Nickel Boys Elwood Quotes

The capacity to suffer. Elwood--all the Nickel boys--existed in the capacity. Breathed in it, ate in it, dreamed in it. That was their lives now. Otherwise they would have perished. The beatings, the rapes, the unrelenting winnowing of themselves. They endured. But to love those who would have destroyed them? To make that leap? We will meet your physical force with soul force. Do to us what you will and we will still love you.

Elwood said, "It's against the law." State law, but also Elwood's. If everyone looked the other way, then everybody was in on it. If he looked the other way, he was as implicated as the rest. That's how he saw it, how he'd always seen things.

Elwood never ceased to marvel how you could walk around and get used to seeing only a fraction of the world. Not knowing you only saw a sliver of the real thing.

Hard work was a fundamental virtue, for hard work didn’t allow time for marches or sit-ins. Elwood would not make a commotion of himself by messing with that movie-theater nonsense, she said. “You have made an agreement with Mr. Marconi to work in his store after school. If your boss can’t depend on you, you won’t be able to keep a job.” Duty might protect him, as it had protected her.

... Elwood saw that he was always simultaneously at home in whatever scene he found himself and also seemed like he shouldn't have been there; inside and above at the same time; a part and apart. Like a tree trunk that falls across a creek—it doesn't belong and then it's never not been there, generating its own ripples in the larger current.

The second thing Elwood noticed was the boy’s eerie sense of self. The mess hall was loud with the rumble and roil of juvenile activity, but this boy bobbed in his own pocket of calm.

Perhaps if he'd spent more time in the crucible of the county jail, Elwood would have known that it is best not to interfere in other people's violence, no matter the underlying facts of the incident.

No matter that Mr. Marconi had told him he didn’t care, no matter that Elwood had never said a word to his friends when they stole in his presence. It didn’t make no sense until it made the only sense.

Punishment for acting above your station was a central principal in Harriet's interpretation of the world. In the hospital, Elwood wondered if the viciousness of his beating owed something to his request for harder classes...Now he worked on a new theory: There was no higher system guiding Nickel's brutality, merely an indiscriminate spite, one that had nothing to do with people. A figment from tenth-grade science struck him: a Perpetual Misery Machine, one that operated by itself without human agency. Also, Archimedes, one of his first encyclopedia finds. Violence is the only lever big enough to move the world

Turner had never met a kid like Elwood before. Sturdy was the word he returned to, even though the Tallahassee boy looked soft, conducted himself like a goody-goody, and had an irritating tendency to preach. Wore eyeglasses you wanted to grind underfoot like a butterfly. He talked like a white college boy, read books when he didn't have to, and mined them for uranium to power his own personal A-bomb. Still--sturdy.

Watch and think and plan. Let the world be a mob—Elwood will walk through it. They might curse and spit and strike him, but he’d make it through to the other side. Bloodied and tired, but he’d make it through.

She threw him a bone about the movement: 'Lyndon Johnson's carrying on President Kennedy's civil rights bill. And if that good old boy is doing right, you know things is changing. Be a whole different thing when you come home, Elwood.

This or this,” his eye doctor asked at checkups, a choice between two lenses of different power. Elwood never ceased to marvel how you could walk around and get used to seeing only a fraction of the world. Not knowing you only saw a sliver of the real thing. This or this?

He had a narrow raccoon face that drew Elwood’s attention to his tiny nose and dark circles under his eyes and thick bristly eyebrows. Spencer was fastidious with his dark blue Nickel uniform; every crease in his clothes looked sharp enough to cut, as if he were a living blade.

Over time, Elwood saw that he was always simultaneously at home in whatever scene he found himself and also seemed like he shouldn’t have been there; inside and above at the same time; a part and apart. Like a tree trunk that falls across a creek—it doesn’t belong and then it’s never not been there, generating its own ripples in the larger current.

Harriet thought they should wake the boy. “Let him sleep,” Evelyn said, and that was the last she heard from them. If her daughter had ever been suited for motherhood, she never demonstrated it. The look on her face when little Elwood suckled on her breast—her joyless, empty eyes seeing through the walls of the house and into pure nothing—chilled Harriet to the bone whenever she remembered it.

Elwood dressed in the dark slacks from last year’s Emancipation Day play. He’d grown a few inches, so he let them out and they showed the barest sliver of his white socks. A new emerald tie clip held his black tie in place and the knot only took six attempts. His shoes glinted with polish. He looked the part, even if he still worried for his glasses if the police brought out nightsticks. If the whites carried iron pipes and baseball bats.

Blakeley took Elwood through the front door and it was swiftly clear that outside was one thing and inside another. The warped floors creaked incessantly and the yellow walls were scuffed and scratched. Stuffing dribbled from the couches and armchairs in the recreation room. Initials and epithets marked the tables, gouged by a hundred mischievous hands. Elwood fixated on the housekeeping chores Harriet would have ticked off for his attention: the fuzzy haloes of finger grime around every cabinet latch and doorknob, the balls of dirt and hair in the corners.

They knew Elwood’s route. Sometimes jeered at him for being a goody-two-shoes when he biked past Larry’s window on his way home. That night they jumped him. It was just getting dark and the smell of magnolias mingled with the tang of fried pork. They slammed him and his bike into the new asphalt the county had laid down that winter. The boys tore his sweater, threw his glasses into the street. As they beat him, Larry asked Elwood if he had any damned sense; Willie declared that he needed to be taught a lesson, and proceeded to do so. Elwood got a few licks in here and there, not much to talk about. He didn’t cry.

Grateful was the teacher rescued by Elwood’s contributions when the classroom fell drowsy with the afternoon heat and he offered up Archimedes or Amsterdam at the key moment. The boy had one usable volume of Fisher’s Universal Encyclopedia, so he used it, what else could he do? Better than nothing. Skipping around, wearing it down, revisiting his favorite parts as if it were one of his adventure tales. As a story, the encyclopedia was disjointed and incomplete, but still exciting in its own right. Elwood filled his notebook with the good parts, definitions and etymology. Later he’d find this scrap-rummaging pathetic.

They'd find a way out of this mess of thorns, she told her grandson, and promised to visit his first Sunday at Nickel. But when she showed up, they told her that he was sick and couldn't have visitors. She asked what was wrong with him. The Nickel man said, [How the h*** should I know, lady?] There was a new pair of denim pants on the chair next to Elwood's hospital bed. The beating had embedded bits of the first into his skin and it took two hours for the doctor to remove the fibers. It was a duty the doctor had to perform from time to time. Tweezers did the trick. The boy would be in the hospital until he walked without pain.

In the three years Elwood played the role, the one constant was his nervousness at the climax, when Jackson had to kiss his best girl on the cheek. They were to be married and, it was implied, live a happy and fertile life in the new Tallahassee. Whether Marie-Jean was played by Anne, with her freckles and sweet moon face, or by Beatrice, whose buck teeth hooked into her lower lip, or in his final performance by Gloria Taylor, a foot taller and sending him to the tips of his toes, a knot of anxiety tautened in his chest and he got dizzy. All the hours in Marconi’s library had rehearsed him for heavy speeches but left him ill-prepared for performances with the brown beauties of Lincoln High, on the stage and off.

In some ways Turner had been telling Elwood’s story ever since his friend died, through years and years of revisions, of getting it right, as he stopped being the desperate alley cat of his youth and turned into a man he thought Elwood would have been proud of. It was not enough to survive, you have to live—he heard Elwood’s voice as he walked down Broadway in the sunlight or at the end of a long night hunched over the books. Turner walked into Nickel with strategies and hard-won dodges and a knack for keeping out of scrapes. He jumped over the fence on the other side of the pasture and into the woods and then both boys were gone. In Elwood’s name, he tried to find another way. Now here he was. Where had it taken him?

Elwood took the long way back, around the trails that circumnavigated Boot Hill and took him past the stables and laundry. He was slow with his steps. He didn’t want to know if Turner had been intercepted, or if the boy had ratted on him or simply taken his letter up to his hideout and put a match to it. Whatever waited for him on the other side would still be waiting for him whenever he got there, so he whistled a tune he remembered from when he was little, a blues tune. He didn’t recall the words or whether it had been his father or mother who sang it, but he felt good whenever the song snuck up on him, a kind of coolness like the shadow of a cloud out of nowhere, something that broke off something bigger. Yours briefly before it sailed on its way.

Elwood had no paper, no pen, just walls, and he was all out of fine thoughts, let alone the wisdom and the way with words. The world had whispered its rules to him for his whole life and he refused to listen, hearing instead a higher order. The world continued to instruct: Do not love for they will disappear, do not trust for you will be betrayed, do not stand up for you will be swatted down. Still he heard those higher imperatives: Love and that love will be returned, trust in the righteous path and it will lead you to deliverance, fight and things will change. He never listened, never saw what was plainly in front of him, and now he had been plucked from the world altogether. The only voices were those of the boys below, the shouts and laughter and fearful cries, as if he floated in a bitter heaven.

Turner let the work speak for itself. Harper wanted to be certain about Elwood's comfort with his new detail. 'You don't look surprised,' the young white man said. 'It has to end up somewhere,' Elwood responded. 'How things are done. Spencer tells me where to go, and he kicks it up to Director Hardee.' Harper fiddled the dial after more rock and roll: Elvis popped up again. He was everywhere. 'It used to be worse in the old days,' Harper said, 'from what my aunt says. But the state cracked down and now we lay off the south-campus stuff.' Meaning, they old sold the black students' supplies. 'We had this god old boy who used to run Nickel, Roberts, who would've sold the air you breathe if he could've. Now that was a crook!' 'Beats cleaning the toilets,' Turner said. 'Beats cutting grass, if you ask me.' It was nice to be out, and Elwood said so.

Uma coisa dava à luz outra: sem a cela onde o reverendo estivera preso, não haveria um magnífico apelo à ação. Elwood não tinha papel nem caneta, apenas paredes. Não lhe restavam pensamentos belos, quanto mais sabedoria e habilidade com as palavras. O mundo tinha-lhe segredado as regras para o resto da vida e ele recusara-se a ouvir, escutando antes uma ordem mais elevada. O mundo continuava a instruí-lo: não ames porque eles vão desaparecer, não confies porque eles vão trair, não te ergas em defesa própria porque vais ser esmagado. Mesmo assim, ouvia imperativos de ordem maior: ama e esse amor será devolvido, confia no caminho dos justos e esse caminho desembocará na libertação, luta e as coisas mudarão. ele nunca ouvira ou tão-pouco tinha visto aquilo que era tão obvio, que estava diante de si, e agora fora arrancado do mundo de uma vez por todas.

Throw us in jail, and we will still love you. Bomb our homes and threaten our children, and, as difficult as it is, we will still love you. Send your hooded perpetrators of violence into our communities after midnight hours, and drag us out onto some wayside road, and beat us and leave us half-dead, and we will still love you. But be ye assured that we will wear you down by our capacity to suffer, and one day we will win our freedom. The capacity to suffer. Elwood—all the Nickel boys—existed in the capacity. Breathed in it, ate in it, dreamed in it. That was their lives now. Otherwise they would have perished. The beatings, the rapes, the unrelenting winnowing of themselves. They endured. But to love those who would have destroyed them? To make that leap? We will meet your physical force with soul force. Do to us what you will and we will still love you.

Elwood had never been much of a crier, but he’d taken it up since the arrest. The tears came at night, when he imagined what Nickel held in store for him. When he heard his grandmother sobbing in her room next door, fussing around, opening and closing things because she didn’t know what to do with her hands. When he tried without success to figure out why his life had bent to this wretched avenue. He knew he couldn’t let the boys see him weep, so he turned over in the bunk and put his pillow over his head and listened to the voices: the jokes and taunts, the stories of home and distant cronies, the juvenile conjectures about how the world worked and their naïve plans to outwit it. He’d started the day in his old life and ended it here. The pillowcase smelled like vinegar, and in the night the katydids and crickets screeched in waves, soft then loud, back and forth.

What about their family? How many boys you know here got family? Or got family that cares about them? Not everyone is you, Elwood. Turner got jealous when Elwood's grandmother visited and brought him snacks, and it slipped out from time to time. Like now. The blinders Elwood wore, walking around. The law was one thing-- you can march and wave signs around and change a law if you convinced enough white people. In Tampa, Turner saw the college kids with their nice shirts and ties sit in at Woolworths. He had to work, but they were out protesting. And it happened-- they opened the counter. Turner didn't have the money to eat there either way. You can change the law but you can't change people and the way they treat each other. Nickel was racist as h***--half the people who worked here probably dressed up like the Klan on the weekends--but the way Turner saw it, wickedness went deeper than skin color. It was Spencer. It was Spencer and it was Griff and it was all the parents who let their children wind up here. It was people. Which is why Turner brought Elwood out to the two trees. To show him something that wasn't in books.

HE remembered looking "agape" in his encyclopedia volume after he read Dr. King's speech in the DEFENDER. The newspaper ran the address in full after the reverend's appearance at Cornell College. If Elwood had come across the word before, through all those years of skipping around the book, it hadn't stuck in his head. King described "agape" as a divine love operating in the heart of man. A selfless love, an incandescent love, the highest there is. He called upon his Negro audience to cultivate that pure love for their oppressors, that it might carry them to the other side of the struggle. Elwood tried to get his head around it, now that it was no longer the abstraction floating in his head last spring. It was real now. "Throw us in jail and we will still love you. Bomb our homes and threaten our children, and, as difficult as it is, we will still love you. Send your hooded perpetrators of violence into our communities after midnight hours, and drag us out onto some wayside road, and beat us and leave us half-dead, and we will still love you. But be ye assured that we will wear you down by our capacity to suffer, and one day we will win our freedom. The capacity to suffer. Elwood--all the Nickel boys--existed in the capacity. Breathed in it, ate in it, dreamed in it. That was their lives now. Otherwise they would have perished. The beatings, the rapes, the unrelenting winnowing of themselves. They endured. But to love those who destroyed them? To make that leap? "We will meet your physical force with soul force. Do to us what you will and we will still love you." Elwood shook his head. What a thing to ask. What an impossible thing.