Ovid Love Quotes

We've searched our database for all the quotes and captions related to Ovid Love. Here they are! All 94 of them:

I am the poet of the poor, because I was poor when I loved; since I could not give gifts, I gave words.
Ovid
Happy are those who dare courageously to defend what they love.
Ovid
Eurydice, dying now a second time, uttered no complaint against her husband. What was there to complain of, but that she had been loved?
Ovid (Metamorphoses)
Love will enter cloaked in friendship's name.
Ovid
If you would be loved, be lovable
Ovid
Every lover is a soldier.
Ovid (Amores)
Dignity and love do not blend well, nor do they continue long together.
Ovid
And besides, we lovers fear everything
Ovid (Metamorphoses)
Omnia mutantur; nihil interit
Ovid
Even as a cow she was lovely.
Ovid (Metamorphoses)
Mister Cameron - I have read the unexpurgated Ovid, the love poems of Sappho, the Decameron in the original, and a great many texts in Greek and Latin histories that were not though fit for proper gentlemen to read, much less proper ladies. I know in precise detail what Caligula did to, and with, his sisters, and I can quote it to you in Latin or in my own translation if you wish. I am interested in historical truth, and truth in history is often unpleasant and distasteful to those of fine sensibility. I frankly doubt that you will produce anything to shock me.
Mercedes Lackey (The Fire Rose (Elemental Masters, #0))
He loved a lifeless thing and he was utterly and hopelessly wretched.
Ovid
Only she is chaste whom none has invited
Ovid (The Art of Love)
Venus is kind to creatures as young as we; We know not what we do, and while we’re young We have the right to live and love like gods.
Ovid
We believe slowly when belief brings pain.
Ovid (Heroides)
اسرع الي خلع خفيها عن قدميها الرقيقتين ان كانت لابستهما أو البسهما قدميها ان كانتا مجردتين منهما, و ان شكت برداً فدفئ كفيها في صدرك, و لو ارتجفت برداً. ولا تحسبها ذلة ان تمسك مرآتها بيدك, يا من ولدت حراً لا قناً(هي ذلة حقاً لكن ما اسرع ان تستعذبها)
Ovid (The Art of Love)
Look at the four-spaced year That imitates four seasons of our lives; First Spring, that delicate season, bright with flowers, Quickening, yet shy, and like a milk-fed child, Its way unsteady while the countryman Delights in promise of another year. Green meadows wake to bloom, frail shoots and grasses, And then Spring turns to Summer's hardiness, The boy to manhood. There's no time of year Of greater richness, warmth, and love of living, New strength untried. And after Summer, Autumn, First flushes gone, the temperate season here Midway between quick youth and growing age, And grey hair glinting when the head turns toward us, Then senile Winter, bald or with white hair, Terror in palsy as he walks alone.
Ovid (Ovid's Metamorphoses: Books 1-5)
What did Sappho of Lesbos teach but how to love women?
Ovid (The Tristia of Ovid)
Dicere quae puduit, scribere jussit amor
Ovid
Agamemnon escaped with his life From land battles and sea storms, then fell to his wife.
Ovid (The Art of Love)
Love will enter cloaked in friendship’s name. --Ovid
Emma Scott (The Butterfly Project)
Apollo Loves at first sight; he wants to marry Daphne, He hopes for what he wants—all wishful thinking!
Ovid (Metamorphoses: The New, Annotated Edition)
Nothing is stronger than Custom (Fac tibi consuescat: nil adsuetudine maius)
Ovid (Ars Amatoria ("The Art of Love") (in three Books), Remedia Amoris ("Remedy of Love"), Medicamina Faciei Feminae ("The Art of Beauty"), The History of Love and The Court of Love (mobi))
I got nervous at bulls and eagles, Trying to figure what shape Zeus might take for sex When it could be your turn next. But now I don't care any longer, I've come to my senses, your profile leaves me cold. Why am I different? you ask. I'll tell you. Because you keep nagging For presents. That's what turns me off.
Ovid (The Erotic Poems)
Venus of Eryx, from her mountain throne, Saw Hades and clasped her swift-winged son, and said: 'Cupid, my child, my warrior, my power, Take those sure shafts with which you conquer all, And shoot your speedy arrows to the heart Of the great god to whom the last lot fell When the three realms were drawn. Your mastery Subdues the gods of heaven and even Jove, Subdues the ocean's deities and him, Even him, who rules the ocean's deities. Why should Hell lag behind? Why not there too Extend your mother's empire and your own....? Then Cupid, guided by his mother, opened His quiver of all his thousand arrows Selected one, the sharpest and the surest, The arrow most obedient to the bow, And bent the pliant horn against his knee And shot the barbed shaft deep in Pluto's heart.
Ovid (Metamorphoses)
He plunged his arms deep to embrace One who vanished in agitated water. Again and again he kissed The lips that seemed to be rising to kiss his But dissolved, as he touched them, Into a soft splash and a shiver of ripples. How could he clasp and caress his own reflection? And still he could not comprehend What the deception was, what the delusion. He simply became more excited by it. Poor misguided boy! Why clutch so vainly At such a brittle figment? What you hope To lay hold of has no existence. Look away and what you love is nowhere.
Ovid (Tales from Ovid: 24 Passages from the Metamorphoses)
Quem põe ponto final numa paixão com o ódio, ou ainda ama, ou não consegue deixar de sofrer.
Ovid
But love, resistless love, my soul invades, discretion this, affection that perswades. I see the right and I approve it too, condemn the wrong and yet the wrong pursue.
Ovid (Metamorphoses)
Sweet Echo, sweetest nymph that liv'st unseen Within thy airy shell By slow Meander's margent green, And in the violet-imbroider'd vale Where the love-lorn nightingale Nightly to thee her sad song mourneth well: Canst thou not tell me of a gentle pair That likest thy Narcissus are?
John Milton (The Complete Poems)
The god of Delos, proud in victory, Saw Cupid draw his bow's taut arc, and said: 'Mischievous boy, what are a brave man's arms To you? That gear becomes my shoulders best. My aim is sure; I wound my enemies, I wound wild beasts; my countless arrows slew But now the bloated Python, whose vast coils Across so many acres spread their blight. You and your loves! You have your torch to light them!Let that content you; never claim my fame!' And Venus' son replied: 'Your bow, Apollo, May vanquish all, but mine shall vanquish you. As every creature yields to power divine, So likewise shall your glory yield to mine.
Ovid (Metamorphoses)
Love is no assignment for cowards.
Ovid
Should anyone here in Rome lack finesse at love-making, Let him Try me - read my book, and the results are guaranteed! Technique is the secret. Charioteer, sailor, oarsman, All need it. Technique can control Love himself.
Ovid (The Art of Love)
Love is a child and naked; he has years that know no meanness, and he has no clothes, so that he is open in his ways.
Ovid (The Love Poems)
Fortune...and love favor the brave.
Ovid
Love has always been tempered by fear
Ovid (Heroides)
To be loved, be lovable.” —Ovid
Zig Ziglar (Zig Ziglar's Life Lifters)
If a god said ‘Live, and set love aside’ I’d say ‘no’! Girls are such sweet misfortune.
Ovid (Amores & Metamorphoses: Selections)
Should loving you be called a fault? And oh, that I might now give up my life for you! Or die with you!
Ovid (Metamorphoses)
Saepe tepent alii iuvenes: ego semper amavi,/ Et si, quid faciam, nunc quoque, quaeris, amo.
Ovid (Remedia amoris)
To feed her love on melancholy sorrow
Ovid (Metamorphoses)
And now, as she died for the second time, she never complained that her husband had failed her - what could she complain of, except that he'd loved her?
Ovid
Their love was equal; on the hills they roamed together, and together they would go back to their cave; and this time too they went into the Lapith's palace side by side and side by side were fighting in the fray. A javelin (no knowing from whose hand) came from the left and wounded Cyllarus, landing below the place where the chest joins neck--slight wound, but when the point was pulled away, cold grew his damaged heart and cold his limbs. Hylonome embraced him as he died, caressed the wound and, putting lips to lips, she tried to stay his spirit as it fled. And when she saw him lifeless, she moaned words that in that uproar failed to reach my ears; and fell upon the spear that pierced her love, and, dying, held her husband in her arms.
Ovid (Metamorphoses)
And when wine has soaked Cupid’s drunken wings, he’s stayed, weighed down, a captive of the place. ... Wine rouses courage and is fit for passion: care flies, and deep drinking dilutes it. ... Don’t trust the treacherous lamplight overmuch: night and wine can harm your view of beauty. Paris saw the goddesses in the light, a cloudless heaven, when he said to Venus: ‘Venus, you win, over them both.’ Faults are hidden at night: every blemish is forgiven, and the hour makes whichever girl you like beautiful. Judge jewellery, and fabric stained with purple, judge a face, or a figure, in the light.
Ovid (The Art of Love)
It’s Ovid. The most acceptable gifts . . . are the ones made precious by our love of the giver.
Lydia Kang (A Beautiful Poison)
Even the Sun, whose star-born radiance Governs all the world, became the thrall of love.
Ovid (Metamorphoses)
Ah, wretched me! that love is not to be cured by any herbs; and that those arts which afford relief to all, are of no avail for their master.
Ovid (Metamorphoses)
Male beauty’s better for neglect.
Ovid (The Art of Love)
May the world near and far dread the sons of Aeneas, and if there be land that feared not Rome, may it love Rome instead.
Ovid
Quid vos perdiderit, dicam? nescistis amare: Defuit ars vobis; arte perennat amor. Що вас згубило? Не вміли любить: бракувало мистецтва - Тільки мистецька любов може тривалою буть.
Ovid (Любовні елегії. Мистецтво кохання. Скорботні елегії)
Between the houses was a common wall, Flawed with a narrow chink long years ago, When it was built. This chink, so long unnoticed- But what does it not see? - those lovers found And made of it their voices' passageway, And safely flowed the whispered words of love
Ovid (Metamorphoses)
If any one loves an object which he delights to love, enraptured, in his happiness, let him rejoice, and let him sail with prospering gales. But if any one impatiently endures the sway of some cruel fair, that he may not be undone, let him experience relief from my skill
Ovid (Remedia amoris)
Let your mistress’s birthday be one of great terror to you: that’s a black day when anything has to be given. However much you avoid it, she’ll still win: it’s a woman’s skill, to strip wealth from an ardent lover. A loose-robed pedlar comes to your lady: she likes to buy: and explains his prices while you’re sitting there. She’ll ask you to look, because you know what to look for: then kiss you: then ask you to buy her something there. She swears that she’ll be happy with it, for years, but she needs it now, now the price is right. If you say you haven’t the money in the house, she’ll ask for a note of hand – and you’re sorry you learnt to write. Why - she asks doesn’t she for money as if it’s her birthday, just for the cake, and how often it is her birthday, if she’s in need? Why - she weeps doesn’t she, mournfully, for a sham loss, that imaginary gem that fell from her pierced ear? They many times ask for gifts, they never give in return: you lose, and you’ll get no thanks for your loss. And ten mouths with as many tongues wouldn’t be enough for me to describe the wicked tricks of whores.
Ovid (The Art of Love)
For those who have walked through the fires of hell and rather than fall to its flames, have emerged battered, but victorious. In the immortal words of Ovid: Quin ninc quoque frigidus artus, dum loquor, horror habet, parsque est meminisse doloris- Even now while I tell it, cold horror envelops me and my pains return the minute I think of it. We can never escape the pain of our pasts, or the flashbacks that assault us when we dare to let our thoughts drift unattended, but we can choose to not let it ruin the future we, alone, can build for ourselves. And for those who are currently trapped in a bad situation. May you find the resolute strength it takes to free yourself, and to finally see the beauty that lives inside you. You are resplendent, and you deserve respect and love. Don't let the minions of hatred or cruelty define you, or steal away your own humanity. When our compassion and ability to love and appreciate others go, then our bullies and oppressors have truly won, for it is not they who are harmed, but rather we who lose our souls and hearts to the same miserable bitterness that causes them to lash out against us. The cycle can be broken- it must be broken, even though the path is never easy or without cost. Yet victory is made sweeter when you know it came from within you, without violent retribution. The best revenge is to leave them mired in their hateful misery while you learn to bask in the warmth of self-esteem and happiness. Never forget that broken wings can and do heal in time, and that those scarred wings can carry the eagle to the top of the highest mountain.
Sherrilyn Kenyon (Born of Silence (The League: Nemesis Rising, #5))
The poem is probably Ovid’s smutty guide to urban adultery, the Ars Amatoria–Art of Love–in which he tells his readers how to flirt with smart young city women, and how to take things quite a bit further than that. This jokey guide was at odds with the ostensible morality reforms which Augustus had ushered in after becoming emperor.
Natalie Haynes (Divine Might: Goddesses in Greek Myth)
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
[Women] complain about many clerks who attribute all sorts of faults to them and who compose works about them in rhyme, prose, and verse, criticizing their conduct in a variety of different ways. They then give these works as elementary textbooks to their young pupils at the beginning of their schooling, to provide them with exempla and received wisdom, so that they will remember this teaching when they come of age ... They accuse [women] of many ... serious vice[s] and are very critical of them, finding no excuse for them whatsoever. This is the way clerks behave day and night, composing their verse now in French, now in Latin. And they base their opinions on goodness only knows which books, which are more mendacious than a drunk. Ovid, in a book he wrote called Cures for Love, says many evil things about women, and I think he was wrong to do this. He accuses them of gross immorality, of filthy, vile, and wicked behaviour. (I disagree with him that they have such vices and promise to champion them in the fight against anyone who would like to throw down the gauntlet ...) Thus, clerks have studied this book since their early childhood as their grammar primer and then teach it to others so that no man will undertake to love a woman.
Christine de Pizan (Der Sendbrief vom Liebesgott / The Letter of the God of Love (L'Epistre au Dieu d'Amours))
I spent the morning reading Ovid. I read differently now, more painstakingly, knowing I am probably revisiting the books I love for the last time.
Nicole Krauss (Great House)
It’s Ovid. The most acceptable gifts . . . are the ones made precious by our love of the giver.” Allene
Lydia Kang (A Beautiful Poison)
If you would be loved, be lovable,’ said Ovid.
C.S. Lewis (The Four Loves)
But now I get it! I am that other one! I've finally seen through my own image! I burn with love for - me! The spark I kindle is the torch I carry: whatever can I do? Am I the favor-seeker, or the favor sought? Why seek at all, when all that I desire is mine already? Riches in such abundance that I've been left completely without means! Oh, would that I were able to secede from my own body, depart from what I love! (Now that's an odd request from any lover.) My grief is draining me, my end is near; soon I will be extinguished in my prime. This death is no grave matter, for it brings an end to sorrow. Of course, I would have been delighted if my beloved could have lived on, but now in death we two will merge as one.
Ovid (Metamorphoses)
Eis os únicos barcos que temos para voltar a nossa pátria; eis nosso único meio de escapar de Minos. Ele, que fechou todas as outras saídas, não pode fechar o ar para nós; resta-nos o ar; fenda-o graças a minha invenção. Mas não é para a virgem de Tégia, nem para o companheiro de Boótes, que é preciso olhar, mas para Orião, armado com uma clava; é por mim que você deve orientar sua marcha com as asas que eu lhe darei; irei na frente para mostrar o caminho; preocupe-se somente em me seguir; guiado por mim você estará seguro, se através das camadas do éter, nós nos aproximarmos do sol, a cera não poderá suportar o calor; se, descendo, agitarmos as asas muito perto do mar, nossas plumas, batendo, serão molhadas pelas águas marinhas. Voe entre os dois. Preste atenção também nos ventos, meu filho; onde seu sopro o guiar, deixe-se levar em suas asas." (Conselhos de Dédalo a Ícaro - em A Arte de Amar)
Ovid (The Art of Love)
believe I already wrote in my notes that love was very similar to torture or surgery. But this idea can be developed in a most bitter way. Even if two lovers are very much in love and full of mutual desires, one of the two will always be calmer or less possessed than the other. The former is the operator or the executioner; the latter is the subject, the victim. Do you hear these sighs, preludes to a tragedy of dishonor, these groans, these cries, these gasps? Who hasn't uttered them, who has resisted extorting them? And what do you find to be the worst part of the torment applied by the careful torturers? The revolting sleepwalker eyes, the limbs with muscles that jump or stiffen as if they were galvanized; certainly, not even the most furious effects of intoxication, delirium or opium could provide such horrible and curious examples. And the human face, which Ovid believed to be made to reflect the stars, is now wearing an expression of crazy ferocity or slackening in some sort of death. Surely, I would think it a sacrilege if I used the word "ecstasy" for such decomposition.
Charles Baudelaire (My Heart Laid Bare: Intimate diaries with 30 illustrations)
I had scarce time to grab a few important scrolls. Desperately I sought for Ovid, whom Pandora had so loved, and for the great tragedians of Greece. Avicus reached out his arms to help me.
Anne Rice (Blood And Gold (The Vampire Chronicles, #8))
Acceptissima semper, munera sunt, auctor quae pretiosa facit.” Mr. Rossi turned to Ernie for a translation. “It’s Ovid. The most acceptable gifts . . . are the ones made precious by our love of the giver.
Lydia Kang (A Beautiful Poison)
You ask perhaps if one should take the maid herself? Such a plan brings the greatest risk with it. In one case, fresh from bed, she’ll get busy, in another be tardy, in one case you’re a prize for her mistress, in the other herself. There’s chance in it: even if it favours the idea, my advice nevertheless is to abstain. I don’t pick my way over sharp peaks and precipices, no youth will be caught out being lead by me. Still, while she’s giving and taking messages, if her body pleases you as much as her zeal, make the lady your first priority, her companion the next: Love should never be begun with a servant.
Ovid (The Art of Love)
We which were Ovids five books, now are three, For these before the rest preferreth he: If reading five thou plainst of tediousnesse, Two tane away, thy labor will be lesse: With Muse upreard I meant to sing of armes, Choosing a subject fit for feirse alarmes: Both verses were alike till Love (men say) Began to smile and tooke one foote away. Rash boy, who gave thee power to change a line? We are the Muses prophets, none of thine. What if thy Mother take Dianas bowe, Shall Dian fanne when love begins to glowe? In wooddie groves ist meete that Ceres Raigne, And quiver bearing Dian till the plaine: Who'le set the faire treste sunne in battell ray, While Mars doth take the Aonian harpe to play? Great are thy kingdomes, over strong and large, Ambitious Imp, why seekst thou further charge? Are all things thine? the Muses Tempe thine? Then scarse can Phoebus say, this harpe is mine. When in this workes first verse I trod aloft, Love slackt my Muse, and made my numbers soft. I have no mistris, nor no favorit, Being fittest matter for a wanton wit, Thus I complaind, but Love unlockt his quiver, Tooke out the shaft, ordaind my hart to shiver: And bent his sinewy bow upon his knee, Saying, Poet heers a worke beseeming thee. Oh woe is me, he never shootes but hits, I burne, love in my idle bosome sits. Let my first verse be sixe, my last five feete, Fare well sterne warre, for blunter Poets meete. Elegian Muse, that warblest amorous laies, Girt my shine browe with sea banke mirtle praise. -- P. Ovidii Nasonis Amorum Liber Primus ELEGIA 1 (Quemadmodum a Cupidine, pro bellis amores scribere coactus sit)
Christopher Marlowe (The Complete Poems and Translations (English Poets))
Philemon counselled with old Baucis first; and then discovered to the listening Gods their hearts' desire, ‘We pray you let us have the care of your new temple; and since we have passed so many years in harmony, let us depart this life together— Let the same hour take us both—I would not see the tomb of my dear wife; and let me not be destined to be buried by her hands!’ At once their wishes were fulfilled. So long as life was granted they were known to be the temple's trusted keepers, and when age had enervated them with many years, as they were standing, by some chance, before the sacred steps, and were relating all these things as they had happened, Baucis saw Philemon, her old husband, and he, too, saw Baucis, as their bodies put forth leaves; and while the tops of trees grew over them, above their faces, — they spoke each to each; as long as they could speak they said, ‘Farewell, farewell, my own’—and while they said farewell; new leaves and branches covered both at once.
Ovid (Metamorphoses)
Amy read Ovid and Virgil and Aristophanes and Homer. She read dry histories and scandalous love poetry (her governesses, who had little Latin and less Greek, naïvely assumed that anything in a classical tongue must be respectable), but mostly she returned again and again to The Odyssey. Odysseus had fought to go home, and so would Amy.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
Who are you? She asked silently, as she laid away the collector's quotations, his drawings, his scraps of famous poetry: "Come live with me and be my love..." interleaved with menus: 'oysters, fish stew, tortoise in its shell, bread from the oven, honey from the honeycomb.' The books were unsplattered but much fingered, their pages soft with turning and re-turning, like collections of old fairy tales. Often Jess thought of Rapunzel and golden apples and enchanted gardens. She thought of Ovid, and Dante, and Cervantes, and the Pre-Raphaelites, for sometimes McClintock pictured his beloved eating, and sometimes sleeping in fields of poppies, and once throned like Persephone, with strawberry vines entwined in her long hair.
Allegra Goodman (The Cookbook Collector)
Arrive before your Husband. Not that I can See quite what good arriving first will do; But still arrive before him. When he's taken His place upon the couch and you go too To sit beside him, on your best behavior Stealthily touch my foot, and look at me, Watching my nods, my eyes, my face's language; Catch and return my signals secretly. I'll send a wordless message with my eyebrows; You'll read my fingers' words, words traced in wine. When you recall our games of love together, Your finger on rosy cheeks must trace a line. If in your silent thoughts you wish to chide me, Let your hand hold the lobe of your soft ear; When, darling, what I do or say gives pleasure, Keep turning to an fro the ring you wear. When you wish well-earned curses on your husband, Lay your hand on the table, as in prayer. If he pours you wine, watch out, tell him to drink it; Ask for what you want from the waiter there. I shall take next the glass you hand the waiter And I'll drink from the place you took your sips; If he should offer anything he's tasted, Refuse whatever food has touch his lips. Don't let him plant his arms upon your shoulders, Don't let him rest your gentle head on his hard chest, Don't let your dress, your breasts, admit his fingers, And--most of all--no kisses to be pressed! You kiss--and I'll reveal myself your lover; I'll say 'they're mine'; my legal claim I'll stake. All this, of course I'll see, But what's well hidden under your dress--blind terror makes me quake.
Ovid (The Love Poems)
Among other attendees is Priapus, a minor fertility god with an enormous erection. Ovid can’t tell us much about the gods’ banquet. It’s not allowed, he says. They spent the whole night drinking. 24 This is another reason I love Ovid: bored by poets bleating on about divine banquets? Just tell the audience that you’re not allowed to say much, but everyone drank a lot, and move on.
Natalie Haynes (Divine Might: Goddesses in Greek Myth)
I MEAN not to defend the scapes of any, Or justify my vices being many; For I confess, if that might merit favour, Here I display my lewd and loose behaviour. I loathe, yet after that I loathe, I run: 5 Oh, how the burthen irks, that we should shun. I cannot rule myself but where Love please; Am driven like a ship upon rough seas. No one face likes me best, all faces move, A hundred reasons make me ever love. 10 If any eye me with a modest look, I blush, and by that blushful glance am took; And she that’s coy I like, for being no clown, Methinks she would be nimble when she’s down. Though her sour looks a Sabine’s brow resemble, 15 I think she’ll do, but deeply can dissemble. If she be learned, then for her skill I crave her; If not, because she’s simple I would have her. Before Callimachus one prefers me far; Seeing she likes my books, why should we jar? 20 Another rails at me, and that I write, Yet would I lie with her, if that I might: Trips she, it likes me well; plods she, what then? She would be nimbler lying with a man. And when one sweetly sings, then straight I long, 25 To quaver on her lips even in her song; Or if one touch the lute with art and cunning, Who would not love those hands for their swift running? And her I like that with a majesty, Folds up her arms, and makes low courtesy. 30 To leave myself, that am in love with all, Some one of these might make the chastest fall. If she be tall, she’s like an Amazon, And therefore fills the bed she lies upon: If short, she lies the rounder: to speak troth, 35 Both short and long please me, for I love both. I think what one undecked would be, being drest; Is she attired? then show her graces best. A white wench thralls me, so doth golden yellow: And nut-brown girls in doing have no fellow. 40 If her white neck be shadowed with brown hair, Why so was Leda’s, yet was Leda fair. Amber-tress’d is she? Then on the morn think I: My love alludes to every history: A young wench pleaseth, and an old is good, 45 This for her looks, that for her womanhood: Nay what is she, that any Roman loves, But my ambitious ranging mind approves?
Ovid
Or the quaking misgivings that infected every step forward, after a loss. Even now, dread still struck her down sometimes if she found herself counting on things being fine. Meaning her now-living children and their future, those things. She had so much more to lose now than just herself or her own plans. If Ovid Byron was torn up over butterflies, he should see how it felt to look past a child’s baby teeth into this future world he claimed was falling apart. Like poor Job lying on the ash heap wailing, cutting his flesh with a husk. That’s where love could take you.
Barbara Kingsolver (Flight Behavior)
Nobody knew how it all began, neither Homer nor Hesiod. Nor Ovid nor Vergil. But it was said that at the beginning, there was Chaos, which meant confusion & disorder, & there was Eros, which meant love. And confusion & disorder were what all those who were smitten by love [Eros] felt at the beginning & what all lovers felt when they fell out of love. Thus, it appeared that confusion & disorder [Chaos] was the flip-side of love & that Eros was the other face of chaos. And, thus, Eros & Chaos were in fact one. And the poets saw other aspects of Eros, such as Himeros[Passion or Desire], Anteros[Reciprocal or Mutual Love] & Pothos[Longing]. And they also saw other aspects of Chaos, such as Phobos[Fear] & Deimos[Terror]. And that since Eros & Chaos were one,all these aspects of the two were the aspects of love.
Nicholas Chong
In trying to find out what Bruno thought of his priesthood, we now have a serious problem which we did not have before. In Venice, he told his fellow-prisoners that he was an enemy of the mass, and thought transubstantiation a ridiculous idea and the Catholic ritual bestial and blasphemous. He compared the elevation of the host to hanging somebody on a gallows, or perhaps to lifting him up on a pitchfork. He told somebody who had dreamt of going to mass that that was a terrible omen; and he performed a mock mass with Ovid's Art of Love instead of a missal. He joked about hungry priests going off from mass to a good breakfast. He spoke particularly ill of the mass as a sacrifice, and said that Abel, the archetype of the sacrificing priest, was a criminal butcher who was rightly killed by the vegetarian Cain. A phrase he used elsewhere, apparently about Christ's passion and not directly about the mass itself, seems nevertheless to express rather exactly his attitude to is: he called it 'some kind of a cabbalistic tragedy'.
John Bossy (Giordano Bruno and the Embassy Affair)
[the virgin birth account] occurs everywhere. When the Herod figure ( the extreme figure of misgovernment) has brought man to the nadir of spirit, the occult forces of the cycle begin to move. In an inconspicuous village, Mary is born who will maintain herself undefiled by fashionable errors of her generation. Her womb, remaining fallw as the primordial abyss, summons itself by its very readiness the original power that fertilzed the void. Mary's virgin birth story is recounted everywhere. and with such striking unity of the main contours, that early christian missionaries had to think the devil must be creating mockeries of Mary's birth wherever they testified. One missionary reports that after work was begun among Tunja and Sogamozzo South American Indians, "the demon began giving contrary doctrines. The demon sought to discredit Mary's account, declaring it had not yet come to pass; but presently, the sun would bring it to pass by taking flesh in the womb of a virgin in a small village, causing her to conceive by rays of the sun while she yet remained virgin." Hindu mythology tells of the maiden parvati who retreated to the high hills to practice austerities. Taraka had usurped mastery of the world, a tyrant. Prophecy said only a son of the high god Shiva could overthrow him. Shive however was the pattern god of yoga-alone, aloof, meditating. It was impossible Shiva could be moved to beget. Parvati tried changing the world situation by metching Shiva in meditation. Aloof, indrawn in her soul meditating, she fasted naked beneath the blazing sun, even adding to the heat by building four great fires. One day a Brahmin youth arrived and asked why anyone so beautiful should be destroying herself with such torture. "My desire," she said "is Shiva, the Highest. He is the god of solitude and concentration. I therefore imitate his meditation to move him from his balance and bring him to me in love." Shiva, the youth announced, is a god of destruction, shiva is World Annhilator. Snakes are his garlands. The virgin said: He is beyond the mind of such as you. He is terrifying but the source of grace. snake garlands or jewel garlands he can assume or put off at will. Shiva is my love. The youth thereupon put away his disguise-he was Shiva. The Buddha descended from heaven to his mother's womb in the shape of a milk white elephant. The Aztec Coatlicue was approached by a god in the form of a ball of feathers. The chapters of Ovid's Metamorphoses swarm with nymphs beset by gods in sundry masquerades: jove as a bull, a swan, a shower of gold. Any leaf, any nut, or even the breath of a breeze, may be enough to fertilize the ready virgin womb. The procreating power is everywhere. And according to whim or destiny of the hour, either a hero savior or a world--annihilating demon may be conceived-one can never know.
Joseph Campbell
Look past our kinship, and towards a romantic relationship!
Steven L. Sheppard (Byblis And Caunus)
Susurrus whispers through the grass and gorse, godling of the Martian wind, gene-spliced tyke of Zephyros and Ares. His story needs no Ovid, tells itself in the rustle of striplings and flowers he loves, the tale that he is: a zygote collaged from: spermatazoa flensed to nuclear caducei; a mathematical transform by the Fréres Fourier, Jean and Charles, flip of an axis changing Y to X; and the egg from which Eros hatched, is always hatching, offered up blithely to a god of war gone broody, Ares a sharper marksman than any brat with bow and arrow, no more to be argued with than the groundling Renart in a frum.
Hal Duncan (Susurrus on Mars)
Aelia, please stop worrying. You look beautiful. We've had large parties before and you haven't been nervous." There was the clink of cosmetic pots and bottles of nard used to perfume the forehead. "I wasn't nervous until you mentioned Ovid would be coming," Aelia said. Aelia was not alone in her love of Ovid's poetry. Passia had read every word the man had ever written. He was considered to be one of Rome's experts on both love and beauty, and most women I knew owned several of his books. When Passia heard he would be in attendance I thought she might swoon. There was the ruffle of a scroll being unraveled. "Could this be one of the sources of your concern? Women's Facial Cosmetics?" I remembered the book. Apicius had bought it and other Ovid titles for Aelia two years earlier as a Saturnalia gift. "I know, I shouldn't worry. But if he didn't know so much, how could he write it down? It is as though he were the mouthpiece for Venus herself!
Crystal King (Feast of Sorrow)
Orpheus, Gathering the Trees" The Metamorphoses of Ovid, Book X, Lines 86-110. When love died the second time, he sang at dawn in the empty field and the bees came to listen. A little song for the tag alder, the rue cherry the withe-willow— the simple-hearted ones that come quickly to loneliness. Then he sang for the mulberry with its purple fruit, for the cedar and the tamarack. He sang, bel canto. for the quaking aspen and the stave oak; something lovely for the white pine, the fever tree, the black ash. From the air, he called the sparrows and the varieties of wrens. Then he sang for a bit of pestilence— for the green caterpillars, for the leaf worms and bark beetles. Food to suit the flickers and the crows. So that, in the wood lot, there would always be empty places. So he would still know loss.
Greg Rappleye (Tropical Landscape with Ten Hummingbirds)
In The Metamorphoses, the Roman poet Ovid tells the story of a handsome youth named Narcissus, a tale he learned from Greek mythology. Narcissus is so intent on his own desires that he is unable to fall in love, rejecting the advances of all who are attracted to him. Never having seen his own image, he understands the power of his beauty only through the reactions others have to him. When he rebuffs the love of Echo, a nymph, her unrequited passion causes her to waste away and die. When one of Echo’s handmaidens prays to Nemesis, the goddess of revenge, Nemesis responds by declaring that Narcissus shall get a taste of his own medicine: If he should ever fall in love, he will be denied the very thing he so desires. One day, while stopping to drink from a forest pool, Narcissus catches a glimpse of his reflection in the smooth water. Smitten by the sight, he falls madly in love with his own beautiful image. He lies next to the pond, staring at his own reflection in the water. But whenever he reaches into the water and tries to embrace the image, it dissolves. Unable to kiss, or hold, or in any way capture his true heart’s desire, he too dies of unrequited love.
Drew Pinsky (The Mirror Effect: How Celebrity Narcissism Is Endangering Our Families—and How to Save Them)
Oh, how I wish that I and my body could now be parted, I wish my love were not here! - a curious prayer for a lover. Now my sorrow is sapping my strength. My life is almost over. Its candle is guttering out in the prime of my manhood. Death will be easy to bear, since dying will cure my heartache. Better indeed if the one I love could have lived longer, but now, two soulmates in one, we shall face our ending together.
Ovid (Metamorphoses)
Most of the books of erotic poetry available today are either too old or are big anthologies covering the same poets and poems. There is a lack of new and original work. Most of us have read something from Ovid, Sappho, Shakespeare, the ancient Greeks, the Romans, or from the Kama Sutra. But love is a theme that should be celebrated with freshness.
Salil Jha (Naked Soul: The Erotic Love Poems)
As a matter of fact, if either of the two men were Buckingham or Ovid or Byron, they might have respectively realized that “love is the salt of life,” and “the perpetual source of fears and anxieties,” and “a capricious power”—but they weren’t poets, they
Ed McBain (Eighty Million Eyes (87th Precinct, #21))
Sure, there is Ovid, the Roman poet who wrote The Art of Love; Don Juan, the mythical womanizer based on the exploits of various Spanish noblemen; the Duke de Lauzun, the legendary French rake who died on the guillotine; and Casanova, who detailed his hundred-plus conquests in four thousand pages of memoirs. But the undisputed father of modern seduction is Ross Jeffries, a tall, skinny, porous-faced self-proclaimed nerd from Marina Del Rey, California. Guru, cult leader, and social gadfly, he commands an army sixty thousand horny men strong, including top government officials, intelligence officers, and cryptographers. His
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Ovid in Tears" Love is like a garden in the heart, he said. They asked him what he meant by garden. He explained about gardens. “In the cities,” he said, “there are places walled off where color and decorum are magnified into a civilization. Like a beautiful woman,” he said. How like a woman, they asked. He remembered their wives and said garden was just a figure of speech, then called for drinks all around. Two rounds later he was crying. Talking about how Charlemagne couldn’t read but still made a world. About Hagia Sophia and putting a round dome on a square base after nine hundred years of failure. The hand holding him slipped and he fell. “White stone in the white sunlight,” he said as they picked him up. “Not the great fires built on the edge of the world.” His voice grew fainter as they carried him away. “Both the melody and the symphony. The imperfect dancing in the beautiful dance. The dance most of all.
Jack Gilbert (The Dance Most of All: Poems)
If one considers the characters in the plays of Shakespeare, in the poems of the Roman poet Ovid, in the Greek tragedies of Sophocles and Euripides, and even in the hieroglyphics of ancient Egypt, they can be recognized in our daily lives. Their actions were driven by the same motives as ours—ambition, love, pride, fear, anger, sympathy, and fun.
John H. Vanston (Minitrends: How Innovators & Entrepreneurs Discover & Profit From Business & Technology Trends: Between Megatrends & Microtrends Lie MINITRENDS, Emerging Business Opportunities in the New Economy)
It’s elitist to be so snobby about books,” I said. “Just because somebody loves to read romance or crime novels doesn’t mean they don’t also love to read Ovid or Shakespeare or Dickens or McEwan – who all write about love by the way
Rachel Burton (A Bookshop Christmas)
Romantic poetry with its matrist and oral values survived and actually prevailed. Geoffrey Chaucer imported the ideology to England with his Knight's Tale and some of his shorter rondels; by Elizabethan times this had virtually become the whole of poetry. Thus, Shakespeare could write about anything that struck his imagination when he was writing for the stage, but as soon as he started writing poetry for the printed page, he fell inevitably into the language, the themes, the traditional conceits and the entire apparatus of troubadour love-mysticism. So great was Shakespeare's influence, in turn, that when modern poets finally began writing about other subjects around 1910, established opinion was shocked and it was said that such material was "unpoetic"—as if Homer's battles, Ovid's mysticism, Juvenal's indignation, Villon's earthiness, Lucretius's rationalism, the Greek Anthology's cynicism, Piers Plowman's social protest, etc., had never existed and only the troubadour love-mystique had ever been poetry.
Robert Anton Wilson (Coincidance: A Head Test)
She had devoted time to improving her reading and was now more than proficient. The shelf she'd first cleared with Bianca overflowed with tales of King Arthur and his knights, Ovid's poetry, plays by Sophocles, Aristotle and Aeschylus, Apuleius, names she loved repeating in her mind because the mere sound of them conjured the drama, pageantry, passion, transformations and suffering of their heroes and heroines. One of her favorite writers was Geoffrey Chaucer-- his poems of pilgrims exchanging stories as they traveled to a shrine in Canterbury were both heart aching and often sidesplittingly funny. Admittedly, one of the reasons she loved Chaucer was because she could read him for herself. It was the same reason she picked up Shakespeare over and over, and the works of Margaret Cavendish, the Duchess of Newcastle upon Tyne. They all wrote in English. Regarded as quite the eccentric, the duchess was a woman of learning who, like Rosamund, was self-taught. Her autobiography, A True Relation of my Birth, Breeding and Life, a gift from Mr. Henderson, gave Rosamund a model to emulate. Here was a woman who dared to consider not only philosophy, science, astronomy and romance, but to write about her reflections and discoveries in insightful ways. Defying her critics, she determined that women were men's intellectual equal, possessed of as quick a wit and as many subtleties if only given the means to express themselves-- in other words, access to education.
Karen Brooks (The Chocolate Maker's Wife)
Scholars have struggled to explain why an epitaph to Shakespeare references Nestor (who wrote nothing), Socrates (who also wrote nothing—his observations were recorded by others), and Virgil (who, though a poet, was not one with whom the Ovid-loving Shakespeare was associated).
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
After all, Ovid was never haunted by the skeptical suspicion that history might have two contradictory courses, one appointed by the ruling god, the other by man’s antlike resistance, and that the writer, if he is a spokesman for history, must choose between these two orders. Ovid succumbed to the third order, which was unhistorical, abstract, and determined only by the logic of composition and rhythm. It was this order alone that guided his work. And it had something mathematical about it, even if it did not lack the charms of dancing.
Jacek Bocheński (Naso the Poet: The Loves and Crimes of Rome's Greatest Poet (The Notorious Roman Trilogy))
Something like this did indeed happen. Certainly, Ovid was not a lover of simplicity, coarse ways of thinking, moral prejudices, god-fearing peasant life, hands ennobled by the handling of the plow and always ready to draw a sword in need. He hated all this ancient Roman stuff with its overrated virtues, constantly shoved down the young generations’throats. He loved the urban civilization: like Messalla, that aristocrat by birth but radical by conviction. He loved the independence of thought and secularism of manners. With time, he did notice that this urban civilization, though still so very young, was already giving birth to something he hated even more, namely self-interested ways of thinking, a tendency to live like a merchant, a calculating contempt for everything that could not be exchanged for money or some other material possession. I cannot wear your poetry, Corinna once said. What a strange certainty that poetry has no value because it is intangible!
Jacek Bocheński (Naso the Poet: The Loves and Crimes of Rome's Greatest Poet (The Notorious Roman Trilogy))
The way to be beloved is to be lovely.
Ovid.