Ornament Decoration Quotes

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The ornament of a house is the friends who frequent it.
Ralph Waldo Emerson
Then I feel, Harry, that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
Oscar Wilde (The Picture of Dorian Gray)
Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.
Oscar Wilde (The Picture of Dorian Gray)
I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
Oscar Wilde (The Picture of Dorian Gray)
But the helmet had gold decoration, and the bespoke armorers had made a new gleaming breastplate with useless gold ornamentation on it. Sam Vimes felt like a class traitor every time he wore it. He hated being thought of as one of those people that wore stupid ornamental armor. It was gilt by association.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
I know he likes me. Of course I flatter him dreadfully. I find a strange pleasure in saying things to him that I know I shall be sorry for having said...Then I feel, Harry, that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
Oscar Wilde (The Picture of Dorian Gray)
Music praises God. Music is well or better able to praise him than the building of the church and all its decoration; it is the Church's greatest ornament.
Igor Stravinsky
God’s a connoisseur of fragile things, and decorates His cloudy outlook with ornaments of finest glass.
Stephen King (Doctor Sleep (The Shining, #2))
The Veretian palace, afroth with ornament, paid only lip service to defence. The parapets were purposeless curving decorative spires. The slippery domes that he skirted would be a nightmare in an attack, hiding one part of the roof from the other.
C.S. Pacat (Captive Prince (Captive Prince, #1))
Becks?” “Yes?” “Santa smoked a reefer and decorated my house.” “What? Hold on, I’ll be there in a few minutes.
Dana Marie Bell (The Ornament: Max and Emma (Ornament, #1))
Culture is not something you put on like a ready-made suit of clothes, but a nourishment you absorb to build up your personality, just as food builds up the body of a growing boy; it is not an ornament to decorate a phrase, still less to show off your knowledge, but a means, painfully acquired, to enrich the soul.
W. Somerset Maugham (Ten Novels and Their Authors)
The plain old Sam Vimes had fought back. He got rid of most of the plumes and the stupid tights, and ended up with a dress uniform that at least looked as though its owner was male. But the helmet had gold decoration, and the bespoke armourers had made a new, gleaming breastplate with useless gold ornamentation on it. Sam Vimes felt like a class traitor every time he wore it. He hated being thought of as one of those people that wore stupid ornamental armour. It was gilt by association.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
Oscar Wilde (The Picture of Dorian Gray)
In the Old Way, women might decorate themselves with ornaments bought with coin, but a warrior wore only the jewelry he took off the corpses of enemies slain by his own hand. Paying the iron price, it was called.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I will not subscribe to the argument that ornament increases the pleasure of the life of a cultivated person, or the argument which covers itself with the words: “But if the ornament is beautiful! ...” To me, and to all the cultivated people, ornament does not increase the pleasures of life. If I want to eat a piece of gingerbread I will choose one that is completely plain and not a piece which represents a baby in arms of a horserider, a piece which is covered over and over with decoration. The man of the fifteenth century would not understand me. But modern people will. The supporter of ornament believes that the urge for simplicity is equivalent to self-denial. No, dear professor from the College of Applied Arts, I am not denying myself! To me, it tastes better this way.
Adolf Loos (Ornament and Crime: Selected Essays)
I wonder what kind of decorations Hobby Lobby sells to ornament the pages dedicated to serial killers in a scrapbook. Lanny
Rachel Caine (Stillhouse Lake (Stillhouse Lake, #1))
the ancient Greek word for adornment, kosmos, means both “decoration” and “world order.” (This is, of course, why the words cosmetics and cosmology share an etymological root.)
Anne Anlin Cheng (Ornamentalism)
I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day
Oscar Wilde (The Picture of Dorian Gray)
A pretty woman is a Christmas tree,' my mother told me in the airport. This fella is hanging things on my branches as his gaze sweeps from my face all the way down my body to my hips and then back to my face. Ideas fly from his widened eyes and land on me like teeny, decorative burdens. He is giving me shyness, maybe, some book smarts, and a certain yielding sweetness in bed. The oil-slick eyes get me, and I find myself hanging a few ornaments myself, giving him deft hands and a sense of humor.
Joshilyn Jackson (Backseat Saints)
Almost every family has their own Christmas traditions (if, indeed, they celebrate Christmas) and we certainly had several. First, the house was thoroughly cleaned and decorated with wreaths and paper chains and, of course, the Christmas tree with all its sparkling lights and ornaments. The cardboard nativity scene had to be carefully assembled and placed on the mantle. And there was the advent wreath with its little windows to be opened each morning. And then there were the Christmas cookies. About a week before the holiday, Mom would bake several batches of the cookies and I invited all my friends to come and help decorate them. It was an “all-afternoon” event. We gathered around our big round dining table with bowls of colored icing and assorted additions—red hot candies, coconut flakes, sugar “glitter,” chocolate chips, and any other little bits we could think of. Then, the decorating began!
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
The moon got loose last night, and slid down and fell out of the scheme–a very great loss; it breaks my heart to think of it. There isn’t another thing among the ornaments and decorations that is comparable to it for beauty and finish. It should have been fastened better. If we can only get it back again-
Mark Twain
But the helmet had gold decoration, and the bespoke armourers had made a new, gleaming breastplate with useless gold ornamentation on it. Sam Vimes felt like a class traitor every time he wore it. He hated being thought of as one of those people that wore stupid ornamental armour. It was gilt by association.
Terry Pratchett (Night Watch (Discworld, #29))
Jennifer’s three cardinal tree-decorating rules: 1. When you think you have enough white lights, add three more strands. 2. Glass-ball ornaments are placed all the way inside the tree, near the trunk, so that the tree appears to glow from within. 3. Showpiece and heirloom ornaments go on the ends of the branches. In
Elin Hilderbrand (Winter Storms)
A decorated shed is a conventional building form that conveys meaning through signage or architectural ornament.
Matthew Frederick (101 Things I Learned in Architecture School (The MIT Press))
have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.
Oscar Wilde (The Picture of Dorian Gray)
that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.
Oscar Wilde (The Picture of Dorian Gray)
I’m not sure if you’ve touched the decorative ornament hanging between your legs recently, but you’re still a man.
Aly Martinez (The Truth About Lies (Truth, #1))
Then I feel I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
Oscar Wilde (The Picture of Dorian Gray)
Then I feel, Harry, that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day
Oscar Wilde (The Picture of Dorian Gray)
When a man is finally boxed and he has no choice, he begins to decorate his box. So Hazel, condemned to the presidency, since he could not escape it, began to ornament it. A man can climb high on the steps of responsibility.
John Steinbeck
As we decorate, it occurs to me that a Christmas tree holds so much more than ornaments. Resting on all those boughs is a treasure trove of memories that remain long after the tree is gone and Christmas itself is over for another year.
Nita Prose (The Mistletoe Mystery (Molly the Maid, #2.5))
Take this single tree. They could cut it down and make half of it into an incense tray, decorate it with lacquer set with gold or silver filigree, and set it in an alcove of an aristocrat or man of high rank as a tasteful ornament. The other half they could make into wooden clogs for stepping through the mud. When you look at the two different shapes, one is admired while the other is considered mean, but they’re the same in terms of the cutting down of a living tree.
Issai Chozanshi (The Demon's Sermon on the Martial Arts: A Graphic Novel)
It is a remarkable fact that the people who do things by hand still find time to add to their work some elaboration of mere beauty which makes it a joy to look on, while our machine-made tools, which could do so at much less cost, are too utilitarian to afford any ornament. It used to give me daily pleasure in Teheran to see the sacks in which refuse is carried off the streets woven with a blue and red decorative pattern: but can one imagine a borough council in Leeds or Birmingham expressing a delicate fancy of this kind? Beauty, according to these, is what one buys for the museum: pots and pans, taps and door-handles, though one has to look at them twenty times a day, have no call to be beautiful. So we impoverish our souls and keep our lovely things for rare occasions, even as our lovely thoughts - wasting the most of life in pondering domestic molehills or the Stock Exchange, among objects as ugly as the less attractive forms of sin.
Freya Stark (The Valleys of the Assassins: and Other Persian Travels (Modern Library))
First, I see her catch the scent. It's a combination of many things; the Christmas tree in the corner; the musty aroma of old house; orange and clove; ground coffee; hot milk; patchouli; cinnamon- and chocolate, of course; intoxicating, rich as Croesus, dark as death. She looks around, sees wall hangings, pictures, bells, ornaments, a dollhouse in the window, rugs on the floor- all in chrome yellow and fuchsia-pink and scarlet and gold and green and white. It's like an opium den in here, she almost says, then wonders at herself for being so fanciful. In fact she has never seen an opium den- unless it was in the pages of the Arabian Nights- but there's something about the place, she thinks. Something almost- magical.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
My visit to Her Highness was an agreeable surprise for me. Instead of being ushered into the presence of an over-decorated woman, sporting diamond pendants and necklaces, I found myself in the presence of a modest young woman who relied not upon jewels or gaudy dress for beauty but on her own naturally well formed features and exactness of manners. Her room was as plainly furnished as she was plainly dressed. Her severe simplicity became an object of my envy. She seemed to me an object lesson for many a prince and many a millionaire whose loud ornamentation, ugly looking diamonds, rings and studs and still more loud and almost vulgar furniture offend the taste and present a terrible and sad contrast between them and the masses from whom they derive their wealth.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
To a Japanese, accustomed to simplicity of ornamentation and frequent change of decorative method, a Western interior permanently filled with a vast array of pictures, statuary, and bric-a-brac gives the impression of mere vulgar display of riches. It calls for a mighty wealth of appreciation to enjoy the constant sight of even a masterpiece, and limitless indeed must be the capacity for artistic feeling in those who can exist day after day in the midst of such confusion of color and form as is to be often seen in the homes of Europe and America.
Kakuzō Okakura (The Book of Tea)
Its latch is ornamental, tongue laced with gold and set with tear-shaped rubies. The keyhole decorative with no mechanism inside. I can feel this in the lid’s weight as I pry it open. Whatever is inside must be unimaginable, and whoever it belonged to must be a legendary sonofbitch to not need a lock of any kind.
Maxx Whittaker (Temple of Cocidius: A Monster Girl Harem Adventure: Book 1)
Tell me, is Dorian Gray very fond of you?” The painter considered for a few moments. “He likes me,” he answered, after a pause; “I know he likes me. Of course I flatter him dreadfully. I find a strange pleasure in saying things to him that I know I shall be sorry for having said. As a rule, he is charming to me, and we sit in the studio and talk of a thousand things. Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.
Oscar Wilde (The Picture of Dorian Gray)
My song has put off her adornments. She has no pride of dress and decoration. Ornaments would mar our union; they would come between thee and me; their jingling would drown thy whispers. My poet's vanity dies in shame before thy sight. O master poet, I have sat down at thy feet. Only let me make my life simple and straight, like a flute of reed for thee to fill with music.
Rabindranath Tagore (Gitanjali)
As a rule, he is charming to me, and we sit in the studio and talk of a thousand things. Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.
Oscar Wilde (The Picture of Dorian Gray)
No picture of a medieval library can be complete unless it be remembered that in many cases beauty was no less an object than utility. The bookcases were fine specimens of carpentry-work, carved and decorated; the pavement was of encaustic tiles worked in patterns; the walls were decorated with plaster-work in relief; the windows were filled with stained glass; and the roof-timbers were ornamented with the coat-armour of benefactors.
John Willis Clark (The Care of Books)
The writing, in huge insular majuscule script, is flawless in its regularity and utter control. One can only marvel at the penmanship. It is calligraphic and as exact as printing, and yet it flows and shapes itself into the space available. It sometimes swells and seems to take breath at the ends of lines. The decoration is more extensive and more overwhelming than one could possibly imagine. Virtually every line is embellished with color or ornament.
Christopher de Hamel (Meetings with Remarkable Manuscripts)
Laura described the remnants of snake devotion still found in rural villages of the Black and Adriatic Seas. There, people believed black or green snakes bore guardian spirits who protected their cattle and their homes. In her travels Laura saw ornamental snakes carved to decorate the roofs and windows for protection. Great good fortune came to anyone who met a big white snake wearing a crown,; the crowned snake was the sister of the waterbird goddess, owner and guardian of life water and life milk.
Leslie Marmon Silko (Gardens in the Dunes)
He likes me... I know he likes me. Of course I flatter him dreadfully. I find a strange pleasure in saying things to him that I know I shall be sorry for having said. As a rule, he is charming to me, and we sit in the studio and talk of a thousand things. Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
Oscar Wilde (The Picture of Dorian Gray)
A boy throws stones into the stream, and then looks with wonder at the circles which follow in the water, regarding them as a result in which he sees something of his own doing. This human need runs through the most varied phenomena up to that particular form of self-reproduction in the external fact which is presented us in human art. And it is not merely in relation to external objects that man acts thus. He treats himself, that is, his natural form, in similar manner: he will not permit it to remain as he finds it; he alters it deliberately. This is the rational grounds of all ornament and decoration, though it may be as barbarous, tasteless, entirely disfiguring, nay, as injurious as the crushing of the feet of Chinese ladies, or the slitting of ears and lips.
Georg Wilhelm Friedrich Hegel (Aesthetics: Lectures on Fine Art, Vol 1: Introduction & Parts 1-2)
She sprang out of bed, the ornaments in her hair tinkling and jingling, making tiny versions of the noises of the chimes above her. And that was Rapunzel's most striking beauty: her hair. Bound in plaits and whorls and buns and knots and twists as tightly as she could manage. Some of the braids were so long they hung in loops that she put her arms through; they hung at her sides like giant sleeves or tippets from an ancient dress. Decorating all of this were dozens of charms-- also silver, like her hair, but some with exotic stones like lapis and turquoise. Bells, tiny moons, hands, suns, six-pointed stars, eyes, and anything else Mother Gothel could lay her hands on at her daughter's request. By these amulets Rapunzel definitely tried to control her hair, bind her hair, disempower her hair, and unenchant her magic hair.
Liz Braswell (What Once Was Mine)
Neliss, why is this rug wet?” Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before. “We have a rug there?” “Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?” “Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.” “You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.” “Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?” “I swear, Magdelegna, I am never letting you visit that Druid ever again.” “Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.” “I would be a hell of a lot less moody if I could figure out what that damn noise is.” Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them. “What is that?” “Remember when you asked me why I cut my hair?” “Ah yes, the surprise. Took you long enough to get to it.” “If you do not stop, I am not going to give it to you.” “Okay. I am stopping. What is it?” She held out the box tied with a ribbon to him and he accepted it with a lopsided smile. “I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away. “Open it.” He reached for the ribbon and soon was pulling the top off the box. “What is this?” “Gideon, what does it look like?” He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom. “What does it say?” “It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.” “I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?” “Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.” “I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.” “See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him. “Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
It was so dark in the attic that at first the girls could see little by candlelight. As soon as Nancy’s eyes became accustomed to the dimness, she groped her way forward in the cluttered room. “The attic is really very interesting,” she said, surveying the assortment of boxes and trunks. She called her friends’ attention to a fine old table which stood in one corner. “I believe Mr. March could sell that,” she said. “And look at these old-fashioned hatboxes!” She picked up one of the round, cardboard boxes. On it was the picture of a gay rural scene of early American life. “Let me see that!” exclaimed Bess, blowing off the dust. “Mr. March certainly could get something for this. Only yesterday Mother told me about a hatbox like this which brought a good price at an auction sale.” “There are at least a dozen here!” George declared excitedly. “All in good condition, too!” They were decorated with pictures of eagles and flowers, as well as scenes of American history. Two of them contained velvet bonnets with feather ornaments. “Girls, this attic may be a valuable find!” Nancy exclaimed.
Carolyn Keene (The Secret in the Old Attic (Nancy Drew, #21))
Books are an absolute necessity. I always have at least two with me wherever I go, to say nothing of my digital collection, and whenever I can get my hands on a delicious new reading piece, I will finish it at a slackened pace, to savour it with all the esteem it deserves, gratulating in its pleasance, deliciating in every word with ardent affection. I have an extensive library that I could never do without, and there are at least four books decorating every surface in my house. A table is not properly set without a book to furnish it. Half of my great collection is non-fiction, mostly science and history books, ranging from the archaeological to the agricultural, and my fiction section is dedicated to the classics, mostly books published before the world forgot about exquisite prose. I have all the greats in hardcover, but I do not read those: hardcover is for smelling and touching only. For all my favourite authors, I have reading copies, which I might take with me anywhere, to read in cafes or to be used as a swatting tool for unwanted visitors, but books are always fashionable even as ornaments; everyone likes a reader, for a good collection of books betrays a intellectualism that is becoming at anytime. Never succumb to the friable wills of those who reject the majesty of books: there is nothing so repelling as willful illiteracy.
Michelle Franklin (I Hate Summer: My tribulations with seasonal depression, anxiety, plumbers, spiders, neighbours, and the world.)
In the material world, opulences are achieved by materialistic persons by dint of their labor. One cannot enjoy material prosperity unless he works very hard to achieve it. But the devotees of the Lord who are residents of Vaikuṇṭha have the opportunity to enjoy a transcendental situation of jewels and emeralds. Ornaments made of gold bedecked with jewels are achieved not by working hard but by the benediction of the Lord. In other words, devotees in the Vaikuṇṭha world, or even in this material world, cannot be poverty-stricken, as is sometimes supposed. They have ample opulences for enjoyment, but they need not labor to achieve them. It is also stated that in the Vaikuṇṭha world the consorts of the residents are many, many times more beautiful than we can find in this material world, even in the higher planets. It is specifically mentioned here that a woman’s large hips are very attractive and they stimulate man’s passion, but the wonderful feature of Vaikuṇṭha is that although the women have large hips and beautiful faces and are decorated with ornaments of emeralds and jewels, the men are so absorbed in Kṛṣṇa consciousness that the beautiful bodies of the women cannot attract them. In other words, there is enjoyment of the association of the opposite sex, but there is no sexual relationship. The residents of Vaikuṇṭha have a better standard of pleasure, so there is no need of sex pleasure.
His Divine Grace A.C. Bhaktivedanta Swami Prabhupada (Srimad-Bhagavatam, Third Canto)
office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .
Vivian Gornick (The Romance of American Communism)
Can we get outside?" he asked Jasmine in a gasp. "Up ahead," she said between breaths. "There is a columned loggia that leads to the Courtyard of the Rose-Scented Footstools." Aladdin looked at her. "Just kidding," she said with a quick smile. "They don't really smell." The tiger bounded ahead as if he knew the plan. The carpet stayed behind them as if he was guarding the rear. Aladdin wasn't sure what a loggia was, but ahead there was a hall dotted with columns that opened up into a large courtyard with no ceiling overhead. There were lemon trees, sweet-scented myrtle, and pots of roses. More columns, ornamental and abstract, decorated the interior of the courtyard along with statues depicting ancient river gods. There were indeed footstools- carved into the shape of roses.
Liz Braswell (A Whole New World)
Walls that had been attentively decorated with whatever was at hand; a home lined with plaster and a molding painted blue and red; little ornaments that hung on the walls, testifying to a loving care whose foundations had now been eradicated; traces of female-wisdom-hath-builded-her-house, paying close attention to myriad details whose time now had passed; an order intelligible to someone and a disorder in which somebody at his convenience had found his way; remnants of pots and pans that had been collected in a haphazard fashion, as need arose, touched by very private joys and woes that a stranger could not understand; tatters that made sense to someone who was used to them—a way of life whose meaning was lost, diligence that had reached its negation, and a great, very deep muteness had settled upon the love, the bustle, the bother, the hopes, and the good and less-good times, so many unburied corpses. But we were already tired of seeing things like this, we had no more interest in such things.
S. Yizhar
What in the—? My begonias!” he heard someone say behind him. Nick looked over his shoulder. A small but muscular woman in sweaty workout clothes was stepping out of a big shiny car in the neighbor’s driveway. She was gaping in horror at the chewed-up flowerbed and the smoking lawn mower. Scowling, she turned toward Uncle Newt’s house. And the scowl didn’t go away when she noticed Nick looking back at her. In fact, it got scowlier. Nick smiled weakly, waved, and hurried into the house. He closed the door behind him. “Whoa,” he said when his eyes adjusted to the gloom inside. Cluttering the long hall in front of him were dozens of old computers, a telescope, a metal detector connected to a pair of bulky earphones, an old-fashioned diving suit complete with brass helmet, a stuffed polar bear (the real, dead kind), a chainsaw, something that looked like a flamethrower (but couldn’t be … right?), a box marked KEEP REFRIGERATED, another marked THIS END UP (upside down), and a fully lit Christmas tree decorated with ornaments made from broken beakers and test tubes (it was June). Exposed wires and power cables poked out of the plaster and veered off around every corner, and there were so many diplomas and science prizes and patents hanging (all of them earned by Newton Galileo Holt, a.k.a. Uncle Newt) that barely an inch of wall was left uncovered. Off to the left was a living room lined with enough books to put some libraries to shame, a semitransparent couch made of inflated plastic bags, and a wide-screen TV connected by frayed cords to a small trampoline.
Bob Pflugfelder (Nick and Tesla and the High-Voltage Danger Lab: A Mystery with Gadgets You Can Build Yourself ourself)
Man as an individualised soul is essentially causal-bodied,” my guru explained. “That body is a matrix of the thirty-five ideas required by God as the basic or causal thought forces from which He later formed the subtle astral body of nineteen elements and the gross physical body of sixteen elements. “The nineteen elements of the astral body are mental, emotional, and lifetronic. The nineteen components are intelligence; ego; feeling; mind (sense-consciousness); five instruments of knowledge, the subtle counterparts of the senses of sight, hearing, smell, taste, touch; five instruments of action, the mental correspondence for the executive abilities to procreate, excrete, talk, walk, and exercise manual skill; and five instruments of life force, those empowered to perform the crystallising, assimilating, eliminating, metabolising, and circulating functions of the body. This subtle astral encasement of nineteen elements survives the death of the physical body, which is made of sixteen gross chemical elements. “God thought out different ideas within Himself and projected them into dreams. Lady Cosmic Dream thus sprang out decorated in all her colossal endless ornaments of relativity. “In thirty-five thought categories of the causal body, God elaborated all the complexities of man’s nineteen astral and sixteen physical counterparts. By condensation of vibratory forces, first subtle, then gross, He produced man’s astral body and finally his physical form. According to the law of relativity, by which the Prime Simplicity has become the bewildering manifold, the causal cosmos and causal body are different from the astral cosmos and astral body; the physical cosmos and physical body are likewise characteristically at variance with the other forms of creation. “The fleshly body is made of the fixed, objectified dreams of the Creator. The dualities are ever present on earth: disease and health, pain and pleasure, loss and gain.
Paramahansa Yogananda (Autobiography of a Yogi (Complete Edition))
Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets. Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination. Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre. While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.
Laura Brooks (Greek Isles (Timeless Places))
refuse to be demoted to an ornament or decoration.
Nia Shanks (Lift Like a Girl: Be More, Not Less.)
Yet biologists feel that animals are no strangers to aesthetic expression. The New Guinean bowerbird's nest decorations are as good an example as any. The thatched nests can be so large and well-constructed that they once were mistaken for the huts of timid people, who never showed up. The nests often have a doorway with carefully arranged colorful objects, such as berries, flowers, or iridescent beetle wings. The male who built the bower keeps flying in new ornaments, shifting everything around with a critical eye, fussing over the arrangement, moving back to look at the whole from a distant anglelike a human painter with his painting-and then continuing the rearrangement. He is very sensitive to the fading of his flowers, replacing them with fresh ones as soon as necessary. Young males build crude "practice" bowers, tearing them down, then starting over again, until the construction holds up as it should. They also frequently visit the completed bowers of adult males in the neighborhood and see how the ornaments are laid out. There are ample learning opportunities here, and it has been noted that bower decorations differ in color and arrangement from region to region, which suggests culturally transmitted styles. Is this art? One could counter that it isn't: howerbird males are genetically programmed to engage in this activity just to attract females. Yet, while it is true that females select mates on nest quality and their equivalent of a stamp collection, the argument is not nearly as good as it sounds. To contrast these birds with our species requires that one demonstrates that human art does not rest on an inborn aesthetic sense and is produced purely for its own sake, not to impress anyone else. Both are unlikely. In fact, Geoffrey Miller argues in a recent book that impressing others, especially members of the opposite sex, may be the whole point of human art! What if our artistic impulse is ancient, antedating modern humanity, and perhaps even our species? What if it rests on a delight in self-created visual effects and a penchant for certain color combinations, shapes, and visual equilibriums that we share with other animals? Would admission in any of these areas diminish the significance of and pleasure derived from human art? Isn't it possible that our basic distinctions in art, our musical scales, and our preference for symmetrical compositions, go deeper than culture, and relate to basic features of our perceptual systems?
Frans de Waal (The Ape and the Sushi Master: Reflections of a Primatologist)
The reception tent was rigged with a custom lighting system that projected twinkling constellations in an evening sky. Every table had a massive floral centerpiece draped in lush white flowers and dripping with crystals. The china, crystal, and sterling silver were brought in from England. Fun fact: just one sterling place setting cost roughly $800. The gilded custom stage for the orchestra-style band would have been suited to a Roaring Twenties New York City ballroom. Ornamental bushes dotted the room, trimmed to resemble the constellations brought to life, from the Hunter to the Big Dipper. However, the crown jewel was the head table, a round mirrored table underneath a huge hanging ring of white orchids, peonies, and crystals---and in front of a solid wall of five thousand white roses and ranunculus. The sight was truly breathtaking.
Mary Hollis Huddleston (Without a Hitch)
This manuscript had been Abbi’s most precious possession, and was now mine. It had a richly illuminated frontispiece and finispiece. All one hundred and fourteen of its surahs were calligraphed in an early Abbasid script and decorated in gold leaf. The four quls were ornamented in gold filigree and the Chapter of Light and Verse of the Throne in silver.
Charlie Jane Anders (Some of the Best from Tor.com, 2020 edition)
Once the wonders of space are opened up to a Guild Navigator’s mind, what other decorations are necessary? How can any ornamentation rival the wonders a Navigator sees on a single journey through foldspace? The universe, brother! The whole universe.” C’tair nodded, conceding the point. “All right,
Brian Herbert (House Atreides (Prelude to Dune, #1))
here when she decorated the tree. Though she felt sad at the loss of Emily, she would never be able to look at Sara again without thinking about choking her. But she would deal with that another time. She hadn’t really given much thought to the future as far as a relationship with Emily went. She would be eighteen in a couple of years. Kate would never turn the child away. She loved her like a daughter. She’d been so consumed with the trial that she hadn’t really given any thought to Emily. She would like to send her something for Christmas, but it wasn’t time this year. Maybe next year. Kate opened the first box. Extra careful of the fragile ornaments, she unwrapped the tissue paper around each and every one. She’d glued macaroni to a paper plate to make a wreath. Must have been first grade; the green paint she’d used was all but gone.
Fern Michaels (Betrayal)
My purpose is to bring light into this world, not to decorate it.
Lexie Kite (More Than A Body: Your Body Is an Instrument, Not an Ornament)
since the accident. I don’t know what her problem was. After all, I was a “hero.” At least the newspaper said so. “Hey, Alex,” she said, twirling her ponytail with her pencil. “Oh, hi,” I stammered, looking down at my burger. “You guys sounded really great in the talent show. I didn’t know you could sing like that.” “Uhh, thanks. It must be all the practice I get with my karaoke machine.” Oh God, did I just tell her I sing karaoke? Definitely not playing it cool, I thought to myself. TJ butted in, “Yeah, Small Fry was ok, but I really carried the show with my awesome guitar solo.” He smiled proudly. “Shut up, TJ,” I said, tossing a fry at him, which hit him between the eyes. “Hey, watch it, Baker. Just because you’re a ‘hero’ doesn’t mean I won’t pummel you.” “Yeah, right,” I said, smiling. Emily laughed. “Maybe we could come over during Christmas break and check out your karaoke machine. Right, Danielle?” Danielle rolled her eyes and sighed. “Yeah, whatever.” I gulped. “Uhhh…yeah…that sounds great.” “Ok, give me your hand,” she said. “My hand,” I asked, surprised. “Yep,” she said, grabbing my wrist and opening my palm. “Here’s my number,” she said, writing the numbers 585-2281 in gold glitter pen on my palm.” I will never wash my hand again, I thought to myself. “Text me over break, ok?” she said, smiling brightly. “Yeah, sure,” I nodded, as she walked away giggling with Danielle. “Merry Christmas to me!” I whispered to TJ and Simon. “Yeah, there’s just one problem, Dufus,” TJ said. “Oh yeah, what’s that, TJ? That she didn’t give you her number?” I asked. “No, Dork. How are you going to text her if you don’t have a cell phone?” He smiled. “Oh, right,” I said, slumping down in my seat. “That could be a problem.” “You could just call her on your home phone,” Simon suggested, wiping his nose with a napkin. “Yeah, sure,” TJ chuckled. “Hi Emily, this is Alex Baker calling from the year 1984.” He held his pencil to his ear like a phone.  “Would you like to come over to play Atari? Then maybe we can solve my Rubik’s Cube while we break dance ….and listen to New Kids on the Block.” He was cracking himself up and turning bright red. “Maybe I’ll type you a love letter on my typewriter. It’s so much cooler than texting.” “Shut up, TJ,” I said, smiling. “I’m starting to remember why I didn’t like you much at the beginning of the year.” “Lighten up, Baker. I’m just bustin’ your chops. Christmas is coming. Maybe Santa will feel sorry for your dorky butt and bring you a cell phone.” Chapter 2 ePhone Denied When I got home from school that day, it was the perfect time to launch my cell phone campaign. Mom was in full Christmas mode. The house smelled like gingerbread. She had put up the tree and there were boxes of ornaments and decorations on the floor. I stepped over a wreath and walked into the kitchen. She was baking sugar cookies and dancing around the kitchen to Jingle Bell Rock with my little brother Dylan. My mom twirled Dylan around and smiled. She was wearing the Grinch apron that we had given her last Christmas. Dylan was wearing a Santa hat, a fake beard, and of course- his Batman cape. Batman Claus. “Hey Honey. How was school?” she asked, giving Dylan one more spin. “It was pretty good. We won second place in the talent show.” I held up the candy cane shaped award that Ms. Riley had given us. “Great job! You and TJ deserved it. You practiced hard and it payed off.” “Yeah, I guess so,” I said, grabbing a snicker-doodle off the counter. “And now it’s Christmas break! I bet your excited.” She took a tray of cookies out of the oven and placed
Maureen Straka (The New Kid 2: In the Dog House)
A bell chimes as I open the door. It's even more magical inside than out. Spools of ribbon hang from the walls like the atelier of a fairy queen. Tiny jasmine buds lace through the curls of a crystal chandelier. Dresses fill the curves of antique wardrobes, as if this were a princess's closet and not a store. A group of girls squeal as they browse the gowns. They've dressed almost otherworldly, so unlike the yoga pants and sweatshirts I'm used to in San Francisco. Instead, they're ornamented in seafoam trousers made of silk, lace corsets with ruffles across the bustier, satin slips with rose embroidery. They wear seashells in their hair and around their necks--- an iridescent mollusk held together by a string of pearls, an abalone claw clip that flashes different colors beneath the light, pukas threaded between pastel sea glass.
Kiana Krystle (Dance of the Starlit Sea)
… it is necessary that she be able to sing, dance and play a musical instrument altogether when requested … she should write and draw well, be adept in the giving of tattoos, and be prepared to receive them in whatsoever place the man should desire. ‘She should know how to speak the language of flowers when decorating beds or couches, or even when decorating the ground. In the arts of staining, dyeing, colouring and painting her teeth, her clothes, her nails and her body, a woman should be beyond compare. ‘A woman should know how to play music on glasses filled to different heights with liquids of various sorts. She should be able to fix stained-glass into a floor. She should know how to make, trim and hang a picture; how to fashion a necklace, a rosary, a garland or a wreath; how to store or gather water in an aqueduct or a tank. ‘She should know about scents; and about ornaments. She should be able to act and to lay on theatrical shows; she should be quick and sure in her hands and be able to cook and make lemonade or sherbet; wear jewels and bind a man’s turban. And she should of course, know magic ….
Kusum Chopra (Mastani)
fragment of the good thiefs cross, the largest in the world. Now to the glass case.”    The shelves were filled with a variety of gold and silver ornaments, intricately decorated with adorning crosses.   “On the top shelf is the bone of an index finger said to belong to St Thomas.
Julian Noyce (Spear of Destiny (Peter Dennis, #2))
Both had been riding horses and wielding bows and spears since childhood, so they probably took pleasure in chasing game and practicing battle skills together. She wore typical Amazon-Scythian-Persian attire, and we know that Mithradates dressed in traditional Persian style, so we can picture the couple similarly garbed in long-sleeved tunics adorned with golden animals and geometric designs, wool cloaks edged with gold, heavy leather and gold belts with golden buckles, and patterned trousers tucked into high boots. Each carried a Scythian bow exquisite workmanship, and two light spears. Their horses, of the finest stock from the high pastures of Armenia, would have been decorated with ornaments of gold.
Adrienne Mayor
Barbara preferred to decorate the tree early instead of waiting for Christmas Eve, saying she wanted to have some time to enjoy the tree prior to the actual holiday. So three days before Christmas, she set Abe and the children to stringing popcorn, while she carefully unwrapped the glass ornaments from Germany that Robert brought down from the attic.
Debra Holland (Montana Sky Christmas (Montana Sky, #3.1))
My Christmas tree glimmered with lights, ornaments, and tinsel. Though such holiday trimmings weren't in vogue any longer, I loved them. I pulled every box of family decorations from the attic and glamored the tree until it looked like a "fancy woman in a cheap brothel" as my aunt Loulane would say.
Carolyn Haines (Bones on the Bayou (Sarah Booth Delaney #14.5))
Molly’s been surprised to find that she looks forward to it. Ninety-one years is a long time to live—there’s a lot of history in those boxes, and she never knows what she’ll find. The other day, for example, they went through a box of Christmas ornaments from the 1930s that Vivian had forgotten she’d kept. Cardboard stars and snowflakes covered in gold and silver glitter; ornate glass balls, red and green and gold. Vivian told her stories about decorating the family store for the holidays, putting these ornaments on a real pine tree in the window.
Christina Baker Kline (Orphan Train)
The fog pictures grow charming. There is an idea in them now. People are detached little decorations etched upon a mist. The cat has eaten up the monstrous clock and people have rid themselves of their routine, which was to tumble and scurry among its cogs and levers. They are done with life, with buying and selling and with the perpetual errand. And they have become a swarm of little ornaments. Men and women denuded of the city. Their outlines posture quaintly in the mist. Their little faces say, "The clock is gone. There is nothing any more to make us alive. So we have become our unconnected selves.
Ben Hecht (A Thousand and One Afternoons in Chicago)
Which vice can be worse than greed? What can be more sinful than slander? For a truthful person, wherein is the need for austerity? For a person with a pure heart, wherein is the need for a pilgrimage? For a person who gives and gets respect from others, wherein is the need for acquiring other virtue? For a man decorated with fame, of what value is other ornamentation? For a man having true knowledge, wherein is the need for wealth? For a man dishonoured, what could be worse in death?
Rajen Jani (Old Chanakya Strategy: Aphorisms)
The coast of Austria-Hungary yielded what people called cappuzzo, a leafy cabbage. It was a two-thousand-year-old grandparent of modern broccoli and cauliflower, that was neither charismatic nor particularly delicious. But something about it called to Fairchild. The people of Austria-Hungary ate it with enthusiasm, and not because it was good, but because it was there. While the villagers called it cappuzzo, the rest of the world would call it kale. And among its greatest attributes would be how simple it is to grow, sprouting in just its second season of life, and with such dense and bulky leaves that in the biggest challenge of farming it seemed to be how to make it stop growing. "The ease with which it is grown and its apparent favor among the common people this plant is worthy a trial in the Southern States," Fairchild jotted. It was prophetic, perhaps, considering his suggestion became reality. Kale's first stint of popularity came around the turn of the century, thanks to its horticultural hack: it drew salt into its body, preventing the mineralization of soil. Its next break came from its ornamental elegance---bunches of white, purple, or pink leaves that would enliven a drab garden. And then for decades, kale kept a low profile, its biggest consumers restaurants and caterers who used the cheap, bushy leaves to decorate their salad bars. Kale's final stroke of luck came sometime in the 1990s when chemists discovered it had more iron than beef, and more calcium, iron, and vitamin K than almost anything else that sprouts from soil. That was enough for it to enter the big leagues of nutrition, which invited public relations campaigns, celebrity endorsements, and morning-show cooking segments. American chefs experimented with the leaves in stews and soups, and when baked, as a substitute for potato chips. Eventually, medical researchers began to use it to counter words like "obesity," "diabetes," and "cancer." One imagines kale, a lifetime spent unnoticed, waking up one day to find itself captain of the football team.
Daniel Stone (The Food Explorer: The True Adventures of the Globe-Trotting Botanist Who Transformed What America Eats)
Bina had dressed her in a dove-colored gown, the red embroidery on its sleeves and hem the only decoration that separated it from a mourning dress. Usually she avoided such a bright color, even in ornamentation and especially when she might cross paths with Lisenn. The gray of the dress itself could cause no complaint, but that red might earn her a few bruises. Or another attempt on her life. She didn’t know anymore.
Kate Stradling (The Heir and the Spare)
Scientific materialism contains a destructive substance enriched with an unhealthy absence of morality. It is detailed with nonfactual precision, decorated with razzmatazz ornaments, and then set on display to market its distorted theoretics. Stay clear from its strong deceptive current.
Calvin W. Allison (The Sunset of Science and the Risen Son of Truth)
was a holiday because of the feast day. I met up with Henry, who is becoming a real friend, and we walked around town watching people putting up Christmas decorations. There was a Christmas market being set up in the big Campo San Polo, selling tree ornaments of Murano glass, hand-carved wooden toys from Switzerland and Austria and lots of good sweets. I found myself feeling very homesick. Not that Christmas was an exciting festival at my house. We had a small tree, decorated with paper chains and glass balls. We went to midnight service at our church. We had
Rhys Bowen (The Venice Sketchbook)
The main rectangular swimming pool ran perpendicular to the house, which you wouldn't know because it was almost completely covered in a cloud of white. I walked closer, stunned at the beautiful lotus and water lily blooms floating beneath my feet. A glass aisle was laid across the center. You felt like you were walking---or sitting--- in a Monet painting. Complementary flowers lined the sides of the aisles, with chairs extending on either side of the now-concealed pool deck. I had no idea what wizardry kept the central flowers from floating freely, but my sister would walk down the aisle above a lush bed of white blossoms. Beside it, the ornamental gardens had been tented for the reception. Cedric had managed to integrate the existing stone sculptures (French, Greek, and Italian antiques, of course) into the design. Tables dotted the scene, covered in custom cream linens with Italian lace overlays. Cut crystal stemware and antique silverware donned each place setting and would sparkle later that evening from the glow cast down from the crystal chandeliers overhead. And the flowers. The all-white flowers also created a table-runner effect that filled the entire length of each table and spilled over and down the sides. A backdrop and stage had been erected at the end opposite the house, then covered in a cascade of white peonies and roses and mirrored by florals draped around the doorframes and windows of the back of our house. It was an enchanted garden, rivaling that of a royal wedding.
Mary Hollis Huddleston (Piece of Cake: A Novel)
If you can convince a girl that makeup and dress-up kits and princess ideals of tiny noses, chins, and waists along with big eyes and busts are not only preferred but necessary—because her very value is built upon being decorative—you’ve got her attention and investment for life.
Lexie Kite (More Than A Body: Your Body Is an Instrument, Not an Ornament)
You said your mom got rid of your grandma’s holiday decorations, so I just thought . . .” Elle shrugged. “I guess I didn’t do much actual thinking. You could’ve already had a tree and ornaments, or Brendon might’ve, but I wanted to make sure you had something. I know the tree is kind of ugly, and none of the ornaments match but if—” “It’s perfect,” Darcy whispered.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
Seneca the Younger, who condemned collectors for caring more about the outsides of books than their contents, and for using books “not as the tools of learning, but as decorations for the dining-room.” Petrarch had likewise criticized collectors who hoarded manuscripts as ornaments for their homes. “There are those who decorate their rooms with furniture devised to decorate their minds,” he sniffed, “and they use books as they use Corinthian vases.” 36
Ross King (The Bookseller of Florence: The Story of the Manuscripts That Illuminated the Renaissance)
The pulse of the age must be sought elsewhere: in the minor decorative arts, in the lines of ornament, in lettering, and so on.
Heinrich Wölfflin
My voice got loud as I seethed, “That woman is going to kill me.” “I’m not sure if you’ve touched the decorative ornament hanging between your legs recently, but you’re still a man. And she’s a good woman who’s into you. Of course she’s going to kill you. That’s what women do.
Aly Martinez (The Truth About Lies (Truth, #1))
you cut down trees and decorate their corpses in gaudy strands and ornaments
Lexi C. Foss (Elemental Fae Holiday (Elemental Fae Academy #4))
There are two types of culture, Hellenic and Roman: the former, a natural product that in all its structures and elements continually reproduces the essential form in a playful manner, so that the enormous manifoldness is simplified for the observing eye: the latter, a noble convention and decoration, with borrowed, perhaps even misunderstood forms, but which are reinterpreted so as to be splendid and opulent or ornamental.
Friedrich Nietzsche
As the Living Room made contact with a steady stream of hippies and the big house bulged at the seams with runaway teens, Evangelical Concerns began to promote the group among the churches in the Bay Area. Ted Wise and a revolving mix of the Living Room men were frequently slated for guest appearances at Sunday night services and pastors’ meetings. As exotic to the audience as any missionary returned from New Guinea, they would give their testimonies, tell about their work with the hippies, and field questions from teens and adults alike. A January 1968 appearance at Thornton Avenue Baptist Church in Fremont, California, was described in a local newspaper: Ted Wise . . . was accompanied . . . by two more converts, “Steve” and “Dan.” All three wore typical hippie garb—corduroy trousers, wide belts, casual shirts without ties, and black boots. Dan added a leather jacket decorated with long fringe, and Ted sported a wooden ornament on a long leather thong around his neck. The trio also wore their hair long and had over-sized moustaches.
Larry Eskridge (God's Forever Family: The Jesus People Movement in America)
As we decorate, it occurs to me that a Christmas tree holds so much more than ornaments. Resting on all those boughs is a treasure trove of memories that remain long after the tree is gone and Christmas itself is over for another year.
Nita Prose (The Mistletoe Mystery (Molly the Maid, #2.5))
The Evergreen Christmas Party" Once upon a time, in a snowy forest, there was a cozy log cabin. Mr. and Mrs. Evergreen lived there, and they loved Christmas. Every year, they had a big Christmas party for all the children in the village. One day, the first snowflakes of winter began to fall. The children were so excited! They put on their warm hats, scarves, and mittens and grabbed their sleds. They raced down a snowy hill, laughing and having fun. Inside the cabin, Mrs. Evergreen was baking cookies and making hot cocoa. The smell was delicious! She decorated a big Christmas tree with shiny lights and colorful ornaments. Mr. Evergreen was busy getting a special chair ready for a surprise guest. As the sun went down, the children came to the cabin. They were greeted by the warm glow of the lights and the yummy smell of cookies. Suddenly, there was a knock at the door. Mr. Evergreen opened it, and there stood Santa Claus! The children were amazed. Santa came inside and listened to the children’s Christmas wishes. He gave them gifts and told them stories about the North Pole. Everyone sang Christmas songs and danced. It was the best party ever! When it was time to go, Santa waved goodbye and promised to come back next year. The children watched as Santa’s sleigh flew into the night sky, feeling happy and full of Christmas magic. From that day on, the Evergreen Christmas party was the best part of the year. Everyone in the village looked forward to it, knowing it would be filled with love, joy, and a little bit of magic.
James Hilton-Cowboy
Bring the holiday cheer to every corner of your home with our thoughtfully designed Christmas home decorations. From unique ornaments to personalized accents, we help you celebrate in style while creating cherished memories with loved ones. To explore our wide range of festive decor, email us at theeasydecor@gmail.com.
areeba
It was in the Month of Mary that I remember beginning to be fond of hawthorns. Not only were they in the church, which was so holy but which we had the right to enter, they were put up on the altar itself, inseparable from the mysteries in whose celebration they took part, their branches running out among the candles and holy vessels, attached horizontally to one another in a festive preparation and made even lovelier by the festoons of their foliage, on which were scattered in profusion, as on a bridal train, little bunches of buds of a dazzling whiteness. But, though I dared not do more than steal a glance at them, I felt that the ceremonious preparations were alive and that it was nature herself who, by carving those indentations in the leaves, by adding the supreme ornament of those white buds, had made the decorations worthy of what was at once a popular festivity and a mystical celebration. Higher up, their corollas opened here and there with a careless grace, still holding so casually, like a last and vaporous adornment, the bouquets of stamens, delicate as gossamer, which clouded them entirely, that in following, in trying to mime deep inside myself the motion of their flowering, I imagined it as the quick and thoughtless movement of the head, with coquettish glance and contracted eyes, of a young girl in white, dreamy and alive.
Marcel Proust
Three problems remain: the carefully applied makeup that marks me as a wife from an elite family, my hair piled atop my head and decorated with jade and gold ornaments, and my feet. Meiling uses a cloth to wipe away the cream, powder, rouge, and lip paint from my face. “I don’t want to take apart your hair, because we won’t have time to put it back together before you go home,” she says, and then wraps a hand-dyed scarf over my bun and the adornments and ties the cloth at the back of my neck. We stand together to peer into a mirror. These simple changes make us look like sisters, but it also strikes me how only a layer of paint and a hairstyle can separate women by class. And our feet.
Lisa See (Lady Tan's Circle of Women)
One reason the city has so many fine art nouveau and Secession-era buildings is that Czech and German developers tried to outdo one another in the wealth of ornament and ingenuity of decoration incorporated into their properties.
Jacob Mikanowski (Goodbye, Eastern Europe: An Intimate History of a Divided Land)
Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.
Oscar Wilde (The Picture of Dorian Gray: The Original 1890 Edition (A Oscar Wilde Classics))