Goggles Quotes

We've searched our database for all the quotes and captions related to Goggles. Here they are! All 100 of them:

Gods of Olympus.” Piper stared at Leo. “What happened to you?” His hair was greased back. He had welding goggles on his forehead, a lipstick mark on his cheek, tattoos all over his arms, and a T-shirt that read HOT STUFF, BAD BOY, and TEAM LEO. “Long story,” he said.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
We're, ah, taking a break to evaluate things, and, um, reexamine our relationship, so I stuffed him in a closet!" I burst out in shame. Timmie's eyes goggled. Is he still there?
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
When people say impossible, they usually mean improbable." With the moonlight gleaming off the lenses of his goggles and with his greatcoat billowing around him, he looked like a complete madman.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Ranger locked eyes with me. "Please," he said. Tank and Hal were goggle-eyed. They weren't used to "please." I wasn't used to it either. But I liked it. Okay," I said. "Be careful. He's insane.
Janet Evanovich
I am here to determine my relationship." Simon goggled. She couldn't be talking about him. Could she? "Do you see that man?" Isabelle asked, pointing at Simon. Apparently she was talking about him. "That's Simon Lewis, and he is my boyfriend. So if any of you think about trying to hurt him because he's a mundie or--may the Angel have mercy on your soul--pursuing him romantically, I will come after you, I will hunt you down and I will crush you to powder.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
I don't remember looking like this in the mirror this morning. Obviously, I still had my 'Tru looks awesome in anything' margarita goggles still on.
Samantha Towle (The Mighty Storm (The Storm, #1))
He turns off the techno-shit in his goggles. All it does is confuse him; he stands there reading statistics about his own death even as it's happening to him. Very post-modern.
Neal Stephenson (Snow Crash)
Yes, and in just a few minutes, a dIck will be able to find your vagina without needing night vision goggles and a weed whacker.
Tara Sivec (Troubles and Treats (Chocolate Lovers, #3))
Did you manage to contact the refugees?” Inej asked, waving Nina over to the table and clearing a place for her to sit. “Everything went smoothly,” said Nina. “Aside from breaking a few windows and nearly getting shot.” Kaz looked up from the table, his interest secured. “Big trouble in Little Ravka?” asked Jesper. “Nothing we couldn’t handle,” Nina said. “Please tell me there’s something to eat.” “You’re hungry?” said Inej. They all goggled at Nina. She curtsied. “Yes, yes, Nina Zenik is hungry. Now will someone feed me before I’m forced to cook one of you?” “Don’t be ridiculous,” said Jesper. “You don’t know how to cook.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Anyone who's happy in a world this fucked-up has some serious psychological issues. You think I'm crazy because I see things as they are. You'd rather put on Disneyland goggles and watch TV and pretend it's fine. It's not crazy if I see monsters when I live in a fucking nightmare.
Leah Raeder (Black Iris)
Then it was this big thing. She was like, 'I never want to see you again', and I was like, 'Fine. Okay? Fine. Then get some special goggles.
M.T. Anderson (Feed)
Is the sunrise of Mount Fuji more beautiful from the one you see in the countryside a bit closer to home? Are the beaches of Indonesia really that much more serene than those we have in our own countries? The point I make is not to downplay the marvels of the world, but to highlight the notion of the human tendency in our failure to see the beauty in our daily lives when we take off the travel goggles when we are home. It is the preconceived notion of a place that creates the difference in perception of environments rather than the actual geological location.
Forrest Curran
It was a queer, sultry summer, the summer they executed the Rosenbergs, and I didn't know what I was doing in New York. I'm stupid about executions. The idea of being electrocuted makes me sick, and that's all there was to read about in the papers -- goggle-eyed headlines staring up at me at every street corner and at the fusty, peanut-smelling mouth of every subway. It had nothing to do with me, but I couldn't help wondering what it would be like, being burned alive all along your nerves. I thought it must be the worst thing in the world. New York was bad enough. By nine in the morning the fake, country-wet freshness that somehow seeped in overnight evaporated like the tail end of a sweet dream. Mirage-gray at the bottom of their granite canyons, the hot streets wavered in the sun, the car tops sizzled and glittered, and the dry, cindery dust blew into my eyes and down my throat.
Sylvia Plath (The Bell Jar)
Hee hee hee! You should've seen the look on your face!" "If mom and dad cared about me at all, they'd buy me some infra-red nighttime vision goggles.
Bill Watterson
I think that basically we are all helping people. All the time. Every time any of us speaks openly about mental health, we are helping normalize an illness that is still handled with protective goggles and safety gloves.
Matt Haig (Reasons to Stay Alive)
I lift my flight goggles as Tairn walks off with Sgaeyl, their tails swishing in rhythm. It’s a little thing, but it makes me smile.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
We'll be back before you know it," said Tamar. "And I'll bring you a present." "It had better be new goggles," said Nadia. "I was thinking of something more romantic." David frowned. "What's more romantic than goggles?
Leigh Bardugo (King of Scars (King of Scars, #1))
She came before she could stop herself, a small pop of release. Panting, she ripped the goggles off and found Peabody gaping at her. "It wasn't a walk on a quiet beach," Eve managed. "I could see that. What was it, exactly?" "A couple of mostly naked guys and a big satin bed." Eve blew out a breath, set the goggles down. "Who'd have thought she relaxed with sex fantasies?" "Ah, Lieutenant. Sir. As your aide, I believe it's my responsibility to test that unit. For evidence control." Eve tucked her tongue in her cheek. "Peabody, I couldn't let you take that kind of risk." "I'm a cop, sir. Risk is my life.
J.D. Robb (Rapture in Death (In Death, #4))
As we headed out toward the parking lot, Dan said "Why don't we take the truck? It's less conspicuous." He had a point. With Fang sitting on the back of my motorcycle in his goggles we were more likely to draw attention than divert it. YEAH, THAT'S 'CAUSE I'M SMOKIN'!
Parker Blue (Bite Me (Demon Underground, #1))
Volcanic ash will be experienced in all parts of your world, as the volcanoes around your earth are simultaneously activated. Face masks and goggles will be of great value
Esther Hicks (A New Beginning I: Handbook for Joyous Survival)
Think of the most fussy science teacher you ever had. The one who docked your grade if the sixth decimal place in your answer was rounded incorrectly; who tucked in his periodic table T-shirt, corrected every student who said "weight" when he or she meant "mass", and made everyone, including himself, wear goggles even while mixing sugar water. Now try to imagine someone whom your teacher would hate for being anal-retentive. That is the kind of person who works for a bureau of standards and measurement.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Reaper?” Tedros blurted. “If you think for one second I’m allowing that Satan-worshipper in my castle—” “Your castle? I thought it was our castle.” “Which means we get a pet we both like.” “No Reaper, no me.” “No you, then.” “You puffed-up, lily-livered, mule-headed—” Agatha stopped and saw Sophie goggling at the two of them. “I really am better off, aren’t I?” said Sophie. All three of them burst into laughter.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
Ranger removed my goggles "Would you like to come home with me?" I stepped away from him. "Thank you for the offer, but no. I'm done with men." Ranger smiled. "Forever?" "Until I figure some things out." "And if you don't figure them out?" "If I can't figure them out on my own, I'll ask you to help me." "Babe, that's like the blind leading the blind.
Janet Evanovich
You’re looking at me like you like me,” he says. “It’s the mai tai goggles you’re wearing. I hate you as much as ever.” Ethan lifts a skeptical brow. “Really?” “Yep.” Nope.
Christina Lauren (The Unhoneymooners (Unhoneymooners, #1))
[...] when you look at the world, you put on the goggles of custom, habit and tribal wisdom lest the truth make you insane [...] you see the world reflected in your own image; you see yourself reflected to the image of the world [...]
David Zindell (The Broken God (A Requiem for Homo Sapiens, #1))
Myrtle goggled at them. "You're alive," she said blankly to Harry. "There's no need to sound so disappointed," he said grimly... "Oh, well... I'd just be thinking... if you had died, you'd have been welcome to share my toilet," said Myrtle, blushing silver. "Urgh!" said Ron... "Harry! I think Myrtle's grown fond of you! You've got competition, Ginny!
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
STOP IT NOW YOU HORNY SIMPLETONS!” shouted Professor McGoggle who was watching us and so was everyone else.
Tara Gilesbie (My Immortal)
I will fly, alone. Wearing my own pair of goggles, my view of the world just as unique, just as wonderful, and his was, but different. Mine.
Melanie Benjamin (The Aviator's Wife)
Everyone watched, wondering if this could be the same lunatic who'd nearly berthed his ornithopter in the restaurant. I swallowed, for it seemed he was headed straight for my table. He pulled off his helmet and a mass of dark auburn hair spilled out. Off came the goggles, and I was looking at the beaming face of Kate de Vries.
Kenneth Oppel (Skybreaker (Matt Cruse, #2))
Sturmhond whooped. "When people say impossible, they usually mean improbable." With the moonlight gleasing off the lenses oh his goggle and his greatcoaf billowing around him, he looked like a complete madman. •chapter 7, page 120
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I drove on, and between the north and southbound lanes a construction crew worked under daylight-bright industrial lamps. I saw them through a gauzy fog of dust and strong light...they wore blood-red vests and hardhats and massive goggles, and as the road sank I saw that the workers were bone thin, with skeletal jaws and long teeth. They labored on platforms over gaping holes in the earth, and among the men, piled atop rickety pallets, lolled babies, piles of them, in ashy cerements. I could not tell whether the crew was excavating or burying them.
Matthew M. Bartlett (Gateways to Abomination)
-Paint- My girlfriend is so besotted that she can't take her eyes off me. After we've turned out the light she puts on her night-vision goggles, and watched me as I sleep. Quite often I am woken by her sighing and involuntary yelps of happiness. This has been going on for years, and is showing no sign of abating. Once I asked her to stop all this infra-red activity, but it didn't really work; I'd wake up to find her covering me in luminous paint, and softly whispering, 'Sometimes I wonder if you know how much I love you.
Dan Rhodes (Anthropology: And a Hundred Other Stories)
Mother shook her head impatiently. 'You need to...stop looking for heroes, Anne.' Her speech was slow, slurred, but understandable. 'Only the weak need...heroes...and heroes need...those around them to remain weak. You're...not weak.' I remembered those words. I knew they were true, all of them. True about me, and true about Charles. I brought them out, every now and then, as I kept working -- on both the manuscript and myself. And, perhaps on my definition of my marriage. No, my prayer for my marriage; a marriage of two equals. With separate -- but equally valid -- views of the world; shared goggles no more, but looking at the same scenery, at the same time.
Melanie Benjamin (The Aviator's Wife)
I don’t know the derivation of this comfort craving, but there’s a quote from Cookie Monster that’s always inhabited my head: 'Today me will live in the moment, unless it’s unpleasant, in which case me will eat a cookie.' While I don’t take all of my mantras from goggle-eyed blue monsters with questionable grammar, this one has taken root. Lately I’ve been craving cookies a lot.
Steven Rowley (Lily and the Octopus)
The swimmer unknowingly skims over a whole buried universe which would frighten him if he looked at it with undersea goggles.
Maurice Merleau-Ponty
He goggled at her as if she’d said something very strange about beetroots.
Douglas Adams (Life, the Universe, and Everything)
Sawyer nodded. "The hat's a point in your favor, I'll admit." "Oh, and safety goggles." She DID have safety goggles? He sighed. Dammit. He might be screwed here.
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
My plan tonight is to find some way to get my revenge on Levi. I just need to find a sweet spot between beer goggles and white girl wasted so I don’t accidentally fuck it up.
Rosie Alice (The Star (Sinful, #1))
All along the line,' said the volunteer, pulling the blanket over him, 'everything in the army stinks of rottenness. Up till now the wide-eyed masses haven't woken up to it. With goggling eyes they let themselves be made into mincemeat and then when they're struck by a bullet they just whisper, "Mummy!" Heroes don't exist, only cattle for the slaughter and the butchers in the general staffs. But in the end every body will mutiny and there will be a fine shambles. Long live the army! Goodnight!
Jaroslav Hašek (The Good Soldier Švejk)
You love because you want to need someone the way you did when you were a child, and have them need you too. You eat well because the intensity of taste reminds you of a need satisfied, a pain relieved. The finest paintings are nothing more than the red head of a flower, nodding in the breeze, when you were two years old; the most exciting film is just the way everything was, back in the days when you stared goggle-eyed at the whirling chaos all around you. All these things do is get the adult to shut up for a while, to open for just a moment a tiny sliding window in the cell deep inside, letting the pallid child peep hungrily out and drink the world in before darkness falls again.
Michael Marshall Smith (Only Forward)
Kiriona turned her body to look at them. Nona couldn’t quite believe that they couldn’t all see it; but they weren’t watching, goggle-eyed, they hadn’t even seemed to notice. It was in Kiriona’s every movement—the bright, swift flexions of her arms, and the way she swung her legs, big and brash, and the weirdly easy, light grace with which she moved her dead body. Nona had never seen anyone so sad in her whole short life. It made her nearly afraid to die.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Sturmhond whooped. "When people say impossible, they usually mean improbable." With the moonlight gleasing off the lenses oh his goggle and his greatcoaf billowing around him, he looked like a complete madman. • chapter 7, page 120
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
leathery tan face and eyes popping from white rings of flesh left by tanning goggles, had his head so far up his ass that he needed a snorkel to breathe. At least most thought so.
Gregg Olsen (A Wicked Snow)
I look for my sister but it's hopeless. The goggles are all fogged up. Every fish burns lantern-bright, and I can't tell the living from the dead. It's all just blurry light, light smeared like some celestial fingerprint all over the rocks and the reef and the sunken garbage. Olivia could be everywhere.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
Arthur McKnight had raised a 10M round on the idea that skaters, boarders and cyclists were hot to film themselves acting out Feartoshred’s dares: catapult over a creek or a river, surf the Big Island at dawn wearing a fluorescent tee and ski goggles.
Joan Gelfand (Extreme)
{We] glide serenely through the water, safe in our knowledge that we are nothing more than a blurry peripheral shape glimpsed in passing through the foggy, tinted goggles of the swimmer in the next lane.
Julie Otsuka (The Swimmers)
If we were a rock ‘n’ roll band, We’d travel all over the land. We’d play and we’d sing and wear spangly things, If we were a rock ‘n’ roll band. If we were a rock ‘n’ roll band, And we were up there on the stand, The people would hear us and love us and cheer us, Hurray for that rock ‘n’ roll band. If we were a rock ‘n’ roll band Then we’d have a million fans. We’d goggle and laugh and sign autographs, If we were a rock ‘n’ roll band. If we were a rock ‘n’ roll band, The people would all kiss our hands. We’d be millionaires and have extra long hair, If we were a rock ‘n’ roll band. But we ain’t no rock ‘n’ roll band, We’re just seven kids in the sand With homemade guitars and pails and jars And drums of potato chip cans. Just seven kids in the sand, Talkin’ and wavin’ our hands, And dreamin’ and thinkin’ oh wouldn’t it be grand, If we were a rock ‘n’ roll band.
Shel Silverstein (A Light in the Attic)
Click. The salamander flared, etching the room with searing white light and dark shadows. Otto screamed. He fell to the floor, clutching at his throat. He sprang to his feet, goggle-eyed and gasping, and staggered, knock-kneed and wobbly-legged, the length of the room and back again. He sank down behind a desk , scattering paperwork with a wildly flailing hand. "Aarghaarghaaaargh..." There was a shocked silence. Otto stood up, adjusted his cravat, and dusted himself off. Only then did he look up at the row of shocked faces. "Vel?" he said sternly. "Vat are you all looking at? It is just a normal reaction, zat is all. I am vorking on it. Light in all its forms is mine passion. Light is my canvas, shadows are my brush." But strong light hurts you!" said Sacharissa. "It hurts vampires!" "Yes. It iss a bit of a bugger, but zere you go.
Terry Pratchett (The Truth: Stage Adaptation)
I’ve taken to long-distance walking as a means of dissolving the mechanised matrix which compresses the space-time continuum, and decouples human from physical geography. So this isn’t walking for leisure -- that would be merely frivolous, or even for exercise -- which would be tedious. No, to underscore the seriousness of my project I like a walk which takes me to a meeting or an assignment; that way I can drag other people into my eotechnical world view. ‘How was your journey?’ they say. ‘Not bad,’ I reply. ‘Take long?’ they enquire. ‘About ten hours,’ I admit. ‘I walked here.’ My interlocutor goggles at me; if he took ten hours to get here, they’re undoubtedly thinking, will the meeting have to go on for twenty? As Emile Durkheim so sagely observed, a society’s space-time perceptions are a function of its social rhythm and its territory. So, by walking to the business meeting I have disrupted it just as surely as if I’d appeared stark naked with a peacock’s tail fanning out from my buttocks while mouthing Symbolist poetry.
Will Self (Psychogeography: Disentangling the Modern Conundrum of Psyche and Place)
Sometimes I’d take off my earmuffs and memory goggles and turn around to discover that my father had been standing in the doorway, just watching me.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
Amy is blatantly fond of red light bulbs instead of, you know, normal ones, and I can’t see shit. Silly me, running out without my infrared night vision goggles and all.
S.E. Hall (Embrace (Evolve, #2))
Miles later and the heat is just ferocious. Sunglasses and goggles are not enough for this glare. You need a welder’s mask.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
Spink-Bottle, you ghastly goggle-eyed piece of gorgonzola
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
At Academy Absconditi they don’t provide you with safety goggles to protect you from an explosive poisons accident, but they will extinguish you if you set yourself on fire. So that’s nice.
Adriana Mather (Hunting November (Killing November, #2))
For the record," Snow grumbled. "I don't want to spend any more time with you either." Stupid boy... Baz sighed to himself, taking in Snow's tense shoulders, the flush of anger in his neck, and the thick fall of bronze hair partially trapped in his goggles... What do you know about want?
Rainbow Rowell (Fangirl)
Your bet is only for Poser tickets, right?" he called. And for my self-esteem,but that was splitting hairs. "Yea,that's all." "Because if it was for more than that,I'd be sweet-talking nick right now and doing everything i could to pull out." "Oh,no you don't!" Chloe squealed. I think she meant to board between us and shove Josh away for affect. however, she didn't have enough control to do this,so she just crossed in front of him and fell in his path, which was somewhat anticlimatic.She shouted up at him, "You need to decide whether you stand with your sister or with the sexist pigs!" Even on her butt in the snow, Chloe was a formidable force. "yes,ma'am." Josh saluted with his mitten to his goggles.
Jennifer Echols (The Ex Games)
And then one afternoon as I confided my woes to her likeness, an unknown face interposed itself between us. Reflected in the glass I saw the head of a man who seemed to have emerged from a vat of formaldehyde. His mouth was twisted, his nose damaged, his hair tousled, his gaze full of fear. One eye was sewn shut, the other goggled like the doomed eye of Cain. For a moment I stared at that dilated pupil, before I realized it was only mine.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
In a way I loved Sean from the day I first laid eyes on him. It wasn't instantaneous mind you, it didn't hit me like a thunderbolt and when you get to know me better, you'll know that I'm never likely to go all goggle eyed and weak at the knees. No it was more like a serum that had been injected into my bloodstream. The point of the needle so small, I didn't even feel it break my skin, but it was there all the same” ― Mackenzie Brown Lost Boys
Mackenzie Brown
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
In those first years the roads were peopled with refugees shrouded up in their clothing. Wearing masks and goggles, sitting in their rags by the side of the road like ruined aviators. Their barrows heaped with shoddy. Towing wagons or carts. Their eyes bright in their skulls. Creedless shells of men tottering down the causeways like migrants in a feverland. The frailty of everything revealed at last. Old and troubling issues resolved into nothingness and night. The last instance of a thing takes the class with it. Turns out the light and is gone. Look around you. Ever is a long time. But the boy knew what he knew. That ever is no time at all.
Cormac McCarthy (The Road)
I still had the breather mask and portable oxygen supply. But now I added a pair of goggles from the duffel. They’d be important for what came next. I duct taped both the mask and goggles to my face—I needed an airtight seal this time. So now I was a mud-covered freak with random shit taped to my face. I probably looked like something out of a horror movie. Oh well. I was about to be horrible.
Andy Weir (Artemis)
Remember, Very,” Dad used to say when I whined about the goggles, “if your opponent has night vision and you’ve never bothered to learn the local landmarks by anything but sight, you’re going to be in a bit of a pickle when it’s time to avoid getting disemboweled.
Seanan McGuire (Discount Armageddon (InCryptid, #1))
I haven't been on a first date over five years. Five. Years. Which means, I haven't been on one since 2006. Let me take you back to that time: 2006. Tom Cruise and Kathie Holmes celebrated the birth of their little "TomKitten." The Wii came out - and YouTube was flooded with videos of people throwing those little white remotes into their TVs. Britney and Kevin call it quits, shocking America to its very core. Facebook was still just a college campus thing - if you wanted to stalk someone, you had to buy a zoom lens and some night vision goggles. It was a simpler time.
Elodia Strain (My Girlfriend's Boyfriend)
If you'd told me even a year before...that I'd wind up whispering my sins in the confessional or on my knees saying the rosary, I would've laughed myself cockeyed. More likely pastime?Pole dancer. International spy. Drug mule. Assassin. I drive under a sky black as graphite to meet my new spiritual director...a bulky Franciscan nun named Sister Margaret, patiently going blind behind fish-tank glasses that magnify her eyes like goggles.
Mary Karr (Lit)
Every person sees the world through lenses of his or her own design—individual goggles that alter focus and perspective as desired. For those who wish the world to be dark and ugly and unapproachable, it is. But for those who wish it to be beautiful, it is a garden playground blooming with bright, happy colors.
Richelle E. Goodrich
They had come to the edge of the wood now, with no sign of slowing their rapid jog. The road, where it angled across the meadow, was just ahead, dazzling white in the open sunlight. And there, standing on the road, was the man from the night before, the man in the yellow suit, his black hat on his head. Discovering him, seeing his surprise, and presented at once with choices, Winnie’s mind perversely went blank. Instead of crying out for help, she merely goggled at him as they fled past the spot where he stood. Mae Tuck was the only one who spoke, and the most she could offer was: “Teaching our little girl . . . how to ride!
Natalie Babbitt (Tuck Everlasting)
The idea of being electrocuted makes me sick, and that’s all there was to read about in the papers--goggle-eyed headlines staring up at me on every street corner and at the fusty, peanut-smelling mouth of every subway. It had nothing to do with me, but I couldn’t help wondering what it would be like, being bummed alive all along your nerves.
Sylvia Plath (The Bell Jar)
Ranger removed my goggles. “Would you like to come home with me?” I stepped away from him. “Thank you for the offer, but no. I’m done with men.” Ranger smiled. “Forever?” “Until I figure some things out.” “And if you don’t figure them out?” “If I can’t figure them out on my own, I’ll ask you to help me.” “Babe, that’s like the blind leading the blind.
Janet Evanovich (Explosive Eighteen (Stephanie Plum, #18))
The effect Mom had on men infuriated me as a teenager, especially then, before I'd ever had sex. I resented her for failing in that way, too, by not giving me that quality, her charm, her way of making even prescription goggles look sort of geekily elegant. This is your daughter? people always said when she introduced me, like I'd stolen her, forced her to claim me as her own. This? I left them there.
Julie Buntin (Marlena)
My lady?” He peered briefly around to see that all seemed in order, and confusion immediately covered his face. “Take a dozen men and ride out in search of my husband,” Emma commanded at once. The steward goggled at her. “But, my lady—” “Now, Sebert. Or all will be lost.” Sebert nodded and started to withdraw, then paused and turned back, his gaze moving helplessly to the two men by the fireplace, before flying back to Emma herself. “But my lady, yer husband is dead,” he pointed out miserably. Emma rolled her eyes at that. “Sebert, why can you not be like other stewards and listen at doors?” “I…” Sebert drew himself up indignantly, but Emma continued. “Had you done so, you would be aware that I am to marry Lord Amaury de Aneford. Immediately. Before Lord Fulk’s cousin and aunt can get here and Bertrand can lay claim to the manor and myself.
Lynsay Sands (The Deed (Deed, #1))
Whatever is he saying?" said a voice, very near, distinct and shrill through the warblings of the Super-Wurlitzer. The Savage violently started and, uncovering his face, looked round. Five khaki twins, each with the stump of a long eclair in his right hand, and their identical faces variously smeared with liquid chocolate, were standing in a row, puggily goggling at him. They met his eyes and simultaneously grinned. One of them pointed with his eclair butt. "Is she dead?"he asked.
Aldous Huxley (Brave New World)
Hagrid was wearing his best (and very horrible) hairy brown suit, plus a checked yellow-and-orange tie. This wasn’t the worst of it, though; he had evidently tried to tame his hair, using large quantities of what appeared to be axle grease. It was now slicked down into two bunches – perhaps he had tried a ponytail like Bill’s, but found he had too much hair. The look didn’t really suit Hagrid at all. For a moment, Hermione goggled at him, then, obviously deciding not to comment, she said, ‘Erm – where are the Skrewts?
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
During the Society's early years, no member personified the organization's eccentricities or audacious mission more than Sir Francis Galton. A cousin of Charles Darwin's, he had been a child prodigy who, by the age of four, could read and recite Latin. He went on to concoct myriad inventions. They included a ventilating top hat; a machine called a Gumption-Reviver, which periodically wet his head to keep him awake during endless study; underwater goggles; and a rotating-vane steam engine. Suffering from periodic nervous breakdowns––"sprained brain," as he called it––he had a compulsion to measure and count virtually everything. He quantified the sensitivity of animal hearing, using a walking stick that could make an inconspicuous whistle; the efficacy of prayer; the average age of death in each profession (lawyers: 66.51; doctors: 67.04); the exact amount of rope needed to break a criminal's neck while avoiding decapitation; and levels of boredom (at meetings of the Royal Geographical Society he would count the rate of fidgets among each member of the audience).
David Grann (The Lost City of Z: A Tale of Deadly Obsession in the Amazon)
... a tiny room, furnished in early MFI, of which every surface was covered in china ornaments and plaster knick-knacks whose only virtue was that they were small, and therefore of limited individual horribleness. Cumulatively, they were like an infestation. Little vases, ashtrays, animals, shepherdesses, tramps, boots, tobys, ruined castles, civic shields of seaside towns, thimbles, bambis, pink goggle-eyed puppies sitting up and begging, scooped-out swans plainly meant to double as soap dishes, donkeys with empry panniers which ought to have held pin-cushions or perhaps bunches of violets -- all jostled together in a sad visual cacophony of bad taste and birthday presents and fading holiday memories, too many to be loved, justifying themselves by their sheer weight of numbers as 'collections' do.
Cynthia Harrod-Eagles (Blood Lines (Bill Slider, #5))
How vivid, still, are the seagoing smells? Oily bilges, fish entrails, a freshly lit cigarette drawn through salt paper? And at night, if you were not diving, the compressor's exhaust fumes, its lethal monoxides, barking and blattering our darkened boat's position for anyone to hear. But a shift of wind might gently lay its hand on a cheek and turn your head like a weathervane, pointing your nostrils into the smell of unseen land: forest and rot and copra, jasmine, mimosa and ylang-ylang. And you may have thought of the strangeness of it, sitting there in night's scented cocoon, propped up by nails and timber in the middle of the water while men you knew like brothers worked away in the fish mines far beneath the boat, their dim torchlight opening up fugitive seams and corridors. Their wooden goggles and floating hair.
James Hamilton-Paterson
The best description of this book is found within the title. The full title of this book is: "This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me and Dora J. Arod, who sometimes shares my pen, paper, thoughts, mind, body, and soul, because Dora J. Arod is my pseudonym, as he/it incorporates both my first and middle name, and is also a palindrome that can be read forwards or backwards no matter if you are an upright man in the eyes of God or you are upside down in a tank of water wearing purple goggles and grape jelly discussing how best to spread your time between your work, your wife, and the toasted bread being eaten by the man you are talking to who goes by the name of Dendrite McDowell, who is only wearing a towel on his head and has an hourglass obscuring his “time machine”--or the thing that he says can keep him young forever by producing young versions of himself the way I avert disaster in that I ramble and bumble like a bee until I pollinate my way through flowery situations that might otherwise have ended up being more than less than, but not equal to two short parallel lines stacked on top of each other that mathematicians use to balance equations like a tightrope walker running on a wire stretched between two white stretched limos parked on a long cloud that looks like Salt Lake City minus the sodium and Mormons, but with a dash of pepper and Protestants, who may or may not be spiritual descendents of Mr. Maynot, who didn’t come over to America in the Mayflower, but only because he was “Too lazy to get off the sofa,” and therefore impacted this continent centuries before the first television was ever thrown out of a speeding vehicle at a man who looked exactly like my great-grandfather, who happens to look exactly like the clone science has yet to allow me to create
Jarod Kintz (This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me...)
Almost all divers wear goggles or a face-mask as without them the eyes are unable to focus underwater and everything appears blurred. This is because when a light ray passes from one medium to another – in this case from air (or water) into the eye – it is bent (refracted). This property is used to help focus the light rays on the layer of light-sensitive cells, known as the retina, at the back of the eye. The extent to which a light ray is bent at the surface of the eye is very much less in water than in air, which makes it impossible to focus the image on the retina. Maintaining an air space next to the eye, by wearing goggles or a face-mask, obviates the problem. But because the light rays will now be refracted by the glass/water interface of the mask, objects appear some 30 per cent larger and closer underwater than they do in air. It may be useful to remember this when listening to divers’ tales of giant sharks.
Frances Ashcroft (Life at the Extremes)
Nice for Freddie," she said. "Whoever he is. I'm Sophie, Lulu's sister." "Nice for you," he said. "Are you the sister who's getting married?" "No, I'm the one who is still available." She perched herself on the counter and swung her legs. "So, it's your lucky day, isn't it?" "Do you know," he said slowly, "I'm beginning to think it is." It was the sort of thing that men were always saying to Sophie, but not, thought Lulu crossly, the sort that generally made her gape and goggle at Lulu like a demented hen who had just won the lottery ticket, It was a couple of moments before she realized that Liam was looking, not at Sophie, but at her.
Gabrielle Donnelly (The Little Women Letters)
Jesus was definitely not inviting these fishermen into a church job or an engaging hobby, which is how many of us understand vocation in the Church today. If we are not careful, our ingrained expectation of a professional class of clergy will quickly sabotage our ability to understand the ministry of Jesus and the disciples. Our bias builds churchy furniture into this story where there is none. We put our church goggles on and read the idea that the disciples called on that seashore were the first priests of the church back into the scripture. They used to make money as fishermen, then they made their money as ministers. (Luke 10:4-11) This was not the case.
C. Andrew Doyle (Vocatio: Imaging a Visible Church)
I’d love to be able to tell you a story about the future, but I’d rather tell you a story that counts. I’d rather give you a sense of where you might come from, because you need to know where you’ve been to know where to go. The future is your story to tell. And maybe you have more options for the future than you thought. Maybe there are different ways to see what comes next. Wear your iron goggles and walk down Dark Lane at night to see what you can see. Stand by the weir and look at the river of time. Understand that you are part of something very old and yet constantly renewed. And that you may think you can forget history, but history will certainly not forget you. We all need a cunning plan. So be cunning.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
Whether Whether anger quickens a lagging stride, and periodic burn-offs in the forest revitalize exhausted soil and flora—. Whether we should take pleasure in the wildcat jubilation of a lightning bolt that whips its silver vein of genesis through the night sky, flash-photo of a white birch upended, the root-system buckled to swollen thunderheads—. And whether naming an offense amounts to sour grapes and common bitterness, or even the conceited nonsense of unwashed yahoo multitudes, a yawping insult to civilized behavior—. Whether a July rainstorm, even when it drenches the unprepared pedestrian and befuddles traffic, might be extravagant, a joy, like the whoops and escalating bop glissandos of Gillespie’s upraised horn, cascading pitches a countersong to meteoric chalk marks Perseids burn across the House of Leo—. And whether peaceful ecstasy might float up from a fifteen-second avalanche reflected in the skier’s goggles, his jacket a spark of scarlet on the topmost slope, waiting for the homeward track to clear.
Alfred Corn (Contradictions)
Her sister, Miss Watson, a tolerable slim old maid, with goggles on, had just come to live with her, and took a set at me now with a spelling- book. She worked me middling hard for about an hour, and then the widow made her ease up. I couldn't stood it much longer. Then for an hour it was deadly dull, and I was fidgety. Miss Watson would say, "Don't put your feet up there, Huckleberry;" and "Don't scrunch up like that, Huckleberry—set up straight;" and pretty soon she would say, "Don't gap and stretch like that, Huckleberry—why don't you try to behave?" Then she told me all about the bad place, and I said I wished I was there. She got mad then, but I didn't mean no harm. All I wanted was to go somewheres; all I wanted was a change, I warn't particular. She said it was wicked to say what I said; said she wouldn't say it for the whole world; she was going to live so as to go to the good place. Well, I couldn't see no advantage in going where she was going, so I made up my mind I wouldn't try for it. But I never said so, because it would only make trouble, and wouldn't do no good.
Mark Twain (Adventures of Huckleberry Finn)
Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.
Derek Walcott (Selected Poems)
The advisors, on the other hand, were like older brothers and sisters. My favorite was Bill Symes, who'd been a founding member of Fellowship in 1967. He was in his early twenties now and studying religion at Webster University. He had shoulders like a two-oxen yoke, a ponytail as thick as a pony's tail, and feet requiring the largest size of Earth Shoes. He was a good musician, a passionate attacker of steel acoustical guitar strings. He liked to walk into Burger King and loudly order two Whoppers with no meat. If he was losing a Spades game, he would take a card out of his hand, tell the other players, "Play this suit!" and then lick the card and stick it to his forehead facing out. In discussions, he liked to lean into other people's space and bark at them. He said, "You better deal with that!" He said, "Sounds to me like you've got a problem that you're not talking about!" He said, "You know what? I don't think you believe one word of what you just said to me!" He said, "Any resistance will be met with an aggressive response!" If you hesitated when he moved to hug you, he backed away and spread his arms wide and goggled at you with raised eyebrows, as if to say, "Hello? Are you going to hug me, or what?" If he wasn't playing guitar he was reading Jung, and if he wasn't reading Jung he was birdwatching, and if he wasn't birdwatching he was practicing tai chi, and if you came up to him during his practice and asked him how he would defend himself if you tried to mug him with a gun, he would demonstrate, in dreamy Eastern motion, how to remove a wallet from a back pocket and hand it over. Listening to the radio in his VW Bug, he might suddenly cry out, "I want to hear... 'La Grange' by ZZ Top!" and slap the dashboard. The radio would then play "La Grange.
Jonathan Franzen (The Discomfort Zone: A Personal History)
Yes,but only if we employ careful strategy,as in rock-paper-scissors," I said. "My 720 totally beats Nick falling down, like paper covers rock. Unless the rock is a boy,in which case the boy always wins." "Hayden-"Liz began. "I am getting sick of your attitude, Hayden," Chloe talked over Liz. "We've been up here all day with you.All we have left is to get you off this jump. Every time you try, you have some excuse: wind in your face, bug in your ear, panties up your butt-" "I was not making that up," I broke in. "Imagine trying a trick with umcomfortable underwear." I squirmed, rocking back and forth on my board to make a point. "Or you make some stupid joke!" Chloe hollered at me.Her voice echoed against the rocky slope of the mountain overhead.i stealthily looked around in my goggles to see if any boarders I knew had heard,but it was getting late,and the slopes were empty except for us.
Jennifer Echols (The Ex Games)
[ Dr. Lois Jolyon West was cleared at Top Secret for his work on MKULTRA. ] Dr. Michael Persinger [235], another FSMF Board Member, is the author of a paper entitled “Elicitation of 'Childhood Memories' in Hypnosis-Like Settings Is Associated With Complex Partial Epileptic-Like Signs For Women But Not for Men: the False Memory Syndrome.” In the paper Perceptual and Motor Skills,In the paper, Dr. Persinger writes: On the day of the experiment each subject (not more than two were tested per day) was asked to sit quietly in an acoustic chamber and was told that the procedure was an experiment in relaxation. The subject wore goggles and a modified motorcycle helmet through which 10-milligauss (1 microTesla) magnetic fields were applied through the temporal plane. Except for a weak red (photographic developing) light, the room was dark. Dr. Persinger's research on the ability of magnetic fields to facilitate the creation of false memories and altered states of consciousness is apparently funded by the Defense Intelligence Agency through the project cryptonym SLEEPING BEAUTY. Freedom of Information Act requests concerning SLEEPING BEAUTY with a number of different intelligence agencies including the CIA and DEA has yielded denial that such a program exists. Certainly, such work would be of direct interest to BLUEBIRD, ARTICHOKE, MKULTRA and other non-lethal weapons programs. Schnabel [280] lists Dr. Persinger as an Interview Source in his book on remote viewing operations conducted under Stargate, Grill Flame and other cryptonyms at Fort Meade and on contract to the Stanford Research Institute. Schnabel states (p. 220) that, “As one of the Pentagon's top scientists, Vorona was privy to some of the strangest, most secret research projects ever conceived. Grill Flame was just one. Another was code-named Sleeping Beauty; it was a Defense Department study of remote microwave mind-influencing techniques ... [...] It appears from Schnabel's well-documented investigations that Sleeping Beauty is a real, but still classified mind control program. Schnabel [280] lists Dr. West as an Interview Source and says that West was a, “Member of medical oversight board for Science Applications International Corp. remote-viewing research in early 1990s.
Colin A. Ross (The CIA Doctors: Human Rights Violations by American Psychiatrists)
It ascended by levels: Da's cameo recessed against the glow of the tuner's parade,the drawer of utensils withdrawn past its fulcrum, the disembodied face of my brother miming and distorting my desperate attempt by expression alone to make Mum look up from me and see him, I no longer feeling my features' movements so much as seeing them on that writhing white face against the pantry's black, the throttle-popped eyes and cheeks ballooning against the gag's restraint, Mum squatting chairside to even my ears, my face before us bother farther and farther from my own control as I saw in his twin face what all lolly-smeared hand-held brats must see in the fun-house mirror- the gross and pitiless sameness, the distortion in which there is, tiny, at the center, something cruelly true about the we who leer and woggle at stick necks and and concave skulls, goggling eyes that swell to the edges- as the mimicry ascended reflected levels to become finally the burlesque of a wet hysteria that plastered cut strands to a wet white brow, the strangled man's sobs blocked by cloth, storm's thrum and electric hiss and Da's mutter against the lalation of shears meant for lambs, an unseen fit that sent my eyes upward again and again into their own shocked white, knowing past sight that my twin's face would show the same, to mock it- until the last refuge was slackness, giving up the ghost completely for a blank sack gagged mask's mindless stare-un seen and seeing- into a mirror I could not know or feel myself without. No not ever again.
David Foster Wallace (Brief Interviews with Hideous Men)
But even though I loved being in water, I never enjoyed swim meets. It always seemed like they were imposing structure and stress on something that should have been freeing and fun. For example, going down a slide is awesome. But if you had to show up every day for slide practice at 7 A.M. and then compete against your best friend in slide competitions, while grown-ups screamed at you to slide better, until your friend won and you cried, slides would seem a lot less awesome. And yes, I cried after the 1994 breaststroke finals when the official said I lost even though technically I had a faster time. And yes, I was beaten by Steve Deppe. And yes, I just googled Steve Deppe and discovered he now runs a successful wealth management business in San Diego. And yes, his online corporate profile says, “As a former athlete, Steve continues to exercise daily, whether it’s lifting weights, running, swimming, or playing sports.” And yes, the fourth example he gave of “exercise” was “sports.” And yes, I just went out and bought goggles and a Speedo and went down to my local pool and didn’t leave until I “just went out and bought goggles and a Speedo and went down to my local pool and didn’t leave until I swam a hundred laps, hoping that would be more laps than Steve Deppe swam today. BUT REALLY, WHO EVEN CARES ANYMORE, RIGHT??? NOT ME!!! IT’S NOT A COMPETITION, EVEN THOUGH I’M NOT EVEN MARRIED YET AND STEVE IS ALREADY “THE PROUD FATHER OF HIS DAUGHTER, CAMRYN.” PLUS, HE’S “AN AVID SPORTS FAN, WHO NEVER MISSES HIS FAVORITE TV SHOW, SPORTSCENTER.” WE GET IT STEVE, YOU FUCKING LOVE SPORTS!” Anyway.
Colin Jost (A Very Punchable Face)
On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!" We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in. "Get down! Get down!" he barked. "Some American guests are coming this way. It is harmful to the prestige of our motherland for them to see all these messy heads!" We tried to crouch down, but the bus was too crowded. The man shouted, "It is the duty of everyone to safeguard the honor of our motherland! We must present an orderly and dignified appearance! Get down! Bend your knees!" Suddenly I heard Jin-ming's booming voice: "Doesn'T Chairman Mao instruct us never to bend our knees to American imperialists?" This was asking for trouble. Humor was not appreciated. The man shot a stern glance in our direction, but said nothing. He gave the bus another quick scan, and hurried off. He did not want the "American guests' to witness a scene. Any sign of discord had to be hidden from foreigners. Wherever we went as we traveled down the Yangtze we saw the aftermath of the Cultural Revolution: temples smashed, statues toppled, and old towns wrecked. Litfie evidence remained of China's ancient civilization. But the loss went even deeper than this. Not only had China destroyed most of its beautiful things, it had lost its appreciation of them, and was unable to make new ones. Except for the much-scarred but still stunning landscape, China had become an ugly country.
Jung Chang (Wild Swans: Three Daughters of China)
Goggles but no bathing suit?" she asked. Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?" Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course." The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below. The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder. "This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea? "I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me." Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon. Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim." They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove. Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew. He was glowing.
Lauren Kate (Rapture (Fallen, #4))
Turns out, I learned a lot from not being able to go to France. Turns out, those days standing on the concrete floor wearing a hairnet, a paper mask and gown, goggles, and plastic gloves, and- with a pair of tweezers- placing two pipe cleaners into a sterile box that came to me down a slow conveyor belt for eight excruciating hours a day taught me something important I couldn't have learned any other way. That job and the fifteen others I had before I graduated college were my own personal "educational opportunities." They changed my life for the better, though it took me a while to understand their worth. They gave me faith in my own abilities. They offered me a unique view of worlds that were both exotic and familiar to me. They kept things in perspective. They pissed me off. They opened my mind to realities I didn't know existed. They forced me to be resilient, to sacrifice, to see how little I knew, and also how much. They put me in close contact with people who could've funded the college educations of ten thousand kids and also with people who would've rightly fallen on the floor laughing had I complained to them about how unfair it was that after I got my degree I'd have this student loan I'd be paying off until I was forty-three. They made my life big. They contributed to an education that money can't buy.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
The fact that a human nose (use the letter X to symbolise the nose) is a necessary condition for spectacles to be perched in front of the eyes (use the letter Y to symbolise ‘spectacles being perched in front of the eyes’) does not entail that, because Y is the case, X is in itself necessary. ‘Necessity’ in the logical sense of ‘having to be so’ is not the same thing as the necessity involved in a ‘necessary condition’ – here things have to be so only relative to something else’s being the way it is. In the case of X’s being a necessary condition relative to Y, but not in itself necessary, X could have been different, and if it were so, there would, or at least might, be no Y. For example: if humans did not have noses, spectacles might be worn as goggles are, held before the eyes by an elastic strap. This is just how it is with the universe. We humans are the Y of which nature’s parameters are the X. We exist because the parameters are as they are; had they been different, we would not be here to know it. The fact that we exist because of how things happen to be with the universe’s structure and properties entails nothing about design or purpose. Depending on your point of view, it is just a lucky or unlucky result of how things happen to be. The universe’s parameters are not tuned on purpose for us to exist. It is the other way round: we exist because the laws happen to be as they are
A.C. Grayling
God bless her, but the child is wild. It’s not her fault. But she’ll never be normal. At least let her enjoy her childhood. You read the report, didn’t you? There was rotten food in the fridge, clothes all over the floor. She came here wearing one of her father’s T-shirts and his baseball cap. You just wanted to throw out all the things that she had in her suitcase and give her a chance to start all over again. And the child’s fingernails were long. Who ever heard of long fingernails on a twelve-year-old? And she smelled!’ ‘Is she worse than Rodney?’ ‘Rodney? No, God no. She doesn’t need psychiatric help. I’m just saying that she needs a couple extra things like a sweater or some new toys of her own.’ Later that afternoon, Isabelle came into my room with a box filled with girls’ toys. I pulled out a blue pony with long yellow hair and pink seashells on its butt. ‘Who was Rodney?’ I asked her. A little boy who lived here and used to wear swimming goggles all the time. Who’s been talking to you about Rodney?’ ‘You mentioned him to the social worker.’ ‘Lord! Don’t worry what I say to the social worker. I have to make you sound like a real sorrowful case to be able to get you more things. See, I got you a pretty pony, didn’t I?’ I guess it was worth having your self-esteem destroyed if there was a free toy involved. Isabelle told me that she was trying to get us a subscription to Ranger Rick magazine. I didn’t want to hear what she was going to say about me to get it.
Heather O'Neill (Lullabies for Little Criminals)
In this country faith is absolute and universal. The choice, if there is a choice, is made at birth. Everyone believes. For these people, God is a near neighbour. I thought of Sundays at home when I was a child, buttoned up in an uncomfortable tweed jacket and forced to go to Sunday communion. I remember mouthing the hymns without really singing, peering between my fingers at the rest of the congregation when I was supposed to be praying, twisting in my seat during the sermon, aching with impatience for the whole boring ritual to be over. I can’t remember when I last went to church. I must have been since Mary and I were married but I can’t remember when. I don’t know anyone who does go to church now. It’s extraordinary, isn’t it? I know I live amongst scientists and civil servants, and Mary’s friends are all bankers or economists, so perhaps we are not typical. You still see people coming out of church on Sunday morning, chatting on the steps, shaking hands with the vicar, as you drive past on your way to get the Sunday papers, relieved you are too old now to be told to go. But no one I know goes any more. We never talk about it. We never think about it. I cannot easily remember the words of the Lord’s Prayer. We have moved on from religion. Instead of going to church, which would never occur to us, Mary and I go to Tesco together on Sundays. At least, that is what we did when she still lived in London. We never have time to shop during the week and Saturdays are too busy. But on Sunday our local Tesco is just quiet enough to get round without being hit in the ankles all the time by other people’s shopping carts. We take our time wheeling the shopping cart around the vast cavern, goggling at the flatscreen TVs we cannot afford, occasionally tossing some minor luxury into the trolley that we can afford but not justify. I suppose shopping in Tesco on Sunday morning is in itself a sort of meditative experience: in some way a shared moment with the hundreds of other shoppers all wheeling their shopping carts, and a shared moment with Mary, come to that. Most of the people I see shopping on Sunday morning have that peaceful, dreamy expression on their faces that I know is on ours. That is our Sunday ritual. Now, I am in a different country, with a different woman by my side. But I feel as if I am in more than just a different country; I am in another world, a world where faith and prayer are instinctive and universal, where not to pray, not to be able to pray, is an affliction worse than blindness, where disconnection from God is worse than losing a limb.
Paul Torday (Salmon Fishing in the Yemen)
I felt as though the temple curtain had been drawn aside without warning and I, a goggle-eyed stranger somehow mistaken for an initiate, had been ushered into the sanctuary to witness the mystery of mysteries. I saw a phantasmagoria, a living tapestry of forms jeweled in minute detail. They danced together like guests at a rowdy wedding. They changed their shapes. Within themselves they juggled geometrical shards like the fragments in a kaleidoscope. They sent forth extensions of themselves like the flares of suns. Yet all their activity was obviously interrelated; each being's actions were in step with its neighbors'. They were like bees swarming: They obviously recognised each other and were communicating avidly, but it was impossible to know what they were saying. They enacted a pageant whose beauty awed me. As the lights came back on, the auditorium seemed dull and unreal.I'd been watching various kinds of ordinary cells going about their daily business, as seen through a microscope and recorded by the latest time-lapse movie techniques. The filmmaker frankly admitted that neither he nor anyone else knew just what the cells were doing, or how and why they were doing it. We biologists, especially during our formative years in school, spent most of our time dissecting dead animals and studying preparations of dead cells stained to make their structures more easily visible—"painted tombstones," as someone once called them. Of course, we all knew that life was more a process than a structure, but we tended to forget this, because a structure was so much easier to study. This film reminded me how far our static concepts still were from the actual business of living. As I thought how any one of those scintillating cells potentially could become a whole speckled frog or a person, I grew surer than ever that my work so far had disclosed only a few aspects of a process-control system as varied and widespread as life itself, of which we'd been ignorant until then.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
Suddenly a violent noise leaped at them from no source that he could identify. He gasped in terror at what sounded like a man trying to gargle while fighting off a pack of wolves. “Shush!” said Ford. “Listen, it might be important.” “Im … important?” “It’s the Vogon captain making an announcement on the tannoy.” “You mean that’s how the Vogons talk?” “Listen!” “But I can’t speak Vogon!” “You don’t need to. Just put this fish in your ear.” Ford, with a lightning movement, clapped his hand to Arthur’s ear, and he had the sudden sickening sensation of the fish slithering deep into his aural tract. Gasping with horror he scrabbled at his ear for a second or so, but then slowly turned goggle-eyed with wonder. He was experiencing the aural equivalent of looking at a picture of two black silhouetted faces and suddenly seeing it as a picture of a white candlestick. Or of looking at a lot of colored dots on a piece of paper which suddenly resolve themselves into the figure six and mean that your optician is going to charge you a lot of money for a new pair of glasses. He was still listening to the howling gargles, he knew that, only now it had somehow taken on the semblance of perfectly straightforward English. This is what he heard … * Ford Prefect’s original name is only pronounceable in an obscure Betel-geusian dialect, now virtually extinct since the Great Collapsing Hrung Disaster of Gal./Sid./Year 03758 which wiped out all the old Praxibetel communities on Betelgeuse Seven. Ford’s father was the only man on the entire planet to survive the Great Collapsing Hrung Disaster, by an extraordinary coincidence that he was never able satisfactorily to explain. The whole episode is shrouded in deep mystery: in fact no one ever knew what a Hrung was nor why it had chosen to collapse on Betelgeuse Seven particularly. Ford’s father, magnanimously waving aside the clouds of suspicion that had inevitably settled around him, came to live on Betelgeuse Five, where he both fathered and uncled Ford; in memory of his now dead race he christened him in the ancient Praxibetel tongue. Because Ford never learned to say his original name, his father eventually died of shame, which is still a terminal disease in some parts of the Galaxy. The other kids at school nicknamed him Ix, which in the language of Betelgeuse Five translates as “boy who is not able satisfactorily to explain what a Hrung is, nor why it should choose to collapse on Betelgeuse Seven.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (Grapes of Wrath, The)
If these avatars were real people in a real street, Hiro wouldn't be able to reach the entrance. It's way too crowded. But the computer system that operates the Street has better things to do than to monitor every single one of the millions of people there, trying to prevent them from running into each other. It doesn't bother trying to solve this incredibly difficult problem. On the Street, avatars just walk right through each other. So when Hiro cuts through the crowd, headed for the entrance, he really is cutting through the crowd. When things get this jammed together, the computer simplifies things by drawing all of the avatars ghostly and translucent so you can see where you're going. Hiro appears solid to himself, but everyone else looks like a ghost. He walks through the crowd as if it's a fogbank, clearly seeing The Black Sun in front of him. He steps over the property line, and he's in the doorway. And in that instant he becomes solid and visible to all the avatars milling outside. As one, they all begin screaming. Not that they have any idea who the hell he is -- Hiro is just a starving CIC stringer who lives in a U-Stor-It by the airport. But in the entire world there are only a couple of thousand people who can step over the line into The Black Sun. He turns and looks back at ten thousand shrieking groupies. Now that he's all by himself in the entryway, no longer immersed in a flood of avatars, he can see all of the people in the front row of the crowd with perfect clarity. They are all done up in their wildest and fanciest avatars, hoping that Da5id -- The Black Sun's owner and hacker-in-chief -- will invite them inside. They flick and merge together into a hysterical wall. Stunningly beautiful women, computer-airbrushed and retouched at seventy-two frames a second, like Playboy pinups turned three-dimensional -- these are would-be actresses hoping to be discovered. Wild-looking abstracts, tornadoes of gyrating light-hackers who are hoping that Da5id will notice their talent, invite them inside, give them a job. A liberal sprinkling of black-and-white people -- persons who are accessing the Metaverse through cheap public terminals, and who are rendered in jerky, grainy black and white. A lot of these are run-of-the-mill psycho fans, devoted to the fantasy of stabbing some particular actress to death; they can't even get close in Reality, so they goggle into the Metaverse to stalk their prey. There are would-be rock stars done up in laser light, as though they just stepped off the concert stage, and the avatars of Nipponese businessmen, exquisitely rendered by their fancy equipment, but utterly reserved and boring in their suits.
Neal Stephenson (Snow Crash)
For years before the Olympic swimmer Michael Phelps won the gold at the 2008 Beijing Olympics, he followed the same routine at every race. He arrived two hours early.1 He stretched and loosened up, according to a precise pattern: eight hundred mixer, fifty freestyle, six hundred kicking with kickboard, four hundred pulling a buoy, and more. After the warm-up he would dry off, put in his earphones, and sit—never lie down—on the massage table. From that moment, he and his coach, Bob Bowman, wouldn’t speak a word to each other until after the race was over. At forty-five minutes before the race he would put on his race suit. At thirty minutes he would get into the warm-up pool and do six hundred to eight hundred meters. With ten minutes to go he would walk to the ready room. He would find a seat alone, never next to anyone. He liked to keep the seats on both sides of him clear for his things: goggles on one side and his towel on the other. When his race was called he would walk to the blocks. There he would do what he always did: two stretches, first a straight-leg stretch and then with a bent knee. Left leg first every time. Then the right earbud would come out. When his name was called, he would take out the left earbud. He would step onto the block—always from the left side. He would dry the block—every time. Then he would stand and flap his arms in such a way that his hands hit his back. Phelps explains: “It’s just a routine. My routine. It’s the routine I’ve gone through my whole life. I’m not going to change it.” And that is that. His coach, Bob Bowman, designed this physical routine with Phelps. But that’s not all. He also gave Phelps a routine for what to think about as he went to sleep and first thing when he awoke. He called it “Watching the Videotape.”2 There was no actual tape, of course. The “tape” was a visualization of the perfect race. In exquisite detail and slow motion Phelps would visualize every moment from his starting position on top of the blocks, through each stroke, until he emerged from the pool, victorious, with water dripping off his face. Phelps didn’t do this mental routine occasionally. He did it every day before he went to bed and every day when he woke up—for years. When Bob wanted to challenge him in practices he would shout, “Put in the videotape!” and Phelps would push beyond his limits. Eventually the mental routine was so deeply ingrained that Bob barely had to whisper the phrase, “Get the videotape ready,” before a race. Phelps was always ready to “hit play.” When asked about the routine, Bowman said: “If you were to ask Michael what’s going on in his head before competition, he would say he’s not really thinking about anything. He’s just following the program. But that’s not right. It’s more like his habits have taken over. When the race arrives, he’s more than halfway through his plan and he’s been victorious at every step. All the stretches went like he planned. The warm-up laps were just like he visualized. His headphones are playing exactly what he expected. The actual race is just another step in a pattern that started earlier that day and has been nothing but victories. Winning is a natural extension.”3 As we all know, Phelps won the record eight gold medals at the 2008 Beijing Olympics. When visiting Beijing, years after Phelps’s breathtaking accomplishment, I couldn’t help but think about how Phelps and the other Olympians make all these feats of amazing athleticism seem so effortless. Of course Olympic athletes arguably practice longer and train harder than any other athletes in the world—but when they get in that pool, or on that track, or onto that rink, they make it look positively easy. It’s more than just a natural extension of their training. It’s a testament to the genius of the right routine.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)