Nail Biting Quotes

We've searched our database for all the quotes and captions related to Nail Biting. Here they are! All 100 of them:

I'm never going to accomplish anything; that's perfectly clear to me. I'm never going to be famous. My name will never be writ large on the roster of Those Who Do Things. I don't do anything. Not one single thing. I used to bite my nails, but I don't even do that any more.
Dorothy Parker (Here Lies: The Collected Stories of Dorothy Parker)
I don’t care what he thinks. Only what you think.” He holds me tighter. “Like if you think I need to stop biting my nails.” “You’ve worn your pinkies to nubs,” I say cheerfully. “Or if I need to start ironing my bed spread.” “I DO NOT IRON MY BED SPREAD.” “You do. And I love it.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I don’t care what he thinks. Only what you think.” He holds me tighter. “Like if you think I need to stop biting my nails.” “You’ve worn your pinkies to nubs,” I say cheerfully.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Work every day. No matter what has happened the day or night before, get up and bite on the nail.
Ernest Hemingway
I never forget,” Myrnin said in a choked whisper. “Certainly not with your nails in my throat. They’re quite an excellent mnemonic device.
Rachel Caine (Bite Club (The Morganville Vampires, #10))
Gino’s Pizza Boy had the look of someone who’s biggest aspiration in life was to make it out of high school after two senior years.
William Kely McClung (LOOP)
All she could think of as she turned the key was, they were real. Jabberwockys and Bandersnatches and all the fucking Snarks. Boojums for sure. Maybe she had entered the Twilight Zone, but this shit was as real as real gets.
William Kely McClung (LOOP)
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt. God, our knees touching isn't enough. I need more. She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life. I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand. She doesn't seem fazed so I move closer. And closer. When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails. I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus. When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one. With a slight shift of my hand, I lace my fingers through hers. I'm holding hands. With Maggie Armstrong. I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them? The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
The same First Amendment that gave people the right for thoughtful discourse with radically differing views, gave people the right to say all the stupid shit they wanted, and the Second, the means if not the guidance, to protect the first and a reason to pay attention.
William Kely McClung (LOOP)
Tara. I'm a vampire," Pearl said. "Yeah, whatever, and I'm queen of the sea." "Your Marine Majesty, I'm a vampire," Pearl said. Concentrating, she slid her fangs out. "Tara. Tara!" She curled back her lips to expose the points. "See" Tara screamed. "I won't hurt you," Pearl said. Calm down. Sheesh." Tara continued to scream. Pearl considered biting her merely to shut her up. Regrettably that would be counter productive. Studying her nails, she waited for Tara to quit screaming. She noticed that Tara didn't try to exit the car, which was an interesting choice. "You aren't running away," Pearl said. "Duh, it's raining outside," Tara said.
Sarah Beth Durst (Drink, Slay, Love)
I need a new nervous habit. Nail biting. Fidget spinners. I’ve heard great things about crystal meth.
Ali Hazelwood (Love, Theoretically)
If Los Angeles is a woman reclining billboard model with collagen-puffed lips and silicone-inflated breasts, a woman in a magenta convertible with heart-shaped sunglasses and cotton candy hair; if Los Angeles is this woman, then the San Fernando Valley is her teenybopper sister. The teenybopper sister snaps bug stretchy pink bubbles over her tongue and checks her lipgloss in the rearview mirror, . . . Teeny plays the radio too loud and bites her nails, wondering if the glitter polish will poison her.
Francesca Lia Block (I Was a Teenage Fairy)
Where are the reporters of yesteryear?' he muttered, 'the nail biting, acerbic, alcoholic nighthawk bastards who truly knew how to write?
Annie Proulx (The Shipping News)
But, brothers, this biting of their toe-nails over what is the CAUSE of badness is what turns me into a fine laughing malchick. They don't go into what is the cause of GOODNESS, so why of the other shop?
Anthony Burgess (A Clockwork Orange)
Just a glance at the ragged mess around her fingernails communicated more than the lenghiest essays on the nature of distress.
Mark Z. Danielewski (One Rainy Day in May (The Familiar, #1))
Hard as nails Stacy Killian was one like one of those Tootsie Roll Pops - hard shell, soft, chewy center. Once a guy knew the center could be chewed, that's what they did. Chewed you up and spit you out. Or swallowed you, bite by bite. Goodbye respect. Goodbye self-esteem.
Erica Spindler (Killer Takes All (Stacy Killian, #2))
Honesty is such a nasty habit, dear. Like biting your nails.
Catherynne M. Valente (Deathless)
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
We've both got a million bad habits to kick, not sleeping is one. We're biting our nails, you're biting my lip, I'm biting my tongue.
Lorde (Lorde - Pure Heroine Songbook: Piano/Vocal/Guitar (Piano, Vocal, Guitar))
Oh, I knew that other hand so well. May it never let go of me tonight. I worship every finger on that hand, every nail you bite on every one of your fingers, my dear, dear Oliver—don’t let go of me yet, for I need that hand there. A shudder ran down my spine.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
She is lying,” he thought to himself, biting his nails vindictively. “Proud creature! She won’t admit she wants to do it out of charity! Too haughty! Oh, base characters! They even love as though they hate... Oh, how I... hate them all!
Fyodor Dostoevsky (Crime And Punishment)
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
Annabel Giles (Birthday Girls)
I waited for her to nod before pacing while I bit my lip. That hurt, so I switched to biting my finger nail.
K.F. Breene (The Council (Darkness, #5))
If you think,” he began, “that being sober and working steadily broke my bullshit meter, now you know better. I knew you were nailing Cross again from the moment you started back up.” Biting into my taco, I shot him a skeptical look. “Eva honey, don’t you think that if there were another man in New York who could bang it out all night like Cross, I would’ve found him by now?
Sylvia Day (Entwined with You (Crossfire, #3))
I AM ROWING (a hex poem) i have cursed your forehead, your belly, your life i have cursed the streets your steps plod through the things your hands touch i have cursed the inside of your dreams i have placed a puddle in your eye so that you cant see anymore an insect in your ear so that you cant hear anymore a sponge in your brain so that you cant understand anymore i have frozen you in the soul of your body iced you in the depths of your life the air you breathe suffocates you the air you breathe has the air of a cellar is an air that has already been exhaled been puffed out by hyenas the dung of this air is something no one can breathe your skin is damp all over your skin sweats out waters of great fear your armpits reak far and wide of the crypt animals drop dead as you pass dogs howl at night their heads raised toward your house you cant run away you cant muster the strength of an ant to the tip of your feet your fatigue makes a lead stump in your body your fatigue is a long caravan your fatigue stretches out to the country of nan your fatigue is inexpressible your mouth bites you your nails scratch you no longer yours, your wife no longer yours, your brother the sole of his foot bitten by an angry snake someone has slobbered on your descendents someone has drooled in the mouth of your laughing little girl someone has walked by slobbering all over the face of your domain the world moves away from you i am rowing i am rowing i am rowing against your life i am rowing i split into countless rowers to row more strongly against you you fall into blurriness you are out of breath you get tired before the slightest effort i row i row i row you go off drunk tied to the tail of a mule drunkenness like a huge umbrella that darkens the sky and assembles the flies dizzy drunkenness of the semicircular canals unnoticed beginnings of hemiplegia drunkeness no longer leaves you lays you out to the left lays you out to the right lays you out on the stony ground of the path i row i row i am rowing against your days you enter the house of suffering i row i row on a black blinfold your life is unfolding on the great white eye of a one eyed horse your future is unrolling I AM ROWING
Henri Michaux
Tall, over six foot, ripped, and with sandy-blond hair that was just a bit too long, tats running down both arms to his elbows, cheekbones you could file your nails on, and lips that were just perfect for biting.
Jane Harvey-Berrick (Lifers)
If you're anything like me, You bite your nails, And laugh when you're nervous. You promise people the world, because that's what they want from you. You like giving them what they want... But darling, you need to stop, If you're anything like me, You knock on wood every time you make plans. You cross your fingers, hold your breath, Wish on lucky numbers and eyelashes Your superstitions were the lone survivors of the shipwreck. Rest In Peace, to your naive bravado... If life gets too good now, Darling, it scares you. If you're anything like me, You never wanted to lock your door, Your secret garden gate or your diary drawer Didn't want to face the you you don't know anymore For fear she was much better before... But Darling, now you have to. If you're anything like me, There's a justice system in your head For names you'll never speak again, And you make your ruthless rulings. Each new enemy turns to steel They become the bars that confine you, In your own little golden prison cell... But Darling, there is where you meet yourself. If you're anything like me You've grown to hate your pride To love your thighs And no amount of friends at 25 Will fill the empty seats At the lunch tables of your past The teams that picked you last... But Darling, you keep trying. If you're anything like me, You couldn't recognize the face of your love Until they stripped you of your shiny paint Threw your victory flag away And you saw the ones who wanted you anyway... Darling, later on you will thank your stars for that frightful day. If you're anything like me, I'm sorry. But Darling, it's going to be okay.
Taylor Swift
One short man said: "I would give anything if only I were even a tiny bit taller." He barely said it when he saw a lady magician standing in front of him. "What do you want?" says the magician. But the short man just stands there so frightened he can't even speak. "Well?" says the magician. The short man just stands there and says nothing. The magician vanishes. Then the short man started crying and biting his nails. First he chewed off all the nails on his fingers, and then on his toes. Reader! Think this fable over and it will make you somewhat uncomfortable.
Daniil Kharms (Today I Wrote Nothing: The Selected Writings)
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The hedge doesn’t need trimming – it’s the first of January, it’s winter, despite the lack of snow – but he finds the activity calming for the same reasons nail biting is calming: it’s repetitive, it imitates meaningful activity, and it’s violent. The hedge trimmer emits a menacing whine, like a wasp’s nest. The sound gives him an illusion of power that dulls his sense of panic. Panic of a rat in a cage, with ample food and drink and even sex, though with no way out and the suspicion that I’s part of an experiment that is sure to be painful.
Margaret Atwood (The Heart Goes Last)
Short a bear market, go long in a bull market, either play, you do it on a hunch, harbor a whole lot of hope, then sit back and try not to bite your nails. Because no one knows anything for sure. Foresight is a hunch. Everyone is making it up as best they can, and life’s winners are those who smile at the truth of it and can cut a wake through a Sargasso of ego, guesswork, bullshit and chance.
Simon Pont (The Better Mousetrap: Brand Invention in a Media Democracy)
In our society, Sorry! is used as shorthand for anything from "I'm not really sorry, I', just saying that to smooth over whatever I just did/am about to do to you" all the way to a nail-biting "Oh shit, what have I done???
Sarah Knight (The Life-Changing Magic of Not Giving a F*ck: How to Stop Spending Time You Don't Have with People You Don't Like Doing Things You Don't Want to Do (A No F*cks Given Guide))
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
She asks me how I'm doing. Stupid fucking question. I want to tell her some days I wake up to find dents on the inside of my palms from where I've fisted my hands while sleeping, my nails biting into the skin & leaving angry marks.
Elizabeth Acevedo (Clap When You Land)
It was Miss Murdstone who was arrived, and a gloomy-looking lady she was; dark, like her brother, whom she greatly resembled in face and voice; and with very heavy eyebrows, nearly meeting over her large nose, as if, being disabled by the wrongs of her sex from wearing whiskers, she had carried them to that account. She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was.
Charles Dickens (David Copperfield)
but,brothers, this biting of their toe-nails over what is the cause of badness is what turns me into a fine laughing malchick... more badness is of the self, the one, the you or me on our oddy knockies,and that self is made by old Bog or God and is his great pride and radosty. But the not-self cannot have the bad, meaning they of the government and the judges and the schools cannot allow the bad because they cannot allow the self... But what I do I do because I like to do.
Anthony Burgess (A Clockwork Orange)
And then I turn another corner, and my chest constricts so tightly, so painfully, that I can no longer breathe. Because there he is. He's engrossed in an oversize book, hunched over and completely absorbed. A breeze ruffles his dark hair, and he bites his nails. . . . Several other people are soaking up the rare sunshine, but as soon as they're registered, they're forgotten. Because of him. I grip the edge of a sidewalk café table to keep from falling. The diners stare in alarm, but I don't care. I'm reeling, and I gasp for air. How can I have been so stupid? How could I have ever for a moment believed I wasn't in love with him?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Asking patients to describe what triggers their habitual behavior is called awareness training, and like AA’s insistence on forcing alcoholics to recognize their cues, it’s the first step in habit reversal training. The tension that Mandy felt in her nails cued her nail biting habit.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
This was screwing. One hundred percent pissed-off, nail-raking, neck-biting, wall-fucking screwing.
Amy Andrews (Playing by Her Rules (Sydney Smoke Rugby, #1))
I’ll run my nose through your hair, Bite the bottom of your ears, Press your nails across my skin, And hear me through your silence, As I say I love you…
Piyush Rohankar (Narcissistic Romanticism)
Because it’s the only way we can feel,” I answer her, my nails biting into her palm. “Deeply, or not at all.
K.V. Rose (Ominous: Book I (Ecstasy, #2))
The girl tapped her nails against the table, biting her lip fetchingly as her eyes flickered from the simple game to Jacks.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I worship every finger on that hand, every nail you bite on every one of your fingers, my dear, dear Oliver - don't let go of me yet, for I need that hand there.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
It's a physical sickness. Étienne. How much I love him. I love Étienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during labs. His messy handwriting on our worksheets. I love handing him his backpack when class is over, because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll — I love that, too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes, and the way he bites his nails, and I love his hair so much I could die. There's only one thing I don't love about him. Her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Have you ever seen a stampede of horses? Do you wonder what the hooves look like from underneath? Have you tasted the blood from biting your own lips because you couldn’t say no loud enough? I never fought back. I didn’t punch him. I kept my thighs tight and closed, but once he’s inside you, you wish you were a streetlamp. A seat belt. A box of nails, of rust, something hard and ruined. You’ll wish you were a wild pony, a slick fish on a line, anything but a woman. Once he’s inside you, you just kind of give up and your eyes glaze over. They stay that way for years
Mary Lambert (Shame Is an Ocean I Swim Across)
The first glance at the pillow showed me a repulsive sentinel perched upon each end of it--cockroaches as large as peach leaves--fellows with long, quivering antennae and fiery, malignant eyes. They were grating their teeth like tobacco worms, and appeared to be dissatisfied about something. I had often heard that these reptiles were in the habit of eating off sleeping sailors' toe nails down to the quick, and I would not get in the bunk any more. I lay down on the floor. But a rat came and bothered me, and shortly afterward a procession of cockroaches arrived and camped in my hair. In a few moments the rooster was crowing with uncommon spirit and a party of fleas were throwing double somersaults about my person in the wildest disorder, and taking a bite every time they stuck. I was beginning to feel really annoyed. I got up and put my clothes on and went on deck. The above is not overdrawn; it is a truthful sketch of inter-island schooner life.
Mark Twain (Roughing It)
By the way, what is a dream?” I asked after some hesitation. YoonGi answered in his drawling voice. “I told you I don't have one.” “No, I mean... .” I hesitated and continued. “I was wondering what a dream is. What do people mean by a dream?” He looked at me and then turned his gaze towards the sky, frowning. “Something you want to achieve? I guess.” HoSeok took over, waving his mobile phone at us. “The dictionary definitions are first, ‘an imaginary series of events you experience while you are asleep’; second, ‘a situation or an ideal you hope to realize’; and third, ‘false expectations or thoughts that are almost unlikely or completely unlikely to turn into reality’.” “Isn't the third definition odd? How can something that is unlikely to turn into reality be called a dream?” HoSeok responded. “People sometimes tell you to wake up from your dream. So, if you're dreaming of turning back and going home before we get to the rock, wake up from your dream!” Some of us laughed out loud, but the rest showed no reaction, probably because they had no more energy left. “That's weird. How can something that you want to achieve most in your life and something that is unlikely to come true both be called a dream?” YoonGi said, giggling. “Maybe it means that people are that desperate. They just can't give up on their dreams even though they know they won't come true. Don't ever try to have a dream.” I looked at him in surprise.“How come?” YoonGi had started biting his nails and, feeling conscious of my glance, he put his hands in his pockets. “Because it's tough having one.
Big Hit Entertainment (花樣年華 HYYH The Notes 1 (The Most Beautiful Moment in Life, #1))
Aiden didn't say anything. He reached out a hand to trace a nail biting into his flesh. "Christ's pain should always be my pain. I should never forget. I never want to. I want to keep reaching out to other people in pain." He sighed. "It doesn't always work that way. I fail more than I succeed." "Why try?" "Because I can't afford to. Look at Him." He stretched out his hands as if beseeching the picture. "He wouldn't give up.
Camy Tang (Sushi for One? (Sushi, #1))
We didn’t make love, we made war. When she was pulling, I was biting. When she was scratching, digging her nails into my flesh, I slammed harder, faster. Our sex was furious, it was raw, untamed, wild…but it wasn't selfish
L.J. Shen (Sparrow (Boston Belles #0.5))
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It had a strange resemblance to Kafka's novel,The Trial- that dream-like allegory of a man who,having received a mysterious convocation to attend his 'trial",strives and struggles in vain to find out where the trial would be held and what it would be about; wherever he inquires he receives non - commital,elusive replies,as if everybody has joined in a secret conspiracy:the closer he gets to his aim,the farther it recedes,like the transparent walls of a dream:and the story ends abruptly,as it began,in tormenting suspense.The High Court which Kafka's hero is unable to find is his own conscience:but what was the symbolic meaning of all these nut-cracker-faced,nail-biting,pimpled,slimy features,spinning their spider webs of intrigue and sabotage in the bureaux of the French Administration?Perhaps I was really guilty,I and my like:perhaps our guilt was the past,the guilt of having forseen the catastrophe and yet failed to open the eyes of the blind.But if we were guilty-who were they to sit in judgement over us?
Arthur Koestler (Scum of the Earth)
Why does everything always feel so heavy between us?” It takes me by surprise, her question. But it gets under my skin, too, because there’s nothing about it that isn’t true. “Because it’s the only way we can feel,” I answer her, my nails biting into her palm. “Deeply, or not at all.
K.V. Rose (Ominous: Book I (Ecstasy, #2))
We must give up many things to which we are addicted, considering them to be good. Otherwise, courage will vanish, which should continually test itself. Greatness of soul will be lost, which can’t stand out unless it disdains as petty what the mob regards as most desirable. —SENECA, MORAL LETTERS, 74.12b–13 What we consider to be harmless indulgences can easily become full-blown addictions. We start with coffee in the morning, and soon enough we can’t start the day without it. We check our email because it’s part of our job, and soon enough we feel the phantom buzz of the phone in our pocket every few seconds. Soon enough, these harmless habits are running our lives. The little compulsions and drives we have not only chip away at our freedom and sovereignty, they cloud our clarity. We think we’re in control—but are we really? As one addict put it, addiction is when we’ve “lost the freedom to abstain.” Let us reclaim that freedom. What that addiction is for you can vary: Soda? Drugs? Complaining? Gossip? The Internet? Biting your nails? But you must reclaim the ability to abstain because within it is your clarity and self-control.
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
But, brothers, this biting of their toe-nails over what is the cause of badness is what turns me into a fine laughing malchick. They don't go into what is the cause of goodness, so why the other shop? If lewdies are good that's because they like it, and I wouldn't ever interfere with their pleasures, and so of the other shop. And I was patronizing the other shop. More, badness is of the self, the one, the you or me or our oddy knockies, and that self is made by old Bog or God and is his great pride and radosty. But the not-self cannot have the bad, meaning tbey of the government and the judges and the schools cannot allow the bad because they cannot allow the self. And is not our modern history, my brothers, the story of brave malenky selves fighting these big machines? I am serious with you brothers, over this. But what I do I do because I like to do.
Anthony Burgess (A Clockwork Orange)
Oh, she had been some kind of fine-looking, all right, with that dynamite body and that gorgeous fall of red wavy hair. But she was weak . . . weak somehow. It was as if she was sending out radio signals which only he could receive. You could point to certain things—how much she smoked (but he had almost cured her of that), the restless way her eyes moved, never quite meeting the eyes of whoever was talking to her, only touching them from time to time and then leaping nimbly away; her habit of lightly rubbing her elbows when she was nervous; the look of her fingernails, which were kept neat but brutally short. Tom noticed this latter the first time he met her. She picked up her glass of white wine, he saw her nails, and thought: She keeps them short like that because she bites them. Lions may not think, at least not the way people think . . . but they see. And when antelopes start away from a waterhole, alerted by that dusty-rug scent of approaching death, the cats can observe which one falls to the rear of the pack, maybe because it has a lame leg, maybe because it is just naturally slower . . . or maybe because its sense of danger is less developed. And it might even be possible that
Stephen King (It)
Problem phase 1. Cue: You are answering emails. 2. Craving: You begin to feel stressed and overwhelmed by work. You want to feel in control. Solution phase 3. Response: You bite your nails. 4. Reward: You satisfy your craving to reduce stress. Biting your nails becomes associated with answering email.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
Oak puts his hands on my shoulders, pushing my back to the wall. 'Pretend with me,' he whispers. And then he presses his mouth to mine. A soldier kissing one of the serving girls. A bored ex-falcon attempting to amuse himself. Oak hiding our faces, giving us a reason to be overlooked. I understand the game. This is no declaration of desire. And yet, I am rooted in place by the shocking heat of his mouth, the softness of his lips, the way one of his hands goes to the ice wall to brace himself and the other to my waist, and then to the hilt of my knife as they draw closer. He doesn't want me. This doesn't mean he wants me. I repeat that over and over as I let him part my lips with his tongue. I run my hands up his back under his shirt, letting my nails trail over his skin. I have been trained in all the arts of a courtier. Dancing and duelling, kissing and deceiving. Still, I am gratified when he shudders, when the hand he was bracing with lifts to thread through my hair, to cup my head. My mouth slides over his jaw to his throat, then against his shoulder, where I press the points of my teeth. His body stiffens, his fingers gripping me harder, pulling me closer to him. When I bite down, he gasps.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
What were you doing with her?” The words burst from my lips. Before I can take them back, he stares at me. I stare back at him as the silence stretches onwards. We’re both stiff. He says nothing. “Maybe I should ask you the same thing.” I shake my head, my nails digging into my palms. Then before I can react, he has pushed me roughly up the wall, his eyes now dark and fiery, like a storm ready to unleash itself. Good. He’s mad too. His hands force me to the wall as he presses his body against mine. The intensity of the move, the feel of him makes my breath hitch. “Get off me,” I seethe, pounding my fists into his chest but Adrian keeps me locked in place, so that his breath caresses my ear. “Were you guys too rushed?’ He mocks. “Too desperate to book a hotel room?” I can barely stifle a disgusted snort. “What are you talking about?” Fury pumps through my head. “A hotel room? What kind of girl do you think I am—mmf?” He moves against me, moving to kiss me. The moment where his lips meet mine hard and unyielding. He tastes of smoke and lipgloss—and I’m reminded of the scene earlier where he and Lauren got out of the closet together. Disgust fills me as I squirm in his arms. He groans, fire burning in his voice. “You want me, you’re trying to hide from it.” “No,” I try to bite the words at him but it comes out strangled. I try to push him away but before I have to, he releases me. I try to put as much distance between him and myself, shaking. Loathing is my voice. "Get away from me. I hate you." He swallows and looks away, his breathing slowing. He pushes himself from the wall, still very pale. Then closing his eyes and turning, he starts walking away, heading towards the parking lot. "I hate you!" I scream again behind him. Adrian stops for a moment, his back to me. “I’ve told you from the very beginning. You should.” He keeps on walking, never glancing back.
L. Jayne (Chasing After Infinity)
Her hands were splayed against the wet tile, her body pulsing. Water rained over them, hot and needle sharp, as he felt the orgasm tear through her. A kind of purging, he thought. She was still gasping when he spun her around and closed his mouth greedily over her breast. She was helpless against what he brought to her. Each time, every time, helpless, staggered. And grateful. She dived her fingers into his hair, twisting, tangling them in that thick wet silk while those good, strong tugs of desire in her belly followed the restless hunger of his mouth on her. His hands, slick, skilled, strong, raced over her, took her to the edge and over. Where he wanted her, where he needed her — shuddering, moaning his name, swamped in her own pleasure. The nails biting viciously into his back thrilled him, the frenzied race of her heart against his incited him. More. All. Now, was all he could think as they savaged each other’s mouths. “I want you.” His breath was heaving as he gripped her hips. “Always. Ever. Mine.” His eyes were a wild and burning blue. She could see nothing else. It should have been too much, this desperate, endless need for him. Yet somehow it was never, never enough. “Mine.” She dragged his mouth back to hers, and when he drove into her, met him beat for urgent beat.
J.D. Robb (Loyalty in Death (In Death, #9))
But, brothers, this biting of their toe-nails over what is the cause of badness is what turns me into a fine laughing malchick. They don't go into what is the cause of goodness, so why of the other shop? And I was patronizing the other shop. More, badness is of the self, the one, the you or me on our oddy knockies, and that self is made by old Bog or God and is his great pride and radosty. But the not-self cannot have the bad, meaning they of the government and the judges and the schools cannot allow the bad because they cannot allow the self. And is not our modern history, my brothers, the story of brave malenky selves fighting these big machines?
Anthony Burgess (A Clockwork Orange)
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Right after Matt died, I was afraid to do basically everything. I couldn’t even bite my nails or sniff my shirt to see if I needed deodorant without feeling like he was watching me. I willed and prayed and begged him to give me a sign that he was watching, that he was with me, so I would know. But he never did. Time moved on. And I stopped being afraid. Until right now, vulnerable and insecure and a little bit drunk. Lying in the sand and falling in crazy love with someone I just met. Matt is watching me. Observing. Possibly judging. And the worst part of it is, I don’t want to wake up under his landslide of sad rocks anymore. I don’t want to taste the marzipan frosting and the clove cigarettes. I don’t want to think about the blue glass necklace or the books he read to me on his bed or the piles of college stuff or some random boy in the grocery store wearing his donated clothes. I don’t want to be the dead boy’s best-friend-turned-something-else. Or the really supportive neighbor friend. Or the lifelong keeper of broken-hearted secrets.
Sarah Ockler (Twenty Boy Summer)
He pushed her nails away from his eyes, accepting her bites as if they were no part of him. He pulled the cloth away from her throat, gripped it. Her screaming stopped. Her eyes started tears, died, grew big. She knew there was death, but life called her, sweet life, all the sweetness of youth, not yet gone. Dwight, the baronet, years of triumph, crying, dying.
Winston Graham (Demelza (Poldark, #2))
I’m never going to accomplish anything; that’s perfectly clear to me. I’m never going to be famous. My name will never be writ large on the roster of Those Who Do Things. I don’t do anything. Not one single thing. I used to bite my nails, but I don’t even do that any more. I don’t amount to the powder to blow me to hell. I’ve turned out to be nothing but a bit of flotsam.
Dorothy Parker (Complete Stories (Penguin Classics))
When I couldn’t take the hunger anymore, I called Taylor and told her everything. She screamed so loud, I had to hold the phone away from my ear. She came right over with a black-bean burrito and a strawberry-banana smoothie. She kept shaking her head and saying, “That Zeta Phi slut.” “It wasn’t just her, it was him, too,” I said, between bites of my burrito. “Oh, I know. Just you wait. I’m gonna drag my nails across his face when I see him. I’ll leave him so scarred, no girl will ever hook up with him again.” She inspected her manicured nails like they were artillery. “When I go to the salon tomorrow, I’m gonna tell Danielle to make them sharp.” My heart swelled. There are some things only a friend who’s known you your whole life can say, and instantly, I felt a little better. “You don’t have to scar him.” “But I want to.” She hooked her pinky finger with mine. “Are you okay?” I nodded. “Better, now that you’re here.” When I was sucking down the last of my smoothie, Taylor asked me, “Do you think you’ll take him back?” I was surprised and really relieved not to hear any judgement to her voice. “What would you do?” I asked her. “It’s up to you.” “I know, but…would you take him back?” “Under ordinary circumstances, no. If some guy cheated on me while we were on a break, if he so much as looked at another girl, no. He’d be donzo.” She chewed on her straw. “But Jeremy’s not some guy. You have a history together.” “What happened to all that talk about scarring him?” “Don’t get it twisted, I hate him to death right now. He effed up in a colossal way. But he’ll never be just some guy, not to you. That’s a fact.” I didn’t say anything. But I knew she was right. “I could still round up my sorority sisters and go slash his tires tonight.” Taylor bumped my shoulder. “Hmm? Whaddyathink?” She was trying to make me laugh. It worked. I laughed for the first time in what felt like a long time.
Jenny Han (We'll Always Have Summer (Summer #3))
No more peeping through keyholes! No more mas turbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or a dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious, death-dealing Bible that was created when the English language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska or Tegalic, a Bible for the Hottentots or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible-it is a counterfeit and a fraud. The King James Version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism, megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the open on a colossal scale, and so salted and spiced that it will last until the next Ice Age. A classic purity, then-and to hell with the Post Office authorities! For what is it enables the classics to live at all, if indeed they be living on and not dying as we and all about us are dying? What preserves them against the ravages of time if it be not the salt that is in them? When I read Petronius or Apuleius or Rabelais, how close they seem! That salty tang! That odor of the menagerie! The smell of horse piss and lion’s dung, of tiger’s breath and elephant’s hide. Obscenity, lust, cruelty, boredom, wit. Real eunuchs. Real hermaphrodites. Real pricks. Real cunts. Real banquets! Rabelais rebuilds the walls of Paris with human cunts. Trimalchio tickles his own throat, pukes up his own guts, wallows in his own swill. In the amphitheater, where a big, sleepy pervert of a Caesar lolls dejectedly, the lions and the jackals, the hyenas, the tigers, the spotted leopards are crunching real human boneswhilst the coming men, the martyrs and imbeciles, are walking up the golden stairs shouting Hallelujah!
Henry Miller (Black Spring)
For who has not wondered whether everything in this world might be alive? Though it be made of stone or wood or metal, there might be life in it, or opinion or, worst of all, resentment. The hewn boards of any boardwalk, did they recall the bite of the saw? Does memory linger in them? Perhaps the forge’s fire still dreams in each nail. A building might be made entirely of injured and brooding things.
Gil Adamson (The Outlander)
And Bethod means to make war on this? He must be mad.” "Bethod, for all his waste and pride, understands the Union. They are jealous of one another, all those people. It may be a union in name, but they fight each other tooth and nail. The lowly squabble over trifles. The great wage secret wars for power and wealth, and they call it government. Wars of words, and tricks, and guile, but no less bloody for that. The casualties are many. Behind those walls they shout and argue and endlessly bite one another’s backs. Old squabbles are never settled, but thrive, and put down roots, and the roots grow deeper with the passing years. It has always been so. They are not like you, Logen. A man here can smile, and fawn, and call you friend, give you gifts with one hand and stab you with the other. You will find this a strange place.
Joe Abercrombie (The Blade Itself (The First Law, #1))
It was Miss Murdstone who was arrived, and a gloomy-looking lady she was...She brought with her, two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was.
Charles Dickens
When he meets my eyes, his expression is anguished. He cannot help me. I fight as they press me down to the floor. Bite when they try to pry open my mouth. But it's all for nothing. Two soldiers hold my wrists, and a third hooks a barbed instrument through the end of my tongue. He pulls it taut. Then a fourth begins slicing through it with a curved dagger. The sharp, searing pain makes me want to cry out, but I cannot with my tongue nailed in place. My mouth goes from dry from being held open to full of blood. Flooded with it. Gagging. Drowning. I choke as they release me, the scream dying in my throat. Scarlet flows over my chin. When I move, flecks of red fly. The pain swallows me whole so that I barely can concentrate, but I know I am losing too much blood. It spills from between my lips, slicks my neck, stains the collar of my dress. This is going to kill me. I am going to die, here on the ice floor of the Citadel.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
The little compulsions and drives we have not only chip away at our freedom and sovereignty, they cloud our clarity. We think we’re in control—but are we really? As one addict put it, addiction is when we’ve “lost the freedom to abstain.” Let us reclaim that freedom. What that addiction is for you can vary: Soda? Drugs? Complaining? Gossip? The Internet? Biting your nails? But you must reclaim the ability to abstain because within it is your clarity and self-control.
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
Go away,” she said voicelessly. Aureliano, smiled, picked her up by the waist with both hands like a pot of begonias, and dropped her on her back on the bed. With a brutal tug he pulled off her bathrobe before she had time to resist and he loomed over an abyss of newly washed nudity whose skin color, lines of fuzz, and hidden moles had all been imagined in the shadows of the other rooms. Amaranta Úrsula defended herself sincerely with the astuteness of a wise woman, weaseling her slippery, flexible, and fragrant weasel’s body as she tried to knee him in the kidneys and scorpion his face with her nails, but without either of them giving a gasp that might not have been taken for that”“breathing of a person watching the meager April sunset through the open window. It was a fierce fight, a battle to the death, but it seemed to be without violence because it consisted of distorted attacks and ghostly evasions, slow, cautious, solemn, so that during it all there was time for the petunias to bloom and for Gaston to forget about his aviator’s dream in the next room, as if they were two enemy lovers seeking reconciliation at the bottom of an aquarium. In the heat of that savage and ceremonious struggle, Amaranta Úrsula understood that her meticulous silence was so irrational that it could awaken the suspicions of her nearby husband much more than the sound of warfare that they were trying to avoid. Then she began to laugh with her lips tight together, without giving up the fight, but defending herself with false bites and deweaseling her body little by little until they both were conscious of being adversaries and accomplices at the same time and the affray degenerated into a conventional gambol and the attacks became”“caresses. Suddenly, almost playfully, like one more bit of mischief, Amaranta Úrsula dropped her defense, and when she tried to recover, frightened by what she herself had made possible, it was too late. A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange whistles and the invisible globes on the other side of death were like. She barely had time to reach out her hand and grope for the towel to put a gag between her teeth so that she would not let out the cat howls that were already tearing at her insides.
Gabriel García Márquez (One Hundred Years of Solitude)
subculture, it was phenomenally refreshing to see the ego depicted with wry wit. “We are constantly murmuring, muttering, scheming, or wondering to ourselves under our breath,” wrote Epstein. “ ‘I like this. I don’t like that. She hurt me. How can I get that? More of this, no more of that.’ Much of our inner dialogue is this constant reaction to experience by a selfish, childish protagonist. None of us has moved very far from the seven-year-old who vigilantly watches to see who got more.” There were also delightful passages about the human tendency to lurch headlong from one pleasurable experience to the next without ever achieving satisfaction. Epstein totally nailed my habit of hunting around my plate for the next bite before I’d tasted what was in my mouth. As he described it, “I do not want to experience the fading of the flavor—the colorless, cottony pulp that succeeds that spectacular burst over my taste buds.” Prior to reading Epstein,
Dan Harris (10% Happier)
You know--a little rosy baby boy at your bosom, and what husband's heart is not touched, seeing his wife nursing his child! A plump little rosy baby, sprawling and snuggling, chubby little hands and feet, clean tiny little nails, so tiny that it makes one laugh to look at them; eyes that look as if they understand everything. And while it sucks it clutches at your bosom with its little hand, plays. When its father comes up, the child tears itself away from the bosom, flings itself back, looks at its father, laughs, as though it were fearfully funny, and falls to sucking again. Or it will bite its mother's breast when its little teeth are coming, while it looks sideways at her with its little eyes as though to say, 'Look, I am biting!' Is not all that happiness when they are the three together, husband, wife and child? One can forgive a great deal for the sake of such moments. Yes, Liza, one must first learn to live oneself before one blames others!
Fyodor Dostoevsky (Notes from Underground)
I do certain things over and over again. I fidget, twirl my hair, leg-bounce, rub or massage my feet together. I’m usually always doing something with my hands whether it is biting my nails or skin, picking at my skins, chewing my hair, fidgeting with something. I grind my teeth and bite the inside of my mouth. I also sway when I’m standing up. I was in trouble for constantly leg bouncing when I was at work because it distracted others. I just learnt its called self-regulation or self-soothing.
Tania Marshall (I am AspienWoman: The Unique Characteristics, Traits, and Gifts of Adult Females on the Autism Spectrum)
Lucille had never seen mountains before, and it was increasingly hard for her not to gape over the steering wheel. There was a weird poetry to it, how the usual nail salons and Dress Barns and Save-A-Lots still existed despite the evidence of actual smashed tectonic plates behind them. There was a bite in the air she didn't associate with summer; summer meant mosquitos by the lake and trying to breathe through the pea-soup humidity. Not purple mountain majesty with a side of CHECK CASHING DELUX.
Emily Henry (Hello Girls)
FIRST FURY: You see! You see! . . . That's quite true, little doll; you're less afraid of us than of that man. Because you need us, Electra. You are our child, our little girl. You need our nails to score your skin, our teeth to bite your breast, and all our savage love to save you from your hatred of yourself. Only the suffering of your body can take your mind off your suffering soul. So come and let us hurt you. You have only those two steps to come down, and we will take you in our arms. And when our kisses sear your tender flesh, you'll forget all in the cleansing fires of pain.
Jean-Paul Sartre (No Exit and Three Other Plays)
What are you doi—” My words are swallowed up as his lips crash down on mine. It isn’t a soft kiss — it’s intense, furious, in a way I never knew a kiss could be, his lips hard and unforgiving against mine. It’s a shut-up-I-hate-you kiss. A you-drive-me-crazy kiss. An if-I-don’t-kiss-you-I’ll-kill-you kiss. It’s a battle — our mouths are opposite fronts, fighting for ground, warring for control. I shove his chest. He bites my lip. I nip his tongue. He tugs my hair. The kiss goes wild as my other arm winds around him, clutching the back of his shirt, my nails raking against the fabric.
Julie Johnson (Not You It's Me (Boston Love, #1))
No more peeping through keyholes! No more masturbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter.
Henry Miller (Black Spring)
Your heart has been sorely wounded, Maeve.” She heard the scrape of his chair as he pushed it back and came around the table toward her. She felt his presence behind her, felt his hands touching her hair, then resting lightly upon her shoulders. It was a gentle touch, a possessive, protective one, and beneath the weight of it she melted inside. His thumbs grazed her nape, eliciting an involuntary shudder; his breath was warm against her cheek as he leaned down and kissed her temple. “I love you, Maeve.” She clenched her hands together fiercely, her nails biting into her palms. “I love you so much I would give my life for you,” he continued. Her fists buried themselves in the folds of the blanket, and the nightshirt just beneath. “I love you so much I would marry you tonight, if I could. But I shall wait, because I would have your father’s consent on the union.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
Ah, Jerry. All my ideas are the same old scam: the bigger the fib, the bigger they bite. The first shamans around the fire were in on it – they knew growing maize along the Euphrates was for mugs. Tell people that reality is exactly what it appears to be, they’ll nail you to a lump of wood. But tell ’em they can go spirit-walking while they commute, tell ’em their best friend is a lump of crystal, tell ’em the government has been negotiating with little green men for the last fifty years, then every Joe Six-Pack from Brooklyn to Peoria sits up and listens. Disbelieving the reality under your feet gives you a licence to print your own. All it takes is an original twist – an artificial intelligence, created by the military to invade and take over the enemy’s computer and weapons systems, has broken loose and is controlling the whole planet with a chilling agenda of its own – and Joe Six-Pack hands you his credits cards, and says “Tell me more . . .
David Mitchell (Ghostwritten: The extraordinary first novel from the author of Cloud Atlas)
My feeling then was of forlornness, of the desperate inadequacies of this human linguistic apparatus that we employ to forestall, a little longer, aloneness, and of how futile these fumblings so often are. In the next lurch of solitude I began trying to add to the list of things not to say to someone in your marriage: Don’t ever use a pen while lying on the bed; don’t ever forget to put the cap back on a pen after using the pen; don’t ever use a pen if it’s new; put items in the refrigerator at ninety-degree angles; do not throw things in the bathroom trash if there are already a lot of things in the trash; don’t ever lie on the bed, made or unmade, in your clothes; don’t get into the bed without having showered; don’t put your bag on the bed, don’t put your bag on the chair, don’t put your bag on the counter, don’t put your bag on the table; don’t ever do the laundry; don’t bite your nails; don’t put the toilet paper facing out; don’t put the toilet paper facing in; don’t accelerate quickly; don’t wear those colors together, don’t wear those colors together, don’t wear a stripe and a plaid, don’t wear that shirt, that looks bad on you, that looks bad on you, and that looks bad on you, and that looks bad on you, and that looks bad on you too, are you sure you want to wear that, that looks bad on you; please stay out of the house one night a week, please stay out of the house a couple of nights a week so I can have some privacy; don’t put that there; don’t put that there; that plastic cup was given to me by my grandmother; don’t use my towel; don’t use my bathroom; you don’t understand your own family; you don’t understand your own role in your own family; you don’t understand what people think of you; you don’t understand other people; you don’t understand me, you don’t understand yourself; I need money for clothes, I need money for credit cards, I need money for school; don’t cut your meat on the plate, that sound is awful, cut your meat on the cutting board before putting it on your plate; don’t touch me. And when I was done
Rick Moody (Hotels of North America)
He felt terrible. At first he thought he felt bad because he was afraid of leading an army, but it wasn’t true. He knew he’d make a good commander. He felt himself wanting to cry. He hadn’t cried since the first few days of homesickness after he got here. He tried to put a name on the feeling that put a lump in his throat and made him sob silently, however much he tried to hold it down. He bit down on his hand to stop the feeling, to replace it with pain. It didn’t help. He would never see Ender again. Once he named the feeling, he could control it. He lay back and forced himself to go through the relaxing routine until he didn’t feel like crying anymore. Then he drifted off to sleep. His hand was near his mouth. It lay on his pillow hesitantly, as if Bean couldn’t decide whether to bite his nails or suck on his fingertips. His forehead was creased and furrowed. His breathing was quick and light. He was a soldier, and if anyone had asked him what he wanted to be when he grew up, he wouldn’t have known what they meant.
Orson Scott Card (Ender's Game (Ender's Saga, #1))
He leaned down and kissed her stomach, her hip bones, while his big hands held her in place. Then his mouth was on her, covering her, licking over her clit. She arched up, crying out as his tongue slid over her folds, making her mindless and crazy. She clutched the pillow, burying her head into the softness as he sucked and licked, nipping over her skin. She clamped her thighs around his head. Whimpered. He was going to drive her right over the edge. His tongue lapped over her clit. "Jack, stop," she said, her voice harsh and panting. "I'm going to... God... No... I want..." He didn't stop. Didn't ease up. He just pushed her harder. His tongue. It was magic. The condom packet slid off her stomach as she planted her feet and rocked into him. Giving up, surrendering to his will and determination. Everything that made Jack, Jack. She coiled tight and then she exploded. She bit her lip, stifling her moans as she rode out wave after wave of delicious sensation. She couldn't think, couldn't put together a sentence, but then he was on her, over her. His palm on her neck, his fingers on her jaw, twisting her face to meet his. His mouth covered hers. He tasted like sex. And lust. His grasp was tight on her jaw, and the way he kissed her, devoured her, sucked her right back under. It was a raw, dirty kiss that consumed her. Her fingers came up to where he held her, and she dug her nails into his wrists. He growled against her lips, biting her, sucking. And the kiss went on and on and on. He finally pulled away, grabbed the condom, and tore open the package. He tossed it onto her body again, ridding himself of his sweats, and then he was naked. And she could only gape at him. Her gaze wide. He had the best cock she'd ever seen in her life. Long and thick. A work of goddamn art. She reached for him, but he grabbed her wrist, shaking his head. "I can't wait, Chlo." He picked up the condom, threw the packet on the floor somewhere and rolled the condom down his hard shaft. She breathed out his name. "Jack." He leaned down, kissing her again, soft and sweet. His erection nudged between her legs. "Just let me inside.
Kate Angell (The Cottage on Pumpkin and Vine)
When she was finished with the mailbox, Lisey trudged back down the driveway with her buckets in the long evening light. Breakfast had been coffee and oatmeal, lunch little more than a scoop of tuna and mayo on a scrap of lettuce, and dead cat or no dead cat, she was starved. She decided to put off her call to Woodbody until she had some food in her belly. The thought of calling the Sheriff's Office—anyone in a blue uniform, for that matter—hadn't yet returned to her. She washed her hands for three minutes, using very hot water and making sure any speck of blood was gone from under her nails. Then she found the Tupperware dish containing the leftover Cheeseburger Pie, scraped it onto a plate, and blasted it in the microwave. While she waited for the chime, she hunted a Pepsi out of the fridge. She remembered thinking she'd never finish the Hamburger Helper stuff once her initial lust for it had been slaked. You could add that to the bottom of the long, long list of Things in Life Lisey Has Been Wrong About, but so what? Big diddly, as Cantata had been fond of saying in her teenage years. "I never claimed to be the brains of the outfit," Lisey told the empty kitchen, and the microwave bleeped as if to second that. The reheated gloop was almost too hot to eat but Lisey gobbled it anyway, cooling her mouth with fizzy mouthfuls of cold Pepsi. As she was finishing the last bite, she remembered the low whispering sound the cat's fur had made against the tin sleeve of the mailbox, and the weird pulling sensation she'd felt as the body began, reluctantly, to come forward. He must have really crammed it in there, she thought, and Dick Powell once more came to mind, black-and-white Dick Powell, this time saying And have some stuffing! She was up and rushing for the sink so fast she knocked her chair over, sure she was going to vomit everything she'd just eaten, she was going to blow her groceries, toss her cookies, throw her heels, donate her lunch. She hung over the sink, eyes closed, mouth open, midsection locked and straining. After a pregnant five-second pause, she produced one monstrous cola-burp that buzzed like a cicada. She leaned there a moment longer, wanting to make absolutely sure that was all. When she was, she rinsed her mouth, spat, and pulled "Zack McCool"'s letter from her jeans pocket. It was time to call Joseph Woodbody.
Stephen King (Lisey's Story)
As a close friend commented: “She seems to dread Charles’s appearance. The days when she is happiest is when he is in Scotland. When he is at Kensington Palace she feels absolutely at a loss and like a child again. She loses all the ground she has built up when she is on her own.” The changes in her are physical. Her speech, normally rapid, energetic, coloured and strong, degenerates instantly when he is with her. Diana’s voice becomes monosyllabic and flat, suffused with an ineffable weariness. It is the same tone that infects her speech when she talks about her parents’ divorce and what she calls “the dark ages”, the period in her royal life until the late 1980s when she was emotionally crushed by the royal system. In his presence she reverts to the girl she was a decade ago. She giggles over nothing, starts biting her nails--a habit she gave up some time ago--and takes on the hunted look of a nervous fawn. The strain in their home when they are together is palpable. As Oonagh Toffolo observes: “It is a different atmosphere at Kensington Palace when he is there. It is tense and she is tense. She doesn’t have the freedom she would like when he’s around. It is quite sad to see the stagnation there.” Another frequent guest simply calls it “The Mad House.
Andrew Morton (Diana: Her True Story in Her Own Words)
She thought that she had been seeking a light distraction. But when she heard the clang of metal on metal and saw Arin scraping a shaft of steel across the anvil with one set of tools and beating at it with another, Kestrel knew she had come to the wrong place. “Yes?” he said, keeping his back to her. His workshirt was soaked through with sweat. His hands were sooty. He left the blade of the sword to cool on the anvil and moved to place another, shorter length of metal on the fire, which lined his profile with unsteady light. She willed her voice to be her own. “I thought we could play a game.” His dark brows drew together. “Of Bite and Sting,” Kestrel said. More firmly, she added, “You implied you know how to play.” He used tongs to stoke the fire. “I did.” “You implied that you could beat me.” “I implied that there was no reason a Valorian would want to play with a Herrani.” “No, you worded things carefully so that what you said could be interpreted that way. But that isn’t what you meant.” He faced her then, arms folded across his chest. “I have no time for games.” The tips of his fingers had black rings of charcoal dust buried under the nail and into the cuticle. “I have work to do.” “Not if I say you don’t.” He turned away. “I like to finish what I start.” She meant to leave. She meant to leave him to the noise and heat. She meant to say nothing more. Instead, Kestrel found herself issuing a challenge. “You are no match for me anyway.” He gave her the look she recognized well, the one of measured disdain. But this time, he also laughed. “Where do you propose we play?” He swept a hand around the forge. “Here?” “My rooms.” “Your rooms.” Arin shook his head disbelievingly. “My sitting room,” she said. “Or the parlor,” she added, though it bothered her to think of playing Bite and Sting with him in a place so public to the household. He leaned against the anvil, considering. “Your sitting room will do. I’ll come when I’ve finished this sword. After all, I have house privileges now. Might as well use them.” Arin started to say something else, then stopped, his gaze roving over her face. She grew uneasy. He was staring, she realized. He was staring at her. “You have dirt on your face,” he said shortly. He returned to his work. Later, in her bathing room, Kestrel saw it. The moment she tilted the mirror to catch the low, amber light of late afternoon, she saw what he had seen, as had Lirah, who had tried to tell her. A faint smudge traced the slope of her high cheekbone, darkened her cheek, and skimmed the line of her jaw. It was a handprint. It was the shadow left from her father’s gritty hand, from when he had touched her face to seal the bargain between them.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The last summer of his life he sat hours together on the old chintz-covered swing-bed in front of the willow tree, chain-smoking Woodbines and watching the shadows flood the lawn until they swallowed him and only the tip of his ciggarette still showed, a faint red pulse. How she had longed to bring him in, to rescue him as he had rescued his sergeant. Her mother wasn't up to it, sitting all day in the kitchen listening to Alma Cogan and Ronnie Hilton on the wireless, biting her nails until they bled. So, it was she who had gone, crossing the lawn at dusk to stand in front of him, waiting for the right words to come into her head, for a dove that would bring her the gift of speech. But nothing came, and he had gazed at her through the smoke of his ciggarette as though from the far side of a pane of glass. He felt sorry for her perhaps, knowing why she had come out, knowing the impossibility of it. But instead of saying, sit down beside me Alice, sit down, daughter, and we will try to understand together the unbearable truth that love is not always enough, that people cannot always be brought back in, he had said, very conservatively, as though in reference to a discussion he had been having with her in his head for weeks, 'They used flame-throwers, you know'. And she had nodded, yes, Daddy, and left him, and gone to her room, and pushed her face into the pillow and bawled. Because she should have done it, should have, and she had failed.
Andrew Miller
After another second had passed I added, “But you’re pretty, pretty,” and as soon as I said it I thought, “Pretty, pretty? John, you’re an idiot.” But she squeezed my hand and when I looked at her I saw her entire lovely face was aglow with a wonderful smile, the kind of smile you get when you have won something. “Why do you rub your fingers together all the time?” she asked me, and I felt the breath leave my body and gasped for air. She had seen me do my crazy finger thing, my affliction. I clenched my teeth while I searched for a long, exaggerated lie to tell her about why I did what I did. I didn’t want to be the crazy kid with tics, I wanted to be James Bond 007, so slick ice avoided me. “It’s okay,” she said. “I bite my nails, see?” and she showed me the backs of her hands. Her finger nails were painted a color I later learned was puce. “My Dad, he blinks all the time, he doesn’t know why either,” she continued. She looked down her feet and said, “I shouldn’t have asked you that. I’m really nervous and I say stupid things when I’m nervous. I’m a girl and this is my first date, and for girls this really is a very big deal.” I understood completely. I was so nervous I couldn’t feel my toes, so I started moving them up and down to make sure they were still there. “It’s all right,” I said. “I don’t know why I do that with my fingers; it’s a thing I do.” “Well, you’re really cute when you do it,” she said. “I know,” I said, and I don’t know why I said it, but I did.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
And once they have children, the most difficult times will seem to them happy, so long as there is love and courage. Even toil will be a joy, you may deny yourself bread for your children and even that will be a joy. They will love you for it afterward; so you are laying by for your future. As the children grow up you feel that you are an example, a support for them; that even after you die your children will always keep your thoughts and feelings, because they have received them from you, they will take on your semblance and likeness. So you see this is a great duty. How can it fail to draw the father and mother nearer? People say it’s a trial to have children. Who says that? It is heavenly happiness! Are you fond of little children, Liza? I am awfully fond of them. You know—a little rosy baby boy at your bosom, and what husband’s heart is not touched, seeing his wife nursing his child! A plump little rosy baby, sprawling and snuggling, chubby little hands and feet, clean tiny little nails, so tiny that it makes one laugh to look at them; eyes that look as if they understand everything. And while it sucks it clutches at your bosom with its little hand, plays. When its father comes up, the child tears itself away from the bosom, flings itself back, looks at its father, laughs, as though it were fearfully funny, and falls to sucking again. Or it will bite its mother’s breast when its little teeth are coming, while it looks sideways at her with its little eyes as though to say, ‘Look, I am biting!’ Is not all that happiness when they are the three together, husband, wife and child? One can forgive a great deal for the sake of such moments. Yes, Liza, one must first learn to live oneself before one blames others!
Fyodor Dostoevsky (Notes from the Underground)
The tailor sidled forward, his long, multi-joined fingers caressing the dress form closest to me. "Ah, yes," he said. "Beautiful, isn't it? The color of storms and oceans, or so we've been told. This dress," he continued, "belonged to Magdalena. She was beautiful- the way you mortals reckon, anyhow- beautiful, but stupid. Oh ho, we had fun with this one, we did, but we used her up too soon. Her fire died, leaving us cold and dark." The dress form beneath the gown was tall and well-formed, the bosom and hips generous, the waist tiny. The dress, a robe à la française, was made from a deep, jewel-toned blue silk, and I could imagine the dramatic coloring of the woman who had worn it: pale skin, dark hair, and blue eyes to match her gown. A breathless beauty, a glittering jewel, and I imagined the Goblin King partaking of her loveliness over and over again, biting the sweet peaches of her cheeks until she was gone. "And this one," Thistle chimed in, pointing to another dress form, "belonged to Maria Emmanuel. Prissy, she was. Refused to do her duty by her lord. She was consecrated to someone else- a carpenter? Something like that. Don't know what the king saw in her, but they were both possessed of a strange devotion to a figure nailed to a wooden cross. She lasted the longest, this prudish nun, not having given herself to king and land, and during her rule, our kingdom suffered. Yet she lasted the longest for that, although she too died in the end, pining for the world above she could see but not touch." This dress form was slim, the gown that hung on it made of an austere gray wool. I could imagine the woman who wore this dress- a pious creature, veiled like a bride of Christ. No beauty, but her eyes would be a clear, luminous gray, shining with the fervor of her passion and faith. Not like Magdalena, whose loveliness would have been carnal and earthly; Maria Emmanuel would have glowed with an inner light, the beauty of a saint or a martyr. The Goblin King was a man of varied tastes, it seemed.
S. Jae-Jones (Wintersong (Wintersong, #1))
If I think too much about John Odom wearing that ring I get mad enough to bite nails in two.
Amy Greene
These women, these Shark Tank Mompreneurs are so passionate about what they created and what they are doing, and that just shines through. That's a major reason why they nailed their audition.
Rachel A. Olsen (Shark Tank MOMpreneurs Take A Bite Out of Publicity: How 5 Inventors Leveraged Media to Build their Business + How YOU Can, Too)
managed to snag the last available table and all three ordered the special with sweet tea to drink. “It’s like Thanksgiving,” Shiloh said. “Not for me. Thanksgiving was working an extra shift so the folks with kids could be home for the day. Christmas was the same,” Bonnie said. Abby shrugged. “The army served turkey and dressing on the holidays. It wasn’t what Mama made, but it tasted pretty damn good.” Since it was a special and only had to be dipped up and served, they weren’t long getting their meal. Abby shut her eyes on the first bite and made appreciative noises. “This is so good. I may eat here every Sunday.” “And break Cooper’s heart?” Bonnie asked. “Hey, now! One night of drinking together does not make us all bosom buddies or BFFs or whatever the hell it’s called these days.” Abby waved at the waitress, who came right over. “I want this plate all over again,” she said. “Did you remember that we do have pie for dessert?” the waitress asked. “Yes, I’ll have two pieces, whipped cream on both. What about you, Shiloh?” She blushed. “I shouldn’t, but . . . yes, and go away before I change my mind.” “Bonnie?” Abby asked. Bonnie shook her head. “Just an extra piece of pie will do me.” “So that’s two more specials and five pieces of pie, right?” the waitress asked. “You got it,” Abby said. “I’m having ice cream when we finish with hair and nails. You two are going to be moaning and groaning about still being too full,” Bonnie said. “Not me. By the middle of the afternoon I’ll be ready for ice cream,” Abby said. “My God, how do you stay so small?” Shiloh asked. “Damn fine genes. Mama wasn’t a big person.” “Well, my granny was as wide as she was tall and every bite of food I eat goes straight to my thighs and butt,” Shiloh said. “But after that wicked, evil stuff last night, I’m starving.” “It burned all the calories right out of your body,” Abby said. “Anything you eat today doesn’t even count.” “You are full of crap,” Shiloh leaned forward and whispered. The waitress returned with more plates of food and slices of pumpkin pie with whipped cream, taking the dirty dishes back away with her. Bonnie picked up the clean fork on the pie plate and cut a bite-size piece off. “Oh. My. God! This is delicious. Y’all can eat Cooper’s cookin’. I’m not the one kissin’ on him, so I don’t give a shit if I hurt his little feelin’s or not. I’m comin’ here for pumpkin pie next Sunday if I have to walk.” “If Cooper doesn’t want to cook, maybe we can all come back here with him and Rusty next Sunday,” Abby said. “And if he does?” Shiloh asked. “Then I’m eating a steak and you can borrow my truck, Bonnie. I’d hate to see you walk that far. You’d be too tired to take care of the milkin’ the next day,” Abby said. “And you don’t know how to milk a cow, do you?” Bonnie’s blue eyes danced when she joked. Abby took a deep breath and told the truth. “No, I don’t, and I don’t like chickens.” “Well, I hate hogs,” Shiloh admitted. “And I can’t milk a cow, either.” “Looks like it might take all three of us to run that ranch after all.” Bonnie grinned. The waitress refilled their tea glasses. “Y’all must be the Malloy sisters. I heard you’d come to the canyon. Ezra used to come in here pretty often for our Sunday special and he always took an extra order home with him. Y’all sound like him when you talk. You all from Texas?” “Galveston,” Abby said. “Arkansas, but I lived in Texas until I graduated high school,” Shiloh said. The waitress looked at Bonnie. “Kentucky after leavin’ Texas.” “I knew I heard the good old Texas drawl in your voices,” the waitress said as she walked away. “Wonder how much she won on that pot?” Abby whispered. Shiloh had been studying her ragged nails but she looked up.
Carolyn Brown (Daisies in the Canyon (The Canyon #2))
God has never sat around biting his nails, wondering what Hitler and Pol Pot and Saddam Hussein were going to do.
Chip Ingram (God: As He Longs for You to See Him)
Quit biting your nails. It makes me anxious.
Mary E. Twomey (Undraland (Undraland, #1))
bed biting my nails and damn near in tears. Part of me wanted to just tell him what was about to happen so that he could prepare himself. Yet, I couldn’t figure out who I owed my loyalty to. Benz,
Jessica N. Watkins (Grand Hustle)
She leans her head on him again. "I have a secret." she says. He stays silent, touching her face. "I’d like to confide in you." She sits up. "But you have to swear not to tell anyone." She looks at him, raising an eyebrow, before lowering her head and a curtain of hair covers her face. "I’d die of shame." Andrea takes her strands of hair and moves them back. "I swear. Cross my heart, like when we were little. Okay?" he makes a sign on his chest. She nods and takes two deep breaths. "It's a little long. I don’t know where to start." "Take all the time you need." He sits up and plays with the grass while he waits. "Well…." She lifts her clasped hands to her mouth. "I've written two novels," she begins. "Really?" Andrea gasps. "Great! Have they been published?" She nods. "How are they doing?" "Well," she says, decisively. "I’m very happy." "I’ll look you up and have a read." She tucks a strand of hair behind her ear. "I’m under a pseudonym, to be honest." Andrea raises his eyebrows. "Ah, I see. So that you feel more free to express yourself, I guess." Susy shakes her head. That isn’t the reason. "Is it because of the stories? Are they strange?" Susy looks down and puts a finger to her mouth, biting the nail. "A little." "Are they really violent? Do you write Tarantino type stories?" he jokes. "No, no." Andrea senses that they have started a guessing game. One piece of information at a time and then he will get to the answer. "Ah! I’ve got it," he points at her. "Love stories? Or, wait. What are they called....?" He snaps his fingers. "Barbara reads them. Those books with vampires, angels and….." "Paranormal Romance? No, not that either." Andrea scratches his ear. "Thrillers, crime novels, science fiction?" Only biographies and reference books remain. She shakes her head again and Andrea folds his arms in puzzlement. "What books have you written then?" Susy whispers a word, her finger in her mouth, and Andrea doesn’t catch it. He takes away her hand and moves closer to her. "Huh?" "Erotic novels," she says, blushing. Andrea gasps and looks at her, wide-eyed, then bursts out laughing and throws himself onto the ground. He holds his stomach and rolls around. "I don’t believe it..." he says, doubled up with laughter. "I knew I shouldn’t have told you!" she blurts out and starts getting up. Andrea grabs her arm. "Please. Sorry," he says. "It’s just that you don’t seem like a housewife who does S&M in the living room." Susy folds her arms. "No, I don’t write about that kind of fantasy." "What type of fantasy do you write about?" he asks with a mischievous smile. "First love in the classroom? Romance, but with sex?" He waves his eyebrows, amused. "Stupid!" she replies, annoyed. "Alright." He clears his throat. "I won’t make fun of you. I promise. I'm listening." He becomes serious again, biting his lips. Susy
Key Genius (Heart of flesh)
There was nothing romantic in what we were. We didn't go out. Share gifts or watch fucking Netflix together. We didn't make love. We made war. When she was pulling I was biting. When she was scratching digging her nails into my flesh, I slammed harder, faster. Our sex was furious, it was raw, untamed, wild... But it wasn't selfish.
L.J. Shen
This is a rather dramatic example of confused feelings being converted in a thought pattern. Any mental preoccupation can distract one from one’s feelings. 5. Turning Against Self. Turning against self is an ego defense whereby a person deflects hostile aggression from another person and directs it onto self. This defense is extremely common among people who have been abandoned through severe abuse. Because a child so desperately needs his parents for survival, he will turn his aggressive rage about his abuse into abuse of himself. The extreme form of this is suicide. In such cases (the French call it self-murder), the person so identifies with the offender that he is killing the offender by killing himself. Common but less intense examples include nail biting, head banging, accident proneness and self-mutilation. In later life people may injure themselves socially or financially. In all cases the rage at the offender is so fearful and shameful it is turned against self. The power and strength of ego defenses lies in the fact that they are automatic and unconscious. They were the best decisions available to you at the time. And they kept you sane. They literally saved your life. The very defenses that were once life-giving later on become the preservers of our toxic shame.
John Bradshaw (Healing the Shame that Binds You)