Outfit Change Quotes

We've searched our database for all the quotes and captions related to Outfit Change. Here they are! All 100 of them:

And even if you do wear a maid outfit, it doesn't change the fact that you're strong or that you're smart or that you try really hard at everything you do. I think you'd still deserve to walk with your head held high.
Hiro Fujiwara (Maid-sama! Vol. 01 (Maid-sama!, #1))
When compared to the fact that he might very well be dead by this time tomorrow, whether he was courageous or not today was pointless, empty. When compared to the fact that he might be dead tomorrow, everything was pointless. It just didn't make any difference. It was pointless to the tree, it was pointless to every man in his outfit, pointless to everybody in the whole world. Who cared? It was not pointless only to him; and when he was dead, when he ceased to exist, it would be pointless to him too. More important: Not only would it be pointless, it would have been pointless all along. This was an obscure and rather difficult point to grasp. Understanding of it kept slipping in and out on the edges of his mind. It flickered, changing its time sense and tenses. At those moments when he understood it, it left him with a very hollow feeling.
James Jones (The Thin Red Line)
We think, sometimes, there's not a dragon left. Not one brave knight, not a single princess gliding through secret forests, enchanting deer and butterflies with her smile. What a pleasure to be wrong. Princesses, knights, enchantments and dragons, mystery and adventure ...not only are they here-and-now, they're all that ever lived on earth! Our century, they've changed clothes, of course. Dragons wear government-costumes, today, and failure-suits and disaster-outfits. Society's demons screech, whirl down on us should we lift our eyes from the ground, dare we turn right at corners we've been told to turn left. So crafty have appearances become that princesses and knights can be hidden from each other, can be hidden from themselves.
Richard Bach
[F]or the most part football these days is the opium of the people, not to speak of their crack cocaine. Its icon is the impeccably Tory, slavishly conformist Beckham. The Reds are no longer the Bolsheviks. Nobody serious about political change can shirk the fact that the game has to be abolished. And any political outfit that tried it on would have about as much chance of power as the chief executive of BP has in taking over from Oprah Winfrey.
Terry Eagleton
The diaper bag, the car seat, the bottles, the pacifiers, the changing mat, the wipes, and all the toys in their primary colored glory; none of which would compliment my outfit.
Dina Silver (One Pink Line)
Max always carried spare shit for his friends; he probably had a whole outfit change in his bag for me too if I needed it.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
The feedback from the speakers changes and begins blasting death metal music so loudly into the sky that I swear the bridge suspensions are vibrating. The twins were in charge of the music selection. I catch sight of them on the side of the bridge, each with an arm raised, holding up their forefingers and pinkies in a devil sign, head-banging to the beat. They’re mouthing the words to the garbled voice screaming over the intense electric guitar and drums blasting out of the speakers. They might look pretty badass if it weren’t for their hobo clown outfits. It’s the loudest party the Bay Area has ever heard.
Susan Ee (End of Days (Penryn & the End of Days, #3))
Lamar, why do they go into a trance when I change into this?” I ask as I go phantom and change into the Egyptian Princess outfit before turning whole again. The guys…don’t go into a trance. Not even Ezekiel, and he missed it the first time. It makes me look like a liar. Weirdly, I take offense to feeling like a liar. It’s weird because I’m the DEVIL’S FUCKING DAUGHTER and THE APOCALYPSE, but being thought of as a liar irks me. My priorities are so messed up.
Kristy Cunning (Three Trials (The Dark Side, #2))
Colonel Cathcart stopped in his tracks. “What atheists?” he bellowed defensively, his whole manner changing in a flash to one of virtuous and belligerent denial. “There are no atheists in my outfit! Atheism is against the law, isn’t it?” “No, sir.” “It isn’t?” The colonel was surprised. “Then it’s un-American, isn’t it?” “I’m not sure, sir,” answered the chaplain. “Well, I am!” the colonel declared. “I’m not going to disrupt our religious services just to accommodate a bunch of lousy atheists. They’re getting no special privileges from me. They can stay right where they are and pray with the rest of us. And what’s all this about enlisted men? Just how the hell do they get into this act?” The chaplain felt his face flush. “I’m sorry, sir. I just assumed you would want the enlisted men to be present, since they would be going along on the same mission.” “Well, I don’t. They’ve got a God and a chaplain of their own, haven’t they?” “No, sir.” “What are you talking about? You mean they pray to the same God we do?” “Yes, sir.” “And He listens?” “I think so, sir.
Joseph Heller (Catch-22)
William: What are you looking for in a woman? Reyes: I’ve found my angel, Danika. She’s all I need. William: Really? That’s, like, weird to me. Men should need many girls. No one girl should be so important. Reyes: How sad for you. William: I’m not sad. You’re sad! Reyes: Why are you so defensive about this? William: Let’s move on. Favorite outfit? Reyes: First, you said girls rather than women. Why is that, I wonder? Because you care about one girl in particular? Anyway, clothes are clothes. I don’t have any favorites. William: Go to hell. I care about no one and I’m proud to admit that! Favorite moment in the series so far? Reyes: The first time Danika looked at me with trust and acceptance in her eyes. I’m still reeling. William: And just so you know, girl was a slip of the tongue. Now. Least favorite moment in the series? Reyes: Every time I had to kill Maddox. William: Really? That would have been my favorite. Anyway, hobbies? Reyes: Do you really have to ask? Yes? Fine. Cutting myself. I’ve started to draw shapes. Like hearts. William: You actually admitted that aloud. [snicker] [..] Reyes: Happy for the first time in what seems an eternity. William: Not that you deserve it. Really, I didn’t say girl for any particular reason. So what do you think of the fact that your home has been invaded by women? Reyes: As long as I have Danika, I don’t care who lives with us. William: Who do you think is the smartest Lord? Reyes: Me. Look who I picked to spend eternity with. William: I think you’re the dumbest! Seriously, girl was meant to encompass everyone old enough to be bedded by me. Now, if you knew you only had twenty-four hours before the Hunters found Pandora’s box and killed you, what would you do in the time you had left to live? Reyes: Not even death can keep me away from my angel. I would find a way to change such a fate. Again. William: What kind of underwear are you wearing? Note from William: Bastard flipped me off and left. Final thoughts from William: Reyes’s thoughts about me and my slip of the tongue were ridiculous and unfounded!
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
Uncle Bob chuckled. “What the Hell Spawn of Satan are you wearing?” What Ubie was so indelicately referring to was the outfit I’d changed into, carefully picking out my most comfortable black-on-black attire and meticulously applying black greasepaint to my face to complement a desert-at-midnight look. Naturally, I had to struggle through several costume changes as Garrett sat out in his leather-seated truck waiting for me. I sure hoped my time-consuming endeavor didn’t annoy him.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
The thing is, I want to play real characters and not all girls can be pretty. The thing is, you get these girls who say 'I'm a character actor' then you see them in a role and nothing has really changed but the outfit.
Juliette Lewis
When you come across something that’s hard to discard, consider carefully why you have that specific item in the first place. When did you get it and what meaning did it have for you then? Reassess the role it plays in your life. If, for example, you have some clothes that you bought but never wear, examine them one at a time. Where did you buy that particular outfit and why? If you bought it because you thought it looked cool in the shop, it has fulfilled the function of giving you a thrill when you bought it. Then why did you never wear it? Was it because you realized that it didn’t suit you when you tried it on at home? If so, and if you no longer buy clothes of the same style or color, it has fulfilled another important function—it has taught you what doesn’t suit you. In fact, that particular article of clothing has already completed its role in your life, and you are free to say, “Thank you for giving me joy when I bought you,” or “Thank you for teaching me what
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
But then everything eventually changes. It’s the way of the world. Cycles of death and resurrection, but not always in the way we imagine. For instance, we might all resurrect looking way different, wearing outfits we’d never be caught dead in.
Patti Smith (Year of the Monkey)
Ben felt paralyzed with shock. But she hadn't finished. In fact, she'd barely started. She went on to give him a scorching lecture about how he was a victim of this ridiculous, upside-down consumer culture in which everyone was constantly being bombarded with the pernicious promise of happiness, and even worse, being told at every turn that they had the goddamn right to be happy. And if they weren't, they could be, if they just got themselves a new car or a new dishwasher or a new outfit or a new lover. The messages were everywhere, Sally said, in every magazine you picked up. on every dumb TV show, feeling greed and envy, making people dissatisfied with what they had, persuading them they could change it and be happy and successful and beautiful, if only they had some gorgeous new thing or a new girlfriend or a new face or a new pair of silicone tits....
Nicholas Evans (The Divide)
One reason I was so drawn to clothing was that, like cooking, it was a realm where non-witches experienced a little everyday magic. Put on a different outfit and your whole outlook on life could transform. There is a reason we refer to it as “changing”: When you put on an outfit that is perfect for you, you change. The
Juliet Blackwell (Secondhand Spirits (Witchcraft Mystery #1))
The right outfit and the right pair of shoes can change a woman’s life! If you don’t believe me, just ask Cinderella!
Summer Cooper (Too Much To Love: A Ten-Book Romance Box Set)
Hey, you changed your outfit back.
Tijan (Davy Harwood in Transition (The Immortal Prophecy, #2))
The outfits are cool, the choreography is slick and the special effects and set changes left viewers open-mouthed.
Adrian Besley (EXO: K-Pop Superstars)
Interesting outfit.” Clearly unabashed, she merely glanced down at herself, slicked long-fingered, bloodred-tipped hands over her hips and thighs. Then laughed low in her throat. “I know. It’s a little over the top, isn’t it? But I’ve got a hot date tonight and zero time to go home to change.” Shock reverberated in his gut and zinged down the nerve rich column of his spinal cord. Taking a hot step forward, he demanded before he could stop himself, “With who?” She gave him a cool look, clearly wondering what the hell business he thought it was of his. Still, she answered him, which he hadn’t actually expected. “Eduardo,” she said, drawing the syllables out, her lips caressing them as if they were made of Godiva chocolates. “He’s an—” Cutting herself off, she shook her head. “Well. You don’t give a rat’s rear end who he is.” “Sure I do,” he forced himself to say in a bored tone, dismayed to discover that part of him was seriously tempted to grab those spandex- wrapped arms and shake the information out of her.
Susan Andersen (Playing Dirty (Sisterhood Diaries, #3))
On vacation you can be anyone you want Like a good book or an incredible outfit, being on vacation transports you into another version of yourself.
In your day-to-day life, maybe you can’t even bob your head to the radio without being embarrassed, but on the right twinkly-light-strung patio, with the right steel drum band, you’ll find yourself whirling and twirling with the best of them. On vacation, your hair changes. The water is different, maybe the shampoo. Maybe you don’t bother to wash your hair at all, or brush it, because the salty ocean water curls it up in a way you love. You think, Maybe I could do this at home too. Maybe I could be this person who doesn’t brush her hair, who doesn’t mind being sweaty or having sand in all her crevices. On vacation, you strike up conversations with strangers, and forget that there are any stakes. If it turns out impossibly awkward, who cares? You’ll never see them again!
Emily Henry (People We Meet on Vacation)
Every morning when you get up, you should search your heart. Know deep down that you’re being true to who God called you to be. Then you won’t have to look to the left or to the right. Just stay focused on your goals. If people don’t understand you, that is okay. If some get upset because you don’t fit into their mold, don’t worry about it. If you lose a friend because you won’t let that person control you, then you didn’t need them anyway, because that person was not a true friend. If people talk about you, being jealous, critical, and trying to make you look bad, don’t let that change you. You don’t need their approval when you have God’s approval. If you will get free from what everyone else thinks and start being who you were created to be, you will rise to a new level. We spend too much time trying to impress people, trying to gain their approval, wondering what they’re going to think if we take this job or wear a new outfit or move into a new neighborhood. Instead of running our races, we often make decisions based on superficial things. I heard somebody say, at twenty years old we wonder what everybody thinks about us, and at forty years old we don’t care what anybody thinks about us. Then, at sixty, we realize nobody was thinking about us.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
Every pregnancy results in roughly two years of lost menstruation. If you are a manufacturer of menstrual pads, this is bad for business. So you ought to know about, and be so happy about, the drop in babies per woman across the world. You ought to know and be happy too about the growth in the number of educated women working away from home. Because these developments have created an exploding market for your products over the last few decades among billions of menstruating women now living on Levels 2 and 3. But, as I realized when I attended an internal meeting at one of the world’s biggest manufacturers of sanitary wear, most Western manufacturers have completely missed this. Instead, when hunting for new customers they are often stuck dreaming up new needs among the 300 million menstruating women on Level 4. “What if we market an even thinner pad for bikinis? What about pads that are invisible, to wear under Lycra? How about one pad for each kind of outfit, each situation, each sport? Special pads for mountain climbers!” Ideally, all the pads are so small they need to be replaced several times a day. But like most rich consumer markets, the basic needs are already met, and producers fight in vain to create demand in ever-smaller segments. Meanwhile, on Levels 2 and 3, roughly 2 billion menstruating women have few alternatives to choose from. These women don’t wear Lycra and won’t spend money on ultrathin pads. They demand a low-cost pad that will be reliable throughout the day so they don’t have to change it when they are out at work. And when they find a product they like, they will probably stick to that brand for their whole lives and recommend it to their daughters.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About The World - And Why Things Are Better Than You Think)
Joy’s power is that small moments can spark big changes. A whimsical outfit might prompt a smile, which inspires a chance kindness toward a stranger, which helps someone who is struggling to get through her day. Even the tiniest joyful gestures add up over time, and before we know it, we have not just a few happier people but a truly joyful world.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
Kika changed seats, pulling a chair and joining Ana at her table. Gang member, very likely, even if she seemed to dabble in unorthodox outfits. Not that Ana wanted that to be the case, but the way this conversation was going there were few other options to consider, though movie extra from a remake of Gilda might fit the bill. She had the femme fatale aura down pat.
Silvia Moreno-Garcia (Certain Dark Things)
At first my father owned slaves, but by and by he sold them, and hired others by the year from the farmers. For a girl of fifteen he paid twelve dollars a year and gave her two linsey-wolsey frocks and a pair of “stogy” shoes—cost, a modification of nothing; for a negro woman of twenty-five, as general house servant, he paid twenty-five dollars a year and gave her shoes and the aforementioned linsey-wolsey frocks; for a strong negro woman of forty, as cook, washer, etc., he paid forty dollars a year and the customary two suits of clothes; and for an able bodied man he paid from seventy-five to a hundred dollars a year and gave him two suits of jeans and two pairs of “stogy” shoes—an outfit that cost about three dollars. But times have changed.
Mark Twain (Autobiography of Mark Twain: The Complete and Authoritative Edition, Volume 1)
After that she paired each of her outfits with one of his. She tucked the cuff of her blouse in his blue suit pocket. A skirt hem she looped around a trouser leg. Another dress she wrapped in the embrace of his blue cardigan. It was as if lots of invisible Maureens and Harolds were loitering in her wardrobe, simply waiting fro the opportunity to step out. It made her smile, and then it made her cry; but she didn't change them back.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
1) Leopardskin is always a neutral. 2) You can get away with nearly anything if you wear the thing with black opaque tights and boots. 3) Contrary to popular opinion, a belt is often not a good friend to a lady. Indeed, in many circumstances, it acts merely as a visual aid to help the onlooker settle the question: "Which half is fatter - the bottom or the top?" 4) Bright red is a neutral. 5) Sellotape is NOT strong enough to mend a hole in the crotch of a pair of tights. 6) You should NOT buy an outfit if you have to strike a sexy pose in the changing-room mirror to make it look good. On the other hand, if you immediately start dancing the minute you put it on, buy it, however much it costs: unless it's lots, in which case, you can't, so don't. Fashion magazines will NEVER say, "Actually, don't buy it if you can't afford it." Neither will your friends. I am probably the only person who will EVER say it to you. You're welcome.
Caitlin Moran (How to Be a Woman)
Has someone made you feel shame for taking selfies? For daring to believe so much in your beauty, in your style, in your badassery, in your joy, in your body, in your sensuality, in your humanity that you'd be so audacious, so bold, so (insert judgmental word of choice here) to want to witness and be witnessed for who and what you are. ⠀ ⠀ Has someone out there sold you their own truth that this is conceited or narcissistic or superficial? How dare you think so much of yourself that you stop to take a photo?⠀ ⠀ Forget. those. people. ⠀ ⠀ Seriously. You are worthy of capture. Of celebration. Of admiration. You are worthy of being seen and witnessed. Of being looked at with awe and with joy. Just as you are, right now. All made up and wearing the outfit that makes you feel like you can take on the world or just waking up in bed, bare skin and messy hair and eyes hazy with dreams. ⠀ ⠀ Here's the thing. Self-portraiture in art is as old as time. We are fascinated with the visible proof of our own existence, our own reality, and for damn good reason. We are infinite and complex and ever changing. We are majestic and mundane. Self-portraits, regardless of the medium, offer us a way to capture ourselves at a specific moment in time. ⠀ ⠀ For me, this is an act of self-love. Of self-honoring. Of owning myself as beautiful and sovereign. It is the way I learned to look at myself without needing to look away. It is how I learned to trace the lines of my own being with the sort of admiration I used to reserve for others, for those I loved or for rarified celebrities I never thought I could live up to. ⠀ ⠀ When I stop to take a photo of myself, it is a way to say that I am here. I have something to say that can't be spoken in words. It might be deep and poetic, or maybe I just damn well love my outfit and think you should see it. And that yes, it is a way to say I want to be seen and I no longer hold shame in that wanting.
Jeanette LeBlanc
Nerys wondered if there was anyone she could really count as a friend. She’d always had best friends at school. A series of complicated affiliations that could change with a swift and crushing blow if one of them wore the wrong outfit or liked the wrong music. A couple of those friendships had lasted into her teens and she cursed herself for messing things up by sleeping with Claire’s boyfriend. And Catherine’s dad. She might have got away with it if they weren’t both at the same time.
Heide Goody (Clovenhoof (Clovenhoof, #1))
Should the girls decide to go for a walk, they would need to change into a different outfit, a light woollen tweed suit and sturdier boots - but on simpler days, such as for the garden party, they make mercifully few changes. Cora, like many married ladies in her position, takes the opportunity on quiet afternoons to take off her corset and wear a teagown for an hour or two before getting into her evening dress. Its huge advantage was that it was always ornately decorated but simply cut, meaning it was the only garment a woman could conceivably get in and out of alone, as it could be worn without a corset underneath. Worn between five and seven o'clock, it gave rise to the French phrase 'cinq a sept'. This referred to the hours when lovers were received, the only time of day when a maid wouldn't need to be there to help you undress and therefore discover your secret. Lady Colin Campbell's divorce had hinged on the fact that her clothes had clearly been fastened by a man who didn't know what he was doing; when her lady's maid saw her for the next change, the fastenings were higgledy-piggledy. But for Cora, the teagown is not for any illicit behaviour, just for respite from her underpinnings.
Jessica Fellowes (The World of Downton Abbey)
The feedback from the speakers changes and begins blasting death metal music so loudly into the sky that I swear the bridge suspensions are vibrating. The twins were in charge of the music selection. I catch sight of them on the side of the bridge, each with an arm raised, holding up their forefingers and pinkies in a devil sign, head-banging to the beat. They’re mouthing the words to the garbled voice screaming over the intense electric guitar and drums blasting out of the speakers. They might look pretty badass if it weren’t for their hobo clown outfits. It’s the loudest party the Bay Area has ever heard.
Susan Ee (End of Days (Penryn & the End of Days, #3))
Camelot—Camelot," said I to myself.  "I don't seem to remember hearing of it before.  Name of the asylum, likely." It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday.  The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on.  The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand. Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. Around her head she wore a hoop of flame-red poppies. It was as sweet an outfit as ever I saw, what there was of it.  She walked indolently along, with a mind at rest, its peace reflected in her innocent face.  The circus man paid no attention to her; didn't even seem to see her.  And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life.  She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change!  Up went her hands, and she was turned to stone;
Mark Twain (A Connecticut Yankee in King Arthur's Court)
Who do you think is angriest right now? In our country, I mean.” I shrugged. “African Americans?” She made a buzzing noise, a sort of you’re-out-but-we’ve-got-some-lovely-consolation-prizes-backstage kind of a sound. “Guess again.” “Gays?” “No, you dope. The straight white dude. He’s angry as shit. He feels emasculated.” “Honestly, Jacko.” “Of course he does.” Jackie pointed a purple fingernail at me. “You just wait. It’s gonna be a different world in a few years if we don’t do something to change it. Expanding Bible Belt, shit-ass representation in Congress, and a pack of power-hungry little boys who are tired of being told they gotta be more sensitive.” She laughed then, a wicked laugh that shook her whole body. “And don’t think they’ll all be men. The Becky Homeckies will be on their side.” “The who?” Jackie nodded at my sweats and bed-matted hair, at the pile of yesterday’s dishes in the sink, and finally at her own outfit. It was one of the more interesting fashion creations I’d seen on her in a while—paisley leggings, an oversized crocheted sweater that used to be beige but had now taken on the color of various other articles of clothing, and purple stiletto boots. “The Susie Homemakers. Those girls in matching skirts and sweaters and sensible shoes going for their Mrs. degrees. You think they like our sort? Think again.
Christina Dalcher (Vox)
Mrs. Indianapolis was in town again. She looked like a can of Sprite in her green and yellow outfit. She always likes to come down to the front desk just to chat. It was 4:04 am and thankfully I was awake and at the front desk when she got off the elevator and walked towards me. 
 “Good morning, Jacob,” she said.
 “My name is Jarod,” I replied.
 “When did you change your name?” “I was born Jarod, and I’ll probably die. Maybe.”
 “You must be new here. You look like a guy named Jacob that used to work at the front desk.”
 “Nope, I’m not new. And there’s no Jacob that’s worked the front desk, nor anybody who looks or looked like me. How can I assist you, Mrs. Indianapolis?”
 “I’d like to inform you that the pool is emitting a certain odor.”
 “What sort of odor?”
 “Bleach.”
 “Ah, that’s what we like to call chlorine. It’s the latest craze in the sanitation of public pools. Between you and me, though, I think it’s just a fad.”
 “Don’t get sassy with me, young man. I know what chlorine is. I expect a clean pool when I go swimming. But what I don’t expect is enough bleach to get the grass stain out of a shirt the size of Kentucky.”
 “That’s not our policy, ma’am. We only use about as much chlorine as it would take to remove a coffee stain the size of Seattle from a light gray shirt the size of Washington.” “Jerry, I don’t usually give advice to underlings, but I’m feeling charitable tonight. So I’ll tell you that if you want to get ahead in life, you have to know when to talk and when not to talk. And for a guy like you, it’d be a good idea if you decided not to talk all the time. Or even better, not to talk at all.”
 “Some people say some people talk too much, and some people, the second some people, say the first some people talk to much and think too little. Who is first and who is second in this case? Well, the customer—that’s you, lady—always comes first.”
 “There you go again with the talking. I’d rather talk to a robot than to you.”
 “If you’d rather talk to a robot, why don’t you just find your husband? He’s got all the personality and charm of a circuit board. Forgive me, I didn’t mean that.”
 “I should hope not!”
 “What I meant to say was fried circuit board. It’d be quite absurd to equate your husband’s banter to a functioning circuit board.”
 “I’m going to have a talk to your manager about your poor guest service.”
 “Go ahead. Tell him that Jerry was rude and see what he says. And by the way, the laundry room is off limits when no lifeguard is on duty.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
I wore an emerald long-sleeved dress by Vivienne Tam and a pair of tangerine Christian Louboutins. I had seen the same look in one of Emerald's Vogues and asked Giada to overnight it. I learned quickly, though I wasn't very original. I'd changed in a coffee shop next to my apartment, then hopped into a cab. "Next time we must coordinate outfits beforehand," Michael whispered as we sat down. "I was going for 'salt of the earth' today." "Oh, I wanted to match the décor," I said. Tellicherry felt like a sexy, sinister jewel box. A rich sapphire blue stained the walls in large, meandering splotches, like dye dropped into water. Bronze silk leaped and dipped in the cushions. The waitresses wore black dresses with seductive lace panels revealing flesh-colored bits, and the waiters slinked in semi-sheer pajama-like outfits, conjuring bedtime escapades, none of which involved sleeping.
Jessica Tom (Food Whore)
At once, Raj set about finding some dry clothes for Ben and the Queen. However, all he had were his unsold costumes from Halloween. “This is your size, Your Majesty,” said Raj, handing her a lobster costume. “One has never dressed as a lobster before. What fun!” she said, taking the costume behind the card carousel to change. Next, Raj picked up one of his princess outfits. Before he could say a thing, Ben snapped, “NO!” “What do you mean, no?” asked Raj. “No means no! I am never, ever, ever dressing up as a princess!” “But you would look so pretty!” Raj implored. “NO!” “Well, the lobster outfits are too big for you.” The Queen reappeared with hers on. “Red is so your colour!” remarked Raj. “Oh, why thank you, Mr Raj. Now come on, Ben. You can’t stay in those wet things – you will catch your death of cold!” “But—” “No buts, Benjamin! Put it on! That’s an order from your Queen!” Ben harumphed and disappeared behind the card carousel. Moments later, he reappeared awkwardly. He was dressed as a princess with the grumpiest look on his face. “You know I said how pretty you would look as a princess?” began Raj. “Yep.” “I was wrong.” Then,
David Walliams (Gangsta Granny Strikes Again!)
I stood next to Breeze in a small quartz room. A sea lantern served as the only light source, bathing the room in its pale blue light. Against the center of one wall stood a mysterious object. It was three meters tall, three meters wide, and flat, like a banner. However, instead of dyed wool was a surface like the calmest pool of water. Breeze reached out with her right hand. Her fingers touched those of her reflection. After she lowered her arm, we continued staring at ourselves in silence. In awe. It was the first time we'd seen ourselves this way. But more than that were our outfits. Our clothes were made of spider silk, a type of cloth crafted using spider string. Puddles, the owner of the Clothing Castle, had worked with the humans for days to craft perfect recreations of Earth fashion. Then, to make us look even more majestic, our cloaks had been modified to fall over our shoulders. Poster children. Symbols of hope. Villagetown's biggest stars. That's what we've become. Some say it's sweet: a budding romance between two young heroes fighting valiantly against all odds. I'd say that's an exaggeration. Although Breeze and I are close, we haven't had much time for anything beyond battle or preparing for the next. I guess the mayor wants to change that, though. The people need something to believe in, he says. I suppose that's why he whisked us away in
Cube Kid (Wimpy Villager 13: Quest Mode)
Believe in Your Ability to Cope with Negative Feedback Just like everyone has a vision blind spot, everyone has cognitive blond spots that can lead to making less than stellar choices. For example, you think an outfit looks good on you, and in reality it doesn’t. Or you thought you understood what your boss wanted but later realize you took the instructions in an unintended direction. Since we all have blind spots, making some mistakes and getting some negative feedback is unavoidable. Therefore, unless you plan to go live in a cave, you’re going to need a game plan for how you’ll cognitively and emotionally cope when negative feedback happens. We’ll cover behavioral strategies later in the chapter, but let’s work on the thinking and emotional aspects for now. Experiment: Think about a specific scenario in which you fear negative feedback. If your fears came true: --How would you go about making the required changes? --How could you be self-accepting of your sensitivity to criticism? How could you talk to yourself gently about the emotions you’re feeling instead of criticizing yourself for feeling upset? How could you be patient with yourself while you’re having those feelings? --What self-care would you do while you wait for your heart and upset feelings to pass? (Yes, rewatching episodes of ‘90s TV is a totally acceptable answer.) --What personal support would you access to cope with your emotions? For example, you’d talk to a friend.
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
To date, there is no strong empirical support for claims that automating medical record keeping will lead to major reductions in health-care costs or significant improvements in the well-being of patients. But if doctors and patients have seen few benefits from the scramble to automate record keeping, the companies that supply the systems have profited. Cerner Corporation, a medical software outfit, saw its revenues triple, from $1 billion to $3 billion, between 2005 and 2013. Cerner, as it happens, was one of five corporations that provided RAND with funding for the original 2005 study. The other sponsors, which included General Electric and Hewlett Packard, also have substantial business interests in health-care automation. As today’s flawed systems are replaced or upgraded in the future, to fix their interoperability problems and other shortcomings, information technology companies will reap further windfalls.
Nicholas Carr (The Glass Cage: Automation and Us: How Our Computers Are Changing Us)
Growing up I had been ambivalent about being Chinese, occasionally taking pride in my ancestry but more often ignoring it because I disliked the way that Caucasians reacted to my Chineseness. It bothered me that my almond-shaped eyes and straight black hair struck people as “cute” when I was a toddler and that as I grew older I was always being asked, even by strangers, “What is your nationality?”—as if only Caucasians or immigrants from Europe could be Americans. So I would put them in their place by telling them that I was born in the United States and therefore my nationality is U.S. Then I would add, “If you want to know my ethnicity, my parents immigrated from southern China.” Whereupon they would exclaim, “But you speak English so well!” knowing full well that I had lived in the United States and had gone to American schools all my life. I hated being viewed as “exotic.” When I was a kid, it meant being identified with Fu Manchu, the sinister movie character created by Sax Rohmer who in the popular imagination represented the “yellow peril” threatening Western culture. When I was in college, I wanted to scream when people came up to me and said I reminded them of Madame Chiang Kai-shek, a Wellesley College graduate from a wealthy Chinese family, who was constantly touring the country seeking support for her dictator husband in the Kuomintang’s struggles against the Japanese and the Chinese Communists. Even though I was too ignorant and politically unaware to take sides in the civil war in China, I knew enough to recognize that I was being stereotyped. When I was asked to wear Chinese dress and speak about China at a meeting or a social function, I would decline because of my ignorance of things Chinese and also because the only Chinese outfit I owned was the one my mother wore on her arrival in this country.
Grace Lee Boggs (Living for Change: An Autobiography)
I change my mind about the new black getup and opt for the chocolate brown outfit I was going to wear to the party. I’m not trying to inspire Michael. I just want to look inspired. God, I hope he has a big fat gut and his teeth are rotting and he can’t stand up straight because his penis has fallen off and he smells like mustard.
Terry McMillan (I Almost Forgot About You)
That moment marked a change in my life, a change more profound than a new wardrobe, however wild. My Lady cast off her English clothes and it was as though in that moment our relationship shifted as well, in some unspoken, unpredicted way. I was not her equal, I was part of her routine, part of her life, my care for her so intimate that it was as though I was part of her body—a hand, perhaps. A foot. Something indispensable, to which you do not give much thought. But from that moment hence, things shifted between us, and life changed. Later that morning, after my Lady had breakfasted, I went into my room and closed the door. I remembered when my Lady had purchased the trousers and tunic in Cairo; both Mr Abu Halaweh and I had assumed she was buying gifts for her husband. I had even imagined Sir Alick thus clad—he would laugh at himself and allow her to coax him into wearing the outfit for one of their supper parties. But now that my Lady had cast aside her European clothes, I longed to do the same. I undressed, taking off the brown muslin, faded now from being put out to dry in the sun repeatedly. I took off my layers of undergarments. I unlaced my stays. Like my
Kate Pullinger (The Mistress of Nothing)
If, for example, you have some clothes that you bought but never wear, examine them one at a time. Where did you buy that particular outfit and why? If you bought it because you thought it looked cool in the shop, it has fulfilled the function of giving you a thrill when you bought it. Then why did you never wear it? Was it because you realized that it didn’t suit you when you tried it on at home? If so, and if you no longer buy clothes of the same style or color, it has fulfilled another important function—it has taught you what doesn’t suit you.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
The Roman cassock, however, part of the authoritative outfit of the church, is not a formal vestment. It was initially the out-of-entryways and household dress of European people and also pastorate, and its survival among the last when the mainstream designs had changed is just the result of religious conservatism. In gentle climate it was the external piece of clothing; in chilly climate it was worn under the tabard (a tunic with or without short sleeves) or chimere (a free, sleeveless outfit); in some cases in the Middle Ages the name chimere was given to it and also to the sleeveless upper robe.
psg vestments
You may wonder about the effectiveness of such a vague criteria, but the trick is to handle each item. Don’t just open up your closet and decide after a cursory glance that everything in it gives you a thrill. You must take each outfit in your hand. When you touch a piece of clothing, your body reacts. Its response to each item is different. Trust me and try it. I chose this standard for a reason. After
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
See, I have this theory that humans are just living, breathing, talking forms of art, each crafted with a different technique and carved out of different materials. Each beautiful in their own way. And sure, beauty is in the eye of the beholder, and totally subjective, and changes depending on your circumstance, yada-yada-yada… but most of the time, it’s pretty easy to classify people. Like, okay, you know those women who are gorgeous and never know it? Or the men who pass quietly through life, handsome and unnoticed, never begging for attention or crying out for recognition? Those are your watercolors. And the loud, vivacious, gorgeous-and-they-know-it creatures, with bright lipstick and closets full of bold colors and outfits they never wear twice? Acrylics. The graceful, elegant, aging beauties you pick out in the crowd, or across the cafe, the lines on their faces telling a story you just know you’d want to hear, with so many layers and smudges, twists and turns, you’re not even sure where they begin? Charcoals. Then, you’ve got the big-picture-beautiful people, with the collection of interesting features that together make a beautiful face. They’re your oil paintings — best from ten feet away and, at the end of the day, kind of funny looking if you lean closer and analyze all their elements separately. But I’m quickly learning that Chase Croft doesn’t fit any of my categories. He isn’t a brushstroke on canvas, or bumpy layers of paint on a palette, or imperfect lines scratched inside a sketchbook. His features aren’t just gorgeous as a collective — he’s one of those annoyingly attractive people whose every feature is equally stunning. He’s a sculpture.
Julie Johnson
The last boon on the list was Quick Change Artist. You may instantly swap between two outfits. “Who in the world would choose Quick Change Artist?” Seth muttered to himself. His eyes shot open in horror, however, as the Quick Change Artist boon lit up, and then the whole boon list disappeared. “NO!” He shouted in desperation.
C.T. O'Leary (Slyborn (Quick Change #1))
If you’ll allow me to stretch this metaphor, we could say that Old Survivor was too weird or too difficult to proceed easily toward the sawmill. In that way, the tree provides me with an image of “resistance-in-place.” To resist in place is to make oneself into a shape that cannot so easily be appropriated by a capitalist value system. To do this means refusing the frame of reference: in this case, a frame of reference in which value is determined by productivity, the strength of one’s career, and individual entrepreneurship. It means embracing and trying to inhabit somewhat fuzzier or blobbier ideas: of maintenance as productivity, of the importance of nonverbal communication, and of the mere experience of life as the highest goal. It means recognizing and celebrating a form of the self that changes over time, exceeds algorithmic description, and whose identity doesn’t always stop at the boundary of the individual. In an environment completely geared toward capitalist appropriation of even our smallest thoughts, doing this isn’t any less uncomfortable than wearing the wrong outfit to a place with a dress code. As I’ll show in various examples of past refusals-in-place, to remain in this state takes commitment, discipline, and will. Doing nothing is hard.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
Physical What you do Our gestures and outfits communicate what we feel and whom we align with.
Nancy Duarte (Illuminate: Ignite Change Through Speeches, Stories, Ceremonies, and Symbols)
I was changing my outfit,” Daniel swiftly stated at the exact same time Cass said, “I was just ravishing your son.
Daryl Banner (Making the Naughty List)
The ocean breeze blew her flimsy gown against her body. Hip bones jutted out on either side of her concave stomach. I’d once seen a picture of sacred cows on the Ganges. Starving. “What’s with the outfit?” I asked. “No time to change,” she said. “Had to make a quick getaway.” She kicked the pumps off, pulled the dress over her head. There she stood in a lacy bra and butt-floss thong. Some yacht dads gazed our way. “Evie!” stage-whispered Jack to me. “She’s naked!” “Listen, kid,” said Alycia. “What was your name again?” “Jack?” said Jack. “Right, right. Well, Jack, I can show you naked if you want. But this isn’t it. See this piece of fabric? They call it underwear.” “But I can see your regina.” “Jack, it’s your lucky day.” She turned from us, splashed through the shallows, and dove. Graceful as a dolphin. The yacht dads rubbernecked. She front-crawled out past the breakers. “Why is my day lucky?” asked Jack. I tousled his hair.
Lydia Millet (A Children's Bible)
Okay, well, maybe a new years kiss will change everything!" I sat upbeat and began picking her outfit out, "C'mon, let's get you ready! It's going to be great! It's your first New Years in New York; it's going to be so spectacular. You're going to love it.
Emily Hess (Blood Moon)
Hey, Shell-bell," I say, leaning over her and wiping her face with a napkin. "It's the first day of school. Wish me luck." Shelley holds jerky arms out and gives me a lopsided smile. I love that smile. "You want to give me a hug?" I ask her, knowing she does. The doctors always tell us the more interaction Shelley gets, the better off she'll be. Shelley nods. I fold myself in her arms, careful to keep her hands away from my hair. When I straighten, my mom gasps. It sounds to me like a referee's whistle, halting my life. "Brit, you can't go to school like that." "Like what?" She shakes her head and sighs in frustration. "Look at your shirt." Glancing down, I see a large wet spot on the front of my white Calvin Klein shirt. Oops. Shelley's drool. One look at my sister's drawn face tells me what she can't easily put into words. Shelley is sorry. Shelley didn't mean to mess up my outfit. "It's no biggie," I tell her, although in the back of my mind I know it screws up my "perfect" look. Frowning, my mom wets a paper towel at the sink and dabs at the spot. It makes me feel like a two-year-old. "Go upstairs and change." "Mom, it was just peaches," I say, treading carefully so this doesn't turn into a full-blown yelling match. The last thing I want to do is make my sister feel bad. "Peaches stain. You don't want people thinking you don't care about your appearance." "Fine." I wish this was one of my mom's good days, the days she doesn't bug me about stuff. I give my sister a kiss on the top of her head, making sure she doesn't think her drool bothers me in the least. "I'll see ya after school," I say, attempting to keep the morning cheerful. "To finish our checker tournament.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
When I swung the door open, Nathan looked me up and down. “Uh, hi.” He awkwardly looked at my outfit and then down at his own black pants and t-shirt. We both laughed and walked into the room side by side. Warren rolled his eyes. “Geez,” he said. “Should I change? I feel like I don’t fit in with the mob squad.” He was wearing jeans and a blue t-shirt.
Elicia Hyder (The Siren (The Soul Summoner, #2))
I thumbed through the outfits and my hands grazed leather. A black leather jacket. I could dimly recall wearing it at some point. Must’ve been during my “Oh look, I’m tough!” days. I slipped it on and looked in the bedroom mirror. I looked like a bravo. And it was hot. Oh well. It was better than nothing. I took the jacket off, changed my T-shirt for a dark gray tank top, slipped on the tangle of the back sheath, and put the jacket on again. Thugs are us. Great. Just add a super-tight ponytail and loads of mascara, and I’d be ripe to play a supervillain’s evil mistress. Ve haf vays of making you gif us your DNA sample. I settled for my usual braid. Having rebraided by hair, I paused, considered the arsenal available to me, put on thin wristbands loaded with silver needles, and took nothing else except Slayer. To get clear of two hundred enraged shapechangers I’d need a case of grenades and air support. There was no reason to weigh myself down with extra weapons. Then again, maybe I should take a knife. One knife, as a backup. Okay, two. And that’s it. Armed and dressed to kill—or rather to die quickly but in style—I went to get the wolf-man and together we took the gloomy staircase down to the street.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
We anchored just off the mouth of the Ozama River in about 30 feet of water and used the running boat to land liberty parties. Since Trujillo was extremely anti-communist, everything else he did was forgiven by the United States. It was our policy at the time to maintain a friendship with Latin American dictators, as long as they are anti-communistic. Regardless of our political friendship with the Dominican Republic, we were warned not to get into trouble since it could create a serious international problem. From our vantage point at the anchorage, we could see the newly acquired Presidential yacht Angelita alongside the wharf paralleling the Ozama River. The vessel was built in Kiel, Germany, in 1931 as the Hussar II and at the time was the largest private yacht afloat. The Angelita had a strange look since she was designed to be a four-masted sail ship, but lacked masts, when she was previously converted to a weather ship for the U.S. Coast Guard and later the U.S. Navy. The name had already been changed from USS Sea Cloud to Trujillo’s daughter’s name when I saw her, but it would still take a few more years before her conversion would be complete although she should have remained a sail ship…. The good news is that after the ship stayed in port for eight years, Hartmut Paschburg and a group of Hamburg associates purchased her. Changing her name back to the Sea Cloud, she underwent extensive repairs and revisions at the Howaldtswerke-Deutsche Werft, the same Hamburg shipyard where she was originally built. This time she became a luxury sailing cruising ship outfitted to accommodate sixty-four passengers and a crew of sixty. The Sea Cloud set sail on her first cruise in 1979 and has been described by the Berlitz Complete Guide to Cruising & Cruise Ships as "the most romantic sailing ship afloat! In 2011, the Sea Cloud underwent additional renovations at the MWB-Werft in Bremerhaven. She is still in operation….
Hank Bracker
I pulled my hair up in a messy ponytail upon leaving the bedroom and didn’t change from my blue and white shorts and red tank top I wore to bed the night before (Go, USA!). The shirt is tight and the shorts are short, but I'm completely comfortable. Graham is presently glaring at me like he doesn’t like me too much, so I'm thinking he is not comfortable with my outfit—or he still isn't over last night. I don't think he's ever been so angry with me before—well, except for maybe that time I accidentally put salt in his girlfriend's coffee instead of sugar. I pour myself a cup of coffee, showing him my back. And I wait. He doesn't make me wait long. His voice is brittle as he snaps, “Do you have to dress like that?” “I always dress like this. You never seemed to care before.” I give my behind an extra wiggle just to irritate him. I know I've succeeded when something thumps loudly against the tabletop. “I think you should dress like that more often,” Blake immediately replies. “Did anyone ask you?” is Graham's hotheaded comeback. “In fact, I think you’re wearing too many clothes. You should remove some.” A low growl leaves Graham. When I finally face the Malone boys, it is to find them staring one another down from across the small table. Graham’s wearing a white t-shirt and black shorts; his brother is in jeans and a brown shirt. Their coloring is so different, as are their features, but they are both striking in appearance, and their expressions currently mimic one another’s. “Graham, you're being an ass,” I calmly inform him. He grabs a piece of toast off his plate and whips it at me. I duck and it lands in the sink. To say I’m surprised would be an understatement. Toast throwing now? This is what our friendship has resorted to? “I will not live with someone who throws toast at me in anger,” I announce, setting my untouched cup of coffee on the counter. Blake snorts, covering his mouth with the back of his hand as he turns his attention to the world beyond the sliding glass patio doors. Graham blinks at me, like he doesn’t understand what I just said or maybe he doesn’t understand what he just did. Either way, I grab my mug and stride out of the room and down the hall to my bedroom. I’ll drink my coffee in peace, away from the toast throwing. Only peace is not to be mine. The door immediately opens after I close it, and there is Graham, staring at me, his head cocked, his expression unnamable. “This coffee is hot,” I warn, holding the white mug out. “You wanna be a toast thrower then I can be a coffee thrower. Just saying.” “Put the coffee down.” “No.” He takes a step toward me. “Come on. Please.” “You threw toast at me,” I point out, in case he forgot. “I don’t know why I did that,” he mumbles, looking down. When he lifts his eyes to me, they are pleading. “Please?” With a sigh, I comply. I am putty in his hands—or I could be. I keep the mug within reach on the dresser, should I need it as backup. As soon as I let the cup go, I’m pulled against his hard chest, his strong arms wrapping around me, his chin on the crown of my head. His scent cocoons me; a mixture of soap and Graham, and I inwardly sigh. He should throw toast more often if this is the end result. “I’m sorry—for last night, for the toast.
Lindy Zart (Roomies)
much that every hour when the clock chimed, he changed his outfit. That is how
Beatrice Wood (FAIRY TALES (4-Book Boxed Set: 32 Short Fairy Tales and Bedtime Stories for Kids ages 7-12))
Even so, most of the stories people told about Amos [Tversky] had less to do with what came out of his mouth than with the unusual way he moved through the world. He kept the hours of a vampire. He went to bed when the sun came up and woke up at happy hour. He ate pickles for breakfast and eggs for dinner. He minimized quotidian tasks he thought a waste of time—he could be found in the middle of the day, having just woken up, driving himself to work while shaving and brushing his teeth in the rearview mirror. “He never knew what time of the day it was,” said his daughter, Dona. “It didn’t matter. He’s living in his own sphere and you just happened to encounter him there.” He didn’t pretend to be interested in whatever others expected him to be interested in—God help anyone who tried to drag him to a museum or a board meeting. “For those who like that sort of thing, that is the sort of thing they like,” Amos liked to say, plucking a line from the Muriel Spark novel The Prime of Miss Jean Brodie. “He just skipped family vacations,” says his daughter. “He’d come if he liked the place. Otherwise he didn’t.” The children didn’t take it personally: They loved their father and knew that he loved them. “He loved people,” said his son Oren. “He just didn’t like social norms. A lot of things that most human beings would never think to do, to Amos simply made sense. For instance, when he wanted to go for a run he . . . went for a run. No stretching, no jogging outfit or, for that matter, jogging: He’d simply strip off his slacks and sprint out his front door in his underpants and run as fast as he could until he couldn’t run anymore. “Amos thought people paid an enormous price to avoid mild embarrassment,” said his friend Avishai Margalit, “and he himself decided very early on it was not worth it.” What all those who came to know Amos eventually realized was that the man had a preternatural gift for doing only precisely what he wanted to do. Varda Liberman recalled visiting him one day and seeing a table with a week’s worth of mail on it. There were tidy little stacks, one for each day, each filled with requests and entreaties and demands upon Amos’s time: job offers, offers of honorary degrees, requests for interviews and lectures, requests for help with some abstruse problem, bills. When the new mail came in Amos opened anything that interested him and left the rest in its daily pile. Each day the new mail arrived and shoved the old mail down the table. When a pile reached the end of the table Amos pushed it, unopened, off the edge into a waiting garbage can. “The nice thing about things that are urgent,” he liked to say, “is that if you wait long enough they aren’t urgent anymore.” “I would say to Amos I have to do this or I have to do that,” recalled his old friend Yeshu Kolodny. “And he would say, ‘No. You don’t.’ And I thought: lucky man!
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
Joy’s power is that small moments can spark big changes. A whimsical outfit might prompt a smile, which inspires a chance kindness toward a stranger, which helps someone who is struggling to get through her day.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
With my new hat, I spoke and moved differently, I became a different person—the way models in magazines apparently became different people with different essences when they changed outfits. Maybe fashion didn’t just change how you were seen, maybe it could actually change who you were. The self was an endless burden, like a giant piece of luggage you were forced to haul around. But what if there was a way to remove the burden? What if you could just erase the self you had, as though it were a drawing in pencil, and start over?
David Adjmi (Lot Six)
She curls tightly to me kissing me on the lips and cheeks, her body skin to skin to mine, she’s kind of- like- a hyper puppy… you know- wet nose, big sad eyes, giving you lots of unwanted wet kisses, and can’t sit in one place for too long. Now she is pulling on my necklace, the one I am always wearing has my dad’s wedding ring hanging from it-a thin silver chain and the gold band hanging from it, a gift dad gives me- saying- ‘He loves me more than mom, that I am the love of his life.’ Yet sis tugs gently to get my full attention. I ask here- ‘Why are you not wearing your undies?’ And she baby- talks without missing a beat- ‘Be- because you don’t at night so-o why should I’s.’ I knew not too long from now she would be running around the house stark-naked like always, saying it’s because I sleep this way. I am sure mom will say I am a bad role model, but yet there are far worse things she has done, things that mom and dad never need to know about, things that I can even remember right now. If she wants to be in my bad nude, will- I guess that’s okay…? She is just trying to be like me, and that’s sweet. I have saved her butt many times when she has done bad things. I have been like a mom to her, ever since she was born if I wanted to be or not. And she has been there for me when I was a nobody. Yeah, she’s the best pain in the butt a girl can have. ‘Mommy says you have to get up soon, her hand covering her eyes as she walks my room and sees both of us.’ Her breath smells like toothpaste, as she kisses us good morning, and she stumbles over all the stuff lying on the floor and it’s not until I push sis off me that I realize how badly I’m shaking. Mom, she has one of those green face masks sped up, which is some scary-looking crap, pulls she has curlers in her hair. Yet that’s not what’s got me traumatized. ‘It’s Friday,’ I say confused. I thought we were going to the rusty anchor today? Mom said- ‘I thought you didn’t like doing that Karly that you’re too grown up to be with your mommy and Daddy and sissy… always- yes we are all going this upcoming weekend, glad to see you want to go.’ I said- ‘Oh- okay?’ Mom- ‘Karly are you feeling, okay? Are you not your usual descent and moody self? Me- ‘Yah I am a fine mom.’ I have no idea how I got home last night, or what I did or didn’t do. It’s like it never happened, yet I think it did… didn’t it? Maybe I drink too much? Mom said- ‘Um-hum- come on you two bare cuddle bugs it’s getting late.’ Then- I remember getting in the car, with the girls and the fighting it was all coming back to me, as I see my sis run into her room, leaving her nighty behind on my bed. I knew that something looked different about her when I looked her over, I am starting to remember what Ray did to her last night. Yet she seems to be taking it so well- so strange. I have no idea what happened to Jenny or Maddie or Liv, and just thinking about it makes me awful sick, pissed, and yet so worried. I put my feet on the ground, first on my fuzzy shaggy throw rug, and then I step forward feeling the hard would under my feet. The cold wood reminds me. When I was younger, I would lie on the floor all summer wishing I have some friends to spend my time with. Back then my only friend was my sis and my horse, I’m curious to do the same thing now, and reflect a bit on what the heck is going on- and also on how things have changed, I know my sis will be another half hour getting ready. And with me, all I have to do is jump in my outfit laying there on the floor. My skin feels so cold yet, yet on the inside, I feel scorching. Like- photos on Instagram, all these snapshots start scrolling, row after row in my mind. Seeing bits and pieces of what went down last night. My, I- phone starts vibrating on top of my bed until it falls off the edge hitting me square in the face making me jump two feet in the air. I reach for it and slide my finger over the cracked screen.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Rok Zorko, vice president of product development for the very successful app-development company, Outfit7, said, “It is an eye-opener to realize that you are not to treat people as objects but to treat them as people. Once you have this knowledge, you can never unthink it.
Arbinger Institute (The Outward Mindset: How to Change Lives and Transform Organizations)
By the time I show up at Jazz’s place, I’ve changed out of my work clothes and into my favorite jean shorts and a rainbow-colored t-shirt reminding people—myself included—to “live aloha”. This might be because it’s one of my favorite outfits, or it might be because it’s one of the few things not spilling out of my dirty clothes hamper. Possibly both.
Taylor Bennett (Promise Me Aloha (Tradewinds, #4))
I tried putting chopsticks from the kitchen drawer into my hair and it felt like it was over doing things a bit, so I put them back. I even considered painting the chopsticks black because they were brown, and black would’ve suited my outfit better. Yet the fact that I considered painting them at all caused me to be embarrassed at myself, so I decided to ditch the accessories that were at one time used to stuff pad Thai into someone’s face. Painted or not, you can’t change the reality of what chopsticks are or the main way that they’ve been used for, like, centuries. Eons, even. So let a chopstick be a chopstick, and my hair can be what it is, too.
Madeleine Ryan (A Room Called Earth)
Is There More (The Sonnet) Is there more to life than mere eating! Is there more to existence than mere fighting! Is there more to progress than mere greed! Is there more to administration than controlling! Is there more to health than mere pills! Is there more to knowledge than mere facts! Is there more to character than mere outfits! Is there more to development than cruel tact! Is there more to communication than mere talking! Is there more to tradition than ancient habits! Is there more to a person than skin and bones! Is there more to learning than rotten beliefs! Even the sky is no limit for a mind that expands, Whereas the savage mind of rigidity is forever bland.
Abhijit Naskar (Either Reformist or Terrorist: If You Are Terror I Am Your Grandfather)
Minimalist clothing can convey a classic and memorable sense of personal identity. Alice argues that wearing a similar outfit every day is a way of asserting your status as a protagonist in life. "This is the reason why characters in picture books never change their clothes...
Joshua Becker (The Minimalist Home: A Room-by-Room Guide to a Decluttered, Refocused Life)
I used to get t-shirts solely based on what was printed on the shirt. If I liked the Secret of Mana game, I bought a Secret of Mana t-shirt. Then one day my mom said: "Think about the fit. The fit. The fit is key." And my whole life changed.
Dash Shaw (Cosplayers #1)
I started to notice it in French films as well. While the female characters in American films make a ridiculous number of Sex and the City–esque wardrobe changes, in French films, more often than not, you will see the female lead wear the same outfit at least twice during the course of the film. You would never encounter this in American films unless the filmmaker wants to make a point that the character is poor or depressed.
Jennifer L. Scott (Lessons from Madame Chic: 20 Stylish Secrets I Learned While Living in Paris)
Tom Mix was born in Pennsylvania, and when he was ten years old his parents took him to see Buffalo Bill Cody’s Wild West. It changed young Tom forever. He took his mother’s clothesline and taught himself rope tricks. He took scraps from around the house and made his own “cowboy outfit.” And when he was finally old enough, he lit out for the rapidly vanishing West, ready to leave a mark as distinctive as Buffalo Bill or Wyatt Earp before it was gone forever.
Scott McCrea (Savage Mesa: A Western Adventure Novel (Tales of Tom Mix Book 2))
They do not wear uniforms like the Martians (to reveal their competence). On the contrary, they enjoy wearing a different outfit every day, according to how they are feeling. Personal expression, especially of their feelings, is very important. They may even change outfits several times a day as their mood changes.
John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
Tara throwing my biggest insecurity in my face puts a damper on my night, and I suddenly have no desire for anyone to see my naked body, regardless of the fact I’ll never have to see them again.  An alert pings on my phone. A message from that guy on Tinder asking what my plans are for the night, but I don’t respond. I delete the app entirely, over the whole idea. Instead, I change into a pair of leggings, an oversized thrifted tee, and a flannel, finishing my outfit off with my Air Force Ones. I grab my purse, sling the strap across my body, and head out the door to the bar I found a few blocks away so I can watch my brother’s home opener of the season. All while I am scarfing down on a burger and a beer.  Two beers. Probably three beers. Fuck it, let’s not put a limit on it. However many beers it’ll take to make me forget about how shitty I feel.
Liz Tomforde (Mile High (Windy City, #1))
They’re just gonna let us starve. You heard the governor, Ren. All he cares about is his rusting reputation.” “We’re supposed to have the good life. Harmony made this land for us all. But do we get to enjoy it? No. Its riches only mean that the fine folk get more outfits and big houses.” “Something needs to change in this city. I ain’t out of work like those fellows at the steel mill, but Harmony…” “Sixteen-hour shifts. I leave before my little girl gets up, and she’s in bed before I get back. See her once a week, I do.” “We work and die so we can give it all up to the same people. They own the building we live in. Ain’t that the scam? Work for them all day, then give it all back at night for the privilege of bein’ able to survive another day to keep workin’.” Weighty prayers, those were.
Brandon Sanderson (Shadows of Self (Mistborn, #5))
Dislike of changes to plans or vague plans when trying to plan outfit/shoes/things appropriate to activity/location/weather – intense dislike of feeling wrongly dressed or not having the right things with me. (Woman with autism)
Sarah Hendrickx (Women and Girls with Autism Spectrum Disorder: Understanding Life Experiences from Early Childhood to Old Age)
Before he could push me any further, I pressed him back. “I have to get to class,” I protested. “I can’t afford to miss lessons before my Elemental Trials.” “No, we wouldn’t want you to fail The Reckoning, would we?” Caleb teased, moving his mouth across my jaw and working really damn hard to keep me here. “I mean it,” I said on a laugh, pushing him back more firmly. Caleb pouted at me, refusing to step back while he kept me caged in with his body. “Come to Terra House tonight then,” he asked, his navy eyes sparkling with promises. “I won’t be going anywhere tonight, there’s a curfew, remember?” “Those rules don’t apply to me. Besides, I’ll keep you safe if you’re with me. You’ll just have to stay the whole night.” I rolled my eyes at him. “I can keep myself safe, thanks. But now I’m going to be late-” “If I run you to class will you come tonight?” he asked, his mouth slipping to my neck and sending shivers right through my spine. “If you get me there on time, I’ll consider it,” I replied. Caleb glanced at his watch then cursed, sweeping me into his arms before speeding back out of the tiny room. I managed not to shriek like a nine year old on a roller coaster, but I did cling onto his blazer like my life depended on it as the world shot past us in a blur so intense I couldn’t concentrate on a single thing. Caleb skidded to a halt right outside the Fire Arena locker rooms and placed me back on my feet before leaning close to speak in my ear. “One minute to spare. I’ll expect you tonight, sweetheart.” He pressed his mouth to mine and my heart leapt a little at the fact that he’d done so in plain sight. I had no intention of being marked as his in front of the whole school and I pulled back quickly, looking around to make sure no one had seen us. Luckily, we were already so close to being late that everyone else had already headed inside so I was spared the drama. “Don’t go getting ahead of yourself,” I warned as I headed into the girls’ locker room. “I only said I’d consider it.” The door swung closed between us and I bit down on a smile as I headed in to get changed. I almost considered refusing to wear the flame resistant outfit required for the class, but I decided that today wasn’t the day for me to have that argument with Professor Pyro. I’d just have to accept the fact that I wouldn’t have the same level of control over my fire magic as I would without it. But I’d keep practicing without the outfit until I was confident enough to prove her wrong. In the meantime I had to get through this class and hope she would just be pleased that I’d finally managed to get in a training session with Darius. The thought of the Dragon Shifter set me on edge. But I’d known I’d have to face him some time. Hopefully there would be enough going on in class to ensure that that time wouldn’t have to be now. (tory)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
My outfit is part of my armor,” I told him even though it exposed a vulnerability. “I’ll be out in two minutes. Just give me time to change.” “You don’t understand this yet, but you do not need your armor all the time now. Not when you have me.” He lipped the edge of my jaw all the way up to my ear, where he spoke his next words on a purr. “I will be your sword.
Giana Darling (When Villains Rise (Anti-Heroes in Love, #2))
A couple of months after the release of Stars ’n Bars, Young abruptly changed direction again. He surfaced in Santa Cruz, a friendly but somewhat seedy hippie college town not far from his ranch, playing guitar in a local outfit that included Moby Grape’s bass player, Bob Mosley, and Jeff Blackburn, whom Young had encountered during the Springfield days.
Jimmy McDonough (Shakey: Neil Young's Biography)
At any hour of the day or night, Stanton will get a call about the latest underage victim who was picked up in a prostitution bust or an undercover operation, and he makes his way to the detention center. He is always struck by how the girls change. When he first sees them in their "work outfits," they do not seem much like children, with skimpy dresses, daring hairdos, heavy makeup, and flashy nails. After they shower, clean up, and put on the detention center's sweatpants and tops, they lose their street-worn years. "Then it hits you, these are really just kids," Stanton says. Invariably, the girls are not receptive to him, at least not at first. They are tough, and they are angry, and Stanton knows he has to be straight with them. "I never try to bullshit them," Stanton explains. "These kids are sharp. They have radar. Their lives depend on reading a man, be it a pimp or a trick, so they know when someone is lying to them. You really have to be genuine to earn their trust.
Julian Sher (Somebody's Daughter: The Hidden Story of America's Prostituted Children and the Battle to Save Them)
Writing for J. Crew a few years ago, Alice shared her decision to simplify her wardrobe to one specific style that she would wear every day—a black long-sleeve shirt and fashionable jeans. She called it her “uniform.” But uniform isn’t the word that got me. Amid her reasons for dressing like this, she stated that having a simple outfit you are known for wearing is “iconic, it’s a cheap and easy way to feel famous.” Iconic. That’s it. Minimalist clothing can convey a classic and memorable sense of personal identity. Alice argues that wearing a similar outfit every day is a way of asserting your status as a protagonist in life. “This is the reason why characters in picture books never change their clothes: Children—like adults, if they’d only admit it—crave continuity.” So along with the ease of no longer having to create a new look every day, you have the comfort of feeling like yourself all the time.
Joshua Becker (The Minimalist Home: A Room-by-Room Guide to a Decluttered, Refocused Life)
She had changed from her school uniform into pink shorts and a pink T-shirt. She was large for her age and the outfit didn't flatter her.
Ann Cleeves (The Crow Trap (Vera Stanhope, #1))
of my slutty devil outfit. Charlie hadn’t changed either and was still clad in her biker leathers. “You see what I see, right?
Deanna Chase (Bourbon Street Shorts (Jade Calhoun, #10))
Therein lies the double standard: If a child is gender-nonconforming, this is interpreted as biological and something that shouldn’t be dissuaded or tampered with. But if a child is gender-conforming, this is seen as the result of social influence and something that parents should actively try to change. I often see boys who are gender-atypical, allowed by their parents to express themselves in a hyperfeminine and in some cases, inappropriately sexualized way, pouting with duck lips in photos and posing seductively. In the case of child drag queens, for example, little boys—some as young as age eight—perfect their makeup and hair and put on skimpy outfits to gyrate to, in many cases, explicitly sexual songs onstage. As someone who spent more nights than I can count in drag clubs with my friends when I was younger, I fully support young kids, especially feminine boys, expressing themselves. But I find the hypocrisy mind-numbing—would the adults cheering on drag kids allow their daughters to pose in the same way?
Debra Soh (The End of Gender: Debunking the Myths about Sex and Identity in Our Society)
Dean Martin, and Sammy Davis Jr. The cool kids of the 1960s invited the old man who had been cool before they knew cool was cool to join them in a musical romp that nobody took particularly seriously. Crosby enjoys himself. He has nothing at stake, since he’s not the star who has to carry the film. He’s very casual, and appears to be ad-libbing all his lines in the old Road tradition with a touch of W. C. Fields’s colorful vocabulary thrown in: “You gentlemen find my raiment repulsive?” he asks Sinatra and Martin when they object to his character’s lack of chic flash in clothing. Crosby plays a clever con man who disguises himself as square, and his outfits reflect a conservative vibe in the eyes of the cats who are looking him over. The inquiry leads into a number, “Style,” in which Sinatra and Martin put Crosby behind closet doors for a series of humorous outfit changes, to try to spruce him up. Crosby comes out in a plaid suit with knickers and then in yellow pants and an orange-striped shirt. Martin and Sinatra keep on singing—and hoping—while Crosby models a fez. He finally emerges with a straw hat, a cane, and a boutonniere in his tuxedo lapel, looking like a dude. In his own low-key way, taking his spot in the center, right between the other two, Crosby joins in the song and begins to take musical charge. Sinatra is clearly digging Crosby, the older man he always wanted to emulate.*17 Both Sinatra and Martin are perfectly willing to let Crosby be the focus. He’s earned it. He’s the original that the other two wanted to become. He was there when Sinatra and Martin were still kids. He’s Bing Crosby! The three men begin to do a kind of old man’s strut, singing and dancing perfectly together (“…his hat got a little more shiny…”). The audience is looking at the three dominant male singers of the era from 1940 to 1977. They’re having fun, showing everyone exactly not only what makes a pro, not only what makes a star, but what makes a legend. Three great talents, singing and dancing about style, which they’ve all clearly got plenty of: Frank Sinatra, Bing Crosby, and Dean Martin in Robin and the 7 Hoods
Jeanine Basinger (The Movie Musical!)
Sweden, a nation that officially promotes gender equality, once pressured a toy company to change its Christmas catalog so that it featured boys with a Barbie Dream House and girls with guns and action figures.7 But when the Swedish psychologist Anders Nelson asked three- and five-year-old children to show him their toy collections, things turned out differently. Almost every child had his or her own room with a staggering average of 532 toys. After going through 152 rooms and classifying thousands of toys, Nelson concluded that the collections reflected exactly the same stereotypes as in other countries. The boys had more tools, vehicles, and games, and the girls had more household items, caregiving devices, and outfits. Their preferences had proved immune to the equality ethos of Swedish society. Studies in other countries confirm that the attitudes of parents have little or no impact on children’s toy preferences.
Frans de Waal (Different: Gender Through the Eyes of a Primatologist)
I keep an outfit of my baby clothes on a hanger in my closet. It hangs there like a heretical, anorexic midget. I do this to increase my chances of getting laid (wet baloney is the key to better love making).
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
I moved back toward those deceptively safe red curtains, and tugged a string to let my cloak fall to the stone floor. Under it, I wore a laced outfit of thin, black strips that left my backside gloriously bare from ears to thighs. There was silence for nearly a full second. It allowed the cameras to zoom in on my scars. I’d been shot, stabbed, bitten, and beaten for years, and I was covered in proof of it. “Wow. That might boost her ranking enough to start the competition with both food and medical credits! Will you look at those scars! Oh! Nice tattoos!” The aroused crowd cheered wildly as I turned to face them, revealing a front view that spider-webbed over my body in a tan glow. I appeared almost nude, except for my weapons that gleamed like deadly jewels and the ink that crossed my back and front.
Angela White (The Change (The Bachelor Battles, #1))
finally decided to wear my fuzzy white V-neck sweater with a denim skirt, boots, and lots of silver jewelry. My boots are black, but the sweater and jewelry would be very snowy. I put the outfit on my bed to change into later.
Coco Simon (Mia's Baker's Dozen (Cupcake Diaries Book 6))
Where did you buy that particular outfit and why? If you bought it because you thought it looked cool in the shop, it has fulfilled the function of giving you a thrill when you bought it. Then why did you never wear it? Was it because you realized that it didn’t suit you when you tried it on at home? If so, and if you no longer buy clothes of the same style or color, it has fulfilled another important function—it has taught you what doesn’t suit you. In fact, that particular article of clothing has already completed its role in your life, and you are free to say, “Thank you for giving me joy when I bought you,” or “Thank you for teaching me what doesn’t suit me,” and let it go.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
In the movies, usually bad ones, when somebody goes on a date, there’s almost always a Changing Scene. Somebody in front of a mirror, clothes everywhere. Or popping out of a closet, each time in a different outfit.
Ron Koertge (Stoner & Spaz (Stoner & Spaz, #1))
The Capitol is all about superficial change: people’s appearances change frequently, outfits change, and the decadent dishes that they eat change often as well. It’s quite likely that when Katniss and Peeta are given breakfast, there are a variety of potato options from which they can choose. While not the healthiest dish, this recipe makes for a hot and crispy meal that would make even the poised Effie Trinket loose her cool! (The Hunger Games, Chapter 4) Yields 4 servings 1 pound baking potatoes, shredded 1⁄4 cup green onions, chopped 1⁄4 cup all-purpose flour 1⁄4 teaspoon cayenne pepper 1 large egg 1 cup vegetable oil (for frying) Kosher salt and grated black pepper to taste
Emily Ansara Baines (The Unofficial Hunger Games Cookbook: From Lamb Stew to "Groosling" - More than 150 Recipes Inspired by The Hunger Games Trilogy (Unofficial Cookbook))
Walter thought he had come out of the war remarkably unscathed. His buddies, as he later recalled, “landed in the hospital with nervous collapses. When I’d run into fellows from my old outfit, the first question was always, ‘Well, have you folded yet?’” And Walter always answered, “No, thank God.” That would change,
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
BARBIE GOES TO WAR There are more than a billion Barbies. Only the Chinese outnumber them. The most beloved woman on the planet would never let us down. In the war of good against evil, Barbie enlisted, saluted, and marched off to Iraq. She arrived at the front wearing made-to-measure land, sea, and air uniforms reviewed and approved by the Pentagon. Barbie is accustomed to changing professions, hairdos, and clothes. She has been a singer, an athlete, a paleontologist, an orthodontist, an astronaut, a firewoman, a ballerina, and who knows what else. Every new job entails a new look and a complete new wardrobe that every girl in the world is obliged to buy. In February 2004, Barbie wanted to change boyfriends too. For nearly half a century she had been going steady with Ken, whose nose is the only protuberance on his body, when an Australian surfer seduced her and invited her to commit the sin of plastic. Mattel, the manufacturer, announced an official separation. It was a catastrophe. Sales plummeted. Barbie could change occupations and outfits, but she had no right to set a bad example. Mattel announced an official reconciliation.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
To her further surprise, she found a breakfast tray waiting for her on the table with bagels, cheese and an assortment of fruit. But what caught her eye was the tiny pair of yellow baby booties. She picked up the soft, fuzzy little booties, her throat knotting as she read the accompanying card. Because you said you didn’t have a pair yet. Love, Ryan. She sank into the seat, her eyes stinging with tears. She held the booties to her cheek and then touched the card, tracing the scrawl of his signature. “I shouldn’t love you this much,” she whispered. God, but she couldn’t help herself. She craved him. He was her other half. She didn’t feel whole without him. And so began a courting ritual that tugged on her heartstrings. Every morning when she crawled out of bed, there was a new present waiting for her from Ryan. There was a baby book that outlined everything she could expect from birth through the first year of life. One morning he left her two outfits. One for a boy and one for a girl. Just in case, he had written. On the fifth morning, he simply left her a note that told her a gift was waiting in the extra bedroom. Excited, she hurried toward the bedroom she’d once occupied and threw open the door to see not one present but a room full of baby things. A stroller. A crib that was already put together. A little bouncy thing. An assortment of toys. A changing table. She couldn’t take in all the stuff that was there. She didn’t even know what all of it was for. How on earth had he managed to sneak this in without her hearing? And there by the window was a rocking chair with a yellow afghan lying over the arm. She walked over and reverently touched the wood, giving the chair an experimental push. It creaked once and then swayed gently back and forth.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
Well, I like you in either form,” she said, giving me a shy smile. “In fact, sometimes I like your wolf form better. He’s more cuddly.” “Oh, too bad about that.” I shook my head. “I can change right now for you but I’m afraid it might ruin our plans for the evening.” “Plans?” She looked at me doubtfully. “We have plans?” “Uh-huh. How do you feel about salsa dancing?” She bit her lip. “Um… it sounds great but… you dance? Really?” I gave her my best mock offended look. “I’m not as much of a Neanderthal as you want to believe. Yeah, I dance. I’m pretty fucking good at it, if I say so myself.” “Well, I’m not any good at it but I’m willing to give it a try.” Her face fell. “Only I don’t have anything to wear.” “Yes, you do.” I went back out to the porch and picked up the package I’d left outside earlier. “Hope you like it,” I said as she ripped into it eagerly. “My sister picked it out. She owns a boutique in Tallahassee.” “Oh!” she exclaimed as the dress my big sister had picked came into view. It was a short, shimmery thing with a draped top and a low cut back. There were shoes to match too—strappy little heels that would make her long, lovely legs look like they went on forever. I couldn’t wait to see her in them. That is, if she would wear the clothes and shoes my sister had picked—I wasn’t so sure because suddenly Taylor had tears in her eyes. “You don’t like the outfit?” I asked anxiously. “I can send it back. I—” “No, no—I love it.” She sniffed and blotted her eyes with a paper towel from the holder. “It’s just… so sweet. And it’s the first time someone else has picked my clothes in years and got me something I really wanted to wear. Thank you, Victor.” She put the box with the clothes and shoes on the counter and stood on tiptoe to put her arms around my neck. “You’re so sweet to me,” she whispered in my ear. “So sweet and kind and generous.” “You deserve it,” I said gruffly, hugging her back.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
the U.S. military is obsessed with climate change, the Pentagon issuing regular climate threat assessments and planning for a new era of conflict governed by global warming. (This is still true in the Trump era, when lesser federal outfits like the Government Accountability Office deliver grim warnings about climate, too.) The drowning of American navy bases by sea-level rise is trouble enough, and the melting of the Arctic promises to open an entirely new theater of conflict, once nearly as foreign-seeming as the space race.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
It is a rare company where the head of a line unit—an operating division—will offer the CEO a dramatic proposal for transforming (or eliminating) his own organization. I never had a line of executives outside my office anywhere I worked who were there on their own initiative to tell me what was wrong with their outfit and how they intended to fix it. I am confident the same is true of most CEOs. Leaders have to understand that a bureaucracy is incapable of reforming itself.
Robert M. Gates (A Passion for Leadership: Lessons on Change and Reform from Fifty Years of Public Service)
Taking quick looks behind him on the trail, Lew Basnight was apt to see things that weren’t necessarily there. Mounted figure in a black duster and hat, always still, turned sidewise in the hard, sunlit distance, horse bent to the barren ground. No real beam of attention, if anything a withdrawal into its own lopsided star-shaped silhouette, as if that were all it had ever aspired to. It did not take long to convince himself that the presence behind him now, always just out of eyeball range, belonged to one and the same subject, the notorious dynamiter of the San Juans known as the Kieselguhr Kid. The Kid happened to be of prime interest to White City Investigations. Just around the time Lew was stepping off the train at the Union Station in Denver, and the troubles up in the Coeur d’Alene were starting to bleed over everywhere in the mining country, where already hardly a day passed without an unscheduled dynamite blast in it someplace, the philosophy among larger, city-based detective agencies like Pinkerton’s and Thiel’s began to change, being as they now found themselves with far too much work on their hands. On the theory that they could look at their unsolved cases the way a banker might at instruments of debt, they began selling off to less-established and accordingly hungrier outfits like White City their higher-risk tickets, including that of the long-sought Kieselguhr Kid. It was the only name anybody seemed to know him by, “Kieselguhr” being a kind of fine clay, used to soak up nitroglycerine and stabilize it into dynamite. The Kid’s family had supposedly come over as refugees from Germany shortly after the reaction of 1849, settling at first near San Antonio, which the Kid-to-be, having developed a restlessness for higher ground, soon left, and then after a spell in the Sangre de Cristos, so it went, heading west again, the San Juans his dream, though not for the silver-mine money, nor the trouble he could get into, both of those, he was old enough by then to appreciate, easy enough to come by. No, it was for something else. Different tellers of the tale had different thoughts on what. “Don’t carry pistols, don’t own a shotgun nor a rifle—no, his trade-mark, what you’ll find him packing in those tooled holsters, is always these twin sticks of dynamite, with a dozen more—” “Couple dozen, in big bandoliers across his chest.” “Easy fellow to recognize, then.” “You’d think so, but no two eyewitnesses have ever agreed. It’s like all that blasting rattles it loose from everybody’s memory.” “But say, couldn’t even a slow hand just gun him before he could get a fuse lit?” “Wouldn’t bet on it. Got this clever wind-proof kind of striker rig on to each holster, like a safety match, so all’s he has to do’s draw, and the ‘sucker’s all lit and ready to throw.” “Fast fuses, too. Some boys down the Uncompahgre found out about that just last August, nothin left to bury but spurs and belt buckles. Even old Butch Cassidy and them’ll begin to coo like a barn full of pigeons whenever the Kid’s in the county.” Of course, nobody ever’d been sure about who was in Butch Cassidy’s gang either. No shortage of legendary deeds up here, but eyewitnesses could never swear beyond a doubt who in each case, exactly, had done which, and, more than fear of retaliation—it was as if physical appearance actually shifted, causing not only aliases to be inconsistently assigned but identity itself to change. Did something, something essential, happen to human personality above a certain removal from sea level? Many quoted Dr. Lombroso’s observation about how lowland folks tended to be placid and law-abiding while mountain country bred revolutionaries and outlaws. That was over in Italy, of course. Theorizers about the recently discovered subconscious mind, reluctant to leave out any variable that might seem helpful, couldn’t avoid the altitude, and the barometric pressure that went with it. This was spirit, after all.
Thomas Pynchon (Against the Day)
When you come across something that’s hard to discard, consider carefully why you have that specific item in the first place. When did you get it and what meaning did it have for you then? Reassess the role it plays in your life. If, for example, you have some clothes that you bought but never wear, examine them one at a time. Where did you buy that particular outfit and why? If you bought it because you thought it looked cool in the shop, it has fulfilled the function of giving you a thrill when you bought it. Then why did you never wear it? Was it because you realized that it didn’t suit you when you tried it on at home? If so, and if you no longer buy clothes of the same style or color, it has fulfilled another important function—it has taught you what doesn’t suit you. In fact, that particular article of clothing has already completed its role in your life, and you are free to say, “Thank you for giving me joy when I bought you,” or “Thank you for teaching me what doesn’t suit me,” and let it go. Every object has a different role to play. Not all clothes have come to you to be worn threadbare. It is the same with people. Not every person you meet in life will become a close friend or lover. Some you will find hard to get along with or impossible to like. But these people, too, teach you the precious lesson of who you do like, so that you will appreciate those special people even more.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Do I want to see this outfit again next time it’s in season?” Or, to rephrase it, “Would I want to wear this right away if the temperature suddenly changed?” “Do I want to see it again? Well, not necessarily.…” If that’s how you feel, throw it in the discard or donate pile.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))