Edith Head Quotes

A dress should be tight enough to show you're a woman and loose enough to prove you're a lady.

You can have whatever you want if you dress for it.

She threw back her head with a laugh that made her chins ripple like little waves.

a designer is only as good as the star who wears her clothes

It is odd, the twists that life will sometimes take. The ewe that you think will give birth with ease dies bringing forth a two-headed lamb. Or the ski trail that you have been told is treacherous, you navigate easily.

You can have anything you want if you dress for it.

Homecoming My childhood's trees stand rejoicing around me: O human! and the grass bids me welcome from foreign lands. I lean my head in the grass: now home at last.

But there was about her the mysterious authority of beauty, a sureness in the carriage of the head, the movement of the eyes, which, without being in the least theatrical, struck him as highly trained and full of a conscious power." (Newland Archer of Countess Olenska)

Yes, I hear that people who suffer from brain damage are quite happy. That's what I always wanted for you, Edith: for you to be happy, no matter how many blows to the head it takes.

He was either stout or portly, wealthy enough that a vocabulary had been devised to conceal his girth.

The habit of questioning everything can be dangerous, for sooner or later it will surely bring a man into head-on collision with the unquestionable, and he will not be able in conscience to draw aside.

The February day was closing, and a ray of sunshine, slanting through a slit in the chapel wall, brought out the vision of a pale haloed head floating against the dusky background of the chancel like a water-lily on its leaf.

This new resolve gave her a sort of light-headed self-confidence: when she left the dinner-table she felt so easy and careless that she was surprised to see that the glass of champagne beside her plate was untouched. She felt as if all its sparkles were whirling through her.

Poor May!" he said. "Poor? Why poor?" she echoed with a strained laugh. "Because I shall never be able to open a window without worrying you," he rejoined, laughing also. For a moment she was silent; then she said very low, her head bowed over her work: "I shall never worry if you're happy." "Ah, my dear; and I shall never be happy unless I can open the windows!" "In THIS weather?" she remonstrated; and with a sigh he buried his head in his book.

Her head bent back, she took his kiss, and then drew apart. The sparkle in his eyes she understood to be as much an invitation to her bloom as a tribute to her sagacity.

He started to walk across the Common, and on the first bench, under a tree, he saw her sitting. She had a gray silk sunshade over her head—how could he have ever imagined her with a pink one?

When he returned, Edith was in bed with the covers pulled to her chin, her face turned upward, her eyes closed, a thin frown creasing her forehead. Silently, as if she were asleep, Stoner undressed and got into bed beside her. For several moments he lay with his desire, which had become an impersonal thing, belonging to himself alone. He spoke to Edith, as if to find a haven for what he felt; she did not answer. He punt his hand upon her and felt beneath the thin cloth of her nightgown the flesh he had longed for. He moved his hand upon her; she did not stir; her frown deepened. Again he spoke, saying her name to silence; then he moved his hand upon her, gentle in his clumsiness. When he touched the softness of her thighs she turned her head sharply away and lifted her arm to cover her eyes. She made no sound.

Anna lifted her happy smile. The impulse to press his lips to it made him come close and draw her upward. She threw her head back, as if surprised at the abruptness of the gesture; then her face leaned to his with the slow droop of a flower.

Couples were already gliding over the floor beyond: the light of the wax candles fell on revolving tulle skirts, on girlish heads wreathed with modest blossoms, on the dashing aigrettes and ornaments of the young married women's coiffures, and on the glitter of highly glazed shift-fronts and fresh glacé gloves.

Couples were already gliding over the floor beyond: the light of the wax candles fell on revolving tulle skirts, on girlish heads wreathed with modest blossoms, on the dashing aigrettes and ornaments of the young married women’s coiffures, and on the glitter of highly glazed shirt-fronts and fresh glacé gloves.

Archer’s New York tolerated hypocrisy in private relations; but in business matters it exacted a limpid and impeccable honesty. It was a long time since any well-known banker had failed discreditably; but every one remembered the social extinction visited on the heads of the firm when the last event of the kind had happened.

But then the Nazis arrested Uncle Richard and Aunt Roszi too. They spent six weeks in prison. To get out, they gave the Nazis everything they possessed: real estate, bank accounts, bonds, dishes, silver. Then they left immediately, heading east. Russia swallowed them. My mother waited and prayed for word of them, but none came.

The face she lifted to her dancers was the same which, when she saw him, always looked like a window that has caught the sunset. He even noticed two or three gestures which, in his fatuity, he had thought she kept for him: a way of throwing her head back when she was amused, as if to taste her laugh before she let it out, and a trick of sinking her lids slowly when anything charmed or moved her.

I had never even thought of Edith as a member of the opposite sex; it had never even so much as crossed my mind that her crippled body was possessed of the same organs, that her soul harboured the same urgent desires, as those of other women. It was only from this moment that I began to have an inkling of the fact (suppressed by most writers) that the outcasts, the branded, the ugly, the withered, the deformed, the despised and rejected, desire with a more passionate, far more dangerous avidity than the happy; that they love with a fanatical, a baleful, a black love, and that no passion on earth rears its head so greedily, so desperately, as the forlorn and hopeless passion of these step-children of God, who feel that they can only justify their earthly existence by loving and being loved.

It sounds more conspicuous; and that can hardly be what she wishes," said Mrs. Archer distantly. "Why not?" broke in her son, growing suddenly argumentative. "Why shouldn't she be conspicuous if she chooses? Why should she slink about as if it were she who had disgraced herself? She's 'poor Ellen' certainly, because she had the bad luck to make a wretched marriage; but I don't see that that's a reason for hiding her head as if she were the culprit.

Watching Mattie whirl down the floor from hand to hand he wondered how he could ever have thought that his dull talk interested her. To him, who was never gay but in her presence, her gaiety seemed plain proof of indifference. The face she lifted to her dancers was the same which, when she saw him, always looked like a window that has caught the sunset. He even noticed two or three gestures which, in his fatuity, he had thought she kept for him: a way of throwing her head back when she was amused, as if to taste her laugh before she let it out, and a trick of sinking her lids slowly when anything charmed or moved her.

It was true that her early radiance was gone. The red cheeks had paled; she was thin, worn, a little older-looking than her age, which must have been nearly thirty. But there was about her the mysterious authority of beauty, a sureness in the carriage of the head, the movement of the eyes, which, without being in the least theatrical, struck his as highly trained and full of a conscious power. At the same time she was simpler in manner than most of the ladies present, and many people (as he heard afterward from Janey) were disappointed that her appearance was not more “stylish”—for stylishness was what New York most valued.

When we’re in the habit of denying our feelings, it can be hard even to identify what we’re feeling, much less face it, express it, and finally release it. One way we get stuck is by confusing thoughts with feelings. I’m surprised how often I hear people say things like, “I feel I should head downtown this afternoon and run a few errands,” or, “I feel like highlights would really brighten your eyes.” These aren’t feelings! They’re thoughts. Ideas. Plans. Feelings are energy. With feelings there’s no way out but through. We have to be with them. It takes so much courage to be, without having to do anything about anything—to just simply be.

People were leaping off La Bestia and running as if chased by demons spilling from hell. Out of the corner of my eye, I saw Melquis and Edith jump together; I could tell Solyapa was still in front of me. I let go more out of reflex than plan, and regretted it that instant, thinking that perhaps I should have helped Solyapa first. No matter, I was surprised by the jerky scrape of dirt against my flesh as it tugged and wrestled against me as I kept moving forward despite being on the ground. The dirt itself was surprisingly hot; there was red in my eyes, nothing was clear; I felt a pain over the front of my head and my right eye was throbbing.

What more she said, or what de Crucis answered, he could never afterward recall. He had a confused sense of having cried out a last unavailing protest, faintly, inarticulately, like a man struggling to make himself heard in a dream; then the room grew dark about him, and in its stead he saw the old chapel at Donnaz, with its dimly-gleaming shrine, and heard the voice of the chaplain, harsh and yet strangely shaken:— “My chief prayer for you is that, should you be raised to this eminence, it may be at a moment when such advancement seems to thrust you in the dust.” Odo lifted his head and saw de Crucis standing alone before him. “I am ready,” he said.

Just as they reached the door to the accommodation section, it opened, and a small boy towing a travel bag along the floor behind him came through. A small dog poked his head out of one end of this bag—the pup had been zipped up inside. “Out of the way, son,” Harper said. The child stopped, and gaped up at the battle-archon. Behind him, his trapped pup growled. The rear end of the leather and cloth satchel oscillated wildly. “I wanted to see the angel,” the boy said. “Aunt Edith promised I could watch it kill something.” Hasp halted, still reeling, and looked down at the boy and his pet. “You want to see me kill?” he muttered. “Then order me to do so. You’re all Menoa’s fucking people on this train.” The boy brightened. “Do it!” he said. “Kill something now.” “As you wish.” Hasp kicked the dog with all of the strength he could muster. Had the animal been made of tougher stuff than flesh and bone, or had its bag been composed of something more substantial than woven thread, it might have made an impact hard enough to shatter the glass wall at the end of the corridor sixty feet away. Instead, the creature and the torn remains of its embroidered travel bag spattered against the opposite end of the passage in a series of wet smacks, more like a shower of red rain than anything resembling the corpse of a dog. The boy screamed. Hasp cricked his neck, then shoved the child aside and stomped away, his transparent armour swimming with rainbows.

Aristotle, the model scientist, the man of cool head and detached observation, unbiased, impersonal, does not display any dispassionate aloofness in his consideration of reason. He so loves it and delights in it that when it is the theme of discourse he cannot be held within the sober bounds of the scientific spirit. His words must be quoted, they are so characteristically Greek: Since then reason is divine in comparison with man’s whole nature, the life according to reason must be divine in comparison with (usual) human life. Nor ought we to pay regard to those who exhort us that as men we ought to think human things and keep our eyes upon mortality: nay, as far as may be, we should endeavor to rise to that which is immortal, and live in conformity with that which is best, in us. Now, what is characteristic of any nature is that which is best for it and gives most joy. Such to man is the life according to reason, since it is this that makes him man.

Up and down the coast of Asia Minor St. Paul was mobbed and imprisoned and beaten. In Athens “they brought him unto the Areopagus, saying, ‘May we know what this new teaching is?’” Aristotle, the model scientist, the man of cool head and detached observation, unbiased, impersonal, does not display any dispassionate aloofness in his consideration of reason. He so loves it and delights in it that when it is the theme of discourse he cannot be held within the sober bounds of the scientific spirit. His words must be quoted, they are so characteristically Greek: Since then reason is divine in comparison with man’s whole nature, the life according to reason must be divine in comparison with (usual) human life. Nor ought we to pay regard to those who exhort us that as men we ought to think human things and keep our eyes upon mortality: nay, as far as may be, we should endeavor to rise to that which is immortal, and live in conformity with that which is best, in us. Now, what is characteristic of any nature is that which is best for it and gives most joy. Such to man is the life according to reason, since it is this that makes him man. Love

They sat islanded in their foreignness, irrelevant now that the holiday season had ended, anachronistic, outstaying their welcome, no longer necessary to anyone's plans. Priorities had shifted; the little town was settling down for its long uninterrupted hibernation. No one came here in the winter. The weather was too bleak, the snow too distant, the amenities too sparse to tempt visitors. And they felt that the backs of the residents had been turned on them with a sigh of relief, reminding them of their transitory nature, their fundamental unreality. And when Monica at last succeeded in ordering coffee, they still sat, glumly, for another ten minutes, before the busy waitress remembered their order. 'Homesick,' said Edith finally. 'Yes.' But she thought of her little house as if it had existed in another life, another dimension. She thought of it as something to which she might never return. The seasons had changed since she last saw it; she was no longer the person who could sit up in bed in the early morning and let the sun warm her shoulders and the light make her impatient for the day to begin. That sun, that light had faded, and she had faded with them. Now she was as grey as the season itself. She bent her head over her coffee, trying to believe that it was the steam rising from the cup that was making her eyes prick. This cannot go on, she thought.

Air swirled over her shoulders leaving a wake of chilled skin. To her left something stirred in the shadows. She blinked. The swordsman stood by the fire, as clear and solid as day. Her heart thundered in her ears so loud he must surely hear. She started to sit up, then remembered her naked state. Water sloshed in the tub. "I beg your pardon." He inclined his head. Steam from the water swirled, but Olivia saw his dark hair. He was tall and wore a tunic worked with red and gold. A leather strap crossed from right shoulder to left waist and held the scabbard fastened across his back. A jeweled belt circled his waist. His eyes matched the blue of the sky. The way he stood struck her as familiar. She closed her eyes. He was still there when she opened them again. "I am not mad," she said. "Is that you? Edith?" Even with the distance between them and the mist swirling in the air, she saw his blue eyes, the arrogant set to his shoulders that came of years of wealth and breeding. His grin sent a flare of alarm up her spine. He took a step toward her, and for one dreadful moment, she was convinced he was as real as she was. He tipped his head and spread his arms wide, as if to prove himself harmless. "Go away." She wasn't afraid of him precisely. She was afraid of being mad. "Please, just go away." He shook his head. "I am not mad," she whispered. He shook his head again. "I wish you were real.

Only twice in literary history has there been a great period of tragedy, in the Athens of Pericles and in Elizabethan England. What these two periods had in common, two thousand years and more apart in time, that they expressed themselves in the same fashion, may give us some hint of the nature of tragedy, for far from being periods of darkness and defeat, each was a time when life was seen exalted, a time of thrilling and unfathomable possibilities. They held their heads high, those men who conquered at Marathon and Salamis, and those who fought Spain and saw the Great Armada sink. The world was a place of wonder; mankind was beauteous; life was lived on the crest of the wave. More than all, the poignant joy of heroism had stirred men’s hearts. Not stuff for tragedy, would you say? But on the crest of the wave one must feel either tragically or joyously; one cannot feel tamely. The temper of mind that sees tragedy in life has not for its opposite the temper that sees joy. The opposite pole to the tragic view of life is the sordid view. When humanity is seen as devoid of dignity and significance, trivial, mean, and sunk in dreary hopelessness, then the spirit of tragedy departs. “Sometime let gorgeous tragedy in sceptred pall come sweeping by.” At the opposite pole stands Gorki with The Lower Depths. Other poets may, the tragedian must, seek for the significance of life. An error strangely common is that this significance for tragic purposes depends, in some sort, upon outward circumstance, on pomp and feast and revelry, With mask, and antique pageantry— Nothing of all that touches tragedy. The surface of life is comedy’s concern; tragedy is indifferent to it. We do not, to be sure, go to Main Street or to Zenith for tragedy, but the reason has nothing to do with their dull familiarity. There is no reason inherent in the house itself why Babbitt’s home in Zenith should not be the scene of a tragedy quite as well as the Castle of Elsinore. The only reason it is not is Babbitt himself. “That singular swing toward elevation” which Schopenhauer discerned in tragedy, does not take any of its impetus from outside things. The

Blaine: ONE MOMENT. I MUST ADJUST THE VOLUME FOR YOU TO ENJOY THE FULL EFFECT. There was a brief, whispery hooting sound (a kind of mechanical throat-clearing) and then they were assaulted by a vast roar. It was water (a billion gallons a minute, for all Jake knew) pouring over the lip of the chasm and falling perhaps two thousand feet into the deep stone basin at the base of the falls. Streamers of mist floated past the blunt almost-faces of the jutting dogs like steam from the vents of hell. The level of sound kept climbing. Now Jake's whole head vibrated with it, and as he clapped his hands over his ears, he saw Roland, Eddie, and Susannah doing the same. Oy was barking, but Jake couldn't hear him. Susannah's lips were moving again, and again he could read the words (STOP IT, BLAINE, STOP IT!) but he couldn't hear them any more than he could hear Oy's barks, although he was sure Susannah was screaming at the top of her lungs. And still Blaine increased the sound of the waterfall, until Jake could feel his eyes shaking in their sockets and he was sure his ears were going to short out like overstressed stereo speakers. Then it was over. They still hung above the moon-misty drop, the moonbows still made their slow and dreamlike revolutions before the curtain of endlessly falling water, the wet and brutal stone faces of the dog-guardians continued to jut out of the torrent, but that world-ending thunder was gone. For a moment Jake thought what he'd feared had happened, that he had gone deaf. Then he realized that he could hear Oy, still barking, and Susannah crying. At first these sounds seemed distant and flat, as if his ears had been packed with cracker-crumbs, but then they began to clarify. Eddie put his arm around Susannah's shoulders and looked toward the route map. Eddie: Nice guy, Blaine. Blaine: (his booming voice sounds laughing and injured simultaneously) I MERELY THOUGHT YOU WOULD ENJOY HEARING THE SOUND OF THE FALLS AT FULL VOLUME. I THOUGHT IT MIGHT HELP YOU TO FORGET MY REGRETTABLE MISTAKE IN THE MATTER OF EDITH BUNKER. My fault, Jake thought. Blaine may just be a machine, and a suicidal one at that, but he still doesn't like to be laughed at. He sat beside Susannah and put his own arm around her. He could still hear the Falls of the Hounds, but the sound was now distant.

You can do anything you want in life if you dress for it.

When she poked her head up to see if she was being rescued, what Mrs. Edith Mitchell saw drove her beyond the brink of her sanity. What she saw were two monsters with rat-like heads in blue-and-white jumpsuits driving a Ford explorer while they smoked cigarettes.

I don't think you want that," he said. "It's broken." "Broken?" Edith Williams rubbed off the dust and held the lovely bell-shape of crystal, the size of a pear, to the light. "It looks perfect to me." "I mean it is not complete." Something of the American had vanished from the young man. "It has no clapper. It will not ring." "Why, that's right." Mark Williams took the bell. "The clapper's missing." "We can have another clapper made," his wife declared. "That is, if the original can't be found?" The young Chinese shook his head. "The bell and the clapper were deliberately separated by my father twenty years ago." He hesitated, then added: "My father was afraid of this bell.

I am glad that this has happened, trebly--felix ter et amplius, my dear Edith; first, that a trade which enriches scoundrels to the detriment of the fair and lawful merchant, has received nearly its death-blow; secondly, that these audacious vagabonds, who fancied they had all the world at their command, and that they could do as they pleased in Kent, have been taught how impotent they are against a powerful hand and a clear head ; and, thirdly, that the most audacious vagabond of them all, who has amassed a large fortune by defiance of the law , and by a system which embodies cheatery with robbery--I mean robbery of the revenue with cheatery of the lawful merchant--has been the person to suffer. I have heard a great deal of forcing nations to abate their Customs dues, by smuggling in leaders taken or killed, and the amount of the smuggled goods which --with the usual exaggeration of rumour--was raised to three or four hundred thousand pounds, was universally reported to be the loss of Mr. Radford. His son had been seen by many in command of the party of contraband traders; and it was clear that he had fled to conceal himself, in fear of the very serious consequences which were likely to ensue.

The instruments that I liked the most were the flautos and recorders, especially the lovely flauto in the box with blue velvet. It was so beautiful I had been shy about even touching it, but one day I worked up my courage and took it out of the cabinet. I placed the mouthpiece to my lips and blew. A loud ringing note came out, startling me so that I almost dropped the instrument. But I held on and tried again. As that second note died away, the white bear entered the room. I fought down the instinct to hide the flauto behind my back as though I were a naughty child caught playing with grown-up things. As he came closer I could read a sort of yearning in his eyes. He lay down on the rug near the cabinet and looked up expectantly, as he did in the weaving room when he was ready to hear a story. I shook my head. “I don’t know how to play,” I explained, my cheeks a little red. “Play,” he said. “I can’t.” But he just stared at me with those yearning eyes. So I tried. And though the tone of the instrument was lovely, my playing sounded like two birds of different pitch scolding each other. The white bear closed his eyes and flattened his ears against the sound. “Well, I warned you,” I said. Then he got up and crossed to a polished wooden chest, and, using a large paw, pushed the top up. I could see bundles of paper inside, some bound, some tied with ribbon. I knew what the papers were. “I cannot read music,” I said. The white bear sighed. Then he turned and left the room. After he’d gone I went to the chest and sat down beside it, taking out a bundle of the papers with music written on them. It became my new project, learning to read music. I was lucky to find a book in the chest that showed which note corresponded to which hole on the flauto. Occasionally the white bear would come into the music room and sit and listen while I practiced, which made me self-conscious. But he never stayed long. It was as if he could only take it so long, hearing the music he knew mangled beyond all recognizable shape.

Knocking on their door, a panther's paw that rubbed until it became a pounding no one responded to. He tried the handle. They were there all right, fancy pretending like that, it wasn't as if he had disturbed them from sleeping. He coughed, and gasped, while walking rapidly up and down the landing. Should he go back into his room, shout from there, scream in fact, as though in the middle of a nightmare? He remained at the top of the stairs, cutoff from the rest of the house, the neighbourhood. Had they gone out, or were they dead— copulating too fast, too much? He moved down one stair head bowed considering the best way into the next event. The other doors had, during his stay, remained part of the walls, a slight murmur or hum of a radio escaped occasionally through a crack. But if he knocked, enquired the time, wouldn't the crack immediately be sealed, not even space for an eye, let alone his finger? He hovered on the front door step, two hundred yards from the Palais de Dance. Coloured tickets, spent out balloons, contraceptives divided pavement from road. Berg leaned slightly forward in order to see the pub clock. On his back he stared at the buildings that were giants advancing. Snatch the stars, pull out the moon for my navel, a button hole for my own personal identification. A shadow pushed itself across his face. He spread out his arms. I implore to be left where I am, as I have been given, I am satisfied, attuned to my world. He shut his eyes, and foetus-curled from the pavement. His lips, dry leaves, slowly parted. Have I ever been inside? Edith's tears, not coping, timid amongst robust mums. You discovered: dormitory pleasures, what is considered a pretty boy at the age of nine, to be taken advantage of.

striking through the trees of the cool summer wood. God help me, she thought, remembering the happiness of their recent meetings and seeing them suddenly irradiated with this new and marvelous light. Not now. Not at my age. Not now, at fifty, to love as I could not love when I was younger. You fool of a woman! Just to think such a thing could be possible shows what a fool you are. It’s not possible. This is a place that goes to one’s head, that’s all. It goes to one’s head. “I’m awfully hungry,” said Edith.

Let me tell you what you need, Edith, he said. Not again, she thought. I have just told you what I need and I know what that is better than you do. 'Yes, I know you think you know better than I do,' he said, as her head shot up in alarm.

Doc took a step forward. “That’s cutting it awfully thin, twelve hours. It would be easy to miss these ripples.” Edith shook her head. “Don’t you understand? That’s why the Patrol stretches all the way back to the beginning of mankind. We have twelve hours in the present, but all of history, after the initiating event of a ripple, to notice it. So any agent past the initiating of a ripple up until the present can report it.” She pointed toward the Metropolitan Museum of Art. “And that’s why we’re here. We have art in there from across the world. A series of ripples make it to a shift, it will show up in the art from some time and some place.” “Ingenious,” Eagle said. “The backup reporting system.” Edith nodded. “Yes. The Patrol disappearing, that wipes out any agent reporting in other than through the art.

Brigands masquerading as statesmen.

I marveled at the speed with which she’d acquired that essential accessory to Hollywood success, a permanent sense of dissatisfaction.

The usual Sunday horde of marcelled Visigoths laid waste to Tremayne’s, and I did my level best to help them sack and pillage.

Her skin had the continental glow that came from a steady diet of fresh vegetables and kept secrets.

Its bitter taste, containing notes of menthol, eucalyptus, and regret, prompted gagging, which I kept at a genteel level.

Handbills by the entrance threatened folk dancing, and floor space had been cleared.

He shook his head. "I never wanted to admit this to myself," he said with something like tranquility, "but you really do hate me, don't you, Edith?

EDITH HEAD: Some directors are suspicious of designers, did you know that? Why? Because they always feel a designer is trying to sell a dress.

EDITH HEAD: Years ago, we transmitted the mood of the actress to the audience by the way we dressed them. We were so much a part of the storytelling image.

Since the day when you discovered that Clement Spender hadn’t quite broken his heart because he wasn’t good enough for you; since you found your revenge and your triumph in keeping me at your mercy, and in taking his child from me!” Charlotte’s words flamed up as if from the depth of the infernal fires; then the blaze dropped, her head sank forward, and she stood before Delia dumb and stricken.

No man who has had the privilege of being loved by you could ever for a moment...” She raised her head and looked at him. “You have never had that privilege,” she interrupted.

Oh, you don’t know what a girl has to put up with— a girl alone in the world—who depends for her clothes, and her food, and the roof over her head, on the whims of a vain capricious old woman!