On Pads Of Velvet Quotes

For the wood was full of light, entirely different from the light she was used to. It was green and amber and alive, quivering in splotches on the padded ground, fanning into sturdy stripes between the tree trunks. There were little flowers she did not recognize, white and palest blue; and endless, tangled vines; and here and there a fallen log, half rotted but soft with patches of sweet green-velvet moss.

And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...

Are you afraid of the tigers? Do you hear them padding all round you on their fierce fine velvet feet? The speed of growth of tigers in the nightland is a thing which ought to be investigated some time by the competent authority. You start off with one, about the size of a mouse, and before you know where you are he’s twice the size of the Sumatra tiger which defeats all comers in that hemisphere. And then, before you can say Knife (not a very tactful thing to say in the circumstances anyhow), all his boy and girl friends are gathered round, your respectable quiet decorous docile night turns itself into a regular tiger-garden.

You're not listening." Savannah squirmed, trying to get out from under him. "You're trying to seduce me." She said it indignantly. He lifted his head, pale eyes roaming possessively over her beautiful freatures. "Yes,I am. Is it working?" His voice-a low, teasing caress-disarmed her where denial would not have. His hand was spanning her throat, his thumb brushing tenderly along her neck, sending flames licking along her skin. She was smiling at his words in spite of every effort not to. "No, it isn't working at all," she lied. She couldn't look at him without wanting him. Her pulse was racing beneath the pad of his thumb. Her skin was hot satin, inviting his touch, inviting further exploration. There was conflict in her mind, fear uppermost, but there was also desire. Gregori focused on that, fed that spark of need with his own. He touched his mouth to the corner of hers, brushed a velvet-soft whisper across her lips, and felt her heart jump wildly in response. "Are you certain? I have learned much over the centuries. There is an art to making love." It was blatant sorcery now, all-out seduction.

It’s nothing as flashy as you’re used to from Ricey,” he warned when he climbed back into bed and tossed a small black jewelry box on the mattress between us, along with a half-melted packet of Rolos. My heart fluttered. “A whole pack just for me?” He winked. “I told you I would. And if you don’t like the other thing, then it’s tough shit because Shannon washed the receipt with my clothes.” Excited, I snatched up the box and flipped the lid open. Resting against the velvet padding interior was a tiny silver locket with the date 30.08.99 on the front. “That date…” I blew out a shaky breath. “It’s—” “The first day of first year,” he explained quietly. “The first time I laid eyes on you, and the first time I understood what it meant to have my heart beating for someone outside of my family.

The eighties were a strange time for teenage fashion. We wore silk blouses and shoulder pads, neon earrings and jodhpur pants. Come to think of it, our pants were especially weird. We also wore stirrup pants, parachute pants, and velvet knickers. It was a real experimental pant time.

On the basis of an offhand comment Aida made about curry, I spent weeks reconstructing a recipe by the world's best Indian chef, twenty-two spices compressed into a thumb-sized cookie that liquefied against the roof of the mouth. I candied summer's last fruits and presented them, tournéed to jewel-like facets, on a length of velvet. I was all night tinkering with a pad thai, wanting Aida to experience, as I had in an alley of old Bangkok, this precise magic of sugar and lime, that species of anchovy.

Here at the tip of Louisiana, it’s as if the sky and swamp and wild green trees know Holy Fire demands we lead staid, ascetic lives and try to make up for it, giving us all the splendor and decadence we aren’t supposed to want. Sunrises and sunsets are riots of color, the gulf sapphire blue, the black swamp laced with velvet-green lily pads, tall trees almost floating out of the depths. Trees everywhere, in fact: bending over dirt roads and bracing the shore and thick as a wall of sentries in the woods, dripping with Spanish moss. All this beauty stirs the soul, making one feel the pinprick presence of another order: God, perhaps, but maybe also something darker, secret beings with lives that unfold in the slivers between trees, whose slitted eyes blink open at night in the depths of the swamp, yellow and ancient as alligators’.

And so now, having been born, I’m going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I’m sucked back between my mother’s legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There’s a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he’s in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we’re out of America completely; we’re in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we’re up on dry land again, where the film unspools, back at the beginning . . .

In old prints melancholy is usually portrayed as a woman, disheveled, deranged, surrounded by broken pitchers, leaning casks, torn books. She may be sunk in unpeaceful sleep, heavy limbed, overpowered by her inability to take the world's measure, her compass and book laid aside. She is very frightening, but the person she frightens most is herself. She is her own disease. Miter shows her wearing a large ungainly dress, winged, a garland in her tangled hair. She has a fierce frown and so great is her disarray that she is closed in by emblems of study, duty, and suffering: a bell, an hourglass, a pair of scales, a globe, a compass, a ladder, nails. Sometimes this woman is shown surrounded by encroaching weeds, a conweb undisturbed above her head. Sometimes she gazes out of the window at a full moon for she is moonstruck. And should melancholy strike a man it will because he is suffering from romantic love: he will lean his padded satin arm on a velvet cushion and gaze skywards under the nodding plume of his hat, or he will grasp a thorn or a nettle and indicate that he does not sleep. These men seem to me to be striking a bit of a pose, unlike women, whose melancholy is less picturesque. The women look as if they are in the grip of an affliction too serious to be put into words. The men, on the other hand, appear to have dressed up for the occasion, and are anxious to put a noble face on their suffering. Which shows that nothing much has changed since the sixteenth century at least in that respect.

Actually I’d never planned a career in publishing, preferring the world of art.  There was always a sketch pad handy, though I soon learned that I was best with caricatures.  There was hardly a market for those unless one was a political cartoonist, an all-male world if there ever was one.  So it was publishing for me, at least for the time being.

Mr. Baynes opened the box. In it lay a Mickey Mouse wristwatch on a pad of black velvet. Was Mr. Tagomi playing a joke on him? He raised his eyes, saw Mr. Tagomi’s tense, concerned face. No, it was not a joke. “Thank you very much,” Baynes said. “This is indeed incredible.

Excited, I snatched up the box and flipped the lid open. Resting against the velvet padding interior was a tiny silver locket with the date 30.08.99 on the front. “That date…” I blew out a shaky breath. “It’s—” “The first day of first year,” he explained quietly. “The first time I laid eyes on you, and the first time I understood what it meant to have my heart beating for someone outside of my family.

pants, or “huggable” velvet hangers, rather than cheap wire ones, will keep clothing in top-notch shape and avoid tangles. It’s okay to use more than one kind of hanger to help clothing keep its shape. For example, padded hangers should be used for any hanging sweaters, but other kinds of shirts would be fine with tube or huggable hangers. Just keep them consistent in each section of the closet. And always hang clothes in the same direction. This will help reduce visual clutter and allow you to review your clothes at a glance. For shoes, there are a multitude of storage options. Inexpensive clear plastic shoe boxes keep shoes dust-free and easily viewed. Or use overdoor shoe bags, hanging canvas shoe bags, or a neat tiered shoe rack or shoe tree on the floor. Make sure to use ALL closet space. Underneath short- hanging garments, place a low trunk full of sweaters, a set of plastic drawers, or a simple wooden dresser filled with lingerie, swimsuits, and socks. 6. CLEAN UP & MAINTAIN Put the donation boxes in the car or near the exit so they leave the home immediately. Take out the trash. Grab the relocation box and redistribute all of its contents appropriately. Review the contents of the fix-it box and determine if the cost of the repairs is worth saving the items. If so, make a plan to get them to the

You’re bleeding,” he said. “A thorn prick, no more,” she stated. “I didn’t know fairy creatures could bleed. I always fancied them spun of mist and moonlight, not flesh and blood.” “Let go.” “No, my love—” “I’m not a fairy creature, and I am surely not your love.” “It’s just an expression.” “It’s a lie. But ’tis no high wonder to me. I’d be expecting falsehoods from a Sassenach.” “Poor Caitlin. Does it hurt?” Very slowly, with his eyes fixed on hers, he put her finger to his lips and gently slipped it inside his mouth. Too shocked to stop him, she felt the warmth of his mouth, the moist velvet brush of his tongue over the pad of her finger. Then with an excess of gentleness he drew it out and placed her hand in her lap. “I think the bleeding’s stopped,” he said.