Original Wonder Woman Quotes

The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.

female i hope the future really is you not soft, but softer, alternative mainstreamed left sided divinely feminine. a woman is a man with a whoa. exponentially deeper internal seas, wish i had a submarine to explore your ocean floors. smarter because she has to be vulnerable empathy with force, taught remorseful but she has nothing to apologize for, she deserves the sorriest. everything comes first from you every single one born from them by me she is love, loved, loving in the origin of power, you are who i try to be, feminist. you wondered woman, wonderful you.

Often times growing up I wondered that if the original man and woman were white then where did black people come from. 

Wonder originates in the womb of a woman.

If you’ve ever wondered what we’re missing by sitting at computers in cubicles all day, follow Jessica DuLong when she loses her desk job and embarks on this unlikely but fantastic voyage. Deeply original, riveting to read, and soul-bearingly honest, "My River Chronicles" is a surprisingly infectious romance about a young woman falling in love with a muscle-y old boat. As DuLong learns to navigate her way through a man’s world of tools and engines, and across the swirling currents of a temperamental river, her book also becomes a love letter to a nation. In tune with the challenges of our times, DuLong reminds us of the skills and dedication that built America, and inspires us to renew ourselves once again.

I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily–against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better. This curious and lamentable loss of the higher aesthetic tastes is all the odder, as books on history, biographies, and travels (independently of any scientific facts which they may contain), and essays on all sorts of subjects interest me as much as ever they did. My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive. A man with a mind more highly organised or better constituted than mine, would not, I suppose, have thus suffered; and if I had to live my life again, I would have made a rule to read some poetry and listen to some music at least once every week; for perhaps the parts of my brain now atrophied would thus have been kept active through use. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.

At any time, and under any circumstances of human interest, is it not strange to see how little real hold the objects of the natural world amid which we live can gain on our hearts and minds? We go to Nature for comfort in trouble, and sympathy in joy, only in books. Admiration of those beauties of the inanimate world, which modern poetry so largely and so eloquently describes, is not, even in the best of us, one of the original instincts of our nature. As children, we none of us possess it. No uninstructed man or woman possesses it. Those whose lives are most exclusively passed amid the ever-changing wonders of sea and land are also those who are most universally insensible to every aspect of Nature not directly associated with the human interest of their calling. Our capacity of appreciating the beauties of the earth we live on is, in truth, one of the civilised accomplishments which we all learn as an Art; and, more, that very capacity is rarely practised by any of us except when our minds are most indolent and most unoccupied. How much share have the attractions of Nature ever had in the pleasurable or painful interests and emotions of ourselves or our friends? What space do they ever occupy in the thousand little narratives of personal experience which pass every day by word of mouth from one of us to the other? All that our minds can compass, all that our hearts can learn, can be accomplished with equal certainty, equal profit, and equal satisfaction to ourselves, in the poorest as in the richest prospect that the face of the earth can show. There is surely a reason for this want of inborn sympathy between the creature and the creation around it, a reason which may perhaps be found in the widely-differing destinies of man and his earthly sphere. The grandest mountain prospect that the eye can range over is appointed to annihilation. The smallest human interest that the pure heart can feel is appointed to immortality.

Power in the hands of independent humans, be they men or women, does corrupt. Mack, don’t you see how filling roles is the opposite of relationship? We want male and female to be counterparts, face-to-face equals, each unique and different, distinctive in gender but complementary, and each empowered uniquely by Sarayu, from whom all true power and authority originate. Remember, I am not about performance and fitting into man-made structures; I am about being. As you grow in relationship with me, what you do will simply reflect who you really are.” “But you came in the form of a man. Doesn’t that say something?” “Yes, but not what many have assumed. I came as a man to complete a wonderful picture in how we made you. From the first day we hid the woman within the man, so that at the right time we could remove her from within him. We didn’t create man to live alone; she was purposed from the beginning. By taking her out of him, he birthed her in a sense. We created a circle of relationship, like our own, but for humans. She, out of him, and now all the males, including me, birthed through her, and all originating, or birthed, from God.

Psychodynamic theorists and psychologists of various traditions theorise that the sense of having fallen originates in our experience of birth. We are created in the body of woman and grow in the womb where all our needs are automatically met. Then we fall, in birth, into the human world, separated from our maternal Eden, but always remembering a heavenly place where all our needs were met. It should not be a surprise, but we now know that the baby in the womb can see and hear and remember. Any parent who has seen a placenta will know that it is made in the image of a tree, a wondrous tree of life that fed us until we were ready for birth. Is it any surprise that in so many traditions the symbolism of trees is so important? The tree of life is the first thing we see in the womb, we never forget this and psychodynamic theorists argue we yearn for this, all our lives, hoping to escape life’s frustrations by returning to a blissful womb like state. If this is true, is it any wonder that legends of fallen angels so fascinate and entice us? In these legends perhaps we see echoes of our own fall. Psychologically we identify with those with whom we share similar experiences; and the fallen angels can easily become mirrors in which to see ourselves.

I considered ducking the appointment, but eventually decided to let the heart speak, and rolled up. I had, after all, spent three days wondering what it would be like to be married to her. In fact, I'd thought about Annick so much that I couldn't remember what she looked like. It was like putting layer after layer of papier mâché over an object and gradually seeing the original shape disappear. How terrible if I failed to recognise the woman I'd already been married to for three days.

The Gender Sonnet Woman means not weakling, but wonder. Woman means not obstinate, but original. Woman means not man-slave, but mother. Woman means not amorous, but amiable. Woman means not neurotic, but nimble. Man mustn't mean medieval, but moral. Man mustn't mean abusive, but affable. Man mustn't mean nefarious, but noble. Trans doesn't mean titillating, but tenacious. Trans doesn't mean riff-raff, but radiant. It doesn't mean abhorrent, but affectionate. It ain't nasty and sick, but nerved and sentient. Gender has no role in society except in bed. Person is known by character, not dongs 'n peaches.

the only thing the hero knows about the girl is that she is beautiful. He shows no interest in her intellect or personality—or even her sexuality. The man is either a ruler or has the magic power to awaken her, and all she can do is hope that her physical appearance fits the specifications better than the other girls. In the original Cinderella story, the stepsisters actually cut off parts of their feet to try to fit into the glass slipper. Maybe this marks the origins of the first cosmetic surgery. Besides romanticizing Cinderella’s misery, the story also gives the message that women’s relationships with each other are full of bitter competition and animosity. The adult voice of womanly wisdom in the story, the stepmother, advises all her girls to frantically do whatever it takes to please the prince. This includes groveling, cutting off parts of themselves, and staying powerless. I was heartsick to watch Disney’s “The Little Mermaid” with my three-year-old daughter. The little mermaid agrees to give up her voice for a chance to go up on the “surface” and convince her nobleman to marry her. She is told by her local matron sea witch that she doesn’t need a voice—she needs only to look cute and get him to kiss her. And in the story, it works. These are the means to her one and only end: to buy a rich and respected guy. Women are taught to only listen to an outside patriarchal authority. No wonder there is so much self-doubt and confusion when faced with the question, “What do you want out of your life?” This question alone can be enough to trigger an episode of depression. It often triggers a game of Ping-Pong in a woman’s head. Her imagination throws up a possibility and then her pessimistic shotgun mind shoots it down. The dialog may look something like this: “Maybe I want to go back to school.... No, that would be selfish of me because the kids need me…. Maybe I’ll start a business.... No I hate all that dogeat-dog competition…. Maybe I’ll look for a love relationship…. No, I am not sure I am healed ye….” and on it goes.

Jemma, I know that we have known each other for only a few short weeks, but I feel as if I have known you all my life. This courtship may have been arranged at the beginning, but my love for you is truer than ever. So, I ask you, my love, as a man would rightly ask the woman he wishes to be his wife, if you will marry me. Don’t say yes because of the original arrangement, say yes because you want to. I will love you forever Jemma Girard, and I would never force you to stay in an arrangement you did not want. If you wish it, we can eliminate the plans of marriage.” I stood there in a breathless shock, staring at this wonderful and handsome young man who loved me enough to let me go.

Bow was originally billed as the “Brooklyn Bonfire,” then as the “Hottest Jazz Baby in Films,” but in 1927 she became, and would forevermore remain, the “It Girl.” “It” was first a two-part article and then a novel by a flame-haired English novelist named Elinor Glyn, who was known for writing juicy romances in which the main characters did a lot of undulating (“she undulated round and all over him, twined about him like a serpent”) and for being the mistress for some years of Lord Curzon, former viceroy of India. “It,” as Glyn explained, “is that quality possessed by some few persons which draws all others with its magnetic life force. With it you win all men if you are a woman—and all women if you are a man.” Asked by a reporter to name some notable possessors of “It,” Glyn cited Rudolph Valentino, John Gilbert, and Rex the Wonder Horse. Later she extended the list to include the doorman at the Ambassador Hotel in Los Angeles. It the novel was a story in which the two principal characters—Ava and Larry, both dripping with “It”—look at each other with “burning eyes” and “a fierce gleam” before getting together to “vibrate with passion.” As Dorothy Parker summed up the book in The New Yorker, “It goes on for nearly three hundred pages, with both of them vibrating away like steam-launches.

This week we'll be learning about key elements of high quality picture books. Using the award winner lists in our course materials, select one picture book and share why it received its award. For example, Abuela is listed in the 100 Picture Books Everyone Should Know. According to Publishers Weekly, this is why it's so good: "In this tasty trip, Rosalba is "always going places" with her grandmother--abuela . During one of their bird-feeding outings to the park, Rosalba wonders aloud, "What if I could fly?" Thus begins an excursion through the girl's imagination as she soars high above the tall buildings and buses of Manhattan, over the docks and around the Statue of Liberty with Abuela in tow. Each stop of the glorious journey evokes a vivid memory for Rosalba's grandmother and reveals a new glimpse of the woman's colorful ethnic origins. Dorros's text seamlessly weaves Spanish words and phrases into the English narrative, retaining a dramatic quality rarely found in bilingual picture books. Rosalba's language is simple and melodic, suggesting the graceful images of flight found on each page. Kleven's ( Ernst ) mixed-media collages are vibrantly hued and intricately detailed, the various blended textures reminiscent of folk art forms. Those searching for solid multicultural material would be well advised to embark.

I have said that the soul is not more than the body, And I have said that the body is not more than the soul, And nothing, not God, is greater to one than one’s self is, And whoever walks a furlong without sympathy walks to his own funeral drest in his shroud, And I or you pocketless of a dime may purchase the pick of the earth, And to glance with an eye or show a bean in its pod confounds the learning of all times, And there is no trade or employment but the young man following it may become a hero, And there is no object so soft but it makes a hub for the wheel’d universe, And I say to any man or woman, Let your soul stand cool and composed before a million universes. And I say to mankind, Be not curious about God, For I who am curious about each am not curious about God, (No array of terms can say how much I am at peace about God and about death.) I hear and behold God in every object, yet understand God not in the least, Nor do I understand who there can be more wonderful than myself. Why should I wish to see God better than this day? I see something of God each hour of the twenty-four, and each moment then, In the faces of men and women I see God, and in my own face in the glass, I find letters from God dropt in the street, and every one is sign’d by God’s name, And I leave them where they are, for I know that wheresoe’er I go, Others will punctually come for ever and ever.

You are wrong to assume that I insist upon perfection in a woman. I enjoy physical beauty like any other man, but it's hardly a requirement. That would be hypocritical, coming from a man who is far from handsome himself." Aline paused in surprise, regarding his broad, even features, his strong jaw, the shrewd black eyes set beneath the straight lines of his brows. "You are attractive," she said earnestly. "Perhaps not in the way that someone like Mr. Shaw is... but few men are." Her brother shrugged. "Believe me, it doesn't matter, since I've never found my looks- or lack thereof- to be an impediment in any way. Which has given me a very balanced perspective on the subject of physical beauty- a perspective that someone with your looks rarely attains." Aline frowned, wondering if she was being criticized. "It must be extraordinarily difficult," Marcus continued, "for a woman as beautiful as you to feel that there is a part of you that is shameful and must be concealed. You've never made peace with it, have you?" Leaning her head back against the settee, Aline shook her head. "I hate these scars. I'll never stop wishing that I didn't have them. And there's nothing I can do to change them." "Just as McKenna can never change his origins." "If you're trying to draw a parallel, Marcus, it won't do any good. McKenna's origins have never mattered to me. There is nothing that would make me stop loving him-" She stopped abruptly as she understood the point he had been leading to. "Don't you think he would feel the same way about your legs?" "I don't know." "For God's sake, go tell him the truth. This isn't the time for you to let your pride get the better of you." His words kindled sudden outrage. "This has nothing to do with pride!" "Oh?" Marcus gave her a sardonic look. "You can't bear to let McKenna know that you're less than perfect. What is that if not pride?

Good God, Miss Butterfield,” Lord Jarret said. “Don’t tell me you read Minerva’s Gothic horrors.” “They’re not Gothic horrors!” Maria protested. “They’re wonderful books! And yes, I’ve read every single one, more than once.” “Well, that explains a few things,” Oliver remarked. “I suppose I have my sister to thank for turning a sword on me at the brothel.” Lord Gabriel laughed. “You took a sword to old Oliver? Oh, God, that’s rich!” Lord Jarret sipped some wine. “At least the mystery of the ‘weapons at her disposal’ is now solved.” “He was misbehaving,” Maria said, with a warning glance for Oliver. Did he want them to know everything, for pity’s sake? “He left me no choice.” “Oh, Maria’s always doing things like that,” Freddy said through a mouth full of eel. “That’s why we won’t teach her to shoot. She always goes off half-cocked.” Maria thrust out her chin. “A woman has to stand up for herself.” “Hear, hear!” Lady Celia raised her goblet of wine to Maria. “Don’t mind these clod-pates. What can you expect from a group of men? They would prefer we let them run roughshod over us.” “No, we wouldn’t,” Lord Gabriel protested. “I like a woman with a little fire. Of course, I can’t speak for Oliver-“ “I assure you, I rarely feel the need to run roughshod over a woman,” Oliver drawled. An arch smile touched his lips as his gaze locked with Maria’s. “I’ve kissed one or two when they weren’t prepared for it, but every man does that.” Lady Minerva snorted. “Yes, and most of them get slapped, but not you, I expect. Even when you misbehave, you have a talent for turning ladies up sweet. How else would you go from having a sword thrust at you to gaining Miss Butterfield’s consent to be your bride-eh, Miss Butterfield?” Maria didn’t answer. Something was nagging at the back of her brain-a vaguely familiar line from one of Lady Minerva’s books: “He had a talent for turning ladies up sweet, which both thrilled and alarmed her.” “Heavens alive.” She stared at Oliver. “You’re the Marquess of Rockton!” She hardly realized she’d said it aloud until his brothers and sisters laughed. A pained look crossed Oliver’s face. “Don’t remind me.” Sparing a glare for his sister, Oliver muttered, “You have no idea how my friends revel in the fact that my sister made me a villain in her novel.” “They only revel because she made them into heroes,” Lord Jarret pointed out, eyes twinkling. “Foxmoor got quite a big head over it, and Kirkwood’s been strutting around ever since the last one came out. He loved that he got to trounce you.” “That’s because he knows he couldn’t trounce me in real life,” Oliver remarked. “Though he keeps suggesting we should have a ‘rapier duel’ to prove whether he could.” Maria stared at them agape. “Do you mean that the Viscount Churchgrove is real? And Foxmoor…great heavens, that’s Wolfplain!” “Yes.” Oliver rolled his eyes. “Churchgrove is my friend, the Viscount Kirkwood, and Wolfplain is another friend, the Duke of Foxmoor. Apparently Minerva has trouble coming up with original characters.” “You know perfectly well that I only used a version of their names,” Lady Minerva said smoothly. “The characters are my own.” “Except for you, Oliver,” Lord Jarret remarked. “You’re clearly Rockton.

Hyphen This word comes from two Greek words together meaning ‘under one’, which gets nobody anywhere and merely prompts the reflection that argument by etymology only serves the purpose of intimidating ignorant antagonists. On, then. This is one more case in which matters have not improved since Fowler’s day, since he wrote in 1926: The chaos prevailing among writers or printers or both regarding the use of hyphens is discreditable to English education … The wrong use or wrong non-use of hyphens makes the words, if strictly interpreted, mean something different from what the writers intended. It is no adequate answer to such criticisms to say that actual misunderstanding is unlikely; to have to depend on one’s employer’s readiness to take the will for the deed is surely a humiliation that no decent craftsman should be willing to put up with. And so say all of us who may be reading this book. The references there to ‘printers’ needs updating to something like ‘editors’, meaning those who declare copy fit to print. Such people now often get it wrong by preserving in midcolumn a hyphen originally put at the end of a line to signal a word-break: inter-fere, say, is acceptable split between lines but not as part of a single line. This mistake is comparatively rare and seldom causes confusion; even so, time spent wondering whether an exactor may not be an ex-actor is time avoidably wasted. The hyphen is properly and necessarily used to join the halves of a two-word adjectival phrase, as in fair-haired children, last-ditch resistance, falling-down drunk, over-familiar reference. Breaches of this rule are rare and not troublesome. Hyphens are also required when a phrase of more than two words is used adjectivally, as in middle-of-the-road policy, too-good-to-be-true story, no-holds-barred contest. No hard-and-fast rule can be devised that lays down when a two-word phrase is to be hyphenated and when the two words are to be run into one, though there will be a rough consensus that, for example, book-plate and bookseller are each properly set out and that bookplate and book-seller might seem respectively new-fangled and fussy. A hyphen is not required when a normal adverb (i.e. one ending in -ly) plus an adjective or other modifier are used in an adjectival role, as in Jack’s equally detestable brother, a beautifully kept garden, her abnormally sensitive hearing. A hyphen is required, however, when the adverb lacks a final -ly, like well, ill, seldom, altogether or one of those words like tight and slow that double as adjectives. To avoid ambiguity here we must write a well-kept garden, an ill-considered objection, a tight-fisted policy. The commonest fault in the use of the hyphen, and the hardest to eradicate, is found when an adjectival phrase is used predicatively. So a gent may write of a hard-to-conquer mountain peak but not of a mountain peak that remains hard-to-conquer, an often-proposed solution but not of one that is often-proposed. For some reason this fault is especially common when numbers, including fractions, are concerned, and we read every other day of criminals being imprisoned for two-and-a-half years, a woman becoming a mother-of-three and even of some unfortunate being stabbed six-times. And the Tories have been in power for a decade-and-a-half. Finally, there seems no end to the list of common phrases that some berk will bung a superfluous hyphen into the middle of: artificial-leg, daily-help, false-teeth, taxi-firm, martial-law, rainy-day, airport-lounge, first-wicket, piano-concerto, lung-cancer, cavalry-regiment, overseas-service. I hope I need not add that of course one none the less writes of a false-teeth problem, a first-wicket stand, etc. The only guide is: omit the hyphen whenever possible, so avoid not only mechanically propelled vehicle users (a beauty from MEU) but also a man eating tiger. And no one is right and no-one is wrong.

Marlene Nourbese Philip. She provides a wonderful metaphor of origins: God first created silence: whole, indivisible, complete. All creatures man, woman, beast, insect, bird and fish lived happily together with this silence, until one day man and woman lay down together and between them created the first word. This displeased God deeply and in anger she shook out her bag of words over the world, sprinkling and showering her creation with them. Her word store rained down upon all creatures, shattering forever the whole that once was silence. God cursed the world with words and forever after it would be a struggle for man and woman to return to the original silence.

In the slaveholding South, some in the dominant caste grew so accustomed to the embedded superiority built into their days, and the brutality that it took to maintain it, that they wondered how they might manage in the afterlife. “Is it possible that any of my slaves could go to Heaven,” a dominant-caste woman in South Carolina asked her minister, “and I must see them there?

How did you get the badges?” Parker asked. “You didn’t steal a badge from a pro, did you?” “Of course not,” Hardison said. “Geek solidarity to the end.” “Then whose name is this on my badge? Who’s Diana Prince?” Hardison laughed. “That’s Wonder Woman’s secret identity.” Parker giggled at that. “And who are you? Carl Lucas?” “That’s Luke Cage’s original name.” “Who?” Eliot didn’t bother to conceal his irritation. “Luke Cage? You know, Power Man? Of Power Man and Iron Fist?” Hardison waited for a response that never came. “Sweet Christmas, what’s wrong with you people?” “We have lives. And just who am I supposed to be, huh? Batman’s secret sidekick?” “You’d like that, wouldn’t you?” Sophie said. Nate gave her a nudge with his elbow, and she fixed him with a mischievous smile. “Naw, man,” said Hardison. “I wouldn’t do that to you. I know how you feel about ‘fictional’ people.” “So who the hell is Warren Ellis?” “He’s a comic-book writer. Good one.” Eliot groaned. “For God’s sake, do I look like a comic-book writer?” “Hey, don’t knock Warren Ellis. He wrote all sorts of great stuff. Global Frequency, The Authority, Transmetropolitan. Good stuff.

What’s my big beef with capitalism? That it desacralizes everything, robs the world of wonder, and leaves it as nothing more than a vulgar market. The fastest way to cheapen anything—be it a woman, a favor, or a work of art—is to put a price tag on it. And that’s what capitalism is, a busy greengrocer going through his store with a price-sticker machine—ka-CHUNK! ka-CHUNK!—$4.10 for eggs, $5 for coffee at Sightglass, $5,000 per month for a run-down one-bedroom in the Mission. Think I’m exaggerating? Stop and think for a moment what this whole IPO ritual was about. For the first time, Facebook shares would have a public price. For all the pageantry and cheering, this was Mr. Market coming along with his price-sticker machine and—ka-CHUNK!—putting one on Facebook for $38 per share. And everyone was ecstatic about it. It was one of the highlights of the technology industry, and one of the “once in a lifetime” moments of our age. In pre-postmodern times, only a divine ritual of ancient origin, victory in war, or the direct experience of meaningful culture via shared songs, dances, or art would cause anybody such revelry. Now we’re driven to ecstasies of delirium because we have a price tag, and our life’s labors are validated by the fact it does. That’s the smoldering ambition of every entrepreneur: to one day create an organization that society deems worthy of a price tag. These are the only real values we have left in the twilight of history, the tired dead end of liberal democratic capitalism, at least here in the California fringes of Western civilization. Clap at the clever people getting rich, and hope you’re among them. Is it a wonder that the inhabitants of such a world clamor for contrived rituals of artificial significance like Burning Man, given the utter bankruptcy of meaning in their corporatized culture? Should we be surprised that they cling to identities, clusters of consumption patterns, that seem lifted from the ads-targeting system at Facebook: “hipster millennials,” “urban mommies,” “affluent suburbanites”? Ortega y Gasset wrote: “Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilized world.” Tragedy plays like the IPO were bound to pale for those who felt the call of real tragedy, the tragedy that poets once captured in verse, and that fathers once passed on to sons. Would the inevitable descendants of that cheering courtyard crowd one day gather with their forebears, perhaps in front of a fireplace, and ask, “Hey, Grandpa, what was it like to be at the Facebook IPO?” the way previous generations asked about Normandy or the settling of the Western frontier? I doubt it. Even as a participant in this false Mass, the temporary thrill giving way quickly to fatigue and a budding hangover, I wondered what would happen to the culture when it couldn’t even produce spectacles like this anymore.

A much-loved and longtime worker, Lacey, dispensed gentle Christian advice to the young women around her, who were often troubled or tired. I still have an image of Lacey sitting quietly among the bustle of the dressing room and presenting such a beautiful picture; she was so serene, so accepting, and right with Christ, whom she loved more than her own breathing. She had been raised within the paradoxically freeing confines of strict morality in a black Baptist church. One may wonder how such a religious woman had come to lead a life as a career dancer. Lacey was blessed—for so she considered it—with the most enormous breasts I had ever seen. They actually prevented her from leading a normal existence. I asked her once if she felt angry that through no fault of her own she was forced to lead what many might consider an immoral life. She seemed genuinely surprised. “The Lord give me dese,” she said, as she pushed her small hands under the mountains of flesh that gave her headaches, backaches, and rashes. Lifting them up to heaven as a testament to her belief in their divine origins, she continued, “He give me dese so I could spread love. Den He give me dis job so I could get along in life.

WISDOM KEEPER: My Extraordinary Journey to Unlock the Sacred Within “Chloe’s heartfelt journey is the real deal here to inspire us all. She takes the reader on a journey of darkness to light, struggle to freedom, fear to love. Thank you, Chloe, for this incredible ride. A must read for all who want true transformation.”— Dr. Shannon South, Award-Winning Therapist, Best-Selling Author, and Founder of the Ignite Your Life and business programs “There is a healing purpose in every experience written by Chloe in this spiritual memoir. She shares processes for healing in the physical, emotional and spiritual realms, showing us our ability to use all levels of energy to achieve deep and lasting healing. Chloe reveals to us the importance of connection—with the spiritual and physical world, and our past lives to the present. She reminds us we are essential in the Universe; when we heal, our loved ones, people around us, and the Earth also heals. Chloe inspires us to do the same thing. Well done. I appreciate it very much. This book is truly for everyone. — Eduardo Morales, Shamanic Curandero, Tepoztlán, Mexico “WISDOM KEEPER is filled with wonderful personal experiences on the power of healing, visualizations, dreams, and listening to our inner voices. Chloe Kemp describes encounters with others on a multitude of levels, including sacred beings, shamans, and other deep-souled humans. This book inspires the reader to go deep within themselves and invite their own personal self-healer to emerge. Chloe helps us to understand that anything is possible.”—River Guerguerian, Sound Immersion Healer, Musician, Composer, and Educator  “Having met and worked with Chloe personally, I know she is a genuine woman with a mission and clear determination to fulfill her purpose in this life. She has followed the call from Spirit to share stories from her life and wisdom she has gained, weaving energies and expressing a frequency of consciousness that has a way of bringing readers to a deeper state of awareness and potency upon their own unique journey. Chloe's book shines a light on our ability to reconnect with the origin of what makes us each a special part of the Divine plan, and she does it in a very humble and approachable way."—Michael Brasunas, Holistic Energy Healer and Bodyworker “Your inspiring memoir is engaging and thought-provoking throughout. It brings together the highest spiritual insights and practical frameworks that everyone can understand and apply.”—Louise, Australia  “A fascinating read!”—Caleb, USA  “The narrative is immensely raw and deeply personal. It engaged all of my emotions completely.”—Abantika, India   “A remarkable story.”—Michael, USA “The writing style is amazing.Your life experiences are so unique.”—Taibaya, Pakistan  “You have a gift for spiritual healing and telling a story. You created a hopeful, sincere, compelling, interesting, and important story.”—Jessica, USA “You tell events, dreams, and moments in your life in a very engaging and thought-provoking way.”—Josh, USA  “Very entertaining, awakening, and engaging; as well as informative, practical, motivating and inspiring.”—Susan, USA      

Shame is a function of sight. When a citizen of streets walks through the ravine, unwatched, he can choose to take his propriety with him. He can police himself. He might choose to do this: to carry his shame with him, in the form of guilt. Then again, the permutations available to the mind in the ravine are infinite. The first bitter story ever told was precisely this one; the crime of the usurper. We pretend to have knowledge that is not rightfully ours. We make something, believing that we have mastered what we have merely stolen. Finally, what we make takes vengeance upon us, and we are forced to confront the truth, which is in fact no different from the original mystery: that we know very little. I have spent a long time wondering about permanence: whether the soul can sustain irreparable damage, and how this might limit the notion of free will. Whether the psychologists are correct or not—and I am sure they are mostly not—we do carry our families with us, until death; and if our families are broken we carry the breakage in our soul. Nothing religious is ever destroyed by logic; it is destroyed only by God's withdrawal. All the stories feeding into my life are fragmenting the integrity of my voice; I hear myself telling other people's stories as if they were my own, and I feel certain that there are people out there, people I hardly know, telling mine. I am a confluence of stolen narratives, and my own story has been stolen too and fed through a foreign mouth into foreign ears. There is no moments beauty in those whom we have loved for a long time. We do not admire them, the way we do some chance woman or man on the subway as a moment's appearance of perfection in the physique. We see them as a montage of every remembered moment, the present moment often more vivid and strong than those receding into the past, but a montage nevertheless. If we remember.

It was a Land Rover, so mucky and bashed that it was impossible to make out the original colour, and there was a woman at the wheel. He got out of his car to tell her that she was on the wrong road and this was a dead-end, and anyway she wouldn’t get past him here, but she stopped and got out. He wondered how her knees managed the weight of her on the deep step down to the tarmac. She was big. No beauty. Bad skin and bad clothes, but lovely eyes. Brown like conkers.

In 1999, a bunch of researchers published a study of about 1,600 adults examined in order to come up with equations to estimate kidney function. Just plug in the patient’s creatinine, age (because adults tend to lose muscle mass as we get older), and gender (because men tend to have more muscle mass than women), and voila!—an estimate of kidney function. Most laboratories can do this for us now. A rising creatinine level in the blood means the kidneys are not able to pee creatinine out as well as they used to, so the person’s estimated kidney function is lower. But wait—if the patient is Black, the study determined that you have to multiply by 1.2 to get a more accurate estimate. This finding was attributed to Blacks in the study having higher muscle mass than Whites and, therefore, higher amounts of creatinine in their bodies. Laboratories report the eGFR, and just below it, the eGFR if Black. Of course one of the problems with generalizations is that they aren’t always true. In medicine, in particular, they make us lazy and we often accept them without question—especially when they are in line with our underlying assumptions and beliefs. Like the belief that Black and African are inherently different from White and European at a DNA level, a belief that dates back to the days when American researchers were measuring Black-White differences in skull size to prove Black inferiority and justify slavery. But I wonder how often health-care providers make the mental adjustment that the “race adjustment” is really a proxy for muscle mass rather than just focusing on the race of the person in front of them when they are assessing lab results. I wonder if the person in front of them were a White male bodybuilder how many would tell him the race-adjusted estimate of kidney function, or a skinny Black woman the non-race-adjusted estimate. Then too I wonder how many health-care practitioners realize that equations derived from the original study of 1,600 people only included about 200 Blacks—and no American Samoans, no Hispanics, no Asians. These groups have very different body frames, but all are simply “not Black” in our equations. The implication, then, is that only Black people are different. This shortcut has the potential for a significant negative impact on Black patients who happen to not have a high muscle mass. Patients like Book of Eli. When the non-race-adjusted eGFR is 20 (when a person can be placed on the waiting list), the race-adjusted value is closer to 25. Just as the difference between eGFRs of 20 and 10 can be several years for many patients, so can the difference between 25 and 20. Years of accruing time on the kidney transplant waiting list when thirteen people on the waiting list die every day waiting for a kidney.

Boyer, Paul S., and Stephen Nissenbaum. Salem Possessed: The Social Origins of Witchcraft. Cambridge, MA: Harvard University Press, 1974. Breslaw, Elaine G. Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies. New York: New York University Press, 1996. Clark, Stuart. Thinking with Demons: The Idea of Witchcraft in Early Modern Europe. Oxford: Clarendon Press; New York: Oxford University Press, 1997. Cross, Tom Peete. Witchcraft in North Carolina. Chapel Hill: University of North Carolina, 1919. Davies, Owen. Popular Magic: Cunning-Folk in English History. New York: Bloomsbury, 2007. Demos, John Putnam. Entertaining Satan: Witchcraft and the Culture of Early New England. New York: Oxford University Press, 1982. Gibson, Marion. Witchcraft Myths in American Culture. New York: Routledge, 2007. Godbeer, Richard. The Devil’s Dominion: Magic and Religion in Early New England. Cambridge; New York: Cambridge University Press, 1992. Goss, K. David. Daily Life During the Salem Witch Trials. Santa Barbara, CA: Greenwood, 2012. Hall, David D. Worlds of Wonder, Days of Judgment: Popular Religious Belief in Early New England. New York: Knopf, 1989. Hansen, Chadwick. Witchcraft at Salem. New York: G. Braziller, 1969. Hutton, Ronald. The Triumph of the Moon: A History of Modern Pagan Witchcraft. Oxford, New York: Oxford University Press, 1999. Karlsen, Carol F. The Devil in the Shape of a Woman: Witchcraft in Colonial New England. New York: Norton, 1987. Levack, Brian P. The Witch-Hunt in Early Modern Europe. 3rd ed. Harlow, England, New York: Pearson Longman, 2006. Macfarlane, Alan. Witchcraft in Tudor and Stuart England: A Regional and Comparative Study. Prospect Heights, IL: Waveland, 1991. Matossian, Mary K. “Ergot and the Salem Witchcraft Affair.” American Scientist 70 (1970): 355–57. Mixon Jr., Franklin G. “Weather and the Salem Witch Trials.” The Journal of Economic Perspectives 19, no. 1 (2005): 241–42. Norton, Mary Beth. In the Devil’s Snare: The Salem Witchcraft Crisis of 1692. New York: Alfred A. Knopf, 2002. Parke, Francis Neal. Witchcraft in Maryland. Baltimore: 1937.

You know what Black means? BLACK means Brave, BLACK means Leaderly, BLACK means Adventurous, BLACK means Considerate, BLACK means Kind. You know what Woman means? WOMAN means Wonder, WOMAN means Original, WOMAN means Miracle-worker, WOMAN means Affectionate, WOMAN means Noble. You know what Pride means? PRIDE means Passionate, PRIDE means Resilient, PRIDE means Indefatigable, PRIDE means Determined, PRIDE means Equal. You know what Muslim means? MUSLIM means Magnanimous, MUSLIM means Unbending, MUSLIM means Sensible, MUSLIM means Luminous, MUSLIM means Inquisitive, MUSLIM means Mindful. You know what Asian means? ASIAN means Amiable, ASIAN means Strong, ASIAN means Independent, ASIAN means Articulate, ASIAN means Neighborly. In short, you know what Human means? HUMAN means Harmonious across Hate, Undivided through Diversity, Mindful amidst Mindlessness, Amiable amidst Apathy, and Neighborly amidst Nonchalance.

have you ever wondered about how, in the original West Side Story, Tony manages to wander randomly onto a street in a Puerto Rican neighborhood, shout, "Maria!" and only one woman answers him?)

Without Sally the Sleuth, there would be no Superman. In fact, without the pulp heroine with a penchant for solving crimes in a state of undress, there would be no Batman either. Or Wonder Woman. Or even the Avengers. This statement reeks of hyperbole, clearly. From her black and white pulp origins in 1934 to her full colour comic books outings in the 1950s, Sally spent the bulk of her time fighting off goons and cracking cases in a series of adventures that were an odd mix of heroism and hedonism. She’s a fascinating figure in the history of comic books in her own right, but an unusual and little known one, especially in comparison to globally beloved superhero icons. Nonetheless, not only does the superhero industry owe its existence to Sally the Sleuth, it owes it twice over.

I already understood the beautiful and deeply theological significance of Jesus calling His mother “woman.” But what about the “to Me and to thee”? This was something new. Most modern translations have eliminated the “and to thee” part of the original text and I wondered what it meant. It turned out, after consulting a priest, that Our Lord was not rebuking His mother as so many people think, but instead was asking her if she was prepared to accept all that would occur if He should perform this first public miracle. He asked her, in essence, for her second fiat, to allow Him to take His first step towards Calvary. And without hesitating to take her own heart into account, Our Blessed Mother turns to the servants and tells them to do as Our Lord commands. Mother and Son, bound together, each carrying a cross designed for them, and each accepting fully God’s will and the suffering that comes with it.

Those women who fought the original battles suffer more than most. Hated and opposed when originally pushing down the barriers, they now often have to face contempt from a society which takes for granted their achievements. At a recent party I witnessed one such woman being challenged by a young man who had no sense of feminism's history or her involvement in it. 'Do you really call yourself a feminist?' he asked belligerently. 'Yes,' she answered rather wistfully, 'I'd still call myself that.' 'But what on earth does it mean?' he continued. 'I mean, is there really any need for it? Isn't it just part of the way we are, part of our unconscious?' It was a difficult and poignant moment for me, because it encapsulated both sides of my relationship with feminism. I greatly respected the woman for what she had achieved and deplored the man's lack of respect for why she had placed herself as she did. In such circumstances, no wonder she dug her heels in. This continuing lack of credibility and acceptance explains why feminists react badly when the fundamental tenets of the movement are challenged. But when I began to examine feminist ideas critically and challenge the idea that nothing had changed, I too met with resistance. There is a real reluctance to submit feminism's fundamental assumptions to an audit to see just how relevant they are to changing realities. The problem is that, by and large, I also agreed with what the man at that party said. Somewhere along the line something remarkable has happened. Individual feminists still meet with resistance and problems, but feminism as a movement has been extraordinarily successful; it has sunk into our unconscious. Our contemporary social world — and the way the sexes interact in it — is radically different from the one in which modern feminism emerged. Many of feminism's original objectives have been met, including the principle of equal pay for equal work, and the possibility of financial independence. Girls now are growing up in a world radically different from the one described by the early feminists. Feminism no longer has to be reiterated but simply breathed.

If the original story behind the propagation of Israel begins with a man and woman meeting at a well, the story of the propagation of newly-defined Israel likewise begins with the one “greater than Jacob” and the woman at the well. If we wonder how this new Israel would self-perpetuate, the evangelist implicitly invites us to regard the events of John 4:1–42 as an ideal prototype.

Lily Samson, The Switch, Outtakes & Quotes, shameless manipulation of. A one minute reading test I am dog --Dog, Marina Lewycka, Two Caravans, 2007 Allergies disclaimer: One must stress that this book is not intended for the unwashed masses: I delayed showering after the last switch. I’ve created a Pavlovian response: he must associate its floral sweetness with sexual fulfilment. Adam has a “Pavlovian” reaction to Elena’s BO? Bribes her with cake to lessen the wrath when asking Elena to wash? He frowns, seeing that I’m silent and trembling. ‘My perfume was weak; hers much stronger.’ I say, my temper flaring. Now, ladies and gentlemen, the usual wasteman chatting up yours truly in Sarf London would probably assume that a big phat slice of Marks & Spencer’s Strawberry Pavlova will get him into the lady’s knickers. Nope, she’s allergic to stupid. A merengue dessert will hardly cause a rash, but a moron makes her skin crawl. A female of the human species displayed an unconditioned response: shoved cream cake into the courting male’s face. Requested a substantial meal of Shchavel Borscht with hard boiled egg --Anton Pavlovich Chekhov, Russian Cookbook for Love, Romance, and mating behaviours: Humans, 1904 Ding-dong! --Ivan Petrovich Pavlov, Neutral Triggers & Conditioned Responses: Canines, 1907 It is I! I make the best Byzantine shchi to entice a female. --Nikolai Vasilyevich Gogol, Dead Souls, Notebook (1841-1844), The Nose and other short stories Right! She turned her nose up at his advances: Idiot! I hate strawberries! --Seraphima Vasilievna Karchevskaya Pavlova, Mrs, My Husband and I – Memoirs The lady did not have a sweet tooth. Man didn’t do his research. This is a cleverly written book. So some of you, keen aspiring readers, please have your Oxford fictionary handy. Just saying! In the words of our hero: Bloody pricey...But God, it is a nice smell. Don’t you like it? And then he “squirts onto her wrist, playfully.” Shhhh.. Doctors Pavlov & Chekhov are not amused. Shall we shuffle the deck with these random quotes? One minute! Plenty of time is a full minute for a skilled bullshit dealer to shuffle themselves out of a gloomy Russian medical clerical predicament. Not tricky when Lily Samson gives treats: All around us are dog walkers, their expensive breeds racing about, barking and sniffing each other’s genitals. ..thinking it all through those awful dog ornaments she hated... feisty feminist...she simply hates them. Men are so stupid! And then.. She took another whiff and yet another. She sniffed him up and down like a dog before realizing what it was: the aroma of a woman’s cunt. --Milan Kundera, The Unbearable Lightness of Being Gratuitous use of one particular French vulgarism nested in the English language since the Norman conquest of 1066 is well demonstrated by this Milan Kundera translation. One has to wonder if the original 1984 edition contained the word “pizda”? It is one of the few remaining words in the English language with a genuine power to shock. --Scholar Germaine Greer But of course a cunt, in French, as much as el coño in Spanish does not carry near enough as much uncouth weight as in English. The English language doesn’t exist. It’s just badly pronounced French. --Bernard Cerquiglini Quelle conne! Un con reste un con! --William Shakespeare, Last Words, Holy Trinity Church, Gropecunt Lane, Stratford upon Avon, April 23rd 1616