Sure,I guess,but you do realize that once I snap my fingers,Lys has obligations at this ball that don't include Daniel.This isn't really his scene,and by that I mean,no way the guards would let a poor stable boy in here." Luce didn't care about any of that. Poor stable boy or not,she would find him. She couldn't wait. Inside Lys's body she could even hold him, maybe even kiss him.The anticipation of it was almost overwhelming. "Hello?" Bill flicked a hard finger against her temple. "You ready yet? Get in there,see what you can see-then get out while the getting's good, if you know what I mean." Luce nodded.She straightened Lsys's black gown and held her head a little higher. "Snap to it." "And...go." Bill snapped his fingers.
Lauren Kate (Passion (Fallen, #3))
Maria managed to avoid Oliver for most of St. Valentine’s Day. It wasn’t difficult-apparently he spent half of it sleeping off his wild night. Not that she cared one bit. She’d learned her lesson with him. Truly she had. Not even the beautiful bouquet of irises he’d sent up to her room midafternoon changed that. Now that she was dressing for tonight’s ball, she was rather proud of herself for having only thought of him half a dozen times. Per hour, her conscience added. “There, that’s the last one,” Betty said as she tucked another ostrich feather into Maria’s elaborate coiffure. According to Celia, the new fashion this year involved a multitude of feathers drooping from one’s head in languid repose. Maria hoped hers didn’t decide to find their repose on the floor. Betty seemed to have used a magical incantation to keep them in place, and Maria wasn’t at all sure they would stay put. “You look lovely, miss,” Betty added. “If I do,” Maria said, “it’s only because of your efforts, Betty.” Betty ducked her head to hide her blush. “Thank you, miss.” It was amazing how different the servant had been ever since Maria had taken Oliver’s advice to heart, letting the girl fuss over her and tidy her room and do myriad things that Maria would have been perfectly happy to do for herself. But he’d proved to be right-Betty practically glowed with pride. Maria wished she’d known sooner how to treat them all, but honestly, how could she have guessed that these mad English would enjoy being in service? It boggled her democratic American mind. Casting an admiring glance down Maria’s gown of ivory satin, Betty said, “I daresay his lordship will swallow his tongue when he sees you tonight.” “If he does, I hope he chokes on it,” Maria muttered. With a sly glance, Betty fluffed out the bouffant drapery of white tulle that crossed Maria’s bust and was fastened in the center with an ornament of gold mosaic. “John says the master didn’t touch a one of those tarts at the brothel last night. He says that his lordship refused every female that the owner of the place brought before him.” “I somehow doubt that.” Paying her no heed, Betty continued her campaign to salvage her master’s dubious honor. “Then Lord Stoneville went to the opera house and left without a single dancer on his arm. John says he never done that before.” Maria rolled her eyes, though a part of her desperately wanted to believe it was true-a tiny, silly part of her that she would have to slap senseless. Betty polished the ornament with the edge of her sleeve. “John says he drank himself into a stupor, then came home without so much as kissing a single lady. John says-“ “John is inventing stories to excuse his master’s actions.” “Oh no, miss! John would never lie. And I can promise you that the master has never come home so early before, and certainly not without…that is, at the house in Acton he was wont to bring a tart or two home to…well, you know.” “Help him choke on his tongue?” Maria snapped as she picked up her fan. Betty laughed. “Now that would be a sight, wouldn’t it? Two ladies trying to shove his tongue down his throat.” “I’d pay them well to do it.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
By the by, will you be attending the Shewsbury ball Friday evening?” “I shall, yes.” It would be her first. “Will you?” His smile turned flirtatious. “I plan to now.” Rose blushed like a young girl, even though she knew Eve was behind her probably rolling her eyes. She would definitely wear the Worth gown her mother suggested. “Then I suppose I will see you there.” “I hope you will honor me with the first waltz?” Gracious, he certainly wasted no time! But Rose knew better than to have any expectations where he was concerned. Grey might not want her, but she wasn’t ready to set her cap on the first man to show interest in her. “If you wish to dance with me, I have no desire to disappoint you.” Who was the flirt now? Kellan bowed over her hand, brushing his lips across her gloved knuckles. “I shall count the days until then. Good day, Lady Rose. Lady Eve.” “Good day, Mr. Maxwell.” Pleased with him as well as herself, Rose watched him walk away, but took pains not to let her contentment show. It would only give the gossips something to twitter over, and she knew better than that. “Promise me you won’t fall victim to his charms, Rose,” Eve murmured near her ear. “You needn’t worry, Eve,” she replied, patting her friend’s hand. “I’m not the green girl I once was.” And that was truth as well, because the girl she once was never would have been so suddenly sure of a man’s interest. Nor would she consider using that interest to her own advantage-not in any harmful way, of course. She may no longer be green, but she wasn’t an “arse” as Eve so eloquently put it. But still, if Grey didn’t want her, then he wouldn’t mind if someone else did. Would he?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?” “I believe,” Elizabeth said, “it means to tell a lie in a place like this.” “Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?” “It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?” Shouts of laughter shook the chandeliers that hung from the vaulted ceilings. “No, you would not!” “Then I’m certainly happy I haven’t lied.” Sutherland was no longer certain whether he’d been duped, but he sensed that he’d lost his effort to make Elizabeth sound like a clever, scheming adulteress or a terrified, intimidated wife. The bizarre story of her flight with her brother had now taken on a certain absurd credibility, and he realized it with a sinking heart and a furious glower. “Madam, would you perjure yourself to protect that man?” His arm swung toward Ian, and Elizabeth’s gaze followed helplessly. Her heart froze with terror when she saw that, if anything, Ian looked more bored, more coldly remote and unmoved than he had before. “I asked you,” Sutherland boomed, “if you would perjure yourself to save that man from going to the gallows next month.” Elizabeth would have died to save him. Tearing her gaze from Ian’s terrifying face, she pinned a blank smile on her face. “Next month? What a disagreeable thing to suggest! Why, next month is-is Lady Northam’s ball, and Kensington very specifically promised that we would go”-thunderous guffaws exploded, rocking the rafters, drowning out Elizabeth’s last words-“and that I could have a new fur!!” Elizabeth waited, sensing that she had succeeded, not because her performance had been so convincing, but because many of the lords and wives who never thought beyond the next gown or ball or fur, and so she seemed entirely believable to them. “No further questions!” Sutherland rapped out, casting a contemptuous glance over her. Peterson Delham slowly arose, and though his expression was carefully blank, even bemused, Elizabeth sensed rather than saw that he was silently applauding her. “Lady Thornton,” he said in formal tones, “is there anything else you have to say to this court?” She realized that he wanted her to say something else, and in her state of relieved exhaustion Elizabeth couldn’t think what it was. She said the only thing she could think of, and she knew soon after she began speaking that he was pleased. “Yes, my lord. I wish to say how very sorry I am for the bother Bobby and I have caused everyone. I was wrong to believe him and to dash off without a word to anyone. And it was wrong of him to remain so angry with my husband all this time over what was, after all, rather an act of kindness on his part.” She sensed that she was going too far, sounding too sensible, and she hastily added, “If Kensington had had Bobby tossed into gaol for trying to shoot him, I daresay Bobby would have found it nearly as disagreeable a place as I. He is,” she confided, “a very fastidious person!” “Lady Thornton!” the Lord Chancellor said when the fresh waves of laughter had diminished to ripples. “You may step down.” At the scathing tone in his voice, Elizabeth dared a look in his direction, and then she almost missed her step when she saw the furious scorn on his face. The other lords might think her an incorrigible henwit, but the Lord Chancellor looked as if he would personally have enjoyed throttling her.
Judith McNaught (Almost Heaven (Sequels, #3))
No, I wouldn’t, for the smart caps won’t match the plain gowns without any trimming on them. Poor folks shouldn’t rig,” said Jo decidedly. “I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?” said Meg impatiently. “You said the other day that you’d be perfectly happy if you could only go to Annie Moffat’s,” observed Beth in her quiet way. “So I did! Well, I am happy, and I won’t fret, but it does seem as if the more one gets the more one wants, doesn’t it? There now, the trays are ready, and everything in but my ball dress, which I shall leave for Mother to pack,” said Meg, cheering up, as she glanced from the half-filled trunk to the many times pressed and mended white tarlaton, which she called her ‘ball dress’ with an important air. The next day was fine, and Meg departed in style for a fortnight of novelty and pleasure. Mrs. March had consented to the visit rather reluctantly, fearing that Margaret would come back more discontented than she went. But she begged so hard, and Sallie had promised to take good care of her, and a little pleasure seemed so delightful after a winter of irksome work that the mother yielded, and the daughter went to take her first taste of fashionable life. The Moffats were very fashionable, and simple Meg was rather daunted, at first, by the splendor of the house and the elegance of its occupants. But they were kindly people, in spite of the frivolous life they led, and soon put their guest at her ease. Perhaps Meg felt, without understanding why, that they were not particularly cultivated or intelligent people, and that all their gilding could not quite conceal the ordinary material of which they were made. It certainly was agreeable to fare sumptuously, drive in a fine carriage, wear her best frock every day, and do nothing but enjoy herself. It suited her exactly, and soon she began to imitate the manners and conversation of those about her, to put on little airs and graces,
Louisa May Alcott (Little Women)
What an idiot he was! Had he really thought he could get away with kissing a marquess's daughter? And not just any marquess's daughter, either. Celia looking oh so tempting in her sumptuous purple gown. Lovely, angry Celia. Lady Celia, he reminded himself. But he'd never be able to think of her like that again, not when the taste and smell of her still filled his senses. Hearing voices behind him, he slipped into an empty room to wrangle his emotions into some semblance of control. But it was no use. He could still feel her body yielding to his, still hear her rapid breathing as he'd taken every advantage. Damn her and her soft mouth and her delicate sighs and her fingers curling into the nape of his neck so that all he wanted to do was press her down onto a bench... "Hell and blazes!" He thrust his hands through his hair. What in thunder was he supposed to do about her? And why had she let him kiss her, anyway? Why had she waited until he'd made a complete fool of himself before she'd drawn that damned pistol? Oh. Right. That was why. To make a fool of him herself. To lull him into a false sense of security so she could prove she could control any situation. Well, he'd stymied that, but it was little consolation. He'd behaved like a damned mooncalf, devouring her mouth as if he were a wolf and she were supper. If he'd allowed her to speak of their kiss, she probably would have pointed out exactly how insolent he'd been. Would have warned him never to do anything so impudent again. She didn't need to tell him. He'd learned his lesson. Yes. He had. The memory of her mouth opening beneath his surged up inside him, and he balled his hands into fists. No. He hadn't. All he'd learned was that he wanted her more intensely now than ever. He wanted to kiss her again, and not just her mouth but her elegant throat and her delicate shoulder and the soft, tender mounds of her breasts... A curse exploded out of him. This was insanity! He had to stop making himself mad by thinking about her as if- "There you are, sir," said a voice behind him. I thought that might have been you who came in here." "What the hell is it?" he growled as he rounded on whoever had been fool enough to run him to ground.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
It feels sort of euphoric, like we're in some sort of fairytale. Like she's Tinkerbell and I'm Peter Pan. No, wait. I don't want to be Peter Pan. Maybe she can be like Cinderella and I'll be her Prince Charming. Yeah, I like that fantasy better. Cinderella's hot when she's all poor and sweaty and slaving over the stove. She also looks good in her ball gown. It also doesn't hurt that we're meeting in a broom closet. Very fitting.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
The gown Lottie had decided to wear tonight was a pale blue satin overlaid with white tulle, with a daring scooped neckline that bared the tops of her shoulders. Lottie stood in the center of the bedroom while Mrs. Trench and Harriet pulled the billowing gown over her head and helped guide her arms through the puffed sleeves of stiffened satin. It was a gown as beautiful- no, more beautiful- than any she had seen during the parties at Hampshire. Thinking of the ball she was about to attend, and Nick's reaction when he saw her, Lottie was nearly giddy with excitement. Her light-headedness was no doubt encouraged by the fact that her corset was laced with unusual tightness, to enable Mrs. Trench to fasten the close-fitting gown. Wincing in the confinement of stays and laces, Lottie stared into the looking glass as the two women adjusted the ballgown. The transparent white tulle overslip was embroidered with sprays of white silk roses. White satin shoes, long kid gloves, and an embroidered gauze scarf were the final touches, making Lottie feel like a princess. The only flaw was her stick-straight hair, which refused to hold a curl no matter how hot the tongs were. After several fruitless attempts to create a pinned-up mass of ringlets, Lottie opted for a simple braided coil atop her head, encircled with fluffy white roses. When Harriet and Mrs. Trench stood back to view the final results of their labors, Lottie laughed and did a quick turn, making the blue skirts whirl beneath the floating white tulle.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Thistle and Twig had pushed, prodded, pulled, and cajoled me into an elaborate construction of a gown. It was a little out of date from the current fashions of the world above, something a fine lady might have worn fifty or sixty years ago. The gown was a russet and bronze damask, lined with a stomacher of watered silk striped with cream and violet. It was trimmed with rosettes cunningly shaped like alder catkins. Little as I was, the waist of the gown was even littler, the stays pinching my lower ribs so painfully I could not draw a deep breath. Even more impressive was the décolletage the bodice was able to give me. Despite the yards of fabric, I still felt naked.
S. Jae-Jones (Wintersong (Wintersong, #1))
The music was loud enough that it reached them out here, and at the foot of the steps, Celaena waltzed with herself. She even held the edge of her dark cloak in one hand as if it were the skirts of a ball gown, her other hand poised on the arm of an invisible partner. He didn’t know if he should laugh, yell, or just go back inside and pretend he’d never seen it.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
It’s actually kind of impressive. Trump launched his campaign with paid actors in t-shirts. Now he has real people in silk ball gowns and men is six thousand dollar tuxedos lightly pushing and shoving to get face time—some having paid a one-hundred-thousand-dollar membership fee for the right to be here. It’s an amazing reversal.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
I think,” he said slowly, “that you should marry a man who would appreciate you.” She made a face. “Those are in short supply.” He smiled. “You don’t need a supply. You just need one.” He grasped Poppy’s shoulder, his hand curving over the illusion-trimmed sleeve of her gown until she felt its warmth through the fragile gauze. His thumb toyed with the filmy edge of fabric, brushing her skin in a way that made her stomach tighten. “Poppy,” he said gently, “what if I asked for permission to court you?” She went blank as astonishment swept through her. Finally, someone had asked to court her. And it wasn’t Michael, or any of the diffident, superior aristocrats she had met during three failed seasons. It was Harry Rutledge, an elusive and enigmatic man she had known only a matter of days. “Why me?” was all she could manage. “Because you’re interesting and beautiful. Because saying your name makes me smile. Most of all because this may be my only hope of ever having hotchpotch.” “I’m sorry, but . . . no. It wouldn’t be a good idea at all.” “I think it’s the best idea I’ve ever had. Why can’t we?” Poppy’s mind was spinning. She could hardly stammer out a reply. “I-I don’t like courtship. It’s very stressful. And disappointing.” His thumb found the soft ridge of her collarbone and traced it slowly. “It’s arguable that you’ve ever had a real courtship. But if it pleases you, we’ll dispense with it altogether. That would save time.” “I don’t want to dispense with it,” Poppy said, increasingly flustered. She trembled as she felt his fingertips glide along the side of her neck. “What I mean is . . . Mr. Rutledge, I’ve just been through a very difficult experience. This is too soon.” “You were courted by a boy, who had to do as he was told.” His hot breath feathered against her lips as he whispered, “You should try it with a man, who needs no one’s permission.” A man. Well, he certainly was that. “I don’t have the luxury of waiting,” Harry continued. “Not when you’re so hell-bent on going back to Hampshire. You’re the reason I’m here tonight, Poppy. Believe me, I wouldn’t have come otherwise.” “You don’t like balls?” “I do. But the ones I attend are given by a far different crowd.” Poppy couldn’t imagine what crowd he was referring to, or what kind of people he usually associated with. Harry Rutledge was too much of a mystery. Too experienced, too overwhelming in every way. He could never offer the quiet, ordinary, sane life she longed for. “Mr. Rutledge, please don’t take this as an affront, but you don’t have the qualities I seek in a husband.” “How do you know? I have some excellent qualities you haven’t even seen yet.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
He was polite; he was cool; he was enigmatic. He was every bit what they expected and wanted the storied Duke of Falconbridge to be, because it amused him to be so. In truth, his eyes were on the stairs. He waited with the patience of a cat near a mouse hole for Genevieve Eversea to arrive. He almost didn't recognize her when she did appear. Her dress was a glossy silk of midnight blue, cut very low, and the "sleeves"- really scraps of net- clung to her pale, flawless shoulders, as though she'd tumbled down through clouds to get here and brought a few sheds of sky with her. Her neck was long. Her collarbone had that smooth pristine temptation of a bank of new-fallen snow. It was interrupted only by a drop of a blue stone on a chain that pointed directly at quite confident cleavage, as if the owner knew full well it was splendid and was accustomed to exposing it. Her sleek dark hair was dressed up high and away from her face, and tiny diamanté sparks were scattered through it. Her face beneath it was revealed in delicate simplicity. A smooth, pale, high forehead, etched cheekbones. Elegant as Wedgwood, set off by that dark, dark hair and those vivid eyes. He stared. He wasn't precisely... nonplussed. Still, this particular vision of Genevieve Eversea required reconciling with the quiet girl in the morning dress, the moor pony with the determined gait. As though they were not quite the same thing, or were perhaps 'variations' of the same thing, like verb tenses. He felt a bit like a boy who needed to erase his morning lessons and begin again.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
Can you really see different things in a painting from day to day?" This seemed to genuinely interest the duke. She wasn't certain which part of it fascinated him most, the fact that a painting could change or that she thought it could. "Well, it isn't like a crystal ball. Whereby you see shifting images and the like. But haven't you ever looked at a painting for a length of time, or on more than one occasion, and experienced it differently each time?" Where to begin explaining art to someone who seemed to know nothing about it? Now, if she were dancing with Harry... "Of course. As a young man touring the Continent, I once looked at 'length' at a painting called 'Venus and Mars' by an Italian painter called Veronese. Do you know it? Venus is nude as the day she was born, and Mars is entirely clothed and down on his knees in front of her, and it looks as though Mars is about to give her a pleasuring. And there are cherubs hanging about. I looked at it for quite some time." A... pleasuring. 'God above.' He had her attention now. She was speechless. Everything was astonishing about what he'd just said. She stared up at him, her mind exploding with vivid images, her cheeks going increasingly hotter. She knew the painting. She knew 'precisely' where Mars was kneeling in front of Venus. The duke had said it purposely. Suddenly she was acutely aware of her five senses, as though they were blinking on, one by one, like fireflies in the dark. Most particularly vivid was touch. She was potently aware of his hands: the one resting with firm assurance against her waist, warm there now through the fine silk of her gown, the other enfolding hers. She was acutely aware of his size, and everything that was masculine to her feminine. Goodness. He could certainly look at her for a long time without blinking.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
I know—I can walk to Werra and borrow something from Marie.” “Borrow? Borrow? Goodness, no. There will be no borrowing of ball gowns tonight,” Sybilla said, shivering as if the word was dirty. “Then what am I to wear?” “I
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
A few days ago I was at a private ball given by Mr Ashburnham. As my mother never goes out she entrusted me to the care of Lady Greville who did me the honour of calling for me in her way and of allowing me to sit forwards, which is a favour about which I am very indifferent especially as I know it is considered as conferring a great obligation on me. 'So Miss Maria' (said her Ladyship as she saw me advancing to the door of the carriage) 'you seem very smart tonight - My poor girls will appear quite to disadvantage by you - I only hope your mother may not have distressed herself to set you off. Have you a new gown on?' 'Yes Ma'am,' replied I with as much indifference as I could assume. 'Aye, and a fine one too I think -' (feeling it, as by her permission I seated myself by her) 'I dare say it is all very smart - But I must own, for you know I always speak my mind, that I think it was quite a needless piece of expense - Why could you not have worn your old striped one? It is not my way to find fault with people because they are poor, for I always think that they are more to be despised and pitied than blamed for it, especially if they cannot help it, but at the same time I must say that in my opinion your old striped gown would have been quite fine enough for its wearer - for to tell you the truth (( always speak my mind) I am very much afraid that one half of the people in the room will not know whether you have a gown on or not - but I suppose you intend to make your fortune tonight -: Well, the sooner the better; and I wish you success.' 'Indeed, Ma'am, I have no such intention -' 'Who ever heard a young lady own that she was a fortune-hunter?' Miss Greville laughed, but I am sure Ellen felt for me. 'Was you mother gone to bed before you left her?' said her Ladyship - 'Dear Ma'am, ' said Ellen, 'it is but nine o'clock.' 'True, Ellen, but candles cost money, and Mrs Williams is too wise to be extravagant.' 'She was just sitting down to supper, Ma'am -' 'And what had she got for Supper?' 'I did not observe.' 'Bread and cheese I suppose.' 'I should never wish for a better supper,' said Ellen. 'You have never any reason' replied her mother, 'as a better is always provided for you.' Miss Greville laughed excessively, as she constantly does at her mother's wit.
Jane Austen
All the royal tales got their own special festivals. In honor of the Sleeping Beauty tale, Ever After High held the yearly Beauty Sleep Festival. Everyone put on their pajamas and lay down on their beds, and a magical sleep spell rained over the castle, putting them into a restful slumber for two days. Briar rolled her eyes. "I'd prefer my story got a dance festival with some kicky music and a chocolate fountain." "It's kind of like a massive slumber party, so that's cool," said Ashlynn. "Kinda," said Briar. "But the best part of a slumber party isn't the part where you're unconscious. I'm already facing a hundred years of sleep. Worst. Festival. Ever." "You recall that the royal festival for the Cinderella story is basically just an excuse to get the students to clean the high school," said Ashlynn. Briar laughed, putting her arm around Ashlynn. "That's true! But at least your Spring Cleaning Festival ends with a Ball." Apple always enjoyed the Apple Festival in her story's honor- so many pies and turnovers and breads, and none of them poisoned. The whole school smelled of cinnamon and nutmeg for days. The Spring Cleaning Festival was an excellent opportunity to clean out her sock drawer and then wear a ball gown and dance till midnight. The Little Mermaid Festival took place every summer at Looking Glass Beach with swimming, beach volleyball, and a clam dig.
Shannon Hale (Ever After High: The Storybox of Legends)
Well, perhaps I will go to my parents' house and see Margaret. I need to start shopping for a gown for our ball- I have many nice gowns, of course, but nothing anybody hasn't seen before, and I want to do you justice." She met his gaze then, and he took in the lovely, warm brown depths of her eyes, her full, intensely kissable mouth, that porcelain skin, and her figure, which he'd seen enough to know was spectacular. And seen enough to wish he could see all of it, preferably underneath his body. "You would do me justice wearing a sack, princess," he said, hearing his voice get just a bit husky.
Megan Frampton (Put Up Your Duke (Dukes Behaving Badly, #2))
Hunter spread his hand under the cloth of the woman’s gown and stared at the clear outline of his fingers. As incredible as it seemed, the sun had gone right through the thin material and cooked her fair skin. Comanches sometimes got sunburned, but never like this. With a snort of disgust, he wadded the gown into a ball and tossed the useless thing on the fire. From now on he would dress the girl in leathers. The material ignited explosively, and the light from the heightened flames played upon her body, flickering on her small breasts, shadowing her curves. He stared down at her, more angry than he had ever been, with himself. No matter how he tried not to think of it, his mind circled back to his behavior tonight, immediately after stopping to make camp, then later down at the river. How could he have treated a White-Eyes so kindly?
Catherine Anderson (Comanche Moon (Comanche, #1))
The people of the ton were slaves to their vices. The ladies never wore the same gown twice to public functions and dripped with jewels. The gentlemen gambled their fortunes away on a whim and showed their wealth in carriages and horseflesh. She had seen mountains of food go to waste at balls and opulent gowns thrown into scrap heaps.
Elise Marion (Spinster Sister (Lawless Ladies, #1))
We can see American English downtown in any city in the States. We would look up a block of “apartments” to a “penthouse,” be deluged by the “mass media,” go into a “chain store,” breakfast on “cornflakes,” avoid the “hot dog,” see the “commuters” walking under strips of “neon,” not “jaywalking,” which would be “moronic,” but if they were “executives” or “go-getters” (not “yes-men” or “fat cats”), they would be after “big business,” though unlikely to have much to do with an “assembly line” or a “closed shop.” There’s likely to be a “traffic jam,” so no “speeding,” certainly no space for “joy-riding” and the more “underpasses” the better. And of course in any downtown city we would be surrounded by a high forest of “skyscrapers.” “Skyscraper” started life as an English naval term — a high light sail to catch the breeze in calm conditions. It was the name of the Derby winner in 1788, after which tall houses became generally called skyscrapers. Later it was a kind of hat, then slang for a very tall person. The word arrived in America as a baseball term, meaning a ball hit high in the air. Now its world meaning is very tall building, as typified by those in American cities. Then you could go into a “hotel” (originally French for a large private house) and find a “lobby” (adopted from English), find the “desk clerk” and the “bell boy,” nod to the “hat-check girl” as you go to the “elevator.” Turn on the television, flick it all about and you’re bound to find some “gangsters” with their “floozies” in their “glad rags.” In your bedroom, where the English would have “bedclothes,” the Americans have “covers”; instead of a “dressing gown” you’ll find a “bathrobe,” “drapes” rather than “curtains,” a “closet” not a “wardrobe,” and in the bathroom a “tub” with a “faucet” and not a “bath” with a “tap.
Melvyn Bragg (The Adventure of English: The Biography of a Language)
Almost every day a beautiful woman wearing a ball gown made of grey parachute silk and a broad-brimmed hat trimmed with grey roses visits me. Hardly have I sat down in my armchair, tired from work, but I hear her steps outside on the pavement. She sweeps in at the gate, past the almond tree, and there she is, on the threshold of my workshop. Hastily she comes over to me, like a doctor afraid that she may be too late to save a sinking patient. She takes off her hat and her hair tumbles about her shoulders, she strips off her fencing gloves and tosses them onto this little table, and she bends down towards me. I close my eyes in a swoon – and how it goes on after that point, I do not know. One thing is certain: we never say a word. The scene is always a silent one. I think the grey lady understands only her mother tongue, German, which I have not once spoken since I parted from my parents at Oberwiesenfeld airport in Munich in 1939, and which survives in me as no more than an echo, a muted and incomprehensible murmur. It may possibly have something to do with this loss of language, this oblivion, Ferber went on, that my memories reach no further back than my ninth or eighth year, and that I recall little of the Munich years after 1933 other than processions, marches and parades.
W.G. Sebald (The Emigrants)
Mary had known what to do. She and Debbie had worked everything out in advance—whom to call and in what order: the funeral parlor, the credit card companies, the friends. There was already an obituary ready to go. Leonard’s photo would be in all the newspapers, on Twitter. It’d be in the black-and-white photo montage at the Oscars, with someone singing “Somewhere Over the Rainbow” in a ball gown. Alice made some of the calls to friends—she and Debbie split up the list. No one was surprised. Everyone was kind. Alice cried during the first few, nearly unable to get the words out, but then she got used to the rhythm of the conversation and found that she was able to make it through. That lasted a few minutes and then she was crying again. Alice hugged Mary longer than she’d ever hugged a relative stranger in her life. This was how people felt about their midwives, or platoon mates, or fellow hostages—they had seen things together that no one else would ever fully understand.
Emma Straub (This Time Tomorrow)
Jackie Kennedy came into the ballroom in an exquisite gown of ivory satin embroidered with pearls. “I’m so sorry to hear you aren’t feelingwell,” she said, hurrying to Rosemary’s side. Rosemary explained about the mouse-bite, minimizing it so Jackie wouldn’t worry. “You’d better have your legs tied down,” Jackie said, “in case of convulsions.” “Yes, I suppose so,” Rosemary said. “There’s always a chance it was rabid.” She watched with interest as white-smocked interns tied her legs, and her arms too, to the four bedposts. “If the music bothers you,” Jackie said, “let me know and I’ll have it stopped.” “Oh, no,” Rosemary said. “Please don’t change the program on my account. It doesn’t bother me at all, really it doesn’t.” Jackie smiled warmly at her. “Try to sleep,” she said. “We’ll be waiting up on deck.” She withdrew, her satin gown whispering. Rosemary slept a while, and then Guy came in and began making love to her. He stroked her with both hands—a long, relishing stroke that began at her bound wrists, slid down over her arms, breasts, and loins, and became a voluptuous tickling between her legs. He repeated the exciting stroke again and again, his hands hot and sharp-nailed, and then, when she was ready-ready-more-than-ready, he slipped a hand in under her buttocks, raised them, lodged his hardness against her, and pushed it powerfully in.Bigger he was than always; painfully, wonderfully big. He lay forward upon her, his other arm sliding under her back to hold her, his broad chest crushing her breasts. (He was wearing, because it was to be a costume party, a suit of coarse leathery armor.) Brutally, rhythmically, he drove his new hugeness. She opened her eyes and looked into yellow furnace-eyes, smelled sulphur and tannis root, felt wet breath on her mouth, heard lust-grunts and the breathing of onlookers. This is no dream, she thought. This is real, this is happening. Protest woke in her eyes and throat, but something covered her face, smothering her in a sweet stench. The hugeness kept driving in her, the leathery body banging itself against her again and again and again. The Pope came in with a suitcase in his hand and a coat over his arm. “Jackie tells me you’ve been bitten by a mouse,” he said. “Yes,” Rosemary said. “That’s why I didn’t come see you.” She spoke sadly, so he wouldn’t suspect she had just had an orgasm. “That’s all right,” he said. “We wouldn’t want you to jeopardize your health.” “Am I forgiven, Father?” she asked. “Absolutely,” he said. He held out his hand for her to kiss the ring. Its stone was a silver filigree ball less than an inch in diameter; inside it, very tiny, Anna Maria Alberghetti sat waiting. Rosemary kissed it and the Pope hurried out to catch his plane.
Ira Levin (Rosemary’s Baby)
An ombre ball gown, its colour deepening from white near my throat, through palest blue to deepest indigo at my feet. Over that is stitched the stark outlines of trees, the way I see them from my window as dusk is falling. The seamstress has even sewn on little crystal beads to represent stars. This is a dress I could never have imagined, one so perfect that for a moment, looking at it, I can think of nothing but its beauty.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
It was almost as if the Scene ran on fairy-tale logic: A pauper in a ball gown was a princess. A wolf in a nightcap, a grandma. A wanker in a pair of leather trousers, a dom.
Alexis Hall (For Real (Spires, #3))
was wearing a golden gown which looked fit for a queen and a silver crown inlaid with rubies sat on my head over the flowing locks of my black hair. I glanced to my left and found Darcy dressed exactly the same as me in the reflection while Gabriel was in a fine black suit and shirt, an unadorned silver ring placed upon his black hair and a shimmering crystal ball clasped between his hands.
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
What do you call a trout wearing a ball gown?” I asked as I peered beneath a bandage on his knee. The boy beamed a gap-toothed grin at me. “What?” “Very so-fish-ticated.
Penn Cole (Spark of the Everflame (Kindred's Curse, #1))
Savona escorted me back to the Residence. For most of our journey the talk was in our usual pattern--he made outrageous compliments, which I turned into jokes. Once he said, “May I count on you to grace the Khazhred ball tomorrow?” “If the sight of me in my silver gown, dancing as often as I can, is your definition of grace, well, nothing easier,” I replied, wondering what he would do if I suddenly flirted back in earnest. He smiled, kissed my hand, and left. As I trod up the steps alone, I realized that he had never really talked with me about any serious subject, in spite of his obvious admiration. I thought back over the picnic. No serious subject had been discussed there, either, but I remembered some of the light, quick flirtatious comments he exchanged with some of the other ladies, and how much he appeared to appreciate their flirting right back. Would he appreciate it if I did? Except I can’t, I thought, walking down the hall to my room. Clever comments with double meanings; a fan pressed against someone’s wrist in different ways to hint at different things; all these things I’d observed and understood the meanings of, but I couldn’t see myself actually performing them even if I could think of them quickly enough. What troubled me most was trying to figure out Savona’s real intent. He certainly wasn’t courting me, I realized as I pushed aside my tapestry. What other purpose would there be in such a long, one-sided flirtation? My heart gave a bound of anticipation when I saw a letter waiting and I recognized the style of the Unknown. You ask what I think, and I will tell you that I admire without reservation your ability to solve your problems in a manner unforeseen by any, including those who would consider themselves far more clever than you. That was all. I read it through several times, trying to divine whether it was a compliment or something else entirely. He’s waiting to see what I do about Tamara, I thought at last. “And in return?” That was what Tamara had said. This is the essence of politics, I realized. One creates an interest, or, better, an obligation, that causes others to act according to one’s wishes. I grabbed up a paper, dipped my pen, and wrote swiftly: Today I have come to two realizations. Now, I well realize that every courtier in Athanarel probably saw all this by their tenth year. Nonetheless, I think I finally see the home-thrust of politics. Everyone who has an interest in such things seems to be waiting for me to make some sort of capital with respect to the situation with Tamara, and won’t they be surprised when I do nothing at all! Truth to say, I hold no grudge against Tamara. I’d have to be a mighty hypocrite to fault her for wishing to become a queen, when I tried to do the same a year back--though I really think her heart lies elsewhere--and if I am right, I got in her way yet again. Which brings me to my second insight: that Savona’s flirtation with me is just that, and not a courtship. The way I define courtship is that one befriends the other, tries to become a companion and not just a lover. I can’t see why he so exerted himself to seek me out, but I can’t complain, for I am morally certain that his interest is a good part of what has made me popular. (Though all this could end tomorrow). “Meliara?” Nee’s voice came through my tapestry. “The concert begins at the next time change.” I signed the letter hastily, sealed it, and left it lying there as I hurried to change my gown. No need to summon Mora, I thought; she was used to this particular exchange by now.
Sherwood Smith (Court Duel (Crown & Court, #2))
she hauled herself up from the streets, for she was once no more than a courtesan. She is reputed to rule her husband; they say that beneath her fine gowns hangs a prick and her balls clang together like a ring o' bells for the doge has none.
Marina Fiorato (The Botticelli Secret)