“
Oh my god, Ox, your life is like those shitty sparkly vampire movies. That I’ve never seen and don’t like at all, shut up.” “Oh
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.
After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.
That’s what I believe.
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
”
”
Robert McCammon (Boy's Life)
“
Regin slapped her knees. “Oh, my gods, look at him running like his life depended on catching us.” She slid open the door. “Is this straight outta Platoon, or what? Willem!” she cried, holding out one hand. “Run, Willem!” Then she choked on her laughter.
”
”
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #5))
“
Oh God, is this like Silence of the Lambs?" Tears flowed down her face. "I don't want to go down the hole! I won't put lotion on the skin! Look at me, you won't be able to wear my skin, I won't cover your huge ass!" She wailed.
”
”
Alanea Alder (My Commander (Bewitched and Bewildered, #1))
“
Nineteenth-century preacher Henry Ward Beecher's last words were "Now comes the mystery." The poet Dylan Thomas, who liked a good drink at least as much as Alaska, said, "I've had eighteen straight whiskeys. I do believe that's a record," before dying. Alaska's favorite was playwright Eugene O'Neill: "Born in a hotel room, and--God damn it--died in a hotel room." Even car-accident victims sometimes have time for last words. Princess Diana said, "Oh God. What's happened?" Movie star James Dean said, "They've got to see us," just before slamming his Porsche into another car. I know so many last words. But I will never know hers.
”
”
John Green (Looking for Alaska)
“
My favourite characters are people who think they’re normal but they’re not. I live in Baltimore, and it’s full of people like that. I’ve also lived in New York, which is full of people who think they’re crazy, but they’re completely normal. I get my best material in Baltimore – you get dialogue that you just couldn’t imagine. I asked this guy in a bar what he did for a living and he said he traded deer meat for crack. I never realised that job even existed. You could make a whole movie about that person. And he was kind of cute too, if you could ignore his eyes rolling around his head. Although I did crack once, accidentally, and I thought: Oh my God, what, am I gonna rob my parents now? I prefer poppers – they’re legal in London, right? I used to do them on roller coasters. They’re illegal in Provincetown, which is the gay fishing village where I live in the summer. In the airport there are signs warning you to get rid of your poppers.
”
”
John Waters
“
Ah, hi. It’s Carter. I wonder if you might want to go out to dinner, or maybe the movies. Maybe you like plays better than movies. I should’ve looked up what might be available before I called. I didn’t think of it. Or we could just have coffee again if you want to do that. Or… I’m not articulate on these things. I can’t use a tape recorder either. And why would you care? If you’re at all interested in any of the above, please feel free to call me. Thanks. Um. Good-bye.”
“Damn you, Carter Maguire, for your insanely cute quotient. You should be annoying. Why aren’t I annoyed? Oh God, I’m going to call you back. I know I’m going to call you back. I’m in such trouble.
”
”
Nora Roberts (Vision in White (Bride Quartet, #1))
“
I knew him instantly, even though he'd...changed. I think in a crowd of a million people, I would have recognized him. The connection between us would allow nothing else. And after being deprived of him for so long, I drank in every feature. The dark, chin-length hair, worn loose tonight and curling slightly around his face. The familiar set of lips, quirked now in an amused yet chilling smile. He even wore the duster he always wore, the long leather coat that could have come straight out of a cowboy movie.
[...]
The eyes. Oh God, the eyes.
Even with that sickening red ring around his pupils, his eyes still reminded me of the Dimitri I'd known. The look in his eyes—the soulless, malicious gleam—that was nothing like him. But there was just enough resemblance to stir my heart, to overwhelm my senses and feelings. My stake was ready. All I had to do was keep swinging to make the kill. I had momentum on my side...
But I couldn't. I just needed a few more seconds, a few more seconds to drink him in before I killed him. And that's when he spoke.
"Roza." His voice had the same wonderful lowness, the same accent...it was just colder. "You forgot my first lesson: Don't hesitate.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
When I got out of the movie, I had four text messages from Augustus.
Tell me my copy is missing the last twenty pages or something.
Hazel Grace, tell me I have not reached the end of this book.
OH MY GOD DO THEY GET MARRIED OR NOT OH MY GOD WHAT IS THIS
I guess Anna died and so it just ends? CRUEL. Call me when you can. Hope all’s okay.
”
”
John Green (The Fault in Our Stars)
“
How To Tell If Somebody Loves You:
Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage!
Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all.
Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you.
Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love.
Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to.
Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them.
Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
”
”
Ryan O'Connell
“
I saw the paper.” Wes looked like he was trying not to laugh as his entire face smiled. “I saw the paper, so it’s pointless to deny it. It was sitting on your planner this morning and it said ‘The Soundtrack of M&L.’ Oh my God, Buxbaum, that is freaking adorable.” I laughed even though I was mortified. “Shut up, Wes.” “What songs are on it?” “Seriously.” “Seriously, I want to know. Is it all boot-knocking songs, like Ginuwine and Nine Inch Nails, or is it cheesy romance? Was Taylor Swift on the list?
”
”
Lynn Painter (Better Than the Movies)
“
I lay there wrapped in Carter’s arms and it was the most comfortable I had ever been. For about five minutes. This just proved that everything they did in the movies was a load of bullshit. His arm was under my neck on the pillow which tilted my head at an awkward angle. I could already feel the beginnings of a kink. I was starting to sweat like a whore in church with his other arm heavily draped over my waist and his legs tangled with mine. With my sweaty ass and his itchy leg hair, it felt like I had a hundred mosquito bites on my legs. It would be wrong to kick him now, right? I shifted my body just the tiniest bit. I didn't want him to think I didn't want to cuddle, but I was going insane trying to lie perfectly still. . . .
"Out with it, Claire," Carter mumbled close to my ear.
Shit. Now it was going to get awkward. We just now had sex for the first time in years and I was going to tell him to get away from me so I could sleep. I am the most unromantic person in the world. . . .
"My neck is killing me and I'm so hot right now my skin could start a blanket fire," I rambled. Carter was quiet. Too quiet. Shit, I hurt his feelings. "Oh, thank fucking God," he said as he pulled both of his arms out from around me. "My arm fell asleep and my legs were getting a cramp.
”
”
Tara Sivec
“
and pulled out, of all things, a pack of cigarettes
”Are you serious?” I asked. “You think that’s cool? Oh, my God, you just ruined the whole thing.”
“Which whole thing?” he asked, turning to me
”The whole thing where a boy who is not unattractive or unintelligent or seemingly in any way unacceptable stares at me and points out incorrect uses of literally and compares me to actresses and asks me to watch a movie at his house. But of course there is always a hamartia and yours is that oh, my God, even though you HAD FREAKING CANCER you give money to a company in exchange for the chance to acquire YET MORE CANCER…
”
”
John Green (The Fault in Our Stars)
“
We believe in you, Phoebe," Stella says. "You just have to believe in yourself."
I roll my eyes behind the blindfold. As if that's not a cheesy, movie-of-the-week line.
”
”
Tera Lynn Childs (Goddess Boot Camp (Oh. My. Gods., #2))
“
Oh my God, you're too cool to write with ketchup?
”
”
Lynn Painter (Better than the Movies (Better than the Movies, #1))
“
Um… Eve…can I ask…?”
“About what?” Eve was still frowning at the pasta like she suspected it to do something clever, like try to escape the pot.
“You and Michael.”
“Oh.” A surge of pink to Eve’s cheeks. Between that and the fact that she was wearing colors outside of the Goth red and black rainbow, she looked young and very cute. “Well. I don’t know if it’s – God, he’s just so–”
“Hot?” Claire asked.
“Hot,” Eve admitted. “Nuclear hot. Surface of the sun hot. And–”
She stopped, the flush in her cheeks getting darker.
Claire picked up a wooden spoon and poked the pasta, which was beginning to loosen up. “And?”
“And I was planning on putting the moves on him before all this happened. That’s why I had on the garters and stuff. Planning ahead.”
“Oh, wow.”
“Yeah, embarrassing. Did he peek?”
“When you were changing?” Claire asked. “I don’t think so. But I think he wanted to.”
“That’s okay then.” Eve blinked down at the pasta, which had formed a thick white foam on top. “Is it supposed to be doing that?”
Claire hadn’t ever seen it happen at her parents’ house. But then again, they hadn’t made spaghetti much. “I don’t know.”
“Oh, crap!” The white foam kept growing, like in one of those cheesy science fiction movies. The foam that ate the Glass House…it mushroomed up over the top of the pot and down over the sides, and both girls yelped as it hit the burners and began to sizzle and pop. Claire grabbed the pot and moved it. Eve turned down the burner. “Right, pasta makes foam, good to know. Too hot. Way too hot.”
“Who? Michael?” Claire asked, and they dissolved in giggles.
”
”
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
“
I would love to say that I wrote (Good Will Hunting). Here is the truth. In my obit it will say that I wrote it. People don't want to think those two cute guys wrote it. What happened was, they had the script. It was their script. They gave it to Rob [Reiner] to read, and there was a great deal of stuff in the script dealing with the F.B.I. trying to use Matt Damon for spy work because he was so brilliant in math. Rob said, "Get rid of it." They then sent them in to see me for a day - I met with them in New York - and all I said to them was, "Rob's right. Get rid of the F.B.I. stuff. Go with the family, go with Boston, go with all that wonderful stuff." And they did. I think people refuse to admit it because their careers have been so far from writing, and I think it's too bad. I'll tell you who wrote a marvelous script once, Sylvester Stallone. Rocky's a marvelous script. God, read it, it's wonderful. It's just got marvelous stuff. And then he stopped suddenly because it's easier being a movie star and making all that money than going in your pit and writing a script. But I did not write [Good Will Hunting], alas. I would not have written the "It's not your fault" scene. I'm going to assume that 148 percent of the people in this room have seen a therapist. I certainly have, for a long time. Hollywood always has this idea that it's this shrink with only one patient. I mean, that scene with Robin Williams gushing and Matt Damon and they're hugging, "It's not your fault, it's not your fault." I thought, Oh God, Freud is so agonized over this scene. But Hollywood tends to do that with therapists.
(from 2003 WGA seminar)
”
”
William Goldman
“
Onscreen is the image of a thirty-year-old Renée Zellweger, sporting red pajamas and belting a song into a rolled-up magazine.
"Oh my god, Miles," I say.
"What?" He says.
"You're watching Bridget Jones's Diary?"
"It's a good movie!" he cries, a little defensive.
”
”
Emily Henry (Funny Story)
“
Oooohhhh, you’re one of those kids,” Whitney said, suddenly cracking up.
“What in the hell is so damn funny? One of what kids?”
“You had a horrible high school experience, didn’t you?”
“High school is where demons go to eat little children.”
“Carter!” She erupted into body-shaking laughter, rolling from left to right. “Oh my God, you are too much. This isn’t high school anymore!”
“Um, hello, have you seen the movie Carrie?
”
”
Rachael Wade (Declaration (Preservation, #3))
“
Then Augustus Waters reached into a pocket and pulled out, of all things, a pack of cigarettes. He flipped it open and put a pack between his lips.
“Are you serious?” I asked. “You think that’s cool? Oh, my God, you just ruined the whole thing.”
“Which whole thing?” he asked, turning to me. The cigarette dangled unlit from the unsmiling corner of his mouth.
“The whole thing where a boy who is not unattractive or unintelligent or seemingly in any way unacceptable stares at me and points out incorrect uses of literality and compares me to actresses and asks me to watch a movie at his house. But of course there is always a hamartia and yours is that, oh, my God, even though you HAD FREAKING CANCER you give money to a company in exchange for the chance to acquire YET MORE CANCER. Oh, my God. Let me just assure you that not being able to breathe? SUCKS. Totally disappointing. Totally.”
“A hamartia?” he asked, the cigarette still in his mouth. It tightened his jaw. He had a hell of a jawline, unfortunately.
“A fatal flaw,” I explained, turning away from him.
”
”
John Green (The Fault in Our Stars)
“
Alexa sniffled. “Oh my God, he gave her an airport scene! Just like in the books I read and all those movies. He followed her to an airport and confessed his love before she could board the plane!”
Nick laughed. “Sweetheart, she wasn’t boarding the plane.”
“Close enough.
”
”
Jennifer Probst (The Marriage Merger (Marriage to a Billionaire, #4))
“
I change the channel to another movie. An old one, but new to me. And, ironically, a thin, gorgeous blonde—Meg Ryan, maybe—rides her bike on a country road. She smiles like she has no cares in the world. Like no one ever judges her. Like her life is perfect. Wind through her hair and sunshine on her face. The only thing missing are the rainbows and butterflies and cartoon birds singing on her shoulder.
Maybe I should grab my bike and try to catch up with Mom, Mike, and the kids. They can't be going very fast. I would love to feel like that, even if it's just for a second—free and peaceful and normal.
Suddenly, there's a truck. It can't be headed toward Meg Ryan. Could it? Yes. Oh my God. No! Meg Ryan just got hit by that truck.
Figures. See what happens when you exercise?
”
”
K.A. Barson (45 Pounds (More or Less))
“
Her gaze slides around the library again, and she takes a deep gulp of her wine before abruptly looking to me. “Oh my god,” she says. “You’re Beauty and the Beast-ing me.” I don’t understand any of that. “I’m what?” “From the Disney movie. You’re romancing me with a library.
”
”
Kati Wilde (Secret Santa (Hot Holidays))
“
Shit, I'm sorry. I'm so sorry," I yelped.
Harry was rubbing his jaw. "What was that?"
My keys were in my fingers, my back was to him. I fumbled with the lock. I had to get out of here. Oh my God, I'd tried to kiss him and ended up headbutting him. Like a freaking.. WWE wrestler.
"I don't know what happend. I'm sorry. I have to go. Thanks for... everything...sorry."
The door opend. I couldn't get through it quickly enough. What was wrong with me? Seriously, what was I doing? I HEADBUTTED HIM.
”
”
Holly Bourne (It Only Happens in the Movies)
“
I’ve waited a long time for this,” Penny said. “Then this is going to be kind of an anticlimax,” Alice said, and she punched him in the face. Boom! Oh my God. It was beautiful, just like in a movie: straight from the shoulder, feet planted, hips rolled, follow-through, the works. Penny never saw it coming.
”
”
Lev Grossman (The Magician's Land (The Magicians, #3))
“
Straining to hear, I can make out something acoustic. Coming from...the backyard?
I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve.
But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan.
What an asshole.
The mesh screen and two floors between us don't seem like enough to protect him from my anger.
"Nice apology," I call down to him.
"I've apologised thirteen times," he yells back, "and so far you haven't called me back."
I open my mouth to say it doesn't matter, but he's already redirecting the song.
"Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here."
(...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!"
The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..."
I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him.
(...) "Dad. How did Matt know which window was mine?"
"Well..." he peeks over the sports section. "I reckon I told him."
"You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!"
He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned."
"It's not any of those things! I hate him!
”
”
Emery Lord (Open Road Summer)
“
There is a tremendous difference between alone and lonely. You could be lonely in a group of people. I like being alone. I like eating by myself. I go home at night and just watch a movie or hang out with my dog. I have to exert myself and really say, oh God, I’ve got to see my friends because I’m too content with myself.
”
”
Drew Barrymore
“
The whole thing where a boy who is not unattractive or unintelligent or seemingly in any way unacceptable stares at me and points out incorrect uses of literality and compares me to actresses and asks me to watch a movie at his house. But of course there is always a hamartia and yours is that oh, my God, even though you HAD FREAKING CANCER you give money to a company in exchange for the chance to acquire YET MORE CANCER. Oh, my God. Let me just assure you that not being able to breathe? SUCKS. Totally disappointing. Totally.
”
”
John Green (The Fault in Our Stars)
“
Oh my god, Ox, your life is like those shitty sparkly vampire movies. That I’ve never seen and don’t like at all, shut up.
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
Uh-oh," Will muttered. "This is going to be ... interesting."
It turned out the creative genius behind the movie was Will's dad - the god Apollo, which meant this was not going to be a typical orientation flick. No, as we soon found out, Apollo had written, directed, produced, hosted and starred in ... a variety show.
For those of you who don't know what a variety show is, imagine a talent show on steroids, complete with canned laughter, pre-recorded applause, and an extra-large helping of hokeyness. For the next hour, we cringe-watched as Apollo and our demigod predecessors performed in song-and-dance numbers, recited poetry, acted in comedy sketches and harmonized in a musical group called the Lyre Choir. Naturally, Apollo featured prominently in most of the acts. The one of him hula-hooping shirtless while satyrs capered around with long rainbow ribbons on sticks ... you can't unsee that kind of thing.
”
”
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
I started showing them some of Tommy’s greatest acting hits. “Oh my God,” one of them said, laughing. “This is so terrible.” Another one, looking back so as not to be overheard by anyone, said, “Seriously, Greg. Does he think this is serious? This is real?” “Completely,” I said. “Tommy thinks this is the next Streetcar Named Desire.” “What’s he planning to do with this movie?” “Submit it to the Academy Awards.” Everyone laughed, but I wasn’t kidding. That was Tommy’s stated goal.
”
”
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made (A Gift for Film Buffs))
“
It’s weird being alone in the museum. It’s dark and eerily quiet: Only the after-hours lights are on—just enough to illuminate the hallways and stop you from tripping over your own feet—and the background music that normally plays all the time is shut off.
I quickly organize the flashlights and check their batteries, and when I don’t hear Porter walking around, I stare at the phone sitting at the information desk. How many chances come along like this? I pick up the receiver, press the little red button next to the word ALL, and speak into the phone in a low voice. “Paging Porter Roth to the information desk,” I say formally, my voice crackling through the entire lobby and echoing down the corridors. Then I press the button again and add, “While you’re at it, check your shoes to make sure they’re a match, you bastard. By the way, I still haven’t quite forgiven you for humiliating me. It’s going to take a lot more than a kiss and a cookie to make me forget both that and the time you provoked me in the Hotbox.”
I’m only teasing, which I hope he knows. I feel a little drunk on all my megaphone power, so I page one more thing:
“PS—You look totally hot in those tight-fitting security guard pants tonight, and I plan to get very handsy with you at the movies, so we better sit in the back row.”
I hang up the phone and cover my mouth, silently laughing at myself. Two seconds later, Porter’s footfalls pound down Jay’s corridor—Boom! Boom! Boom! Boom! He sounds like a T. rex running from Godzilla. He races into the lobby and slides in front of the information desk, grabbing onto the edge to stop himself, wild curls flying everywhere. His grin is enormous.
“Whadidya say ’bout where you want to be puttin’ your hands on me?” he asks breathlessly.
“I think you have me confused with someone else,” I tease.
His head sags against the desk. I push his hair away from one of his eyes. He looks up at me and asks, “You really still haven’t forgiven me?”
“Maybe if you put your hands onme, I might.”
“Don’t go getting my hopes up like that.”
“Oh, your hopes should be up. Way up.”
“Dear God, woman,” he murmurs. “And here I was, thinking you were a classy dame.”
“Pfft. You don’t know me at all.”
“I aim to find out. What are we still doing here? Let’s blow this place and get to the theater, fast.
”
”
Jenn Bennett (Alex, Approximately)
“
The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.'
'Oh my God... said Jonathan, his mouth stalling the open position.
'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")
”
”
David J. Schow (Seeing Red)
“
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?"
I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films.
I read them happily. I love credits. I love everything about movies.
The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs.
It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands.
And,suddenly,I want to touch him.
Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention?
St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips.
There.He glanced at me. I know he did.
I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural.
Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper.
He pauses. "The film?"
I'm thankful the shadows hide my blush.
"I like it very much," he says.
I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later.
I know he is smiling,and my heart races.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The whole notion of “Be true to yourself” is similarly problematic. Society pounds this idea into us in the unrelenting echo chamber of television, movies, and social media. And it is one of the underlying themes of most movies, even children’s movies. Again, “yourself” in this scenario is corrupted by sin, so why be true to that? The whole idea of this is bound to the exaltation of self. It carries the implication of making yourself your own god. Putting yourself and your desires on a pedestal and worshiping them. Being true to yourself is nothing short of idolatry. Oh, and isn’t a child molester just being true to himself? A rapist? A thief? A greedy person? And on it goes. So no thank you. I don’t want to be true to myself. I want to be true to God and his Word.
”
”
Becket Cook (A Change of Affection: A Gay Man's Incredible Story of Redemption)
“
Zach: Are you close with your brother? He’s partially to blame for the wrong number thing, isn’t he?
* * *
Me: Kind of. Yeah, we’re close. My mom worked at the hospital so it was usually just us two fending for ourselves.
* * *
Me: Okay, so I shouldn’t say fending for ourselves. That makes me sound like a dick and unappreciative of all my mom did. We just spent many nights just the two of us because my mom was a hardworking single lady and she wasn’t searching for a man to put a ring on it because she. Is. Fierce.
* * *
Zach: I bet your mom is the shit.
* * *
Me: She really is. You should meet her sometime.
* * *
Me: Oh, awkward…I’m talking about meeting the family and we’re not even officially a couple.
* * *
Zach: We’re not?
* * *
Me: We are?
My phone lights up with a call from Zach.
“Are you saying we aren’t dating?” he says before I can say anything.
“We are…”
“Are you saying you’re wanting to see other people?”
“No…”
“So then we’re a couple.”
I’m quiet, unsure what to say. I’m so scared to label this, which is stupid, I know.
“Delia?”
“Yes, Zach?”
“Do you not want to be?”
I take a deep breath and push out the answer I know is right, even though my head is saying otherwise. “No. I want to be a couple.”
“Are you sure?”
“Yes. I’m just…scared. I know I shouldn’t put that all on you, but you’re kind of the reason I’m scared. I like you, Zach—a lot—but what if this doesn’t work out? What if we jump in too soon?”
He sighs. “Remember when we were talking about our exes? About the lack of fireworks?”
“Yeah.”
“I swear to god, someone is going to swoop in and take my man card for this shit, but I felt them with you. When we first kissed, I knew right then you were worth jumping in with both feet and taking a risk.”
I don’t let myself overthink his words, wanting to keep my head level and clear.
“What if I’m not worth the risk?”
“We’ll never know if we don’t take it.”
“Say you’re a couple already, Dalilah!” Robbie’s voice comes loud through the speaker. “He paused the movie during an epic scene!”
“How many times have I told you that her name is Delia. Deal-ya. Get it?”
“You talk about me with Robbie?” I ask.
“Sometimes.”
“Say yes! He looks like someone kicked his goat!”
“Shut the fuck up, Robbie!”
I laugh. “If I say yes, will he stop shouting?”
“YES!” Robbie shouts again.
“I’ll take the risk, Zach, but you better be worth it.”
“You’ve seen my Harry Potter underwear—you know I’m worth it.” Then he whispers, “Wink.
”
”
Teagan Hunter (Let's Get Textual (Texting, #1))
“
For me? Oh, God. My idea of the perfect life would be if we just stayed in bed all the time. We could make love more or less continuously, and only get up to bring supplies, you know, fresh water and fruit to scurvy, and make occasional trips to the bathroom to shave before diving back to bed. And once in a while we could change the sheets. And go to the movies to prevent bedsores. And running. I would still have to run every morning.
”
”
Audrey Niffenegger (The Time Traveler’s Wife)
“
There were really a lot of clues,” Rico said. “I’m slightly disappointed in us.”
“We aren’t very self-aware,” Chris said with a frown.
“Holy shit!” Tanner said. “He can do magic.”
“I sighed and gave in. “He has shiny arms.”:
“Shiny arms?” Rico said. “Like ...what.”
“His arms. They glow when he does magic.”
“Shiny arms,” Tanner said. “That's ...amazing.”
“Magic,”Chris said. “I ...Don’t know what to do with that.”
“And what about you?” Rico demanded. “How do you fit in with all of this:
That led to tethers and mates.
“Like destiny and billshit?”
“Oh my god, Ox, your life is like those shitty sparkly vampire movies. That I’ve never seen and don’t like at all, shut up.”
“Oh man. That explains the whole Jessie thing. She never stood a chance in the face of sparkly vampire destiny or whatever it is.”
I put my face in my hands.
The conversation went for another three hours after that.
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
Then Augustus Waters reached into a pocket and pulled out, of all things, a pack of cigarettes. He flipped it open and put a cigarette between his lips. “Are you serious?” I asked. “You think that’s cool? Oh, my God, you just ruined the whole thing.” “Which whole thing?” he asked, turning to me. The cigarette dangled unlit from the unsmiling corner of his mouth. “The whole thing where a boy who is not unattractive or unintelligent or seemingly in any way unacceptable stares at me and points out incorrect uses of literality and compares me to actresses and asks me to watch a movie at his house. But of course there is always a hamartia and yours is that oh, my God, even though you HAD FREAKING CANCER you give money to a company in exchange for the chance to acquire YET MORE CANCER. Oh, my God. Let me just assure you that not being able to breathe? SUCKS. Totally disappointing. Totally.
”
”
John Green (The Fault in Our Stars)
“
What’s your dad doing for his bachelor party?”
I laugh. “Have you met my dad? He’s the last person who would ever have a bachelor party. He doesn’t even have any guy friends to have a party with!” I stop and consider this. “Well, I guess Josh is the closest thing he has. We haven’t seen much of him since he went to school, but he and my dad still e-mail every so often.”
“I don’t get what your family sees in that guy,” Peter says sourly. “What’s so great about him?”
It’s a touchy subject. Peter’s paranoid my dad likes Josh better than him, and I try to tell him it’s not a contest--which it definitely isn’t. Daddy’s known Josh since he was a kid. They trade comic books, for Pete’s sake. So, no contest. Obviously my dad likes Josh better. But only because he knows him better. And only because they’re more alike: Neither of them is cool. And Peter’s definitely cool. My dad is bewildered by cool.
“Josh loves my dad’s cooking.”
“So do I!”
“They have the same taste in movies.”
Peter throws in, “And Josh was never in a hot tub video with one of his daughters.”
“Oh my God, let it go already! My dad’s forgotten about that.” “Forgotten” might be too strong of a word. Maybe more like he’s never brought it up again and he hopefully never will.
“I find that hard to believe.”
“Well, believe it. My dad is a very forgiving, very forgetful man.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Well,” he sighed, squeezing my hand back. “I guess we were both running away in different ways.”
“What do you mean?”
Dad shook his head. “Your mother took a Mustang. I took a whiskey bottle.” He reached up and readjusted his glasses, an unconscious habit-he always did it when he was making a point. “I was so devastated by what your mother did to me that I forgot how horrible drinking is. I forgot to look on the bright side.”
“Dad,” I said, “I don’t think there is a bright side to divorce. It’s a pretty sucky thing all around.”
He nodded. “Maybe that’s true, but there are a lot of bright sides to my life. I have a job I like, a nice house in a good neighborhood, and a wonderful daughter.”
I rolled my eyes. “Oh God,” I muttered. “Don’t go all Lifetime movie on me. Seriously.”
“I’m sorry,” he said, smiling. “But I mean it. A lot of people would kill for my life, but I didn’t even consider that. I took it-and you-for granted. I’m so, so sorry for that, Bumblebee.
”
”
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
“
Bianca?”
Startled, I focused on Toby again. “Hmm?”
“Are you all right?” he asked.
My fingers had been toying with the little B charm around my neck without my realizing it. Immediately I dropped my hand to my side. “I’m fine.”
“Casey warned me that you’re probably lying when you say that,” he said.
I gritted my teeth and searched the dance floor for my so-called friend. She was being added to my hit list.
“And I think she’s right,” Toby sighed.
“What?”
“Bianca, I can see what’s going on.” He glanced over his shoulder at Wesley before turning back to me with a little nod. “He’s been staring at you since he got here.”
“Has he?”
“I can see him in the mirrors over there. And you’ve been staring back,” Toby said. “It’s not just tonight either. I’ve seen the way he looks at you during school. In the hallways. He likes you, doesn’t he?”
“I… I don’t know. I guess.” Oh God, this was uncomfortable. I just kept spinning my straw between my fingers and watching the little waves that appeared on the surface of my drink. I couldn’t meet Toby’s gaze.
“I don’t have to guess,” he said. “It’s pretty obvious. And the way you look at him makes me think you’re in love with him, too.”
“No!” I cried, releasing my straw and glaring up at Toby. “No, no, no. I am not in love with him, okay?”
Toby gave me a small smile and said, “But you do have feelings for him.”
I couldn’t see any sign of pain in his eyes, just a touch of amusement. That made it a lot easier to give him an answer. “Um,… yeah.”
“Then go to him.”
I rolled my eyes without meaning to. It was just so automatic. “Jesus, Toby,” I said, “that sounds like a line out of a bad movie.”
Toby shrugged. “Maybe, but I’m serious, Bianca. If you feel that way about him, you should go over there.
”
”
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
“
Nineteenth-century preacher Henry Ward Beecher's last words were “Now comes the mystery.” The poet Dylan Thomas, who liked a good drink at least as much as Alaska, said, “I've had eighteen straight whiskeys. I do believe that's a record,” before dying. Alaska's favorite was playwright Eugene O'Neill: “Born in a hotel room, and—God damnit— died in a hotel room.” Even car-accident victims sometimes have time for last words. Princess Diana said, “Oh God. What's happened?” Movie star James Dean said, “They've got to see us,” just before slamming his Porsche into another car. I know so many last words. But I will never know hers.
”
”
John Green (Looking for Alaska)
“
Shit, this backfired on me. I wanted to prove a point that not all girls
love romance. Oh God … why did I put myself in this position?
I’m going to pee my pants. I hate everything scary. Sometimes, I find
myself stupidly scared of my own shadow. I don’t care if you call me
cliché. I hate being scared more than anything.
I won’t let him win. I refuse to raise his ego. I’ll put on my best acting
skills and show him scary movies don’t faze me.
“Deal,” I reply strongly and look toward the TV.
Amelia gasps from beside me. “I don’t want to watch a scary movie—”
“We don’t care,” he interrupts when he finds the movie on demand and
presses play.
Here goes nothing …
Jesus, please be with me
”
”
Alexia Mantzouranis (Identity)
“
She seemed nice, but she was most likely one of those American women whose knowledge of Africa was based largely on movies and National Geographic and thirdhand information from someone who knew someone who had been to somewhere on the continent, usually Kenya or South Africa. Whenever Jende met such women (at Liomi’s school; at Marcus Garvey Park; in the livery cab he used to drive), they often said something like, oh my God, I saw this really crazy show about such-and-such in Africa. Or, my cousin/friend/neighbor used to date an African man, and he was a really nice guy. Or, even worse, if they asked him where in Africa he was from and he said Cameroon, they proceeded to tell him that a friend’s daughter once went to Tanzania or Uganda. This comment used to irk him until Winston gave him the perfect response: Tell them your friend’s uncle lives in Toronto. Which was what he now did every time someone mentioned some other African country in response to him saying he was from Cameroon. Oh yeah, he would say in response to something said about Senegal, I watched a show the other day about San Antonio. Or, one day I hope to visit Montreal. Or, I hear Miami is a nice city. And every time he did this, he cracked up inside as the Americans’ faces scrunched up in confusion because they couldn’t understand what Toronto/San Antonio/Montreal/Miami had to do with New York.
”
”
Imbolo Mbue (Behold the Dreamers)
“
You don’t seem to shock very easily.” I’m referring to our meeting in the hallway, when the redhead was grabbing my cock. “No, I don’t. My mom does porn, so…” She shrugs nonchalantly, dragging out her sentence. “You ain’t got nothin’ I haven’t ever seen in one of her movies.” The bombshell has my eyes bugging out of my skull and I practically leap out of my chair. “What!” A burst of laughter spills from her lips and before I know it, she’s sputtering. Falling out of her seat, waving her hands around, trying to calm herself. “Sit down, sit down, I’m kidding. Oh my god, you should see your face.” “You’re an asshole.” “So you keep saying.” The smirk returns. “It’s like looking in the mirror, isn’t it?
”
”
Sara Ney (The Studying Hours (How to Date a Douchebag, #1))
“
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams.
I spin around. “Oh my God, Peter!”
He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.”
I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth.
Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say.
“Of course we knew it was your birthday,” Lucas says.
Darrell says, “My boy’s been planning this for weeks.”
“It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.”
Chris says, “He called me, too. I was like, how the hell should I know?”
“And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!”
“I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.”
I turn to Peter and say, “I can’t believe you did this.”
“I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.”
I look around. “Um…”
That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Are you serious?” I asked. “You think that’s cool? Oh, my God, you just ruined the whole thing.”
“Which whole thing?” he asked, turning to me. The cigarette dangled unlit from the unsmiling corner of his mouth.
“The whole thing where a boy who is not unattractive or unintelligent or seemingly in any way unacceptable stares at me and points out incorrect uses of literality and compares me to actresses and asks me to watch a movie at his house. But of course there is always a hamartia and yours is that oh, my God, even though you HAD FREAKING CANCER you give money to a company in exchange for the chance to acquire YET MORE CANCER. Oh, my God. Let me just assure you that not being able to breathe? Sucks. Totally disappointing. Totally.
”
”
John Green (The Fault in Our Stars)
“
• “Are you serious?” I asked. “You think that’s cool? Oh, my God, you just ruined the whole thing.”
“Which whole thing?” he asked, turning to me. The cigarette dangled unlit from the unsmiling corner of his mouth.
“The whole thing where a boy who is not unattractive or unintelligent or seemingly in any way unacceptable stares at me and points out incorrect uses of literality and compares me to actresses and asks me to watch a movie at his house. But of course there is always a hamartia and yours is that oh, my God, even though you HAD FREAKING CANCER you give money to a company in exchange for the chance to acquire YET MORE CANCER. Oh, my God. Let me just assure you that not being able to breathe? Sucks. Totally disappointing. Totally.
”
”
John Green (The Fault in Our Stars)
“
I sprinkle some flour on the dough and roll it out with the heavy, wooden rolling pin. Once it’s the perfect size and thickness, I flip the rolling pin around and sing into the handle—American Idol style.
“Calling Gloriaaaaaaaaaaaaaaaaaaa . . .”
And then I turn around.
“AHHHHHHHHHHHHHH!”
Without thinking, I bend my arm and throw the rolling pin like a tomahawk . . . straight at the head of the guy who’s standing just inside the kitchen door.
The guy I didn’t hear come in.
The guy who catches the hurling rolling pin without flinching—one-handed and cool as a gorgeous cucumber—just an inch from his perfect face.
He tilts his head to the left, looking around the rolling pin to meet my eyes with his soulful brown ones. “Nice toss.”
Logan St. James.
Bodyguard. Totally badass. Sexiest guy I have ever seen—and that includes books, movies and TV, foreign and domestic. He’s the perfect combo of boyishly could-go-to-my-school kind of handsome, mixed with dangerously hot and tantalizingly mysterious. If comic-book Superman, James Dean, Jason Bourne and some guy with the smoothest, most perfectly pitched, British-Scottish-esque, Wessconian-accented voice all melded together into one person, they would make Logan fucking St. James.
And I just tried to clock him with a baking tool—while wearing my Rick and Morty pajama short-shorts, a Winnie-the-Pooh T-shirt I’ve had since I was eight and my SpongeBob SquarePants slippers.
And no bra.
Not that I have a whole lot going on upstairs, but still . . .
“Christ on a saltine!” I grasp at my chest like an old woman with a pacemaker.
Logan’s brow wrinkles. “Haven’t heard that one before.”
Oh fuck—did he see me dancing? Did he see me leap? God, let me die now.
I yank on my earbuds’ cord, popping them from my ears. “What the hell, dude?! Make some noise when you walk in—let a girl know she’s not alone. You could’ve given me a heart attack. And I could’ve killed you with my awesome ninja skills.”
The corner of his mouth quirks. “No, you couldn’t.”
He sets the rolling pin down on the counter.
“I knocked on the kitchen door so I wouldn’t frighten you, but you were busy with your . . . performance.”
Blood and heat rush to my face. And I want to melt into the floor and then all the way down to the Earth’s core.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
You have something to say to me, Cassidy, say it. Or shut the fuck up.”
“All right,” Jules said. “I will.” He took a deep breath. Exhaled. “Okay, see, I, well, I love you. Very, very much, and . . .” Where to go from here . . .?
Except, his plain-spoken words earned him not just a glance but Max’s sudden full and complete attention. Which was a little alarming.
But it was the genuine concern in Max’s eyes that truly caught Jules off-guard.
Max actually thought . . . Jules laughed his surprise. “Oh! No, not like that. I meant it, you know, in a totally platonic, non-gay way.”
Jules saw comprehension and relief on Max’s face. The man was tired if he was letting such basic emotions show.
“Sorry.” Max even smiled. “I just . . .” He let out a burst of air. “I mean, talk about making things even more complicated . . .”
It was amazing. Max hadn’t recoiled in horror at the idea. His concern had been for Jules, about potentially hurting his tender feelings. And even now, he wasn’t trying to turn it all into a bad joke.
And he claimed they weren’t friends.
Jules felt his throat tighten. “You can’t know,” he told his friend quietly, “how much I appreciate your acceptance and respect.”
“My father was born in India,” Max told him, “in 1930. His mother was white—American. His father was not just Indian, but lower caste. The intolerance he experienced both there and later, even in America, made him a . . . very bitter, very hard, very, very unhappy man.” He glanced at Jules again. “I know personality plays into it, and maybe you’re just stronger than he was, but . . . People get knocked down all the time. They can either stay there, wallow in it, or . . . Do what you’ve done—what you do. So yeah. I respect you more than you know.”
Holy shit.
Weeping was probably a bad idea, so Jules grabbed onto the alternative. He made a joke. “I wasn’t aware that you even had a father. I mean, rumors going around the office have you arriving via flying saucer—”
“I would prefer not to listen to aimless chatter all night long,” Max interrupted him. “So if you’ve made your point . . .?”
Ouch.
“Okay,” Jules said. “I’m so not going to wallow in that. Because I do have a point. See, I said what I said because I thought I’d take the talk-to-an-eight-year-old approach with you. You know, tell you how much I love you and how great you are in part one of the speech—”
“Speech.” Max echoed.
“Because part two is heavily loaded with the silent-but-implied ‘you are such a freaking idiot.’”
“Ah, Christ,” Max muttered.
“So, I love you,” Jules said again, “in a totally buddy-movie way, and I just want to say that I also really love working for you, and I hope to God you’ll come back so I can work for you again. See, I love the fact that you’re my leader not because you were appointed by some suit, but because you earned very square inch of that gorgeous corner office. I love you because you’re not just smart, you’re open-minded—you’re willing to talk to people who have a different point of view, and when they speak, you’re willing to listen. Like right now, for instance. You’re listening, right?”
“No.”
“Liar.” Jules kept going. “You know, the fact that so many people would sell their grandmother to become a part of your team is not an accident. Sir, you’re beyond special—and your little speech to me before just clinched it. You scare us to death because we’re afraid we won’t be able to live up to your high standards. But your back is strong, you always somehow manage to carry us with you even when we falter.
“Some people don’t see that; they don’t really get you—all they know is they would charge into hell without hesitation if you gave the order to go. But see, what I know is that you’d be right there, out in front—they’d have to run to keep up with you. You never flinch. You never hesitate. You never rest.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
I didn’t get the time to tell you, or to hold you, or get there to holding you without any awkwardness. It breaks my heart, not a little but a lot, to see how things have turned out and once upon a time i would try to set them right, but now i know there is no point, in trying or in hoping, because it is how it is, and not much can be done, or should be done, but i still wanted to tell you, maybe one of these days I will, maybe I won’t but I wanted to tell you that I wanted those things with you.
Meeting you for coffee on a rainy day, in a cafe somewhere between our homes. Spending the evening sitting by the sea, looking at the waves, listening to the noise and chaos of the city around us. Talking a walk with you in that park where we met the second time. Watching a movie with you. Having you over, coming over to yours. Going out to bars, birthday celebrations. Fighting sometimes, crazy loving the next. I wanted these things, and a few more. Oh god, i really wanted them with you.
”
”
Preeti Bhonsle
“
Desperately. Tally searched her brain for a prayer. Any prayer. Now I lay me down to sleep... No! Not that one. Hail Mary something, something. She wasn't Catholic. Oh, God, she should've gone to church more often. And Jesus, now definitely wasn't the time to blaspheme.
Fingers completely numb from gripping the chair, she kept her gaze pinned, with manic attention, on the pirate's large, strong hands on the wheel. Backlit eerily by the red lights on the instrument panel, those few teeny, tiny red lights were all that held her together.
She hated the dark. Hated, hated, hated it.
She wasn't that fond of roller coasters, either, and this was about seven hundred times worse. Putting the two together was overkill and proved that God had a sense of humor. Maybe she didn't want to pray after all. The boat hit a trough with the force of a ten-ton cement truck slamming into a granite mountain. Every bone in her body jarred.
Dear God, how long could the pirate ship last in this onslaught? Her brain pulled up every water movie she'd ever seen. Titanic. The Abyss. The Deep. Jaws... Oh, Lord. The Perfect Storm...
There were things she still wanted to do in her life. Off the top of her head she couldn't think of a one right now. But topping her list was dying in her own bed in Chicago. Dry. Of old age.
”
”
Cherry Adair (In Too Deep (T-FLAC, #4; Wright Family, #3))
“
I took a cinnamon roll and waved it under her nose.
“Mmmm,” she said, her eyes still closed. I waved it around some more, totally amused that I was messing with her dreams.
“AAAH!” I screamed as Rayna’s head zipped forward and she chomped down on the roll.
“Excellent!” she said, sitting up. “Thanks!”
“Rayna! You almost bit my finger off!”
“You asked for it.” She took another bite. “Mmmm. Oh my God, this is totally better than sex.” She looked at me pointedly. “Would you agree?”
“Whoa, subtle much?”
“You don’t have to talk about it if you don’t want to.” She knew it was the right thing to say, but her eyes were so clearly dying to know that I laughed out loud. I actually wanted to talk about it now, just to keep it alive in my head.
I told her everything. Watching her reactions was like watching a silent movie: Her face registered every detail in IMAX-size emotions.
“Am I allowed to have a moment of “ew” for my poor deflowered passenger seat?” she asked when I was finished.
I winced and buried my head in my hands. “Um…yeah.”
“Thank you.” She paused a moment, then grinned and burst out, “Clea, oh my God!!”
“I know. I know.”
“So what happens now?”
“We go to Tokyo, just like we’d planned.”
“What about Ben?” she asked. “Are you going to tell Ben?”
I looked at her like she was crazy.
“Hello! Not like everything you told me, just-are you going to let him know you’re together?”
“I don’t know,” I admitted. “I don’t think so…”
“You really think you’re going to be able to hide it?
”
”
Hilary Duff (Elixir (Elixir, #1))
“
We did the dishes and talked--about the cattle business, about my job back in L.A., about his local small town, about family. Then we adjourned to the sofa to watch an action movie, pausing occasionally to remind each other once again of the reason God invented lips. Curiously, though, while sexy and smoldering, Marlboro Man kept his heavy breathing to a minimum. This surprised me. He was not only masculine and manly, he lived in the middle of nowhere--one might expect that because of the dearth of women within a twenty-mile range, he’d be more susceptible than most to getting lost in a heated moment. But he wasn’t. He was a gentleman through and through--a sizzling specimen of a gentleman who was singlehandedly introducing me to a whole new universe of animal attraction, but a gentleman, nonetheless. And though my mercury was rising rapidly, his didn’t seem to be in any hurry.
He walked me to my car as the final credits rolled, offering to follow me all the way home if I wanted. “Oh, no,” I said. “I can get home, no problem.” I’d lived in L.A. for years; it’s not like driving alone at night bothered me. I started my car and watched him walk back toward his front door, admiring every last thing about him. He turned around and waved, and as he walked inside I felt, more than ever, that I was in big trouble. What was I doing? Why was I here? I was getting ready to move to Chicago--home of the Cubs and Michigan Avenue and the Elevated Train. Why had I allowed myself to stick my toe in this water?
And why did the water have to feel so, so good?
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
As we round the corner for our third lap, I catch Peter Kavinsky looking at me. I thought I was imagining it at first, him staring in my direction, but this is the third time. He’s playing ultimate Frisbee with some of the guys. When we pass them, Peter jogs over to us and says, “Can I talk to you for a minute?”
Chris and I look at each other. “Her or me?” she asks.
“Lara Jean.”
Chris puts her arm around my shoulder protectively. “Go ahead. We’re listening.”
Peter rolls his eyes. “I want to talk to her in private.”
“Fine,” she snaps, and she flounces away. Over her shoulder she looks back at me with wide eyes, like What? I shrug back, like I have no idea!
In a low, quiet voice, Peter says, “Just so you know, I don’t have any STDs.”
What in the world? I stare at him, my mouth open. “I never said you had an STD!”
His voice is still low but actually furious. “I also don’t always take the last piece of pizza.”
“What are you talking about?”
“That’s what you said. In your letter. How I’m an egotistical guy who goes around giving girls STDs. Remember?”
“What letter? I never wrote you any letter!”
Wait. Yes I did. I did write him a letter, about a million years ago. But that’s not the letter he’s talking about. It couldn’t be.
“Yes. You. Did. It was addressed to me, from you.”
Oh, God. No. No. This isn’t happening. This isn’t reality. I’m dreaming. I’m in my room and I’m dreaming and Peter Kavinsky is in my dream, glaring at me. I close my eyes. Am I dreaming? Is this real?
“Lara Jean?”
I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?”
“It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--”
“It came in the mail? To your house?”
“Yeah.”
I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
I Can't Make You Love Me.' Bonnie Raitt."
"Oh,Fiorella."
I glared at him a little as I climbed down. "Was that delightful list for your benefit or mine?"
Frankie grabbed my hand and, when I didn't pull away fast enough, tugged me onto his lap,where he wrapped his arms so tightly around me that I couldn't escape. Sometimes his strength still surprises me.He tickled my cheek with his nose. "Don't hate me just because I'm hateful."
"I never do."
Here's the thing. Frankie's taken a lot of hits in his life. He never stays down for long.
"Excuse me!" The mannequin's evil twin was glaring down at us fro her sky-high bootie-heeled heights. Her NM badge told us her name was Victoria. "You cannot do that here!" she snapped.
"Do what?" Frankie returned, matching lockjaw snooty for lockjaw snooty.
She opened and closed her mouth, then hissed, "Canoodle!"
I felt Frankie's hiccup of amusement. "Were we canoodling, snookums?" he asked me. "I rather thought we were about to copulate like bunnies."
I couldn't help it; I laughed out loud. Victoria's mouth thinned into a pale line. The whole thing might have ended with our being escorted out the store's hallowed doors by security. Sadie, as she so often did, momentarily saved us from ourselves.
She stomped out of the dressing room and planted herself in front of us. Ignoring the angry salesgirl completely, she muttered, "I look like a carved pumpkin!"
Frankie took in the skirt, layered shirts, and jacket. "You do not, but I might have been having an overly Michael Kors moment. This will not do for a date.Take it off." He nudged me, then added, "Right here.Every last stitch of it."
As soon as Sadie was back in her own clothing and coat-which got an unwilling frown of respect from Victoria; apparently even Neiman Maruc doesn't carry that line-we moved on. Sadie did better in Frankie's second choice-a lip-printed sweater dress from Betsey Johnson,but wouldn't buy it.
"We're just going to a movie!" she protested. "Besides,Jared's not...not..." She gestured down at her lippy hips. "He's practical and sensible and quiet."
"Oh,my God!" Frankie slapped both palms to the side of his face,and turned to me. "Sadie has a date with a Prius!"
He had to invoke the sanctity of Truth or Dare before he could even get her into Urban Outfitters. "Sometimes I love you less than other times," she grumbled as he filled her arms with his last choices.
"No,you don't," he said cheerfully, and sent her off to change.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
We may have to mask your scent.” He looked at her soberly. “Did Olivia tell you anything about scent marking?” “Scent marking?” Sophie wracked her brain, trying to remember. It seemed vaguely familiar though she couldn’t remember exactly what it involved. Still, how bad could it be? “Oh, uh, sure. Scent marking.” She nodded. “Good. Because in the last extremity, if I hear the sniffers around this cabin, I may have to scent mark you—to mask your scent with my own.” “Can you do that? I mean, is your scent that much stronger than mine, especially when they’re focused on me?” Sylvan looked down at his hands. “Normally it isn’t but right now…ever since the trip we took in the transport tube…” Sophie thought of the warm, spicy scent that seemed to go to her head, the way it made her react to him… “It’s your mating scent, isn’t it?” she asked in a low voice, not daring to look at him. “Yes.” He sounded ashamed. “But why…” She risked a sidelong glance at him. “Why is it coming out now? I, uh, thought it only happened during the claiming period. But you’re not, um, claiming me or anything. I mean, we’re not… you know.” “I know.” He shook his head. “I don’t understand what’s going on either. We haven’t even been dream sharing. Well, that is, I mean…” He cleared his throat. “I’ve had a few dreams of you. But nothing out of the ordinary.” He glanced at her. “Have you…had any strange dreams?” “No.” Sophie shook her head and a look of mingled disappointment and relief passed over his stern features. “I have been, uh, having problems with my art, though,” she admitted in a low voice. “Problems with your art?” He frowned. “What do you mean?” “I paint,” Sophie explained. “You know—with a paintbrush and easel?” She made a painting motion in the air and his eyes widened. “That was what I dreamed. That you were painting a picture of…of me.” Sophie nearly choked. “But I have been! You’re all I’ve been able to paint lately. Even when I try not to, you always sneak in there. It’s so annoying.” Then she realized what she’d said. “Uh, I mean—” “It doesn’t matter.” Sylvan cut her off, shaking his head. “So we have been dream sharing, in a way.” Sophie felt herself go cold all over. “Does…does that mean you’re going to try to…to claim me? The way Baird claimed Liv?” Oh my God, if he does, if he claims me, then he’ll want to bite me! That’s the way his people do it. She had horror-movie visions of being held down under his muscular bulk, held down and pierced multiple times and in multiple ways. God, his teeth in my throat at the same time he’s inside me, filling me, holding me down and biting and thrusting. He’s so big, so strong—I’d never be able to get away. The horror she felt must have showed on her face, because Sylvan’s voice was rough when he spoke. “Don’t worry, Sophia. Even if I wanted to claim you, I couldn’t.” “Oh right.” She felt a small measure of relief. “Your vow.” “My vow,” he agreed. “Sylvan,
”
”
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
“
They're really going to mash the world up this time, the damn fools. When I read that description of the victims of Nagasaki I was sick: "And we saw what first looked like lizards crawling up the hill, croaking. It got lighter and we could see that it was humans, their skin burned off, and their bodies broken where they had been thrown against something." Sounds like something out of a horror story. God save us from doing that again. For the United States did that. Our guilt. My country. No, never again. And then one reads in the papers "Second bomb blast in Nevada bigger than the first! " What obsession do men have for destruction and murder? Why do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled "enemy?" Weren't the Russians communists when they helped us slap down the Germans? And now. What could we do with the Russian nation if we bombed it to bits? How could we "rule" such a mass of foreign people - - - we, who don't even speak the Russian language? How could we control them under our "democratic" system, we, who even now are losing that precious commodity, freedom of speech? (Mr. Crockett," that dear man, was questioned by the town board. A supposedly "enlightened" community. All he is is a pacifist. That, it seems, is a crime.) Why do we send the pride of our young men overseas to be massacred for three dirty miles of nothing but earth? Korea was never divided into "North" and "South." They are one people; and our democracy is of no use to those who have not been educated to it. Freedom is not of use to those who do not know how to employ it. When I think of that little girl on the farm talking about her brother - "And he said all they can think of over there is killing those God-damn Koreans." What does she know of war? Of lizard-like humans crawling up a hillside? All she knows is movies and school room gossip. Oh, America's young, strong. So is Russia. And how they can think of atom-bombing each other, I don't know. What will be left? War will come some day now, with all the hothead leaders and articles "What If Women are Drafted?" Hell, I'd sooner be a citizen of Africa than see America mashed and bloody and making a fool of herself. This country has a lot, but we're not always right and pure. And what of the veterans of the first and second world wars? The maimed, the crippled. What good their lives? Nothing. They rot in the hospitals, and we forget them. I could love a Russian boy - and live with him. It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual - but to kill off all the ones who could forge a strong nation? How foolish! Of what good - living and freedom without home, without family, without all that makes life?
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
When I swung open the door, there he was: Marlboro Man, wearing Wranglers and a crisp white shirt and boots. And a sweet, heart-melting smile.
What are you doing here? I thought. You’re supposed to be in the shower. You’re supposed to be with the sex kitten.
“Hey,” he said, wasting no time in stepping through the door and winding his arms around my waist. My arms couldn’t help but drape over his strong shoulders; my lips couldn’t help but find his. He felt soft, warm, safe…and our first kiss turned into a third, and a sixth, and a seventh. It was the same kiss as the night before, when the phone call alerting him to the fire had come. My eyes remained tightly closed as I savored every second, trying to reconcile the present with the horror movie I’d imagined just moments earlier. I had no idea what was going on. At that point, I didn’t even care.
“Ummmmm!!! I’m t-t-t-ttellin’!” Mike teased from the top of the stairs, just before running down and embracing Marlboro Man in a bear hug.
“Hi, Mike,” Marlboro Man said, politely patting him on the back.
“Mike?” I said, smiling and blinking my eyes. “Will you excuse us for a couple of minutes?”
Mike obliged, giggling and oooo-ing as he walked toward the kitchen.
Marlboro Man picked me up and brought my eyes to the level of his. Smiling, he said, “I’ve been trying to call you this afternoon.”
“You have?” I said. I hadn’t even heard the phone ring. “I, um…I sort of took a nine-hour nap.”
Marlboro Man chuckled. Oh, that chuckle. I needed it badly that night.
He set my feet back down on the floor. “So…,” he teased. “You still cranky?”
“Nope,” I finally answered, smiling. So, who is that woman in your house? So…what did you do all day? “Did you ever get any sleep?” So, who is that woman in your house?
“Well,” he began. “I had to help Tim with something this morning, then I crashed on the couch for a few hours…it felt pretty good.”
Who was the woman? What’s her name? What’s her cup size?
He continued. “I would’ve slept all day, but Katie and her family showed up in the middle of my nap,” he said. “I forgot they were staying at my house tonight.”
Katie. His cousin Katie. The one with the two young kids, who had probably just gone to bed when I’d called earlier.
“Oh…really?” I said, my chest relaxing with a long, quiet exhale.
“Yeah…but it’s a little crowded over there,” he said. “I thought I’d come over here and take you to a movie.”
I smiled, stroking his back with my hand. “A movie sounds perfect.” The busty, bronze mystery girl slowly faded into oblivion.
Mike came barreling out of the kitchen, where he’d been listening to every word.
“Hey--if you guys are goin’ to the movie, c-c-c-can you drive me to the mall?” he yelled.
“Sure, Mike,” Marlboro Man said. “We’ll drive you to the mall. It’ll cost you ten bucks, though.”
And as the three of us made our way outside to Marlboro Man’s diesel pickup, I had to bite my lip to keep myself from articulating the only seven words in the English language that were in my vocabulary at that moment:
God help me--I love that man.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges.
“Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.”
She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.”
A low chuckle. “Well, this was a special circumstance, so they helped me out.”
“I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”.
“Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.”
“Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?”
“Not gonna give away my hand this early on, but I’ll take those into consideration.”
“And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.”
“What thing is that? Refresh my memory,” he said, a teasing note in his voice.
She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.”
He gave a low groan. “I loved every second of it. But think simpler.”
Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled.
“That works too, but it’s still not the key.”
“Then what?”
“You.”
She blinked, her heart squeezing at the conviction behind his answer. “Me?”
“Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable.
“So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay.
A masculine rumble filled her ears. “God, yeah.”
She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.”
“I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?”
She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.”
“Oh, baby, I’ll be so good to you, you have no idea.
”
”
Kaylea Cross (Avenged (Hostage Rescue Team, #5))
“
It’s my turn next, and I realize then that I never turned in the name of my escort--because I hadn’t planned on being here. I glance around wildly for Ryder, but he’s nowhere to be seen, swallowed up by the sea of people in cocktail dresses and suits.
Crap. I thought he realized that escorting me on court was part of the deal, once I’d agreed to go. I guess he’d figured it’d be easier on me, what with the whole Patrick thing, if I was alone onstage. But I don’t want to be alone. I want Ryder with me. By my side, supporting me.
Always.
I finally spot him in the crowd--it’s not too hard, since he’s a head taller than pretty much everyone else--and our eyes meet. My stomach drops to my feet--you know, that feeling you get on a roller coaster right after you crest that first hill and start plummeting toward the ground.
Oh my God, this can’t be happening. I’ve fallen in love with Ryder Marsden, the boy I’m supposed to hate. And it has nothing to do with his confession, his declaration that he loves me. Sure, it might have forced me to examine my feelings faster than I would have on my own, but it was there all along, taking root, growing, blossoming.
Heck, it’s a full-blown garden at this point.
“Our senior maid is Miss Jemma Cafferty!” comes the principal’s voice. “Jemma is a varsity cheerleader, a member of the Wheelettes social sorority, the French Honor Club, the National Honor Society, and the Peer Mentors. She’s escorted tonight by…ahem, sorry. I’m afraid there’s no escort, so we’ll just--”
“Ryder Marsden,” I call out as I make my way across the stage. “I’m escorted by Ryder Marsden.”
The collective gasp that follows my announcement is like something out of the movies. I swear, it’s just like that scene in Gone with the Wind where Rhett offers one hundred and fifty dollars in gold to dance with Scarlett, and she walks through the scandalized bystanders to take her place beside Rhett for the Virginia reel.
Only it’s the reverse. I’m standing here doing the scandalizing, and Ryder’s doing the walking.
“Apparently, Jemma’s escort is Ryder Marsden,” the principal ad-libs into the microphone, looking a little frazzled. “Ryder is…um…the starting quarterback for the varsity football team, and, um…in the National Honor Society and…” She trails off helplessly.
“A Peer Mentor,” he adds helpfully as he steps up beside me and takes my hand. The smile he flashes in my direction as Mrs. Crawford places the tiara on my head is dazzling--way more so than the tiara itself. My knees go a little weak, and I clutch him tightly as I wobble on my four-inch heels.
But here’s the thing: If the crowd is whispering about me, I don’t hear it. I’m aware only of Ryder beside me, my hand resting in the crook of his arm as he leads me to our spot on the stage beside the junior maid and her escort, where we wait for Morgan to be crowned queen.
Oh, there’ll be hell to pay tomorrow. I have no idea what we’re going to tell our parents. Right now I don’t even care. Just like Scarlett O’Hara, I’m going to enjoy myself tonight and worry about the rest later.
After all, tomorrow is another…Well, you know how the saying goes.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
I’m at my locker; the door is jammed, and I’m trying to yank it open. I finally get the door loose and there’s Josh, standing right there.
“Lara Jean…” He has this shell-shocked, confused expression on his face. “I’ve been trying to talk to you since last night. I came by, and nobody could find you…” He holds out my letter. “I don’t understand. What is this?”
“I don’t know…,” I hear myself say. My voice feels far away. It’s like I’m floating above myself, watching it all unfold.
“I mean, it’s from you, right?”
“Oh, wow.” I take a deep breath and accept the letter. I fight the urge to tear it up. “Where did you even get this?”
“It got sent to me in the mail.” Josh jams his hands into his pockets. “When did you write this?”
“Like, a long time ago,” I say. I let out a fake little laugh. “I don’t even remember when. It might have been middle school.” Good job, Lara Jean. Keep it up.
Slowly he says, “Right…but you mention going to the movies with Margot and Mike and Ben that time. That was a couple of years ago.”
I bite my bottom lip. “Right. I mean, it was kind of a long time ago. In the grand scheme of things.” I can feel tears coming on so close that if I break concentration even for a second, if I waver, I will cry and that will make everything worse, if such a thing is possible. I must be cool and breezy and nonchalant now. Tears would ruin that.
Josh is staring at me so hard I have to look away. “So then…Do you…or did you have feelings for me or…?”
“I mean, yes, sure, I did have a crush on you at one point, before you and Margot ever started dating. A million years ago.”
“Why didn’t you ever say anything? Because, Lara Jean…God. I don’t know.” His eyes are on me, and they’re confused, but there’s something else, too. “This is crazy. I feel kind of blindsided.”
The way he’s looking at me now, I’m suddenly in a time warp back to a summer day when I was fourteen and he was fifteen, and we were walking home from somewhere. He was looking at me so intently I was sure he was going to try to kiss me. I got nervous, so I picked a fight with him and he never looked at me like that again.
Until this moment.
Don’t. Just please, don’t.
Whatever he’s thinking, whatever he wants to say, I don’t want to hear it. I will do anything, literally anything, not to hear it.
Before he can, I say, “I’m dating someone.”
Josh’s jaw goes slack. “What?”
What?
“Yup. I’m dating someone, someone I really really like, so please don’t worry about this.” I wave the letter like it’s just paper, trash, like once upon a time I didn’t literally pour my heart onto this page. I stuff it into my bag. “I was really confused when I wrote this; I don’t even know how it got sent out. Honestly, it’s not worth talking about. So please, please don’t say anything to Margot about it.”
He nods, but that’s not good enough. I need a verbal commitment. I need to hear the words come out of his mouth. So I add, “Do you swear? On your life?” If Margot was to ever find out…I would want to die.
“All right, I swear. I mean, we haven’t even spoken since she left.”
I let out a huge breath. “Great. Thanks.” I’m about to walk away, but then Josh stops me.
“Who’s the guy?”
“What guy?”
“The guy you’re dating.”
That’s when I see him. Peter Kavinsky, walking down the hallway. Like magic. Beautiful, dark-haired Peter. He deserves background music, he looks so good. “Peter. Kavinsky. Peter Kavinsky!
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Hey, Emma, do you think Thor is a hunk?”
Emma looked up from the orders to gaze at Georgie quizzically. “Are you talking about the mythological Norse god or the guy who played him in the movie?”
“Either, both-- whatever.” Georgie returned to gazing out the shop window at the quiet main street of Scottsbluff. “The movie Thor is playing at the Midwest Theater this weekend. Looks like they’re having an Avenger movies marathon; must be getting ready for another sequel to come out soon. Anyway, it got me to thinking about how hunky Thor is. Actually it got me to thinking about hunky men, period.”
“Oh yeah, it would. It doesn’t take much to send your mind in that direction. As for Thor, I think we can reasonably presume he’s a hunk. After all, he’d have to be to swing that giant hammer of his. That would take a lot of muscle and all of it in the right places. The actor in the movie definitely qualifies as a hunk and I choose to believe his portrayal is based on fact.” She grinned. “We should go see the movie so we can check out his hammer.”
“That’s a deal.” Georgie also grinned, turning back to the window and giving a soft wolf whistle.
“Hold on. Who’s this gorgeous specimen of manhood I see?”
Emma joined Georgie at the window.
“Whoa, I don’t know who he is, but he looks like he probably has a pretty big hammer of his own, even if he isn’t a Norse god.”
“Down, girl. I saw him first so I’m calling dibs.” Georgie gave Emma a playful punch on the shoulder, eliciting a good natured chuckle. “Besides, how do you know he isn’t a Norse god?”
“Would a Norse god wear a faded tee shirt tucked into tight jeans? And, what do you mean you’re calling dibs? I thought you’d given up on bad boys. He definitely looks like a bad boy.”
“Yeah,” Georgie said sadly, “no more bad boys for me. Seriously though, Emma, aren’t all mythological gods known for their vanity? If they’d had tight jeans back in the days of the gods, that’s what they’d have worn for the sake of their godly vanity. I’m sure of it.
”
”
Jayne Hyatt (Looking for the Good Life)
“
Burns continued to work, doing a routine with Carol Channing that was short-lived. For a time it seemed that the old sentiment was to be proved true: that Burns without Gracie was a stale act indeed. Then he got a role in a movie, intended for his friend Jack Benny, who became ill and had to decline it. He won an Academy Award as Best Supporting actor in The Sunshine Boys, a 1975 release. His performance in the title role of the 1977 film Oh, God put to rest the “no-talent” argument.
”
”
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
“
I climbed under the covers and shone the flashlight on Mason's gift: a roll of something or somethings, bound in string. I unfurled it to reveal an 8x10 black-and-white photograph. The girl in the picture was me. Me in the Mystery Machine, eyes locked with the eye of Mason's camera, mouth tilted in an incredulous smirk. It was the girl from the mirror, it was the girl from the wall in McGrath's tomb, it was the girl from the moon, as far away as that. A familiar girl with a faraway look in her eye. I'd know her anywhere; I didn't know her at all. Over her eyes Mason had outlined a pair of 3-D movie glasses–a nod to Weegee's 3-D-movie lovers, no doubt, although this girl–me, I– was alone, not locked in some passionate embrace. Underneath her/my face, Mason had taped a fortune cookie message: One who admires you greatlyis hidden before your eyes. God! He almost had me. So if I was the 3-D girl with hidden eyes, did he think I was his admirer? Oh, Mr. Mad Hatter, I thought. How fearfully wrong thou art.
”
”
Sarah Combs (Breakfast Served Anytime)
“
Oh my god,” she says. “You’re Beauty and the Beast-ing me.” I don’t understand any of that. “I’m what?” “From the Disney movie. You’re romancing me with a library.
”
”
Kati Wilde (Secret Santa (Hot Holidays))
“
Help should arrive any minute. But I think maybe we should stand up before our circulation gets fucked.” “And do what?” Panic rang in Ryan’s voice. “Stand ass to ass?” Brand’s rumbling laughter against Lexi’s back made her tingle all over. “Ass to ass. Uncle Hank would like that.” Oh my God. Lexi erupted into a fit of giggles. The grouch of the band was making a joking reference to the movie Requiem for a Dream? Quinn groaned. “God damn, that movie was fucked up.” “Ass to ass.” Lexi giggled as Brand pulled her to her feet. Soon the whole band was laughing and echoing, “Ass to ass,” at poor Ryan as they once more huddled with their crew.
”
”
Brooklyn Ann (Heart Throb (Hearts of Metal, #7))
“
The focus of that week was “learning how to listen to the voice of God” in what was dubbed “My Quiet Time with God.” You have to admire the camp leaders’ intent, but let’s be honest. Most pre-adolescents are clueless about such deeply spiritual goals, let alone the discipline to follow through on a daily basis. Still, good little camperettes that we were, we trekked across the campground after our counselors told us to find our “special place” to meet with God each day. My special place was beneath a big tree. Like the infamous land-run settlers of Oklahoma’s colorful history, I staked out the perfect location. I busily cleared the dirt beneath my tree and lined it with little rocks, fashioned a cross out of two twigs, stuck it in the ground near the tree, and declared that it was good. I wiped my hands on my madras Bermudas, then plopped down, cross-legged on the dirt, ready to meet God. For an hour. One very long hour. Just me and God. God and me. Every single day of camp. Did I mention these quiet times were supposed to last an entire hour? I tried. Really I did. “Now I lay me down to sleep . . . ” No. Wait. That’s a prayer for babies. I can surely do better than that. Ah! I’ve got it! The Lord’s Prayer! Much more grown-up. So I closed my eyes and recited the familiar words. “Our Father, Who art in heaven . . .” Art? I like art. I hope we get to paint this week. Maybe some watercolor . . . “Hallowed by Thy name.” I’ve never liked my name. Diane. It’s just so plain. Why couldn’t Mom and Dad have named me Veronica? Or Tabitha? Or Maria—like Maria Von Trapp in The Sound of Music. Oh my gosh, I love that movie! “Thy kingdom come, Thy will be done . . . ” Be done, be done, be done . . . will this Quiet Time ever BE DONE? I’m sooooo bored! B-O-R-E-D. BORED! BORED! BORED! “On earth as it is in Heaven.” I wonder if Julie Andrews and I will be friends in heaven. I loved her in Mary Poppins. I really liked that bag of hers. All that stuff just kept coming out. “Give us this day, our daily bread . . . ” I’m so hungry, I could puke. I sure hope they don’t have Sloppy Joes today. Those were gross. Maybe we’ll have hot dogs. I’ll take mine with ketchup, no mustard. I hate mustard. “And forgive us our trespasses, as we forgive those who trespass against us.” What the heck is a trespass anyway? And why should I care if someone tresses past me? “And lead us not into temptation but deliver us from evil . . . ” I am so tempted to short-sheet Sally’s bed. That would serve her right for stealing the top bunk. “For Thine is the kingdom and the power and the glory forever.” This hour feels like forever. FOR-E-VERRRR. Amen. There. I prayed. Now what?
”
”
Diane Moody (Confessions of a Prayer Slacker)
“
I pushed against it harder, hoping to emboss my face with the jeweled star pattern. 13 One Hundred Percent Driven Snow “YOU NEVER KNOW,” my mother said to me. “You never know what means what.” “True,” I said. I was just nine years old, give or take, but I had learned not to interrupt my mother when she was on a roll, especially not when she was talking to me in the deep voice she used with the women in the beauty shop. She didn’t talk this way to all of them, of course; different people got different treatment, just as some people had to pay for every clip of the shears and other people got their bangs straightened for free. On that day, in the car, she talked the way she did with the longtime customers, the ones who got their lips waxed on the house, the ones who called me “Miss Lady” and called my mother “Girl.” “George Burns cheated on Gracie,” Mama said. “Can you believe that?” I didn’t believe or not believe it, as I wasn’t absolutely sure who George Burns was. “The man who plays God in that movie?” “Yes,” she said. “Him. He hasn’t always been old, you know. He was young and handsome and he was married to Gracie.” “Oh,” I said. “I remember.” This was the key. If I talked too much,
”
”
Tayari Jones (Silver Sparrow)
“
I am not super-attached to my career,' Audrey Tautou says in that sultry, Gallic voice of hers, a glint of recklessness in her big brown eyes. 'I have several plan Bs: I want to become a sailor; I like to draw; I would love to learn many things, but I don’t have time…' She trails off, leaving an uncertain silence hanging over the Kensington hotel room where we’ve met to discuss her latest film, a delightful comic confection called Beautiful Lies. 'That is the problem, you know,' she continues, more carefully. 'That is the reason why I will quit acting very soon.' She lets out a strange little laugh, a creaky exhalation, as if her own admission has taken her by surprise...
'I didn’t want to have this power,' she says, with a shrug. 'I would rather have freedom; and to find that you have to stop being in big, exposed movies. I don’t surf on the big waves. When I see them coming, I take my board and go straight back to the beach.'...
'I am always surprised to be chosen by a director for a role because I never understand why they like me,' she says. Surely, I suggest, that is false modesty, coming from one of Europe’s most bankable stars. 'Oh no, really, I am serious,' she says, leaning forward and planting her feet back on the carpet. 'I am always surprised to be cast.'
Does her track record – in Jeunet’s hits; or in Stephen Frears’s acclaimed Dirty Pretty Things, or as a compellingly self-possessed Coco Chanel in Anne Fontaine’s 2009 biopic – not give her at least a little confidence? 'No,' she says with a scowl, 'pas du tout.'
'A few months ago, I watched one of my old movies and I thought to myself, 'Oh, Jesus!’ Thank God that at the point I made that film I didn’t realise the extent to which I was terrible. Oh, mon dieu! Mon dieu!' But surely, I say, she can take from that the reassurance that she has only improved as an actress.
'Or,' she says, jabbing a finger in the air, 'I say to myself, does it simply mean that if in another 10 years I rewatch the films I am making today I will say, 'Oh mon dieu, how terrible I was then.’
She laughs that odd, breathy laugh again and then looks me dead in the eye. 'You have to be very careful in this life.
”
”
Benjamin Secher
“
Oh my God, oh my God, oh my God!" Lydia bounced up and down and pointed. "It's Layla Falls! She's here!"
"Who?" Jane asked, looking around. "Who fell?"
"No,Layla Falls, the movie star," Lydia explained, pointing Jane in the right direction. "She just released a new movie. She's so famous.
”
”
Krista Lakes (Mr. Darcy's Kiss)
“
I thought, “Oh my God this is fantastic,” and I remember calling him and going, “Oh my God, Bruce, you did it. You made a movie.” And he went, “Well, you made a movie.” I went, “No, I made, like, a film. This thing is enormous. This is, like, a forever thing. It’s one of the most thrilling movies I’ve ever seen.” I was so proud of him.
”
”
Brian Abrams (Die Hard: An Oral History (Kindle Single))
“
Don’t do that.” “Why not?” “Because I want to learn what’s in here—” He taps my temple with his finger. “—before I learn what’s in here.” He cups my center, holding tightly to my heat for a moment before he withdraws. My heart skips a beat and my belly clenches. “You want to go watch a movie?” he asks. “I think Phil got Lethal Weapon III at Blockbuster.” “Are you serious? I’ve been dying to see that.” I get to my feet. He holds out the shorts I didn’t put on earlier. “Put some clothes on. Please.” He holds his hands together like he’s praying. “My dick won’t be able to stand it if he finds out there’s nothing but a pair of panties between him and where he wants to go.” My belly flips like there are a thousand butterflies trying to get free. “Okay.” I take them from him. He clutches a hand to his heart. “Oh my God. She actually did something I asked her to do!
”
”
Tammy Falkner (Yes You (The Reed Brothers #9.5))
“
When I was in Heaven, sometimes I would sit at night and listen to your thoughts while you were in bed--"
"Aaaah!" I shriek, blushing. "You dirty hentai! Like the porn, do you?"
"I meant your thoughts while you're alone in bed," he replies with a wry smile. "After you're all done for the evening, and you're drifting off to sleep! Oh, Tahji--your soul is so lonely, although you'll never admit it. No," he smiles, holding up his hand as I open my mouth to protest "You cannot lie to the Son of God."
"You mean the Son of the Living Son of God."
He titters.
"Sounds like a horror movie.
”
”
Lioness DeWinter
“
Past an empty stretch of white wall with stone flowers inset below windows, he spied a pair of pop-eyed pimp-eyes as urgent as whore-eyes but roundly comical as the pimp twisted himself from side to side not to be sexy but to be urgent as if to say Jimmy this is your one and only chance to get the woman whose cunt will satisfy you for ever and ever, in sickness and in health, so help me God, but you have to come with me right now down this dark dark alley past the sign that says MOVIES and left by the trash cans following the luminescence of my white straw hat and white jeans and the whites of my eyes which I will continually turn back upon you to make sure that you stay with me all the way to the barred basement windows where your good fortune waits for you already saying oh Jimmy Jimmy but as soon as the man opened his mouth he became as monotonous as the intricacies of brick walls and the steel lattice-windows of bars, and Jimmy walked away.
”
”
William T. Vollmann (Whores for Gloria)
“
Kim Dokja x Hansooyoung PART 1
[I shall kill you, Yoo Joonghyuk.] ~ Kim Dokja pg 4110
46. ⸢(Looks like you still don't know how it works. The heroine loses her
consciousness, her hand falling away. And the male hero awakens! You
see, in all the movies I've seen so far…) pg 4112
47. These idiots, I even died so that you two could talk to each other, but this…'
She figured that she really needed to give these two men a harsh earful
when she arrived there. But, when she pushed past the bushes and stepped
forward, the ensuing spectacle freaked her out in a rather grand manner.
Kwa-aaang!! Bang!!!
Yoo Joonghyuk was mercilessly slamming his sword down on Kim Dokja,
currently sprawled out on the ground.
"Hey!! You crazy son of a bitch!!" pg 4125
48. There were plenty of things she wanted to ask, but she chose not to. Instead,
she poked Kim Dokja's cheek and spoke up. "Still, this guy looks like he
got completely fooled, doesn't he."
"Looks that way."
"How did it go?"
"He went crazy and attacked me."
Han Sooyoung smirked and lightly pinched Kim Dokja's cheek as if she
was proud of him. pg 4127
49. the events of her dying at Yoo Joonghyuk's sword, me fighting against him,
and then, passing out from his attack, and finally, sharing a conversation
with Yoo Sangah inside the Library…
Han Sooyoung approached the bed before I noticed it and pinched my
cheek.
"In any case, Kim Dokja. You can be really adorable sometimes." pg 4144
50. The moment Han Sooyoung's fist bumped into mine, she was completely
enveloped in bright light. As I watched her figure disappear, I became
aware once more that she had become my companion for real. pg 4165
51. ⸢And…⸥
My heart began powerfully pounding away.
⸢The woman that I used to love.⸥
pg 4189
52. Her emotionless eyes; the beauty spot just below one of them; and her lips
that always mocked me for fun, now arching up in a smooth line.
"Proceed with the execution pg 4191
53. "But, should you be doing something like that? She's originally your bride,
isn't she?"
"Correction. She was supposed to be one. The throne was usurped on the
first day of the wedding, however."
Oh, I see. So, it's that sort of development? I felt just a bit relieved now.
Han Sooyoung and Yoo Joonghyuk as a couple?
hadn't allowed any dating at the workplace yet, so hell no. pg 4202
54. ⸢By the time you're reading this book, I…⸥
I steeled my heart and read the next line of the text.
⸢…I'd still be living a pretty good life, I guess. Hahah, were you scared?⸥
This idiot… pg 4212
55. The following words were eerily similar to a certain body of text that I was
familiar with.
⸢The you reading this story will definitely make it out of here alive.⸥
Han Sooyoung's afterwords came to an end there. For the longest time, I
couldn't tear my eyes away from the full-stop at the end of the sentencepg4216
56. "Looks like the
company's internal rules need to be changed somewhat…" pg 4234
57. She spoke in a fed-up tone of voice. And then, issued an order to me.
"Marry me, Ricardo Von Kaizenix." pg 4244
58. "I didn't want to extend her 50 years by even one minute if I could help
it." I was being serious here.
The moment I arrived in this world and realized that Han Sooyoung had to
spend 50 years here, I just couldn't escape from this one overwhelming
emotion.
Someone was sacrificed again because of me.
Han Sooyoung who had to endure the time frame of 50 years – could she
still maintain a normal, functioning mind?
Was she able to maintain the ego of the Han Sooyoung that I know of?pg4254
59. Her palm smacked me in the back of the head again.
God damn it, this punk…
"The third method, 'Romance'."
"And its contents are?"
"Marry Yuri di Aristel."
"And just what did you choose?"
"The third method?"
"And are we currently married?"
"Nope."
"And why the hell not?!" pg 4256
”
”
shing shong (OMNISCIENT READER'S VIEWPOINT (light novel vol2))
“
Oh my god, I want to fuck a vampire. Who’s hundreds of years older than me. My life has become one of those teen movies the girls at my high school used to get all weird over. All that’s left for me to do is get all dramatic and introspect— Like I’m being right now. Fuck. My. Life. I’m a teenybopper vampire lover.
”
”
Louisa Masters (One Bite With a Vampire (Hidden Species #2))
“
And soon I was getting involved in one of the most amazing projects. Someone asked me to help design the digital part of the first hotel movie system, which was based on the very earliest VCRs. No one had VCRs then, of course. I was thinking, Oh my god! This is going to be incredible—designing movies for hotels! I couldn’t get over it. Their formula was this. They’d line up about six VCRs. Then they had a method of sending special TV channels to everybody’s room. They could play the movies on those channels. There was a filter in each room to block those channels. But the hotel clerk in the lobby could send a signal to unlock the filter in a particular room. Then the guest could watch the movie they ordered on their TV. Someone in the VCR room had to literally start the movie, but this was still a really cool system.
”
”
Steve Wozniak (iWoz: Computer Geek to Cult Icon)
“
The film strives for charm but falls flat in its attempt,” he read aloud. “Although fiction generally requires some suspension of disbelief, the utter ridiculousness of the balcony scene gives me so much secondhand embarrassment I want to bleach my memory so I never have to think about it again. I have more chemistry with my bedroom lamp than the lead actors have with each other, and the dialogue sounds like that of a parody rather than an actual romantic comedy. If AI wrote and performed a movie, it would look like this.” He was quiet for a second before looking at me. “What the hell have you been doing with your bedroom lamp?”
“Turning it on,” I said in response to his question. “Oh God. That was terrible.
”
”
Ana Huang (King of Sloth (Kings of Sin, #4))
“
I have scars on my hands from touching certain people. Once, in the park, when Franny was still in the carriage, I put my hand on the downy pate of her head and left it there too long. Another time, at Loew's Seventy-second Street, with Zooey during a spooky movie. He was about six or seven, and he went under the seat to avoid watching a scary scene. I put my hand on his head. Certain heads, certain colors and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand. Oh, God, if I'm anything by a clinical name, I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
Oh my god! You still have a crush on Nic don’t you? That’s so cute, brother! You’re like Brand from Adventures in Babysitting.” Miles cackles at this reference but my blood runs cold. Aubrey’s pension for eighties movies has just turned me into a pedophile.
”
”
Marley Jacobs (Goodnight, Nic)
“
But before, not so long ago - my own rose from prom still OK on the mirror, dried but not a corpse - you were just Ed Slaterton, jocky hero, handsome in the student newspaper and star of a million strands of gossip. Now Annette was a person to me, standing right there, and not just an oh-my-God-have-you-heard, and I tried to put it together in my head, the print and the negative, the boyfriend and the celebrity shadow, like Theodora Sire sat next to me in history, borrowing pencils, but was still a movie star above my bed. Because as you came out of the dark to me, you were the boy I was kissing and wanted to kiss more, back to find me at a party like anybody might do, but you were Ed Slaterton too, and not the cad you are now, but just Ed Slaterton, co-captain, with a beer in your hand and Jillian Beach on your arm.
”
”
Daniel Handler (Why We Broke Up)
“
Oh God, oh God...” Dana chanted,
”
”
Tim Lebbon (The Cabin in the Woods: The Official Movie Novelization)
“
When she’s in a courtroom, Wendy Patrick, a deputy district attorney for San Diego, uses some of the roughest words in the English language. She has to, given that she prosecutes sex crimes. Yet just repeating the words is a challenge for a woman who not only holds a law degree but also degrees in theology and is an ordained Baptist minister. “I have to say (a particularly vulgar expletive) in court when I’m quoting other people, usually the defendants,” she admitted.
There’s an important reason Patrick has to repeat vile language in court. “My job is to prove a case, to prove that a crime occurred,” she explained. “There’s often an element of coercion, of threat, (and) of fear. Colorful language and context is very relevant to proving the kind of emotional persuasion, the menacing, a flavor of how scary these guys are. The jury has to be made aware of how bad the situation was. Those words are disgusting.”
It’s so bad, Patrick said, that on occasion a judge will ask her to tone things down, fearing a jury’s emotions will be improperly swayed.
And yet Patrick continues to be surprised when she heads over to San Diego State University for her part-time work of teaching business ethics. “My students have no qualms about dropping the ‘F-bomb’ in class,” she said. “The culture in college campuses is that unless they’re disruptive or violating the rules, that’s (just) the way kids talk.”
Experts say people swear for impact, but the widespread use of strong language may in fact lessen that impact, as well as lessen society’s ability to set apart certain ideas and words as sacred. . . .
[C]onsider the now-conversational use of the texting abbreviation “OMG,” for “Oh, My God,” and how the full phrase often shows up in settings as benign as home-design shows without any recognition of its meaning by the speakers. . . .
Diane Gottsman, an etiquette expert in San Antonio, in a blog about workers cleaning up their language, cited a 2012 Career Builder survey in which 57 percent of employers say they wouldn’t hire a candidate who used profanity. . . .
She added, “It all comes down to respect: if you wouldn’t say it to your grandmother, you shouldn’t say it to your client, your boss, your girlfriend or your wife.”
And what about Hollywood, which is often blamed for coarsening the language?
According to Barbara Nicolosi, a Hollywood script consultant and film professor at Azusa Pacific University, an evangelical Christian school, lazy script writing is part of the explanation for the blue tide on television and in the movies. . . .
By contrast, she said, “Bad writers go for the emotional punch of crass language,” hence the fire-hose spray of obscenities [in] some modern films, almost regardless of whether or not the subject demands it. . . . Nicolosi, who noted that “nobody misses the bad language” when it’s omitted from a script, said any change in the industry has to come from among its ranks: “Writers need to have a conversation among themselves and in the industry where we popularize much more responsible methods in storytelling,” she said. . . .
That change can’t come quickly enough for Melissa Henson, director of grass-roots education and advocacy for the Parents Television Council, a pro-decency group. While conceding there is a market for “adult-themed” films and language, Henson said it may be smaller than some in the industry want to admit.
“The volume of R-rated stuff that we’re seeing probably far outpaces what the market would support,” she said. By contrast, she added, “the rate of G-rated stuff is hardly sufficient to meet market demands.” . . .
Henson believes arguments about an “artistic need” for profanity are disingenuous. “You often hear people try to make the argument that art reflects life,” Henson said. “I don’t hold to that. More often than not, ‘art’ shapes the way we live our lives, and it skews our perceptions of the kind of life we're supposed to live."
[DN, Apr. 13, 2014]
”
”
Mark A. Kellner
“
And from what I remember about our casting meeting, his eyes kept circling back to you.”
“Don’t be ridiculous,” she said in as light a voice as she could manage, as if they were joking about something that would never, ever happen in a million years.
“Well,” George said after a pause that was just a little too long for her comfort, “I think we both know that if the beautiful and talented and filthy rich Smith Sullivan is smart enough to try to stick his hands up your skirt, you won’t stand a chance.”
She hated knowing her friend and colleague was right, hated it so much that as she grabbed a stack of notes on her desk, she tried to put a stop to all of his nonsense by saying, in her sternest, most businesslike tone, “If you’re done speculating over whether or not Smith Sullivan wants to stick his hands, or any other body part, up my skirt—or if I have strong enough superpowers to resist him—perhaps we can now discuss the details of Tatiana’s recent commercial offer.”
A creak from her office doorway made her finally lift her gaze from her paperwork…to stare straight into Smith’s amused eyes.
Oh, God.
Oh, no.
Could he have heard what she’d just said? About her skirt, and his hands, and…
Yes, she realized with a hard thunk of her heart as it careened down to the bottom of her stomach. Of course he’d heard every last word of it.
Why else would he look so amused…and, quite possibly, delighted?
“George, I’ll need to call you back in a few minutes.”
“Oooh, you sound tense. And more than a little breathless. A movie star must have walked into the room.” George was obviously giddy over it. “Why don’t you just leave your phone on speaker so I can hear his voice—just in case he says all those naughty things I know we’re both hoping he’ll say.”
She hung up on Tatiana’s agent and immediately stood up so that she and Smith would be on even ground. Well, as even as they could be, given the six or so inches he had on her even in her heels.
“You didn’t need to hang up so quickly for me,” he drawled in a voice that didn’t try to be sexy. It just was.
“I know how busy you are,” she replied. And it was true. As star, director, producer and screenwriter of Gravity, she wasn’t sure how he’d managed more than a handful of hours of sleep a night since production began. And yet, he didn’t look the least bit tired. Instead, he looked even more handsome than he usually did.
Clearly, he wore smug well. Because she knew damn well just how smug he had to be feeling after what he’d heard her say to George.
”
”
Bella Andre (Come A Little Bit Closer (San Francisco Sullivans, #7; The Sullivans, #7))
“
Oh my God! You have Empire Records?” I grab the DVD and rush over to put it in the player. “You know this movie is cinema gold,” Jackson says as he brings over popcorn and settles into the couch. “This is the best movie ever!” I exclaim and snuggle into his side. “Okay. Before we start watching, if you could be anyone, who would you pick? I’d be Lucas. He’s hysterical.” I smile and grab the bowl, putting it on my lap. “I guess Joe. He’s the boss.” I laugh at his choice. Of course he’d pick the one who’s in charge. Joe is pretty badass, though. “I think you’d be a great Rex. Oh Rexy, you’re so sexy.” I smirk and push play as he scoffs.
”
”
Corinne Michaels (Beloved (The Belonging Duet, #1))
“
Marina leaned her head against him and sniffled. It was common in this day and age, when waiting someplace, to look around at your involuntary companions and imagine you were trapped with them someplace more dire: a hostage situation or a building on fire, something requiring teamwork and survival. Could you build the camaraderie promised in movies about such times, or would you fall apart? Phil Needle looked around and realized, quietly but sharply, that he and his wife would not survive this. Gwen's disappearance would slaughter them.
YOU WANT IT WHEN? was the caption on the poster. It was talking about office work, and the sad fact, true at the time, that people want things right away and that other people don't care about that. The poster reminded people that it didn't matter what you wanted. Where was she? Where did somebody put her? Where were those ragged thumbs of hers, and her odd, tiny earlobes? Was he about to become one of those guys, clutching a photograph of Gwen, on the news every year in support of an extreme new crime law? Were they becoming one of those families used as a murmured example of the wickedness of the world, as a worst-case scenario to comfort those whose daughter was merely pregnant or paralyzed? Would there be a funeral, everyone sweating in black clothes in the summer and squinting in sunglasses? Oh God, would there be a hasty peer-group shrine, wherever she was found, with cheap flowers and crappy poetry melting in the rain? Would her college fund sit forgotten for a while in the bank, like a tumor thought benign, and then be emptied impulsively on some toy to cheer himself up? He had seen in a magazine a handsome automobile some months ago, shiny as clean water.
”
”
Daniel Handler (We Are Pirates)
“
Hulking piece of rust,” she grumbled, then gave it a little pat on the wheel well as she scooted out between her truck and Hannah’s car. “Can’t let the car gods hear you dis their minions,” she said when she caught Cooper’s amused look. “They’ll strand you in the desert as sure as look at you. Besides, she might be a hulking piece of rusted metal but she’s my hulking piece.” She stopped when she reached her sister and gave her a one-armed hug. “And to what do I owe this pleasure? Cross-examining my afternoon date, are we?”
“Maybe,” Hannah said, hugging her back.
“Oh, good.” Kerry grinned, rubbing her hands together. “What did you learn?”
“Hey, now,” Cooper said, chuckling. “What makes you think I’d give anything up?”
“Oh, she’s good,” Kerry told him. “She once talked a tribal chief in Papua New Guinea, out of marrying me to his youngest son.”
Cooper looked at Hannah, who just raised an arched brow but didn’t refute the statement.
“Well, then, I suppose I’m even more in your debt,” he told Kerry’s oldest sister. “Unless of course the tribe believes in polygamy.”
Kerry looked affronted. “You’d share me? Well, well, good to know.” She folded her arms. “So glad we’re having this little chat.”
“Oh, no, Starfish, no such luck. You’d be stuck making do with only me. You see, I know a guy who could fly us out of there on his helicopter, and I’m guessing your erstwhile tribal spouse wouldn’t go anywhere near one of those flying birds. I’d spirit you off and--”
“And leave my poor first husband brokenhearted and alone? Do I get a say in this?” She looked to her sister. “You’re drawing up my pre-nup, right?”
Cooper brightened and clapped his hands together, which earned him an arched brow from Kerry. “Well, while I’m not too thrilled about your attachment to Number One, speaking as Number Two, I will say I’m happy to hear we’re in the negotiation phase.”
“Husband Number One is a lot younger,” she said consideringly. “And while he doesn’t have as many head of cattle as you do, he does come with an entire village, and if something happens to his other six brothers, he’ll be chief one day.” She smiled sweetly. “Just saying.”
Cooper flashed her a smile that might have been a little too private with her sister standing right there, but what the hell. “Keep in mind, Number Twos traditionally try harder. So I have that going for me.”
Hannah looked from Cooper to Kerry, then at both of them, before finally looking at Kerry. “Seriously, marry him before he wises up.”
“Hey,” Kerry replied, mock wounded. “And why do you say that?”
“You speak the same language.”
“Says the woman who communicates with her husband using old movie quotes that nobody gets but the two of you.”
Hannah smiled, really smiled, and it transformed her often more serious expression into something truly radiant. “Yes, that’s exactly who’s saying that.” She looked at Cooper. “I have a feeling you and Calder will become fast friends.”
“Thank you,” Cooper said, “for both sentiments.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
Ethan stopped pounding on the glass and watched intently as Cecil set the scene. Slowly, a smile spread across Ethan’s face. “Oh my fucking God, are you serious here? Die Hard ? This is awesome!” Only Ethan would be excited that his imminent death would mimic a scene from his favorite movie.
”
”
Gretchen McNeil (#Murdertrending (MurderTrending, #1))
“
The night before flying to New York, I watched Bowie's brief performance as a serene, pragmatic Pontius Pilate in Martin Scorsese's The Last Temptation of Christ. 'That's a strange movie to watch before going on a plane flight,' Bowie laughs. 'It's like, shall we find out—is there a God?' Then, as if moving on to the next logical topic, Bowie says, 'I can't wait to see the other 10 percent of the Dead Sea Scrolls. They're in fragments, of course, kind of a Bill Burroughs effect...' and he recounts for me a certain conspiracy theory ('a '70s thing') about a secret section of the Dead Sea Scrolls supposedly written by a Jesus who'd escaped from the cross and ended up dying a revolutionary at Masada. This secret stuff is, according to the theory, held in the Vatican and shown only to each new Pope on the day of election. But what on earth, I ask, could the big secret be anyway? 'Oh,' laughs Bowie, 'that there really was a Brian.
”
”
David Bowie (David Bowie: The Last Interview and Other Conversations)
“
Michael came over and wrapped me in a hug, and I let my hands slide around his shoulders. Oh my God, oh my God! My stomach went wild as I felt his fingers on my back, and I realized that we could very well be having our meet-cute.
”
”
Lynn Painter (Better Than the Movies (Better than the Movies, #1))
“
Oh, my God. Why didn’t I see this before? You stupid fool, Brielle. This isn’t a friendly movie night. This is a date. I think Willow might be gay.
”
”
T.L. Swan (Mr. Masters (Mr. Series, #1))
“
closed my eyes for a second before slowly straightening and climbing to my feet. I pasted a smile onto my face as Wes and Alex looked at me. “Hey, guys. What’s up? Fun prom, right?” “Right? Oh my God.” Alex, bless her, acted like it wasn’t out of the ordinary for me to be crawling around in the darkness behind Wes’s house. “I thought I was going to have a heart attack when Ash was crowned.
”
”
Lynn Painter (Better Than the Movies (Better than the Movies, #1))
“
ELLE (4:16 P.M.):favorite movie
ELLE (4:16 P.M.):go
DARCY (4:19 P.M.):Just one? That’s too difficult.
ELLE (4:20 P.M.):fine
ELLE (4:20 P.M.):action comedy rom-com and idk drama?
DARCY (4:25 P.M.):Comedy would be History of the World Part One. Action . . . God, I don’t know. The Mummy, maybe? Rom-com . . . America’s Sweethearts. Drama would have to be Dead Poets Society.
ELLE (4:26 P.M.):the mummy?!?
ELLE (4:26 P.M.):i credit that movie for my bisexual awakening
She waited, watching the little dots dance up and down, up and down . . .
DARCY (4:28 P.M.):Oh?
ELLE (4:29 P.M.):yeah
ELLE (4:30 P.M.):did I want to be evelyn or did i want to ride off into the sunset with her?
ELLE (4:30 P.M.):both obviously
”
”
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
“
Instead of killing myself, I watched the Adam Sandler movie Funny People. I was unaware of the fact that singer-songwriter James Taylor has a cameo in the film. When he came on-screen, I thought, without self-consciousness: Oh God. I can’t believe that James Taylor is still alive, and I’m dead.
”
”
Esmé Weijun Wang (The Collected Schizophrenias: Essays)
“
You know Beau and I were close as kids…” I decided to start there. It seemed like the best place.
“Oh good God, you mean to tell me this has something to do with Beau? Beau Vincent?” I cringed and nodded without glancing over at her.
“Yes, it has everything to do with Beau,” I whispered.
Leann’s hand covered mine, and I took some comfort in the gesture.
“This summer Beau and I started spending time together. You were with Noah or working, and Sawyer was gone. I thought it would be good to rekindle the friendship Beau and I once shared.”
Leann squeezed my hands, and I continued to explain how we’d played pool at the bar where his mother worked, went swimming at the hole, watched a movie at my house, and then I paused, knowing what I told her next was going to be hard for her to comprehend. After all, I was the good girl.
“That night in the back of his truck, Beau and I…we”--I swallowed hard and squeezed my eyes shut--“had sex.”
Leann let go of my hands and slipped her arm around my shoulders instead.
“Wow” was her only response.
“I know. It wasn’t the only time either and…and although I know it won’t happen again…I think…I think I love him. Maybe I always have. No. I know I always have. When I’m with Beau, I feel things I’ve never felt with Sawyer. I can be me. There’s no pretending. Beau knows my worst flaws.”
“The heart wants who the heart wants. We can’t help that,” Leann said.
I sighed and finally lifted my eyes to meet hers. The unshed tears blurred my vision.
“But I’ve ruined his life. All he ever had was Sawyer. Make no mistake, I went after Beau. I can look back and see it now. This is all my fault. I should have never come between them.” I sniffled and buried my head in her shoulder.
“Beau could have said no. He knew he was destroying his relationship with Sawyer every moment he spent with you. Don’t you take all the blame for this.” The stern tone in Leann’s voice only caused me to cry harder. Beau needed Sawyer. He might not have realized it, but he did. Somehow I had to make it right.
“How do I fix this? How do I help Beau get Sawyer back?”
“You can’t fix this for them. Beau knew what he was doing, Ash. He chose you over Sawyer. Now that you’ve let Sawyer go, are you going to choose Beau?”
I wiped the tears from my cheeks and peered over at her. “Choosing Beau will cause everyone in Grove to hate him. They’ll all see him as the guy who took Sawyer’s girl away. I can’t do that to him.”
Leann shrugged. “I don’t think Beau cares about everyone else. He made that apparent when he decided sneaking around with his cousin’s girl was what he wanted to do. He has to love you, Ash. Never in this lifetime would I have thought Beau would do anything to hurt Sawyer. He loves him. So that can only mean he loves you more.” She reached over to pay my shoulder. “Question is: Do you love him as fiercely? Are you willing to snub your nose at your family and the people in town in order to have him?
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
He closed the space between us and relaxed as he stretched his arm along the back of the sofa. “I don’t bite, Ash. It’s just me. Promise. Come here and see.”
I studied the crook of his arm; the idea of snuggling up against him was extremely tempting. But I didn’t think he had that in mind. So instead I leaned back on the couch, careful not to touch him.
His hand didn’t come around me and pull me closer. It remained on the back of the couch, and I hated that I was disappointed.
“Relax and watch the movie,” he said in a soft voice I’d never heard him use before. It made me feel warm and safe.
Beau’s arm eventually slid down to settle on my shoulders. Absently he started tracing small circles on my upper arm. It was almost as if little jolts of electricity were zinging through my body. I hoped he couldn’t tell my breathing was getting erratic. I closed my eyes and fantasized about how it would feel to run my hands under his T-shirt and touch the soft skin that covered his muscled chest. I glanced up at him through my lashes, and his attention was completely focused on the movie. He had no idea he was driving me crazy.
I slowly moved closer to him until my head was nestled in the crook of his arm. The smell of Irish Spring soap and the outdoors filled my senses. Sawyer always smelled like cologne. I liked soap. I turned my head just enough so I could smell him better. His arm gently tightened around me. He didn’t mean anything by it, but it felt so very good. I turned my body toward his side and closed my eyes. My imagination took over, and I wondered what it would feel like if he didn’t have this bothersome shirt covering his chest.
“Ash.” Beau’s voice entered my fantasy.
“Hmm…” I managed to respond as my hand touched his abs.
“What’re you doing?” His voice didn’t sound right. There was a panicked tone to it that snapped me out of my dream and into reality. I gasped when I realized my leg was hiked up on Beau’s thigh. The hem of my sundress was barley covering my panties. To make matters worse, my hand was under his black shirt; his skin felt so warm and soft. The soft, circular patterns on my arm had stopped, and his hand was no longer touching me. Horror washed over me, and I jerked my hand out of his shirt and sat up.
“Oh my God,” I blurted out. “I’m sorry…I didn’t mean…I’m sorry.” I couldn’t look at him. Not after I’d been all over him! Instead I did the only thing I could think of: I ran for my room.
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
My threshold for being respectful to this lucky, absent bastard was evaporating. I was going to make a move on her. If I didn’t, I’d never forgive myself for not trying. If there was even the slightest chance she might be into me, I had to try.
But how? Should I just try to kiss her? Would she tell me to go to hell?
Probably.
What if I slid my hand over hers? Would she yank it away? She would. I knew she would.
I needed something else. Something less. More subtle. Something that could go either way to test the waters. Something that could lead to something else.
“Hey, I give a decent foot massage if your feet hurt.” I nodded to the center console where her heels still sat after being dropped through the sunroof.
To my surprise, she pivoted until her back was against the door, and she swung her legs over into my lap. She put an arm behind her head and leaned back. “Go for it. Those heels were killing me today.”
I grinned inwardly that my strategy worked and put my back to the door while I took her tiny foot in my hand. “I’m a foot massage master. ‘I don’t be tickling or nothing,’” I said, giving her a Pulp Fiction line.
She snorted. “I’m exfoliated and pedicured. Someone should touch them.”
I thought about what Vincent Vega says in the movie, that foot massages mean something. That men act like they don’t, but they do and that’s why they’re so cool.
This meant something, and I knew she knew it. She was as familiar with that movie as I was. She had to be making the connection.
And she’d allowed it.
I reveled in the chance to touch her and at the unspoken meaning behind her letting me do it.
“So, Foot Massage Master, what other tricks do you have in your bag?” she asked, giving me a sideways smile.
I pressed a thumb into her arch and circled it around with a smirk. “I’m not giving you my trade secrets.” What if I need them?
She scoffed. “Your gender doesn’t have any secrets that every woman hasn’t already seen by the time they’re twenty.”
I arched an eyebrow. “Ever heard of the naked man?”
She rolled her eyes. “Oh God, the naked man. That one’s the worst.”
I laughed. “Why? Because it works?”
She scrunched up her face. “I have to admit it has worked on me in the past. I mean, the guy’s naked. Half the work is done for you already. It’s kind of hard to say no. But when it doesn’t work, it’s so cringey.”
I tipped my head from side to side. “It’s risky. I’ll give you that. You have to know your audience. But big risks can reap big rewards.”
“Waiting for your girlfriend to leave the room and then stripping naked to surprise her when she gets back is so unoriginal though. You men have no new material. I swear you could go back twenty thousand years and peek into a cave and find cavemen drawing penises on everything and doing the naked man and the helicopter.”
I pulled her foot closer and laughed. “Hey, don’t knock the helicopter. It’s the first move we learn. It can be a good icebreaker.”
“The helicopter should be banned over the age of eight. I’m just going to spare you the illusion right now. No woman is sitting around with her girlfriends going, ‘Gurl, it was the sexiest helicopter I’ve ever seen. Totally broke the ice.’”
I chuckled and ran my hand up her smooth calf, rubbing the muscle. I pictured that delicate ankle on my shoulder where I could kiss it, run my palm down the outside of her thigh, pull down those light-blue lace panties…
”
”
Abby Jimenez