β
I love you because no two snowflakes are alike, and it is possible, if you stand tippy-toe, to walk between the raindrops.
β
β
Nikki Giovanni
β
the world is not a pleasant place to be without someone to hold and be held by.
β
β
Nikki Giovanni
β
I want to be clear about this. If you wrote from experience, you'd get maybe one book, maybe three poems. Writers write from empathy.
β
β
Nikki Giovanni
β
There is always something to do. There are hungry people to feed, naked people to clothe, sick people to comfort and make well. And while I don't expect you to save the world I do think it's not asking too much for you to love those with whom you sleep, share the happiness of those whom you call friend, engage those among you who are visionary and remove from your life those who offer you depression, despair and disrespect.
β
β
Nikki Giovanni
β
We love because it's the only true adventure.
β
β
Nikki Giovanni
β
Mistakes are a fact of life: It is the response to the error that counts.
β
β
Nikki Giovanni
β
and sometimes I sit
down at my typewriter
and I think
not of someone
cause there isn't anyone
to think
about and i wonder
is it worth it
β
β
Nikki Giovanni
β
i hope i die
warmed
by the life that i tried
to live
β
β
Nikki Giovanni (The Collected Poetry, 1968-1998)
β
Don't want to be near you for the thoughts we share but the words we never have to speak.
β
β
Nikki Giovanni
β
I am so hip even my errors are correct.
β
β
Nikki Giovanni
β
You must be unintimidated by your own thoughts because if you write with someone looking over you shoulder, you'll never write.
β
β
Nikki Giovanni
β
Nothing is easy to the unwilling.
β
β
Nikki Giovanni
β
Deal with yourself as a individual worthy of respect, and make everyone else deal with you the same way.
β
β
Nikki Giovanni
β
Iβve not learned the acceptable way of saying you fascinate me...Iβve not even learned how to say I like you without frightening people away-
β
β
Nikki Giovanni
β
A lot of people refuse to do things because they don't want to go naked, don't want to go without guarantee. But that's what's got to happen. You go naked until you die
β
β
Nikki Giovanni
β
If you don't understand yourself you don't understand anybody else.
β
β
Nikki Giovanni
β
daddy says the world is
a drum tight and hard
and i told him
iβm gonna beat
out my own rhythm
β
β
Nikki Giovanni
β
I really don't think life is about the I-could-have-beens. Life is only about the I-tried-to-do. I don't mind the failure but I can't imagine that I'd forgive myself if I didn't try.
β
β
Nikki Giovanni
β
I'm glad I understand that while language is a gift, listening is a responsibility. (U.S. poet and writer, 1943- )
β
β
Nikki Giovanni
β
Writers don't write from experience, although many are hesitant to admit that they don't. ...If you wrote from experience, you'd get maybe one book, maybe three poems. Writers write from empathy.
β
β
Nikki Giovanni
β
Black love is black wealth
β
β
Nikki Giovanni
β
DONT EVER BE AFRAID TO COME TO ME N CRY ...DONT EVER HESITATE TO LOOK ME N THE EYE DONT EVER BE AFRAID TO TELL ME HOW YOU FEEL. REMEMBAER YOUR MY GIRL N WE GOTTA KEEP IT REAL.
β
β
Nikki Giovanni
β
I always loved English because whatever human beings are, we are storytellers. It is our stories that give a light to the future. When I went to college I became a history major because history is such a wonderful story of who we think we are. English is much more a story of who we really are.
β
β
Nikki Giovanni
β
These are all direct quotes, except every time they use a curse word, I'm going to use the name of a famous American poet:
'You Walt Whitman-ing, Edna St. Vincent Millay! Go Emily Dickinson your mom!'
'Thanks for the advice, you pathetic piece of E.E. Cummings, but I think I'm gonna pass.'
'You Robert Frost-ing Nikki Giovanni! Get a life, nerd. You're a virgin.'
'Hey bro, you need to go outside and get some fresh air into you. Or a girlfriend.'
I need to get a girlfriend into me? I think that shows a fundamental lack of comprehension about how babies are made.
β
β
John Green
β
And you will understand all too soon
That you, my children of battle, are your heroes
β
β
Nikki Giovanni (The Collected Poetry, 1968-1998)
β
Floating to shore...riding a low moon...on a slow cloud.
β
β
Nikki Giovanni
β
If you're a writer, the answer to everything is yes.
β
β
Nikki Giovanni
β
Choices
If i can't do
what i want to do
then my job is to not
do what i don't want
to do
It's not the same thing
but it's the best i can
do
If i can't have
what i want . . . then
my job is to want
what i've got
and be satisfied
that at least there
is something more to want
Since i can't go
where i need
to go . . . then i must . . . go
where the signs point
through always understanding
parallel movement
isn't lateral
When i can't express
what i really feel
i practice feeling
what i can express
and none of it is equal
I know
but that's why mankind
alone among the animals
learns to cry
β
β
Nikki Giovanni
β
Allowables
I killed a spider
Not a murderous brown recluse
Nor even a black widow
And if the truth were told this
Was only a small spider
Sort of papery spider
Who should have run
When I picked up the book
But she didn't
And she scared me
And I smashed her
I don't think
I'm allowed
To kill something
Because I am
Frightened.
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
i move on feeling and have learned to distrust those who don't.
β
β
Nikki Giovanni
β
Today I am 65 years old. I still look good. I appreciate and enjoy my age. A lot of people resist transition and therefore never allow themselves to enjoy who they are. Embrace the change, no matter what it is; once you do, you can learn about the new world you're in and take advantage of it. You still bring to bear all your prior experience, but you are riding on another level. It's completely liberating.
β
β
Nikki Giovanni
β
VISIBILITY - You've got to find a way to make people know you're there
β
β
Nikki Giovanni
β
....but it cannot be a mistake to have cared...it cannot be an error to have tried....it cannot be incorrect to have loved.
β
β
Nikki Giovanni (Nikki Giovanni Poetry Collection)
β
Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
β
β
Nikki Giovanni
β
Style has a profound meaning to Black Americans. If we canβt drive, we will invent walks and the world will envy the dexterity of our feet. If we canβt have ham, we will boil chitterlings; if we are given rotten peaches, we will make cobblers; if given scraps, we will make quilts; take away our drums, and we will clap our hands. We prove the human spirit will prevail. We will take what we have to make what we need. We need confidence in our knowledge of who we are.
β
β
Nikki Giovanni
β
I grow old though pleased with my memories
The tasks I can no longer complete
Are balanced by the love of the tasks gone past
I offer no apology only
this plea:
When I am frayed and strained and drizzle at the end
Please someone cut a square and put me in a quilt
That I might keep some child warm
And some old person with no one else to talk to
Will hear my whispers
And cuddle
near
β
β
Nikki Giovanni
β
If I can't do what I want to do, then my job is to not do what I want to do. It's not the same thing, but it's the best thing I can do.
β
β
Nikki Giovanni (The Collected Poetry, 1968-1998)
β
If i can't have
what i want . . . then
my job is to want
what i've got
and be satisfied
that at least there
is something more to want
β
β
Nikki Giovanni
β
it is not unusual to sift
through ashes
and find an unburnt picture
β
β
Nikki Giovanni
β
and he said: you pretty full of yourself ainβt chu
so she replied: show me someone
not full of herself
and iβll show you a hungry person
β
β
Nikki Giovanni
β
We are all more than our experiences
And less than our dreams
~ from "I Am Glass
β
β
Nikki Giovanni (Bicycles)
β
Wind as old as Rome outside my window, inky fleece clouds against charcoal crushed velvet skies, fall feels soulful, like a LaBelle octave.
β
β
Brandi L. Bates (Soledad)
β
Poets should be ashamed
To die
Before they kiss
The sun
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
Black Poetry is not for Black Peopleβ¦it is for everybody
β
β
Nikki Giovanni
β
I appreciate my my sleep
In sleep my conversation
is witty
My home is dusted
My office work
is up to date
The dog
is even
well behaved
And food is on the table
on time
But then
when I'm asleep
I don't have you
to clutter and confuse
My hungry heart
β
β
Nikki Giovanni
β
I like being
The moon
To your sun
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
His headstone said
FREE AT LAST, FREE AT LAST
But death is a slave's freedom
We seek the freedom of free men
And the construction of a world
Where Martin Luther King could have lived and
preached non-violence
β
β
Nikki Giovanni
β
we used to talk all night
and do things alone together
and iβve begun
(as a reaction to a feeling)
to balance
the pleasure of loneliness
against the pain
of loving you
β
β
Nikki Giovanni (Love Poems)
β
If were a shower
I could saturate your hair
Work my way over your lips
Across your shoulders
Around your waist
Through your knees
To the tips of your toes
And back again
Warm wet salty
Sweet
β
β
Nikki Giovanni (Love Poems)
β
Writing is a conversation with reading; a dialogue with thinking.
β
β
Nikki Giovanni (Racism 101)
β
I'm into my Black Thing
And it's filling all
My empty spots
β
β
Nikki Giovanni (Black Feeling, Black Talk)
β
The trip to Mars can only be understood through Black Americans. I say, the trip to Mars can only be understood through Black Americans.
β
β
Nikki Giovanni (Quilting the Black-Eyed Pea)
β
BEFORE YOU JUMP OFF A BRIDGE OR HANG YOURSELF OR BE UNHAPPY PLEASE CONSIDER: LIVE FOR YOURSELF; THOSE WHO HATE YOU HAVE NO PURCHASE
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
We cannot leave it to history as a discipline nor to sociology nor science nor economics to tell the story of our people
β
β
Nikki Giovanni (Sacred Cows...and Other Edibles)
β
Maybe what will really work is we all need to have a fear tree in our backyard or a small fear plant growing on our apartment windowsill. When we are feeling uneasy we pluck a few leaves and find the right place to put them. Champagne would be the number one choice but spaghetti works, too. Have a little fear at least once a week and you will build up your resistance. Like a vaccination. Then, when wars and hatreds come along you'll be able to recognize that's just another expression of Fear. No thanks, I've had my quota.
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
The night loves the stars as they play about the Darkness...the day loves the light caressing the sun...We love...those who do...because we live in a world requiring light and Darkness...partnership and solitude...sameness and difference...the familiar and the unknown...We love because it's the only true adventure...
from Love: Is a Human Condition
β
β
Nikki Giovanni
β
poetry is motion graceful
as a fawn
gentle as a teardrop
strong like the eye
finding peace in a crowded room
β
β
Nikki Giovanni
β
I share with the painters the desire
To put a three-dimensional picture
On a one-dimensional surface
from Cotton Candy on a Rainy Day
β
β
Nikki Giovanni (Cotton Candy on a Rainy Day)
β
The South lost ... and that is good ... and that hateful flag needs to come down ... and reparations need to be offered and if none of that can happen ... well ... let there be poetry
β
β
Nikki Giovanni (Acolytes)
β
Grant me Love implies
not desire but
Commitment
Commitment accepts Challenge
Challenge embraces Theory
And you and I will get Reason: A way to explore
past actions
and
future dreams
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
If you donβt understand your past, you canβt transcend it, you might repeat it, you donβt understand half of your life. Knowledge is whatβs important, you know? Not the erasure, but the confrontation of it.
β
β
Nikki Giovanni (Toni Morrison: The Last Interview: and Other Conversations)
β
In order to have a happy ending, in order to be triumphant, in order to be heroic, you have to tell your own story. The women's movement knows that; black people know that; brown people know that; yellow people know that. You have to be able to tell your own story in order to show that you are worthy--that you belong.
β
β
Nikki Giovanni (Shimmy Shimmy Shimmy Like My Sister Kate: Looking At The Harlem Renaissance Through Poems)
β
i wanted to take
your hand and run with you
together toward
ourselves down the street to your street
i wanted to laugh aloud
and skip the notes past
the marquee advertising βwomen
in loveβ past the record
shop with βThe Spirit
In The Darkβ past the smoke shop
past the park and no
parking today signs
past the people watching me in
my blue velvet and i donβt remember
what you wore but only that i didnβt want
anything to be wearing you
i wanted to give
myself to the cyclone that is
your arms
and let you in the eye of my hurricane and know
the calm before
and some fall evening
after the cocktails
and the very expensive and very bad
steak served with day-old baked potatoes
after the second cup of coffee taken
while listening to the rejected
violin player
maybe some fall evening
when the taxis have passed you by
and that light sort of rain
that occasionally falls
in new york begins
youβll take a thought
and laugh aloud
the notes carrying all the way over
to me and weβll run again
together
toward each other
yes?
β
β
Nikki Giovanni
β
do the rosa parks
say no no
do the rosa parks
throw your hand in the air
do the rosa parks
say ... no no
do the rosa parks
tell them: that ain't fair
β
β
Nikki Giovanni (Acolytes)
β
FOR SONIA SANCHEZ
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
It is called education because it is learned. You do not have to have had an experience in order to sympathize or empathize with the subject. That is why books are written: so that we do not have to do the same things. We learn from experience, true; but we also learn from empathy.β A Theory of Patience
β
β
Nikki Giovanni (Racism 101)
β
and everybody was happy that uncle lee was able to get that scholarship even though you wondered when you could do quadratic equations in your head why you had a basketball scholarship but you always knew that you had to take what they were giving since that was all you were going to get but you never fooled yourself about either the taking or the giving or the needing or the having you just sort of said to yourself I'll have to see what is being offered
β
β
Nikki Giovanni (Quilting the Black-Eyed Pea)
β
I think you always write what you love. Whether itβs your grandmother or gourmet cooking or mountains and rivers. Sunsets kissing the tallest building or chipmunks scattering off to bed. I like the quiet. And I like the sound of the quiet. Iβm a mountain girl. I listen and make lists of what I hear.
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
No matter what else is wrong in the world a book will take you away from it.
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
Why would there be a destination when life itself is a journey? You go not to get there but to be there.
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
english isn't a good language
to express emotion through
mostly i imagine because people
try to speak english instead
of trying to speak through it
β
β
Nikki Giovanni (Love Poems)
β
and perhaps my worst habit
is overloving
and like most who live
to excess
i will be broken
in two
by my unwillingness
to control my feelings
β
β
Nikki Giovanni
β
I am always lonely for things I've never had and people I've never been.
β
β
Nikki Giovanni
β
and if I ever touched a life i hope that life knows/that i know that touching was and still is and will always/be the true/revolution.
β
β
Nikki Giovanni
β
sometimes
when i wake up
in the morning
and see all the faces
i just can't
breathe
from Sometimes
β
β
Nikki Giovanni (Recreation)
β
I am cotton candy on a rainy day
the unrealized dream of an idea unborn
from Cotton Candy on a Rainy Day
β
β
Nikki Giovanni (Cotton Candy on a Rainy Day)
β
We in the Black Arts movement, which wasn't really a movement but a group of people who had similar objectives...
β
β
Nikki Giovanni (Chasing Utopia: A Hybrid)
β
All mistakes teach us something, so there are, in reality, no mistakes.
β
β
Nikki Giovanni
β
We've got to live in the real world. If we don't like the world we're living in, change it. And if we can't change it, we change ourselves. We can do something.
β
β
Nikki Giovanni
β
what this decade will be
known for
there is no doubt it is
loneliness
β
β
Nikki Giovanni (Cotton Candy on a Rainy Day)
β
If now isn't a good time for the truth, I don't see when we'll get to it.
β
β
Nikki Giovanni
β
Poems are not advertisements braying
For the good life
They have serious work to do
Birthing people burying people
Celebrating joy mourning loss
β
β
Nikki Giovanni (Acolytes)
β
Poems have serious business to do
They need to bring down presidents who
Start wars they themselves wouldn't go to
β
β
Nikki Giovanni (Acolytes)
β
you see, my whole life
is tied up
to unhappiness
it's father cooking breakfast
and me getting fat as a hog
or having no food
at all and father proving
his incompetence
again
i wish i knew how it would feel
to be free
it's having a job
they won't let you work
or no work at all
castrating me
(yes it happens to women too)
it's a sex object if you're pretty
and no love
or love and no sex if you're fat
get back fat black woman be a mother
grandmother strong thing but not woman
gameswoman romantic woman love needer
man seeker dick eater sweat getter
fuck needing love seeking woman
it's a hole in your shoe
and buying lil sis a dress
and her saying you shouldn't
when you know
all too well that you shouldn't
but smiles are only something we give
to properly dressed social workers
not each other
only smiles of i know
your game sister
which isn't really
a smile
joy is finding a pregnant roach
and squashing it
not finding someone to hold
let go get off get back don't turn
me on you black dog
how dare you care
about me
you ain't go no good sense
cause i ain't shit you must be lower
than that to care
it's a filthy house
with yesterday's watermelon
and monday's tears
cause true ladies don't
know how to clean
it's intellectual devastation
of everybody
to avoid emotional commitment
"yeah honey i would've married
him but he didn't have no degree"
it's knock-kneed mini skirted
wig wearing died blond mamma's scar
born dead my scorn your whore
rough heeeled broken nailed powdered
face me
whose whole life is tied
up to unhappiness
cause it's the only
for real thing
i
know
β
β
Nikki Giovanni
β
I teach poetry to teens, and I always include a picture of the poet on the handout. I want my readers to see Maya Angelou, Gwendolyn Brooks, Nikki Giovanni. I want them to know what Sandra Cisneros, Natalie Diaz, and Patricia Smith look like. Some will see their reflections looking back at them, others won't. Both are important. Who makes the work is just as important as the work made.
β
β
RenΓ©e Watson (Well-Read Black Girl: Finding Our Stories, Discovering Ourselves)
β
I'm told by my young friends that experience is much more important than books. Of course Ben Franklin had something to say about experience and fools, but even Franklin thought that a fool would learn by his experience. That has proven false in the modern world. Some people are simply unwilling to learn under any circumstances, which maybe, even then, wouldn't be so bad if they weren't so damned proud of it.
β
β
Nikki Giovanni (Sacred Cows...and Other Edibles)
β
The enemy is not men. The enemy is the concept of patriarchy, the concept of patriarchy as the way to run the world or do things is the enemy, patriarchy in medicine, patriarchy in schools, or in literature.
β
β
Nikki Giovanni (Toni Morrison: The Last Interview: and Other Conversations)
β
and as soon as i die i hope everyone who loved me learns the meaning
of my death which is a simple lesson
don't do what you do very well very well and enjoy it it scares white folk
and makes black ones truly mad
β
β
Nikki Giovanni (My House)
β
hearing C-flat
against an F-minor
humming the lullaby
to the rhythm of you reading
that silly novel
you try to complete
each night
I rest in your rest
while the day
snuggles in
and sings me
to sleep
βAfter the Day
β
β
Nikki Giovanni (Make Me Rain: Poems & Prose)
β
and sometimes on rainy nights you see
an old white woman who maybe you'd really care about
except that you're a young Black woman
whose job it is to kill maim or seriously
make her question
the validity of her existence
β
β
Nikki Giovanni (My House)
β
I always thought that would be really neat if black people ever got control of the United States we would, of course, tear down some of the statues because we just don't like them...like all of Richmond would probably not have a statue standing.
β
β
Nikki Giovanni (Shimmy Shimmy Shimmy Like My Sister Kate: Looking At The Harlem Renaissance Through Poems)
β
It is difficult to be an artist, because what you can see needs to be done and what you can achieve are generally two very opposite things. The two are like yin and yang, north and south, positive and negative. What you see is just totally opposite of what the reality can be, and that's unfortunate. But there are things we can do. Writers can either repave--we fill in some of the cracks in the road that are already there--or we start to knock down some of the weeds to make a clearing in the wilderness.
β
β
Nikki Giovanni (Shimmy Shimmy Shimmy Like My Sister Kate: Looking At The Harlem Renaissance Through Poems)
β
The tragic loneliness black women consistently face as we stand before judgmental othersβsometimes white, but sometimes black; sometimes male, but sometimes femaleβdemands that we have some wisdom, experience, and some passion with which to combat this abuse.
β
β
Nikki Giovanni
β
If loneliness were a grape
the wine would be vintage
If it were a wood
the furniture would be mahogany
But since it is life it is
Cotton Candy
on a rainy day
The sweet soft essence
of possibility
Never quite maturing
from Cotton Candy on a Rainy Day
β
β
Nikki Giovanni
β
I think that, in reality, there is something wrong with human beings, and unless we are willing to face the fact that something is really wrong with human beings, unless we are willing to face the fact that somewhere in our imaginations we are evil, vicious people, it is not going to work.
β
β
Nikki Giovanni (Shimmy Shimmy Shimmy Like My Sister Kate: Looking At The Harlem Renaissance Through Poems)
β
truckβ¦Black soliders returning from Americanβs wars abroad were tarred and featheredβ¦Black soldiers returning from Americaβs wars in uniform were castrated and lynchedβ¦Brave Black soldiers had their medals of honor retracted and denied Β So Truman passed a law not for Black peopleβ¦we have always been better than the country we servedβ¦but to tell the whites who thought it more important to be white than unitedβ¦that Black people are an integral if not essential part of this nationβ¦And we are to be acceptedβ¦and honoredβ¦for the historic good wishes and sacrifices we offered Americaβ¦Not only fifty years ago
β
β
Nikki Giovanni (Blues: For All the Changes: New Poems)
β
Writing for the gallery is something that a writer must resist no matter who he is. You know the writers that are writing for their audience because they write the same book over and over again with the sort of cute things their readership likes. Serious writers write things that compel them, new challenges, new situations, and a new landscape that they have not been in before.
β
β
Nikki Giovanni (Toni Morrison: The Last Interview: and Other Conversations)
β
We look, most humans, for a way to be warm and safe; for a haven for our bodies when, once fire was discovered and clothes invented, when once we understood why the squirrels moved seeds around and what to call the plant the jaguar got giggly off of, when once we no longer worried about being eaten by other mammals or each other we looked for meaning with this life we were given.
β
β
Nikki Giovanni (Acolytes)
β
This country is a land mass that could be called anything, and for people to act like this is some kind of sacred territory is an insanity. It's just a bunch of people trying to live together, and if we're not going to be part of a dream of equality--a part of a dream of that which is the best of us, the idea that people help one another--if we're not going to do that, then this land mass doesn't any more deserve to be revered than anything else.
β
β
Nikki Giovanni (Shimmy Shimmy Shimmy Like My Sister Kate: Looking At The Harlem Renaissance Through Poems)
β
i think any poem worth its salt, if poems can indeed be salty, should allow the reader to think. this poem is of course a chronological poem tracing the development of humans through the movement of black women. i have no feelings that the poem is exclusive of any one but i wanted to write a sassy hands-on-the-hips poem from the understanding that i am a woman and indeed was once a girl. i think it works because the more you know about anthropology and history the more you can follow what i am saying; on the other hand you can be a little child with no previous experiences and catch the joy of the poem. it goes from the first human bones discovered all the way to the space age. what has been included is as important to me as what has been excluded. what i strove to do was show progress, movement, humor and a bit of pride.
this is the most iβve ever commented on any poem of mine since i tend to agree with t.s. eliot when he said a poet was the last person to know what the poem was/is about.
β
β
Nikki Giovanni