Russ Quotes

We've searched our database for all the quotes and captions related to Russ. Here they are! All 100 of them:

Of course I’ve gone mad with power! Have you ever tried going mad without power? It’s boring and no one listens to you! — Russ Cargill
Matt Groening
As my mother once said: The boys throw stones at the frogs in jest. But the frogs die in earnest.
Joanna Russ (The Female Man)
I once asked a young dissertation writer whether her suddenly grayed hair was due to ill health or personal tragedy; she answered: “It was the footnotes”.
Joanna Russ (How to Suppress Women's Writing)
There are plenty of images of women in science fiction. There are hardly any women.
Joanna Russ
The feeling of love comes and goes on a whim; you can't control it. But the action of love is something you can do, regardless of how you are feeling.
Russ Harris (ACT with Love: Stop Struggling, Reconcile Differences, and Strengthen Your Relationship with Acceptance and Commitment Therapy)
I'm not a girl. I'm a genius.
Joanna Russ (The Female Man)
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
Joanna Russ (The Female Man)
Ignorance is not bad faith. But persistence in ignorance is.
Joanna Russ (How to Suppress Women's Writing)
I love stories about people I don’t know, and places I haven’t been to. I’ve lived a thousand lives between a thousand pages, but no story, no life, no page has ever made me as happy as you do, Russ Callaghan.
Hannah Grace (Wildfire (Maple Hills, #2))
Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.
Joanna Russ
The more we try to avoid the basic reality that all human life involves pain, the more we are likely to struggle with that pain when it arises, thereby creating even more suffering.
Russ Harris (The Happiness Trap: How to Stop Struggling and Start Living: A Guide to ACT)
Commitment isn’t about being perfect, always following through, or never going astray. Commitment means that when you (inevitably) stumble or get off track, you pick yourself up, find your bearings, and carry on in the direction you want to go.
Russ Harris
If you scream, people say you're melodramatic; if you submit, you’re masochistic; if you call names, you're a bitch. Hit him and he'll kill you. The best thing is to suffer mutely and yearn for a rescuer, but suppose a rescuer doesn't come?
Joanna Russ (The Female Man)
You know it’s a bad sign when the theme song from Titanic describes your relationship.
Julia Spencer-Fleming (All Mortal Flesh (The Rev. Clare Fergusson & Russ Van Alstyne Mysteries #5))
The trouble with men is that they have limited minds. That's the trouble with women, too." ["Existence" (1975)]
Joanna Russ
Minority art, vernacular art, is marginal art. Only on the margins does growth occur.
Joanna Russ
Elle me dit son nom, celui qu'elle s'est choisi: « Nadja, parce qu'en russe c'est le commencement du mot espérance, et parce que ce n'en n'est que le commencement.
André Breton (Nadja)
Psychological flexibility is the ability to adapt to a situation with awareness, openness, and focus and to take effective action, guided by your values.
Russ Harris (The Happiness Trap: How to Stop Struggling and Start Living: A Guide to ACT)
This is the underside of my world. Of course you don’t want me to be stupid, bless you! you only want to make sure you’re intelligent. You don’t want me to commit suicide; you only want me to be gratefully aware of my dependency. You don’t want me to despise myself; you only want the flattering deference to you that you consider a spontaneous tribute to your natural qualities. You don’t want me to lose my soul; you only want what everybody wants, things to go your way; you want a devoted helpmeet, a self-sacrificing mother, a hot chick, a darling daughter, women to look at, women to laugh at, women to come for comfort, women to wash your floors and buy your groceries and cook your food and keep your children out of your hair, to work when you need the money and stay home when you don’t, women to be enemies when you want a good fight, women who are sexy when you want a good lay, women who don’t complain, women who don’t nag or push, women who don’t hate you really, women who know their job and above all—women who lose. On top of it all, you sincerely require me to be happy; you are naively puzzled that I should be wretched and so full of venom in this the best of all possible worlds. Whatever can be the matter with me? But the mode is more than a little outworn. As my mother once said: the boys throw stones at the frogs in jest. But the frogs die in earnest.
Joanna Russ (The Female Man)
The Universe is full of dots. Connect the right ones and you can draw anything. The important question is not whether the dots you picked are really there, but why you chose to ignore all the others.
Russel "Russ" Roberts (How Adam Smith Can Change Your Life: An Unexpected Guide to Human Nature and Happiness)
He stomped away like a pint-sized Godzilla looking for Tokyo.
Julia Spencer-Fleming (I Shall Not Want (Rev. Clare Fergusson & Russ Van Alstyne Mysteries, #6))
It never ceases to amaze me how many folks jump right over "I'll try" to "I can't.
Julia Spencer-Fleming (To Darkness and to Death (Rev. Clare Fergusson & Russ Van Alstyne Mysteries, #4))
Rule 1: The actions of confidence come first; the feelings of confidence come later.
Russ Harris (The Confidence Gap)
Privileged groups, like everyone else, want to think well of themselves and to believe that they are acting generously and justly.
Joanna Russ (How to Suppress Women's Writing)
Scholars don't usually sit gasping and sobbing in corners of the library stacks. But they should. They should.
Joanna Russ (On Strike Against God)
The first principle is that you must not fool yourself—and you are the easiest person to fool.
Russel "Russ" Roberts (How Adam Smith Can Change Your Life: An Unexpected Guide to Human Nature and Happiness)
Success in life means living by your values.
Russ Harris
La faute à la télé ? Le vingtième siècle trop « visuel » ? Le dix-neuvième trop descriptif ? Et pourquoi pas le dix-huitième trop rationnel, le dix-septième trop classique, le seizième trop renaissance, Pouchkine trop russe et Sophocle trop mort ?
Daniel Pennac (Comme un roman)
J'ai connu et je connais encore, dans ma vie, des bonheurs inouïs. Depuis mon enfance, par exemple, j'ai toujours aimé les concombres salés, pas les cornichons, mais les concombres, les vrais, les seuls et uniques, ceux qu'on appelle concombres à la russe. J'en ai toujours trouvé partout. Souvent, je m'en achète une livre, je m'installe quelque part au soleil, au bord de la mer, ou n'importe où, sur un trottoir ou sur un banc, je mords dans mon concombre et me voilà complètement heureux. Je reste là, au soleil, le cœur apaisé, en regardant les choses et les hommes d'un œil amical et je sais que la vie vaut vraiment la peine d'être vécue, que le bonheur est accessible, qu'il suffit simplement de trouver sa vocation profonde, et de se donner à ce qu'on aime avec un abandon total de soi.
Romain Gary (Promise at Dawn)
You can't imbibe someone's success by f*cking them.
Joanna Russ (The Female Man)
Men succeed. Women get married. Men fail. Women get married. Men enter monasteries. Women get married. Men start wars. Women get married. Men stop them. Women get married.
Joanna Russ (The Female Man)
If you’re living a goal-focused life, then no matter what you have, it’s never enough
Russ Harris
Fear is not your enemy. It is a powerful source of energy that can be harnessed and used for your benefit.
Russ Harris (The Confidence Gap)
Any search for a "pain-free existence" is doomed to failure.
Russ Harris
Stop trying to control how you feel, and instead take control of what you do.
Russ Harris (ACT with Love: Stop Struggling, Reconcile Differences, and Strengthen Your Relationship with Acceptance and Commitment Therapy)
That not all men are piggy, only some; that not all men belittle me, only some; that not all men get mad if you won’t let them play Chivalry, only some; that not all men write books in which women are idiots, only most; that not all men pull rank on me, only some; that not all men pinch their secretaries’ asses, only some; that not all men make obscene remarks to me in the street, only some; that not all men make more money than I do, only some; that not all men make more money than all women, only most; that not all men are rapists, only some; that not all men are promiscuous killers, only some; that not all men control Congress, the Presidency, the police, the army, industry, agriculture, law, science, medicine, architecture, and local government, only some. I sat down on the lawn and wept.
Joanna Russ (On Strike Against God)
The mind loves telling stories; in fact, it never stops.
Russ Harris (The Happiness Trap: How to Stop Struggling and Start Living: A Guide to ACT)
Rule 2: Genuine confidence is not the absence of fear; it is a transformed relationship with fear.
Russ Harris (The Confidence Gap)
....thinking you are attacking society when you condemn or ravage the hypothetical Nice Girl Next Door is the exact equivalent of thinking that stealing from the local supermarket makes you a Communist.
Joanna Russ
Danse Russe If I when my wife is sleeping and the baby and Kathleen are sleeping and the sun is a flame-white disc in silken mists above shining trees,-- if I in my north room dance naked, grotesquely before my mirror waving my shirt round my head and singing softly to myself: "I am lonely, lonely. I was born to be lonely, I am best so!" If I admire my arms, my face, my shoulders, flanks, buttocks against the yellow drawn shades,-- Who shall say I am not the happy genius of my household?
William Carlos Williams
[Two respondents] minimized the assimilationist implications of the dominant account; Russ Silver rejects the idea entirely. 'I have no interest in being accepted. I consider this system corrupt, and I don't want to be accepted by it. We're in this together. Faggots, junkies, women, blacks, Hispanics, Native Americans, Asians, don't you see it? Don't you see that our white male government doesn't care about us? When I say this it shocks coat-and-tie lesbians and gay men everywhere. Well, I'm sorry, folks; if you had AIDS you would know what I know: The government doesn't give a goddamn cent for a faggot's life.
Vera Whisman (Queer By Choice)
In ACT, our main interest in a thought is not whether it’s true or false, but whether it’s helpful; that is, if we pay attention to this thought, will it help us create the life we want?
Russ Harris (The Happiness Trap: How to Stop Struggling and Start Living: A Guide to ACT)
I can hear banging and rustling before I even open the door, and part of me is worried I’m about to walk in on Sabrina and Robbie doing something weird on the couch, but instead I open the door and Russ is standing in my living room, looking like a deer in headlights, holding a box labeled SMUT in huge letters.
Hannah Grace (Icebreaker (UCMH, #1))
Ah, Dio. Era il mio Peter Pan e io la sua Wendy. Tutto per lui era una fantastica avventura, qualcosa da affrontare con le mani al cielo come sulle montagne russe. Mi stava insegnando a credere nei sogni e nei pensieri felici. Mi stava regalando la polvere di fata per spiccare il volo.
Glinda Izabel (Shades of Life)
What holds you back is not fear, but your attitude towards it. The tighter you hold on to the attitude that fear is something ‘bad’ and you can’t do the things you want until it goes away, the more stuck you will be.
Russ Harris (The Confidence Gap)
Don't rush into any kind of relationship. Work on yourself. Feel yourself, experience yourself and love yourself. Do this first and you will soon attract that special loving other.
Russ von Hoelscher
Basically, expansion means making room for our feelings. If we give unpleasant feelings enough space, they no longer stretch us or strain us.
Russ Harris (The Happiness Trap: Stop Struggling, Start Living)
A = Accept your thoughts and feelings and be present. C = Connect with your values. T = Take effective action.
Russ Harris (The Happiness Trap: How to Stop Struggling and Start Living: A Guide to ACT)
The demon got up. The demon said Fool. To think you can eat their food and not talk to them. To think you can take their money and not be afraid of them. To think you can depend on their company and not suffer from them.
Joanna Russ (On Strike Against God)
At the level of high culture with which this book is concerned, active bigotry is probably fairly rare. It is also hardly ever necessary, since the social context is so far from neutral. To act in a way both sexist and racist, to maintain one's class privilege, it is only necessary to act in the customary, ordinary, usual, even polite manner.
Joanna Russ (How to Suppress Women's Writing)
You're pretty sassy this morning, son. Is it all about Reingold's rulings?" "That didn't suck, but I've got me a fascinating, beautiful woman I'm falling for. Falling hard." "Quick work." "In the blood. My mama and daddy barely did more than look at each other, and that was that. She's got me, Russ. Right here." He tapped a fist on his heart. "Surely it's not considerably lower where she's got you?" "There, too. But, Jesus, Russ, she does it for me. I just think about her, and... I swear I could look at her for hours. Days." Brooks let out a half-laugh, edged with a little surprise. "I'm done. I'm gone.
Nora Roberts (The Witness)
The Winter solstice (you haven't lived if you haven't seen us running around in our skivvies, banging on pots and pans, shouting "Come back, sun! Goddammit, come back! Come back!
Joanna Russ (The Female Man)
And middle-class women, although taught to value established forms, are in the same position as the working class: neither can use established forms to express what the forms were never intended to express (and may very well operate to conceal).
Joanna Russ (How to Suppress Women's Writing)
Leaning her silly, beautiful, drunken head on my shoulder, she said, "Oh, Esther, I don't want to be a feminist. I don't enjoy it. It's no fun." "I know," I said. "I don't either." People think you decide to be a "radical," for God's sake, like deciding to be a librarian or a ship's chandler. You "make up your mind," you "commit yourself" (sounds like a mental hospital, doesn't it?). I said Don't worry, we could be buried together and have engraved on our tombstone the awful truth, which some day somebody will understand: WE WUZ PUSHED.
Joanna Russ (On Strike Against God)
There is the vanity training, the obedience training, the self-effacement training, the deference training, the dependency training, the passivity training, the rivalry training, the stupidity training, the placation training. How am I to put this together with my human life, my intellectual life, my solitude, my transcendence, my brains, and my fearful, fearful ambition? I failed miserably and thought it was my own fault. You can't unite woman and human any more than you can unite matter and anti-matter; they are designed to not to be stable together and they make just as big an explosion inside the head of the unfortunate girl who believes in both.
Joanna Russ (The Female Man)
Stop it!' He relented, so far as he could, stepping forward to take my head into his hands. 'Russell, once, only once, I was taken and suffered for it. Please, my dear wife, believe me, this is not the same situation...'...I turned back to Holmes and hissed, 'If you're wrong, I shall be extremely angry with you.' Then O kissed him hard on the lips, more threat than affection, and let him step back into his cell...'However, Russ? I think that, all in all, given the choice, I prefer you with the hair and without the moustache.
Laurie R. King (The Game (Mary Russell and Sherlock Holmes, #7))
Commitment” means that when you do (inevitably) stumble or get off track, you pick yourself up, find your bearings, and carry on in the direction you want to go.
Russ Harris (The Happiness Trap: How to Stop Struggling and Start Living: A Guide to ACT)
Before I met you, I hadn't considered what my happy ending might look like. I wasn't sure I'd get one. You’re my happy ending, Russ. I fell in love with you in Meadow Springs, and watching you help build our life here has made me fall in love with you a million more times. Thank you for giving me a life that feels too good to be true. Thank you for letting me bring home animals even when you say no. Thank you for letting me live my dreams every day?
Hannah Grace (Wildfire (Maple Hills, #2))
Watch: (1) You do something nasty to me. (2) I hate you. (3) You find it uncomfortable to be hated. (4) You think how nice it would be if I didn't hate you. (5) You decide I ought not to hate you because hate is bad. (6) Good people don’t hate. (7) Because I hate you I am a bad person. (8) It is not what you did to me that makes me hate you, it is my own bad nature. I—not you—am the cause of my hating you.
Joanna Russ
To die on a dying Earth - I'd live, if only to weep.
Joanna Russ (We Who Are About To...)
Letting the radio play on without giving it much attention is very different from actively trying to ignore it.
Russ Harris
If you want to live forever you are dreadfully dangerous because you're not living now.
Joanna Russ (We Who Are About To...)
Courage is willful hope.
Joanna Russ (On Strike Against God)
What future is there for a female child who aspires to being Humpfrey Bogart?
Joanna Russ (The Female Man)
Adam Smith was not a big fan of the pursuit of fame and fortune. His view of what we truly want, of what really makes us happy, cuts to the core of things. It takes him only twelve words to get to the heart of the matter: Man naturally desires, not only to be loved, but to be lovely.
Russel "Russ" Roberts (How Adam Smith Can Change Your Life: An Unexpected Guide to Human Nature and Happiness)
An as-yet-unpublished poet in Boulder, Colorado, once said to me that anything worth doing was worth doing badly. I may seem, in the foregoing sketchy pages, to have followed her advice rather too well.
Joanna Russ (How to Suppress Women's Writing)
Somewhere there is a book that says you ought to cry buckets of tears over yourself and love yourself with a passion and wrap your arms around yourself; only then will you be happy and free. That's a good book.
Joanna Russ (On Strike Against God)
After a while you tame your interior monsters, it's only natural. I don't mean that it ever stops; but it stops mattering.
Joanna Russ (On Strike Against God)
Love locally, trade globally.
Russel "Russ" Roberts (How Adam Smith Can Change Your Life: An Unexpected Guide to Human Nature and Happiness)
No matter how old you are, an empty wrapping paper tube is still a light saber.
Russ
Without meaningful work you might as well be dead.
Joanna Russ (We Who Are About To...)
TEN RULES FOR WINNING THE GAME OF CONFIDENCE The actions of confidence come first; the feelings of confidence come later. Genuine confidence is not the absence of fear; it is a transformed relationship with fear. Negative thoughts are normal. Don’t fight them; defuse them. Self-acceptance trumps self-esteem. True success is living by your values. Hold your values lightly, but pursue them vigorously. Don’t obsess about the outcome; get passionate about the process. Don’t fight your fear: allow it, befriend it, and channel it. Failure hurts—but if we’re willing to learn, it’s a wonderful teacher. The key to peak performance is total engagement in the task.
Russ Harris (The Confidence Gap: A Guide to Overcoming Fear and Self-Doubt)
This book is written in blood. Is it written entirely in blood? No, some of it is written in tears. Are the blood and tears all mine? Yes, they have been in the past, but the future is a different matter. As the bear swore in Pogo after having endured a pot shoved on her head, being turned upside down while still in the pot, a discussion about her edibility, the lawnmowering of her behind, and a fistful of ground pepper in the snoot, she then swore a mighty oath on the ashes of her mothers (i.e. her forebears) grimly but quietly while the apples from the shaken apple tree above her dropped bang thud on her head: OH, SOMEBODY ASIDES ME IS GONNA RUE THIS HERE PARTICULAR DAY.
Joanna Russ (The Female Man)
Finding The Man. Keeping The Man. Not scaring The Man, building up The Man, following The Man, soothing The Man, flattering The Man, deferring to The Man, changing your judgement for The Man, changing your decisions for The Man, polishing floors for The Man, being perpetually conscious of your appearance for The Man, being romantic for The Man, hinting to The Man, losing yourself in The Man. 'I never had a thought that wasn't yours.' Sob, sob. Whenever I act like a human being, they say, 'What are you getting upset about?' They say: of course you'll get married. They say: of course you're brilliant. They say: of course you'll get a PhD and then sacrifice it to have babies. They say: if you don't, you're the one who'll have two jobs and you can make a go of it if you're exceptional, which very few women are, and if you find a very understanding man. As long as you don't make more money than he does. How do they expect me to live all this junk?
Joanna Russ (The Female Man)
And here, of course, we come to the one occupation of a female protagonist in literature, the one thing she can do, and by God she does it and does it and does it, over and over and over again. She is the protagonist of a Love Story.
Joanna Russ (To Write Like a Woman: Essays in Feminism and Science Fiction)
Thus, evolution has shaped our brains so that we are hardwired to suffer psychologically: to compare, evaluate, and criticize ourselves, to focus on what we’re lacking, to rapidly become dissatisfied with what we have, and to imagine all sorts of frightening scenarios, most of which will never happen. No wonder humans find it hard to be happy!
Russ Harris (The Happiness Trap: How to Stop Struggling and Start Living: A Guide to ACT)
She said that instead of conquering Everest, I could conquer the conqueror of Everest and while he had to go climb the mountain, I could stay home in lazy comfort listening to the radio and eating chocolates. She was upset, I suppose, but you can't imbibe someone's success by fucking them.
Joanna Russ (The Female Man)
Linguistics is arguably the most hotly contested property in the academic realm. It is soaked with the blood of poets, theologians, philosophers, philologists, psychologists, biologists, and neurologists, along with whatever blood can be got out of grammarians
Russ Rymer
I said Jeannine why are you unhappy? I'm not unhappy. You have everything (I said). What is there that you want and haven't got? I want to die. Do you want to be an airplane pilot? is that it? And they won't let you? Did you have a talent for mathematics, which they squelched? Did they refuse to let you be a truck driver? What is it? I want to live.
Joanna Russ (The Female Man)
Alas, it was never meant for us to hear. It was never meant for us to know. We ought never be taught to read. We fight through the constant male refractoriness of our surroundings; our souls are torn out of us with such shock that there isn't even any blood. Remember: I didn't and don't want to be a 'feminine' version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
Joanna Russ (The Female Man)
I tried once, you know, went to a dance all dressed up, but I felt like such a fool. Everyone kept making encouraging remarks about my looks as if they were afraid I'd cross back over the line again; I was trying, you know, I was proving their way of life was right, and they were terrified I'd stop.
Joanna Russ (The Female Man)
There was a very nice boy once who said, "Don't worry, Laura. I know you're really very sweet and gentle underneath." And another with, "You're strong, like an earth mother." And a third, "You're so beautiful when you're angry." My guts on the floor, you're so beautiful when you're angry. I want to be recognized.
Joanna Russ (The Female Man)
At thirteen desperately watching TV, curling my long legs under me, desperately reading books, callow adolescent that I was, trying (desperately!) to find someone in books, in movies, in life, in history, to tell me it was O.K. to be ambitious, O.K. to be loud, O.K. to be Humphrey Bogart (smart and rudeness), O.K. to be James Bond (arrogance), O.K. to be Superman (power), O.K. to be Douglas Fairbanks (swashbuckling), to tell me self-love was all right, to tell me I could love God and Art and Myself better than anything on earth and still have orgasms.
Joanna Russ (The Female Man)
I believe that God hears our prayers, and cherishes them. I believe He answers by sending us His spirit, giving us strenght, and peace, and insight. I don't think He responds by turning away bullets and curing cancer. Though sometimes that does happen." Harlene frowned. "In other words, sometimes, the answer is no?" "No. Sometimes the answer is "This is life, in all its variety. Make your way through it with grace, and never forget that I love you.
Julia Spencer-Fleming (In the Bleak Midwinter (The Rev. Clare Fergusson & Russ Van Alstyne Mysteries #1))
I think," said my neighbour, her chin very high in the air (and still spiffed, I am glad to say) "that women who've never married and never had children have missed out on the central experiences of life. They are emotionally crippled." Now what am I supposed to say to that? I ask you. That women who've never won the Nobel Peace Prize have also experienced a serious deprivation? It's like taking candy from a baby; the poor thing isn't allowed to get angry, only catty. I said, "That's rude, and silly," and helped her to mashed potatoes. ...."You can't catch a man." "That's why I'll never be abandoned," said I. Fortunately she did not hear me. Did I say taking candy from babies? Rather, eating babies, killing babies, abandoning babies. So sad, so easy.
Joanna Russ (On Strike Against God)
The game is a dominance game called I Must Impress This Woman. Failure makes the active player play harder. Wear a hunched back or a withered arm; you will then experience the invisibility of the passive player. I'm never impressed -- no woman ever is -- it's just a cue that you like me and I'm supposed to like that. If you really like me, maybe I can get you to stop. Stop; I want to talk to you! Stop; I want to see you! Stop; I'm dying and disappearing! SHE: Isn't it just a game? HE: Yes, of course. SHE: And if you play the game, it means you like me, doesn't it? HE: Of course. SHE: Then if it's just a game and you like me, you can stop playing. Please stop. HE: No. SHE: Then I won't play. HE: Bitch! You want to destroy me. I'll show you. (He plays harder) SHE: All right. I'm impressed. HE: You really are sweet and responsive after all. You've kept your femininity. You're not one of those hysterical feminist bitches who wants to be a man and have a penis. You're a woman. SHE: Yes. (She kills herself)
Joanna Russ (The Female Man)
Russ decided the best defense was a good offense. "I'm Russell Van Alstyne, Millers Kill chief of police." He held out his hand. She shook firm, like a guy. "Clare Fergusson," she said. "I'm the new priest at Saint Alban's. That's the Episcopal Church. At the corner of Elm and Church." There was a faint testiness in her voice. Russ relaxed a fraction. A woman priest. If that didn't beat all. "I know which it is. There are only four churches in town." He saw the fog creeping along the edges of his glasses again and snatched them off, fishing for a tissue in his pocket. "Can you tell me what happened, um..." What was he supposed to call her? "Mother?" "I go by Reverend, Chief. Ms. is fine, too." "Oh. Sorry. I never met a woman priest before." "We're just like the men priests, except we're willing to pull over and ask directions.
Julia Spencer-Fleming (In the Bleak Midwinter (The Rev. Clare Fergusson & Russ Van Alstyne Mysteries #1))
When we honor bad people or avoid good people, we are playing a role in degrading the world around us. It’s a small role, almost negligible. But together, our combined actions are decisive. Each step we take away from loveliness is a step away from civilization. As more and more of us take those steps, our seemingly negligible actions are no longer negligible.
Russel "Russ" Roberts (How Adam Smith Can Change Your Life: An Unexpected Guide to Human Nature and Happiness)
If you want to make the world a better place, work on being trustworthy, and honor those who are trustworthy. Be a good friend and surround yourself with worthy friends. Don’t gossip. Resist the joke that might hurt someone’s feelings even when it’s clever. And try not to laugh when your friend tells you that clever joke at someone’s expense. Being good is not just good for you and those around you, but because it helps others be good as well. Set a good example, and by your loveliness you will not only be loved, but you may influence the world.
Russel "Russ" Roberts (How Adam Smith Can Change Your Life: An Unexpected Guide to Human Nature and Happiness)
Le parti national-socialiste avait fait un fameux cadeau à ces SS-là : ils pouvaient marcher au combat sans aucun risque physique, décrocher les honneurs sans avoir à entendre siffler les balles. L'impunité psychologique était plus difficile à atteindre. Tous les officiers SS avaient des camarades qui s'étaient suicidés. Le haut commandment avait pondu des circulaires pour dénoncer ces pertes futiles : il fallait être simple d'esprit pour croire que les juifs, parce qu'ils n'avaient pas de fusils, ne possédaient pas d'armes d'un autre calibre : des armes sociales, économiques et politiques. En fait, le juif était armé jusqu'aux dents. Trempez votre caractère dans l'acier, soulignaient les circulaires, car l'enfant juif est une bombe à retardement culturelle, la femme juive, un tissu biologique de toutes les trahisons, le mâle juif, un ennemi plus implacable encore qu'aucun Russe ne saurait l'être. (ch. 20)
Thomas Keneally (Schindler’s List)
I’m a sick woman, a madwoman, a ball-breaker, a man-eater; I don’t consume men gracefully with my fire-like red hair or my poisoned kiss; I crack their joints with these filthy ghoul’s claws and standing on one foot like a de-clawed cat, rake at your feeble efforts to save yourselves with my taloned hinder feet: my matted hair, my filthy skin, my big fat plaques of green bloody teeth. I don’t think my body would sell anything. I don’t think I’d be good to look at. O of all diseases self-hate is the worst and I don’t mean for the one who suffers it!
Joanna Russ (The Female Man)
If any theme runs through all my work, it is what Adrienne Rich once called "re-vision", i.e., the re-perceiving of experience, not because our experience is complex or subtle or hard to understand (though it is sometimes all three) but because so much of what's presented to us as "the real world" or "the way it is" is so obviously untrue that a great deal of social energy must be mobilized to hide that gross and ghastly fact. has a theatre critic (whose name I'm afraid I've forgotten) once put it," There's less there than meets the eye". Hence, my love for science fiction, which analyses reality by changing it.
Joanna Russ (To Write Like a Woman: Essays in Feminism and Science Fiction)
The little blue book was rattling around in my purse. I took it out and turned to the last thing he had said ("You stupid broad et cetera). Underneath was written Girl backs down--cries--manhood vindicated. Under "Real Fight With Girl" was written Don't hurt (except whores). I took out my own pink book, for we all carry them, and turning to the instructions under "Brutality" found: Man's bad temper is the woman's fault. It is also the woman's responsibility to patch things up afterwards. There were sub-rubrics, one (reinforcing) under "Management" and one (exceptional) under "Martyrdom." Everything in my book begins with an M.
Joanna Russ (The Female Man)
There's no being out too late in Whileaway, or up too early, or in the wrong part of town, or unescorted. You cannot fall out of the kinship web and become sexual prey for strangers, for there is no prey and there are no strangers -- the web is world-wide. In all of Whileaway there is no one who can keep you from going where you please (though you may risk your life, if that sort of thing appeals to you), no one who will follow you and try to embarrass you by whispering obscenities in your ear, no one who will attempt to rape you, no one who will warn you of the dangers of the street, no one who will stand on street corners, hot-eyed and vicious, jingling loose change in his pants pocket, bitterly bitterly sure that you're a cheap floozy, hot and wild, who likes it, who can't say no, who's making a mint off it, who inspires him with nothing but disgust, and who wants to drive him crazy.
Joanna Russ (The Female Man)
Now in my eleven years of conventional life I had learned many things and one of them is what it means to be convicted of rape--I do not mean the man who did it, I mean the woman to whom it was done. Rape is one of the Christian mysteries, it creates a luminous and beautiful tableau in people's minds; and as I listened furtively to what nobody would allow me to hear straight out, I slowly came to understand that I was face to face with one of those feminine disasters, like pregnancy, like disease, like weakness; she was not only the victim of the act but in some strange way its perpetrator; somehow she had attracted the lightening that struck her out of a clear sky. A diabolical chance--which was not chance--had revealed her to all of us as she truly was, in her secret inadequacy, in that wretched guiltiness which she had kept hidden for seventeen years but which now finally manifested in front of everybody. Her secret guilt was this: She was Cunt. She had "lost" something. Now the other party to the incident had manifested his essential nature, too; he was Prick--but being Prick is not a bad thing. In fact, he had "gotten away with" something (possibly what she had "lost"). And there I was at eleven years of age: She was out late at night. She was in the wrong part of town. Her skirt was too short and that provoked him. She liked having her eye blacked and her head banged against the sidewalk. I understood this perfectly. (I reflected thus in my dream, in my state of being a pair of eyes in a small wooden box stuck forever on a grey, geometric plane--or so I thought.) I too had been guilty of what had been done to me, when I came home from the playground in tears because I had been beaten up by bigger children who were bullies. I was dirty. I was crying. I demanded comfort. I was being inconvenient. I did not disappear into thin air.
Joanna Russ (The Female Man)
(Ezekial saw the wheel (Way up in the middle of the air -- (O Ezekial saw the wheel (Way in the middle of the air! (Now the big wheel runs by faith (And the little wheel runs by the grace of God -- (The above made up by professional hope experts, you might say, because willful, voluntary, intentional hope was the only kind they had in anything like long supply. Faith is not, contrary to the usual ideas, something that turns out to be right or wrong, like a gambler's bet; it's an act, an intention, a project, something that makes you, in leaping into the future, go so far, far, far ahead that you shoot clean out of Time and right into Eternity, which is not the end of time or a whole lot of time or unending time, but timelessness, that old Eternal Now. So that you end up living not in the future ((in your intentional "act of faith")) but in the present. After all. (Courage is willful hope.)
Joanna Russ (On Strike Against God)
She's a bright girl. She learned in her thirteenth year that you can get old films of Mae West or Marlene Dietrich (who is a Vulcan; look at the eyebrows) after midnight on UHF if you know where to look, at fourteen that pot helps, at fifteen that reading's even better. She learned, wearing her rimless glasses, that the world is full of intelligent, attractive, talented women who manage to combine careers with their primary responsibilities as wives and mothers and whose husbands beat them. She's put a gold circle pin on her shirt as a concession to club day. She loves her father and once is enough. Everyone knows that much as women want to be scientists and engineers, they want foremost to be womanly companions to men (what?) and caretakers of childhood; everyone knows that a large part of a woman's identity inheres in the style of her attractiveness. Laur is daydreaming. She looks straight before her, blushes, smiles, and doesn't see a thing... Laur is daydreaming that she's Genghis Khan.
Joanna Russ (The Female Man)
In college, educated women (I found out) were frigid; active women (I knew) were neurotic; women (we all knew) were timid, incapable, dependent, nurturing, passive, intuitive, emotional, unintelligent, obedient, and beautiful. You can always get dressed up and go to a party. Woman is the gateway to another world; Woman is the earth-mother; Woman is the eternal siren; Woman is purity; Woman is carnality; Woman has intuition; Woman is the life-force; Woman is selfless love. "I am the gateway to another world," (said I, looking in the mirror) "I am the earth-mother; I am the eternal siren; I am purity," (Jeez, new pimples) "I am carnality; I have intuition; I am the life-force; I am selfless love." (Somehow it sounds different in the first person, doesn't it?) Honey (said the mirror, scandalised) Are you out of your fucking mind? I AM HONEY I AM RASPBERRY JAM I AM A VERY GOOD LAY I AM A GOOD DATE I AM A GOOD WIFE I AM GOING CRAZY Everything was peaches and cream.
Joanna Russ (The Female Man)
"If you prefer it, Your Excellency, a private room will be free directly: Prince Golitsin with a lady. Fresh oysters have come in." "Ah, oysters!" Stepan Arkadyevich became thoughtful. "How if we were to change our program, Levin?" he said, keeping his finger on the bill of fare. And his face expressed serious hesitation. "Are the oysters good? Mind, now!" "They're Flensburg, Your Excellency. We've no Ostend." "Flensburg will do -- but are they fresh?" "Only arrived yesterday." "Well, then, how if we were to begin with oysters, and so change the whole program? Eh?" "It's all the same to me. I should like cabbage soup and porridge better than anything; but of course there's nothing like that here." "Porridge a la Russe, Your Honor would like?" said the Tatar, bending down to Levin, like a nurse speaking to a child. "No, joking apart, whatever you choose is sure to be good. I've been skating, and I'm hungry. And don't imagine," he added, detecting a look of dissatisfaction on Oblonsky's face, "that I shan't appreciate your choice. I don't object to a good dinner." "I should hope so! After all, it's one of the pleasures of life," said Stepan Arkadyevich. "Well, then, my friend, you give us two -- or better say three-dozen oysters, clear soup with vegetables..." "Printaniere," prompted the Tatar. But Stepan Arkadyevich apparently did not care to allow him the satisfaction of giving the French names of the dishes. "With vegetables in it, you know. Then turbot with thick sauce, then... roast beef; and mind it's good. Yes, and capons, perhaps, and then stewed fruit." The Tatar, recollecting that it was Stepan Arkadyevich's way not to call the dishes by the names in the French bill of fare, did not repeat them after him, but could not resist rehearsing the whole menu to himself according to the bill: "Soupe printaniere, turbot sauce Beaumarchais, poulard a l'estragon, Macedoine de fruits..." and then instantly, as though worked by springs, laying down one bound bill of fare, he took up another, the list of wines, and submitted it to Stepan Arkadyevich. "What shall we drink?" "What you like, only not too much. Champagne," said Levin. "What! to start with? You're right though, I dare say. Do you like the white seal?" "Cachet blanc," prompted the Tatar. "Very well, then, give us that brand with the oysters, and then we'll see." "Yes, sir. And what table wine?" "You can give us Nuits. Oh, no -- better the classic Chablis." "Yes, sir. And your cheese, Your Excellency?" "Oh, yes, Parmesan. Or would you like another?" "No, it's all the same to me," said Levin, unable to suppress a smile.
Leo Tolstoy (Anna Karenina)
The things about you I appreciate May seem indelicate: I'd like to find you in the shower And chase the soap for half an hour. I'd like to have you in my power And see your eyes dilate. I'd like to have your back to scour And other parts to lubricate. Sometimes I feel it is my fate To chase you screaming up a tower Or make you cower By asking you to differentiate Nietzsche from Schopenhauer. I'd like successfully to guess your weight And win you at a fête. I'd like to offer you a flower. I like the hair upon your shoulders, Falling like water over boulders. I like the shoulders too: they are essential. Your collar-bones have great potential (I'd like your particulars in folders Marked Confidential). I like your cheeks, I like your nose, I like the way your lips disclose The neat arrangement of your teeth (Half above and half beneath) In rows. I like your eyes, I like their fringes. The way they focus on me gives me twinges. Your upper arms drive me berserk. I like the way your elbows work. On hinges … I like your wrists, I like your glands, I like the fingers on your hands. I'd like to teach them how to count, And certain things we might exchange, Something familiar for something strange. I'd like to give you just the right amount And get some change. I like it when you tilt your cheek up. I like the way you not and hold a teacup. I like your legs when you unwind them. Even in trousers I don't mind them. I like each softly-moulded kneecap. I like the little crease behind them. I'd always know, without a recap, Where to find them. I like the sculpture of your ears. I like the way your profile disappears Whenever you decide to turn and face me. I'd like to cross two hemispheres And have you chase me. I'd like to smuggle you across frontiers Or sail with you at night into Tangiers. I'd like you to embrace me. I'd like to see you ironing your skirt And cancelling other dates. I'd like to button up your shirt. I like the way your chest inflates. I'd like to soothe you when you're hurt Or frightened senseless by invertebrates. I'd like you even if you were malign And had a yen for sudden homicide. I'd let you put insecticide Into my wine. I'd even like you if you were Bride Of Frankenstein Or something ghoulish out of Mamoulian's Jekyll and Hyde. I'd even like you as my Julian Or Norwich or Cathleen ni Houlihan. How melodramatic If you were something muttering in attics Like Mrs Rochester or a student of Boolean Mathematics. You are the end of self-abuse. You are the eternal feminine. I'd like to find a good excuse To call on you and find you in. I'd like to put my hand beneath your chin, And see you grin. I'd like to taste your Charlotte Russe, I'd like to feel my lips upon your skin I'd like to make you reproduce. I'd like you in my confidence. I'd like to be your second look. I'd like to let you try the French Defence And mate you with my rook. I'd like to be your preference And hence I'd like to be around when you unhook. I'd like to be your only audience, The final name in your appointment book, Your future tense.
John Fuller