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William Park, Oswald Avery, and Paul Lewis each approached science in his own way. Park, a man who almost became a medical missionary, saw it as a means to a larger end; he saw it as a tool to relieve suffering. Disciplined and methodical, his interest lay chiefly in immediate results that he could apply to his purpose. His contributions, particularly those made with Anna Williams, were enormous; their improvement of diphtheria antitoxin alone doubtless saved hundreds of thousands of lives over the past century. But his purpose also limited him, narrowed him, and limited the kind of findings he and those under him would make. Avery was driven and obsessive. Part artist and part hunter, he had vision, patience, and persistence. His artist’s eye let him see a landscape from a new perspective and in exquisite detail, the hunter in him told him when something, no matter how seemingly trivial, was out of place, and he wondered. The wonder moved him to the sacrifice of all else. He had no choice but to sacrifice. It was his nature. Cutting a Gordian knot gave him no satisfaction. He wanted to unfold and understand mysteries, not cut through them. So he tugged at a thread and kept tugging, untangling it, following where it led, until he unraveled an entire fabric. Then others wove a new fabric for a different world. T. S. Eliot said any new work of art alters slightly the existing order. Avery accomplished that all right, and far more. Paul Lewis was a romantic, and a lover. He wanted. He wanted more and loved more passionately than Park or Avery. But as is true of many romantics, it was the idea of the thing as much or more than the thing itself that he loved. He loved science, and he loved the laboratory. But it did not yield to him. The deepest secrets of the laboratory showed themselves to Lewis when he was guided by others, when others opened a crack for him. But when he came alone to the laboratory, that crack closed. He could not find the right loose thread to tug at, the way to ask the question. To him the laboratory presented a stone face, unyielding to his pleadings. And whether his death was a suicide or a true accident, his failure to win what he loved killed him. One could consider Lewis, in a way meaningful only to him, the last victim of the 1918 pandemic.
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John M. Barry (The Great Influenza: The Epic Story of the Deadliest Plague in History)