Nelly Quotes

We've searched our database for all the quotes and captions related to Nelly. Here they are! All 100 of them:

Energy rightly applied and directed will accomplish anything.
Nellie Bly
My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Healthcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
Emily Brontë (Wuthering Heights)
Nelly, I am Heathcliff - he's always, always in my mind - not as a pleasure, any more then I am always a pleasure to myself - but, as my own being.
Emily Brontë (Wuthering Heights)
I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
Emily Brontë (Wuthering Heights)
Never regret trusting someone. It proves you have a heart. But if he turns out to be a lying worm ... I'm not going to waste my time crying. Because I am way too fabulous for that.
Jude Watson (Beyond the Grave (The 39 Clues, #4))
If I were in heaven, Nelly, I should be extremely miserable." "Because you are not fit to go there," I answered. "All sinners would be miserable in heaven.
Emily Brontë (Wuthering Heights)
I've no more business to marry Edgar Linton than I have to be in heaven and if the wicked man in there had not brought Heathcliff so low I shouldn't have thought of it. It would degrade me to marry Heathcliff now so he shall never know how I love him and that not because he's handsome Nelly but because he's more myself than I am. Whatever our souls are made of his and mine are the same and Linton's is as different as a moonbeam from lightning or frost from fire.
Emily Brontë (Wuthering Heights)
Amy, Dan, and Nellie were sitting at a table in a conference room, examining reproductions of Franklin documents-some so rare, the librarians told her, the only copies existed in Paris. "Yeah, here's a rare grocery list," Dan muttered. "Wow.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
It is only after one is in trouble that one realizes how little sympathy and kindness there are in the world.
Nellie Bly (Ten Days in a Mad-House)
Never explain, never retract, never apologize. Just get the thing done and let them howl.
Nellie L. McClung
Nothing could convince Aunt Nelly to let Vlad stay home for the duration of the school year, which just goes to prove that parents and guardians don't care if they're sending you to face bloodthirsty monsters, so long as you get a B in English.
Heather Brewer (Eighth Grade Bites (The Chronicles of Vladimir Tod, #1))
There are only two kinds of people who can drain your energy: those you love, and those you fear. In both instances it is you who let them in. They did not force their way into your aura, or pry their way into your reality experience.
Anthon St. Maarten
I said I could and I would. And I did.
Nellie Bly (Ten Days in a Mad-House)
What does it feel like to get shot?" "I don't recommend it," said Nellie in a controlled voice. "Chocolate is definitely better.
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
Never complain, never explain, get the thing done and let them howl.
Nellie L. McClung
Women are going to form a chain, a greater sisterhood than the world has ever known.
Nellie L. McClung
I like to know what I'm celebrating before I put on a party hat.
Margaret Peterson Haddix (Into the Gauntlet (The 39 Clues, #10))
Nellie grinned. "I always wanted to go to Venice. It's supposed to be the romance capital of the world." "Sweet," put in Dan. "Too bad your date is an Egyptian Mau on a hunger strike." The au pair sighed. "Better than an eleven-year-old with a big mouth.
Gordon Korman (One False Note (The 39 Clues, #2))
My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
Emily Brontë (Wuthering Heights)
We understand each other, Nelly. We’ve both lost someone we love. We both have scars and regrets and anger. We can do this together.
Jasinda Wilder (Falling into You (Falling, #1))
Caught in a bad romance. Whoaaa-oh-ooooh!" Nellie wailed along to the XM radio blaring from the enormous speakers. "Can I uncover my ears now?" Dan called from the back, where he was reclined across the leather seat. "Has Nellie stopped her Lady Gag Me impression?
Rick Riordan (The Black Book of Buried Secrets)
Correct morality can only be derived from what man is — not from what do-gooders and well-meaning aunt Nellies would like him to be.
Robert A. Heinlein
Never in his life had Edward been cradled like a baby. Abilene had not done it. Nor had Nellie. And most certainly, Bull had not. It was a singular sensation to be held so gently and yet so fiercely, to be stared down at with so much love. Edward felt the whole of his china body flood with warmth. (page 128)
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he's handsome, Nelly, but because he's more myself than I am. Whatever our souls are made of, his and mine are the same; and Linton's is as different as a moonbeam from lightning, or frost from fire.
Emily Brontë (Wuthering Heights)
My dear children!" Nellie whopped him upside the head with her backpack. "Ow!" Uncle Alistair curled over, cupping his hand over his good eye. "Nellie!" Amy said. "Sorry," Nellie muttered. "I thought he was one of the bad guys.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
We meant to temporarily disable her," Ian said. "Just a drop. But Natalie slipped during air turbulence. Before we could warn your nose-ringed nanny, she drenched us. Luckily, she allowed us to retrieve the antidote from our carry-on." "That's kindness," Amy said. "I made them agree to give me all their cash," Nellie explained. "That's bribery," Natalie grumbled.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
Lifes strange ,times change, but karma always finds the way. Stay strong, hold on. Don’t let all your dreams fade away. Yeah life can beat you down, what goes it comes around It’s not how you hit the ground, it’s how fast you get back up. And go, keep going ,till it feels like I’m giving my life away Gets hard,and harder, happiness is worth the wait.
Nelly
The au pair was bug-eyed. "What happened back there?" "It's not our fault!" Dan babbled. "Those guys are crazy! They're like mini-Darth Vaders without the mask!" "They're Benedictine monks!" Nellie exclaimed. "They're men of peace! Most of them are under vows of silence!" "Yeah, well, not anymore," Dan told her. "They cursed us out pretty good. I don't know the language, but some things you don't have to translate.
Gordon Korman (One False Note (The 39 Clues, #2))
Cat tongues are awesome." --Nellie Gomez, The 39 Clues, Beyond The Grave
Jude Watson
You don't get Billie Joe Armstrong's autograph on your forehead without following your instincts.
Gordon Korman (The Emperor's Code (The 39 Clues, #8))
Actors never say they're poor. They're always broke. It's always just temporary. 'Broke' is 'poor with hope'.
Alison Arngrim (Confessions of a Prairie Bitch: How I Survived Nellie Oleson and Learned to Love Being Hated)
It hurts," Nellie said. "I know," Reagan said. "No pain, no gain." "Do you think they made that expression up for bullet wounds?
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
In 1896 the newspaperwoman Nellie Bly asked Susan B. Anthony if she’d ever been in love. Her answer: “Bless you, Nellie, I’ve been in love a thousand times! But I never loved any one so much that I thought it would last. In fact, I never felt I could give up my life of freedom to become a man’s housekeeper.
Kate Bolick (Spinster: Making a Life of One's Own)
Nobody got me out," Nellie replied. "They just let me go. They think I'm a deranged Jonah Wizard fan. Apparently, the hotel's full of them. A couple of idiots actually jumped off the front balcony. Can you picture that?" "In Technicolor," Amy said bitterly. "That low-down KGB reject!" Dan fumed. "I can't believe she cheated me–right when I was in the middle of cheating her!
Gordon Korman (One False Note (The 39 Clues, #2))
He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door. He was so utterly shocked that it took him a moment to run after her. With a meaningful nod in the direction of the astounded Cahills, she barreled down the cobblestone street with her load. "Fermati!" shouted the cashier, scrambling in breathless pursuit. Nellie let a few CDs drop and watched with satisfaction over her shoulder as the clerk stopped to pick them up. The trick would be to keep the chase going just long enough for Amy and Dan to search Disco Volante. Yikes, she reflected suddenly, I'm starting to think like a Cahill.... And if she was nuts enough to hang around this family, it was only going to get worse.
Gordon Korman (One False Note (The 39 Clues, #2))
Nellie's brow furrowed. "The great Mr. Hip-Hop Mogul standing in line with the common peasants? How do you figure that?" Dan grinned. "I'm starting to dig this 'no cars' thing. It's a great equalizer.
Gordon Korman (One False Note (The 39 Clues, #2))
Night is mine, together with a substantial part of the future.
Nelly Kaplan
Matthew fought off the urge to take a seat in his lap. He closed one of his eyes and cocked his head to the side. “You’re really cute.” Tarrick chuckled. “Am I?” “Not like Hiroto cute, he’s adorable—” “I really am,” Hiroto said, his ears flicking about. “—or like Lady Rosaline cute, she’s beautiful—” “Why thank you, Matthew,” she said. “—but like…hot. Masculine.” Prescott groaned and stood. “I think it’s time we put the big vampire to bed before he makes too much of a fool of himself.” “No, no, let him talk, boss. This is gold,” Nellis said,
Jex Lane (Broken (Beautiful Monsters, #3))
It's like I tell people at my stand-up shows: by making me a bitch, you have given me my freedom, the freedom to say and do things I couldn't do if I was "a nice girl" with some sort of stupid, goody-two-shoes image to keep up. Things that require courage. Things that require balls. Things that need to be done. By making me a bitch, you have freed me from the trite, sexist, bourgeois prison of "likeability." Any idiot can be liked. It takes talent to scare the crap out of people.
Alison Arngrim (Confessions of a Prairie Bitch: How I Survived Nellie Oleson and Learned to Love Being Hated)
I always liked fog, it lends such a soft, beautifying light to things that otherwise in the broad glare of day would be rude and commonplace.
Nellie Bly
Poor Nelly, she was not to know that fashions in sin change as much as other fashions.
Claire Tomalin (The Invisible Woman)
My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning; my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and, if all else remained, and he were annihilated, the Universe would turn into a mighty stranger. I should not seem a part of it. My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary. Nelly, I am Heathcliff [...]
Emily Brontë (Wuthering Heights)
Women who set a low value of themselves make life hard for all women.
Nellie L. McClung
I've always had the feeling that nothing is impossible is one applies a certain amount of energy in the right direction. If you want to do it, you can do it.
Nellie Bly
Rock star do not jump!" The launch was cutting sharply, its skipper calling out a phrase that bore no relationship to the English language as Amy knew it. "Rock star in a hurry!" Nellie replied, one foot on the boat's gunwale.
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
World, they have taken the small children like butterflies and thrown them, beating their wings, into the fire--
Nelly Sachs
In a whirlwind, Reagan quickly knocked off fifty more push-ups, flipped, and did thirty crunches, then turned and landed a kick that dented the metal door. "I'm feeling sick, too, and look at me. What if Babe Ruth had said 'Time to Rest'? Or Michael Phelps? Or Neil Armstrong? Come on, guys–what are we?" "Hungry," Natalie said. "Sleepy," Alistair added. "Grumpy," Fiske said. "Sneezy," Phoenix piped up. "Shot," Nellie said.
Peter Lerangis (The Dead of Night (The 39 Clues: Cahills vs. Vespers, #3))
Flight 2039 to Boston is now boarding at gate 14A," a voice announced over the PA system. Nellie sighed. "I love Irish accents." She paused. "And Australian accents. And English accents." A dreamy look came over her face. "Theo had an awesome accent." Dan snorted. "Yeah, there was just that one tiny problem. He turned out to be a two-timing, backstabbing thief.
Rick Riordan (The Black Book of Buried Secrets)
During the night, while Bull and Lucy slept, Edward, with ever-open eyes, stared up at the constellations. He said their names, and then he said the names of the people who loved him. He started with Abilene, and then went on to Nellie and Lawrence and from there to Bull and Lucy, and then he ended again with Abilene: Abilene, Nellie, Lawrence, Bull, Lucy, Abilene. See? Edward told Pellegrina. I am not like the princess. I know about love.
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
As I always say: If you want to do it, you can do it. The question is: Do you want to do it? ―Nellie Bly
Matt Phelan (Around the World)
And Edward was surprised to discover that he was listening. Before, when Abilene had talked to him, everything had seemed so boring, so pointless. But now, the stories Nellie told struck him as the most important thing in the world and he listened as if his life depended on what she said." (page 69)
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
That's it. Gently now," Reagan said to Nellie. "We'll move onto the hard stuff tomorrow." "This...isn't...the hard stuff?" Nellie spit out through gritted teeth. Reagan grinned. "You really hate me right now, don't you?" "Immeasurably." "Good. Give me ten.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
There is this to be said for Dachsunds of such length and lowness as Nelly, that it makes very little difference to their appearance whether they stand, sit or lie.
Samuel Beckett
Look. Isn't he beautiful?" Drew's expression softened. "Ah, Nellie. He's bald, pink, and has no teeth. What's so beautiful about that?" Nellie's laugh tinkled out like musical chimes while she covered the babe back up.
Deeanne Gist (A Bride Most Begrudging)
The Nellie, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide.
Joseph Conrad (Heart of Darkness)
While I live I hope.
Nellie Bly (Ten Days in a Mad-House)
Nellie Gomez awoke to a splitting headache. Worse, she was still hungry. "Where's my croissant?" she demanded of the person leaning over her. "Dear child," came a strangely familiar voice. "Don't 'dear child' me!" she snapped. The twenty-two-year-old punk rocker ran black-polished fingernails through black-and-orange-dyed hair, which did nothing to soothe the pounding behind her black-shaded eyes. "Give me my croissant or I'll–" It was then that she suddenly realized she was threatening the venerable Alistair Oh. "Alistair, what are you doing here?
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
Time will change it, I'm well aware, as winter changes the trees — my love for Heathcliff resembles the eternal rocks beneath — a source of little visible delight, but necessary. Nelly, I am Heathcliff — he's always, always in my mind — not as a pleasure, any more than I am always a pleasure to myself — but as my own being — so, don't talk of our separation again — it is impracticable.-
Emily Brontë (Wuthering Heights)
I'm going to hang up now," she said quietly. "Fine." "Good-bye, Ian," she said. He paused again. She thought she heard something like a sniff or a choke, but it was probably the sound of him tearing up his plane ticket. "Good-bye, Amy." She hung up the phone: Dan and Nellie were quiet. "Well, think about it," said Dan. "Did you really want Natalie Kabra as a sister-in-law?
Clifford Riley (Crushed (The 39 Clues: Rapid Fire, #4))
A stick beats more ugliness into a person than it ever beats out.
Nellie Bly
What's this?" Dan said, pointing to a funny squiggly formation. Uh, an M," said Nellie. "Or if you look at it the other way, a W. Or sideways, kind of S-ish..." Maybe it's palm trees," Dan said. "Like in the movie It's a Mad, Mad, Mad, Mad World. You know? No? These guys need to find hidden money, and the only clue they have is it's under a big W? And no one sees what it means-but then, near the end of the movie, there's this grove of four palm trees rising up in the shape of... you-know-what! Classic!" Amy, Alistair, Natalie, Ian and Nellie all looked at him blankly. There is no W in the Korean language," Alistair replied. "Or palm trees in Korea. I might be maple trees..." Mrrp," said Saladin, rubbing his face against Dan's knee. I'll tell you the rest of the plot later," Dan whispered to the Mau.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
I like eggs and bacon,” George tells me. “But”—his face clouds—“do you know that bacon is”—tears leap to his eyes—“Wilbur?” Mrs. Garrett sits down next to him immediately. “George, we’ve been through this. Remember? Wilbur did not get made into bacon.” “That’s right.” I bend down too as wetness overflows George’s lashes. “Charlotte the spider saved him. He lived a long and happy life—with Charlotte’s daughters, um, Nelly and Urania and—” “Joy,” Mrs. Garrett concludes. “You, Samantha, are a keeper. I hope you don’t shoplift.”I start to cough. “No. Never.” “Then is bacon Babe, Mom? Is it Babe?”“No, no, Babe’s still herding sheep. Bacon is not Babe. Bacon is only made from really mean pigs,George.” Mrs. Garrett strokes his hair, then brushes his tears away.“Bad pigs,” I clarify.“There are bad pigs?” George looks nervous. Oops.“Well, pigs with, um, no soul.” That doesn’t sound good either. I cast around for a good explanation. “Like the animals that don’t talk in Narnia.” Dumb. George is four. Would he know Narnia yet? He’s still at Curious George.But understanding lights his face. “Oh. That’s okay then. ’Cause I really like bacon.
Huntley Fitzpatrick (My Life Next Door)
To have a good brain the stomach must be cared for.
Nellie Bly (Ten Days in a Mad-House)
The insane asylum on Blackwell's Island is a human rat-trap. It is easy to get in, but once there it is impossible to get out.
Nellie Bly (Ten Days in a Mad-House)
Women have so few choices, Nellie. Our gender can be our greatest strength, but it is also our greatest weakness.
Karma Brown (Recipe for a Perfect Wife)
Always there where children die stone and star and so many dreams become homeless.
Nelly Sachs (Collected Poems I: (1944-1949) (Green Integer))
My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees — my love for Heathcliff resembles the eternal rocks beneath — a source of little visible delight, but necessary. Nelly, I am Heathcliff — he's always, always in my mind — not as a pleasure, any more than I am always a pleasure to myself — but as my own being — so, don't talk of our separation again — it is impracticable.
Emily Brontë (Wuthering Heights)
Compare this with a criminal, who is given every chance to prove his innocence. Who would not rather be a murderer and take the chance for life than be declared insane, without hope of escape?
Nellie Bly (Ten Days in a Mad-House)
I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader’s mind so that the mind, like the author’s, begins to create. Thus sf is creative and it inspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness.
Philip K. Dick (Paycheck and Other Classic Stories)
Nonsense! If you want to do it, you can do it. The question is, do you want to do it?
Nellie Bly (Around the World in Seventy-Two Days)
Why is it that when people die, we make such an effort to turn them into saints? Especially when the entire reason we loved them so much in the first place is because they weren’t.
Alison Arngrim (Confessions of a Prairie Bitch: How I Survived Nellie Oleson and Learned to Love Being Hated)
The real question for me is why Lieutenant Cable and Nellie didn’t just get together. Because they would have been a perfect match. I guess the idea is that opposites attract, but I don’t think that’s what it’s like in real life. I think in real life you’d want someone who was as close to you as possible. Someone who could understand exactly the way you thought.
Carol Rifka Brunt (Tell the Wolves I'm Home)
When the guy turned around, Amy began stuttering. Silently. It was a feat only Amy could manage, and only Dan could notice. And it only happened in front of boys who looked like this one. He had brown hair and caramel-colored eyes, like Dan's friend Nick Santos, who made all the sixth-grade girls turn into blithering idiots when he looked their way--in fact, would even say Watch, lean make them turn into blithering idiots, and then he'd do it. Only older. "He. Is. Hot," Nellie said under her breath. "You too?" Dan hissed.
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
Desperately, Phoenix attempted to maneuver both tips of the instrument around the bullet. He knew that each move caused Nellie unimaginable pain, but he could not grasp the target. "It's no use," he sobbed. "And my hand is going numb." In a frenzy, Nellie shouted something into the gag, but no one could understand her. "I beg your pardon, child?" queried Alistair. Nellie spat out the rag and rasped, "Get the Kabra chick!" "Natalie?" Fiske exclaimed. "She's fallen completely to pieces." "Get her!" Nellie demanded. "Anybody with eyebrows plucked like that knows how to use a tweezers!" Reagan bounded across the room and came back with a shivering, mewling Natalie. "I can't!" she wheezed. Fiske poured alchohol over the girl's beautifully manicured fingers. "You must." Still protesting, her eyes tightly shut, she took over the instrument from Phoenix. "I can't do it! You can't make me—oh!" She said in sudden surprise. "This?" And when she pulled the tweezers out of the wound, the tips were firmly grasping a flattened, blood-slimed bullet. Nellie laughed—and promptly fainted.
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
Michael tousled my hair and said, "Remember, no more skateboards, right?" And then this gem: "If you ever break your arm skateboarding again..." He paused, flashing me a dimpled Charles Ingalls grin, which then suddenly disappeared. "I'll break the other one.
Alison Arngrim (Confessions of a Prairie Bitch: How I Survived Nellie Oleson and Learned to Love Being Hated)
I felt sure now that no doctor could tell whether people were insane or not, so long as the case was not violent. Later
Nellie Bly (Ten Days in a Mad-House)
I never consented to this body I’ve been charged with dragging until my death—
Nelly Arcan
Okay, listen up, dudes. We have to book. Yesterday, when I find you guys are, like, AWOL? I, like, freak. Yelling at everybody–where are they, why did you let them leave–the hotel people are, like, whaaaa? Anyway, I pack up all your stuff, figuring I may never see the place again, and down in the lobby I find my man Arif. I'm, like, help me, and he takes all of our stuff to this launch–and then we're halfway across the sea when Arif gets this radio message, and he's all excited, but I don't know what he's saying until he's, like, 'POLICE!' in English. And we see these cop cars and somebody's getting a big old boat, so we're, like, sayonara, only in Indonesian, and we tool out into this boat-traffic jam to try to loose them, and I'm hearing these radio reports that are half English–there's been a fire and somebody's dead, yada yada, and I'm totally wigging out–Why did you do that? Why did you and your sister leave me in a hotel without even a note?
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
"Whoaaaaa–AARRRGGGGGGGHHHH...shove two fingers down my throat and pull out my heart...to prove that you love meeee...!" Clutching her iPod, Nellie emerged from the hatch ad lurched towards them, like creature put together from spare parts–a motion that Dan and Amy recognized as dancing. Pulling out her earbuds, she raised her face to the sky and let the rain pelt her for a few seconds. "Whoo-hoo, that is better than a facial!" she cried, running to join Dan and Amy under the overhang. "Stick around," Dan said, "for a lava treatment.
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
I would like the expert physicians who are condemning me for my action, which has proven their ability, to take a perfectly sane and healthy woman, shut her up and make her sit from 6 A. M. until 8 P. M. on straight-back benches, do not allow her to talk or move during these hours, give her no reading and let her know nothing of the world or its doings, give her bad food and harsh treatment, and see how long it will take to make her insane. Two months would make her a mental and physical wreck.
Nellie Bly (Ten Days in a Mad-House (Illustrated))
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.
Gordon Korman (One False Note (The 39 Clues, #2))
Nellie Fuller was racing down the stairs as we returned to the hallway, nearly tripping over her tripod in her haste. "I heard a noise," she said. "Have I already missed all of the excitement?" "Nothing of consequence," answered Jackaby. "Stay indoors, however, unless you're enthusiastic about the prospect of being eviscerated.
William Ritter (Beastly Bones (Jackaby, #2))
They even managed to put the books on the shelves.’ She looked closer. ‘I’m not sure I’d have put Charles Dickens next to Isaac Newton except at a dinner party, and then only if Nellie Melba hadn’t turned up, but they’ve done their best.
T.E. Kinsey (A Quiet Life in the Country (Lady Hardcastle Mysteries, #1))
I pride myself on being able to put up with a lot,” Nellie said. “But bagpipers are pretty much my limit.
Larry McMurtry (The Last Kind Words Saloon)
A pretty young Hebrew woman spoke so little English I could not get her story except as told by the nurses. They said her name is Sarah Fishbaum, and that her husband put her in the asylum because she had a fondness for other men than himself.
Nellie Bly (Ten Days in a Mad-House)
We need you to go out there and cover for us while we search for whoever's bugging us," Amy said. "Whoever it is, he or she is probably nearby." "All you have to do is keep talking. We've thought a lot about this, and we think you have the necessary skills," Dan said. "Very funny, Dan-o. But true. When it comes to nonstop chat, I'm the champ," Nellie agreed. Nellie turned off the shower and they all returned to the main room. "That pool is so fine," she said, as if she'd never been interrupted. "I met this couple from Scotland, and I was all, whoa, you have some delish smoked salmon in your excellent country...." Amy raised the window carefully, not making a sound. She and Dan quietly climbed out. "--and they were all, 'Aye, lassie, we dew, ye ken our bonny fish, ye dew!'" Nellie said in a terrible Scottish accent. "So I said, 'You know what ye lads and lassies need in Scotland? Bagels! To go with!' 'Whoa,' they said, 'lassie, ye canna be serious, that is one orrrig-in-al guid idea....'" "Okay, you can stop now." "Man, that's guid news," Nellie said. "This lassie is about to pass out.
Jude Watson (Beyond the Grave (The 39 Clues, #4))
Nelly, nunca tens sonhos esquisitos? - perguntou, após uns momentos de reflexão. - Tenho, às vezes. - Também eu. Sonhos que me ficaram gravados na memória e modificaram as minhas ideias; percorreram-me toda, como o vinho através da água, e alteraram-me a cor dos pensamentos.
Emily Brontë
Winter is not here yet. There’s a little flower, up yonder, the last bud from the multitude of bluebells that clouded those turf steps in July with a lilac mist. Will you clamber up and pluck it to show papa?
Emily Brontë
The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.
Joseph Conrad (Heart of Darkness: and Selections from The Congo Diary)
[speaking of a friend named Lavendar Lewis] 'I think her parents gave her the only right and fitting name that could possibly be given her,' said Anne. 'If they had been so blind as to name her Elizabeth or Nellie or Muriel she must have been called Lavendar just the same, I think. It's so suggestive of sweetness and old-fashioned graces and "silk attire." Now, my name just smacks of bread and butter, patchwork and chores.' 'Oh, I don't think so,' said Diana. 'Anne seems to me real stately and like a queen. But I'd like Kerenhappuch if it happened to be your name. I think people make their names nice or ugly just by what they are themselves. I can't bear Josie or Gertie for names now but before I knew the Pye girls I thought them real pretty.' 'That's a lovely idea, Diana,' said Anne enthusiastically. 'Living so that you beautify your name, even if it wasn't beautiful to begin with...making it stand in people's thoughts for something so lovely and pleasant that they never think of it by itself. Thank you, Diana.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
What is the point of fainting into a man's arms if you are not conscious to enjoy it?
Marie Silk (Davenport House (Davenport House #1))
Belong to yourself, then, like me," said Big Tom. "That way, when changes come, you'll always be ready to hold your tail high and move along.
Natalie Babbitt (Nellie: A Cat on Her Own)
Down through the druid wood I saw Wildman join with Cleaver Creek, put on weight, exchange his lean and hungry look for one of more well-fed fanaticism. Then came Chichamoonga, the Indian Influence, whooping along with its banks war-painted with lupine and columbine. Then Dog Creek, then Olson Creek, then Weed Creek. Across a glacier-raked gorge I saw Lynx Falls spring hissing and spitting from her lair of fire-bright vine maple, claw the air with silver talons, then crash screeching into the tangle below. Darling Ida Creek slipped demurely from beneath a covered bridge to add her virginal presence, only to have the family name blackened immediately after by the bawdy rollicking of her brash sister, Jumping Nellie. There followed scores of relatives of various nationalities: White Man Creek, Dutchman Creek, Chinaman Creek, Deadman Creek, and even a Lost Creek, claiming with a vehement roar that, in spite of hundreds of other creeks in Oregon bearing the same name, she was the one and only original...Then Leaper Creek...Hideout Creek...Bossman Creek...I watched them one after another pass beneath their bridges to join in the gorge running alongside the highway, like members of a great clan marshaling into an army, rallying, swelling, marching to battle as the war chant became deeper and richer.
Ken Kesey (Sometimes a Great Notion)
You remember the footprint All that is forgotten you remember from eternity You remember the footprint which filled with death As the myrmidon approached. You remember the child's trembling lips As they had to learn their farewell to their mother. You remember the mother's hands which scooped out a grave For the child which had starved at her breast. You remember the mindless words That a bride spoke into the air to her dead bridegroom.
Nelly Sachs (Collected Poems I: (1944-1949) (Green Integer))
Ce n'est pas plus mon affaire d'épouser Edgar Linton que d'être au ciel; et si l'individu pervers qui est ici n'avait pas ainsi dégradé Heathcliff, je n'y aurais jamais songé. Ce serait me dégrader moi-même, maintenant, que d'épouser Heathcliff. Aussi ne saura-t-il jamais comme je l'aime; et cela, non parce qu'il est beau, Nelly, mais parce qu'il est plus moi-même que je ne le suis. De quoi que soient faites nos âmes, la sienne et la mienne sont pareilles et celle de Linton est aussi différente des nôtres qu'un rayon de lune d'un éclair ou que la gelée du feu.
Emily Brontë (Wuthering Heights)
With a wicked smirk, he turned his attention back to the desolate road. “I’ve always wanted to do this. Who better to have my first time out on the open road with than the only girl I’ve ever been in love with.” Staring straight ahead, he dared not look her way. It hadn’t exactly slipped, and telling her he was in love with her wasn’t on a whim. The whole time that he’d been tormented this past week, he’d considered showing up at her house and just spilling it. If there was ever anything he’d been certain of, it was this. He finally glanced at Nellie, her silence scaring the hell out of him. She was staring at him with her hand over her mouth. Her eyes completely welled again and her brows pinched. “It’s true,” he smiled, “not just in love, Nell, but hopeless, there’s-no-helping-this-guy kind of in love with you.
Elizabeth Reyes (Abel (5th Street, #4))
Atticus adjusted his glasses as he peered down at the blanket. “Hey, is that the book Nellie told us about?” Jake’s eyes flicked to Olivia’s book. “You’ve got it outside in the sun? Are you out of your minds?” Amy crossed her arms. “We’re being careful.” “It’s not about careful, this is a five-hundred-year-old manuscript! You should be wearing gloves—Atticus brought some—and keeping it out of the sunlight.” “It didn’t take you long to start barking orders!” Any exclaimed, her face flushing. “But then you always know best, don’t you?” “Somebody has to be mature in this situation,” Jake said, his gaze flashing at Ian, who was now intently trying to brush cookie crumbs off his pants. “True. In that case, we’d rather consult your little brother,” Ian said with a smirk. “Medieval manuscripts are his field, am I right?” “Technically, it’s early Renaissance,” Jake said. “Thanks for the correction, my good man. Amy is right—you do know best.” Ian slipped his arm around Amy. “She’s so perceptive. One of the many things I adore about her.” “It’s getting chilly. Why don’t we go inside?” Amy suggested brightly as she tried to step out of the circle of Ian’s arm. Ian took the opportunity to rub her shoulder. “You do feel rather cold,” he said. “Let’s sit by the fire. Jake, since you’re so interested in proper handling, why don’t you take the book?” Jake snatched up the book and furiously stomped off toward the house. “You forgot to wear gloves!” Ian called after him. Amy pushed him away. “Really, Ian.” “What a touchy guy,” Ian said. “Frankly, I don’t know what you see in him.” He winced as the kitchen door slammed, then glanced at Amy’s red face. “Hmmm. It might be a good time for me to take a walk.
Jude Watson (Nowhere to Run (The 39 Clues: Unstoppable, #1))
It infuriates him, this killing, this death. Infuriating that this is what we’re known for now, drug cartels and slaughter. This my city of Avenida 16 Septembre, the Victoria Theater, cobblestone streets, the bullring, La Central, La Fogata, more bookstores than El Paso, the university, the ballet, garapiñados, pan dulce, the mission, the plaza, the Kentucky Bar, Fred’s—now it’s known for these idiotic thugs. And my country, Mexico—the land of writers and poets—of Octavio Paz, Juan Rulfo, Carlos Fuentes, Elena Garro, Jorge Volpi, Rosario Castellanos, Luis Urrea, Elmer Mendoza, Alfonso Reyes—the land of painters and sculptors—Diego Rivera, Frida Kahlo, Gabriel Orozco, Pablo O’Higgins, Juan Soriano, Francisco Goitia—of dancers like Guillermina Bravo, Gloria and Nellie Campobello, Josefina Lavalle, Ana Mérida, and composers—Carlos Chávez, Silvestre Revueltas, Agustín Lara, Blas Galindo—architects—Luis Barragán, Juan O’Gorman, Tatiana Bilbao, Michel Rojkind, Pedro Vásquez—wonderful filmmakers—Fernando de Fuentes, Alejandro Iñárritu, Luis Buñuel, Alfonso Cuarón, Guillermo del Toro—actors like Dolores del Río, “La Doña” María Félix, Pedro Infante, Jorge Negrete, Salma Hayek—now the names are “famous” narcos—no more than sociopathic murderers whose sole contribution to the culture has been the narcocorridas sung by no-talent sycophants. Mexico, the land of pyramids and palaces, deserts and jungles, mountains and beaches, markets and gardens, boulevards and cobblestoned streets, broad plazas and hidden courtyards, is now known as a slaughter ground. And for what? So North Americans can get high.
Don Winslow (The Cartel (Power of the Dog #2))
A un moment j’ai même laissé échapper un son qui s’est prolongé malgré moi en prenant de plus en plus de force, un son qui avait attendu ce jour précis pour partir du fond de mes années de ténèbres à mal aimer des hommes qui m’ont mal aimée en retour et recouvrir ta poitrine comme une brûlure ; c’était d’abord un son rauque et traînant, une plainte animale qui n’avait rien du sanglot et qui en un véritable appel à la mort. A ce moment tout s’est arrêté, je me suis soudain rappelé cette même scène vécu avec toi alors qu’on venait de se rencontrer ; ce hurlement avait déjà eu lieu et sa répétition implacable m’a fait taire une fois pour toute. A ce moment aussi tu t’es écarté de moi, sans doute pour la même raison, tu t’es levé dans une brusquerie qui a délogé Oréo de la chaise de ton bureau. Ne voulant pas te regarder dans les yeux, j’ai regardé tes pieds. Mon hurlement avait tracé une ligne infranchissable entre nous, en hurlant je venais de sonner le glas de notre histoire. Tu as dit des paroles que tu avais déjà prononcées en d’autres circonstances et je suis partie, je savais que plus jamais on ne se reparlerait.
Nelly Arcan (Folle)
Just A Dream Lyrics I was thinkin about her thinkin about me thinkin about us what we gunna be open my eyes... it was only just a dream so i travel back down that road wish you come back no one knows i realize, it was only just a dream i was at the top now its like i'm in the basement number 1 spot now shes finding a replacement i swear now i cant take it knowing somebodys got my baby now you wait around, baby i cant think i should put it down, shoulda got that ring cuz i can still feel it in the air see your pretty face run my fingers through her hair my love my life my shawty my wife she left me, i'm tight cuz i knew that it just aint right i was thinkin about her thinkin about me thinkin about us where we gunna be open my eyes... it was only just a dream so i travel back down that road wish you come back no one knows i realize, it was only just a dream and i be ridin and i swear i see your face and every time i try to get my usher on but i cant let it burn and i just hope that she notice she the only one i yearn for no more sooner will i learn didn't give her all my love i guess now i got my payback now i'm in the club thinking all about my baby hey she was so easy to love but wait, i guess that love wasnt enough i'm goin through it every time that i'm alone now i'm wishing she would just pick up the phone but she made a decision that she wanted to move on cuz i was wrong i was thinkin about her thinkin about me thinkin about us where we gunna be open my eyes... it was only just a dream so i travel back down that road wish you come back no one knows i realize, it was only just a dream if you ever loved somebody put your hands up x2 and now theyre gone and you wish you could give them everything (x2) i was thinkin about her thinkin about me thinkin about us where we gunna be open my eyes... it was only just a dream so i travel back down that road wish you come back no one knows i realize, it was only just a dream
Nelly