Kew Gardens Quotes

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat’s. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants. And then there was Camille.

Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's. A girl with long brown curls and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.

Stand in nature before anyone else has woken and most people find something to believe in.

Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s. A girl with long brown curls and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.

You have only to say one word and I would know your voice among all other voices. I don't know what it is - I've often wondered - that makes your voice such a - haunting memory. . . . Do you remember that first afternoon we spent together at Kew Gardens? You were so surprised because I did not know the names of any flowers. I am still just as ignorant for all your telling me. But whenever it is very fine and warm, and I see some bright colours - it's awfully strange - I hear your voice saying : "Geranium, marigold and verbena." And I feel those three words are all I recall of some forgotten, heavenly language. . . .

¿Quién no piensa en el pasado en un jardín con hombres y mujeres tumbados bajo los árboles? ¿Acaso estos hombres y mujeres, estos fantasmas tumbados bajo los árboles, no son nuestro pasado, todo lo que queda de él..., nuestra felicidad, nuestra realidad?

Former Director of Kew Gardens, Sir Ghillean Prance FRS, gives equally clear expression to his faith: ‘For many years I have believed that God is the great designer behind all nature… All my studies in science since then have confirmed my faith. I regard the Bible as my principal source of authority.

You have only to say one word and I would know your voice among all other voices. I don't know what is it- I've often wondered - that makes your voice such a - haunting memory... Do you remember that first afternoon we spent together at Kew Gardens? You were so surprised because I did not know the names of any flowers. I am still just as ignorant for all your telling me. But whenever it is very fine and warm, and I see some bright colours - it's awfully strange - I hear you voice saying: "Geranium, marigold, and verbena." And I feel those three words are all I recall of some forgotten, heavenly language... You remember that afternoon?

I don't want to return to the world outside these Gardens. All I want is to notice the dew on a leaf. The holy busyness of worms in the soil.

There was a bill that he would pay with a real two shilling piece, and it was real, all real, he assured himself, fingering the coin in his pocket, real to everyone except to him and to her; even to him it began to seem real; and then–but it was too exciting to stand and think any longer, and he pulled the parasol out of the earth with a jerk and was impatient to find the place where one had tea with other people, like other people.

In 1853, Haussmann began the incredible transformation of Paris, reconfiguring the city into 20 manageable arrondissements, all linked with grand, gas-lit boulevards and new arteries of running water to feed large public parks and beautiful gardens influenced greatly by London’s Kew Gardens. In every quarter, the indefatigable prefect, in concert with engineer Jean-Charles Alphand, refurbished neglected estates such as Parc Monceau and the Jardin du Luxembourg, and transformed royal hunting enclaves into new parks such as enormous Bois de Boulogne and Bois de Vincennes. They added romantic Parc des Buttes Chaumont and Parc Montsouris in areas that were formerly inhospitable quarries, as well as dozens of smaller neighborhood gardens that Alphand described as "green and flowering salons." Thanks to hothouses that sprang up in Paris, inspired by England’s prefabricated cast iron and glass factory buildings and huge exhibition halls such as the Crystal Palace, exotic blooms became readily available for small Parisian gardens. For example, nineteenth-century metal and glass conservatories added by Charles Rohault de Fleury to the Jardin des Plantes, Louis XIII’s 1626 royal botanical garden for medicinal plants, provided ideal conditions for orchids, tulips, and other plant species from around the globe. Other steel structures, such as Victor Baltard’s 12 metal and glass market stalls at Les Halles in the 1850s, also heralded the coming of Paris’s most enduring symbol, Gustave Eiffel’s 1889 Universal Exposition tower, and the installation of steel viaducts for trains to all parts of France. Word of this new Paris brought about emulative City Beautiful movements in most European capitals, and in the United States, Bois de Boulogne and Parc des Buttes Chaumont became models for Frederick Law Olmsted’s Central Park in New York. Meanwhile, for Parisians fascinated by the lakes, cascades, grottoes, lawns, flowerbeds, and trees that transformed their city from just another ancient capital into a lyrical, magical garden city, the new Paris became a textbook for cross-pollinating garden ideas at any scale. Royal gardens and exotic public pleasure grounds of the Second Empire became springboards for gardens such as Bernard Tschumi’s vast, conceptual Parc de La Villette, with its modern follies, and “wild” jardins en mouvement at the Fondation Cartier and the Musée du Quai Branly. In turn, allées of trees in some classic formal gardens were allowed to grow freely or were interleaved with wildflower meadows and wild grasses for their unsung beauty. Private gardens hidden behind hôtel particulier walls, gardens in spacious suburbs, city courtyards, and minuscule rooftop terraces, became expressions of old and very new gardens that synthesized nature, art, and outdoors living.

Perhaps, she thought, in the future, she should listen to others and talk about issues before being so strident with her own views. She did have a tendency to assume everyone agreed with her without even asking.

They talked in the supermarket, the butcher's and the post office of how they had watched a child collecting twigs, or was it flowers...? How they had noticed the sky, what a blue sky there was that day. Chloe remembers her walking through the trees, the branches growing bigger until she couldn't see her any more. A child had been lost and Kew would never be the same.

There was a bill that he would pay with a real two shilling piece, and it was real, all real, he assured himself, fingering the coin in his pocket, real to everyone except to him and to her; even to him it began to seem real; and then–but it was too exciting to stand and think any longer, and he pulled the parasol out of the earth with a jerk and was impatient to find the place where one had tea with other people, like other people.

But what does it mean, practically, to “decolonize” a garden? Mr. Deverell had part of an answer. “For more than 260 years, scientists from Kew have explored every corner of the world documenting the rich diversity of plants and fungi. We were beacons of discovery and science, but also beacons of privilege and exploitation,” he said. He also added that “there is no acceptable neutral position on this subject; to stay silent is to be complicit. Each of us needs to step up to tackle injustices in our society.” Yet what is the head of a botanical garden to do?

She'd headed out early, walking the short distance to Kew Gardens and arriving as it opened, taking an hour to explore the grounds before her meeting. The huge expanses of green immediately soothed her as she wandered. She barely scratched the surface of what the great gardens had to offer, but gazed in awe at the spectacular Alpine House, the elegant Nash Conservatory, and sweltered in the giant Victorian glasshouse. She stopped to admire the succulent garden and the giant lilies in the Waterlily House, some of the pads of the Victoria amazonica more than a meter across, before wandering into the Rose Pergola, through a tunnel of blooms, rambling roses--- including the 'Danse Des Sylphes' and the pink-blossomed 'Mary Wallace', she read--- trained to climb in an arch over her head.

This Cinderella ecology isn’t so new in Britain. The last windfall of sites for rare natives and exotic invaders happened after bombs dropped on London and elsewhere in World War II. The profusion of unexpected species that populated the craters was so great that it was rumored they had been dropped with the bombs as biological weapons of war.7 The Moroccan poppy and the American willow herb were both first spotted in Britain in the remains of bombed-out buildings in the City of London and subsequently spread across Britain. Those were good times for thorn apple from North America and rosebay willow herb from the Yukon, which was nicknamed “bombweed” by Cockney Londoners. Some were newcomers, but many were old arrivals. The daisy-like gallant soldier, its common name a corruption of its Latin name Galinsoga parviflora, came to Kew Gardens from Peru in the 1790s but proliferated unexpectedly in the bomb craters.

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WSPU supporters, shrinking in number but ever more extreme, set on fire an orchid house at Kew Gardens, a London church, and a racecourse grandstand; blew up a deserted railway station; and smashed a jewel case at the Tower of London. They cut the telephone wires linking London and Glasgow, and slashed the words NO VOTES, NO GOLF! into golf course greens and then poured acid in the letters so grass would not grow. One newspaper estimated that suffragettes had inflicted £500,000 worth of property damage, some $60 million in to-day’s money.

Indeed, timing a meal correctly was an art in itself.

Such was Mr. Satterthwaite's romance--a rather tepid early Victorian one, but it had left him with a romantic attachment to Kew Gardens, and he would often go there to see the bluebells, or, if he had been abroad later than usual, the rhododendrons, and would sigh to himself, and feel rather sentimental, and really enjoy himself very much indeed in an old-fashioned, romantic way.

Dimly, he remembered a view of Syon House on the other side of the river. He knew of someone who had held their wedding reception there, their wedding breakfast. The idea of a wedding breakfast seemed enchanting to him. He thought of Melody; a throng of people, the ghosts of his past, were the guests. And he saw it at last, farther away than he had thought, like a house painted onto the backdrop of a stage in muted colours. Was this why he had come? The lion on the ramparts reminded him of himself and his own inadequacies and his mane tied down. He veered off through the trees in the direction that the wind seemed to blow him. The leaves of eucalyptus, oak and pine roared at him behind his back.

He's an avant-gardener whose great work includes the famous minimalist garden at Kew which was just a daisy and three wittily arranged grass stems.