Elysium Quotes

We've searched our database for all the quotes and captions related to Elysium. Here they are! All 100 of them:

Artemis smiled. "You have done well, my lieutenant. You have made me proud, and all those Hunters who perished in my service will never be forgotten. They will achieve Elysium, I am sure." She glared pointedly at Hades. He shrugged. "Probably." Artemis glared at him some more. Okay," Hades grumbled. "I'll streamline their application process.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
In imagination she sailed over storied seas that wash the distant shining shores of "faëry lands forlorn," where lost Atlantis and Elysium lie, with the evening star for pilot, to the land of Heart's Desire. And she was richer in those dreams than in realities; for things seen pass away, but the things that are unseen are eternal.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
I'd tell you to say hello to Jason from me, but he'll be in Elysium. You . . . won't.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
How many Elysiums have you been to?" "Three," I said immediately. "At least...this will be my third one." "And how many Elysiums do you think I've been to?" "Um. More than three?" "I do appreciate your gift for the understatement.
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
... What do you want, Ash?" "Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her." I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium. "Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin. "This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself." "Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough." "Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die." "Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face. "I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone. "So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?" I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
Julie Kagawa (The Iron King (The Iron Fey, #1))
― The Viking Prayer “Lo, there do I see my father. Lo, there do I see my mother, and my sisters, and my brothers. Lo, there do I see the line of my people, Back to the beginning! Lo, they do call to me. They bid me take my place among them, In the halls of Valhalla! Where the brave may live forever!
Michael Alexander (Risen from Ashes (Thieves of Elysium, #1))
I am yours to command, my queen,” he whispered, making my heart clench in complete, helpless love. “I will obey, even if you order me to cut out my own heart. Even if you order me to the hell that is the Winter Court Elysium.
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
If I have to live in Elysium for eternity with someone I don't love, I thought maybe a kiss from you, even just one, would make it bearable.
Mia Sheridan (Becoming Calder)
It's our first Elysium together, Ash. They'll be expecting us. Both of us." He moaned and grabbed another pillow, covering his eyes. "No playing hooky and insulting the Winter Queen. I'm not doing this by myself." I took the second pillow, tossing it on the floor, and mock-glared at him. "Up." He regarded me with a wry smile. "You're awfully perky for someone who kept me up all night." "Hey, you started it remember?
Julie Kagawa (The Iron Legends (The Iron Fey, #1.5, 3.5, 4.5))
I am yours. I've always been yours. I'll be yours here on earth, in Elysium. I'll fight the gods if I have to. I'll stand before them and declare
Mia Sheridan (Becoming Calder)
So, what's the big emergency, princess? You and ice-boy look fine to me, and the Nevernever isn't crumbling around us. What's going on?" "I'm pregnant, Puck," I said quietly, and watched his eyebrows shoot into his hair. Briefly,I explained what had happened at Elysium, the oracle's mysterious appearance and invitation, and Grimalkin's instruction to meet him at the Wishing Tree. By the time I was done, Puck was still staring at me openmouthed, struck mute for maybe the second time in his life, and I would've laughed if the situation wasn't so serious. "Oh," he finally managed. "That's, uh... Wow. That's not something you hear every day. Not exactly what I was expecting, though the entire prophecy thing does get old after a while." He shook himself, seeming to regain his composure, and glanced at Ash. "So, it's the ever so popular Firstborn Child of Doom prophecy, huh, ice-boy? How very cliche. Why can't it be the third nephew twice removed who's fated to destroy the world?
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
Delivered helpless and amazed From the womb of the All, I am waiting dazed For memory to be erased. Then I shall know the Elysium That lies outside the monstrous womb Of time from out of which I come.
D.H. Lawrence (The Complete Poems of D.H. Lawrence)
This is my favorite time of day. When the sun is setting and the last of its fiery fingers caress the water line before relinquishing their hold to the darkness of the night. And I can watch as the stars pop out, one by one, to pinprick the sky with their silvery light.
J.A. Souders (Revelations (The Elysium Chronicles, #2))
Hatred is a form of faith, distilled by passion to remove all rationality.
L.E. Modesitt Jr. (The Elysium Commission)
Technology is limited", Jason said, "Only the mind is infinite.
Brandon Sanderson (Defending Elysium)
The sight of London to my exiled eyes Is as Elysium to a new-come soul.
Christopher Marlowe (Edward II)
Elysium must wait, Ariston thought before his eyes closed.
Sasha Summers (Medusa, A Love Story (Loves of Olympus, #1))
Because we aren’t the sum of our mistakes but the sum of how we deal with them.
Olivia Wildenstein (Celestial (Angels of Elysium, #2))
That men, who might have tower'd in the van Of all the congregated world, to fan And winnow from the coming step of time All chaff of custom, wipe away all slime Left by men-slugs and human serpentry, Have been content to let occasion die, Whilst they did sleep in love's Elysium.
John Keats (Endymion: A Poetic Romance)
Ah me! what hand can pencil guide, or pen, To follow half on which the eye dilates Through views more dazzling unto mortal ken. Than those whereof such things the bard relates, Who to the awe-struck world unlocked Elysium’s gates?
Lord Byron
I don’t know who those other people are and what they did to you, but I’m not one of them,” I whispered, on the verge of tears. (Molly) “You are. You just don’t know yet.” (Victor)
A.B. Whelan (Fields of Elysium (Fields of Elysium, #1))
Deities are invented by fallible and finite beings in the hope and desire to create immortal perfection; unfortunately, such deities only reflect their creators and inspire their followers to similar imperfections.
L.E. Modesitt Jr. (The Elysium Commission)
The faintest cry is then loosened from her in a lucid expression that does announce her bestirring itch for me. Over and under each other’s lips, we now find ourselves salivating in each other’s recalescent and inundated Elysium, turning about as our hips move in a natural sequence that gives sentience to the repressed soul.
Luccini Shurod (The Painter)
When I’d checked into the bathroom with Seymour’s diary under my arm, and had carefully secured the door behind me, I spotted a message almost immediately. It was not, however, in Seymour’s handwriting but, unmistakably, in my sister Boo Boo’s. With or without soap, her handwriting was always almost indecipherably minute, and she had easily managed to post the following message up on the mirror; 'Raise high the roof beam, carpenters. Like Ares comes the bridegroom, taller far than a tall man. Love, Irving Sappho, formerly under contract to Elysium Studios Ltd. Please be happy happy happy with your beautiful Muriel. This is an order. I outrank everybody on this block.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
See? Instead of thinking of a way to help my people, all I can think of is the smell of your hair and that small dimple on your cheek when you smile.” (Victor)
A.B. Whelan (Fields of Elysium (Fields of Elysium, #1))
In actual operation Nature is cruel and merciless to men, as to all other beings. Let a tribe of human animals live a rational life, Nature will smile upon them and their posterity; but let them attempt to organize an unnatural mode of existence an equality elysium, and they will be punished even to the point of extermination.
Ragnar Redbeard
We’re all monsters sometimes,” he said. “At one point or another. Every single one of us.” “Sometimes, you have to be a monster to defeat the demons,
Nikole Knight (Elysium (Fire & Brimstone #6))
I’m coming, my love. Wait for me this time.
Olivia Wildenstein (Feather (Angels of Elysium, #1))
A blade can be nothing but a blade. Only the hand that picks it up knows that there was ever anything else worth holding.
Nora Sakavic (Elysium)
This word ‘damnation’ terrifies not me, For I confound Hell in Elysium.
Francesca Zappia (Eliza and Her Monsters)
I like words. I like fat buttery words, such as ooze, turpitude, glutinous, toady. I like solemn, angular, creaky words, such as straitlaced, cantankerous, pecunious, valedictory. I like spurious, black-is-white words, such as mortician, liquidate, tonsorial, demi-monde. I like suave “V” words, such as Svengali, svelte, bravura, verve. I like crunchy, brittle, crackly words, such as splinter, grapple, jostle, crusty. I like sullen, crabbed, scowling words, such as skulk, glower, scabby, churl. I like Oh-Heavens, my-gracious, land’s-sake words, such as tricksy, tucker, genteel, horrid. I like elegant, flowery words, such as estivate, peregrinate, elysium, halcyon. I like wormy, squirmy, mealy words, such as crawl, blubber, squeal, drip. I like sniggly, chuckling words, such as cowlick, gurgle, bubble and burp.
Robert Pirosh
But I thought of how few people there were in Elysium, how tiny it was compared to the Fields of Asphodel or even the Fields of Punishment. So few people did good in their lives. It was depressing.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Elysium is as far as to The very nearest Room If in that Room a Friend await Felicity or doom. What fortitude the soul contains That it can so endure The accent of a coming foot, The opening of a door?
Emily Dickinson (Poems By Emily Dickinson)
We crept along, following the line of new arrivals that snaked from the main gates toward a black-tented pavilion with a banner that read:   JUDGMENTS FOR ELYSIUM AND ETERNAL DAMNATION Welcome, Newly Deceased!
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Oh, God … you’re so beautiful,” I said in a weak voice, my head enchanted. He smiled at me and turned to the thin, elderly lady next to him whose skin seamed with wrinkles.“She must still have a fever,” Victor said, fighting a smile, which just made him even more breathtaking.
A.B. Whelan (Fields of Elysium (Fields of Elysium, #1))
When the Creator banished from his sight Frail man to dark mortality's abode, And granted him a late return to light, Only by treading reason's arduous road,— When each immortal turned his face away, She, the compassionate, alone Took up her dwelling in that house of clay, With the deserted, banished one. With drooping wing she hovers here Around her darling, near the senses' land, And on his prison-walls so drear Elysium paints with fond deceptive hand. While soft humanity still lay at rest, Within her tender arms extended, No flame was stirred by bigots' murderous zest, No guiltless blood on high ascended. The heart that she in gentle fetters binds, Views duty's slavish escort scornfully; Her path of light, though fairer far it winds, Sinks in the sun-track of morality. Those who in her chaste service still remain, No grovelling thought can tempt, no fate affright; The spiritual life, so free from stain, Freedom's sweet birthright, they receive again, Under the mystic sway of holy might.
Friedrich Schiller
I looked at Victor, my heart swelling from the emotion. “When I die, please do the same ceremony for me,” I whispered, choking up. “This is the most captivating and emotional event I have ever been part of.” “I’m afraid you’ll have to ask somebody else for that because if you die before me I won’t survive it.” He kissed the tip of my nose. I gazed at him with so much love that my heart almost burst out of my chest.
A.B. Whelan (Valley of Darkness Part 1 & Part 2 (Fields of Elysium, #2))
Anyone who has lost something they thought was theirs forever finally comes to realize that nothing really belongs to them.”   ― Paulo Coelho
A.B. Whelan (Safe and Sound (Fields of Elysium, #0.5))
But mourning the loss of life, regardless of whose it is, doesn’t make us weak. The moment we forget the value of a life is the moment we’re no better than the monsters we fight.
Nikole Knight (Elysium (Fire & Brimstone #6))
Lie to me, Feather.
Olivia Wildenstein (Feather (Angels of Elysium, #1))
Only darkness reveals the reach of a light.
Olivia Wildenstein (Feather (Angels of Elysium, #1))
Once people needed heaven and hell, Elysium and Faerie. They believed. Belief is the great creative force, the faith that moves mountains. If Someone had not believed in us, so they say, we would never have been born. I have spent my darkest hours wondering what kind of a Creator would have believed in me." Kal
Jan Siegel (The Dragon Charmer (Fern Capel, #2))
What infinite heart's-ease Must kings neglect, that private men enjoy! And what have kings, that privates have not too, Save ceremony, save general ceremony? And what art thou, thou idle ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? what are thy comings in? O ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Think'st thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose; I am a king that find thee, and I know 'Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world, No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave, Who with a body fill'd and vacant mind Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell, But, like a lackey, from the rise to set Sweats in the eye of Phoebus and all night Sleeps in Elysium; next day after dawn, Doth rise and help Hyperion to his horse, And follows so the ever-running year, With profitable labour, to his grave: And, but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace, Whose hours the peasant best advantages.
William Shakespeare (Henry V)
That's what happens when you've had great success in life—when you've achieved the one goal you always desired. You lose a sense of purpose. Your smallest anxieties fester and magnify. Your fears turn inward, and attach themselves to irrational concerns.
Alastair Reynolds (Elysium Fire (Prefect Dreyfus Emergency #2))
The ocean will always betray me. No matter how beautiful it is.
K.B. Ezzell (Elysium (The Broken, #1))
One of my greatest obsessions is the lights of a city. Through my eyes there is nothing so delicious and rich and lovely.
K.B. Ezzell (Elysium (The Broken, #1))
Everyone dies a few times.
K.B. Ezzell (Elysium (The Broken, #1))
I do so love to listen to the deep words of bold men, though I have precious few to add.
K.B. Ezzell (Elysium (The Broken, #1))
We are children of a dying god and foot soldiers in a war we didn't ask for.
Nora Sakavic (Elysium)
Maybe I wasn't "cured" or "fixed” and maybe I would never fit into the twisted concept of "normal." But I was finally at a place where I didn't need to be any of those things.
Nikole Knight (Elysium (Fire & Brimstone #6))
I believe there are still wandering dreamers and exceptional imaginations among us. I believe fiction can be beautiful again.
K.B. Ezzell (Elysium (The Broken, #1))
What doesn’t destroy you will reshape you. Remember this, Celeste. Remember that the same fire that transforms sand into glass can turn logs into ash.
Olivia Wildenstein (Celestial (Angels of Elysium, #2))
I understand why your father hid you from me.” His wings unspooled, stretched. Stretched. “He knew you’d become my obsession.
Olivia Wildenstein (Starlight (Angels of Elysium, #3))
The man who has not loved before he was fourteen has missed a foretaste of Elysium.
James Weldon Johnson (The Autobiography of an Ex-Colored Man (Illustrated))
Elysium is a myth. One does not overcome an obstacle to enter the land of no obstacles.
Ryan Holiday (The Obstacle is the Way: The Timeless Art of Turning Adversity to Advantage)
Victor wrapped his fingers over my hand, pressing his face against my palm. “You’re the bravest girl I’ve ever met. I’m so incredibly proud of you.” “Who knew that one day the word someone would use to describe me is brave. Life is very unpredictable.” I chuckled. “There are many other words I could think of to describe you but I’m not really good at flattery.
A.B. Whelan (Valley of Darkness Part 1 & Part 2 (Fields of Elysium, #2))
The right path leads to Elysium, the place of eternal happiness, but “the left-hand path torments / the wicked, leading down to Tartarus, path to doom” (Aeneid, Book 6, lines 631–32).
Bart D. Ehrman (Heaven and Hell: A History of the Afterlife)
You know I love you. But, like, I think I might be really, really in love with you.” Then he said, “And maybe someday, you could let me watch you when you touch yourself. I think… I think I’d like that.
Nikole Knight (Elysium (Fire & Brimstone #6))
But after the war, when editors like Martin Durk came to prominence by trumpeting the timely death of the novel, Parish opted for a reflective silence. He stopped taking on projects and watched with quiet reserve as his authors died off one by one--at peace with the notion that he would join them soon enough in that circle of Elysium reserved for plot and substance and the judicious use of the semicolon.
Amor Towles (Rules of Civility)
Souls of poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern? Have ye tippled drink more fine Than mine host's Canary wine?” Sweeter than those dainty pies Of venison? O generous food! Drest though bold Robin Hood Would, wit his maid Marian, Sup and bowse from horn and can “I have heard that on a day Mine host's sign-board flew away, Nobody knew whither, till An astrologer's old quill To a sheepskin gave the story, Said he saw you in your glory, Underneath a new old sign Sipping beverage divine, And pledging with contented smack The Mermaid in the Zodiac.
John Keats
Ode to Joy Joy, beautiful spark of Divinity, Daughter of Elysium, We enter, drunk with fire, Heavenly one, thy sanctuary! Thy magic binds again What custom strictly divided;* All people become brothers,* Where thy gentle wing abides. Whoever has succeeded in the great attempt, To be a friend's friend, Whoever has won a lovely woman, Add his to the jubilation! Yes, and also whoever has just one soul To call his own in this world! And he who never managed it should slink Weeping from this union! All creatures drink of joy At nature's breasts. All the Just, all the Evil Follow her trail of roses. Kisses she gave us and grapevines, A friend, proven in death. Salaciousness was given to the worm And the cherub stands before God. Gladly, as His suns fly through the heavens' grand plan Go on, brothers, your way, Joyful, like a hero to victory. Be embraced, Millions! This kiss to all the world! Brothers, above the starry canopy There must dwell a loving Father. Are you collapsing, millions? Do you sense the creator, world? Seek him above the starry canopy! Above stars must He dwell.
Friedrich Schiller
Yes, but souls who reside in Elysium must drink from the Lethe. They cannot have memories from their time in the Upperworld if they are to reincarnate.” “How can they heal if they don’t possess memory?” “No soul has ever healed by dwelling on the past.
Scarlett St. Clair (A Touch of Darkness (Hades x Persephone Saga, #1))
To the oblivion whither I and thou, All loving and all lovely, hasten now With steps, ah, too unequal! may we meet In one Elysium or one winding-sheet! If any should be curious to discover Whether to you I am a friend or lover, Let them read Shakespeare's sonnets, taking thence
Percy Bysshe Shelley (The Complete Poems)
If somebody was blind his entire life, just seeing a color, any color, would be fascinating even if it was just a dull color to a healthy eye.
A.B. Whelan (Fields of Elysium (Fields of Elysium, #1))
There’s no expiration date on our”—he swallowed thickly—“love for you.
Nikole Knight (Elysium (Fire & Brimstone #6))
I rocketed a commanding finger to the heavens and it rained stardust upon our young heads.
K.B. Ezzell (Elysium (The Broken, #1))
Bravery is never measured by the magnitude of the actions, but rather by the choices made.
K.B. Ezzell (Elysium (The Broken, #1))
He never questioned me or my reasons, and it was rather wonderful to find someone who simply chose to ignore the unexplainable in me exactly when I wanted him to without a word.
K.B. Ezzell (Elysium (The Broken, #1))
I dream of the stars,” I let the words slip gaily from my mouth as my imagination finally got carried away. “I dream of taking every one of them in my hands and kissing them.
K.B. Ezzell (Elysium (The Broken, #1))
His name sounded like starlight and rich sunny days on the sea as it leaped proudly from his lips. It suited him. And it meant everything.
K.B. Ezzell (Elysium (The Broken, #1))
His thumb caressed the inside of my wrist. “Kiss me, Feather. I want to end my life . . . with your taste on my lips.
Olivia Wildenstein (Feather (Angels of Elysium, #1))
They will ruin you as surely as they ruined themselves." My smile threatens to tear my face in two. "There is nothing left to ruin.
Nora Sakavic (Elysium)
Pharaoh is my Dream," Sol says heatedly. "I would never betray him." "I will not share him," Pharaoh chimes in. "Not in life, not in death.
Nora Sakavic (Elysium)
I’m a very simple guy. Have gun, will assassinate.
Sam Sisavath (The Isles of Elysium (Purge of Babylon, #6))
That was the way to start, he knew: with unsureness. Only when the mind cracked open its own worldly certainties could a glimpse of light appear.
Joan Slonczewski (The Children Star (Elysium Cycle, #3))
When you are perfectly happy with what you have, it's absolutely unnecessary to crave new things. If you always want what you don't have, then you won't find happiness.
A.B. Whelan (Fields of Elysium (Fields of Elysium, #1))
Well, teacher-lounge rumor said the boy lived a latch-key life. His father spending the days fishing, so drunk by sunset the fish sent him home, calling him a cab, helping with his coat and tackle box…
Raymond St. Elmo (To Awaken in Elysium)
You must understand that he knew the risks of living in an undeveloped civilization. Creatures of lesser intelligence cannot be held responsible for their acts of barbarity. You have not yet learned a better way.
Brandon Sanderson (Defending Elysium)
Sometimes, trust is something born only out of necessity. A curtain we draw to hide the ugly truth in order to convince ourselves that everything is fine, when deep down, we know nothing is fine. Crazy logic, I know. But take it from someone who knows. I trust people just enough to keep my head above water, but never completely. No matter how much you invest in a person, no matter how much think you can trust them, you can always be fooled.
K.B. Ezzell (Elysium (The Broken, #1))
The look in his eyes reminded me of myself. We were both alone in a new environment, trapped by our circumstances, and we both needed to grow up much faster than planned. Who knew that once I’d have something common with a deer.
A.B. Whelan (Valley of Darkness Part 1 & Part 2 (Fields of Elysium, #2))
Finer feeling, which we now wish to consider, is chiefly of two kinds: the feeling of the *sublime* and that of the *beautiful*. The stirring of each is pleasant, but in different ways. The sight of a mountain whose snow-covered peak rises above the clouds, the description of a raging storm, or Milton's portrayal of the infernal kingdom, arouse enjoyment but with horror; on the other hand, the sight of flower strewn meadows, valleys with winding brooks and covered with grazing flocks, the description of Elysium, or Homer's portrayal of the girdle of Venus, also occasion a pleasant sensation but one that is joyous and smiling. In order that the former impression could occur to us in due strength, we must have *a feeling of the sublime*, and, in order to enjoy the latter well, *a feeling of the beautiful*. Tall oaks and lonely shadows in a sacred grove are sublime; flower beds, low hedges and trees trimmed in figures are beautiful. Night is sublime; day is beautiful. Temperaments that possess a feeling for the sublime are drawn gradually, by the quiet stillness of a summer evening as the shimmering light of the stars breaks through the brown shadows of night and the lonely moon rises into view, into high feelings of friendship, of disdain for the world, of eternity. The shining day stimulates busy fervor and a feeling of gaiety. The sublime *moves*, the beautiful *charms*.
Immanuel Kant (Observations on the Feeling of the Beautiful and Sublime)
Allow your inner artist to develop through the conscientious application of passion, personal resources, and natural inquisitiveness. Devote your life’s work to giving light to your virtuous ideas and accomplishing deeds worthy of entering Elysium Fields. While performing elemental labor to meet the biological necessities that secure survival, remember that devotion to public services, performing acts of kindness, and engagement in artistic creations is what makes us human. Art has a more profound impact upon civilization than all the standing armies in the world. Art expresses our humanity while warring reveals our inhumanity.
Kilroy J. Oldster (Dead Toad Scrolls)
We walked in so pure and bright a light, gilding the withered grass and leaves, so softly and serenely bright, I thought I had never bathed in such a golden flood, without a ripple or a murmur to it. The west side of every wood and rising ground gleamed like the boundary of Elysium, and the sun on our backs seemed like a gentle herdsman driving us home at evening. So we saunter toward the Holy Land, till one day the sun shall shine more brightly than ever he has done, shall perchance shine into our minds and hearts, and light up our whole lives with a great awakening light, as warm and serene and golden as on a bankside in autumn.
Henry David Thoreau
Could it be that he felt sorry for me after all? Or that his hostile attitude was really a cover up, designed to protect me? I pondered over my wishful thinking, but when his black eyes locked on mine again, all positive thoughts had vaporized. There was no question about it; Victor detested me beyond my wildest imagining.
A.B. Whelan (Fields of Elysium (Fields of Elysium, #1))
The idea of ghosts is exciting. But the reality is absurd. Worse. In writing I call it a ‘sponge’. An unnatural incident that soaks up all the meaning, leaving daily life looking dry and empty. Exactly the opposite to what a story should do. Even in a ghost story, real meaning can’t be in the ghosts. It’s in the daily life the ghost haunts, or the tale is meaningless
Raymond St. Elmo (To Awaken in Elysium)
Jai loved me like a wildfire. Raging. Hot. All-consuming. Noel loved me like a river. Overwhelming. All-encompassing. Healing. But Gideon—oh, the way he loved me. He loved me like an earthquake. It was slow and deep, miles below the surface. It rumbled and rolled. It shook me to my very core, the very makeup of my being shifting as his white fire surrounded my center.
Nikole Knight (Elysium (Fire & Brimstone #6))
The stability of the Glitter Band depends on social cohesion, Mister Garlin. We don’t have standing armies, we don’t have a citizen militia. Even the local constabularies constitute a vanishingly small proportion of our population. But this system only functions in the absence of malicious fear-mongering. I have no time for those who disseminate lies and half-truths for their own ends.
Alastair Reynolds (Elysium Fire (Prefect Dreyfus Emergency #2))
As the Haitian proverb puts it: Behind mountains are more mountains. Elysium is a myth. One does not overcome an obstacle to enter the land of no obstacles. On the contrary, the more you accomplish, the more things will stand in your way. There are always more obstacles, bigger challenges. You’re always fighting uphill. Get used to it and train accordingly. Knowing that life is a marathon and not a sprint is important. Conserve your energy. Understand that each battle is only one of many and that you can use it to make the next one easier. More important, you must keep them all in real perspective. Passing one obstacle simply says you’re worthy of more. The world seems to keep throwing them at you once it knows you can take it. Which is good, because we get better with every attempt.
Ryan Holiday (The Obstacle is the Way: The Timeless Art of Turning Adversity to Advantage)
The place is of no concern to them. They've left it to fester. An informational dead zone. The abstraction doesn't penetrate here, by design. The dome rebuffs it. The family craved their privacy, their insularity. My alert was a simple radio frequency trigger, with just enough power to reach beyond the estate. A risk even in that, but one worth taking." "You keep saying them," Dreyfus said. "For a reason," Stasov answered.
Alastair Reynolds (Elysium Fire (Prefect Dreyfus Emergency, #2))
The light clicks on, right above my head, drawing my eyes to it. The moment I look up, squinting, I know I’m in trouble. There isn’t even a guy leaning against the corner, trying to play bad cop. There isn’t a guy smiling and offering me a cup of coffee. There’s just one man in a suit, with a folder in his arms that he isn’t looking at. He’s looking at me, raising his eyebrows and looking as if I have a note stuck to my forehead that I haven’t noticed yet.
Israel Elysium
Any soul who’d go to their own burial is in need of a therapeutic kick to the angsty ectoplasm of their pity-party ass.” Cora considered a funeral from the deceased’s point of view. The tears, the mourning, the sweetly dishonest words of praise making the best of a life and its ending. While you the guest-of-honor stood by, unable to partake in comfort and farewell, only giving embraces not felt, whispering words not heard. God, it’d be torment to surpass the flames of hell.
Raymond St. Elmo (To Awaken in Elysium)
The members of the board were very sage, deep, philosophical men; and when they came to turn their attention to the workhouse, they found out at once, what ordinary folk would never have discovered - the poor people like it! It was a regular place of public entertainment for the poorer classes; a tavern where there was nothing to pay; a public breakfast, dinner, tea, and supper all year round; a brick and mortar elysium where it was all play and no work. "Oho!" said the board, looking very knowing; "we are the fellows to set this to rights; we'll stop it all in no time." So, they established the rule, that all poor people should have the alternative (for they would compel nobody, not they) of being starved by a gradual process in the house, or a quick one out of it. With this view, they contracted with the waterworks to lay on an unlimited supply of water; and with a corn-factor to supply periodically small quantities of oatmeal; and issued three meals of thin gruel per day, with an onion twice a week, and half a roll on Sundays. They made a great many other wise and humane regulations, having reference to the ladies, which it is not necessary to repeat; undertook to divorce poor married people, in consequence of the great expense of a suit in Doctor's Commons; and, instead of compelling a man to support his family, as they had theretofore done, took his family away from him, and made him a bachelor! There is no saying how many applicants for relief under these two heads, might have started up in all classes of society, if it had not been coupled with the workhouse; but the board were long-headed men, and had provided for this difficulty. The relief was inseparable from the workhouse and the gruel; and that frightened people. For the first six months after Oliver Twist was removed, the system was in full operation. It was rather expensive at first, in consequence to the increase in the undertaker's bill, and the necessity of taking in the clothes of all the paupers, which fluttered loosely on their wasted, shrunken forms, after a week or two's gruel.
Charles Dickens (Oliver Twist)
An die Freude Freude, schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken, Himmlische, dein Heiligtum! Deine Zauber binden wieder Was die Mode streng geteilt*; Alle Menschen werden Brüder* Wo dein sanfter Flügel weilt. Wem der große Wurf gelungen Eines Freundes Freund zu sein; Wer ein holdes Weib errungen Mische seinen Jubel ein! Ja, wer auch nur eine Seele Sein nennt auf dem Erdenrund! Und wer's nie gekonnt, der stehle Weinend sich aus diesem Bund! Freude trinken alle Wesen An den Brüsten der Natur; Alle Guten, alle Bösen Folgen ihrer Rosenspur. Küsse gab sie uns und Reben, Einen Freund, geprüft im Tod; Wollust ward dem Wurm gegeben und der Cherub steht vor Gott. Froh, wie seine Sonnen fliegen Durch des Himmels prächt'gen Plan Laufet, Brüder, eure Bahn, Freudig, wie ein Held zum Siegen. Seid umschlungen, Millionen! Diesen Kuß der ganzen Welt! Brüder, über'm Sternenzelt Muß ein lieber Vater wohnen. Ihr stürzt nieder, Millionen? Ahnest du den Schöpfer, Welt? Such' ihn über'm Sternenzelt! Über Sternen muß er wohnen.
Friedrich Schiller
This is a classic New Labour document, being printed on glossy paper and illustrated with colour pictures of the Elysium that is the new Britain. Happy people, many from ethnic minorities, gaze productively at computer screens. Pensioners get off a gleaming, streamlined tram which has just delivered them promptly and inexpensively to their grandchildren … The prose has the same unreal quality. Nothing actually happens. Nothing tangible is planned. But we are promised there will be ‘innovative developments’, ‘local strategic partnerships’ and ‘urban policy units’. Town councils will have new powers to ‘promote well-being’ … and, just in case we think this will never happen, we are promised that ‘visions for the future will be developed’. There will be a ‘key focus’ here and a ‘co-ordinated effort’ there. The government in its wisdom has ‘established a framework’. The whole thing resembles those fantastical architect’s drawings in which slim, well-dressed figures stroll across tree-festooned piazzas with no mention of empty burger boxes or gangs of glowering youths.
Chris Mullin (A View from the Foothills: The Diaries of Chris Mullin)
I wrapped my fingers around the first light I saw and felt all at once so happy and so sad and so free. My hand was cold somehow as I lifted the tiny star out of the water and brought its trembling, burning form to my face. I kissed it gently and laughed like a child as my face seemed to become angelic for a few moments. The star laughed back at me in little sweet notes, and I released it back to the sea. I can still feel the star in my hands to this day. You can have your noctiluca scintillans, your petty protists in the sea. I prefer to sail among the stars.
K.B. Ezzell (Elysium (The Broken, #1))
Upon the King! Let us our lives, our souls, Our debts, our careful wives, Our children, and our sins, lay on the King! We must bear all. O hard condition, Twin-born with greatness, subject to the breath Of every fool, whose sense no more can feel But his own wringing! What infinite heart's ease Must kings neglect that private men enjoy! And what have kings that privates have not too, Save ceremony- save general ceremony? And what art thou, thou idol Ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? What are thy comings-in? O Ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree, and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Thinks thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose. I am a king that find thee; and I know 'Tis not the balm, the sceptre, and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced tide running fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world- No, not all these, thrice gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave Who, with a body fill'd and vacant mind, Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell; But, like a lackey, from the rise to set Sweats in the eye of Pheebus, and all night Sleeps in Elysium; next day, after dawn, Doth rise and help Hyperion to his horse; And follows so the ever-running year With profitable labour, to his grave. And but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace Whose hours the peasant best advantages.
William Shakespeare (Henry V)
This is the girl in the borrowed trench-coat, moving across the bridge with the river Seine underneath. She pulls something from the jacket's pocket and hits the button, not answering when the man without his coat catches up with her at that moment, calling her name. Pull back fifty metres, and here is the burning apartment, debris floating softly through the air that is filled with screams. Here is the man again, gripping the shoulders of the girl with his coat and yelling into her ears, 'What have you done?' And here is that playful smile that creeps upon her lips as she disappears, the air rushing to fill the space where she had just been.
Israel Elysium
What the devil is 'wordsharing'? Does the word for 'speak' mean 'listen' just as well? If I said, 'Listen to me!' you might talk, instead." "What use is the one without the other? It took me a long time to see this distinction in Valan speech." Spinel thought over the list of 'share forms': learnsharing, worksharing, lovesharing. "Do you say 'hitsharing,' too? If I hit a rock with a chisel, does the rock hit me?" "I would think so. Don't you feel it in your arm?" He frowned and sought a better example; it was so obvious, it was impossible to explain. "I've got it: if Beryl bears a child, does the child bear Beryl? That's ridiculous." "A mother is born when her child comes." "Or if I swim in the sea, does the sea swim in me?" "Does it not?" Helplessly he thought, She can't be that crazy. "Please, you do know the difference, don't you?" "Of course. What does it matter?
Joan Slonczewski (A Door Into Ocean (Elysium Cycle, #1))
Although there probably wouldn't be Coca-Cola in Elysium, and that was a truly depressing thought.
Mia Sheridan (Becoming Calder)