Osp Quotes

We've searched our database for all the quotes and captions related to Osp. Here they are! All 4 of them:

โ€œ
A song is not a tool for changing a human heart in the way that a wrench is a tool for changing a bolt, but it was the tool I had, and I was the tool the OSP had. The cansos in "Songs from Underneath" were not really as subtle as a wrench. Their primary trope was the ancient trick of making the viewpoint character a victim of oppression, because people identify passionately with a strong viewpoint character, and there is intense pleasure in identifying with the narrator of a sad story or song. In "Black Beauty" that trick had made people begin to think that beating horses was bad; it was the trope that make privileged white children burn with outrage at "Native Son" and prudes weep over prostitutes in "Elle frequentait la rue Pigalle" and "My Name is Not Bitch." They also received, at no extra cost, the delicious smug superiority of sympathizing with an underdog, unlike their less-enlightened neighbors. Their primary
โ€
โ€
John Barnes (The Armies of Memory (Giraut, #4))
โ€œ
The user should be provided with a reasonable amount of time, such as 0 days, to respond before the OSP produces the requested information.
โ€
โ€
Anonymous
โ€œ
the โ€œsafe harborโ€ provisions of the Digital Millennium Copyright Act (DMCA), which Bill Clinton had signed into law just weeks after Google went live on the Web. The statute protected online service providers (OSPs) such as Google and YouTube from copyright infringement prosecution provided that the OSP not have the requisite level of knowledge of the infringing activityโ€ฆ not receive a financial benefit directly attributable to the infringing activity [and] upon receiving proper notification of claimed infringementโ€ฆ expeditiously take down or block access to the material. Since Hurleyโ€™s 2005 email, this has been YouTubeโ€™s strategy: pretend not to know there is infringing material being uploaded by users and take down the content when notified by the copyright owner. But this of course neglects one crucial provision of the DMCAโ€”does YouTube receive financial benefit directly attributable to the presence of infringing content on the site? The answer, of course, is yes: in fact you could argue that YouTube achieved success in a crowded field precisely because of its laxity toward pirated content.
โ€
โ€
Jonathan Taplin (Move Fast and Break Things: How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy)
โ€œ
๊ฐœ์ • ์ €์ž‘๊ถŒ๋ฒ•์— ๋”ฐ๋ฅด๋ฉด, ๋ฌธํ™”์ฒด์œก๊ด€๊ด‘๋ถ€ ์žฅ๊ด€์€ ์ •๋ณดํ†ต์‹ ๋ง์„ ์ด์šฉํ•ด ์ƒ์Šต์ ์œผ๋กœ ๋ถˆ๋ฒ•๋ณต์ œ๋ฌผ์„ ์˜ฌ๋ ค 3ํšŒ ์ด์ƒ ๊ฒฝ๊ณ ๋ฅผ ๋ฐ›์€ ํ—ค๋น„์—…๋กœ๋”์˜ ๊ณ„์ •์ด๋‚˜ ๋ถˆ๋ฒ•๋ณต์ œ๋ฌผ์˜ ์‚ญ์ œ ๋˜๋Š” ์ „์†ก์ค‘๋‹จ ๋ช…๋ น์„ 3ํšŒ ์ด์ƒ ๋ฐ›์€ ์›นํ•˜๋“œยท๊ฐœ์ธ๊ฐ„(P2P) ํŒŒ์ผ ๊ณต์œ  ์„œ๋น„์Šค ๋“ฑ ์˜จ๋ผ์ธ์„œ๋น„์Šค์ œ๊ณต์ž(OSP)์˜ ๊ฒŒ์‹œํŒ์— ๋Œ€ํ•ด ํ•œ๊ตญ์ €์ž‘๊ถŒ์œ„์›ํšŒ์˜ ์‹ฌ์˜๋ฅผ ๊ฑฐ์ณ ์ตœ์žฅ 6๊ฐœ์›”๊ฐ„ ์ด์šฉ์ด๋‚˜ ์šด์˜์„ ์ •์ง€ํ•  ์ˆ˜ ์žˆ๋‹ค.
โ€
โ€
Anonymous