Gotham Quotes

We've searched our database for all the quotes and captions related to Gotham. Here they are! All 100 of them:

Ladies. Gentlemen. You have eaten well. You've eaten Gotham's wealth. Its spirit. Your feast is nearly over. From this moment on...none of you are safe.
Frank Miller (Batman: Year One)
Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him. Because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight.
Jonathan Nolan (The Dark Knight (Dark Knight Trilogy #2))
Batman doesn’t want a baby in order to feel he’s ‘done everything’. He’s just saved Gotham again! If this means that Batman must be a feminist role model above, say, Nicola Horlick, then so be it.
Caitlin Moran (How to Be a Woman)
Beware The Court of Owls, that watches all the time, ruling Gotham from a shadowed perch, behind granite and lime. They watch you at your hearth, they watch you in your bed, speak not a whispered word of them, or they'll send the Talon for your head.
Scott Snyder (Batman, Volume 1: The Court of Owls)
Gotham City. Clean shafts of concrete and snowy rooftops. The work of men who died generations ago. From here, it looks like an achievement. From here, you can't see the enemy.
Frank Miller (Batman: Year One)
Forget Batman: when I really thought about what I wanted to be when I grew up, I wanted to be my dad.
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
I will be the silent protector Gotham Kayla needs
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
Whatever you do, remember that. You're going to make a difference. A lot of times it won't be huge, it won't be visible even. But it will matter just the same. Don't do it for praise or money, that's what I want to tell you. Do it because it needs to be done. Do it to make your world better.
Ed Brubaker (Gotham Central, Book One: In the Line of Duty)
Riddler: You want to tell me who you killed and why? Catwoman: We didn’t kill anyone Poisson Ivy: Well, not yesterday
Paul Dini (Gotham City Sirens, Vol. 2: Songs of the Sirens)
Because I'm still here. I got a brick, a leather strap, and a rock from a slingshot too, all on a shelf. But look at me. I'm right here.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
After all, Gotham's a city where angels fly on the wings of Icarus...Up, up they go and then...down, down, down they fall. Until we all stand, revealed for who we truly are underneath.
Stjepan Šejić (Harleen)
Like Batman, all of us hide behind our masks and use them to help define ourselves for others. We all have secret identities of a sort, hidden behind our smiling social-networking profiles or our happy church faces. They're not lies, really. They're just not the whole truth, because we know that most of the people we encounter day-to-day couldn't handle the truth (or perhaps we couldn't handle giving it to them).
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
There are good people in Gotham. Protect them.
Sarah J. Maas (Catwoman: Soulstealer (DC Icons, #3))
Harlem sleeps late.
Jacob M. Appel (The Biology of Luck)
The night hides a world, but reveals a universe.
Terry Gotham
We looked as if we’d been cobbled together in Photoshop, the three of us, walking to my husband’s funeral. One white middle-class mother, one skinny black refugee girl, and one small Dark Knight from Gotham City.
Chris Cleave (Little Bee)
Noboby can escape fear.A true hero acts in spite of it. A true hero masters his fear so it doesn't master him.
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
Someone once said: "We do not make friends, we recognize them." And you'll know who they are because they play according to the same rules that you do.
J.M. Ken Niimura (Gotham Academy (2014-2016) #16)
Gotham may have lost its king and queen, Bruce, but it could still have its prince
Geoff Johns
In Gotham, batman just stumbles into crime," said Luther. "Salt lake is annoyingly tame.
Shannon Hale (Dangerous)
Even before the letter he'd been divided: one part of him swanning with Jay Gatsby around an imaginary Gotham; the other part stolid and earthbound, nose to the deep fryer, in the stifling, sizzling South.
Garth Risk Hallberg (City on Fire)
But the real joy he feels doesn't come in the guise of Bruce the billionaire playboy. It comes as Batman - when he does what he was meant to do. When he follows his purpose.
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
Lots of folks would argue that Bruce hides behind his perfectly coiffed hair and ever-easy smile far more than Batman does underneath his cowl.
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
A pause. “More are coming,” she repeated. “Worse than any of the criminal factions here. More powerful—and with a deadlier agenda. Keep your eyes open.” “Why warn me?” he demanded. That stillness settled over her again. “Because this city won’t survive them.” “And that’s not what you want?” She looked him over. Or he thought she did. “There are good people in Gotham. Protect them.
Sarah J. Maas (Catwoman: Soulstealer (DC Icons, #3))
Mrs. Pott's beady black eyes narrowed,"Do you know how many glass slippers I have to stitch when I get home? There's a Mad Hatter serenading a toaster as we speak. There could be mayhem wreaking havoc all over the love in New Gotham, granted what thankless ingrates you are. But here I am! I've taken a chance on you..
Sophie Avett ('Twas the Darkest Night (Darkest Hour Saga, #1) (New Gotham Fairy Tale))
Elections decide which horde of rats gets to gnaw at the bones.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
I’d like to be known as Winter.” “Winter. I like that.” “I know, right? ‘Winter is coming.’ ” “What?” Black Winter sighed. “Why do I work with people who lack culture?
Todd McAulty (The Robots Of Gotham)
The New Your energy goes beyond anything you'll find anywhere else. It's too much for some people and it grinds them down, but it lifts up and animates the rest of us.
Lawrence Block (Gotham Central, Book One: In the Line of Duty)
The Gotham boys have a first baseman, Louis Gehrig, who is called the ‘Babe Ruth’ of the high schools,” wrote the Chicago Tribune.
Jonathan Eig (Luckiest Man: The Life and Death of Lou Gehrig)
There's never been a duo of ladies to take on Gotham City.
Sarah J. Maas (Catwoman: Soulstealer)
Most of us are like those Russian nesting dolls, presenting a slightly different visage to the world depending on which world we're dealing with at the time. The outermost doll isn't a lie; mine still offers part of who I am, but it's not all of who I am. As I get closer to people, the nesting dolls open and the masks change. But it's a rare person whom I allow to see what's at my core: my innermost thoughts and fears, my dreams and desires, my pettiness and peevishness.
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
Bane: We take Gotham from the corrupt! The rich! The oppressors of generations who have kept you down with myths of opportunity, and we give it back to you... the people. Gotham is yours. None shall interfere. Do as you please. Start by storming Blackgate, and freeing the oppressed! Step forward those who would serve. For and army will be raised. The powerful will be ripped from their decadent nests, and cast out into the cold world that we know and endure. Courts will be convened. Spoils will be enjoyed. Blood will be shed. The police will survive, as they learn to serve true justice. This great city... it will endure. Gotham will survive!
Christopher Nolan
Gotham admired Maeve. By day she managed money, and did it brilliantly, but she didn't find it satisfied her intellect. She spoke four languages. She played the piano seriously well. And she read books. Lots of them.
Edward Rutherfurd (New York)
Why did you step out of my life, you minx? Your new hair-do is fascinating and cosmopolitan.” He snatched at her pigtail and pressed it to his wet moustache, kissing it vigorously. “The scent of soot and carbon in your hair excites me with suggestions of glamorous Gotham. We must leave immediately. I must go flower in Manhattan.
John Kennedy Toole (A Confederacy of Dunces)
And underscoring it all was my father’s insistence that my sister and I were the prettiest, smartest, and baddest bitches in Gotham town, no matter how many times we pissed ourselves or cut our own bangs with blunt kitchen scissors.
Lena Dunham (Not That Kind of Girl: A young woman tells you what she's "learned")
Nothing is as bad as it seems,' I thought with the last remnants of my dense optimism. It couldn't be. I'd already lost everything once, I'd been ten, and so had countless other people I knew, and they all picked up and kept going. Or they picked up and went in a slightly different direction.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
They saw the ordered concrete and steel of postwar United States showing stress fractures and were determined to bring it down and break free.
Tracy Hickman (Wayne of Gotham)
Justice must be swift … and sure … and final.
Tracy Hickman (Wayne of Gotham)
His eyes flew back at me and I could see whole civilizations, cities that he'd built and cherished and planned for, like the model of an entire world, all crumbling.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
Parents like to think of themselves as Batmans, and of their children as Gotham Cities. Gotham City depends on Batman for its survival, and Batman delivers. This belief prevents parents from letting those young adults actually live their lives.
Lukasz Laniecki (You Have The Right Not To Make Your Parents Proud. A Book Of Quotes)
Submitting to Christ isn't a one-time thing, say a prayer, get dunked, and that's the end of it. For some of us, we must remember to submit every day, every hour... sometimes every minute. Otherwise it's easy to forget that our lives are not our own.
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
The human world never figured out the phenomenal expense it took to create New Atlantis, or the unlikelihood that it would ever be possible again. To them, it looked as if we pulled our Gotham out of a cereal box. They saw their abandoned buildings turn into craters overnight, and assumed that that was the sort of thing we would always be capable of doing. Not a bad rep to have.
K.D. Edwards (The Last Sun (The Tarot Sequence, #1))
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
Mrs. Potts beady black eyes narrowed,"Do you know how many glass slippers I have to stitch when I get home? There's a Mad Hatter serenading a toaster as we speak. There could be mayhem wreaking havoc all over the love in New Gotham, granted what thankless ingrates you are. But here I am!
Sophie Avett ('Twas the Darkest Night (Darkest Hour Saga, #1) (New Gotham Fairy Tale))
Ugh." She rolled her eyes. "Ever wonder why that's the conversational default? People always want to know your job. Not what you love, what you hate, but what you do to earn money. What does that say about us as a society?
Craig Schaefer (Ghosts of Gotham (The Ghosts of Gotham Saga, #1))
Bruce decides to spend the family fortune on capes and crime labs and to fritter away his free time fighting crazy criminals. Now that's an out-of-the-box calling. What sort of person makes a life change like that without radical submission? Without that submission, without an understanding that there is something greater out there, the principles of the comic villain look far more reasonable.
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
His mind filled with visions of a decadent kleptocracy in rapid decline, abetted by both political parties. America's masses, fed on processed poison bought with a food stamp swipe card. Low-skill workers, structurally unable to ever contribute again and too dumb to know their old jobs weren't coming back. The banks in Gotham leaching the last drops of wealth out of the country. Corporations unrestrained by any notion of national interest. The system of property law in shambles. The world drowning in debt.
George Packer (The Unwinding: An Inner History of the New America)
Every artist who drew Batman after creator Bob Kane was a better artist than Kane [...].
Mike W. Barr (Batman Unauthorized: Vigilantes, Jokers, and Heroes in Gotham City)
Machines feel emotion, though I don’t know if we can love. But in the past two years, to my great sadness, I’ve discovered that they can hate.
Todd McAulty (The Robots Of Gotham)
That's it? That's all that happens after you topple from grace? We lose our rubies and rations?" Marshall smirked. "Woe is me.
Sophie Avett ('Twas the Darkest Night (Darkest Hour Saga, #1) (New Gotham Fairy Tale))
In Gotham, the Monster Men are always coming.
Tom King
I'm sure for that comming there was a reason, but what's going to happen with that reason and Gotham?
Deyth Banger
You’re more like dun-dun-na-NAH Romantic Man whose superpower is hopeless romanticism. Your bat signal would be a big red heart over Gotham.
Violet Duke (Love, Chocolate, and Beer (Cactus Creek, #1))
People looked at him as an orange-faced evil clown with silly hair. Like the Joker in Batman comics. Make Gotham great again!
Oliver Markus Malloy (Bad Choices Make Good Stories - Finding Happiness in Los Angeles (How The Great American Opioid Epidemic of The 21st Century Began, #3))
And what better place to sow vengeance—to, quite literally, turn Gotham into a City of Endless Night?
Douglas Preston (City of Endless Night (Pendergast, #17))
And he was the first crush I ever had that wasn't a scientist-- it's a different thing altogether. It made me a little peeved at myself, to be honest. Half the girls in Gotham City would have been happy just touching his jacket. I didn't want it to happen. But I'm human, all right? And for a while, we were better than kids with a crush. We were actually friends.
Gail Simone (Batgirl (2011-2016) #3)
To keep the ugly cry-face on lock down, I directed my attention to my polished gold Krugerrand coin, which hung against my chest by a thin, twisted gold chain and flashed against my black blouse. It was my Batman signal, alerting the universe that I was in crisis and in desperate need of being rescued immediately, if not sooner. The coin's weight was also a reminder of the reason I'd moved to Gotham City. After all, it was a result of my great-aunt and her one-ounce gold-coin collection that afforded me the opportunity of the life I was leading.
Cari Kamm (Fake Perfect Me)
In the bottom corner we saw an emaciated corgi, peeking around the corner, watching us leave. She would glance down at the floor, back to us, and down again. Her legs trembled unsteadily, and a thin line of drool escaped her mouth. But she made no move toward the food in the bowl yet.
Todd McAulty (The Robots Of Gotham)
He also loved the city itself. Coming to and leaving Cousin Joe’s, he would gorge himself on hot dogs and cafeteria pie, price cigarette lighters and snap-brim hats in store windows, follow the pushboys with their rustling racks of furs and trousers. There were sailors and prizefighters; there were bums, sad and menacing, and ladies in piped jackets with dogs in their handbags. Tommy would feel the sidewalks hum and shudder as the trains rolled past beneath him. He heard men swearing and singing opera. On a sunny day, his peripheral vision would be spangled with light winking off the chrome headlights of taxicabs, the buckles on ladies’ shoes, the badges of policemen, the handles of pushcart lunch-wagons, the bulldog ornaments on the hoods of irate moving vans. This was Gotham City, Empire City, Metropolis. Its skies and rooftops were alive with men in capes and costumes, on the lookout for wrongdoers, saboteurs, and Communists. Tommy
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
Alfred, when it happened with Mother and Father, how did you help me? Master Bruce, with all due respect, each night you leave this perfectly lovely house and go leaping off buildings dressed as a giant bat. Do you really think I helped you?
Tom King (Batman, Vol. 1: I Am Gotham)
As the Greeks have created the Olympus based upon their own image and resemblance, we have created Gotham City and Metropolis and all these galaxies so similar to the corporate world, manipulative, ruthless and well paid, that conceived them.
Braulio Tavares
People who live in the night are acquainted with all kinds of quiet. There’s quiet enough to hear the distant traffic. Quiet enough to hear your breathing. Quiet enough to hear a lover’s heartbeat. There’s please-god-don’t-let-me-die quiet, and can’t-remember-her-name quiet. Is-he-lying quiet and can’t-make-rent quiet. There’s the quiet that inspires poets, and quiet that torments the lonely.
Chris Dee (Cat-Tales Book 1)
Gotham City. Donde los sueños se vuelven sólidos y sangran. Donde los fantasmas existen y los monstruos dejan las huellas de sus pisadas entre el polvo. Donde vive el hombre sin precio, el hombre que no puede ser comprado ni vendido, ni apartado de su singular rumbo.
Grant Morrison (Batman and Son)
But looking out, all he saw was an ocean of light, the shimmering heart of Gotham City spread out before him. He didn't know everything his future held for him, not yet, but he knew that whatever it was, it would remain here. It looked like a place worth protecting. It looked like home.
Marie Lu (Batman: Nightwalker)
It wasn’t Hell; only fools and drama queens throw that word around about a place like Gotham. It was worse, in a way, because it was manmade. There wasn’t any timeless malevolence behind it all, it was just… what human beings can descend to when they let themselves forget they can be heroes.
Chris Dee (Cattitude)
Look at her, Alfred,” Bruce said. “That sculpture alone, which we owe to both Percy and Lydia, is proof that Gotham’s past holds more than just crime and bloodshed. Peace and grace can also be found there, and endure for generations to come, long after the sins of the past are dead and buried.
Greg Cox (Batman: The Court of Owls: An Original Prose Novel)
The Coalition was like some supervillain syndicate or terrorist Legion of Doom, but no Justice League had arisen from the chaos to combat the baddies. No, it was like the superheroes had abandoned Gotham, and we citizens were supposed to just pop a pill and forget all about it, until the next time villains struck our fair land.
Angie Smibert (Memento Nora (Memento Nora, #1))
If it sounds good, it is good.
Alexander Steele (Gotham Writers' Workshop Writing Fiction: The Practical Guide From New York's Acclaimed Creative Writing School)
If Mercy Underhill were any more perfect, it would take a long day's work to fall in love with her. But she has exactly enough faults to make it ridiculously easy.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
And that was when I realized that she was actually a very good liar. Only good liars are surprised at being caught.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
I believe that ‘finding the book you’re looking for’ is an overrated notion,” the man replied. “Far better to explore, and let the book you need be the one which finds you.
Craig Schaefer (Ghosts of Gotham (The Ghosts of Gotham Saga, #1))
The East Side was like Detroit without RoboCop, or Gotham without Batman. In postapocalyptic terms, this was the kind of world where a dude with a Mohawk would go after a civilian, and the civilian would come back the next day with a posse to get revenge. Basically, it was a warmhearted community, in the sense that your heart never stopped racing enough to cool down.
Toshio Satou (Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 3 (light novel))
herself changes too. In current DC Comics continuity, Catwoman is a wealthy socialite named Selina Kyle, rather ambiguous in her aims. Sometimes she works with criminals and breaks the law and other times she allies with Batman or the Justice League and enforces it. Her domain is Gotham City’s East End, and she protects its residents through whatever means she sees fit.
Tim Hanley (Wonder Woman Unbound: The Curious History of the World's Most Famous Heroine)
I like blank paper. To meet people I find interesting. Writing puts me into a world that has not been written yet. I spend much of my time contemplating love and death. When I am writing a surge of complete happiness takes over. To make readers hear the sound of their own heartbeats, that sound that whispers up to us: you are alive. When I manage to turn pages and pages of crap into a little bit of art, I feel like that girl in the Diamonds Are Forever ad. Writing gives me permission to be a child and to play with words the way that children play with blocks or twigs or mud. Writing makes me a god, each new page enabling me to create and destroy as many worlds as I please. It allows me to spy on my neighbors. It’s the only socially acceptable way to be a compulsive liar. I want to cleanse the past. To discover, to express, to celebrate, to acknowledge, to witness, to remember who I am. I find out what might have been, what should have happened, and what I fear will happen. It’s a means of asking questions, though the answers may be as puzzling as a rune. This question drives me crazy. There is nothing else I want to do more. My soul will not be still until the words are written on paper. Because I can. Because I must. I can’t not. If I don’t I will explode. I want to be good at something and I’ve tried everything else.
Alexander Steele (Gotham Writers' Workshop Writing Fiction: The Practical Guide From New York's Acclaimed Creative Writing School)
People tell me things they shouldn’t. Things they ought to be powdering over, shoveling underground, facts they ought to be stuffing into a carpetbag before dropping into the river and quietly drowning.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
I remember Uncle Boysie telling me that Canada was so safe the policemen wore nice red outfits and rode on horses but according to Roy the country was like Gotham City with crooks around every corner… I pictured them as shady Frank Miller characters with bulging muscles and machine guns poking out from trench coats but the photograph from the papers was of a group of boys my age. They kind of resembled some of my friends from Mayaro too.
Rabindranath Maharaj (The Amazing Absorbing Boy)
Alfred: Are you alright? Batman: I'm going to need a better car. Police are here. They'll pick up the others. Alfred: And they'll probably be back on the streets by sunrise thanks to Harvey Dent. I know you don't want to hear it, but if you want to make Gotham a safer place we need to rethink how we're going to do that. You should come home now. Dinner's gonna get cold. Batman: Don't tell me it's cottage pie again. Alfred:...I'll order a pizza.
Geoff Johns (Batman: Earth One, Volume 2)
right.” Inspired by mid-century architectural lettering of New York City, Gotham celebrates the alphabet’s most basic form. These qualities made Gotham the most popular release of recent years. It’s used everywhere, in logos, in magazines, in the very things that inspired it: signs. Gotham’s simplicity is not merely geometric — like Avenir, it feels more natural than mechanical. In fact, its lowercase shares a lot with Avenir’s, despite being much larger. But Gotham’s essence is in the caps: broad, sturdy “block” letters of very consistent
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
Many novelists fumed at men they saw as jailers. A host of masculine villains paraded through their plots—neglectful fathers, cruel husbands, and assorted gamblers, alcoholics, philanderers, failures, or murderers—with whom courageous and creative women did combat or from whom they fled.
Mike Wallace (Gotham: A History of New York City to 1898)
But what about objectivity? Aren’t we supposed to report both sides of the story?” “You’re assuming there are two valid sides,” Lionel told him. “That’s just not always true. If somebody is claiming the earth is flat or the moon is made of green cheese, we’re under no obligation to provide them with equal time against people who have the facts on their side.
Craig Schaefer (Ghosts of Gotham (The Ghosts of Gotham Saga, #1))
Never have I seen a deadlier-looking collection of firemen, street brawlers, Party thugs, and fighting entrepreneurs in my life, and they made Chief Matsell's hiring practices pretty clear. If you were loyal to the Party or maybe even a good watchman, you could wear a copper star. If you looked like you've killed a man with your bare hands and aren't shy about doing it again, you could be a captain.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
I was scared. I wasn't scared of monsters, or super-villains. But REAL things. What if the system doesn't work? Everything I've fought for. What if it's broken and unfair and unfixable? I don't know what makes you scared. What makes you rage, but superhero's never fix those things for us. Not even Batman. He can't fix REAL things because he's NOT REAL. He's a cautionary tale. A ghost. He fights our nightmares to teach us to fight the real terrors by light of day. He believes in us. He believes we will save ourselves. He's the superhero who sees in us the heroes we can be. And through him we're reminded that we're stronger for our differences than not. We might hate each other, or fear each other; but we're Gotham where brave new things are made. Truth is, I forgot that for a while. But, like everyone else our there, I remember now.
Scott Snyder (Batman, Volume 9: Bloom)
On New Year’s Eve 1777, after performing in a play entitled The Devil to Pay in the West Indies, a party of drunken officers—one dressed up like Old Nick himself, complete with horns and tail—disrupted services at the John Street Methodist Church. Nor was that the worst of it. “I could narrate many and very frightful occurrences of theft, fraud, robbery, and murder by the English soldiers which their love of drink excited,” said one dismayed German officer.
Edwin G. Burrows (Gotham: A History of New York City to 1898)
Attempted Theory #1: Hey, back to our initial question. Perhaps this is the big reason why we write fiction—as a way of understanding ourselves and the world around us. The fiction writer takes a fragment of reality and examines it from several angles until it starts to make some damn sense. By focusing life through the lens of fiction, truths are revealed and magnified and understood. Order is made from chaos. It’s like therapy but cheaper and more fun, and perhaps even more effective.
Alexander Steele (Gotham Writers' Workshop Writing Fiction: The Practical Guide From New York's Acclaimed Creative Writing School)
Rigorous admission procedures and hefty fees allowed the “worthy” to exclude the “uncouth in manners and habits, ignorant even of the English language, jostling and crowding and vulgarizing the profession.” A year after its formation, the self-selected and overwhelmingly Anglo-Saxon Protestant founders had admitted only 450 out of New York’s approximately four thousand lawyers to their ranks. Grievance and screening committees were established to exercise some control over the behavior of attorneys and judges. The association’s pioneering effort at self-regulation was swiftly and widely copied throughout the country, and Manhattanites proved instrumental in forming the American Bar Association in 1878.
Mike Wallace (Gotham: A History of New York City to 1898)
The American Society for the Prevention of Cruelty to Animals (ASPCA)—a strictly New York City concern despite its expansive name—had been founded in 1866 by Henry Bergh, son of wealthy shipbuilder Christian Bergh. Addressing a crowded Clinton Hall meeting of the American Geographical and Statistical Society, Bergh had denounced the cruelties practiced upon urban animals, particularly by the brutish (and Irish) lower classes, and urged New Yorkers to follow England’s example in tackling the problem organizationally and legislatively. The backing of wealthy bourgeois gentlemen (Astor, Fish, Belmont) and leading ministers (the Unitarian “Pope” Henry Bellows) won the ASPCA a charter and gained passage of restrictive laws, but the rank-and-file supporters of the organization were mainly middle class.
Mike Wallace (Gotham: A History of New York City to 1898)
Despite these individual successes, which built on the prewar legislative victories that allowed wives to keep their own earnings, middle-class females in general found themselves repeatedly thwarted in efforts to crack male monopolization of professional positions. When three women applied to Columbia Law School, one trustee responded, “No woman shall degrade herself by practicing law, in New York especially, if I can save her.
Mike Wallace (Gotham: A History of New York City to 1898)
Nor was her support for the urban realists a one-off affair. In 1907 she set up an apartment and studio in Greenwich Village, remodeling a stable at 19 MacDougal Alley, just north of Washington Square, and made it available for informal exhibitions. In 1914 she bought the adjacent building (8 West 8th Street) and established therein a professional gallery, the Whitney Studio,
Mike Wallace (Greater Gotham: A History of New York City from 1898 to 1919 (The History of NYC Series Book 2))
Robert Underwood Johnson, should advocate “dignity, moderation and purity of expression” and oppose “vulgarity, sensationalism, meretriciousness, lubricity and other forms of degeneracy.” The academy should also resist “the tyranny of novelty,” said Johnson, and consider drawing up “well considered lists of words or meanings taboo.” Academicians inveighed against “polyglot corrupters” of Anglo-Saxon English, and insisted that fiction uplift coarse and sordid people, not describe them.
Mike Wallace (Greater Gotham: A History of New York City from 1898 to 1919 (The History of NYC Series Book 2))
own independent exhibition, marketing it as an American Salon des Refusés. In February 1908 eight painters showcased their work at the Macbeth Galleries. The Eight, as critic James Huneker baptized them, included Henri, Sloan, Glackens, Luks, and Shinn—the Philadelphia Five—and three others, stylistically different but equally determined to crack open NAD’s restrictive practices: symbolist Arthur B. Davies (who was well wired into wealthy New York collector circles), Impressionist/realist Ernest Lawson, and Postimpressionist Maurice Prendergast. (Davies and Lawson had been among the blackballed in 1907.)
Mike Wallace (Greater Gotham: A History of New York City from 1898 to 1919 (The History of NYC Series Book 2))
With a sweep of his hand, he indicated a span that stretched as far north as 16th Street to River North, and as far south as the Field Museum. “My God. And these tunnels are accessible?” “Many, yes. They connect to hotel . . . here.” He showed me on the map where I could gain access to the tunnels from our hotel. “I can get into these tunnels without stepping outside the hotel?” “Yes. They are accessible through sub-basement.
Todd McAulty (The Robots Of Gotham)
Now the tires screeched in protest as Bruce hit another sharp turn. "I heard that," said Alfred Pennyworth from the car's live video touch screen. He gave Bruce a withering look. "A bit slower on the turns, Master Wayne." "Aston Martins weren't made for slow turns, Alfred." "They weren't made to be wrecked, either." Bruce smiled sidelong at his guardian. The setting sun glinted off his aviator glasses as he turned the car back in the direction of Gotham City's skyscrapers. "No faith in me at all, Alfred," he said lightly. "You're the one who taught me how to drive in the first place." "And did I teach you to drive like a demon possessed?" "A demon possessed with skills, Bruce clarified. He spun the steering wheel in a smooth motion.
Marie Lu (Batman: Nightwalker)
a nostalgic belief that New York City had been a far better place just after the Revolution, and a conviction that the evils now afflicting it—rising rates of crime, pauperism, and immorality—were foreign imports.
Mike Wallace (Gotham: A History of New York City to 1898)
Congratulations, to the people which made gotham series, still need some more and extra work!
Deyth Banger
Nobody chased her. But that was nobody's fault, really, not in a city of this size. It was only the callousness of four hundred thousand people, blending into a single blue-black pool of unconcern. That's what we copper stars are for, I think... to be the few who stop and look.
Lyndsay Faye (The Gods of Gotham (Timothy Wilde, #1))
Residents grimly spoke of the crisis as “O Grab Me”—“embargo” spelled backward.
Mike Wallace (Gotham: A History of New York City to 1898)
An eccentric Connecticut whaling captain named Preserved Fish and his cousin-partner Joseph Grinnell shifted from hawking New Bedford whale oil to running the Swallowtail line.
Mike Wallace (Gotham: A History of New York City to 1898)
As George Francis Train boasted in 1857, it was “the locomotive of these United States,” pulling the rest of the nation faster and faster into the future: “twenty miles an hour—thirty—forty”!2
Mike Wallace (Gotham: A History of New York City to 1898)
Confluence didn’t guarantee connection, and indeed could underscore its absence.
Mike Wallace (Gotham: A History of New York City to 1898)
The really polished New Yorker, as editor Walter Whitman noted in an 1856 “Advice to Strangers” piece, was one who could coolly respond to a con man’s pitch by looking him in the eye and saying: “You’ve waked up the wrong passenger.
Mike Wallace (Gotham: A History of New York City to 1898)