“
We have come from God, and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God. Indeed only by myth-making, only by becoming 'sub-creator' and inventing stories, can Man aspire to the state of perfection that he knew before the Fall. Our myths may be misguided, but they steer however shakily towards the true harbour, while materialistic 'progress' leads only to a yawning abyss and the Iron Crown of the power of evil.
”
”
J.R.R. Tolkien
“
To whatever end,” he whispered.
Silver lined her eyes. “To whatever end.”
A reminder—and a vow, more sacred than the wedding oaths they’d sworn on that ship.
To walk this path together, back from the darkness of the iron coffin. To face what waited in Terrasen, ancient promises to the gods be damned.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
October extinguished itself in a rush of howling winds and driving rain and November arrived, cold as frozen iron, with hard frosts every morning and icy drafts that bit at exposed hands and faces.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
This thing all things devours:
Birds, beasts, trees, flowers;
Gnaws iron, bites steel;
Grinds hard stones to meal;
Slays king, ruins town,
And beats high mountain down.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
Be the bridge, be the light. When iron melts, when flowers spring from fields of blood—let the land be witness, and return home.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick.
'Yeah, don't bother to keep in touch,' said George, mounting his own.
Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!'
'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge.
'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd.
'Give her hell from us, Peeves.'
And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Okay. Right. Horror meets romance meets erotica meets fantasy meets hip hop. Throw in some leather and some Miami Ink shit, stir with a baseball bat and a tire iron, sprinkle on some baby powder, and serve over a hot bed of Holy-Mary-mother-of-God-this-has-to-work-or-I'm-going-to-be-a-lawyer-for-the-rest-of-my-natural-life.
No problem."
(J.R. Ward on the elements of writing the Black Dagger Brotherhood)
”
”
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
“
All the boys were grown up and done for by this time; so it is scarcely worth while saying anything more about them. You may see the twins and Nibs and Curly any day going to an office, each carrying a little bag and an umbrella. Michael is an engine driver. Slightly married a lady of title, and so he became a lord. You see that judge in a wig coming out at the iron door? That used to be Tootles. The bearded man who doesn't know any story to tell his children was once John.
”
”
J.M. Barrie (Peter Pan (Peter Pan, #2))
“
How ironic. Now that he wasn't with Blay, he was being faithful to the fucker.
”
”
J.R. Ward
“
She said, ‘Forgive me for being a dreamer,’ and he took her by the hand and replied, ‘Forgive me for not being here sooner to dream with you.’”—J. Iron Word Thank you for making all of my dreams come true. Your love, Reed
”
”
Vi Keeland (Hate Notes)
“
You heard me. A creature from another world, a dark world, lurks the halls of Hellgate, tormenting victims at will. A grotesque, gnarled, twisted creature, with thick iron stakes impaled into its body, whip marks across its chest and back-- the beast got inside my brain.
”
”
J.B. Lion (The Seventh Spark: Volume One – Knights of the Trinity)
“
You know, I'm the only one in this family who has no problems, . . . And you know why? Because any time I'm feeling blue, or puzzled, what I do, I just invite a few people to come visit me in the bathroom, and—well, we iron things out together, that's all.
”
”
J.D. Salinger (Franny and Zooey)
“
Her messy hair a visible attribute of her stubborn spirit. As she shakes it free, she smiles knowing wild is her favorite color.
”
”
J. Iron Word
“
Tell me, how is Lucius Malfoy these days? I expect he's delighted his lapdog's working at Hogwarts, isn't he?"
"Speaking of dogs," said Snape softly, "did you know that Lucius Malfoy recognized you last time you risked a little jaunt outside? Clever idea, Black, getting yourself seen on a safe station platform. Gave you a cast-iron excuse not to leave your hidey-hole in future, didn't it?
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Qhuinn looked at each of the hoods again. How ironic, he thought. Nearly two years ago, an Honor Guard of black robes had been sent to him to make sure he knew his family didn't want him. And now, here these males were, come to draw him into a different kind of fold-- that was every bit as strong as that of blood.
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
Elide said, "Your mount doesn't seem evil." Abraxos's tail thumped on the ground, the iron spikes in it glinting. A giant, lethal dog. With wings.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
The leaves were long, the grass was green,
The hemlock-umbels tall and fair,
And in the glade a light was seen
Of stars in shadow shimmering.
Tinuviel was dancing there
To music of a pipe unseen,
And light of stars was in her hair,
And in her raiment glimmering.
There Beren came from mountains cold,
And lost he wandered under leaves,
And where the Elven-river rolled.
He walked along and sorrowing.
He peered between the hemlock-leaves
And saw in wonder flowers of gold
Upon her mantle and her sleeves,
And her hair like shadow following.
Enchantment healed his weary feet
That over hills were doomed to roam;
And forth he hastened, strong and fleet,
And grasped at moonbeams glistening.
Through woven woods in Elvenhome
She lightly fled on dancing feet,
And left him lonely still to roam
In the silent forest listening.
He heard there oft the flying sound
Of feet as light as linden-leaves,
Or music welling underground,
In hidden hollows quavering.
Now withered lay the hemlock-sheaves,
And one by one with sighing sound
Whispering fell the beechen leaves
In the wintry woodland wavering.
He sought her ever, wandering far
Where leaves of years were thickly strewn,
By light of moon and ray of star
In frosty heavens shivering.
Her mantle glinted in the moon,
As on a hill-top high and far
She danced, and at her feet was strewn
A mist of silver quivering.
When winter passed, she came again,
And her song released the sudden spring,
Like rising lark, and falling rain,
And melting water bubbling.
He saw the elven-flowers spring
About her feet, and healed again
He longed by her to dance and sing
Upon the grass untroubling.
Again she fled, but swift he came.
Tinuviel! Tinuviel!
He called her by her elvish name;
And there she halted listening.
One moment stood she, and a spell
His voice laid on her: Beren came,
And doom fell on Tinuviel
That in his arms lay glistening.
As Beren looked into her eyes
Within the shadows of her hair,
The trembling starlight of the skies
He saw there mirrored shimmering.
Tinuviel the elven-fair,
Immortal maiden elven-wise,
About him cast her shadowy hair
And arms like silver glimmering.
Long was the way that fate them bore,
O'er stony mountains cold and grey,
Through halls of iron and darkling door,
And woods of nightshade morrowless.
The Sundering Seas between them lay,
And yet at last they met once more,
And long ago they passed away
In the forest singing sorrowless.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
She didn’t just walk on the wild side,
she lived there, dancing in the streets
and setting fire to its sky.
”
”
J. Iron Word
“
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.
Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.
That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.
Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb
Iron Dragon's Daughter
gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?
Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.
The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
”
”
China Miéville
“
You're a freak. But I really can't accept these-'
Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.'
Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.'
Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?'
Blay blushed. 'Come on-'
Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.'
Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.'
Agasp sounds better.'
Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind.
Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance.
Touché.'
Blay laughed. 'That's en garde, you damn fool.'
Qhuinn shot a look over his shoulder. 'ça va, Brutus?'
Et tu?'
That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.'
Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.'
Try sanitarium.'
No, thanks, I had a big lunch.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
For no good reason, he thought of Xhex. Xhex was a thunderstorm made up of hues of black and iron gray, power leashed but no less lethal for its control. Cormia was a sunny day cast in rainbow of brightness. He put his hand over his heart and bowed to her, then left. As he started up for his room, he wondered whether he liked the storm or the sunshine better.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
The council meeting was soon over, and Manon paused as she walked past Vernon on her way out. She put a hand on his shoulder, her nails digging into his skin, and he yelped as she brought her iron teeth close to his ear. "Just because she is dead, Lord, do not think I will forget what you tried to do to her."
Vernon paled. "You can't touch me."
Manon dug her nails in deeper. "No, I can't," she purred into his ear. "But Aelin Galathynius is alive. And I hear that she has a score to settle." She yanked out her nails and squeezed his shoulder, setting the blood running down Vernon's green tonic before she stalked from the room.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
What an ironic tragedy that an affluent, “Christian” minority in the world continues to hoard its wealth while hundreds of millions of people hover on the edge of starvation!
”
”
Ronald J. Sider (Rich Christians in an Age of Hunger: Moving from Affluence to Generosity)
“
A land where two dreamers had found peace between their peoples. Where there was no wall. No iron wards. No ash arrows.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Tell the others,” Aelin breathed, trying to find the right words. “Tell the others that I am sorry. Tell Lysandra to remember her promise, and that I will never stop being grateful. Tell Aedion … Tell him it is not his fault, and that …” Her voice cracked. “I wish he’d been able to take the oath, but Terrasen will look to him now, and the lines must not break.” Elide nodded, tears sliding down her blood-splattered face. “And tell Rowan …” Aelin’s soul splintered as she saw the iron box the escorts now carried between them. An ancient, iron coffin. Big enough for one person. Crafted for her. “And tell Rowan,” Aelin said, fighting her own sob, “that I’m sorry I lied. But tell him it was all borrowed time anyway. Even before today, I knew it was all just borrowed time, but I still wish we’d had more of it.” She fought past her trembling mouth. “Tell him he has to fight. He must save Terrasen, and remember the vows he made to me. And tell him … tell him thank you—for walking that dark path with me back to the light.” They
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
We suffer, ironically, from our indifference to those among us who suffer.
”
”
Parker J. Palmer (Healing the Heart of Democracy: The Courage to Create a Politics Worthy of the Human Spirit)
“
But, said Lewis, myths are lies, even though lies breathed through silver.
No, said Tolkien, they are not.
...just as speech is invention about objects and ideas, so myth is invention about truth.
We have come from God (continued Tolkien), and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God. Indeed only by myth-making, only by becoming a 'sub-creator' and inventing stories, can Man aspire to the state of perfection that he knew before the Fall. Our myths may be misguided, but they steer however shakily towards the true harbour, while materialistic 'progress' leads only to a yawning abyss and the Iron Crown of the power of evil.
You mean, asked Lewis, that the story of Christ is simply a true myth, a myth that works on us in the same way as the others, but a myth that really happened? In that case, he said, I begin to understand.
”
”
Humphrey Carpenter (J.R.R. Tolkien: A Biography)
“
She was not ashamed of the truth before her. She was not afraid. Manon’s grandmother led the attack, her maneuvers the deadliest. It was from her that the first slice of pain appeared. A rip of iron nails through Manon’s shoulder. But Manon swung her sword, again and again, iron on steel ringing out across the icy peaks. No, she was not afraid at all.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
You know, I’m the only one in this family who has no problems,” Zooey said. “And you know why? Because any time I’m feeling blue, or puzzled, what I do, I just invite a few people to come visit me in the bathroom and–well, we iron things out together, that’s all.
”
”
J.D. Salinger (Franny and Zooey)
“
The sky was a cold iron-grey, like the underside of a shield. A sharp breeze lifted the hems of skirts and rattled the leaves on the immature trees; a spiteful, chill wind that sought out your weakest places, the nape of your neck and your knees, and which denied you the comfort of dreaming, of retreating a little from reality.
”
”
J.K. Rowling (The Casual Vacancy)
“
Then, holding Manon's gaze, Aelin sheathed her mighty blade across her back, the giant ruby in the pommel catching in the midday light.
"Swords are boring," the queen said, and palmed two fighting knives.
Manon sheathed Wind-Cleaver along her own back. She flicked her wrists, the iron nails shooting out. She cracked her jaw, and her fangs descended, "Indeed".
The queen looked at the nails, the teeth, and grinned.
Honestly---it was a shame Manon had to kill her.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
It’s true what they say, that words are the true weapons. Those who fight with steel are limited to the strength of their arm, the reach of their blade, and the timing of their strike; but those who fight with persuasion know no limits – not time, nor status, nor chance.
”
”
A.J. Darkholme (Rise of the Morningstar (The Morningstar Chronicles, #1))
“
She took his hand, and he tried not to shudder in relief, tried not to fall to his knees as she slid the ruby ring onto his finger. It fit him perfectly, the ring no doubt forged for the king lying in this barrow. Silently, Rowan grasped her own hand and eased on the emerald ring. “To whatever end,” he whispered. Silver lined her eyes. “To whatever end.” A reminder—and a vow, more sacred than the wedding oaths they’d sworn on that ship. To walk this path together, back from the darkness of the iron coffin. To face what waited in Terrasen, ancient promises to the gods be damned.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Every inch her feet dragged through the sand was a lifetime; every inch was a heartbeat. Blood soaked her pants. She likely wouldn’t be able to heal her wounds within all that iron. Not until Maeve decided to heal them herself. But Maeve wouldn’t let her die. Not with the Wyrdkeys in the balance. Not yet. Time—she was grateful Elena had given her that stolen time. Grateful she had met them all, that she had seen some small part of the world, had heard such lovely music, had danced and laughed and known true friendship. Grateful that she had found Rowan. She was grateful. So Aelin Galathynius dried her tears. And did not fight when Maeve strapped that beautiful iron mask over her face.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
i wonder if you can
hear the ‘i love you’ in
my voice when we talk.
”
”
J. Iron Word
“
Live in a way that
won’t disappoint
your soulmate; when
you meet them.
”
”
J. Iron Word
“
Ironic that in order to do my life's work, I had to quit my day job.
”
”
Michael J. Fox
“
I have no interest in prisioners or battling today,” Manon said.
The Queen of Terrasen gave her a grin. “Good.”
Manon turned away, barking at her Thirteen to get to their mounts.
“I suppose,” the queen went on, “that makes you smarter than Baba Yellowlegs.”
Manon stopped, staring straight ahead and seeing nothing of the grass or sky or tress.
Asterin whirled. “What do you know of Baba Yellowlegs?”
The queen gave a low chuckle, despite the warning growl from the Fae warrior.
Slowly, Manon looked over her shoulder.
The queen tugged apart the lapels of her tunic, revealing a necklace of thin scars as the wind shifted.
The scent - iron and stone and pure hatred - hit Manon like a rock to the face. Every Iroonteeth witch knew the scent that forever lingered on those scars: Witch Killer.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
There are a number of recommended methods of dealing with ghosts—salt and iron, harmonic resonance, some people swear by exorcism, and not just the priests—but that's the fist time I've seen anyone try a left hook.
”
”
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
“
The King of Adarlan is dead," Manon said. The world stopped. "Aelin Galathynius killed him and shattered his glass castle."
Elide covered her mouth with a hand, shaking her head. Aelin... Aelin...
"She was aided," Manon went on, "by Prince Aedion Ashryver."
Elide began sobbing.
"And rumor has it Lord Ren Allsbrook is working in the North as a rebel."
Elide buried her face in her hands. Then there was a hard, iron-tipped hand on her shoulder.
A tentative touch.
"Hope," Manon said quietly.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
The best advice anyone has ever given me, was to never take advice from anyone.
”
”
J.R. Rim (Write like no one is reading 2)
“
A poem needs disguises. It needs secrets. It thrives on the tension between what is said and not said; it prefers the oblique, the implied, the ironic, the suggestive; when it speaks, it wants you to lean forward a little to overhear; it wants you to understand things only years later.
”
”
J.D. McClatchy
“
Therefore Morgoth came, climbing slowly from his subterranean throne, and the rumour of his feet was like thunder underground. And he issued forth clad in black armour; and he stood before the King like a tower, iron-crowned, and his vast shield, sable unblazoned, cast a shadow over him like a stormcloud. But Fingolfin gleamed beneath it as a star; for his mail was overlaid with silver, and his blue shield was set with crystals; and he drew his sword Ringil, that glittered like ice.
”
”
J.R.R. Tolkien (The Silmarillion)
“
They were blurring. The lies and truths and memories. Sleep and the blackness in the iron coffin. The days bound to the stone altar in the center of the room, or hanging from a hook in the ceiling, or strung up between chains anchored into the stone wall. It was all beginning to blur, like ink in water.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
You do not yield.
Aelin slammed her hand into the lid. Cairn paused. Aelin pounded her fist into the iron again. Again. You do not yield. Again. You do not yield. Again. Again. Until she was alive with it, until her blood was raining onto her face, washing away the tears, until every pound of her fist into the iron was a battle cry. You do not yield.
It rose in her, burning and roaring, and she gave herself wholly to it.
Over and over, she pounded against the lid. Over and over, that song of fire and darkness flared through her, out of her, into the world. You do not yield
And when she awoke chained on the altar, she beheld what she had done to the iron coffin. The top of the lid had been warped. A great hump now protruded, the metal stretched thin. As if it had come so very close to breaking entirely.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Does your blood run blue or red? You decide. If it runs blue, it turns out I have jurisdiction over you. Little shits like Vernon can’t do as they will to my kind–not without my permission. If your blood runs red … Well, I don’t particularly care about humans, and seeing what Vernon does with you might be entertaining.”
“Why would you offer this?”
Manon gave her a half smile, all iron teeth and no remorse. “Because I can.
”
”
Sarah J. Maas
“
I also say "Boy" a lot. Partly because I have a lousy vocabulary and partly because I act quite young for my age sometimes. I was sixteen then, and I'm seventeen now, and some times I act like I'm about thirteen. It's really ironical, because I'm six foot two and a half and I have gray hair.
”
”
J.D. Salinger
“
He cocked his head. "I've never been with a witch."
Let her rip out his throat for that. End it.
A row of iron fangs snapped down over teeth as her smile grew."I've been with plenty of men. you're all the same. Taste the same." She looked over as if he were her next meal.
”
”
Sarah J. Maas
“
Old Man River!
That seems far too austere a name
For something made of mirth and rage.
O, roiling red-blood river vein,
If chief among your traits is age,
You're a wily, convoluted sage.
Is "old" the thing to call what rings
The vernal heart of wester-lore;
What brings us brassy-myth made kings
(And preponderance of bug-type things)
To challenge titans come before?
Demiurge to a try at Avalon-once-more!
And what august vitality
In your wide aorta stream
You must have had to oversee
Alchemic change of timber beam
To iron, brick and engine steam.
Your umber whiskey waters lance
The prideful sober sovereignty
Of faulty-haloed Temperance
And wilt her self-sure countenance;
Yes, righteousness is vanity,
But your sport's for imps, not elderly.
If there's a name for migrant mass
Of veteran frivolity
That snakes through seas of prairie grass
And groves of summer sassafras,
A name that flows as roguishly
As gypsy waters, fast and free,
It's your real name, Mississippi.
”
”
Tracy J. Butler (Lackadaisy: Volume #1 (Lackadaisy, #1))
“
How easy it is to love a child, how hard to love what a child turns into!
”
”
J.M. Coetzee (Age of Iron)
“
You know what's kind of funny? Well, not funny, but ironic, maybe? She's been here nine months now, and it takes nine months to create life. It's like she's been reborn. And the fact that tomorrow you turn eighteen is just another piece of it. It feels like right now is the start of something, like we're at the beginning and not the finish line."
Dominic started to walk away but paused after a few steps, his brow furrowed. "Actually, I don't think that's what irony is. Haven would probably correct me again and say I was being symbolic.
”
”
J.M. Darhower (Sempre (Sempre, #1))
“
Cairn groaned as unconsciousness gave way. By the time Cairn awoke, chained to that metal table, Rowan was ready. Cairn beheld who stood over him, the tool in Rowan’s tattooed hand, the others he had also laid out on that piece of velvet, and began thrashing. The iron chains held firm. Then Cairn beheld the frozen rage in Rowan’s eyes. Understood what he intended to do with that sharp, sharp knife. A dark stain spread across the front of Cairn’s pants. Rowan wrapped an ice-kissed wind around the tent, blocking out all sound, and began.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Yes, that's so,' said Sam. 'And we shouldn't be here at all, if we'd known more about it before we started. But I suppose it's often that way. The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that's not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually – their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn't. And if they had, we shouldn't know, because they'd have been forgotten. We hear about those as just went on – and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same – like old Mr Bilbo. But those aren't always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we've fallen into?'
'I wonder,' said Frodo. 'But I don't know. And that's the way of a real tale. Take any one that you're fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don't know. And you don't want them to.'
'No, sir, of course not. Beren now, he never thought he was going to get that Silmaril from the Iron Crown in Thangorodrim, and yet he did, and that was a worse place and a blacker danger than ours. But that's a long tale, of course, and goes on past the happiness and into grief and beyond it – and the Silmaril went on and came to Eärendil. And why, sir, I never thought of that before! We've got – you've got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we're in the same tale still! It's going on. Don't the great tales never end?'
'No, they never end as tales,' said Frodo. 'But the people in them come, and go when their part's ended. Our part will end later – or sooner.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
You call a tree a tree, he said, and you think nothing more of the word. But it was not a 'tree' until someone gave it that name. You call a star a star, and say it is just a ball of matter moving on a mathematical course. But that is merely how you see it. By so naming things and describing them you are only inventing your own terms about them. And just as speech is invention about objects and ideas, so myth is invention about truth.
We have come from God (continued Tolkien), and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God. Indeed only by myth-making, only by becoming a 'sub-creator' and inventing stories, can Man aspire to the state of perfection that he knew before the Fall. Out myths may be misguided, but they steer however shakily towards the true harbor, while materialistic 'progress' leads only to a yawning abyss and the Iron Crown of evil.
”
”
J.R.R. Tolkien (J.R.R. Tolkien: A Biography)
“
There is no lie that does not have at its core some truth. One must only know how to listen.
”
”
J.M. Coetzee (Age of Iron)
“
The interior designer must’ve been a medieval vampire, judging from the cold, lifeless colors and the giant iron chandeliers hanging from the ceilings.
”
”
L.J. Shen (Vicious (Sinners of Saint, #1))
“
Ironically, the only people anyone believes these days are the skeptics.
”
”
J.S.B. Morse (Now and at the Hour of Our Death)
“
Iron rusts from disuse; stagnant water loses its purity… even so does inaction sap the vigor of the mind. — LEONARDO DA VINCI
”
”
Michael J. Gelb (Brain Power: Improve Your Mind as You Age)
“
Yes, I have an ulcer, for Chrissake. This is Kaliyuga, buddy, the Iron Age. Anybody over sixteen without an ulcer’s a goddam spy.
”
”
J.D. Salinger
“
She said, ‘Forgive me for being a dreamer,’ and he took her by the hand and replied, ‘Forgive me for not being here sooner to dream with you.’” ―J. Iron Word Thank you for making all of my dreams come true. Your love,
”
”
Vi Keeland (Hate Notes)
“
Stone walls do not a prison make, nor iron bars a cage" If I have freedom in my love, and in my soul am free, Angels alone that soar above enjoy such liberty. But thought my wings are closely bound, my heart's at liberty" My prison walls cannot control, the flight, the freedom of the soul.
”
”
T.J. Parsell (Fish: A Memoir of a Boy in a Man's Prison)
“
It's ironic that a hundred people can talk to you, and it really does nothing besides piss you the hell off. But then one person, one person, can fucking make the difference.
”
”
Stevie J. Cole (Jag (Pandemic Sorrow, #1))
“
That it wasn’t a fire-breathing queen bound in iron who charged at him, but an assassin.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
You’re Saturn,” she whispers. “Made of iron-nickel and surrounded by protective rings of ice and rock.
”
”
L.J. Shen (Pretty Reckless (All Saints High, #1))
“
A brief hush fell over the table when the guy from the bar approached. After he finished depositing their drinks in the center of the table, Lynn jumped on the opportunity to flirt, winking and smiling prettily at him. “Thanks, cowboy.”
“Cowboy?” Reaching for her appletini, Piper laughed.
Lynn shrugged. “When I picture him in my bed, I see a Stetson and a saddle.”
Something well-known among their group, ever since she watched John Travolta in Urban Cowboy, she was on a mission to secure herself her very own cowboy.
“I bet you see a branding iron too,” Jules snickered.
Lynn’s thoughtful gaze trailed after him as the bartender returned to making drinks.
”
”
J.C. Valentine (That First Kiss (Night Calls #2))
“
Peabody waved her PPC triumphantly. “It’s the Kirk thing, The Enterprise thing. It reminded me I’d hit this name that made me snicker when I was running the van—the Cargo. Here it is. Tony Stark.”
“Oh, baby.” McNab blew her a double-handed kiss. “Good call.”
“It’s gotta be, right?” Peabody said to McNab. “It’s his style.”
“Who the hell is Tony Stark?” Eve demanded.
“Iron Man,” Roarke told her. “Superhero, genius, innovative engineer, and billionaire playboy.”
“Iron Man? You’re talking about a comic book guy?”
“Graphic novel,” Roarke and McNab said together.
”
”
J.D. Robb (Calculated in Death (In Death, #36))
“
The mind has its needs, just as the body does. The latter are the
foundations of society; from the former emerge the pleasures of
society. While government and laws take care of the security
and the well being of men in groups, the sciences, letters, and
the arts, less despotic and perhaps more powerful, spread
garlands of flowers over the iron chains which weigh men
down, snuffing out in them the feeling of that original liberty for
which they appear to have been born, and make them love their
slavery by turning them into what are called civilized people.
”
”
Jean-Jacques Rousseau (Oeuvres de J. J. Rousseau: Avec Des Notes Historiques, Volume 9 (French Edition))
“
It would be a greater pity to prostitute lessons of wisdom to rascals incapable of understanding and appreciating them; there is no file that can clean iron of its rust after the rust has eaten through.
”
”
J.A. Rogers (World's Great Men of Color, Volume I)
“
There are a number of recommended methods of dealing with ghosts—salt and iron, harmonic resonance, some people swear by exorcism, and not just the priests—but that's the first time I've seen anyone try a left hook.
”
”
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
“
Mais Colin ne savait pas, il courait, il avait peur, pourquoi ça ne suffit pas de toujours rester ensemble, il faut encore qu’on ait peur, peut-être est-ce un accident, une auto l’a écrasée, elle serait sur son lit, je ne pourrais la voir, ils m’empêcheraient d’entrer, mais vous croyez donc peut-être que j’ai peur de ma Chloé, je la verrai malgré vous, mais non, Colin, n’entre pas. Elle est peut-être blessée, seulement, alors, il n’y aura rien du tout, demain, nous irons ensemble au Bois, pour revoir le banc, j’avais sa main dans la mienne et ses cheveux près des miens, son parfum sur l’oreiller. Je prends toujours son oreiller, nous nous battrons encore le soir, le mien, elle le trouve trop bourré, il reste tout rond sous sa tête, et moi, je le reprends après, il sent l’odeur de ses cheveux.
”
”
Boris Vian (L'écume des jours)
“
Intended to shield the borderline from a barrage of contradictory feelings and images—and from the anxiety of trying to reconcile those images—the splitting mechanism often and ironically achieves the opposite effect: the frays in the personality fabric become full-fledged rips; the sense of her own identity and the identities of others shift even more dramatically and frequently.
”
”
Jerold J. Kreisman (I Hate You--Don't Leave Me: Understanding the Borderline Personality)
“
Postfeminism, as a term, suggests that women have made plenty of progress because of feminism, but that feminism is now irrelevant and even undesirable because it supposedly made millions of women unhappy, unfeminine, childless, hairy, lonely, bitter and prompted them to fill their closets with combat boots and really bad India print skirts. Supposedly women have gotten all they could out of feminism, are now "equal," and so can, by choice, embrace things we used to see as sexist, like a TV show in which some self-satisfied lunk samples the wares of twenty-five women before rejecting twenty-four and keeping the one he likes best, or like the notion that mothers should have primary responsibility for raising the kids. Postfeminism means that you can now work outside the home even in jobs previously restricted to men, go to graduate school, pump iron, and pump your own gas, as long as you remain fashion conscious, slim, nurturing, deferential to men, and become a doting, selfless mother.
”
”
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
“
Be the bridge, be the light. When iron melts, when flowers spring from fields of blood - let the land be witness, and return home.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Where she was headed, the cast iron skillet had been seasoned before she was born. Her
”
”
Kelly J. Ford (Cottonmouths)
“
History doesn’t move you more than when it’s in the iron of your own blood.
”
”
J.R. Tompkins
“
Do you think a sociopath cries to God as they die? Ironic that one counterfeit being would cry out to another for help, said Chiron.
”
”
C.J. Anderson (Enter Ruinland (Ruinland #1))
“
It is too ironical to bear, but I give you my word that valorous people require far more protec-tion than meets the eye.
”
”
J.D. Salinger (Hapworth 16, 1924)
“
It was in fairy-stories that I first divined the potency of the words, and the wonder of the things, such as stone, and wood, and iron; tree and grass; house and fire; bread and wine.
”
”
J.R.R. Tolkien (On Fairy-Stories)
“
Of those demons of power Ecthelion slew three, for the brightness of his sword cleft the iron of them and did hurt to their fire, and they writhed; yet of the leap of that axe Dramborleg that was swung by the hand of Tuor were they still more afraid, for it sang like the rush of eagle’s wings in the air and took death as it fell, and five of them went down before it.
”
”
J.R.R. Tolkien (The Fall of Gondolin)
“
Ironically, the memory of the women heroes of World War I was largely eclipsed by the very women they had inspired. The more blatant evil enacted into law by Nazi Germany during the Second World War ensured that those who fought against it would continue to fascinate long after the first war had become a vague, unpleasant memory—one brought to mind only by fading photographs of serious, helmeted young men standing in sandbagged trenches or smiling young women in ankle-length nursing uniforms, or by the presence of poppies in Remembrance Day ceremonies.
”
”
Kathryn J. Atwood (Women Heroes of World War I: 16 Remarkable Resisters, Soldiers, Spies, and Medics)
“
Decency: the inexplicable: the ground of all ethics. Things we do not do. We do not stare when the soul leaves the body, but veil our eyes with tears or cover them with our hands. We do not stare at scars, which are places where the soul has struggled to leave and been forced back, closed up, sewn in.
”
”
J.M. Coetzee (Age of Iron)
“
Maybe try the hipster ones.”
“You’re so hot, I better date you before you’re cool!” Quincy shouted. “My feelings for you are one hundred percent organic and locally sourced! Are you gluten-free tonight, because I’d like to take you on a date! I’d still care about you even if you went mainstream! Roses are red, your shirt is ironic, your drink of choice is probably a mason jar filled with a vodka tonic!
”
”
T.J. Klune (How to Be a Movie Star (How to Be, #2))
“
Economists are not responsible for the wealth of nations, but they can be responsible for the poverty of nations. This is an ironic twist that students must come to understand. Economists err if they forget that economic life existed before them, and that it operates, for the most part, independently of them.
”
”
Peter J. Boettke (Living Economics: Yesterday, Today, and Tomorrow)
“
She had no mental shields, no barriers. The gates to her mind... Solid iron, covered in vines of flowers- or it would have been. The blossoms were all sealed, sleeping buds tucked into tangles of leaves and thorns.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
It is, ironically, “safer” to believe that the reason your needs are not being met is because there is something wrong with you, rather than that your parents—whom you depend on for your very survival—are actually not dependable.
”
”
Daniel J. Siegel (The Power of Showing Up: How Parental Presence Shapes Who Our Kids Become and How Their Brains Get Wired)
“
Stephenson had large wrought-iron boiler plates available and he also had the courage of his calculations... The idea found its best-known expression in the Menai railway bridge opened in 1850. Stephenson's beams, which weighed 1,500 tons each, were built beside the Straits and were floated into position between the towers on rafts across a swirling tide. They were raised rather over a hundred feet up the towers by successive lifts with primitive hydraulic jacks. All this was not done without both apprehension and adventure; they were giants on the earth in those days.
”
”
J.E. Gordon (The New Science of Strong Materials: Or Why You Don't Fall through the Floor (Princeton Science Library))
“
je finirai bien par te rencontrer quelque part
bon dieu!
et contre tout ce qui me rend absent et douloureux
par le mince regard qui me reste au fond du froid
j'affirme ô mon amour que tu existes
je corrige notre vie
nous n'irons plus mourir de langueur
à des milles de distance dans nos rêves bourrasques
des filets de sang dans la soif craquelée de nos lèvres
les épaules baignées de vols de mouettes
non
j'irai te chercher nous vivrons sur la terre
la détresse n'est pas incurable qui fait de moi
une épave de dérision, un ballon d'indécence
un pitre aux larmes d'étincelles et de lésions profondes
frappe l'air et le feu de mes soifs
coule-moi dans tes mains de ciel de soie
la tête la première pour ne plus revenir
”
”
Gaston Miron (L'Homme rapaillé)
“
And he issued forth clad in black armour; and he stood before the King like a tower, iron-crowned, and his vast shield, sable unblazoned, cast a shadow over him like a stormcloud. But Fingolfin gleamed beneath it as a star; for his mail was overlaid with silver, and his blue shield was set with crystals; and he drew his sword Ringil, that glittered like ice.
”
”
J.R.R. Tolkien (The Silmarillion)
“
But most of all, as summer slanted to an end, he was learning to love idleness, idleness no longer as stretches of freedom reclaimed by stealth here and there from involuntary labour, surreptitious thefts to be enjoyed sitting on his heels before a flowerbed with the fork dangling from his fingers, but as a yielding up of himself to time, to a time flowing slowly like oil from horizon to horizon over the face of the world, washing over his body, circulating in his armpits and his groin, stirring his eyelids. He was neither pleased nor displeased when there was work to do; it was all the same. He could lie all afternoon with his eyes open, staring at the corrugations in the roof-iron and the tracings of rust; his mind would not wander, he would see nothing but the iron, the lines would not transform themselves into pattern or fantasy; he was himself, lying in his own house, the rust was merely rust, all that was moving was time, bearing him onward in its flow.
”
”
J.M. Coetzee (Life & Times of Michael K)
“
She had seen hundreds of doors in the castle—doors of wood, of bronze, of glass—but never one of solid iron. This one was ancient, from a time when an iron door meant something. So was this supposed to keep someone out—or to keep something in? Celaena
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
He turned her into his arms as they stepped into the studio, ran his hands over her hips. "I missed you. I miss spending large quantities of time with you."
She felt the heat kindle between her thighs, hotter, lustier than the moment called for. Her breasts tingled with it. "I missed you, too. Why don't we figure out how to cut the evening short, go home, and fuck like rabbits?"
He was hard as iron. As he leaned down to nip at her ear, he found himself struggling not to tug at her clothes. "Good thought. Christ, I want you.
”
”
J.D. Robb (Rapture in Death (In Death, #4))
“
Dresses?” He was standing so near that she could see the fine thread detail on his jacket, and smelled not perfume, but horses and iron. Dorian grinned. “What remarkable eyes you have! And how angry you are!” Coming within strangling distance of the Crown Prince of Adarlan, son of the man who sentenced her to a slow, miserable death, her self-control balanced on a fragile edge—dancing along a cliff.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
I am in too great doubt to rule. To prepare or to let be? To prepare for war, which is yet only guessed: train craftsmen and tillers in the midst of peace for bloodspilling and battle: put iron in the hands of greedy captains who will love only conquest, and count the slain as their glory? Will they say to Eru: "At least your enemies were amongst them?" Or to fold hands, while friends die unjustly: let men live in blind peace, until the ravisher is at the gate? What then will they do: match naked hands against iron and die in vain, or flee leaving the cries of women behind them? Will they say to Eru: "At least I spilled no blood?"
-- Tar-Meneldur in Armenelos, Aldarion and Erendis: The Mariner's Wife
”
”
J.R.R. Tolkien (Unfinished Tales)
“
What a glorious boy
he had meant to be to her. Ah, Peter, we who have made the great
mistake, how differently we should all act at the second chance. But
Solomon was right; there is no second chance, not for most of us.
When we reach the window it is Lock-out Time. The iron bars are up
for life.
”
”
J.M. Barrie (Peter Pan In Kensington Gardens & Peter and Wendy [Illustrated])
“
Then breaking the silence Thingol said: 'Go your way therefore! Bring to me in your hand a Silmaril from Morgoth's crown; and then, if she will, Lúthien may set her hand in yours. Then you shall have my jewel; and though the fate of Arda lie within the Silmarils, yet you shall hold me generous.'
And those that heard these words perceived that Thingol would save his oath, and yet send Beren to his death; for they knew that not all the power of the Noldor had availed even to see from afar the shining Silmarils of Feanor. For they were set in the Iron Crown, and treasured in Angband above all wealth; and Balrogs were about them, and countless swords, and strong bars, and unassailable walls, and the dark majesty of Morgoth.
But Beren laughed. 'For little price,' he said, 'do Elven-kings sell their daughters: for gems, and things made by craft. But if this be your will, Thingol, I will perform it. And when we meet again my hand shall hold a Silmaril from the Iron Crown; for you have not looked the last upon Beren son of Barahir.
”
”
J.R.R. Tolkien (The Silmarillion)
“
May we forever be rulers, may our enemies tremble at our feet, may we never forget our great love that is the family. Which we will rule with an iron fist.” “May we be ruthless and have no regrets,” she added gripping onto my back. “May we take what we want, when we want it, with the world at our feet.
”
”
J.J. McAvoy (Ruthless People (Ruthless People, #1))
“
she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps,
inhaled at each momentary recovery, lost finally
in the dark caverns of her throat, bruised by
the ripple of unseen muscles. An elderly waiter
with trembling hands was hurriedly spreading
a pink and white checked cloth over the rusty
green iron table, saying: "If the lady and
gentleman wish to take their tea in the garden,
if the lady and gentleman wish to take their
tea in the garden ..." I decided that if the
shaking of her breasts could be stopped, some of
the fragments of the afternoon might be collected,
and I concentrated my attention with careful
subtlety to this end.
”
”
T.S. Eliot (Works of T. S. Eliot. The Love Song of J. Alfred Prufrock, Gerontion, The Waste Land, Portrait of a Lady & more (Mobi Collected Works))
“
Boy!’ I said. I also say ‘Boy!’ quite a lot. Partly because I have a lousy vocabulary and partly because I act quite young for my age sometimes. I was sixteen then, and I’m seventeen now, and sometimes I act like I’m about thirteen. It’s really ironical, because I’m six foot two and a half and I have gray hair.
”
”
J.D. Salinger (The Catcher in the Rye)
“
He laughed again. You are not helpless. And if I could, I would seal you in an iron box for eternity. Dorian glanced to the windows. To the night beyond. He had to go—quickly. But he still said, The king I wish to be is the opposite of what you are. He gave Maeve a smile. And there is only one witch who will be my queen.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Closer and closer, they hauled her like a bucking horse toward the open cell door.
The two waiting guards sniggered, eyes on the flap of the robe that fell open as she kicked, revealing her thighs, her stomach, everything to them. Elide sobbed, even as she knew the tears would do her no good. They just laughed, devouring her with their eyes—
Until a hand with glittering iron nails shoved through the throat of one of them, puncturing it wholly. The guards froze, the one at the door whirling at the spray of blood—
He screamed as his eyes were slashed into ribbons by one hand, his throat shredded by another.
Both guards collapsed to the ground, revealing Manon Blackbeak standing behind them.
Blood ran down her hands, her forearms.
And Manon’s golden eyes glowed as if they were living embers as she looked at the two guards gripping Elide. As she beheld the disheveled robe.
They released Elide to grab their weapons, and she sagged to the floor.
Manon just said, “You’re already dead men.”
And then she moved.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Go where you will, but if I were you, I’d head north, and stick to the forest. Stay out of the mountains. Keep going until you hit Terrasen.” That had never been part of the plan. “But—but the king—Vernon—” “The King of Adarlan is dead,” Manon said. The world stopped. “Aelin Galathynius killed him and shattered his glass castle.” Elide covered her mouth with a hand, shaking her head. Aelin … Aelin … “She was aided,” Manon went on, “by Prince Aedion Ashryver.” Elide began sobbing. “And rumor has it Lord Ren Allsbrook is working in the North as a rebel.” Elide buried her face in her hands. Then there was a hard, iron-tipped hand on her shoulder. A tentative touch. “Hope,” Manon said quietly. Elide lowered her hands and found the witch smiling at her. Barely a tilt to her lips, but—a smile, soft and lovely. Elide wondered if Manon even knew she was doing it.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Iron—the door was iron, and enchanted with the best spells money could buy to keep out any unwanted guests, attackers, or magic.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
Good even, my fine young yeomen! Come clap this loon in irons.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Peace requires a discipline more iron than war.
- Easter, 1939
”
”
W.J. Turner (Fossils of a Future Time?)
“
The smell of blood filled the air, and every single one of the Iron-teeth witches inhaled deeply. The man in front of them took a too-casual step away.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
... With a slight miscalculated leap cleared to the iron picket fence. Put the fear of God into me, picket fences and balls don't mix.
”
”
J.P. Donleavy
“
It was ironic that people built cities and huddled together for protection, but show no concern or consideration as they pass one another on the street. Seth
”
”
J. Francis Parker (Trace)
“
I am a proud wife, a wife of an American soldier. I am Mrs. Jaxson Irons.
”
”
M.J. Fields (Irons 3 (Norfolk #3))
“
It seems ironic to suggest that some of us may be called to build community in our churches, for the church as it was meant to be is a historical archetype of community.
”
”
Parker J. Palmer (The Promise of Paradox: A Celebration of Contradictions in the Christian Life)
“
in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once. But undoubtedly the grimmest part of him was his iron claw. Let
”
”
J.M. Barrie (The Complete Adventures of Peter Pan)
“
It’s ironic, my need to be strong for a man who is my only weakness.
”
”
L.J. Shen (Blood to Dust)
“
The dead cannot be cheated, cannot be betrayed, unless you carry them with you in your heart and do the crime there.
”
”
J.M. Coetzee (Age of Iron)
“
Harry’s heart was beating a violent tattoo against his Adam’s apple. He swallowed hard, turned the heavy iron door handle, and stepped inside the courtroom.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Book 5 - Part 2))
“
until every pound of her fist into the iron was a battle cry. You do not yield. You do not yield. You do not yield.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass #0.1–0.5, 1–7))
“
Pete took her hand and together they went out through the gate to the other side of the cemetery’s iron railings; the side where the living belong.
”
”
Rosemary J. Kind (The Appearance of Truth)
“
The iron bars of a cage can be kind of a comfort when the world outside is all hungry teeth and slicing fins.
”
”
J.Y. Yang (The Djinn Falls in Love & Other Stories)
“
Ironically, a crash at the beginning of your investing life is a gift. In fact, any pullback in stock prices is a gift while you are in the process of accumulating your wealth.
”
”
J.L. Collins (The Simple Path to Wealth: Your Road Map to Financial Independence and a Rich, Free Life)
“
I didn’t want to look like a screwball or something. Which is really ironic. I didn’t know then that the goddam hotel was full of perverts and morons. Screwballs all over the place.
”
”
J.D. Salinger (The Catcher in the Rye)
“
He knew that he wielded magic as well as iron, and yet looked away from it, and made himself fables to explain his own presence in the world, and sought gods who might be more powerful than himself. It would be very comfortable if there were someone more powerful than himself, on this Road, on this particular morning, someone to guide him, even someone to blame....
”
”
C.J. Cherryh (Fortress of Eagles (Fortress, #2))
“
Norma looked at him, puzzled. "Someone else to do the mathematics?"
"Of course!" Holtzman brushed iron-gray hair away from his face and adjusted his white robe. "You're an *idea* person, like me. We want you to develop concepts, not bother with full-fledged implementation. You should not waste time performing tedious arithmetic. Any halfway-trained person can do that. It's what slaves are for.
”
”
Brian Herbert
“
Over the years, Penny inhaled the classics—Ready Player One, Dune, and Ender’s Game, though it wasn’t until she was introduced to Messiah, ironically from a guy who was the worst dude in the history of dudes, that she realized sci-fi didn’t have to be so . . . boy. J.A.’s work was like Ender’s Game, yet where Ender was smart and getting conned ’cause he was a kid, J.A.’s hero Scan knew her worth.
”
”
Mary H.K. Choi (Emergency Contact)
“
The weakest link in any chain of security is not the technology itself, but the person operating it; iron gates have no compassion to appeal to, nor fears to exploit, nor insecurities to use to one’s advantage. They are, however, operated by us – by beings of unlimited vulnerability and limited energy. Why waste time brute-forcing what can be easily circumvented by a clever façade and a crimson tongue?
”
”
A.J. Darkholme (Rise of the Morningstar (The Morningstar Chronicles, #1))
“
It is richly ironic that one of the few original intentions they all shared was opposition to any judicial doctrine of “original intent.” To be sure, they all wished to be remembered, but they did not want to be embalmed.
”
”
Joseph J. Ellis (The Quartet: Orchestrating the Second American Revolution, 1783-1789)
“
She said, ‘Forgive me for being a dreamer,’ and he took her by the hand and replied, ‘Forgive me for not being here sooner to dream with you.’”—J. Iron Word Thank you for making all of my dreams come true. Your love, Reed
”
”
Vi Keeland (Hate Notes)
“
dressed in blue-and-orange and red-and-white. “What is this?” she asked numbly. “On the screen?” “It’s the Iron Bowl from ’thirteen. Auburn–’Bama. Auburn wins with a one-hundred-and-nine-yard kick back run. War Damn Eagle.
”
”
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
“
I am Captain Iron and I will use my powers only for good, never for evil.
I will fight injustice wherever I find it.
I will help those who cannot help themselves.
I am a spirit of justice and I am a spirit of vengeance and I will kick the ass of the unrighteous.
I will be gentle, for the world is hard and I will be caring, for the world is harsh and I will be strong and I will endure pain and I will die bravely and I will make it all better again.
So that the children will never have to look up in pain and wonder why they lost so much.
Why so many had to die.
Why they are still even alive because ...
because no one should ever have to ask that question.
”
”
J. Michael Straczynski
“
You know, it’s funny. If someone attacked you with a knife and scarred you, the courts would assess the physical damage—how long a scar, how many stitches it took to close the wound, whatever—and they’d come up with a figure that you’d be entitled to in compensation. But hurting someone with words that they’ll always remember? With an act they’ll never forget? That’s physical damage, too—it changes you just as permanently as a scar. But instead of tallying up what the compensation should be, we just say, ‘Get over it,’ or ‘You should develop a thicker skin,’ or—and this is ironic, given that it’s the one thing that’s impossible—‘you should just forget about it.
”
”
Robert J. Sawyer (Triggers)
“
what song can sing the marvel of that deed, or the wrath and humiliation of Morgoth, for even the Orcs laugh in secret when they remember it, telling how Morgoth fell from his chair and his iron crown rolled upon the floor.
”
”
J.R.R. Tolkien (Beren and Lúthien)
“
You told me," I said, "that I should turn this house into a boardinghouse for students. Well, there are better things I could do with it. I could turn it into a haven for beggars. I could run a soup kitchen and a dormitory. But I don't. Why not? Because the spirit of charity has perished in this country. Because those who accept charity despise it, while those who give give with a despairing heart. What is the point of charity when it does not go from heart to heart? What do you think charity is? Soup? Money? Charity: from the Latin word for the heart. It is as hard to receive as to give. it takes as much effort. I wish you would learn that. I wish you would learn something instead of just lying around."
A lie: charity, caritas, has nothing to do with the heart. But what does it matter if my sermons rest on false etymologies? He barely listens when i speak to him. Perhaps, despite those keen bird-eyes, he is more befuddled with drink than I know. Or perhaps, finally, he does not care. Care: the true root of charity. I look for him to care, and he does not. Because he is beyond caring. Beyond caring and beyond care
”
”
J.M. Coetzee (Age of Iron)
“
Who sent you?” Manon bellowed. His eyes shifted—turning green, turning clear. It was with a young man’s voice that he said, “Kill me. Please—please kill me. Roland—my name was Roland. Tell my—” Then blackness spread across his eyes again, along with pure panic at whatever he beheld in Manon’s face, and in Asterin’s over her shoulder. The demon inside the man shrieked: “Get away!” She’d heard and seen enough. Manon squeezed harder, her iron nails shredding through mortal flesh and muscle. Black, reeking blood coated her hand, and she ripped harder into him, until she got to the bone and slashed through it, and his head thumped against the floor. Manon could have sworn he sighed.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Indeed, the preoccupation—some would say obsession—with computers and other digital gadgetry, especially among the young in what is commonly called “social media” (Facebook, MySpace, Twitter, YouTube, etc.), may be resulting ironically in more self-absorption and less physical interaction; texting, blogging, posting, and tweeting all avoid eye contact. Increasing divorce rates, expanding use of day care, and greater geographical mobility have all contributed to a society that lacks constancy and reliability. Personal, intimate, lasting relationships become difficult or even impossible to achieve, and deep-seated loneliness, self-absorption, emptiness, anxiety, depression, and loss of self-esteem ensue.
”
”
Jerold J. Kreisman (I Hate You--Don't Leave Me: Understanding the Borderline Personality)
“
Ironically, for peer-to-peer accountability to become a part of a team’s culture, it has to be modeled by the leader. That’s right. Even though I said earlier that the best kind of accountability is peer-to-peer, the key to making it stick is the willingness of the team leader to do something I call “enter the danger” whenever someone needs to be called on their behavior or performance. That means being willing to step right into the middle of a difficult issue and remind individual team members of their responsibility, both in terms of behavior and results. But most leaders I know have a far easier time holding people accountable for their results than they do for behavioral issues. This is a problem because behavioral problems almost always precede results. That means team members have to be willing to call each other on behavioral issues, as uncomfortable as that might be, and if they see their leader balk at doing this, then they aren’t going to do it themselves.
”
”
Patrick Lencioni (Overcoming the Five Dysfunctions of a Team: A Field Guide for Leaders, Managers, and Facilitators (J-B Lencioni Series Book 44))
“
Sarah J. Maas
To whatever end. -Rowan and Aelin to each other
Kingdom of Ash
“To whatever end.” A reminder—and a vow, more sacred than the wedding oaths they'd sworn on that ship. To walk this path together, back from the darkness of the iron coffin. To face what waited in Terrasen, ancient promises to the gods be damned.”
To whatever end?” she breathed. Rowan followed her, as he had his entire life, long before they had ever met, before their souls had sparked into existence. “To whatever end, Fireheart.
”
”
Sarah J. Maasah
“
Periods of relaxed social-sexual mores and less structured romantic relationships (such as in the late 1960s and 1970s) are more difficult for borderlines to handle; increased freedom and lack of structure paradoxically imprison the borderline, who is severely handicapped in devising his own individual system of values. Conversely, the sexual withdrawal period of the late 1980s (due in part to the AIDS epidemic) can be ironically therapeutic for borderline personalities. Social fears enforce strict boundaries that can be crossed only at the risk of great physical harm; impulsivity and promiscuity now have severe penalties in the form of STDs, violent sexual deviants, and so on. This external structure can help protect the borderline from his own self-destructiveness.
”
”
Jerold J. Kreisman (I Hate You--Don't Leave Me: Understanding the Borderline Personality)
“
Good-by, Good-by world! Good-by, Grover’s Corners … Mama and Papa. Good-by to clocks ticking and Mama’s sunflowers. And food and coffee. And new-ironed dresses and hot baths … and sleeping and waking up. Oh, earth, you’re too wonderful for anybody to realize you!
”
”
R.J. Palacio (Wonder)
“
A scarlet steam engine was waiting next to a platform packed with people. A sign overhead said Hogwarts Express, 11 o’clock. Harry looked behind him and saw a wrought-iron archway where the ticket box had been, with the words Platform Nine and Three-Quarters on it. He had done it.
”
”
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
“
Ironically, the [monopolistic] concentration of capital means that one of the great fears about socialism - that decisions about what to sell would be made by small, unelected groups of bureaucrats, rather than determined by competition - is increasingly coming true under capitalism.
”
”
Nathan J. Robinson (Why You Should Be a Socialist)
“
With a cry of rage he raised his iron hand over Smee's head; but he did not tear. What arrested him was this reflection:
"To claw a man because he is good form, what would that be?"
"Bad form!"
The unhappy Hook was as impotent as he was damp, and he fell forward like a cut flower.
”
”
J.M. Barrie (Peter Pan (Peter Pan, #2))
“
I wonder if perhaps you are thoroughly acquainted with what he (St. Francis of Assisi) said when they were about to cauterize one of his eyeballs with a red-hot, burning iron? He said as follows: "Brother Fire, God made you beautiful and strong and useful; I pray you be courteous to me.
”
”
J.D. Salinger (Nine Stories)
“
The judicious words of Danish philosopher Søren Kierkegaard (1813-1855), the first existentialist philosopher, are apropos to end this lumbering manuscript.
1. “One must learn to know oneself before knowing anything else.”
2. “Life always expresses the results of our dominate thoughts.”
3. “Face the facts of being what you are, for that is what changes what you are.”
4. “Personality is only ripe when a man has made the truth his own.”
5. “Love is all, it gives all, and it takes all.”
6. “Don’t forget to love yourself.”
7. “Anxiety is the dizziness of freedom.”
8. “Life has its own hidden forces, which you can only discover by living.”
9. “The highest and most beautiful things in life are not to be heard about, or read about, nor seen, but if one will, are to be lived.”
10. “Patience is necessary, and one cannot reap immediately where one has sown.”
11. “It seems essential, in relationships and all tasks, that we concentrate on only what is most significant and important.”
12. “To dare is to lose one’s footing momentarily. Not to dare is to lose oneself.”
13. “Since my earliest childhood, a barb of sorrow has lodged in my heart. As long as it stays I am ironic, if it is pulled out I shall die.”
14. “A man who as a physical being is always turned to the outside, thinking that his happiness lies outside of him, finally turns inward and discovers that the source is within him.”
15. “Just as in earthly life lovers long for the moment when they are able to breathe forth their love for each other, to let their souls blend into a soft whisper, so the mystic longs for the moment in prayer he can, as it were, creep into God.”
Kierkegaard warned, “The greatest hazard of all, losing the self, can occur very quietly in the world, as if it were nothing at all. No other loss can occur so quietly; any other loss – an arm, a leg, five dollars, a wife, etc. – is sure to be noticed.” Kierkegaard said that the one method to avoid losing oneself is to live joyfully in the moment, which he described as “to be present in oneself in truth,” which in turn requires “to be today, in truth be today.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
This is important to note: for a Stoic to exhibit the virtue of temperance, he must have at least some trace of desire to renounce, and to exhibit courage he must have at least these first sensations of fear to endure. As the Stoics like to put it, the wise man is not made of stone or iron but of flesh and blood.
”
”
Donald J. Robertson (How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius)
“
The next day, 25 February 1945, Goebbels warned, in an article in The Reich, that, if Germany surrendered, Stalin would immediately occupy south-eastern Europe, and ‘an iron curtain would immediately fall on this huge territory, together with the vastness of the Soviet Union, and nations would be slaughtered behind it’.
”
”
Richard J. Evans (The Third Reich at War, 1939-1945)
“
My anxiety level was rising pretty fast now. Visits with the FBI can do that to you, I guess. I'd had bad experiences with them before. Ironically, so had Kit. They're good people, mostly, but something got screwed up along the way. I guess that's what happen when J. Edgar Hoover is your daddy. Talk about the road to perdition.
”
”
James Patterson (The Lake House (When the Wind Blows, #2))
“
Irony thrives in liberal and decadent societies because it permits the evasion of responsibility. One never need commit too much. The ironic utterance of a phrase or performance of an action allows one to conceal his true motives. He may mean what he says, or he may mean the opposite; in any case, no one can ever hold him to account.
”
”
Michael J. Knowles (Speechless: Controlling Words, Controlling Minds)
“
He’s doing very well. He ate something and now he’s resting.” “What did he have?” Like he was her kid or something. “That ginger and rice—” “Roast beef.” “Oh, that’s great! A serving or two of that can help his iron counts.” “It wasn’t just a serving. He had a whole roast beef. As in . . . a bone-in, standing prime rib roast. I believe they said it weighed sixteen pounds.” Sarah blinked. “Jeez, what was dessert—an entire pie?” “Vanilla ice cream.” “Oh, that’s more reasonable. It’s not like he ate a whole half gallon.” “And the pie.” “What?” “He ate a half gallon of vanilla ice cream with an apple pie. He’s in a food coma now.” Sarah threw her head back and laughed.
”
”
J.R. Ward (The Savior (Black Dagger Brotherhood, #17))
“
Umbridge. ‘STOP THEM!’ shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd. ‘Give her hell from us, Peeves.’ And
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
What appears to be definite and precise does not belong to any acceptable reality. It is only the experiences, the queer previsions, the fleeting premonitions, that are real. Vague and insubstantial though they may appear to be, compared with anything else in the mists and shifting lights of Time theory, they loom up like mountains of iron ore.
”
”
J.B. Priestley (Man and Time)
“
The two guards inside stuck their spears through the peek holes in each door trying to skewer him. He simply stepped back and said aloud, “Geneva, they seem to be having trouble finding the key. “Here,” she replied, “use mine.” She crouched low and drove her talons through the three-inch-thick, iron-bound oak and pulled both doors out of the portal.
”
”
J.D. Hallowell (Dragon Fate)
“
In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous [dead looking] and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once. But undoubtedly the grimmest part of him was his iron claw.
”
”
J.M. Barrie (Peter Pan)
“
Fantasy is made out of the Primary World, but a good craftsman loves his material, and has a knowledge and feeling for clay, stone and wood which only the art of making can give. By the forging of Gram cold iron was revealed; by the making of Pegasus horses were ennobled; in the Trees of the Sun and Moon root and stock, flower and fruit are manifested in glory.
”
”
J.R.R. Tolkien (On Fairy-Stories)
“
Rowan surveyed the tools Cairn had laid out, the ones in the drawer. carefully, thoughtfully, he selected one.
A thin, razor-sharp knife. A healer's tool, meant for sleek incisions and scraping out rot.
Cairn groaned as unconsciousness gave way. By the time Cairn awoke, chained to that metal table, Rowan was ready.
Cairn beheld who stood over him, the tool in Rowan's tattooed hand, the others he had also laid out on the piece of velvet, and began thrashing. The iron chains held firm.
Then Cairn beheld the frozen rage in Rowan's eyes. Understood what he intended to do with that sharp, sharp knife. A dark stain spread across the front of Cairn's pants.
Rowan wrapped an ice-kissed wind around the tent, blocking all sound, and began.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Snape nodded, but did not elaborate. They turned right, into a wide driveway that led off the lane. The high hedge curved with them, running off into the distance beyond the pair of impressive wrought-iron gates barring the men’s way. Neither of them broke step: in silence both raised their left arms in a kind of salute and passed straight through as though the dark metal were smoke.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
If you’re on a budget, check out thrift stores or garage sales. Look for signs of quality, like copper bottoms, cast iron, or stainless steel. Someone with limited money would do far better buying used than buying cheap stuff from Walmart. If you are determined to buy new, check out places like T.J.Maxx, the HomeGoods store, Ross—anywhere that’s likely to have top-quality items for low prices.
”
”
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
“
Because the specific heat capacity of water is higher than that of say, iron, and lower than that of air, the same amount of energy will raise the temperature of a gram of iron by almost ten times as much and a gram of air by only half as much. The higher the specific heat capacity of a given material, the more energy it takes to raise the temperature of that material by the same number of degrees.
”
”
J. Kenji López-Alt (The Food Lab: Better Home Cooking Through Science)
“
At one point Jo excused herself to go powder her nose, a euphemism since she never wore makeup. Erik bowed as she left the table, then sat back down, not noticing his necktie had draped across his plate. His eyes continued to follow Josie's egress as, taking up knife and fork he went about cutting his necktie into tiny bite-sized slices.
"How's yer steak?" asked J.
"It's a bit stringy," Erik confessed.
”
”
James Hold (Out of Texas 12 : The Iron Claw of Destiny, Part One)
“
This was an idea of Professor Cristin’s friend, the late Russian dissident Vladimir Bukovsky, who believed that a trial of communism was necessary if only to confront the world with communism’s many unpunished crimes. Cristin has a unique way of explaining the collapse of communism. It is a collapse, he says, in which the Iron Curtain was replaced with emerging communist movements in every Western country.
”
”
J.R. Nyquist
“
Look at me.” Elide obeyed. The witch hissed, and Elide flinched as she shoved Elide’s hair out of her eyes. A few strands fell to the ground, sliced off by the iron nails. “I don’t know what game you’re playing—if you’re a spy, if you’re a thief, if you’re just looking out for yourself. But do not pretend that you are some meek, pathetic little girl when I can see that vicious mind working behind your eyes.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
If you're all grown up, as you insist, then you're old enough to recognize heat between a man and a woman. And it's there between us. I'm not a saint, Saskia. I'm not one of your respectful human boys. If you ask me, I'm not going to be a gentleman."
"Sainted bloody earth." She'd finally found her tongue. Her cheeks still blushed pink, but her eyes were furious. "How is that no woman has killed you before now?
”
”
M.J. Scott (Iron Kin (The Half-Light City, #3))
“
There is, however, and thankfully, a remedy for all our fears. That remedy comes as a person, and the means through which He provides the comfort, along with the Holy Spirit, is through His Word. To fight our fears, we will look at God’s sovereignty and love and watch our fears dissipate as we apply God’s Word to our lives. The very thing we are holding on to (control) is, ironically, the thing we most need to let go of.
”
”
Trillia J. Newbell (Fear and Faith: Finding the Peace Your Heart Craves)
“
Butch came around in front, twisting the shirt he’d taken off into a rope. Thanks to all the lifting they’d been doing, the male’s chest and arm muscles were thickening up, and he hadn’t been small to begin with. He couldn’t pull the kind of iron Rhage did, but for a human, the guy was a bulldozer. “You’re getting into some kind of shape, cop.” “Aw, come on, now.” Butch grinned. “Don’t let that shower we took go to your head.
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
Mary.”
Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?”
“I’m over here.”
“Where?” She looked all around. “Why is your voice echoing?”
“Chimney.”
“What?”
“I’m stuck in the fucking chimney.”
She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?”
His voice emanated from somewhere above her. “Don’t tell anyone, okay?”
“What are you—”
An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash.
“You’re stuck!” she exclaimed. “And thank God no one lit this fire!”
“You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.”
Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—”
“I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?”
“What?”
“This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.”
Mary sat back and shook her head. “I’m more worried about you—”
“Justopenthefuckingthingalready.”
Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond…
“A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.”
Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely.
-Lassiter & Mary
”
”
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
“
Trump’s supporters are the most likely group to ignore or despise the MSM. Hillary’s supporters, with their complete control of the MSM echo-chamber, ironically sabotaged their own cause. Their minds were filled with not just images of the wondrous utopia Hillary would bring forth, but also with horrifying visions of the nightmare of Trump’s victory. They effectively supplemented the Trump side’s visualizations. As Adams remarked after the election: As
”
”
James J. O'Meara (Trump: The Art of the Meme)
“
Eat it. It’s your reward,” she said through her teeth. “You’ve earned it.”
Abraxos sniffed at the cluster of purple flowers, then flicked his eyes to her. No meat, he seemed to say.
“It’s good for you,” she said, and he went right back to sniffing the violets or whatever they were. If a plant wasn’t good for poisoning, healing or keeping her alive if she were starving, she’d never bothered to learn its name—especially not wildflowers.
She tossed the leg right in front of his massive mouth and tucked her hands into the folds of her red cloak. He snuffed at it, his new iron teeth glinting in the radiant sun, then stretched out one massive, claw-tipped wing and—
Shoved it aside.
Manon rubbed her eyes. “Is it not fresh enough?”
He moved to sniff some white-and-yellow flowers.
A nightmare. This was a nightmare. “You can’t really like flowers.”
Again those dark eyes shifted to her. Blinked once. I most certainly do, he seemed to say.
“You never even smelled a flower until yesterday. What’s wrong with the meat now?”
When he went back to sniffing the flowers rather delicately—the insufferable, useless worm—she stalked to the leg of mutton and hauled it up.
“If you won’t eat it,” she snarled at him, hoisting it up with both hands to her mouth and popping her iron teeth down, “then I will.”
Abraxos watched her with those bemused dark eyes as she bit into the icy, raw meat. And spat it everywhere.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Murhder lowered his head . . . and kissed her. Oh . . . wow. His lips were velvet on her own, all summer-breeze soft and slow as an August sunrise as they caressed hers. And she would have called the contact sweet, except no. His enormous body . . . his mysterious, other-than-human, incredibly powerful body . . . trembled, and that was what made everything utterly erotic: The subtle shaking meant he was holding himself in strict control, clamping down on his drive, chaining, jailing what was inside of him. There was a beast on the far side of his will, a wild creature rattling at the iron bars of his restraint, a force so much greater than she could understand. And she wanted the monster in him. The unleashed. The crazed. Against everything that made any kind of sense, she wanted him to devour her, master her, take her down onto the hard floor right here, right now, and pin her under his naked, pumping body until she had no thoughts of who or even what he was.
”
”
J.R. Ward (The Savior (Black Dagger Brotherhood, #17))
“
I am the wife of a soldier, of a man who will fight for what is right in the world by taking care of what is bad. I am the wife of a man who loves his country and its freedom so deeply that he wants to lead it, regardless of the hazards or loss, that vision, that insurmountable need, causes. I am the wife of a man whose honor and instinctive obligation are ingrained so deeply in him I know it will never change. I am a proud wife, a wife of an American soldier. I am Mrs. Jaxson Irons.
”
”
M.J. Fields (Irons 3 (Norfolk #3))
“
Any Justification that does not lead to Biblical sanctification and mortification of sinful desires is a false justification no matter how many Solas you attach to it”.
“See that your chief study be about the heart, that there God’s image may be planted, and his interest advanced, and the interest of the world and flesh subdued, and the love of every sin cast out, and the love of holiness succeed; and that you content not yourselves with seeming to do good in outward acts, when you are bad yourselves, and strangers to the great internal duties. The first and great work of a Christian is about his heart.” ~ Richard Baxter
Never forget that truth is more important to the church than peace ~ JC Ryle
"Truth demands confrontation. It must be loving confrontation, but there must be confrontation nonetheless.” ~ Francis Schaeffer
I am not permitted to let my love be so merciful as to tolerate and endure false doctrine. When faith and doctrine are concerned and endangered, neither love nor patience are in order...when these are concerned, (neither toleration nor mercy are in order, but only anger, dispute, and destruction - to be sure, only with the Word of God as our weapon. ~ Martin Luther
“Truth must be spoken, however it be taken.” ~ John Trapp
“Hard words, if they be true, are better than soft words if they be false.” – C.H. Spurgeon
“Oh my brethren, Bold hearted men are always called mean-spirited by cowards” – CH Spurgeon
“The Bible says Iron sharpens Iron, But if your words don't have any iron in them, you ain't sharpening anyone”.
“Peace often comes as a result of conflict!” ~ Don P Mt 18:15-17 Rom 12:18
“Peace if possible, truth at all costs.” ~ Martin Luther
“The Scriptures argue and debate and dispute; they are full of polemics… We should always regret the necessity; but though we regret it and bemoan it, when we feel that a vital matter is at stake we must engage in argument. We must earnestly contend for the truth, and we are all called upon to do that by the New Testament.” Martyn Lloyd-Jones (Romans – Atonement and Justification)
“It is one of the severest tests of friendship to tell your friend his faults. So to love a man that you cannot bear to see a stain upon him, and to speak painful truth through loving words, that is friendship.” ~ Henry Ward Beecher
“Truth bites and it stings and it has a blade on it.” ~ Paul Washer
Soft words produce hard hearts. Show me a church where soft words are preached and I will show you a church of hard hearts. Jeremiah said that the word of God is a hammer that shatters. Hard Preaching produces soft hearts. ~ J. MacArthur
Glory follows afflictions, not as the day follows the night but as the spring follows the winter; for the winter prepares the earth for the spring, so do afflictions sanctified, prepare the soul for glory. ~ Richard Sibbes
“Cowards never won heaven. Do not claim that you are begotten of God and have His royal blood running in your veins unless you can prove your lineage by this heroic spirit: to dare to be holy in spite of men and devils.” ~ William Gurnall
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Various
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Sometime in the fifties I remember seeing On the Waterfront in the movies with Mary and thinking that I’m at least as bad as that Marlon Brando character and that some day I’d like to get in union work. The Teamsters gave me good job security at Food Fair. They could only fire you if they caught you stealing. Let me put it another way, they could only fire you if they caught you stealing and they could prove it. • chapter eight • Russell Bufalino In 1957 the mob came out of the closet. It came out unwillingly, but out it came. Before 1957 reasonable men could differ over whether an organized network of gangsters existed in America. For years FBI director J. Edgar Hoover had assured America that no such organization existed, and he deployed the FBI’s greatest resources to investigate suspected Communists. But as a result of the publicity foisted on the mob in 1957, even Hoover came on board. The organization was dubbed “La Cosa Nostra,” meaning “this thing of ours,” a term heard on government wiretaps. Ironically,
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Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
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two men appeared out of nowhere, a few yards apart in the narrow, moonlit lane. For a second they stood quite still, wands directed at each other’s chests; then, recognizing each other, they stowed their wands beneath their cloaks and started walking briskly in the same direction. “News?” asked the taller of the two. “The best,” replied Severus Snape. The lane was bordered on the left by wild, low-growing brambles, on the right by a high, neatly manicured hedge. The men’s long cloaks flapped around their ankles as they marched. “Thought I might be late,” said Yaxley, his blunt features sliding in and out of sight as the branches of overhanging trees broke the moonlight. “It was a little trickier than I expected. But I hope he will be satisfied. You sound confident that your reception will be good?” Snape nodded, but did not elaborate. They turned right, into a wide driveway that led off the lane. The high hedge curved with them, running off into the distance beyond the pair of impressive wrought-iron gates barring the men’s way. Neither
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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What was their world like?” “I don’t know—I only saw a holding cell and some tunnels and caverns. But … it seemed free. Of the Asteri, at least.” And then, because she knew it would upset him, she said, “The Fae there are stronger than we are. The Asteri take a chunk of our power through the Drop—it feeds them, sustains them. In that other world, the Fae retain their full, pure power.” She could have sworn his face had paled, even under the flattering golden glow of the twin iron chandeliers dangling above. It made her more smug than she’d expected.
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Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
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It was staggering. They roared and boomed and trumpeted, until stones began to crack and fall at the mere noise of them. Merry and I lay on the ground and stuffed our cloaks into our ears. Round and round the rock of Orthanc the Ents went striding and storming like a howling gale, breaking pillars, hurling avalanches of boulders down the shafts, tossing up huge slabs of stone into the air like leaves. The tower was in the middle of a spinning whirlwind. I saw iron posts and blocks of masonry go rocketing up hundreds of feet, and smash against the windows of Orthanc. But
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J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
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I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they , whatever became of them.
When I was twelve I dreamed of Hongkong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement.
When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a coloured print of London Bridge or the Eiffel Tower.
One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the colour of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassières and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.
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J.M.G. Le Clézio (The Book of Flights)
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Who is he?” she asked quietly. There had never been any mention of Fionn in the histories of Midgard, the lore. “The first and last High King of these lands,” Azriel breathed. Before Bryce could contemplate this further, Silene went on, But my mother and father knew they needed the most valuable of all the Daglan’s weapons. Bryce tensed. This had to be the thing that had given them the edge— The snows around Ramiel parted, revealing a massive bowl of iron at the foot of the monolith. Even through the vision, its presence leaked into the world, a heavy, ominous thing. “The Cauldron,” Nesta said, dread lacing her voice.
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Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
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Well, the Flatlands used to be part of the Witch Kingdom. And yes, I suppose you could say they’re somewhat cursed.” Ansel sighed loudly. “When the Crochan Queens ruled five hundred years ago, it was very beautiful. At least, the ruins all over the place seem like they would have been beautiful. But then the three Ironteeth Clans destroyed it all when they overthrew the Crochan Dynasty.” “Ironteeth?” Ansel let out a low hiss. “Some witches, like the Crochans, were gifted with ethereal beauty. But the Ironteeth Clans have iron teeth, sharp as a fish’s. Actually, their iron fingernails are more dangerous; those can gut you in one swipe.
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Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
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There is an island in a forgotten, stormy part of the sea. A vast, lush island, shielded from time and spying eyes. And on that island, Miryam and Drakon still live. With their children. With both of their peoples. Fae and human and those in between. Side by side. For five hundred years, they have prospered on that island, letting the world believe them dead—” “Mor,” Rhys said—a quiet reprimand. A secret, I realized, that perhaps had remained hidden for five centuries. A secret that had fueled the dreams of Rhysand, of his court. A land where two dreamers had found peace between their peoples. Where there was no wall. No iron wards. No ash arrows.
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Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
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...With a religious book it is less what we see in it than what we see through it that matters. J. R. R. Tolkien's fairy-tale epic the Lord of the Rings helps draw the distinction perhaps. Some of its admirers have tried to make it into a religion book by claiming, among other things, that the Ring of Power which must be destroyed is the hydrogen bomb. Tolkien, on the other hand, denied this unequivocally. But intended or otherwise, there can be little doubt that for many it has become a religious book. The "Frodo Lives" buttons are not entirely a joke, because something at least comes to life through those fifteen hundred pages, although inevitably it is hard to say just what. It seems to have something to do with the way Tolkien has of making us see the quididity of things like wood, bread, stone, milk, iron, as though we have never seen them before or not for a long time, which is probably the truth of the matter; his landscapes set deeper echoes going in us than any message could. He gives us back a sense that we have mostly lost of the things of the earth, and because we are ourselves of the earth, whatever else, we are given back too some sense of our own secret. Very possibly again he did not intend it. I may well be axiomatic that, religiously, a writer achieves most when he is least conscious of doing so. Certainly the attempt to be religious is as doomed as the attempt to be poetic is.
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Frederick Buechner (A Room Called Remember: Uncollected Pieces – Essays and Sermons on Faith, Love, and the Power of Words)
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A large subterranean river, if the sound was this loud even up here. Bits of spray floated from the darkness, the damp air laced with a thick, metallic scent—iron. There must have been deposits of it down here. Nesta said with equal quiet, “That bridge is the perfect place for an ambush.” “From who?” Bryce hissed. “I haven’t lived long enough to know every horror in this world, but I can tell you that dark places tend to breed dark things. Especially ones as old and forgotten as this.” “Great. So how do we get across without attracting said dark things?” “I don’t know—this tunnel is foreign to me.” Bryce turned to her in surprise. “You’ve never been down this way?” Nesta cut her a look. “No. No one has.
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Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
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Dr. J. P. Moreland pointed out that the disciples were in a unique position to know whether the resurrection actually happened, and they were willing to go to their deaths proclaiming it was true. Moreland’s logic was persuasive. “Obviously,” he said, “people will die for their religious convictions if they sincerely believe they are true.” Religious fanatics have done that throughout history. While they may strongly believe in the tenets of their religion, however, they don’t know for a fact whether their faith is based on the truth. They’re simply not in a position where they can know for sure. They can only believe. In stark contrast, the disciples were in the unique position to know for a fact whether Jesus had returned from the dead. They said they saw him, touched him, and ate with him. And knowing the truth of what they actually experienced, they were willing to die for him. Had they known this was a lie, they would never have been willing to sacrifice their lives. Nobody willingly dies for something that they know is false. They proclaimed the resurrection to their deaths for one reason alone: they knew it was true, because they had personally encountered and experienced the risen Jesus.33 So, ironically, it’s the evidence for Easter that provided the decisive confirmation for me that the Christmas story is true: that the freshly born baby in the manger was the unique Son of God, sent on a mission to be the savior of the world. GOD’S GREATEST GIFT After spending nearly two years investigating the identity
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Lee Strobel (The Case for Christmas: A Journalist Investigates the Identity of the Child in the Manger)
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A pensive personal essay or any other form of narrative nonfiction presents a writer’s viewpoint either as a participant or as a meticulous observer. As a voluble eyewitness, the autobiographer serves as a historian. A writer’s comments will also reflect his view of society and prevailing cultural trends. Each writer whom bases a story on his or her personal feelings is unable to serve as an unbiased historian. Writing about personal feelings and documenting firsthand experiences does not require a person to divorce oneself from all prejudices, assumptions, and strained interpretations. Oftentimes what make reading someone’s journalistic writing enjoyable are their bold, cynical, and derisive opinions, colored by congenital biases, laced with ironic or sardonic commentary.
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Kilroy J. Oldster (Dead Toad Scrolls)
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have no interest in prisoners or battling today,” Manon said. The Queen of Terrasen gave her a grin. “Good.” Manon turned away, barking at her Thirteen to get to their mounts. “I suppose,” the queen went on, “that makes you smarter than Baba Yellowlegs.” Manon stopped, staring straight ahead and seeing nothing of the grass or sky or trees. Asterin whirled. “What do you know of Baba Yellowlegs?” The queen gave a low chuckle, despite the warning growl from the Fae warrior. Slowly, Manon looked over her shoulder. The queen tugged apart the lapels of her tunic, revealing a necklace of thin scars as the wind shifted. The scent—iron and stone and pure hatred—hit Manon like a rock to the face. Every Ironteeth witch knew the scent that forever lingered on those scars: Witch Killer.
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Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
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He turned and looked directly at me and Quinn. “I’ve two broadswords, both iron, that will work wonders on yon brute. Takes a man with a significant amount of strength to wield them for more than ten minutes. Would ye like to kilt up and join me?” Quinn looked as delighted by this offer as I felt. “I’m all for going out and swinging a sword around, but I don’t have much experience with sword fighting.” “Pointy end goes in the beastie,” McTavish said helpfully. “Right,” Quinn responded with a laugh. “I think I can manage that. Kilts, though?” “Tradition, man. Ye cannae fight a monster and nae wear a kilt.” Quinn didn’t offer another protest, just nodded. “Sold. Brandon?” Swords? Kilts? “I’m in.” I woke up to the sight of my lover standing next to the bed, dressed in a Scottish kilt, sans shirt.
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A.J. Sherwood (Mack's Rousing Ghoulish Highland Adventure (Mack's Marvelous Manifestations #3))
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Welcome," she said flatly. "You are aware that the dildo iron maiden is bring your own didos?"
We held up our bag of dildos.
"And that there are no actual spikes or blades of any type allowed in the iron maiden?"
"Did somebody really try that?" Drix asked.
BellaSade nodded tiredly. She gestured to the open chamber. "As you can see, the iron maiden has steps inside so that you can impale yourself on different dildos on different levels. Any projections near the eyes or ears must be no longer that four inches and completely blunt. This is the signal hole. " She indicated a large hole in the side of the iron maiden. "If you need to safe signal use that. That--" she pointed to another large hole in the back -- "is the grope hole. Please do not signal through the grope hole or grope through the signal hole.
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J.A. Rock (Pain Slut (The Subs Club, #2))
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When she was done, the blacksmith looked her over and nodded, then reached below his table to place another object on its surface. For a heartbeat, Manon only stared at the crowned helmet. It had been forged of the same dark metal, the nose and brow guards fashioned so that most of her face would be in shadow—save for her mouth. And her iron teeth. The six lances of the crown jutted upward like small swords. A conqueror’s helm. A demon’s helm. Manon felt the eyes of her Thirteen, now armed, upon her as she tucked her braid into the neck of her armor and lifted the helmet over her head. It fitted easily, its interior cool against her hot skin. Even with the shadows that hid most of her face, she could see the blacksmith with perfect clarity as his chin dipped in approval. She had no idea why she bothered, but Manon found herself saying, “Thank you.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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But then jJax said, "Yet don't we always go looking for danger?"
"And we have a Metal to save," Robb added.
Talle shook her head. "Who is now a brainwashed murdering robot who wants to KILL us."
"But he didn't," Ana argued, painfully aware of the wound in her stomach. If he had wanted to kill her, he could have. He knew how. She didn't tell them what Di had whispered before he plunged the blade into her, wishing to have let her burn. That was not Di. So, she kept it to herself, a secret between her and her new scars. And that means the HIVE didn't take everything. The HIVE WON'T take everything. The Iron Kingdom isn't mine--it's ours. We're the outcasts, the rebels, the refugees--"
"And the royalty," said Jax.
"And the royalty," she agreed. "We're part of the Iron Kingdom. We're the parts no one remembers, so they'll never see us coming. Who's with me?"
Jax and Robb raised their hands without hesitation, and then Lenda, and Talle. The captain pursed her lips, blinking the stray tears out of her eyes, and then she nodded because Ana knew she just wanted to keep her safe--but now it was Ana's turn to save people.
"To the ends of the universe, darling," Siege finally replied.
Ana's heart swelled. She held tightly to Di's memory core, a lifeline glowing with hope in the dark. Once, she had not known who she could be without Di, and once she couldn't have fathomed the thought. But now she knew she carried Di with her, and Barger, and Wick, and Riggs--and Siege, and Talle, and Lenda and Robb and Jax, and Machivalle and Wynn, and Viera, and her late parents and lost brothers, tucked within the steady thrum of her heart. They were the sum of her parts that made her whole.
She was Ananke Armorov. She was the heir to the Iron Kingdom. She was a girl born in fire and raised in the stars, and she would burn against the darkness--and drive it away.
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Ashley Poston (Heart of Iron (Heart of Iron, #1))
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His massive hand gripped the closet doorknob, dagger now angled at his side. “Come out, little Crochan,” he crooned. Silent as death, Manon slid up behind him. The fool didn’t even know she was there until she brought her mouth close to his ear and whispered, “Wrong kind of witch.” The man whirled, slamming into the closet door. He raised the dagger between them, his chest heaving. Manon merely smiled, her silver-white hair glinting in the moonlight. He noticed the shut door then, drawing in breath to shout. But Manon smiled broader, and a row of dagger-sharp iron teeth pushed from the slits high in her gums, snapping down like armor. The man started, hitting the door behind him again, eyes so wide that white shone all around them. His dagger clattered on the floorboards. And then, just to really make him soil his pants, she flicked her wrists in the air between them. The iron claws shot over her nails in a stinging, gleaming flash.
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Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
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Needless to say he had a newfound respect for that blind vampire.
There were very few things iAm hadn’t been able to move in his adult life.
He’d changed a tire while acting as his own tire iron.
Had been known to walk vats of sauce big as washing machines around a kitchen.
Hell, he’d even actually relocated a washer and dryer without thinking much about it.
And then he’d had to lift that truck off his brother about two years ago.
Another example of Trez’s love life getting out of control.
But down in the training center with Wrath?
There’d been no budging that fucker. The King had been bulldog-locked on—and the expression on his face? No emotion, not even a grimace of effort. And that body—viciously strong.
iAm shook his head as he crossed that apple tree in full bloom. Trying to budge Wrath had been like pulling on a boulder. Nothing moved; nothing gave.
That canine had gotten through, though. Thank God.
Now, ordinarily, iAm didn’t like animals in the house—and he definitely wasn’t a dog person. They were too big, too dependent, the shedding—too much. But he respected that golden whatever it was now—
Meeeeeeeeeeeerowwwwwwwwwwwwww.
“Fuck!”
Speak of the devil. As the queen’s black cat wound its way around his feet, he was forced to Michael Jackson it over the damn thing so he didn’t step on it.
“Damn it, cat!”
The feline followed him all the way into the kitchen, always with the in-and-out around the ankles—almost like it knew he’d been thinking benes about the dog and was establishing dominance.
Except cats couldn’t read minds, of course.
He stopped and glared at the thing. “What the hell do you want.”
Not really a question, as he didn’t care to give the feline an opening.
One black paw lifted and then . . . Next thing he knew, the g*dd*mn cat was leaping into his arms, rolling over onto its back . . . and purring like a Ferrari.
“Are you fucking kidding me,” he muttered.
-iAm & Boo
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J.R. Ward (The King (Black Dagger Brotherhood, #12))
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I doubted the stone and iron of the building could hold any of us, certainly not together, but... Letting them shut us in here to wait... It rubbed against some nerve. Made my body restless, a cold sweat breaking out. Too small, not enough air...
It's all right, Rhys soothed. This place cannot hold you.
I nodded, though he hadn't spoken, trying to swallow the feeling of the walls and ceiling pushing on me.
Nesta was watching me carefully. I admitted to her, 'Sometimes... I have problems with small spaces.'
Nesta studied me for a long moment. And then she said with equal quiet, though we could all hear, 'I can't get into a bathtub anymore. I have to use buckets.'
I hadn't known- hadn't even thought that bathing, submerging in water...
I knew better than to touch her hand. But I said, 'When we get home, we'll install something else for you.'
I could have sworn there was gratitude in her eyes- that she might have said something else when horses approached.
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Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
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PSALM 2 rWhy do sthe nations rage [1] and the peoples plot in vain? 2 The kings of the earth set themselves, and the rulers take counsel together, against the LORD and against his tAnointed, saying, 3 “Let us uburst their bonds apart and cast away their cords from us.” 4 He who vsits in the heavens wlaughs; the Lord holds them in derision. 5 Then he will speak to them in his xwrath, and terrify them in his fury, saying, 6 “As for me, I have yset my King on zZion, my aholy hill.” 7 I will tell of the decree: The LORD said to me, b“You are my Son; today I have begotten you. 8 Ask of me, and I will make the nations your heritage, and cthe ends of the earth your possession. 9 You shall dbreak [2] them with ea rod of iron and dash them in pieces like fa potter’s vessel.” 10 Now therefore, O kings, be wise; be warned, O rulers of the earth. 11 gServe the LORD with hfear, and irejoice with htrembling. 12 jKiss kthe Son, lest he be angry, and you perish in the way, for his lwrath is quickly kindled. mBlessed are all who take refuge
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Anonymous (Holy Bible: English Standard Version (ESV))
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to affirm “Jesus is the sacrifice for sin” was to deny the temple’s claim to have a monopoly on forgiveness and access to God. It was an antitemple statement. Using the metaphor of sacrifice, it subverted the sacrificial system. It meant: God in Jesus has already provided the sacrifice and has thus taken care of whatever you think separates you from God; you have access to God apart from the temple and its system of sacrifice. It is a metaphor of radical grace, of amazing grace. Thus “Jesus died for our sins” was originally a subversive metaphor, not a literal description of either God’s purpose or Jesus’ vocation. It was a metaphorical proclamation of radical grace; and properly understood, it still is. It is therefore ironic to realize that the religion that formed around Jesus would within four hundred years begin to claim for itself an institutional monopoly on grace and access to God. Because the sacrificial metaphor has often been taken quite literally, we in the church have often domesticated the death of Jesus—by speaking of it as the foreordained will of God, as something that had to happen, as a dying for the sins of the world.
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Marcus J. Borg (The Heart of Christianity)
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Your beast's little trick didn't work on me,' she said with quiet steel. 'Apparently, an iron will is all it takes to keep a glamour from digging in. So I had to watch as Father and Elain went from sobbing hysterics into nothing. I had to listen to them talk about how lucky it was for you to be taken to some made-up aunt's house, how some winter wind had shattered our door. And I thought I'd gone mad- but every time I did, I would look at that painted part of the table, then at the claw marks farther down, and know it wasn't in my head.'
I'd never heard of a glamour not working. But Nesta's mind was so entirely her own; she had put up such strong walls- of steel and iron and ash wood- that even a High Lord's magic couldn't pierce them.
'Elain said- said you went to visit me, though. That you tried.'
Nesta snorted, her face grave and full of that long-simmering anger that she could never master. 'He stole you away into the night, claiming some nonsense about the Treaty. And then everything went on as if it had never happened. It wasn't right. None of it was right.'
My hands slackened at my sides. 'You went after me,' I said. 'You went after me- to Prythian.'
'I got to the wall. I couldn't find a way through.'
I raised a shaking hand to my throat. 'You trekked two days there and two days back- through the winter woods?'
She shrugged, looking at the sliver she'd pried from the table. 'I hired that mercenary from town to bring me a week after you were taken. With the money from your pelt. She was the only one who seemed like she would believe me.'
'You did that- for me?'
Nesta's eyes- my eyes, our mother's eyes- met mine. 'It wasn't right,' she said again. Tamlin had been wrong when we'd discussed whether my father would have ever come after me- he didn't possess the courage, the anger. If anything, he would have hired someone to do it for him. But Nesta had gone with that mercenary. My hateful, cold sister had been willing to brave Prythian to rescue me.
...
I looked at my sister, really looked at her, at this woman who couldn't stomach the sycophants who now surrounded her, who had never spent a day in the forest but had gone into wolf territory... Who had shrouded the loss of our mother, then our downfall, in icy rage and bitterness, because the anger had been a lifeline, the cruelty a release. But she had cared- beneath it, she had cared, and perhaps loved more fiercely that I could comprehend, more deeply and loyally.
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Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
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and e who came from the waters of Judah, f who swear by the name of the LORD and confess the God of Israel, but not in truth or right. 2 For they call themselves after the holy city, g and stay themselves on the God of Israel; the LORD of hosts is his name. 3 “The former things h I declared of old; they went out from my mouth, and I announced them; then suddenly I did them, and they came to pass. 4 Because I know that i you are obstinate, and your neck is an iron sinew and your forehead brass, 5 h I declared them to you from of old, before they came to pass I announced them to you, lest you should say, j ‘My idol did them, my carved image and my metal image commanded them.’ 6 “You have heard; now see all this; and will you not declare it? From this time forth k I announce to you new things, hidden things that you have not known. 7 They are created now, not long ago; before today you have never heard of them, lest you should say, ‘Behold, I knew them.’ 8 You have never heard, you have never known, from of old your ear has not been opened. For I knew that you would surely deal treacherously, and that l from before birth you were called a rebel. 9 m “For my name’s sake I defer my anger; for the sake of my praise I restrain it for you, that I may not cut you off. 10 Behold, I have refined you, n but not as silver; o I have tried [1] you in the furnace of affliction. 11 p For my own sake, for my own sake, I do it, for how should my name [2] be profaned? q My glory I will not give to another.
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Anonymous (Holy Bible: English Standard Version (ESV))
“
Brown-Séquard ground up the testes of domesticated animals (dogs and pigs are most often cited, but no two sources seem to quite agree on which animals he favored), injected the extract into himself, and reported feeling as frisky as a forty-year-old. In fact, any improvement he sensed was entirely psychological. Mammalian testes contain almost no testosterone because it is sent out into the body as quickly as it is made, and in any case we manufacture very little of it anyway. If Brown-Séquard ingested any testosterone at all, it was no more than a trace. Even though Brown-Séquard was completely wrong about the rejuvenative effects of testosterone, he was actually right that it is potent stuff—so much so that, when synthesized, it is treated today as a controlled substance. Brown-Séquard’s enthusiasm for testosterone seriously damaged his scientific credibility, and he died soon afterward anyway, but ironically his efforts prompted others to look more closely and systematically at the chemical processes that control our lives. In 1905, a decade after Brown-Séquard’s death, the British physiologist E. H. Starling coined the term “hormone” (on advice from a classics scholar at Cambridge University; it comes from a Greek word meaning “to set in motion”), though the science didn’t really get going until the following decade. The first journal devoted to endocrinology wasn’t founded until 1917, and the umbrella term for the ductless glands of the body, the endocrine system, came even later. It was coined in 1927 by the British scientist J. B. S. Haldane.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once.
”
”
J.M. Barrie (Peter Pan)
“
Slowly, Tamlin's head lifted, his unbound golden hair dull and matted.
'Do you think she will forgive me?' The question was a rasp, as if he'd been screaming.
I knew whom he meant. And I didn't know. I didn't know if her wishing him happiness was the same as forgiveness. If Feyre would ever want to offer that to him. Forgiveness could be a gift to both, but what he'd done... 'Do you want her to?'
His green eyes were empty. 'Do I deserve it?'
No. Never.
He must have read it on my face, because he asked, 'Do you forgive me- for your mother and sister?'
'I don't recall every hearing an apology.'
As if an apology would ever right it. As if an apology would ever cover the loss that still ate at me, the hole that remained where their bright, lovely lives had once glowed.
'I don't think one will make a difference, anyway,' Tamlin said, staring at his felled elk once more. 'For either of you.'
Broken. Utterly broken.
You will need Tamlin as an ally before the dust has settled, Lucien had warned my mate. Perhaps that was why I'd come, too.
I waved a hand, my magic slicing and sundering, and the elk's coat slid to the floor in a rasp of fur and slap of wet flesh. Another flicker of power, and slabs of meat had been carved from its sides, piled next to the dark stove- which soon kindled.
'Eat, Tamlin,' I said. He didn't so much as blink.
It was not forgiveness- it was not kindness. I could not, would not, ever forget what he'd done to those I loved most.
But it was Solstice, or had been. And perhaps because Feyre had given me a gift greater than any I could dream of, I said, 'You can waste away and die after we've sorted out this new world of ours.'
A pulse of my power, and an iron skillet slid onto the now-hot stove, a steak of meat thumping into it with a sizzle.
'Eat, Tamlin,' I repeated, and vanished on a dark wind.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #4))
“
Ce se întîmplă cu tine, băiete? mă întrebă. Vorbea destul de aspru pentru felul lui de a fi. Cîte materii ai urmat în trimestrul ăsta?
― Cinci, domnule profesor.
― Cinci? Şi la cîte ai căzut?
― La patru.
Îmi amorţise fundul stînd pe pat. În viaţa mea nu stătusem pe un pat atît de tare.
― La engleză am trecut, i-am spus, fiindcă poveştile cu Beowulf şi cu Lord Randal, fiul meu le-am învăţat încă de pe vremea cînd eram la Whooton. Şi, de fapt, la engleză nu trebuia să fac mai nimic, decît să scriu din cînd în cînd cîte o compunere.
Bătrînul nici nu mă asculta. N-asculta niciodată cînd îi vorbeai.
― Eu unul te-am trîntit la istorie fiindcă n-ai ştiut absolut nimic.
― Ştiu, domnule profesor, vă înţeleg. Ce era să faceţi?
― Absolut nimic, repetă el.
Tare mă înfurie cînd oamenii repetă de două ori un lucru pe care tu l-ai recunoscut de prima dată. Şi pe urmă a mai spus-o şi a treia oară.
― Dar absolut nimic. Ai deschis cartea măcar o dată, în trimestrul ăsta? Eu mă îndoiesc. Spune drept!
― Păi, ştiţi, am răsfoit-o... de vreo două ori, am spus.
Nu voiam să-l jignesc. Îi plăcea istoria la nebunie!
― A, ai răsfoit-o! spuse el foarte ironic. Uite, hm, teza ta e acolo sus pe raft, deasupra teancului de caiete. Ad-o, te rog, încoace.
Era o figură urîtă din partea lui. Dar n-am avut încotro, m-am dus şi i-am adus-o. Pe urmă, m-am aşezat din nou pe patul lui de ciment. Mamă, nici nu ştiţi ce rău începuse să-mi pară că venisem să-mi iau rămas bun.
Ţinea lucrarea mea de parc-ar fi fost o bucată de rahat sau mai ştiu eu ce.
― Am studiat cu voi egiptenii de la 4 noiembrie la 2 de¬cembrie, îmi zise. Singur ai ales să scrii despre ei la lucrarea facultativă de control. Vrei să auzi ce-ai scris?
― Nu, domnule profesor, nu face, i-am răspuns.
Cu toate astea, începu să citească. Nu poţi opri niciodată un profesor să facă un anumit lucru, dacă s-a hotărît să-l facă. Oricum, face tot ce vrea el!
Egiptenii sînt o rasă veche de caucazieni care locuiesc într-una din regiunile din nordul Africii. Africa, după cum ştim cu toţii, e cel mai mare continent în emisfera răsăriteană.
Şi eu eram obligat să stau şi s-ascult toate tîmpeniile astea! Zău că era urît din partea lui.
Pe noi, astăzi, egiptenii ne interesează din mai multe motive. Ştiinţa modernă n-a descoperit nici pînă azi ce substanţe misterioase întrebuinţau cînd îmbălsămau morţii, pentru ca feţele lor să nu putrezească secole la rînd. Această enigmă interesantă continuă să constituie o sfidare pentru ştiinţa modernă a secolului XX.
Se opri şi puse jos lucrarea. Începusem să-l urăsc!
― Eseul tău, ca să-i zicem aşa, se opreşte aici, spuse cît se poate de ironic. N-ai crede că un tip atît de bătrîn poate fi atît de ironic şi aşa mai departe. Apoi adăugă: Şi în josul paginii mi-ai scris şi mie cîteva cuvinte.
― Ştiu, ştiu, i-am răspuns precipitat, ca să-l opresc înainte de a-ncepe să citească.
Dar parcă mai putea cineva să-l oprească?! Ardea ca un fitil de dinamită.
Dragă domnule Spencer (citi el cu glas tare), asta e tot ce ştiu eu despre egipteni. Nu reuşesc să mă intereseze, cu toate că dumneavoastră predaţi foarte frumos. Să ştiţi totuşi că nu mă supăr dacă mă trîntiţi ― că în afară de engleză tot am picat la toate materiile. Cu stimă, al dumnea¬voastră, Holden Caulfield.
În sfîrşit, a pus jos lucrarea mea nenorocită şi mi-a arun¬cat o privire de parcă m-ar fi bătut măr la ping-pong sau mai ştiu eu ce. Cît oi trăi nu cred c-am să-l iert c-a citit cu glas tare toate rahaturile alea. Dacă le-ar fi scris el, eu unul nu i le-aş fi citit niciodată. Zău că nu. Şi, de fapt, nu-i scrisesem notiţa aia nenorocită decît ca să nu-i pară prea rău că mă trînteşte.
― Mă condamni că te-am trîntit, băiete? m-a întrebat el.
― Nu, domnule profesor, zău că nu! i-am răspuns eu.
Numai de-ar fi încetat naibii să-mi mai zică "băiete"!
”
”
J.D. Salinger (The Catcher in the Rye)
“
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.'
It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.'
'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold.
Where I slammed into an invisible wall.
I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me.
I reached a hand to the open air of the doorway. And met solid resistance.
'Tamlin,' I rasped.
But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale.
'Tamlin,' I said again, pushing against the wall.
He didn't turn.
I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake-
'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.'
He'd locked me in here.
I hit the shield again. Again.
Nothing.
'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.'
I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too.
He'd locked me in. He'd sealed me inside the house.
I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin.
Breathing became difficult.
I was trapped.
I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again-
I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate.
He'd trapped me in here; he'd locked me up.
I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains.
And then crushing black pounded down and rose up beneath, devouring and roaring and shredding.
It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself.
He'd trapped me; he'd trapped me; he'd trapped me-
I had to get out, because I'd barely escaped from another prison once before, and this time, this time-
Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out-
Someone was shouting my name from far away.
Alis- Alis.
But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air-
I couldn't get out; I couldn't get out; I couldn't get out-
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Celaena panted through her bared teeth as she yanked the pickax out of the overseer’s stomach. The man gurgled blood, clutching at his gut as he looked to the slaves in supplication. But one glance from Celaena, one flash of eyes that showed she had gone beyond the edge, kept the slaves at bay. She merely smiled down at the overseer as she swung the ax into his face. His blood sprayed her legs. The slaves still stayed far away when she brought down the ax upon the shackles that bound her ankles to the rest of them. She didn’t offer to free them, and they didn’t ask; they knew how useless it would be. The woman at the end of the chain gang was unconscious. Her back poured blood, split open by the iron-tipped whip of the dead overseer. She would die by tomorrow if her wounds were not treated. Even if they were, she’d probably die from infection. Endovier amused itself like that. Celaena turned from the woman. She had work to do, and four overseers had to pay a debt before she was done. She stalked from the mine shaft, pickax dangling from her hand. The two guards at the end of the tunnel were dead before they realized what was happening. Blood soaked her clothes and her bare arms, and Celaena wiped it from her face as she stormed down to the chamber where she knew the four overseers worked. She had marked their faces the day they’d dragged that young Eyllwe woman behind the building, marked every detail about them as they used her, then slit her throat from ear to ear. Celaena could have taken the swords from the fallen guards, but for these four men, it had to be the ax. She wanted them to know what Endovier felt like. She reached the entrance to their section of the mines. The first two overseers died when she heaved the ax into their necks, slashing back and forth between them. Their slaves screamed, backing against the walls as she raged past them. When she reached the other two overseers, she let them see her, let them try to draw their blades. She knew it wasn’t the weapon in her hands that made them stupid with panic, but rather her eyes—eyes that told them they had been tricked these past few months, that cutting her hair and whipping her hadn’t been enough, that she had been baiting them into forgetting that Adarlan’s Assassin was in their midst.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass #0.1–0.5, 1–7))
“
Truman is now considered one of our most successful presidents, rating in the top 10 in every historical survey.” Ironically, Truman’s greatest strength came from what was perceived, on April 12, 1945, as his greatest weakness: his ordinariness. As Jonathan Daniels wrote of Truman, “Americans felt leaderless when Roosevelt died. Truman taught them, as one of them, that their greatness lies in themselves.” Harry S. Truman died twenty years after leaving office, the day after Christmas in 1972, at age eighty-eight. Bess Truman followed ten years later, and they are buried next to each other in a courtyard of the
”
”
A.J. Baime (The Accidental President: Harry S. Truman and the Four Months That Changed the World)
“
The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below upon a doorstep. The misery with them all was clearly, that they sought to interfere, for good, in human matters, and had lost the power forever.
”
”
William J. Bennett (The Book of Virtues: A Treasury of Great Moral Stories)
“
Para a Allison
«Ela disse: "Perdoa-me por ser sonhadora." Ele pegou-lhe na mão e respondeu: "Perdoa-me por não ter estado aqui mais cedo para sonhar contigo."» - J. Iron Word
Obrigado por tornares todos os meus sonhos realidade.
O teu amor,
Reed
”
”
Penelope Ward (Hate Notes)
“
[W]e are NOT running out of resources. We are running out of ingenuity. We are using less than a quadrillionth of the resources of this planet. Geomorphologists point out that when you look at Earth from space, “few if any natural landforms on Earth bear the unmistakable mark of life.” There is 1.097 sextillion cubic meters of rock, magma, and iron beneath our feet. (1,097,509,500,000,000,000,000) That’s over a sextillion-cubic-meter stock of raw materials we haven’t yet learned to use. We haven’t yet learned to turn that sextillion-cubic-meter stockpile into fuel, food, or energy.
”
”
Steven J. Dick (Cosmos & Culture: Cultural Evolution in a Cosmic Context)