Neat Freak Quotes

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The Odd Couple. Is this that one where the one guy is a mess and the other is a neat freak?” “Yes, it is.” “And you are?” “A mess.” Then he looked at the book in my hands. “Oh, you mean in the play? I’m the neat freak. Felix.
Kasie West (The Fill-In Boyfriend)
Jamie: Maybe you could stop being a neat freak and ease off with barking orders at me. Dante: I resent the neat-freak statement. And I do not bark. Jamie: Sure you don't, Popeye. Dante: And it wouldn't kill you to use the shoe rack. I mean, it's right by the door. Jamie: Stop putting my CD's in chronological order, and I'll work on the shoe rock thing. Dante: How about alphabetical order? Jamie: How about you go to therapy?
Suzanne Wrightt (Wicked Cravings (The Phoenix Pack, #2))
Trying to keep a public men’s room clean? Sure, go ahead and put up signs urging people to pee neatly—or, better, paint a housefly on the urinal and watch the male instinct for target practice take over.
Steven D. Levitt (Think Like a Freak)
Not surprisingly, Dickens was also something of a neat freak. He brushed his thinning hair hundreds of times a day, even whipping out a comb in the middle of a dinner party if he sensed a single strand out of place.
Robert Schnakenberg (Secret Lives of Great Authors: What Your Teachers Never Told You about Famous Novelists, Poets, and Playwrights)
Narcissists can be neat freaks or they can be disgusting slobs. A cross between is when the disgusting slobs expect you to clean up their mess. The neat freaks insist you conform to their standards, leaving no room for your authentic self in either case.
Tracy Malone
Slipping gingerly out of bed, half expecting some sort of neat-freak monster to grab me, I pressed my feet to the cold metal floor, letting its chill assure me that this was real. The juxtaposition was too jarring. I couldn’t seem to remember how I’d gotten here.
Bella Forrest (The Girl Who Dared to Think (The Girl Who Dared, #1))
Rosie had to keep her room neat enough so James would not freak out, but not so neat that they could figure it all out, break the code, of who you truly were, what you were up to, your values, your truest parts. ... you were layer upon layer of ideas and erasures and new ideas and soul and images. [p. 68]
Anne Lamott (Imperfect Birds)
She stood in the middle of my bedroom, gazing around with wide eyes. I hadn’t made my bed. In three years. And the walls were plastered with wakeboarding posters and snowboarding posters and surfing posters (I was going to learn to snowboard and surf someday, too). It all might have been overwhelming at first-not exactly House Beautiful. “Is this McGillicuddy’s room?” she asked. “What! No. McGillicuddy’s a neat freak. Also he collects Madame Alexander dolls.” She turned her wide eyes on me. “Kidding! I’m kidding,” I backtracked. Why did I have to make up stuff like that? My family was weird enough for real.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Your grandparents are English?" "Grandfather is,but Grandmere is French. And my other grandparents are American,of course." "Wow.You really are a mutt." St. Clair smiles. "I'm told I take after my English grandfather the most, but it's only because of the accent." "I don't know.I think of you as more English than anything else.And you don't just sound like it,you look like it,too." "I do?" He surprised. I smile. "Yeah,it's that...pasty complexion. I mean it in the best possible way," I add,at his alarmed expression. "Honestly." "Huh." St. Clair looks at me sideways. "Anyway.Last summer I couldn't bear to face my father, so it was the first time I spent the whole holiday with me mum." "And how was it? I bet the girls don't tease you about your accent anymore." He laughs. "No,they don't.But I can't help my height.I'll always be short." "And I'll always be a freak,just like my dad. Everyone tells me I take after him.He's sort of...neat,like me." He seems genuinely surprised. "What's wrong with being neat? I wish I were more organized.And,Anna,I've never met your father,but I guarantee you that you're nothing like him." "How would you know?" "Well,for one thing,he looks like a Ken doll.And you're beautiful." I trip and fall down on the sidewalk. "Are you all right?" His eyes fill with worry. I look away as he takes my hand and helps me up. "I'm fine.Fine!" I say, brushing the grit from my palms. Oh my God, I AM a freak. "You've seen the way men look at you,right?" he continues. "If they're looking, it's because I keep making a fool of myself." I hold up my scraped hands. "That guy over there is checking you out right now." "Wha-?" I turn to find a young man with long dark hair staring. "Why is he looking at me?" "I expect he likes what he sees." I flush,and he keeps talking. "In Paris, it's common to acknowledge someone attractive.The French don't avert their gaze like other cultures do. Haven't you noticed?" St. Clair thinks I'm attractive. He called me beautiful. "Um,no," I say. "I hadn't noticed." "Well.Open your eyes." But I stare at the bare tree branches, at the children with balloons, at the Japanese tour group. Anywhere but at him. We've stopped in front of Notre-Dame again.I point at the familiar star and clear my throat. "Wanna make another wish?" "You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail. This time I can't help it.All day long, I've thought about it.Him.Our secret. I wish St. Clair would spend the night again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
His neat-freak tendencies were a decided turn-on, and she made a mental note to clean her apartment before inviting him over, because she had a feeling her habits would have the opposite effect on him.
Rachel Grant (Evidence Series Box Set Volume 1: Books 1-3.5 (Evidence, #1-3.5))
You could drink, slice, do meth, snort coke, burn, cut, stab, slash, rip out your eyelashes, or fuck till you bleed and it’s all the same thing: self-harm. She says: whether someone has hurt you or made you feel bad or unworthy or unclean, rather than taking the rational step of realizing that person is an asshole or a psycho and should be shot or strung up and you should stay the fuck away from them, instead we internalize our abuse and begin to blame and punish ourselves and weirdly, once you start cutting or burning or fucking because you feel so shitty and unworthy, your body starts to release this neat-feeling shit called endorphins and you feel so fucking high the world is like cotton candy at the best and most colorful state fair in the world, only bloody and stuffed with infection. But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
Kathleen Glasgow (Girl in Pieces)
If only I could coexist as peacefully with you as I do with my wolf,” Jaime said as they walked back to pack territory hand in hand. Dante frowned at her. “We coexist peacefully…when you’re not making a mess of our room and ignoring what I say.” “Maybe you could stop being a neat freak and ease off with barking orders at me.” “I resent the neat-freak statement. And I do not bark.” She snickered. “Sure you don’t, Popeye.” “And it wouldn’t kill you to use the shoe rack. I mean, it’s right by the door.” “Stop putting my CDs in chronological order, and I’ll work on the shoe rack thing.” A short pause. “How about alphabetical order?” “How about you go to therapy?” A frustrated growl escaped him. “How about I just shove my cock in your mouth? That should shut you up. Hey!” he whined when she drummed her fingers against his temple. “What’re you doing?” She shrugged. “I just felt like tapping some ass.” His mouth dropped open. Her smirk had him growling again. “Bitch.” “Jerk.” “Love you, baby.” “Love you, Popeye.
Suzanne Wright (Wicked Cravings (The Phoenix Pack, #2))
It is necessary to know that Cole is a neat-freak. They are both exhausted after a medical situation happens in the story. This is not part of the quote. "Cole sat at the head of the table at a right angle to Rhyne. He snapped his napkin open and tucked one corner into the collar of his shirt. When Rhyne looked at him in surprise, he said, "You're too busy to do more laundry. I thought I'd try to keep my shirts reasonably clean." Rhyne continued to stare at him. "What?" he asked, looking down at himself. "Have I already spilled something?" "My heart," she said feelingly. "All over you.
Jo Goodman (Marry Me (Reidsville, #2))
The massive wardrobe, decorated with stickers and posters of Jack’s favourite bands, stood in the corner. I went to it and opened both the doors – then stepped back in amazement.   It was like something out of a fashion spread. Footwear was aligned in two perfectly straight lines along the bottom of the wardrobe, with boots at the back and shoes at the front. Each pair was polished and had a pair of socks folded up in the left shoe or boot. Above the shoes, Jack’s clothes were hung up on fancy padded hangers, organized by colour going from black through grey, white, pale pink, dark pink, purple and then blue. One quarter of the wardrobe was taken up with closet shelves, where every item, from T-shirts to jeans to scarves, was folded into a perfect geometric square that I wouldn’t have been able to achieve with two helpers, a ruler, and sticky tape.   I turned my head and looked at the chaos of the room. Then I looked back at the wardrobe.   No wonder she never let me see inside before.   “Jack, you big fat fake.” I let out a laugh that was half sob. “Look at this. Look! She’s the worst neat freak of them all, and I never even knew. I never even knew…”   Trying not to mess anything up too much, I searched through the neat piles of T-shirts until I found what seemed to be a plain, scoop-necked white top with short sleeves. I pulled it out, but when I unfolded it, there turned out to be a tattoo-style design on the front: a skull sitting on a bed of gleaming emeralds, with a green snake poking out of one eyehole. In Gothic lettering underneath, it read WELCOME TO MALFOY MANOR.   Typical Jack, I thought, hugging the shirt to my chest for a second. Pretending to be cool Slytherin when she’s actually swotty Ravenclaw through and through.
Zoë Marriott (Darkness Hidden (The Name of the Blade, #2))
I love it, but I'm too much of a neat freak to have something like it for myself. I need clean walls and a clean desktop and everything put away in its right place at all times.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Every app is tucked neatly into a folder. He has zero unread texts and one unread email. “You’re a neat freak. Who has one unread email?” “I don’t like clutter,” he says.
Colleen Hoover (It Starts with Us (It Ends with Us #2))
was now a total mess. Conscious of invading Ali’s private space, I jumped up and smoothed the quilt before looking awkwardly toward her. “I invited her over,” Casey interrupted, shuffling to the side to make room for me. “You can sit on my bed, Alexa. I’m not a neat freak like some people.” She tossed a cushion at Ali and giggled teasingly. “We were just having a pillow fight, and now you’re the target, Ali.” The cushion bounced onto the floor, so Casey threw another one. Ali ducked, and the cushion went flying into the hall. Finally, her face broke into a smile as she retrieved both pillows and sat down on her bed. “How’s your singing practice going?” Casey prodded. “Terrible,” Ali moaned, her smile disappearing. “I can’t reach the high notes the way Holly does. No wonder Mr. Flynn prefers her for the lead.
Katrina Kahler (The New Girl - Books 10, 11 &12)
Narcissists may exhibit extreme cleanliness or utter disarray. An in-between scenario is when messy individuals impose cleanup duties on others, while neat freaks insist you conform to their standards, leaving no room for your authentic self in either case.
Tracy Malone
In Group, Casper doesn't like us to say cut or cutting or burn or stab. She says it doesn't matter what you do or how you do it: it's all the same. You could drink, slice, do meth, snort coke, burn, cut, stab, slash, rip out your eyelashes, or fuck till you bleed and it's all the same thing: self-harm. She says: whether someone has hurt you or made you feel bad or unworthy or unclean, rather than taking the rational step of realizing that person is an asshole or a psycho and should be shot or strung up and you should stay the fuck away from them, instead we internalize our abuse and begin to blame and punish ourselves and weirdly, once you start cutting or burning or fucking because you feel so shitty and unworthy, your body starts to release this neat-feeling shit called endorphins and you feel so fucking high the world is like cotton candy at the best and most colorful state fair in the world, only bloody and stuffed with infection. But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
Kathleen Glasgow (Girl in Pieces)
Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him. Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors. It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit. In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared. She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place. “Sinclair, I hate to ask, but what are you doing?” He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.” He almost ran off the road. “Why?” “Your scintillating conversation was putting me to sleep.” His dark brows knit together but he seemed to have no answer to that. She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly. But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button. Good Lord. She turned back around. “What did you learn?” Paul finally asked. “You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.
Susannah Sandlin (Black Diamond (Wilds of the Bayou, #2))
You really can’t be a control freak and garden happily. After many years, I have finally allowed my garden to rescue me from rigidity. No longer do I feel compelled to create utter neatness and order in my garden—or in my life. “Organized chaos” is more like it, and I like it more that way. Nor do I have to be constantly moving and doing in my garden—or in my life. Today, I actually can (and do) stay put, seated quietly on a tree stump near the brook or on the front lawn under our now majestic oak. I’m perfectly content to allow my mind to drift and my body to rest.
Barbara Pearlman (Gardener's Fitness: Weeding Out the Aches and Pains)
I’m a neat freak now. I’m so clean I’m squeaky.
Jacob Chance (Drive (Boston Terriers #2))
Until the middle of the twentieth century, men earned most of the income for the family, while women, as “traditional housewives,” were responsible for providing services to family members and converting money into status.54 This was seen most clearly in the value placed on neatness, cleanliness, decorations, and entertaining as lavishly as budgets would allow.
Murray Milner Jr. (Freaks, Geeks, and Cool Kids: American Teenagers, Schools, and the Culture of Consumption)
Include just enough detail for flavor and interest but not enough to emphasize or single out a particular item above the importance it deserves. In other words, don’t describe the shovel hanging on the garage wall unless someone is going to dig a grave with it later. An exception would be if your character is a neat freak and the garden tools on the garage wall are alphabetized—this would characterize.
Cheryl St. John (Writing with Emotion, Tension, and Conflict: Techniques for Crafting an Expressive and Compelling Novel)
The old feelings rumbled through his belly, taking root in his aching loins. He was too crippled to pleasure himself anymore. He licked his lips and rang the bell. The door to his study opened, and a man in his midthirties stuck his head through the door. “Yesh, Father?” He looked at his spawn, the watery blue eyes, the weak chin. That boy was going to be the death of him. “Come in here, and stop that lisping!” he roared. Obediently, the son made his way into the room, coming to stand at the foot of his father’s chair. Snow White gazed upon his progeny, his stomach curdling. The boy was a freak—wide, pouting lips, the bottom thick as a finger, so loose as to look like red rubber. His chin tucked neatly into his neck, sloped from bottom lip to clavicle with almost no indentation or marking indicating there was a jawline to prop up his face. His eyes were slanted down and the irises cloudy. He’d been sightless since the age of three, couldn’t see the wreck his own father had become. “Yess, Father,” he said again, calmly. A long sibilance replaced the lisp, the boy’s best attempt to work within the confines of his deformity. He stood tall, his shoulders back, ready to accept whatever his father could give—be it love or hate. Snow
J.T. Ellison (14 (Taylor Jackson, #2))