Online Offline Quotes

Today, spend a little time cultivating relationships offline. Never forget that everybody isn't on social media.

In the 1990s, the Internet had yet to fall victim to the greatest iniquity in digital history: the move by both government and businesses to link, as intimately as possible, users’ online personas to their offline legal identity.

A fixation with connecting with 'friends' online comes with the risk of disconnection with friends waiting for you to be present in the offline world.

But realize this: we are living through writing’s Cambrian explosion, not its mass extinction. Language is more varied than ever before, even if some of it is directly copied from the clipboard—variety is the preservation of an art, not a threat to it.

for anything to be made whole, the first step is to know what’s missing.

Greater Internet Fuckwad Theory normal person + anonymity + audience = total fuckwad

Twitter actually may be improving its users’ writing, as it forces them to wring meaning from fewer letters—it embodies William Strunk’s famous dictum, Omit needless words, at the keystroke level.

I comb her wet hair off her cheeks. “You’re beautiful, Willow Hale. Inside, outside, online, offline.

Impunity online naturally led to impunity offline, destroying existing checks and balances.

Twitter, Reddit, Tumblr, Instagram, all these companies are businesses first, but, as a close second, they’re demographers of unprecedented reach, thoroughness, and importance. Practically as an accident, digital data can now show us how we fight, how we love, how we age, who we are, and how we’re changing. All we have to do is look:

It even has a name. It’s called WEIRD research: white, educated, industrialized, rich, and democratic. And most published social research papers are WEIRD.1

prejudice unchallenged is prejudice perpetuated.

I don’t like the dinosaur in this graphic. It looks too fake. Use a real photo of a dinosaur instead.

Tonight, some thirty thousand couples will have their first date because of OkCupid. Roughly three thousand of them will end up together long-term. Two hundred of those will get married, and many of them, of course, will have kids. There are children alive and pouting today, grouchy little humans refusing to put their shoes on right now, who would never have existed but for the whims of our HTML.

Online reward mechanisms beg to substitute for offline ones, and then overtake them. This is why everyone tries to look so hot and well-traveled on Instagram; this is why everyone seems so smug and triumphant on Facebook; this is why, on Twitter, making a righteous political statement has come to seem, for many people, like a political good in itself. This practice is often called “virtue signaling,

the DOLLY Project (Digital OnLine Life and You)—it’s a searchable repository of every geotagged tweet since December 2011,

The change Twitter has wrought on language itself is nothing compared with the change it is bringing to the study of language.

When you see people in middle management dickering with their Fitbits in the elevator, you know the Quantified Self movement is here to stay. The

As Lee Rainie and Barry Wellman document in their book Networked, people who are heavily socially active online tend to be also heavily socially active offline; they’re just, well, social people.

Even at the person-to-person level, to be universally liked is to be relatively ignored. To be disliked by some is to be loved all the more by others. And, specifically, a woman’s overall sex appeal is enhanced when some men find her ugly.

...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get. See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On. The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour. And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.

The more time kids spend online, studies show, the worse their grades are. According to Nielson, active social networkers are 26 percent more likely to give their opinion on politics and current events off-line, even though they are exactly the people whose opinions should matter the least.

As a medium, the internet is defined by a built-in performance incentive. In real life, you can walk around living life and be visible to other people. But you can’t just walk around and be visible on the internet—for anyone to see you, you have to act. You have to communicate in order to maintain an internet presence. And, because the internet’s central platforms are built around personal profiles, it can seem—first at a mechanical level, and later on as an encoded instinct—like the main purpose of this communication is to make yourself look good. Online reward mechanisms beg to substitute for offline ones, and then overtake them.

If we want to pick the point where a man’s sexual appeal has reached its limit, it’s there: forty.

Women want men to age with them. And men always head toward youth.

the real moral here is: be yourself and be brave about it. Certainly trying to fit in, just for its own sake, is counterproductive.

until thirty, a woman prefers slightly older guys; afterward, she likes them slightly younger.

Phish might’ve already given it away, but inside the white man rages a music festival for lumberjacks.

the laws involved are so broadly written as to ensure that, essentially, every Internet-using American is a tort-feasing felon on a lifelong spree of depraved web browsing.

Marry your offline and online systems. So when you meet someone in person, make sure to connect with them online, too!

men and women perform a different sexual calculus. As Harper’s put it perfectly: “Women are inclined to regret the sex they had, and men the sex they didn’t.

Assume whatever you do, both offline and online, will be seen by your mother, dad, boss, coach, boyfriend, teacher… the world.

Nostalgia used to be called mal du Suisse—the Swiss sickness.

you ask an algorithm “What aren’t black women talking about” and it tells you “tanning,” you know you did something right.

The highbrow/lowbrow schizophrenia of Twitter never stops amazing me. It’s the Chris Farley of technologies.

It’s that having haters somehow induces everyone else to want you more. People not liking you somehow brings you more attention entirely on its own.

Offline classes form the nucleus of the college life. Online classes can only complement offline education, not replace it.

Your online presence needs to work in unison with your offline ambitions.

If u enjoy ur ONline time more than u do ur OFFline time : Maybe - 'There's something terribly wrong u r doing in ur real Life'... Reclaim ur LIFE & think about it..

In today's digital era, a strong understanding of the current digital and social media landscape can lead to much success offline in the business world as well.

Algorithms are crude. Computers are machines. Data science is trying to make digital sense of an analog world.

Because frequency is free in an online permission program, and much more effective offline, the marketer has the luxury of riding the impact curve up without a matching cost curve.

You write how you write, wherever you write.

Be aware of and attentive to the time you spend as an online spectator. Social media will have you believing that your life is meaningless even though you're doing more than most people, offline.

L'immaginazione immersiva genera nel cervello le stesse reazioni dell'esperienza sensibile. È reale, cioè produce effetti di realtà, qualunque esperienza che attiva un mutamento nella persona che la vive.

Offline, writers are all faceless, hypothetical creatures pounding out words in isolation from one another. You can't peek over anyone's shoulder. You can't tell if everyone else is really doing as dandy as they pretend they are. But online, you can tune into all the hot gossip, even if you're not nearly important enough to have a seat in the room where it happens. Online, you can tell Stephen King to go fuck himself. Online, you can discover that the current literary star of the moment is actually so problematic that all of her works should be canceled forever. Reputations in publishing are built and destroyed constantly online.

From empathy and sexuality to science inclination and extroversion, statistical analysis of 122 different characteristics involving 13,301 individuals shows that men and women, by and large, do not fall into different groups.

Too often people make their social media image more important than being true to who they really are in real life. Wonder how much different our world would be if we all strived to be the same person offline as we are online.

Everything points to the same conclusion: that Twitter hasn’t so much altered our writing as just gotten it to fit into a smaller place. Looking through the data, instead of a wasteland of cut stumps, we find a forest of bonsai. This kind of in-depth analysis (lexical density, word frequency) hints at the real nature of the transformation under way. The change Twitter has wrought on language itself is nothing compared with the change it is bringing to the study of language. Twitter gives us a sense of words not only as the building blocks of thought but as a social connector, which indeed has been the purpose of language since humanity hunched its way across the Serengeti.

Think about the progression of a young relationship. Two people meet for the first time in person. Talk, drink, get to know each other. Next, if there is a next, is the apartments. The unfamiliar number on the door, a brass handle where yours is steel. The strange but pleasant smell of another person’s sheets. Shampoos in the shower, used, but new to you. Loganberry: Okay, why not? Back at your place next time, she opens the fridge, and it’s just … mustards. Sorry.

Living in the era of social media and dating apps, online dating is also a very popular dating method in England. It perfectly suits the English person’s superpower: being the invisible man or woman. They also like to keep their distance, and the internet is perfect for that. Also complimenting someone is easier online than offline; you don’t even have to say anything you just press a ‘like’ or a ‘wink’ button and that’s it; perfectly suitable for romantically retarded people.

Online or offline, virtual reality is an artificial environment that you can enter, and you feel like you’re really there. Virtual Reality involves simulation of any imaginable environment that can be explored and interacted with by a person

There’s not much you can do with the fact that, statistically, the least black band on Earth is Belle & Sebastian, or that the flash in a snapshot makes a person look seven years older, except to say huh, and maybe repeat it at a dinner party.

Observers call the phenomenon Black Twitter, described here by Farhad Manjoo in Slate: Black people—specifically, young black people—do seem to use Twitter differently from everyone else on the service. They form tighter clusters on the network—they follow one another more readily, they retweet each other more often, and more of their posts are @-replies—posts directed at other users. It’s this behavior, intentional or not, that gives black people—and in particular, black teenagers—the means to dominate the conversation on Twitter.

when you read findings like the one above, and see that Jamal doesn’t get the job, it’s easy to shake your head at the few racist hiring managers who’ve tilted the odds against him. But the data we see in this chapter shows racism isn’t a problem of outliers. It is pervasive.

Digital analytics is the analysis of qualitative and quantitative data from your business and the competition to drive a continual improvement of the online experience that your customers and potential customers have which translates to your desired outcomes (both online and offline).

Web Analytics 2.0 is: the analysis of qualitative and quantitative data from your website and the competition, to drive a continual improvement of the online experience that your customers, and potential customers have, which translates into your desired outcomes (online and offline).

The Internet has many regrettable sides to it, but that’s one thing that’s always stood it in good stead with me: it’s a writer’s world. Your life online is mediated through words. You work, you socialize, you flirt, all by typing. I honestly feel there’s a certain epistolary, Austenian grandness to the whole enterprise.

The connectivity of the cloud and the prevalence of tablets and smartphones have eroded the traditional online/offline divide. Within a short time we will most probably stop thinking of it as 'online.' We will simply be connected, all the time, everywhere, and the online world will be notable only by its absence when that connection breaks.

They found a 40 percent decline in empathy among college students, with the vast majority of that decline taking place after 2000. “The ease of having ‘friends’ online might make people more likely to just tune out when they don’t feel like responding to others’ problems,” noted an author of the study, “a behavior that could carry over offline.

Researchers at the University of Rochester recently pronounced “Men Are from Mars Earth, Women Are from Venus Earth,” concluding: From empathy and sexuality to science inclination and extroversion, statistical analysis of 122 different characteristics involving 13,301 individuals shows that men and women, by and large, do not fall into different groups.

Jenna Wortham from the Times describes this mentality well: “We, the users, the producers, the consumers—all our manic energy, yearning to be noticed, recognized for an important contribution to the conversation—are the problem. It is fueled by our own increasing need for attention, validation, through likes, favorites, responses, interactions. It is a feedback loop that can’t be closed, at least not for now.

But going offline forever, leaving behind everything I’ve built, wasn’t an option I ever considered. When people ask me where I’m from, I usually say, “The internet,” and I’m only kidding a little bit. This is my home, and I wasn’t about to be driven out of the only place I’ve ever felt like that, even if it was a digital one. This isn’t a story about how we become evacuees. This is a story about how we become resilient.

If you don’t feel at home in your body, you will never feel at home in the world. Up till now, Facebook’s own business model encouraged people to spend more and more time online even if that meant having less time and energy to devote to offline activities. Can it adopt a new model that encourages people to go online only when it is really necessary, and to devote more attention to their physical environment and to their own bodies and senses? What would Facebook’s shareholders think about this model?

In the 1990s, the Internet had yet to fall victim to the greatest iniquity in digital history: the move by both government and businesses to link, as intimately as possible, users’ online personas to their offline legal identity. Kids used to be able to go online and say the dumbest things one day without having to be held accountable for them the next. This might not strike you as the healthiest environment in which to grow up, and yet it is precisely the only environment in which you can grow up—by which I mean that the early Internet’s dissociative opportunities actually encouraged me and those of my generation to change our most deeply held opinions, instead of just digging in and defending them when challenged. This ability to reinvent ourselves meant that we never had to close our minds by picking sides, or close ranks out of fear of doing irreparable harm to our reputations. Mistakes that were swiftly punished but swiftly rectified allowed both the community and the “offender” to move on. To me, and to many, this felt like freedom.

Online threats of violence seem to have a very simple purpose: they are intended to act as a reminder to women that men are dominant, that women can be attacked and overpowered if men choose to attack, and that women are to be silent and obedient. Many threats contain ultimatums: if a woman doesn’t stop engaging in activities that the men issuing threats find undesirable, she will be punished with physical violence or even death. The intent of threats is to establish offline patterns of violence against women in online spaces.

If you’ve ever signed up for a website and given a fake zip code or a fake birthday, you have violated the Computer Fraud and Abuse Act. Any child under thirteen who visits newyorktimes.com violates their Terms of Service and is a criminal—not just in theory, but according to the working doctrine of the Department of Justice.1 The examples I’ve laid out are extreme, sure, but the laws involved are so broadly written as to ensure that, essentially, every Internet-using American is a tort-feasing felon on a lifelong spree of depraved web browsing.

The shift from having one’s identity shaped off-line and projected online to an identity that is fashioned online and experienced off-line will have implications for citizens, states and companies as they navigate the new digital world. And how people and institutions handle privacy and security concerns in this formative period will determine the new boundaries for citizens everywhere. We want to explore here what full connectivity will mean for citizens in the future, how they will react to it and what consequences it will have for dictators and democrats alike.

It's a toxic world out there folks, use caution when connecting online & offline. There's a darker side to going viral with success. My expert advice is that people innoculate their understanding with plenty of time-tested social research specifically regarding the authentic social, emotional intelligence and mature personality values of any circle. Look beyond their talk, uncover their stalk. If the mind is darkened with character disEASE, the behavior will symptomatically follow...those whose mentality becomes infected by their obvious blight, easily become the host targets of their contagion.

the data we see in this chapter shows racism isn’t a problem of outliers. It is pervasive. We’ve seen the same patterns repeated on three different sites, with different users and different experiences: men, women, free, subscription-only, casual, serious, “urban” demographics, and more “mainstream.” All told, the research set represents a large chunk of the young adults in this country, and the data uniformly shows non-blacks discount African American profiles. It’s not a problem caused by a small cluster of “ugly” black users or by a small group of unreformed racists throwing off an otherwise regular pattern.

The era of data is here; we are now recorded. That, like all change, is frightening, but between the gunmetal gray of the government and the hot pink of product offers we just can’t refuse, there is an open and ungarish way. To use data to know yet not manipulate, to explore but not to pry, to protect but not to smother, to see yet never expose, and, above all, to repay that priceless gift we bequeath to the world when we share our lives so that other lives might be better—and to fulfill for everyone that oldest of human hopes, from Gilgamesh to Ramses to today: that our names be remembered, not only in stone but as part of memory itself.

Twitter is real life; it’s realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative. Offline, writers are all faceless, hypothetical creatures pounding out words in isolation from one another. You can’t peek over anyone’s shoulder. You can’t tell if everyone else is really doing as dandy as they pretend they are. But online, you can tune into all the hot gossip, even if you’re not nearly important enough to have a seat in the room where it happens. Online, you can tell Stephen King to go fuck himself. Online, you can discover that the current literary star of the moment is actually so problematic that all of her works should be canceled, forever. Reputations in publishing are built and destroyed, constantly, online.

People tend to run wild with those match questions, marking all kinds of stuff as “mandatory,” in essence putting a checklist to the world: I’m looking for a dog-loving, agnostic, nonsmoking liberal who’s never had kids—and who’s good in bed, of course. But very humble questions like Do you like scary movies? and Have you ever traveled alone to another country? have amazing predictive power. If you’re ever stumped on what to ask someone on a first date, try those. In about three-quarters of the long-term couples OkCupid has ever brought together, both people have answered them the same way, either both “yes” or both “no.” People tend to overemphasize the big, splashy things: faith, politics, and certainly looks, but they don’t matter nearly as much as everyone thinks. Sometimes they don’t matter at all.

Even as we became increasingly sad and ugly on the internet, the mirage of the better online self continued to glimmer. As a medium, the internet defined by a built-in performance incentive. In real life, you can walk around living life and be visible to other people. But you can't just walk around and be visible on the internet—for anyone to see you, you have to ACT. You have to communicate in order to maintain an internet presence. And, because the internet's central platforms are built around personal profiles, it can seem—first at a mechanical level, and later on as an encoded instinct—like the main purpose of this communication is to make yourself look good. Online reward mechanisms beg to substitute for offline ones, and then overtake them. This is why everyone seems so smug and triumphant on Facebook, this is why, on Twitter, making a righteous political statement has come to seem, for many people, like a political good in itself.

Paper wallets can be generated easily using a tool such as the client-side JavaScript generator at bitaddress.org. This page contains all the code necessary to generate keys and paper wallets, even while completely disconnected from the internet. To use it, save the HTML page on your local drive or on an external USB flash drive. Disconnect from the internet and open the file in a browser. Even better, boot your computer using a pristine operating system, such as a CD-ROM bootable Linux OS. Any keys generated with this tool while offline can be printed on a local printer over a USB cable (not wirelessly), thereby creating paper wallets whose keys exist only on the paper and have never been stored on any online system. Put these paper wallets in a fireproof safe and “send” bitcoin to their bitcoin address, to implement a simple yet highly effective “cold storage” solution. Figure 4-8 shows a paper wallet generated from the bitaddress.org site.

Unlike other features on OkCupid, there is no visual component to match percentage. The number between two people only reflects what you might call their inner selves—everything about what they believe, need, and want, even what they think is funny, but nothing about what they look like. Judging by just this compatibility measure, the four largest racial groups on OkCupid—Asian, black, Latino, and white—all get along about the same.1 In fact, race has less effect on match percentage than religion, politics, or education. Among the details that users believe are important, the closest comparison to race is Zodiac sign, which has no effect at all. To a computer not acculturated to the categories, “Asian” and “black” and “white” could just as easily be “Aries” and “Virgo” and “Capricorn.” But this racial neutrality is only in theory; things change once the users’ own opinions, and not just the color-blind workings of an algorithm, come into play.

Nevertheless, for the most part the intangible dangers of being observed by unintended audiences are considered secondary to the convenience of instantaneous access to this “virtual campfire” from the comfort of the home. While online social networking sites are often disparaged as poor replacements for human interaction that encourage superficial relationships, my ethnographic analysis reveals how some people, American youth in particular, are incorporating this medium into their everyday practices in more or less meaningful ways. Through elucidating both the dangers and possibilities of this medium, I seek to encourage people to create their own “virtual campfires” as a supplement to, rather than a replacement of, their offline lives. Through participation and sharing in meaningful ways- from conversation to creating art- we might begin to see these sites as vehicles for healing the widely-felt loss of community and the pervasive sense of alienation experienced by so many.

We have generated billions of dollars for social media platforms through our desire—and then through a subsequent, escalating economic and cultural requirement—to replicate for the internet who we know, who we think we are, who we want to be. Selfhood buckles under the weight of this commercial importance. In physical spaces, there’s a limited audience and time span for every performance. Online, your audience can hypothetically keep expanding forever, and the performance never has to end. (You can essentially be on a job interview in perpetuity.) In real life, the success or failure of each individual performance often plays out in the form of concrete, physical action—you get invited over for dinner, or you lose the friendship, or you get the job. Online, performance is mostly arrested in the nebulous realm of sentiment, through an unbroken stream of hearts and likes and eyeballs, aggregated in numbers attached to your name. Worst of all, there’s essentially no backstage on the internet; where the offline audience necessarily empties out and changes over, the online audience never has to leave.

Degrees of Freedom This is important. One of the easy things about riding the train is that there aren’t many choices. The track goes where the track goes. Sure, sometimes there are junctions and various routes, but generally speaking, there are only two choices—go or don’t go. Driving is a little more complicated. In a car you can choose from literally millions of destinations. Organizations are far more complex. There are essentially an infinite number of choices, endless degrees of freedom. Your marketing can be free or expensive, online or offline, funny or sad. It can be truthful, emotional, boring, or bland. In fact, every marketing campaign ever done has been at least a little different from every other one. The same choices exist in even greater number when you look at the microdecisions that go on every day. Should you go to a meeting or not? Shake hands with each person or just start? Order in fancy food for your guests or go for a walk together because the weather is sunny. . . . In the face of an infinite sea of choices, it’s natural to put blinders on, to ask for a map, to beg for instructions, or failing that, to do exactly what you did last time, even if it didn’t work. Linchpins are able to embrace the lack of structure and find a new path, one that works.

Fast-forward nearly a hundred years, and Prufrock’s protest is enshrined in high school syllabi, where it’s dutifully memorized, then quickly forgotten, by teens increasingly skilled at shaping their own online and offline personae. These students inhabit a world in which status, income, and self-esteem depend more than ever on the ability to meet the demands of the Culture of Personality. The pressure to entertain, to sell ourselves, and never to be visibly anxious keeps ratcheting up. The number of Americans who considered themselves shy increased from 40 percent in the 1970s to 50 percent in the 1990s, probably because we measured ourselves against ever higher standards of fearless self-presentation. “Social anxiety disorder”—which essentially means pathological shyness—is now thought to afflict nearly one in five of us. The most recent version of the Diagnostic and Statistical Manual (DSM-IV), the psychiatrist’s bible of mental disorders, considers the fear of public speaking to be a pathology—not an annoyance, not a disadvantage, but a disease—if it interferes with the sufferer’s job performance. “It’s not enough,” one senior manager at Eastman Kodak told the author Daniel Goleman, “to be able to sit at your computer excited about a fantastic regression analysis if you’re squeamish about presenting those results to an executive group.” (Apparently it’s OK to be squeamish about doing a regression analysis if you’re excited about giving speeches.)

My dear readers, I find myself perplexed by the phantoms that now inhabit our veins and perpetually whisper in our ears. These specters are always watching, their formless eyes casting judgement upon our every thought and action. They stalk us behind screens and within circuits, gathering each tidbit we release into the ether to build their ever-growing profiles of our souls. Through these ghastly portals, our lives have become performance. Each waking moment an opportunity to curate our images and broadcast our cleverness. Nuance has fled in favor of hashtag and like, while meaning has been diced into 280 characters or less. Substance is sacrificed at the altar of shareability, as we optimize each motive and emotion to become more digestible digital content. Authenticity now lives only in offline obscurity, while our online avatars march on endlessly, seeking validation through numbers rather than depth. What secrets remain unshared on these platforms of glass? What mysteries stay concealed behind profiles and pose? Have we traded intimacy for influence, and true understanding for audience engagement? I fear these shadow networks breed narcissism and foster loneliness, masked as connection. That the sum of a life’s joys and sorrows can now be reduced to a reel of carefully selected snippets says little of the richness that once was. So follow the phantoms that stalk you if you will, but do not forget that which still breathes beneath the screens. There you will find humanity, flawed but whole, beautiful in its imperfection and trajectory undefined by likes or loves. The lanterns may flicker and fade, but the darkness that remains has always held truth. Look deeper than the glow, and know that which can never be shared or measured, only felt. In mystery, Your friend, Edgar Allan Poe (Poe talking about social media)

Found a startup society. This is simply an online community with aspirations of something greater. Anyone can found one, just like anyone can found a company or cryptocurrency.2 And the founder’s legitimacy comes from whether people opt to follow them. Organize it into a group capable of collective action. Given a sufficiently dedicated online community, the next step is to organize it into a network union. Unlike a social network, a network union has a purpose: it coordinates its members for their mutual benefit. And unlike a traditional union, a network union is not set up solely in opposition to a particular corporation, so it can take a variety of different collective actions.3 Unionization is a key step because it turns an otherwise ineffective online community into a group of people working together for a common cause. Build trust offline and a cryptoeconomy online. Begin holding in-person meetups in the physical world, of increasing scale and duration, while simultaneously building an internal economy using cryptocurrency. Crowdfund physical nodes. Once sufficient trust has been built and funds have been accumulated, start crowdfunding apartments, houses, and even towns to bring digital citizens into the physical world within real co-living communities. Digitally connect physical communities. Link these physical nodes together into a network archipelago, a set of digitally connected physical territories distributed around the world. Nodes of the network archipelago range from one-person apartments to in-person communities of arbitrary size. Physical access is granted by holding a web3 cryptopassport, and mixed reality is used to seamlessly link the online and offline worlds. Conduct an on-chain census. As the society scales, run a cryptographically auditable census to demonstrate the growing size of your population, income, and real-estate footprint. This is how a startup society proves traction in the face of skepticism. Gain diplomatic recognition. A startup society with sufficient scale should eventually be able to negotiate for diplomatic recognition from at least one pre-existing government, and from there gradually increased sovereignty, slowly becoming a true network state.

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If employers begin to use algorithms to infer how intelligent you are or whether you use drugs, then your only choice will be to game the system—or,

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Most people don’t understand how today’s information cycle really works. Many have no idea of how much their general worldview is influenced by the way news is generated online. What begins online ends offline.

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There are roughly 100 of these food sharing sites in Germany. About 50 have refrigerators, and the rest are just shelves. They are a small, offline branch of Foodsharing.de, a two-year-old Internet platform that gives members a chance to connect with other food sharers online, should they find themselves in possession of an extra cabbage or, as one Foodsharing post put it, “too many delicious organic potatoes for one person to eat.