β
The true way to live is to enjoy every moment as it passes, and surely it is in the everyday things around us that the beauty of life lies.
β
β
Laura Ingalls Wilder (Laura Ingalls Wilder, Farm Journalist: Writings from the Ozarks (Volume 1))
β
It isn't a club," I said calmly. "It's a walking stick."
"Six feet long."
"It's traditional Ozark folk art."
"With dents and nicks all over it."
I thought about it for a second. "I'm insecure?"
"Get a blanket." He held out his hand. I signed and passed my staff over to him. "Do I get a receipt?"
He took a notepad from his pocket and wrote on it. Then he passed it over to me. It read: Received, one six foot tall traditional Ozark walking club from Mr. Smart-Ass.
β
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Jim Butcher (Turn Coat (The Dresden Files, #11))
β
Everything was going along just fine until Mama caught me cutting out of the circles of tin with her scissors. I always swore she could find the biggest switches of any woman in the Ozarks.
β
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Wilson Rawls (Where the Red Fern Grows)
β
It (a singer's voice) sounds as if it was aged in a whiskey cask, cured in an Ozarks smokehouse, dropped down a stone well, pulled out damp, and kept moist in the palm of a wicked woman's hand.
β
β
Michael Perry
β
A big grinning Ozark moon crawled up out of nowhere and seemed to say, βHi, neighbor! Iβve been looking for you. It gets kind of lonesome out here. Welcome to the land of the Cherokee!
β
β
Wilson Rawls (Summer of the Monkeys)
β
Sir," said the guard from behind me. "I'd appreciate it if you left your club here."
I paused and looked over my shoulder, He had a gun. His hand wasn't exactly resting on it, but he'd tucked his thumb into his belt about half an inch away.
"It isn't a club," I said calmly. "It's a walking stick."
"Six feet long."
"It's traditional Ozark folk art."
"With dents and nicks all over it."
I thought about it for a second. "I'm insecure?"
"Get a blanket.
β
β
Jim Butcher (Turn Coat (The Dresden Files, #11))
β
Sunsets and mirrors are great for looking back, but our love belongs to the sunrise. Let the orange glow over The Ozarks fade into the deep blue mystery that is our romance.
β
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Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
β
I am the Mister Rogers Bannister of swimming coaches for ducks. My services are available in underwater vending machines in ponds all across The Ozarks.
β
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Jarod Kintz (BearPaw Duck And Meme Farm presents: Two Ducks Brawling Is A Pre-Pillow Fight)
β
Nothing hurts like a hostile farewell.
β
β
Regina Jennings (A Most Inconvenient Marriage (Ozark Mountain Romance, #1))
β
I have never been back to the Ozarks. All I have left are my dreams and memories, but if God is willing, some day Iβd like to go backβback to those beautiful hills. Iβd like to walk again on trails I walked in my boyhood days. Once again Iβd like to face a mountain breeze and smell the wonderful scent of the redbuds, and papaws, and the dogwoods. With my hands Iβd like to caress the cool white bark of a sycamore. Iβd like to take a walk far back in the flinty hills and search for a souvenir, an old double-bitted ax stuck deep in the side of a white oak tree. I know the handle has long since rotted away with time. Perhaps the rusty frame of a coal-oil lantern still hangs there on the blade. Iβd like to see the old home place, the barn and the rail fences. Iβd like to pause under the beautiful red oaks where my sisters and I played in our childhood. Iβd like to walk up the hillside to the graves of my dogs. Iβm sure the red fern has grown and has completely covered the two little mounds. I know it is still there, hiding its secret beneath those long, red leaves, but it wouldnβt be hidden from me for part of my life is buried there, too. Yes, I know it is still there, for in my heart I believe the legend of the sacred red fern.
β
β
Wilson Rawls (Where the Red Fern Grows)
β
Our home was in a beautiful valley far back in the rugged Ozarks. The country was new and sparsely settled. The land we lived on was Cherokee land, allotted to my mother because of the Cherokee blood that flowed in her veins. It lay in a strip from the foothills of the mountains to the banks of the Illinois River in northeastern Oklahoma.
β
β
Wilson Rawls (Where the Red Fern Grows)
β
I like my morning coffee so strong it will wake up the neighbors. And if that doesn't work, I'll start playing my tuba.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
There is no romance if there is no fog. When everything is clear, there's no element of mystery. In The Ozarks, mystique is ubiquitous.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Accepting the worldβs realities, even when you didnβt understand them, was a basic necessity of existence in Ozark life.
β
β
Pamela Morsi (The Lovesick Cure (Tales from Marrying Stone, #3))
β
Time is fluid, like the wide sky that fades into bright orange in a sunset in The Ozarks. Here on my duck farm, every moment is meant to be sipped and savored like a slow mimosa.
β
β
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
β
My ducks and I survived The Great Ozarks Cloudy Day With Scattered Rain of 6/6/22. Thank you for all your prayers. I should make a T-shirt commemorating the whole ordeal.
β
β
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
β
Thump Milton loomed over Ree, a fabled man, his face a monument of Ozark stone, with juts and angles and cold shaded parts the sun never touched.
β
β
Daniel Woodrell (Winter's Bone)
β
Stay More' is synonymous with 'Status Quo' in fact, there are people who believe, or who like to believe, that the name of the town was intended as an entreaty, beseeching the past to remain present.
β
β
Donald Harington (The Architecture of the Arkansas Ozarks (Stay More))
β
WILSON RAWLS was born on a small farm in the Oklahoma Ozarks. He spent his youth in the heart of the Cherokee nation, prowling the hills and river bottoms with his only companion, an old bluetick hound. Rawlsβs first writing was done with his fingers in the dust of the country roads and in the sands along the river, and his earliest stories were told to his dog. Not until Rawlsβs family moved to Muskogee and he could attend high school did he encounter books. Where the Red Fern Grows has become a modern classic and has been made into a widely acclaimed motion picture.
β
β
Wilson Rawls (Where the Red Fern Grows)
β
Every unmeasured system is assumed to be critical. It is the same as finding a pistol sitting on a table. Assume that it is cocked and loaded.
β
β
James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
The days never have been long enough to do the things I would like to do. Every year has held more of interest than the year before.β . . .
β
β
Laura Ingalls Wilder (Laura Ingalls Wilder, Farm Journalist: Writings from the Ozarks)
β
Sometimes the best gifts aren't convenient at the time.
β
β
Regina Jennings (A Most Inconvenient Marriage (Ozark Mountain Romance, #1))
β
I was still a boy when I left the Ozarks, only sixteen years old. Since that day, Iβve left my footprints in many lands: the frozen wastelands of the Arctic, the bush country of Old Mexico, and the steaming jungles of YucatΓ‘n. Throughout my life, Iβve been a lover of the great outdoors. I have built campfires in the Rocky Mountains of Colorado, and hunted wild turkey in the Smoky Mountains of Tennessee and the Blue Ridge Mountains of Virginia. I have climbed the Grand Tetons of Wyoming, and hunted bull elk in the primitive area of Idaho. I can truthfully say that, regardless of where I have roamed or wandered, I have always looked for the fairy ring. I have never found one, but Iβll keep looking and hoping. If the day ever comes that I walk up to that snow-white circle, Iβll step into the center of it, kneel down, and make one wish, for in my heart I believe in the legend of the rare fairy ring.
β
β
Wilson Rawls (Summer of the Monkeys)
β
Before the blue of night meets the pink of sunrise, there is a transition of lavender. It's a gradient of color that stretches its fade through time, and that gives each moment a unique and exquisite existence.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
As long as nuclear engineering can strive for new innovations and learn from its history of accidents and mistakes, the benefits that nuclear power can yield for our economy, society, and yes, environment, will come.
β
β
James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
Cash rich is future poor. Back in 1913, I could have almost bought a mansion for the price of a cup of coffee today.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Yes, my buggy is outside and my horse has been acting up. I wondered if you could come rub its skull and tell me if itβs got a bad case of stubborn, or if it might be indigestion?
β
β
Regina Jennings (At Love's Bidding (Ozark Mountain Romance, #2))
β
In the Arkansas section of The Ozarks, youβll find water so blue itβs almost green. Around here, and anywhere people arenβt colorblind, we call that teal.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
I describe The Ozarks as somewhere in the middle of enchanting and charming. I don't know where exactly, so let's call it encharming.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Time is fluid, like the wide sky that fades into bright orange in a sunset in The Ozarks. Every moment is meant to be sipped and savored like a slow mimosa.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
I admire the flow of your dancing moves, and I'd love to bottle them up and sell them as windshield wiper fluid. I only wish they came in Ozarks Rain Flavor.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
In The Ozarks, where there isn't rock, there is clay. That makes those who use backhoes and dozers to shape the land sculptors.
β
β
Jarod Kintz (Powdered Saxophone Music)
β
There is a popular saying, βMore rare than pine is the smell of piningββwhich is rare indeed, for there are few pine trees in this part of the Ozarks.
β
β
Donald Harington (The Nearly Complete Works of Donald Harington, Volume 1)
β
I was born dead, in the dead of winter, still as a stone. Blue as the smoky haze that sometimes settles on the Ozark Mountains.
β
β
Rolland Love (Born Dead on a Winter's Night)
β
Are they Russian by way of the Ozarks?
β
β
Alexa Land (Way Off Plan (Firsts and Forever, #1))
β
On nights like this, I feel like Henry Rowe Schoolcraft as I venture into the wild. Henry made it his craft to school people about the area, becoming The Lewis and Clark of The Ozarks.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Big Cedar is Jackson Hole of The Ozarks. The easiest way to tell the difference between a buffalo and a bison is one has wings and tastes great with hot sauce, and the other is a Wyoming hamburger.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
A lot of wisdom goes to waste because people speak it openly into the air during conversations, and it dissipates into the atmosphere without raining back down in the form of written text to be read in the future.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Betsy was impulsive in every area save one. Where men were concerned, she'd never ventured anything. Let others wear their hearts on their sleeves; let others chase after masculine attention. Betsy had more interesting pursuits.
β
β
Regina Jennings (For the Record (Ozark Mountain Romance, #3))
β
I took up duck farming in The Ozarks in 2020. I guess I did it mainly because the YMCA Aquatic Center in Orlando was operating at full occupancy with a geriatric aerobics class, and the instructor wouldn't let me ride my unicycle in the pool.
β
β
Jarod Kintz (A Memoir of Memories and Memes)
β
Dance critics all over the world have called my body moves, βSculpturesque,β βAs full of motion as a Rodin statue,β and βLike watching Helen Keller eat Jell-O with her elbows.β My dancing is so still and silent that it belongs to a foggy Ozarks morning.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Then Iβm going to pray that God sends a conundrum your way that you must solve and that you can only solve with His help.β
Miranda straightened. βThatβs not very chivalrous.β
His eyes were kind but firm. βI admire the woman Iβve come to know here, and while I canβt promise Iβll ever see her again, I refuse to let her disappear off the face of the earth. You have to keep her alive.
β
β
Regina Jennings (At Love's Bidding (Ozark Mountain Romance, #2))
β
I mean, really ponder what God gave you breath for. Most of our suffering means nothing. What are we striving for? To make ourselves more comfortable? To add prestige or honor to our reputation? Buth then you find something - a cause, a person - worth dying for, and you realize that's the best gift God can give you, because until you know what you'd die for, you don't know what you're living for.
β
β
Regina Jennings (A Most Inconvenient Marriage (Ozark Mountain Romance, #1))
β
I've always found the thousand dollar dinners more unsettling than the twenty-five-thousand dollar ones --- if someone pays the Republican National Committee twenty-five thousand dollars (or, more likely, fifty per couple) to breathe the same air as Charlie for an hour or two, then it's clear the person has money to spare. What breaks my heart is when it's apparent through their accent or attire that a person isn't well off but has scrimped to attend an event with us. We're not worth it! I want to say. You should have paid off your credit-card bill, invested in your grandchild's college fund, taken a vacation to the Ozarks. Instead, in a few weeks, they receive in the mail a photo with one or both of us, signed by an autopen, which they can frame so that we might grin out into their living room for years to come.
β
β
Curtis Sittenfeld (American Wife)
β
Ree Dolly stood at the break of day on her cold front steps and smelled coming flurries and saw meat. Meat hung from trees across the creek. Carcasses hung pale of flesh with fatty gleam from low limbs of saplings in the side yards. Three halt haggard houses formed a kneeling rank on the far creekside and each had two or more skinned torsos dangling by rope from sagged limbs, venison left to the weather for two nights and three days so the early blossoming of decay might round the flavor, sweeten that meat to the bone.
β
β
Daniel Woodrell (Winter's Bone)
β
Where two are, loneliness isn't. And with loneliness left out, loneliness is lonely.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
The Red Hot Chili Peppers have a great song about a bridge. And I can relate, because I love spicy food.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
In high school, I was on the carpentry team, but I got benched. It was awkward sitting on it while my teammates built it.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
First Artificial Intelligence stole all the jobs. Then it snatched up all the people off the streets at night, and now I'm left alone, playing my saxophone at the moon.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
M.C. Escher called. He wanted to sell me some upside-down stairs. I said I already have a few, and then I got him to buy an upwalking slinky.
β
β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Airplanes are white, like Pekin ducks. And when they are on flat ground, that possibility of flight fills the air.
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β
Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Today is the one that introduces Yesterday to Tomorrow. If it weren't for Today, Nostalgia would never meet Hope.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Add some mystery to your morning coffee and stir in some mist. Or go full fog for that #MissMarpleFlavor. Then solve it sip by sip.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Of all the sports, golf is certainly one of them. Well, almost certainly, and I think thatβs what I love most about it.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Life is more romantic with soft piano music. I just wish those particular instruments were more portable, so my back wouldn't be so sore.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Turn the music down, and when you hit zero decibelsβturn it down even more. Negative volume produces the most beautiful dancing.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Can we go back to the way things were, before life got so complicated with the wheel and then the three other wheels?
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Love makes the world go round. Too bad love doesnβt make the world go other shapes, like Table Rock Lake.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Francis Bacon has the most delicious last name ever, followed closely by Johnny Scrambledeggs. I golf like those two guys make breakfast out of family reunions.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
No matter which end of a hotdog you take your first bite from, Iβll tell you youβre eating it backwards. Iβm serious, I think you may be dyslexic.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
I should design door handles made of flowing water. To open, pull like salmon swim.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Only Bob Dylan knows which of his songs belong in the trash and which belong in the garbage. Iβm so ignorant, Iβd say either one works.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
By 2030 I won't need to carry any Portable Communication Device, because by then I will have mastered the art of telepathy. I've been practicing in the mirror.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
The truth is that the truth isnβt hiding. Itβs out in the openβitβs the people that are hiding from the truth.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
All my failures as a human being I blame on my father. Life is about accepting responsibility, and itβs time my father started being held accountable for my deficiencies.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
I once saw a waterfall walk up a flight of stairs, when it could have easily taken the escalator. That's what I would have done, if I were composed of 40% more H2O.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Play your saxophone like a quacking duck. An electric guitar full of lightning doesn't even have that energy.
β
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
This is the Los Angeles Lakers of sunsets. Purple and yellow, it reminds me of Larry Bird.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
Yesterday I played a round of golf. I just kept hitting the ball in circles, but never getting it in the circles they call holes.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
The songβs advice said, βPlay that funky music, white boy.β So, I took up the xylophone.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
In all, it killed fewer people than the coal industry, it caused less unhealthy pollution than the asbestos industry, and it cannot be blamed for global warming.280
β
β
James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
Nuclear rockets capable of sending a fully equipped colony to Mars in one shot were designed.
β
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
it is correct to remind them of the British Blue Peacock nuclear weapon, in which the batteries were kept warm by two chickens living in the electronics module aft of the warhead.
β
β
James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
For a human, the lethal dose is about a tenth of a gram.
β
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
An arsenic compound is still used to treat promyelocytic leukemia, and the isotope arsenic-74 is used as a radioactive tracer to find tumors.
β
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
male workers were thought incapable of sitting still for hours at a time to do anything useful.
β
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
Isotopes of radium, the first nuclear radiation sources to be commercially exploited, are probably the worst examples out of thousands of radioactive isotopes.
β
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
In general, nuclear workers are allowed to absorb 5 rem per year, and civilians are allowed 0.5 rem per year.
β
β
James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
Donald Harington (The Architecture of the Arkansas Ozarks (Stay More))
β
We had therefore invented the perfect weapon for blowing up an entire sky full of multi-engine aircraft in one swat, so we could have defeated ourselves two wars back.
β
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
Coffee, it's the original energy drink. After I chug this I'll feel like I could run a marathon, but I won't, because I have two Rubik's Cubes for knees, and they still need to be solved.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
I like mini-golf. For me, itβs like long-billiards, where the green has contours, and the table is the floor. This putt-putt course is dilapidated, but that just makes it more challenging.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
You might be asking yourself, "Jarod, why did you write something that maybe one person is going to read?" The answer is easy: Because that gives me a larger audience than The Washington Post.
β
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
The internet liquefied physical borders faster than they were already doing on their own. For all that, there are only regional writers. There are no "internet writers," like there used to be "paperback writers." Every tweet comes from somewhere, and that "somewhere" goes into the "somewhere" where you're reading it in. You read Nietzsche in the Ozarks for a while, let's say, then you get up and sweep the leaves from your porch for a longer while. Place wins on time spent every time, unless you're demented enough to put out your eyes on screens longer than you sweep. We are in a state of "transitional regionalism," a place where regions are instantly transmitted to other regions, but they don't universalize them, they only make them more provincial, by framing them with the local.
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Andrei Codrescu
β
People always ask me, they say, βJarod, what do you do with your money?β Well, I base my financial decisions on the annual migratory patterns of Bigfoot, because maps are the new charts, as taught by the esteemed Ponce de Leon School of Youth, Wealth, and Duck Farming. Next time youβre in St. Augustine, Fl, or here in The Ozarks, you should stop on by and learn to become your own cartographer.
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Jarod Kintz (Eggs, theyβre not just for breakfast)
β
The only difference between your average man and a hero is that the hero figures out what to do before it's too late,' He nudged her aside and, with a few pulls, filled her bucket. 'Then he has the nerve to go on and do it.'
Betsy leaned back as if she was trying to get a complete view of him from head to toe. 'Is that all it takes to make a good hero?'
'One more thing. A hero always comes back for his lady.
β
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Regina Jennings (For the Record (Ozark Mountain Romance, #3))
β
Water doesnβt shape like clay when you move it with your hands. I've spent a lot of time swimming, and none of my motion art stayed in place. All my aqua sculpting rippled into the future, never to be seen again.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
In a Lake of Clouds, there's only one thing you can fish for: Dreams. Mostly I catch mine, but sometimes I catch yours, and I must say I am flattered to always see myself as the co-star in your subconscious fantasies.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
To blame me in the past is a very future me thing to do. But what am I supposed to do, scapegoat someone else for my mistakes? Somebody needs to be held accountable, and it certainly wonβt be the version of me in that moment.
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Jarod Kintz (The Lewis and Clark of The Ozarks)
β
The utter wildness of the nineteen-fifties, a decade in which 100 new religions were formed, psychedelic drug experimentation was on an industrial scale, and vast scientific experiments outstripped science fiction, makes the sixties a wind-down.
β
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
However, in very low doses strychnine can act as a nerve stimulant, and I can see how Bailey, and most likely others, saw it as a clever treatment for erectile disorder. Known for both its poisonous and medicinal uses in ancient China and India,
β
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
β
The only grown-up other than Jacob who ever came into his schoolroom was Eli Willard.
School was in session one day when the Connecticut itinerant reappeared after long absence, bringing Jacob's glass and other merchandise. Jacob seized him and presented him to the class. 'Boys and girls, this specimen here is a Peddler. You don't see them very often. They migrate, like the geese flying over. This one comes maybe once a year, like Christmas. But he ain't dependable, like Christmas. He's dependable like rainfall. A Peddler is a feller who has got things you ain't got, and he'll give 'em to ye, and then after you're glad you got 'em he'll tell ye how much cash money you owe him fer 'em. If you ain't got cash money, he'll give credit, and collect the next time he comes 'round, and meantime you work hard to git the money someway so's ye kin pay him off. Look at his eyes. Notice how they are kinder shiftly-like. Now, class, the first question is: why is this feller's eyes shiftly-like?
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Donald Harington (The Architecture of the Arkansas Ozarks (Stay More))
β
But Wyatt, the humiliation. Why? Why would God let him do this? Itβs a cruel turn when heβs been so good his whole life. Why would God destroy his reputation for wisdom and good sense now?β
βI donβt pretend to know Godβs purpose, but just look at how dealing with him has made you stronger. Look how youβve changed. If he hadnβt needed help, you would have never come to Missouri. You wouldβve stayed in Boston and lived the life youβd always lived, and I wouldβve never met you.β He cupped the back of her head and held her against him. βGod is still at work. He hasnβt forgotten you, or your grandpa.
β
β
Regina Jennings (At Love's Bidding (Ozark Mountain Romance, #2))
β
Was life measured by the trouble you avoided, or by the obstacles you overcame? God had made her for trouble, equipped her for hardship. She'd do her share and then some. Most of all, she'd buttress the man who faced the dangers for all of them. He wouldn't do it alone. Not while she had blood pumping in her veins.
β
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Regina Jennings (For the Record (Ozark Mountain Romance, #3))
β
Care was supposedly taken in the buildingβs design to ensure that no enriched uranium would ever be in a critical-sized or -shaped container, so no criticality alarms were called for in the license. An accidental criticality of any kind in this facility, run by highly disciplined Japanese laborers, was not a credible scenario.182
β
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
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Ivan Pulyui, a college professor at the University of Vienna from the Ukraine, is sometimes credited with having sold the first x-ray tubes, before the x-ray was discovered. The claim is semi-true. His Pulyui Lamp was available perhaps as early as 1882, but it was sold as a light bulb, and Pulyui did not realize that it was streaming x-rays along with a blue glow until he read RΓΆntgenβs paper in 1895. Pulyui immediately saw the medical diagnostic use of x-rays, and his lamps became quite useful.
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
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Wilderness
by Carl Sandburg
There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of bloodβI keep this wolf because the wilderness gave it to me and the wilderness will not let it go.
There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross.
There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sunβI got this too from the wilderness and the wilderness will not let it go.
There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis.
There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galootβs hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waitingβI keep the baboon because the wilderness says so.
There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishesβAnd I got the eagle and the mockingbird from the wilderness.
O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heartβand I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-WhereβFor I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.
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Carl Sandburg (The Complete Poems)
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from a distance of 50 miles, were brought down in 10 seconds by demolition explosives, and that was that. The fuel-reprocessing industry in the UK has reported only one criticality accident in which fissile material managed to come together accidentally in a supercritical configuration. Just about every other country that has tried to separate plutonium from uranium in spent reactor fuel has experienced at least one such excursion, and this was Britainβs. This incident at the Windscale Works on August 24, 1970, is described by the criticality review committee at
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)
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Eli Willard just looked at her for a long moment, and then he announced, 'Lady of the Lake strikes iceberg in mid-Atlantic; 215 drown. New York City fire destroys 700 buildings. Japanese earthquake kills 12,000. Worldwide cholera epidemic kills millions. Wages rise, but prices rise faster. Financial crash occurs on Van Buren's 36th day in office. Nation begins first great depression. Bank failures and closings spread like plague. 200,000 are unemployed. Business bankrupt; only pawnbrokers prosper. Van Buren declares ten-hour days on all federal jobs. There. Does that make you feel any better?
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Donald Harington (The Architecture of the Arkansas Ozarks (Stay More))
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Seeing the value of publication shown by RΓΆntgenβs disclosure, he wrote three articles for the Electrical Review in 1896 describing what it felt like to stick your head in an x-ray beam. The effects were odd. βFor instance,β he first wrote, βI find there is a tendency to sleep and I find that time seems to pass quickly.β He speculated that he had discovered an electrical sleep aid, much safer than narcotics. In his next article for 1896, after having spent a lot of time being x-rayed, he observed βpainful irritation of the skin, inflammation, and the appearance of blisters β¦ , and in some spots there were open wounds.β In his final article of 1896, published on December 1, he advised staying away from x-rays, ββ¦ so it may not happen to somebody else. There are real dangers of RΓΆntgen radiation.
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James Mahaffey (Atomic Accidents: A History of Nuclear Meltdowns and Disasters: From the Ozark Mountains to Fukushima)