Naomi Smalls Quotes

How can you spend hours every day trying in small ways to figure out who you are, then have a near-stranger give you a sentence of yourself that says it better than you ever could?

Of course I was afraid. But I had learned to fear other things more: being despised, whittled down one small piece of myself at a time, smirked at and taken advantage of. I put my chin up and said, as cold as I could be in answer, “And what will you give me in return?

Making a Fist For the first time, on the road north of Tampico, I felt the life sliding out of me, a drum in the desert, harder and harder to hear. I was seven, I lay in the car watching palm trees swirl a sickening pattern past the glass. My stomach was a melon split wide inside my skin. "How do you know if you are going to die?" I begged my mother. We had been traveling for days. With strange confidence she answered, "When you can no longer make a fist." Years later I smile to think of that journey, the borders we must cross separately, stamped with our unanswerable woes. I who did not die, who am still living, still lying in the backseat behind all my questions, clenching and opening one small hand.

The thousands small birds of January in their smooth soaring cloud finding the trees.

I watched them roam awhile, and had a small weep, but even grief had its limits. By dinner-time I was horribly bored.

consistency is the hobgoblin of small minds,

He slept once again in the small tent by his side, even though he thought Temeraire was well over his distress, and was rewarded in the morning by being woken early, Temeraire peering into the tent with one great eye and inquiring if perhaps Laurence would like to go to Dover and arrange for the concert today. “I would like to sleep until a civilized hour, but as that is evidently not to be, perhaps I will ask leave of Lenton to go,” Laurence said, yawning as he crawled from the tent. “May I have my breakfast first?” “Oh, certainly,” Temeraire said, with an air of generosity.

Why should it be any surprise that people find solace in the most intimate literary genre? Poetry slows us down, cherishes small details. A large disaster erases those details. We need poetry for nourishment and for noticing, for the way language and imagery reach comfortably into experience, holding and connecting it more successfully than any news channel we could name.

Is that possible?” the duty officer said, her voice small and tight. “Only if you define ‘possible’ as things that have already happened,” Naomi said, not turning to look at her.

Remembering your mistakes more acutely than any minor success. This was the worst. The things that kept you up at night. Tip a waiter that was too small. The words that didn't fit the moment. Words that didn't come till to late. You could kill yourself in increments, punishing your spirit day after day-regret. Guilt. Not the guilt of the little girl who woke in the night embarrassed God was mad at her because she had ticked balls under her shirt, pretending to have breasts. "I even felt sexy." That was sweet, and pure, no crime at all. But the crime of obsessive replay-get rid of it, get rid of it. Who could ever have known that hardest punishments would be the ones you gave yourself?

The passageway smelled of smoke: burning wood, a torch, acrid. His head ached. Blood was wet and sticky upon his arm and on his fingers, and the orange glow of torchlight played from behind his back and over the corridor walls, leaping like a bonfire. There was a strange familiarity to it: the narrow walls in around him. And when he came to a wooden door set in the wall, he put his hand upon it and pushed it open. There was a room, and a pallet inside it; a small torch burned low in a socket upon the wall. A man lay upon the cot, his face bruised and battered, his hands curled against his chest bloody: and Laurence knew him; knew him and knew himself. He remembered another door opening, in Bristol, three years before, and a voice asking him to come outside his prison, in a Britain under siege. “Tenzing,” Laurence said, and, as Tharkay opened feverish eyes, went to help him stand.

Small hopes were riches to those who until lately had none, and were to be pursued by every means at hand.

All beauty touches the human heart, be it only so small as an ant or a spider.

I’d forgotten it was these people I was coming back to: these views, that synagogue full of small, cramped minds, grown twisted through lack of sunlight.

As a brand, the Obama White House’s identity is probably closest to Starbucks: hip, progressive, approachable —a small luxury you can feel good about even during tough economic times.

I opened the door expecting to find something really horrible inside, and I did: eight freshmen, all of whom turned and stared at me like a herd of small and especially pitiful deer about to be mown down by a massive lorry.

All life has in it the dimension of the Unknown; it is a thing forever unfolding. It seems important to consider the possibility that science may have defined life too small. If we define life too small, we will define ourselves too small as well.

As a physician, I was trained to deal with uncertainty as aggressively as I dealt with disease itself. The unknown was the enemy. Within this worldview, having a question feels like an emergency; it means that something is out of control and needs to be made known as rapidly, efficiently, and cost-effectively as possible. But death has taken me to the edge of certainty, to the place of questions. After years of trading mystery for mastery, it was hard and even frightening to stop offering myself reasonable explanations for some of the things that I observed and that others told me, and simply take them as they are. "I don't know" had long been a statement of shame, of personal and professional failing. In all of my training I do not recall hearing it said aloud even once. But as I listened to more and more people with life-threatening illnesses tell their stories, not knowing simply became a matter of integrity. Things happened. And the explanations I offered myself became increasingly hollow, like a child whistling in the dark. The truth was that very often I didn't know and couldn't explain, and finally, weighed down by the many, many instances of the mysterious which are such an integral part of illness and healing, I surrendered. It was a moment of awakening. For the first time, I became curious about the things I had been unwilling to see before, more sensitive to inconsistencies I had glibly explained or successfully ignored, more willing to ask people questions and draw them out about stories I would have otherwise dismissed. What I have found in the end was that the life I had defended as a doctor as precious was also Holy. I no longer feel that life is ordinary. Everyday life is filled with mystery. The things we know are only a small part of the things we cannot know but can only glimpse. Yet even the smallest of glimpses can sustain us. Mystery seems to have the power to comfort, to offer hope, and to lend meaning in times of loss and pain. In surprising ways it is the mysterious that strengthens us at such times. I used to try to offer people certainty in times that were not at all certain and could not be made certain. I now just offer my companionship and share my sense of mystery, of the possible, of wonder. After twenty years of working with people with cancer, I find it possible to neither doubt nor accept the unprovable but simply to remain open and wait. I accept that I may never know where truth lies in such matters. The most important questions don't seem to have ready answers. But the questions themselves have a healing power when they are shared. An answer is an invitation to stop thinking about something, to stop wondering. Life has no such stopping places, life is a process whose every event is connected to the moment that just went by. An unanswered question is a fine traveling companion. It sharpens your eye for the road.

McDonald's, meanwhile, continues busily to harass small shopkeepers and restaurateurs of Scottish descent for that nationality's uncompetitive predisposition toward the Mc prefix on its surnames. The company sued the McAl an's sausage stand in Denmark; the Scottish-themed sandwich shop McMunchies in Buckinghamshire; went after Elizabeth McCaughey's McCoffee shop in the San Francisco Bay Area; and waged a twenty-six-year battle against a man named Ronald McDonald whose McDonald's Family Restaurant in a tiny town in Il inois had been around since 1956.

Arable land in Africa will continue to be seized to provide food and fuel to wealthier nations, unleashing a new stage of neocolonial plunder layered on top of the most plundered places on earth (as journalist Christian Parenti documents so well in Tropic of Chaos). When heat stress and vicious storms wipe out small farms and fishing villages, the land will be handed over to large developers for mega-ports, luxury resorts, and industrial farms. Once self-sufficient rural residents will lose their lands and be urged to move into increasingly crowded urban slums—for their own protection, they will be told.

Small places make for small lives

Children are born so small. It does not matter if they are boys or girls. They are all born so weak and so powerless.

He could not hope to discover, let alone understand, what thoughts moved her as she sat holding his hand to her cheek. He was alone, in the smallness of the room, in the space within him. And yet they were both together, alone. He understood, as if the knowledge had been waiting for him in this windowless chamber. That was, at bottom, what it amounted to. To be alone, together.

And do you do the same now, with other children? With the children in your care?” But Mrs. Montgomery-Taylor, now Mrs. Williams, has always been shrewd, even in her madness. “All children need different kinds of love,” she says. “We do what’s needed to care for them.” Children are born so small. It does not matter if they are boys or girls. They are all born so weak and so powerless.

Even in the moment, whatever we'd been about to do had seemed like a bad idea, and thankfully I wasn't in the moment anymore. I'd never been in a moment with anyone before and I didn't like it at all. What business did my brain have coming up with a patently stupid idea like kissing Orion Lake in the stacks instead of doing my classwork? It felt like nothing more than the symptoms of a mindworm infestation, per the description in the sophomore maleficaria textbook: mysterious and uncharacteristic foreign thoughts inserting themselves at unwanted and unpredictable times. If only I had a mindworm infestation. All I had was Orion sitting next to me in his too-small t-shirt from sophomore year that was the only clean one he had left this week and his arm about four inches away from mine.

And there, in small warm pools of lamplight, you could see what Leo Auffmann wanted you to see. There sat Saul and Marshall, playing chess at the coffee table. In the dining room Rebecca was laying out the silver. Naomi was cutting paper-doll dresses. Ruth was painting water colors. Joseph was running his electric train. Through the kitchen door, Lena Auffman was sliding a pot roast from the steaming oven. Every hand, every head, every mouth made a big or little motion. You could hear their faraway voices under glass. You could hear someone singing in a high sweet voice. You could smell bread baking, too, and you knew it was real bread that would soon be covered with real butter. Everything was there and it was working. . . . "Sure," he murmured. "There it is." And he watched with now-gentle sorrow and now-quick delight, and at last quiet acceptance as all the bits and pieces of this house mixed, stirred, settled, poised, and ran steadily again. "The Happiness Machine," he said. "The Happiness Machine.

Hesitantly, Grandfather, Douglas, and Tom peered through the large windowpane. And there, in the small warm pools of lamplight, you could see what Leo Auffmann wanted you to see. There sat Saul and Marshall, playing chess at the coffee table. In the dining room Rebecca was laying out the silver. Naomi was cutting paper-doll dresses. Ruth was painting water colors. Joseph was running his electric train. Through the kitchen door, Lena Auffmann was sliding a pot roast from the steaming oven. Every hand, every head, every mouth made a big or little motion. You could hear their faraway voices under the glass. You could hear someone singing in a high sweet voice. You could smell bread baking too, and you knew it was real bread that would soon be covered in real butter. Everything was there and it was working. Grandfather, Douglas, and Tom turned to look at Leo Auffmann, who gazed serenely through the window, the pink light on his cheeks. "Sure," he murmured," There it is." And he watched with now-gentle sorrow and now-quick delight, and at last quiet acceptance as all the bits and pieces of this house mixed, stirred, settled, poised, and ran steadily again. "The Happiness Machine," he said. "The Happiness Machine.

With bare feet in the dirt, fulmia, ten times with conviction, will shake the earth to its roots, if you have the strength, Jaga’s book had told me, and the Dragon had believed it enough not to let me try it anywhere near the tower. I had felt doubtful, anyway, about conviction: I hadn’t believed I had any business shaking the earth to its roots. But now I fell to the ground and dug away the snow and the fallen leaves and rot and moss until I came to the hard-frozen dirt. I pried up a large stone and began to smash at the earth, again and again, breaking up the dirt and breathing on it to make it softer, pounding in the snow that melted around my hands, pounding in the hot tears that dripped from my eyes as I worked. Kasia was above me with her head flung up, her mouth open in its soundless cry like a statue in a church. “Fulmia,” I said, my fingers deep in the dirt, crushing the solid clods between my fingers. “Fulmia, fulmia,” I chanted over and over, bleeding from broken nails, and I felt the earth hear me, uneasily. Even the earth was tainted here, poisoned, but I spat on the dirt and screamed, “Fulmia,” and imagined my magic running into the ground like water, finding cracks and weaknesses, spreading out beneath my hands, beneath my cold wet knees: and the earth shuddered and turned over. A low trembling began where my hands drove into the ground, and it followed me as I started prying at the roots of the tree. The frozen dirt began to break up into small chunks all around them, the tremors going on and on like waves. The branches above me were waving wildly as if in alarm, the whispering of the leaves becoming a muted roaring. I straightened up on my knees. “Let her out!” I screamed at the tree: I beat on its trunk with my muddy fists. “Let her out, or I’ll bring you down! Fulmia!” I cried out in rage, and threw myself back down at the ground, and where my fists hit, the ground rose and swelled like a river rising with the rain. Magic was pouring out of me, a torrent: every warning the Dragon had ever given me forgotten and ignored. I would have spent every drop of myself and died there, just to bring that horrible tree down: I couldn’t imagine a world where I lived, where I left this behind me, Kasia’s life and heart feeding this corrupt monstrous thing. I would rather have died, crushed in my own earthquake, and brought it down with me. I tore at the ground ready to break open a pit to swallow us all.

Consequences are outside the parameters of the machine. After all, it is only a set of small pieces of cardboard, or silicon. It has no urge to reach out to other minds, to connect, to understand or be understood. It can have no sense of whether it is altering the human minds around it, of how the ubiquity of these systems of manipulation without empathy or compassion can slowly train human beings to fit in with them.

Along the way, I learned the Jewish concept of tikkun olam, which means 'the healing of the world' and is accomplished through presence in the midst of pain. It can be summarized in the phrase "I'm here with you and I love you" and is accomplished through simple acts of presence. It became a rallying cry for me in my work as a funeral director. Rachel Naomi Remen, in an interview with Krista Tippett, describes it as 'a collective task. It involves all people who have ever been born, all people presently alive, all people yet to be born. We are all healers of the world...It's not about healing the world by making a huge difference. It's about the world that touches you.' Presence and proximity before performance. As I took that to heart, I started to see small, everyday examples of tikkun olam everywhere. When a mother comforts a child, she's healing the world. Every time someone listens to another - deeply listens - she's healing the world. A nurse who bathes the weakened body of an elderly patient is healing the world. The teacher who invests herself in her students is healing the world. The plumber who makes the inner workings of a house run smoothly is healing the world. A funeral director who finds that he can heal the world even at his family's business. When we practice presence and proximity, we may not change anyone, we may not shift culture or move mountains, but it's a healing act, if for none other than ourselves. When we do our work with kindness - no matter what kind of work - if we're doing it with presence, we're practicing tikkun olam.

Sometimes when we’re suffering we feel as if we have been singled out. We wonder why God has picked on us. But my life as the rabbi of a small synagogue taught me that if that’s what we think, we are mistaken. We are never alone in our suffering. Scratch the surface of any family, any social gathering, any congregation, and you will find loss and pain there. We may not always be privy to the pain, but it is there just the same. If we had the power to peer inside the heart of any human being, we would uncover there a silent anguish.

The soldiers were already laying pikes along the wall by torch-light, with the points bristling upwards; they had draped cloaks over the poles to make small tents to sleep under. A few of them were sitting around small campfires, soaking dried meat in boiling water, stirring kasha into the broth to cook up. They cleared hastily out of our way without our even having to say a word, afraid. Sarkan seemed not to notice, but I couldn’t help feeling sorry and strange and wrong. One of the soldiers was a boy my own age, industriously sharpening pike-heads one by one with a stone, skillfully: six strokes for each one and done as quick as the two men putting them along the wall could come back for them. He must have put himself to it, to learn how to do it so well. He didn’t look sullen or unhappy. He’d chosen to go for a soldier. Maybe he had a story that began that way: a poor widowed mother at home and three young sisters to feed, and a girl from down the lane who smiled at him over the fence as she drove her father’s herd out into the meadows every morning. So he’d given his mother his signing-money and gone to make his fortune. He worked hard; he meant to be a corporal soon, and after that a sergeant: he’d go home then in his fine uniform, and put silver in his mother’s hands, and ask the smiling girl to marry him. Or maybe he’d lose a leg, and go home sorrowful and bitter to find her married to a man who could farm; or maybe he’d take to drink to forget that he’d killed men in trying to make himself rich. That was a story, too; they all had stories. They had mothers or fathers, sisters or lovers. They weren’t alone in the world, mattering to no one but themselves.

White men's stories continue to be considered Important and Universal. If the films of Quentin Tarantino, Stanley Kubrick, or Christopher Nolan don't "speak" to you, you are considered by other filmmakers and creatives to be a philistine of the highest order, one who is simply too ignorant to grasp the depth of their genius. But men can hardly be expected to sit through the films of those female filmmakers most radically plumbing the depths of the female experience—Karyn Kusama, Jane Campion, Tamara Jenkins. After all, they are telling "small" and "personal" stories.

But the portal was closing, getting smaller and smaller, and— A glowing, black figure filled it. Then another. Aidas and Apollion. Their power grabbed the edges of the portal and held it a little wider. Held it open a moment longer. And with what little strength he had left, Hunt threw a desperate, raging, blazing-hot rope of lightning toward Apollion. The only being on Midgard who could handle his power. Apollion caught it, in that humanoid form once more, and pulled. Aidas flared with black light, pushing back against the sealing portal, against Urd’s wishes. Hunt was close enough to see the princes’ strained faces, Apollion’s teeth flashing as he dragged Hunt by his lightning, inch by inch, closer and closer. Aidas was sweating, panting as he fought to keep the portal open— And then Ruhn was there. Starlight flaring. Pushing back against the impossible. Lidia was beside him, crackling with fire. Tharion. Holstrom. Flynn and Dec. A fire sprite, her small body bright with flame. Isaiah and Naomi. So many hands, so many powers, from almost every House. The friends they’d made were what mattered in the end. Not the enemies. Through love, all is possible. It was love that was holding the portal open.

A SOLAR OASIS Like everywhere else in Puerto Rico, the small mountain city of Adjuntas was plunged into total darkness by Hurricane Maria. When residents left their homes to take stock of the damage, they found themselves not only without power and water, but also totally cut off from the rest of the island. Every single road was blocked, either by mounds of mud washed down from the surrounding peaks, or by fallen trees and branches. Yet amid this devastation, there was one bright spot. Just off the main square, a large, pink colonial-style house had light shining through every window. It glowed like a beacon in the terrifying darkness. The pink house was Casa Pueblo, a community and ecology center with deep roots in this part of the island. Twenty years ago, its founders, a family of scientists and engineers, installed solar panels on the center’s roof, a move that seemed rather hippy-dippy at the time. Somehow, those panels (upgraded over the years) managed to survive Maria’s hurricane-force winds and falling debris. Which meant that in a sea of post-storm darkness, Casa Pueblo had the only sustained power for miles around. And like moths to a flame, people from all over the hills of Adjuntas made their way to the warm and welcoming light.

He hated it so very much I almost felt sorry for him. He finally resorted to standing over me while I cast the final spell, noting down every small thing I did, even the sneeze from breathing in too deep over the cinnamon, and when I was finished he tried it again himself. It was very strange watching him, like a delayed and flattering mirror: he did everything exactly the way I had done, but more gracefully, with perfect precision, enunciating every syllable I had slurred, but he wasn’t halfway through before I could tell it wasn’t working. I twitched to interrupt him. He shot me a furious look, so I gave up and let him finish working himself into a thicket, as I thought of it, and when he was done and nothing whatsoever had happened, I said, “You shouldn’t have said miko there.” “You did!” he snapped. I shrugged helplessly: I didn’t doubt that I had, though to be perfectly honest I didn’t remember. But it hadn’t been an important thing to remember. “It was all right when I did it,” I said, “but when you did it, it was wrong. As though—you were following a trail, but a tree had fallen down in the meantime, or some hedge grew up, and you insisted on continuing on anyway, instead of going around it—” “There are no hedges!” he roared. “It comes, I suppose,” I said thoughtfully, speaking to the air, “of spending too much time alone indoors, and forgetting that living things don’t always stay where you put them.

Naomi: im cooking lol Naomi: if its bad we can order in Naomi: what time you home ? She has attached a picture: his small green casserole dish on one of the hotplates. Disorientated feeling, as though his centre of gravity disturbed, walls shifting: like passing out, he thinks. As if he will pass out there and then, and at the thought, remembering, he sits down on a kitchen chair. The little green dish on the stovetop, what time you home. Christ, he thinks, what is he doing, what on earth. In the bath the other night, murmuring in her ear, I want you to be happy. Was he lying then: and why, for what, for what possible reason. Strong sudden impulse he feels to begin praying, already mouthing the silent words, and then frightened by himself he stops. To pray for what: forgiveness, guidance. From whom: God he barely believes in, sentimental Jesus commanding us to love one another. In over his head, fathoms over, and something has to be done. How capable he has been of holding in his mind with no apparent struggle such contradictory beliefs and feelings. The false true lover, the cynical idealist, the atheist at his prayers. Everything lethally intermixed, everything breaching its boundaries, nothing staying in its right place. She, the other, himself. Even Christine, Ivan, this married girlfriend of his. Their father: from beyond the grave. Conceptual collapse of one thing into another, all things into one. No. To answer first the simple question of where to sleep tonight. Marry me. I love you. What time you home.

That is the untold story of what the IMF calls "stabilization programs," as if countries were ships being tossed around on the market's high seas. They do, eventually, stabilize, but that new equilibrium is achieved by throwing millions of people overboard: public sector workers, small-business owners, subsistence farmers, trade unionists. The ugly secret of "stabilization" is the vast majority never climb back aboard. They end up in slums, now home to 1 billion people; they end up in brothels or cargo ship containers. They are the disinherited, those described by the German poet Rainer Maria Rilke as "ones to whom neither the past nor the future belongs.

The first bell went off just as I got to my locker. After spinning the combination into the padlock, I yanked on the handle while pressing my shoulder into the door. It was my usual routine whenever I visited my locker so none of my stuff would fall out. Sure, we have a locker clean out every two weeks, but you know how life can get busy sometimes, right? That and I was pretty sure I was feeding a small family of rodents living at the bottom of it. I’m not sure I could live with myself if I did anything to take food off their table. Squeezing my fingers into the cold, dark, and somehow damp locker, I managed to scrape the top of my math book just enough so that it would tip into my hand. “Gotcha!” I exclaimed as I slid the book out slowly. After it was free from the locker, I slammed the door shut with my knee since that was the spot where it clicked shut. Suddenly, like she materialized out of thin air, Naomi was standing

We will take this word in our arms. It will be small and breathing. We will not wish to scare it. Pressing lips to the edge of each syllable. Nothing else will save us now. The word “together” wants to live in every house.