Odette Quotes

We've searched our database for all the quotes and captions related to Odette. Here they are! All 100 of them:

It's easy to lose sight of what's real when you're lost in the stars.
Renée Ahdieh (The Beautiful (The Beautiful, #1))
An hour or so later he received a note from Odette. Swann had left his cigarette case at her house. "If only," she wrote, "you had also forgotten your heart! I should never have let you have it back.
Marcel Proust
It takes bravery to be an adventurer,” Odette said, lifting her drink and walking away. “And what better adventure than the discovery of our true selves?
Holly Black (Book of Night (Book of Night, #1))
He had danced with fair maidens before, but Odette was different. She was graceful and beautiful, but there was something in her eyes and in the things she said, an intelligence and a boldness that belied her quiet demeanor.
Melanie Dickerson (The Huntress of Thornbeck Forest (A Medieval Fairy Tale, #1))
Maybe books are a strange form of human sorcery. For how else can a story feel so satisfying and agonizing at the same time?
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
The world needs more people like you, Odette." She smiled to lighten the mood."And you, Jorgen Hortman.
Melanie Dickerson (The Huntress of Thornbeck Forest (A Medieval Fairy Tale, #1))
My own parents and grandparents came to the United States as refugees from Nazism. They came with stories similar to Odette's ...
Philip Gourevitch (We Wish to Inform You That Tomorrow We Will Be Killed with Our Families)
The interior of the animal was much as one would expect: close and dark and damp, with an odd smell. It was rather, Odette thought, like trying to enter a really popular nightclub on New Year’s Eve.
Daniel O'Malley (Stiletto (The Checquy Files, #2))
Yes, it’s worth it. The good and the bad. It’s the story as a whole that matters.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
Odette nodded at my notebook, where I was writing as she spoke. 'Do the people in America really want to read this? People tell me to write these things down, but it's written inside of me. I almost hope for the day when I can forget.
Philip Gourevitch (We Wish to Inform You That Tomorrow We Will Be Killed with Our Families)
But now, like a fallen sparrow On a golden chain, I'm forever bound in shadow, A prisoner to my pain.
Walter Dean Myers (Amiri & Odette: A Love Story)
You make me feel the way books do.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
You're a tool, to be used and directed for the good of the people. Sometimes you'll be a scalpel, cutting out disease. Sometimes you'll be a sword, and you'll take on threats with all the strength you can muster. And sometimes, Odette, you'll be a stiletto, a hidden weapon that slides quietly into the heart.
Daniel O'Malley (Stiletto (The Checquy Files, #2))
It was true that Odette played vilely, but often the most memorable impression of a piece of music is one that has arisen out of a jumble of wrong notes struck by unskilful fingers upon a tuneless piano.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
There is no way this conversation is not going to get horrible, thought Odette. No situation is improved by the presence of a gigantic anus. At
Daniel O'Malley (Stiletto (The Checquy Files, #2))
That’s the ugliest dress in the whole world.” Odette replied, “My grandmama made it for me. She’s real good at sewin’, but she’s blind.” She popped another piece of candy into her mouth and added, “This ain’t the ugliest dress in the world. I’m gonna wear that one tomorrow.
Edward Kelsey Moore (The Supremes at Earl's All-You-Can-Eat)
. Even Proust—there’s a famous passage where Odette opens the door with a cold, she’s sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so—the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting’s blotchy cheeks. Even through a copy Proust was able to re-dream that image, re-shape reality with it, pull something all his own from it into the world. Because—the line of beauty is the line of beauty. It doesn’t matter if it’s been through the Xerox machine a hundred times.
Donna Tartt (The Goldfinch)
Believe in yourself. That's real magic.
Odette Beane (Reawakened (Once Upon a Time, #1))
Magic is like silver cutlery, Ebony, you only bring it out to either impress, or stab, important guests.
Odette C. Bell (Witch's Bell 1 (Witch's Bell, #1))
There’s no room for me, not when society has already decided who and what I should be. A daughter. A woman. A wife-in-training. Quiet. Demure. Chaste.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
I am studying to become a detective, yet I cannot solve my own mystery. –Collei Odette, Devious
Hunter Miller
But the presence of Odette continued to sow in Swann's heart alternate seeds of love and suspicion.
Marcel Proust (Swann's Way)
Her [Odette's] eyes were beautiful, but so large they seemed to droop beneath their own weight, strained the rest of her face and always made her appear unwell or in a bad mood.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
It never failed to surprise Odette how white people were always going on about uplifting Aboriginal people, yet they would demand information about the old ways when it suited them.
Tony Birch (The White Girl)
Elle lui demanda en quoi un jour de pluie pouvait être beau : il lui énuméra les nuances de couleurs que prendraient le ciel, les arbres et les toits lorsqu'ils se promèneraient tantôt, de la puissance sauvage avec laquelle leur apparaîtrait l'océan, du parapluie qui les rapprocherait pendant la marche, de la joie qu'ils auraient à se réfugier ici pour un thé chaud, des vêtements qui sécheraient auprès du feu, de la langueur qui en découlerait, de l'opportunité qu'ils auraient de faire plusieurs fois l'amour, du temps qu'ils prendraient à se raconter leur vie sous les draps du lit, enfants protégés par une tente de la nature déchaînée...
Éric-Emmanuel Schmitt (Odette Toulemonde et autres histoires)
A little old lady came walking by with two Scottie dogs in little tartan coats. She sat down on the bench by Odette and silently took her hand. Nothing was said between them, but they held hands until Odette ran out of tears. The lady gave her a clean handkerchief, and Odette mumbled something thankful.
Daniel O'Malley (Stiletto (The Checquy Files, #2))
I suggest you marry Jorgen Hartman. In fact, I strongly suggest it.” Odette looked at Jorgen. He looked back at her. By his wide eyes and open mouth, he had not expected the margrave to say that any more than she had. She
Melanie Dickerson (The Huntress of Thornbeck Forest (A Medieval Fairy Tale #1))
But doesn't love cause too much pain?" she said. "To be worth it?" "It causes pain, indeed," Grumpy said. "But it's worth it. It's a good pain.
Odette Beane (Reawakened (Once Upon a Time, #1))
Sometimes life is just messy no matter what you do," she [Emma] said.
Odette Beane (Reawakened (Once Upon a Time, #1))
Sometimes things weren’t all that complicated. We just make them complicated in order to hide from them. “I’m
Odette Beane (Reawakened: A Once Upon a Time Tale)
Good God! Think of listening to Wagner for a whole fortnight with a woman who takes about as much interest in music as a tone-deaf newt - that would be fun!
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
For Swann was finding in things once more, since he had fallen in love, the charm that he had found when, in his adolescence, he had fancied himself an artist; with this difference, that what charm lay in them now was conferred by Odette alone.
Marcel Proust (Swann's Way)
You see, I want love from someone who knows me inside and out. Not someone who sees my past as a string of follies, but as building blocks that have made me who I am now. And the man who loves me will not ask me to hide, ignore, or keep any part of me or my past under lock and key. He will love me just as I am.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
Perhaps that’s why I choose to disappear into books. It’s a place where I can feel seen for who I am and everything I’ve been through. Where I’m not judged for the things I’ve done or the messes I’ve made. And in these books, I can give myself the ending that was stolen from me. The ending I no longer believe exists in real life.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
I think I’m in love with you,” I blurted out. His eyes crinkled as he smiled. “That’s good.” “That’s good?” Disbelief traced my voice. “That’s all you got?” “I’ve been in love with you for months. So, yeah, it’s good that you finally ’think’ you’re in love with me.
Odette Stone (Home Game (Vancouver Wolves Hockey, #2))
Ember, I’m tired of pretending. I never want to spend a moment faking anything with you ever again, not even for the sake of public opinion. I want it to be real. I want to show everyone this is real
Tessonja Odette (Heart of the Raven Prince (Entangled with Fae, #2))
It was with an unusual intensity of pleasure, a pleasure destined to have a lasting effect on him, that Swann remarked Odette's resemblance to the Zipporah of that Alessandro de Mariano to whom more people willingly give his popular surname, Botticelli, now that it suggests not so much the actual work of the Master as that false and banal conception of it which has of late obtained common currency.
Marcel Proust (In Search of Lost Time)
„But I hate her,” protested Odette. “Oh, I’m sure you think you do,” said Marcel cheerfully, “but you’re still young. It takes decades to really hate someone.” Odette sighed heavily. “I’ll tell you what, if, after fifteen years, you still think you hate her, we’ll do something about it.
Daniel O'Malley (Stiletto (The Checquy Files, #2))
Quando Odette deixasse de ser para ele uma criatura sempre ausente, cobiçada, imaginária, quando o sentimento que ele tinha por ela não fosse mais aquela mesma perturbação misteriosa que lhe causava a frase da sonata e sim afeto, reconhecimento, quando se estabelecessem entre ambos relações normais que poriam fim à loucura e à tristeza dele, então sem dúvida os atos da vida de Odette lhe pareceriam si mesmos pouco interessantes.
Marcel Proust (Un amour de Swann (À la recherche du temps perdu, #1.2))
And then, while she was making them some orangeade, suddenly, just as when the reflector of a lamp that is badly fitted begins by casting all round an object, on the wall beyond it, huge and fantastic shadows which, in time, contract and are lost in the shadow of the object itself, all the terrible and disturbing ideas which he had formed of Odette melted away and vanished in the charming creature who stood there before his eyes.
Marcel Proust (Swann's Way)
He stood gazing at her; traces of the old fresco were apparent in her face and limbs, and these he tried incessantly, afterwards, to recapture, both when he was with Odette, and when he was only thinking of her in her absence; and, albeit his admiration for the Florentine masterpiece was probably based upon his discovery that it had been reproduced in her, the similarity enhanced her beauty also, and rendered her more precious in his sight.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Odette gave a small smile, like the kiss J. M. Barrie talked about in Peter Pan. That was one of the first things Rin had thought when she’d first met Odette; the kiss that girls hold on to and won’t give to the world except the soul who matches theirs. Odette had been familiar even as a stranger.
J.R. Dawson (The First Bright Thing)
Embora Swann nunca se tivesse considerado seriamente ameaçado pela amizade de Odette por esse ou aquele fiel, sentira uma profunda doçura ao ouvi-la admitir assim diante de todos, com aquele tranquilo despudor, seus encontros cotidianos de cada noite, a situação privilegiada que ele ocupava em sua casa e a preferência por ele que ali estava implícita.
Marcel Proust (Un amour de Swann (À la recherche du temps perdu, #1.2))
Mother said we had reached the Age of Reason and had to be good now. We must have because we wanted Willy Starr instead.
Marie Clair (Undone: Odette, Elle & me)
I want love from someone who knows me inside and out. Not someone who sees my past as a string of follies, but as building blocks that have made me who I am now.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
Evidence doesn't always lead us to the truth," he [August] said.
Odette Beane (Reawakened (Once Upon a Time, #1))
Quand j'étais petite, je gardais les vaches; maintenant ce sont elles qui me gardent…
Jerrard Tickell (Odette)
Memories are like broken glass," I say. "They only hurt if you touch them.
Tessonja Odette (A Rivalry of Hearts (Fae Flings and Corset Strings, #1))
Are we kindred spirits who understand one another? Two souls cut from the same cloth? Or are we two volatile components that should never be combined?
Tessonja Odette (Kiss of the Selkie (Entangled with Fae, #3))
I have to marry a monster.
Tessonja Odette (To Carve a Fae Heart (The Fair Isle Trilogy, #1))
Guys don’t read instructions,” I reiterated. “No, the girls do and then we tell you what to do,
Odette Stone (Home Game (Vancouver Wolves Hockey, #2))
All I wanted was to be alone and grieve, and everyone else just wanted me back to normal.
Tessonja Odette (Heart of the Raven Prince (Entangled with Fae, #2))
Maybe it doesn’t have to last forever to be real.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
Give me chastity and constancy, but not yet." St. Augustine. "Amen" Odette
Marie Clair (Undone: Odette, Elle & me)
To feel nothing is not a life worth living.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
He asked her how she felt about the Germans, and she said, “I hate them. I mean that I hate Nazis. For the Germans, oddly enough, I have pity.” “I thought you might separate Germans and Nazis. It was not the Nazis but the Germans who killed your father.” Odette blinked. Jepson had done his homework. She looked at the captain. “Yes, but they were driven then as they are driven now. I think the Germans are very obedient and very gullible. Their tragedy—and Europe’s—is that they gladly allow themselves to be hoodwinked into believing evil to be good.
Larry Loftis (Code Name: Lise)
... Odette seemed a fascinating and desirable woman, the attraction which her body held for him had aroused a painful longing to secure the absolute mastery of even the tiniest particles of her heart.
Marcel Proust
Perhaps that’s why I choose to disappear into books. It’s a place where I can feel seen for who I am and everything I’ve been through. Where I’m not judged for the things I’ve done or the messes I’ve made.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
Bone-white moths drop one by one to cover cuts on Odette's legs and obscure mud-water splotches patterning her skirts. They rest at the bases of her fingers like heaving white jewels on rings lighter than air.
Camille Alexa (Imaginarium 2012: The Best Canadian Speculative Writing (The Imaginarium Series))
He recognised that all the period of Odette's life which had elapsed before she first met him, a period of which he had never sought to form any picture in his mind, was not the featureless abstraction which he could vaguely see, but had consisted of so many definite, dated years, each crowded with concrete incidents. But were he to learn more of them, he feared lest her past, now colourless, fluid and supportable, might assume a tangible, an obscene form, with individual and diabolical features. And he continued to refrain from seeking a conception of it, not any longer now from laziness of mind, but from fear of suffering.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
For in this way Swann was kept in the state of painful agitation which had once before been effective in making his interest blossom into love, on the night when he had failed to find Odette at the Verdurins' and had haunted for her all evening. And he did not have (as I had, afterward, at Combray in my childhood) happy days in which to forget the sufferings that would return with the night. For his days, Swann must pass them without Odette; and as he told himself, now and then, to allow so pretty a woman to go out by herself in Paris was just as rash as to leave a case filled with jewels in the middle of the street. In this mood he would scowl furiously at the passers-by, as though they were so many pick-pockets. But their faces - a collective and formless mass - escaped the grasp of his imagination, and so failed to feed the flame of his jealousy.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Saints Above, why am I so on edge today? As if in answer, my gaze is drawn to the tea table in front of the couch, where a well-worn book rests, taunting me. Oh, that’s right. Because I’m out of reading material. Again.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
If the past few months have taught me anything, it’s that friendship is a smoke screen. The people you think are solid turn out to be mirrors and light; and then you look down and realize there are others you took for granted, those who are your foundation. A year ago, I would have told you that Corinne and I were close, but that turned out to be proximity instead of connection. We were default acquaintances, buying each other Christmas gifts and going out for tapas on Thursday nights not because we had so much in common, but because we worked so hard and so long that it was easier to continue our shorthand conversation than to branch out and teach someone else the language. Odette
Jodi Picoult (Small Great Things)
Odette, because of you, I laugh, I smile, and I dare to dream of a future that is worthy of poets. The reasons that brought us together weren’t the best or the most romantic, but I am glad for them nevertheless, and I swear to you that from now until the day I die, your dreams are my dreams. Your joy is my joy. Your pain is my pain, and I will never betray you. You are now my body, my mind, my soul, and my heart. You are my sun, my moon, and all of my stars.
J.J. McAvoy (The Prince’s Bride Part 1 (The Prince's Bride, #1))
Keahi: I didn’t save you, Odette. I won’t take credit for it. You saved yourself, and you saved me. Odete: So am I the princess or the hero? Keahi: I don’t see why the princess can’t be the hero. Princesses are pretty heroic, after all.
Tovaley B. Kysel (The Scion Princess (The Scion Society #1))
My lord,” she said quickly, “I must first ask a question. Why would you have your forester marry me? Should you not allow him to choose?” “He has already chosen.” The margrave’s voice was cool and expressionless. “He wishes to marry you. And I wish to grant him his desire—if you are as worthy as he thinks you are.” Jorgen was still red faced, but he was staring at her with that vulnerable look she could never resist, the look that was melting her heart. “Marry me, Odette.” Her
Melanie Dickerson (The Huntress of Thornbeck Forest (A Medieval Fairy Tale #1))
He suffered greatly from being shut up among all these people whose stupidity and absurdities wounded him all the more cruelly since, being ignorant of his love, incapable, had they known of it, of taking any interest, or of doing more than smile at it as at some childish joke, or deplore it as an act of insanity, they made it appear to him in the aspect of a subjective state which existed for himself alone, whose reality there was nothing external to confirm; he suffered overwhelmingly, to the point at which even the sound of the instruments made him want to cry, from having to prolong his exile in this place to which Odette would never come, in which no one, nothing was aware of her existence, from which she was entirely absent.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
This compulsion to an activity without respite, without variety, without result was so cruel that one day, noticing a swelling over his stomach, he felt an actual joy in the idea that he had, perhaps, a tumor that would prove fatal, that he need not concern himself with anything further, since it was this malady that was going to govern his life, to make a plaything of him, until the not-distant end. If indeed, at his period, it often happened that, though without admitting it even to himself, he longed for death, it was in order to escape not so much from the keenness of his sufferings as from the monotony of his struggle.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
It was true that Swann had often reflected that Odette was in no way a remarkable woman, and there was nothing especially flattering in seeing the supremacy he wielded over someone so inferior to himself proclaimed to all the “faithful”; but since he had observed that to many other men besides himself Odette seemed a fascinating and desirable woman, the attraction which her body held for them had aroused in him a painful longing to secure the absolute mastery of even the tiniest particles of her heart.
Marcel Proust (In Search of Lost Time: The Complete Masterpiece)
When Odette ceased to be for him a creature always absent, longed for, imaginary, when the feeling he had for her was no longer the same mysterious disturbance caused in him by the phrase from the sonata, but affection, gratitude, when normal relations were established between them that would put an end to his madness and his gloom, then no doubt the actions of Odette's daily life would appear to him of little interest in themselves... (p. 302, In Search of Lost Time Vol. 1 The Way by Swann's, Lydia Davis translation)
Marcel Proust
It was not only Odette's indifference, however, that he must take pains to circumvent; it was also, not infrequently, his own; feeling that, since Odette had had every facility for seeing him, she seemed no longer to have very much to say to him when they did meet, he was afraid lest the manner - at once trivial, monotonous, and seemingly unalterable - which she now adopted when they were together should ultimately destroy in him that romantic hope, that a day might come when she would make avowal of her passion, by which hope alone he had become and would remain her lover.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
... le prime cose che Hélène percepiva nella gente erano la mediocrità, la meschinità, la vigliaccheria, la gelosia, l'insicurezza, la paura; forse perché quei sentimenti erano presenti in lei, li individuava subito negli altri. Antoine invece era portato ad attribuire al prossimo intenzioni nobili, motivazioni di valore, ideali, come se non avesse mai sollevato il coperchio di un'anima per scoprire fino a che punto puzzava e brulicava di vermi.
Éric-Emmanuel Schmitt (The Most Beautiful Book in the World: Eight Novellas)
...he used to speak of how with very great paintings it's possible to know them deeply, inhabit them almost, even through copies. Even Proust -- there's a famous passage where Odette opens the door with a cold, she's sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so -- the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting's blotchy cheeks. Even through a copy Proust was able to re-dream the image, re-shape reality with it, pull something all his own from it into the world. Because -- the line of beauty is the line of beauty. It doesn't matter if it's been through the Xerox machine a hundred times.
Donna Tartt (The Goldfinch)
From that evening, Swann understood that the feeling which Odette had once had for him would never revive, that his hopes of happiness would not be realised now. And the days on which, by a lucky chance, she had once more shewn herself kind and loving to him, or if she had paid him any attention, he recorded those apparent and misleading signs of a slight movement on her part towards him with the same tender and sceptical solicitude, the desperate joy that people reveal who, when they are nursing a friend in the last days of an incurable malady, relate, as significant facts of infinite value: "Yesterday he went through his accounts himself, and actually corrected a mistake that we had made in adding them up; he ate an egg to-day and seemed quite to enjoy it, if he digests it properly we shall try him with a cutlet to-morrow,"--although they themselves know that these things are meaningless on the eve of an inevitable death.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
In Swann's mind, however, these words, meeting no opposition, settled and hardened until they assumed the indestructibility of a truth so indubitable that, if some friend happened to tell him that he had come by the same train and had not seen Odette, Swann would have been convinced that it was his friend who had made a mistake as to the day or hour, since his version did not agree with the words uttered by Odette. These words had never appeared to him false except when, before hearing them, he had suspected that they were going to be. For him to believe that she was lying, and anticipatory suspicion was indispensable.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
They were, of the unknown and potential happiness of life, an illustration so delicious and in so perfect a state that it was almost for intellectual reasons that I was desperate with the fear that I might not be able to make, in unique conditions which left no room for any possibility of error, proper trial of what is the most mysterious thing that is offered to us by the beauty which we desire and console ourselves for never possessing, by demanding pleasure—as Swann had always refused to do before Odette’s day—from women whom we have not desired, so that, indeed, we die without having ever known what that other pleasure was.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
... he would not have believed the suggestion, nor would he have been greatly distressed by the thought that people supposed her to be attached to him, that people felt them , to be united by any ties so binding as those of snobbishness or wealth. But even if he had accepted the possibility, it might not have caused him any suffering to discover that Odette's love for him was based on a foundation more lasting than mere affection, or any attractive qualities which she might have found in him; on a sound, commercial interest; an interest which would postpone for ever the fatal day on which she might be tempted to bring their relations to an end.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
He rewarded me with another one of his brain-melting smiles. The kind of smile that the sun was born from.
Odette Stone (My Donut Princess)
You’re more than a princess to me. You’re my Maisie. My selkie. My temptress. You’ve tempted my heart from my chest, set it beating again, made me think it was worthy of beating again.
Tessonja Odette (Kiss of the Selkie (Entangled with Fae, #3))
He extends his arms. “The real me.” I raise a brow. “I thought the real you preferred to wear only trousers and a shirt.” “The real me prefers to be stark naked,” he says with a wink
Tessonja Odette (Heart of the Raven Prince (Entangled with Fae, #2))
He made what apology he could and hurried home, overjoyed that the satisfaction of his curiosity had preserved their love intact, and that, having feigned for so long, when in Odette's company, a sort of indifference, he had not now, by a demonstration of jealousy, given her that proof of the excess of his own passion which, in a pair of lovers, fully and finally dispenses the recipient from the obligation to love the other enough. He never spoke to her of this misadventure, he cased even to think of it himself. But now and then his thoughts in their wandering course would come upon this memory where it lay unobserved, would startle it into life, thrust it more deeply down into his consciousness, and leave him aching with a sharp, far-rooted pain.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Ele só teve um momento de frieza, com o Dr. Cottard: vendo-o piscar o olho e sorrir-lhe com um ar ambíguo antes que se tivessem falado (mímica que Cottard chamava de "deixar fluir"), Swann acreditou que o médico o conheci sem dúvida por ter estado com ele em algum lugar de prazer, embora ele mesmo os frequentasse muito pouco, nunca tendo vivido no mundo da farra. Considerando a alusão de mau gosto, sobretudo na presença de Odette, que poderia fazer dele uma ideia falsa, simulou um ar glacial. Mas quando soube que a dama que se encontrava a seu lado era a sra. Cottard, pensou que um marido tão jovem não teria pensado em fazer alusão, diante de sua mulher, a divertimento desse tipo, e deixou de atribuir ao ar cúmplice do médico o significado que temia.
Marcel Proust (Un amour de Swann (À la recherche du temps perdu, #1.2))
if, when Odette wished to go for a walk, in the morning, along the Avenue du Bois-de-Boulogne, his duty as a good husband had obliged him, though he had no desire to go out, to accompany her, carrying her cloak when she was too warm; and in the evening, after dinner, if she wished to stay at home, and not to dress, if he had been forced to stay beside her, to do what she asked;
Marcel Proust (In Search of Lost Time [volumes 1 to 7] (XVII Classics) (The Greatest Writers of All Time))
He made what apology he could and hurried home, glad that the satisfaction of his curiosity had preserved their love intact, and that, having feigned for so long a sort of indifference towards Odette, he had not now, by his jealousy, given her the proof that he loved her too much, which, between a pair of lovers, for ever dispenses the recipient from the obligation to love enough. He
Marcel Proust (In Search of Lost Time: The Complete Masterpiece)
As it had been with Dreyfusism, so it was with the marriage of Saint-Loup and Odette’s daughter, a marriage people protested against at first. Now that people met everyone they knew at the Saint-Loups’, Gilberte might have had the morals of Odette herself, people would have gone there just the same and would have agreed with Gilberte in condemning undigested moral novelties like a dowager-duchess.
Marcel Proust (Time Regained [In Search of Lost Time vol. 7])
But the lies which Odette ordinarily told were less innocent, and served to prevent discoveries which might have involved her in the most terrible difficulties with one or another of her friends. And so, when she lied, smitten with fear, feeling herself to be but feebly armed for her defence, unconfident of success, she was inclined to weep from sheer exhaustion, as children weep sometimes when they have not slept. She knew, also, that her lie, as a rule, was doing a serious injury to the man to whom she was telling it, and that she might find herself at his mercy if she told it badly. Therefore she felt at once humble and culpable in his presence. And when she had to tell an insignificant, social lie its hazardous associations, and the memories which it recalled, would leave her weak with a sense of exhaustion and penitent with a consciousness of wrongdoing.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
wondering whether the human race would ever grow up. What kind of a creature would be so crass in the face of such violence? What kind of fool would stand in a place so dark, trying to catch a glimpse of something even darker?
Odette C. Bell (Witch's Bell 1 (Witch's Bell, #1))
Parfois, j'en viens à souhaiter qu'arrive très vite le jour où ma mère sera redevenue un nouveau-né pour que je la serre dans mes bras. Je lui dirais enfin combien je l'aime. Un baiser d'adieu pour moi. Pour elle un baiser de bienvenue...
Éric-Emmanuel Schmitt (Одетта. Восемь историй о любви (Азбука-бестселлер) (Russian Edition))
You were in the trunk while they —” This time, Gentry closed his eyes. “Please. I’m going to have flashbacks. I don’t want flashbacks.” Sophie couldn’t contain their amusement any longer and broke out into laughter. “Odette, you naughty girl!” “I didn’t know he was back there!” She didn’t turn around. Odette didn’t want to see the look on Sophie’s face. “If I did, I wouldn’t have climbed into Keahi’s lap in the first place!” “Okay!,” Gentry said. “I don’t need visuals, either.
Tovaley B. Kysel (The Scion Princess (The Scion Society #1))
En effet l'écart que le vice mettait entre la vie réelle d'Odette et la vie relativement innocente que Swann avait cru, et bien souvent croyait encore, que menait sa maitresse, cet écart, Odette en ignorait l'étendue, un être vicieux, affectant toujours la même vertu devant les êtres de qui il ne veut pas que soient soupçonnés ses vices, n'a pas de contrôle pour se rendre compte combien ceux-ci, dont la croissance continue est insensible pour lui-même, l'entrainent peu à peu loin des façons de vivre normales.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Every young woman dreams of marrying a royal. A king, a prince, it doesn’t matter, so long as he’s richer than sin and handsome enough to fake a smile at. What else could a girl ask for? Well, a working brain, for starters. And I do suggest all young women have one of those.
Tessonja Odette (To Carve a Fae Heart (The Fair Isle Trilogy, #1))
My life in the kitchen began with my grandmother in the village of Champvert in the Tarn-et-Garonne department of southwestern France, the town so small you'd need a magnifying glass to find it on the map. I'd sit on a tall wooden stool, wide-eyed, watching Grand-mère Odette in her navy-blue dress and black ballerina flats, her apron adorned with les coquelicots (wild red poppies), mesmerized by the grace with which she danced around her kitchen, hypnotized by all the wonderful smells- the way the aromas were released from the herbs picked right from her garden as she chopped, becoming stronger as she set them in an olive oiled and buttered pan. She'd dip a spoon in a pot or slice up an onion in two seconds, making it look oh so easy, and for her it was. But my favorite part was when she'd let me taste whatever delight she was cooking up, sweet or savory. I'd close my eyes, lick my lips, and sigh with happiness. Sometimes Grand-mère Odette would blindfold me, and it wasn't long before I could pick out every ingredient by smell. All the other senses came to me, too- sight (glorious plating), taste (the delight of the unknown), touch (the way a cherry felt in my hand), and hearing (the way garlic sizzled in the pan).
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux #1))
Maussade, elle regardait la pluie s'abatter sur la forêt landaise. - Quel sale temps! - Tu te trompes, ma chérie. - Quoi? Viens mettre le nez dehors. Tu verras à quel point le ciel dégouline! - Justement. Il s'avança sur la terrasse, approcha du jardin à la limite des gouttes et, narines gonflées, oreilles dressées, nuque renversée pour mieux sentir le souffle humide sur sa figure, il murmura les yeux mi-clos en reniflant le ciel mercure: - C'est un beau jour de pluie. Il semblait sincère. Ce jour-là, elle acquit deux certitudes définitives: il l'agaçait profondément et, si elle le pouvait, elle ne le quitterait jamais.
Éric-Emmanuel Schmitt (Odette Toulemonde et autres histoires)
Then we’ll learn to treat our kisses with respect. We’ll learn to only come together in kindness.” “It’s still dangerous. I’m dangerous. I’ll always be deadly.” A corner of his mouth lifts. “I already told you. I like a little danger.” The heat in his voice has my stomach doing a flip. My heart pounds, warm with relief. Exhilaration. Love.
Tessonja Odette (Kiss of the Selkie (Entangled with Fae, #3))
What agony he suffered as he watched that light, in whose golden atmosphere were moving, behind the closed sash, the unseen and detested pair, as he listened to that murmur which revealed the presence of the man who had crept in after his own departure, the perfidy of Odette, and the pleasures which she was at that moment tasting with the stranger. And yet he was not sorry that he had come; the torment which had forced him to leave his own house had lost its sharpness when it lost its uncertainty, now that Odette's other life, of which he had had, at that first moment, a sudden helpless suspicion, was definitely there, almost within his grasp, before his eyes, in the full glare of the lamp-light, caught and kept there, an unwitting prisoner, in that room into which, when he would, he might force his way to surprise and seize it; or rather he would tap upon the shutters, as he had often done when he had come there very late, and by that signal Odette would at least learn that he knew, that he had seen the light and had heard the voices; while he himself, who a moment ago had been picturing her as laughing at him, as sharing with that other the knowledge of how effectively he had been tricked, now it was he that saw them, confident and persistent in their error, tricked and trapped by none other than himself, whom they believed to be a mile away, but who was there, in person, there with a plan, there with the knowledge that he was going, in another minute, to tap upon the shutter. And, perhaps, what he felt (almost an agreeable feeling) at that moment was something more than relief at the solution of a doubt, at the soothing of a pain; was an intellectual pleasure.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
You remember that thing you said about pasta being the only thing that matter?” Charlie said. “What did you mean?” “Did I say that?” Odette looked surprised. “Well, if I did, I suppose I must have meant it exactly as it sounds.” “Isn’t who we are today what counts?” Charlie didn’t know why she was pressing this point, since she wasn’t particularly happy with the person she was today. And Odette had been talking about Vince when she’d said it, not Charlie. Odette laughed. “Sure, honey.” “Isn’t that the point of reinventing ourselves?” Charlie asked. Odette took a second sip of her drink and closed her eyes in pleasure. “Ah, yes, that’s good.” Then she fixed Charlie with a look that made her remember that Odette had lived longer than she had and maybe lived harder too. “Who we were and what we did and what was done to us—we don’t get to shrug that stuff off and become some new shiny person.” Charlie raised her eyebrows. “We can try.
Holly Black (Book of Night (Book of Night, #1))
You remember that thing you said about the past being the only thing that matters?” Charlie said. “What did you mean?” “Did I say that?” Odette looked surprised. “Well, if I did, I suppose I must have meant it exactly as it sounds.” “Isn’t who we are today what counts?” Charlie didn’t know why she was pressing this point, since she wasn’t particularly happy with the person she was today. And Odette had been talking about Vince when she’d said it, not Charlie. Odette laughed. “Sure, honey.” “Isn’t that the point of reinventing ourselves?” Charlie asked. Odette took a second sip of her drink and closed her eyes in pleasure. “Ah, yes, that’s good.” Then she fixed Charlie with a look that made her remember that Odette had lived longer than she had and maybe lived harder too. “Who we were and what we did and what was done to us—we don’t get to shrug that stuff off and become some new shiny person.” Charlie raised her eyebrows. “We can try.
Holly Black (Book of Night (Book of Night, #1))
You’re a fiend! You enjoy torturing me, making me tell you lies, just so that you’ll leave me in peace.” This second blow was even more terrible for Swann than the first. Never had he supposed it to have been so recent an event, hidden from his eyes that had been too innocent to discern it, not in a past which he had never known, but in the course of evenings which he so well remembered, which he had lived through with Odette, of which he had supposed himself to have such an intimate, such an exhaustive knowledge, and which now assumed, retrospectively, an aspect of ugliness and deceit. In the midst of them, suddenly, a gaping chasm had opened: that moment on the island in the Bois de Boulogne. Without being intelligent, Odette had the charm of naturalness. She had recounted, she had acted the little scene with such simplicity that Swann, as he gasped for breath, could vividly see it: Odette yawning, the “rock, there,” . . . He could hear her answer—alas, how gaily—“I’ve heard that tale before!
Marcel Proust (Swann's Way (In Search of Lost Time, #1))
Charlie Hall!” José called. “Long time. You don’t like us anymore?” He was standing in a little knot with Katelynn and Suzie Lambton, who had made that comment to Doreen about Charlie being like the devil. “Have you heard from him?” José demanded as she approached. He worked at a tiny gay bar called Malebox, where he’d met his ex, the one who’d moved to Los Angeles for a guy and stuck Charlie with double shifts. Charlie shook her head. “But Odette might have an address to send his last check on file, if you want to send him a haunted object or something. Or there’s a service that ships packages filled with glitter to your enemies. They don’t call it the herpes of crafting for nothing.” He gave her a wan smile but was clearly sunk in misery. “He’s probably basking in the sun, happy, eating avacodos off the trees in his backyard, having sex with a hot surfer every night. Meanwhile I will never find love.” “I told you,” Katelynn said, “I’ll fix you up with my cousin.” “Isn’t he the one who ate a dead moth off the bathroom floor?” José raised his eyebrows. “As a child! You can’t hold that against him,” Katelynn protested. “I should just get a gloom to cut my feelings right out of me,” José declared dramatically. “Maybe then I’d be happy.” “You can’t be happy without feelings,” Katelynn said, pedantic to the end.
Holly Black (Book of Night (Book of Night, #1))
I’m not much of a princess.” His lips curl at one corner. “And I’m not much of a saint. You’re more than a princess to me. You’re my Maisie. My selkie. My temptress. You’ve tempted my heart from my chest, set it beating again, made me think it was worthy of beating again. I’ve kept myself from you as much as I can. From the start, you stirred something inside me, a rebellious fire, desires I wasn’t supposed to have. Not for you. Not for anyone. When I agreed to the competition, I harbored no hopes that I could fall in love in the span of a week. I’d resigned myself to a loveless marriage for convenience’s sake alone. I didn’t think it would matter who I was paired with, so long as I was given the means to provide for my sisters. But then I met you…
Tessonja Odette (Kiss of the Selkie (Entangled with Fae, #3))