Love And Cages Quotes

It’s true, I can’t make you love me. But I can refuse to let you out of your cage.

Love your rage, not your cage.

Instead, pursue the things you love doing, and then do them so well that people can't take their eyes off you.

I say if you love something, set it in a small cage and pester and smother it with love until it either loves you back or dies.

You can die of a broken heart -- it's scientific fact -- and my heart has been breaking since that very first day we met. I can feel it now, aching deep behind my rib cage the way it does every time we're together, beating a desperate rhythm: Love me. Love me. Love me.

The person she loved is dead, stolen by someone else. Mine chose to walk away. Chose everything I hate over everything I am. I wonder which hurts more. Before

Like chaos in a glass cage.

There are pieces of me, small pieces, still in love with a fiction.

Well, I have lost you; and I lost you fairly; In my own way, and with my full consent. Say what you will, kings in a tumbrel rarely Went to their deaths more proud than this one went. Some nights of apprehension and hot weeping I will confess; but that's permitted me; Day dried my eyes; I was not one for keeping Rubbed in a cage a wing that would be free. If I had loved you less or played you slyly I might have held you for a summer more, But at the cost of words I value highly, And no such summer as the one before. Should I outlive this anguish, and men do, I shall have only good to say of you.

Feelings can be like wild animals-we underrate how fierce they are until we've opened their cage

A bird who hurt her wing, now forgotten how to fly. A song she used to sing, but can't remember why. A breath she caught and kept - that left her in a sigh. It hurts her so to love you, but she won't say goodbye.

I thought I knew what heartbreak was. I thought that was what Maven did to me. When he stood and left me kneeling. When he told me everything I ever thought him to be was a lie. But then, I believed I loved him. I know now, I didn't know what love was. Or what even the echo of heartbreak felt like. To stand in front of a person who is your whole world and be told you are not enough. You are not the choice. You are a shadow to the person who is your sun.

Being in love, you know... it's not like having a canary, in a cage. When you lose one sweetheart, you can't just go out and get another to replace her.

There are pieces of me, small pieces, still in love with a fiction. A ghost living inside a living boy I cannot begin to fathom. The ghost who sat by my bed while I dreamed in pain. The ghost who kept Samson from my mind as long as he could, I know, delaying an inevitable torture. The ghost who loves me, in what poisoned way he can. And I feel that poison working in me.

I prefer empty cages, Sabina, until I find a unique bird I once saw in my dreams.

Stone walls do not a prison make, Nor iron bars a cage; Minds innocent and quiet take That for an hermitage; If I have freedom in my love And in my soul am free, Angels alone, that soar above, Enjoy such liberty.

The truth is I love being alive. And I love feeling free. So if I can't have those things then I feel like a caged animal and I'd rather not be in a cage. I'd rather be dead. And it's real simple. And I think it's not that uncommon.

Because people heal a whole lot faster when they're with someone who loves them

A Robin Redbreast in a Cage Puts all Heaven in a Rage. A dove house fill’d with doves and pigeons Shudders Hell thro’ all its regions. A Dog starv’d at his Master’s Gate Predicts the ruin of the State. A Horse misus’d upon the Road Calls to Heaven for Human blood. Each outcry of the hunted Hare A fiber from the Brain does tear.

Let us evade the grueling imprisonment of our mental cage and invade the explosive power of love. Only by redirecting lost momentum to positive thinking we can restrengthen the mold of our trust. (“Le ciel c’est l’autre”)

Once he had me panting for breath he broke the kiss and burried his head in the curve of my neck. "I fucking love you." I giggled. That was a very cage response.

I love your brother, Maven. You were right. You are only a shadow, and who looks at shadows when they have flame? Who would ever choose a monster over a god?

Abel wanted a traditional marriage with a traditional wife. For a long time I wondered why he ever married a woman like my mom in the first place, as she was the opposite of that in every way. If he wanted a woman to bow to him, there were plenty of girls back in Tzaneen being raised solely for that purpose. The way my mother always explained it, the traditional man wants a woman to be subservient, but he never falls in love with subservient women. He’s attracted to independent women. “He’s like an exotic bird collector,” she said. “He only wants a woman who is free because his dream is to put her in a cage.

The way my mother always explained it, the traditional man wants a woman to be subservient, but he never falls in love with subservient women. He's attracted to independent women. "He's like an exotic bird collector," she said. "He only wants a woman who is free because his dream is to put her in a cage.

You can have a pet zebra and put that zebra into a small cage every day and tell the zebra that you love it, but no matter how you and the zebra love each other, the fact remains, that the zebra should be let out of that cage and should belong to someone who can treat it better, the way it should be treated, someone who can make it happy.

I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids.

The emotions - love, mirth, the heroic, wonder, tranquility, fear, anger, sorrow, disgust - are in the audience.

You cannot free someone who is caged in their own self.

He has tears in his eyes now. The sight is more than I can bear. He takes two steps away from me and then turns back like a caged animal. “Do you even love me?” he suddenly asks. He grips both of my shoulders. “I’ve said it to you before, and I still mean it. But I’ve never heard it from you.

Loving someone meant letting them be who they were, not caging them

When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.

Dad?" "Yeah?" "She the reason you’re pissed off all the time?" "Yeah." "She the reason you left mom?" "Yeah." "You love her?" "Yeah." There was a long pause. "Cool." "…yeah." "Dad?" "Jesus, Cage.  What?" "Does this mean I can have at Miranda?" Christ. "Yeah, you fuckin' hornball.  Have at it." "Cool.

God loved the birds and invented trees. Man loved the birds and invented cages.

Love should not cause suffocation and death if it is truly love. Don't bundle someone into an uncomfortable cage just because you want to ensure their safety in your life. The bird knows where it belongs, and will never fly to a wrong nest.

If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent. You burn with hunger for food that does not exist. A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.

Keep me rather in this cage, and feed me sparingly, if you dare. Anything that brings me closer to illness and the edge of death makes me more faithful. It is only when you make me suffer that I feel safe and secure. You should never have agreed to be a god for me if you were afraid to assume the duties of a god, and we know that they are not as tender as all that. You have already seen me cry. Now you must learn to relish my tears.

Love is the most precious gift you could ever possibly hope to steal. Some women foolishly do not leave their rib cages locked at night.

Irony and cynicism were just what the U.S. hypocrisy of the fifties and sixties called for. That’s what made the early postmodernists great artists. The great thing about irony is that it splits things apart, gets up above them so we can see the flaws and hypocrisies and duplicates. The virtuous always triumph? Ward Cleaver is the prototypical fifties father? "Sure." Sarcasm, parody, absurdism and irony are great ways to strip off stuff’s mask and show the unpleasant reality behind it. The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, "then" what do we do? Irony’s useful for debunking illusions, but most of the illusion-debunking in the U.S. has now been done and redone. Once everybody knows that equality of opportunity is bunk and Mike Brady’s bunk and Just Say No is bunk, now what do we do? All we seem to want to do is keep ridiculing the stuff. Postmodern irony and cynicism’s become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what’s wrong, because they’ll look sentimental and naive to all the weary ironists. Irony’s gone from liberating to enslaving. There’s some great essay somewhere that has a line about irony being the song of the prisoner who’s come to love his cage.

Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.

This is what you do. If you feel low, you stand tall. You mess up, you move on. You want to try something, try it, and if it was a stupid thing to try, you look it in the eye. There's no turning back. You apologize if you're sorry, but know that the nimblest, strongest hands can't rebuild a bridge out of embers, so cut new wood. Start from scratch. You love with your whole heart. If you're jealous, talk yourself from the ledge. If you can't talk yourself down from the ledge, have a good time up there, looking down on the world. If you have to lie to make everything true again, lie like you mean it. If you find yourself in a cage, reach out through the bars for the key, unlock the door, and run away. If running away gets dangerous, run home. If home doesn't mean what it used to mean, decide what home will be in the future. If your best friend says she doesn't trust you, hold her jaw in your hand until it hurts, and make her face you. Thats all it takes. If you think you love a guy, see how his hand looks in yours, thats all it takes. If you get exiled into a new land, then go discover it. And if you feel like you're drowning, go swimming.

When they both realized they were heartbroken enough to want the love torn from their rib cages, they touched each other with their hands and their mouths, and they forgot they wanted to be cured.

You're a good man, Greg Cage. You give me some time, and I might just fall in love with you." "That's the plan, Beauty.

Being a serial killer who kills serial killers is a great hobby… Until you find yourself locked in a cage.

Mare,” he whispers. “Choose me.” Choose a crown. Choose another king’s cage. Choose a betrayal to everything you’ve bled for. I find my thread of steel too. Thin but unbreakable. “I am in love with you, and I want you more than anything else in the world.” His words sound hollow coming from me. “Anything else in this world.” Slowly, my eyelids flutter open. He finds the spine to match my gaze. “Think what we could do together,” he murmurs, trying to pull me closer. My feet hold firm. “You know what you are to me. Without you, I have no one. I am alone. I have nothing left. Don’t leave me alone.” My breathing turns ragged. I kiss him for what could be, what might be, what will be—the last time. His lips feel strangely cold as we both turn to ice. “You aren’t alone.” The hope in his eyes cuts deeply. “You have your crown.

I tried to warn you, But girls never listen. Got your innocence insured? ’Cause it’s ’bout to be stolen Right out from under your nose. Prepare to curl your toes. I’ve got a one-track mind. You’ve got a nice behind. Chorus: I had a good thing goin’ All numb in my shell, Then you took me by surprise And now I’m scared as hell. I don’t wanna feel for you, I don’t wanna feel. If feeling means hurting, Then I don’t wanna be real. You crank up my lust, girl, You tame down my rage. You let your inner vixen Roam out of her cage. The moment our lips met I saw it in your eyes, But you were seeing me, too, I now realize. Chorus What do I want from you? I want everything. And I’m not gonna share— This ain’t a casual fling. You can be my bad girl, I’ll even be your good boy. How’d the tables get turned? F*** it, I’ll be your love toy.

When a captive lion steps out of his cage, he comes into a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds for him - the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. Yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage.

Of course not. No one is chosen. Not ever. Not in the real world. You chose to climb out of your window and ride on a leopard. You chose to get a witch’s Spoon back, and to make friends with a wyvern. You chose to trade your shadow for a child’s life. You chose not to let the Marquess hurt your friend--you chose to smash her cages! You chose to face your own Death, not to balk at a great sea to cross and no ship to cross it in. And twice now you have chosen not to go home when you might have, if only you abandoned your friends. You are not the chosen one, September. Fairyland did not choose you--you chose yourself. You could have had a lovely holiday in Fairyland and never met the Marquess, never worried yourself with local politics, had a romp with a few brownies and gone home with enough memories for a lifetime’s worth of novels. But you didn’t. You chose. You chose it all. Just like you chose your path on the beach: to lose your heart is not a path for the faint and fainting.

Love is the cage and the cage is closed and the door is locked and nobody’s home.

It's strange how many ways there are to miss someone. You miss the things they did and who they were, but you also miss who you were to them. The way everything you said and did was beautiful or entertaining or important. How much you mattered.

My heart can't stay here in this cage she herself fled. It must move on.

I slept under the moonlight and set my soul free, caged within jars like fireflies".

I lost every other person I ever loved.” “And whose fault is that?

Hunting hawks did not belong in cages, no matter how much a man coveted their grace, no matter how golden the bars. They were far more beautiful soaring free. Heartbreakingly beautiful.

...through a torture she called love.

You want me to level, here it is: I need you. I need you because I love you. Three months without you will be hell. But even if we weren’t together, I would still need you. You’re a good fighter, you’ve worked as a bodyguard, and you know magic. We may not have many magic users, but we don’t know if those packs do, and if they hit us with magic, we have no way to counter.” He spread his arms. “But I love you and I don’t want you to be hurt. I’m not going to ask you to come with me. That would be like stepping in front of a moving train and saying, ‘Hey, honey, come stand next to me.’” I hopped off the wall and stood next to him. “Anytime.” He just looked at me. “I’ve never killed a train before. It might be fun to try.” “Are you sure?” “One time I was dying in a cage inside a palace that was flying over a magic jungle. And some idiot went in there, chased the palace down, fought his way through hundreds of rakshasas, and rescued me.” “I remember,” he said. “That’s when I realized you loved me,” I said. “I was in the cage and I heard you roar.

The feelings trembled and flapped in his chest like a bird newly put in a cage.

Even knowing that my presence brought a shadow over the lives of my loved ones, I can't regret the experiences I've had with them. They gave me life, becoming an integral part of my soul. They healed me when I was broken and somehow they recovered those parts of me, I thought lost forever.

Like many faeries she knew, he was sculpture-perfect, but instead of being wrought of shadows like those in her court, this faery had a tangled feel to him. Shadow and radiance. He didn‘t look much older than her, until she saw the arrogance in his posture. Then, he reminded her of Irial, of Bananach, of Keenan, of the faeries who walked through courts and crowds confident that they could slaughter everyone in the room. Like chaos in a glass cage.

I'd worried that letting her get too close would break me. Unfortunately, I'd worried about that a little too late. Because I was broken. The Cage I was before Eva no longer existed. As much as I didn't want to admit it, I'd fallen in love with her. I'd allowed someone in and she hadn't want me. I hadn't been good enough. I never was.

You know what's wrong with you, Miss Whoever-You-Are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, "Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness." You call yourself a free spirit, a wild thing, and you're terrified somebody's going to stick you in a cage. Well, baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somaliland. It's wherever you go. Because no matter where you run, you just end up running into yourself.

As obvious as it is, then, Jesus is bigger than any one religion. He didn't come to start a new religion, and he continually disrupted whatever conventions or systems or establishments that existed in his day. He will always transcend whatever cages and labels are created to contain him, especially the one called 'Christianity'.

Remember when we told each other no distractions? Yes. He runs a blazing finger over my earrings, touching each one in turn. Distract me.

A relationship is like a bird: If you set it free, it will thrive. If you put it in a cage, it will struggle to survive.

Cal's touch has not erased Maven's. My memories are still there, still just as painful as they were yesterday. And as much as I try, I have not forgotten the canyon that will always stretch between us. No kind of love can erase his faults, just like none can erase mine.

His touch both consoles and devastates me; I feel my heart pulse, then wither, naked as a stone on the roaring mattress while the lovely, moony night slides through the window to dapple the flanks of this innocent who makes cages to keep the sweet birds in. Eat me, drink me; thirsty, cankered, goblin-ridden, I go back and back to him to have his fingers strip the tattered skin away and clothe me in his dress of water, this garment that drenches me, its slithering odour, its capacity for drowning.

Even when she won't fight for us, I'll go to war for her.

--and then you're in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it's the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it's you, the Substance has devoured or replaced and become you, and the puke-, drool- and Substance-crusted T-shirt you've both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest's center and centerless eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you've been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It's your enemy and your worst personal nightmare and the trouble It's gotten you into is undeniable and you still can't stop. Doing the Substance now is like attending Black Mass but you still can't stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around.

A woman who’s lived in a cage all her life. And hates it. Bored in there, aren’t you. Waiting for life to happen. And when it finally does, it steals from you what you loved most. So take back. Explode. Lash out. Blow up

The crowd pushes him back into Henry's chest, and after absolutely everything, all the emails and texts and months on the road and secret rendezvous and nights of wanting, the whole accidentally-falling-in-love-with-your-sworn-enemy-at-the-absolute-worst-possible-time thing, they made it. Alex said they would- he promised. Henry's smiling so wide and bright that Alex thinks his heart's going to break trying to hold the size of this entire moment, the completeness of it, a thousand years of history swelling inside his rib cage.

My heart is not brave or big. It is not cruel either. It is not strong at all. I keep it within this iron cage for a reason. Breathe on it wrong and I will die... Just go now. I would rather let you see my face, than my heart.

I dread the loss of her I've never touched love keeps me a slave in a cage of tears I gnaw my tongue with which to her I can never speak I miss a woman who was never born I kiss a woman across the years that say we shall never meet Everything passes Everything perishes Everything palls my thought walks away with a killing smile leaving discordant anxiety which roars in my soul No hope No hope No hope No hope No hope No hope No hope

I had hoped one day to find someone who loves my monsters, the wolves that I feed, the demons I sing to sleep, the tiger that is my caged heart, the parts of me I do not talk about. I prayed and wished and yearned until I realized that I had already found her within me.

Having her in my arms feels like coming home. I am not one to believe in all that love at first sight bullshit, but even as cynical as I am, I can recognize something bigger than lust at work. My body wants her; that is no secret, but the level of want is borderline craving. I need her. Needing someone is not something I am used to. No, I am used to being needed… something this woman clearly doesn’t want.

THE TAME BIRD WAS IN A CAGE THE tame bird was in a cage, the free bird was in the forest. They met when the time came, it was a decree of fate. The free bird cries, "O my love, let us fly to the wood." The cage bird whispers, "Come hither, let us both live in the cage." Says the free bird, "Among bars, where is there room to spread one's wings?" "Alas," cries the caged bird, "I should not know where to sit perched in the sky." The free bird cries, "My darling, sing the songs of the woodlands." The cage bird sings, "Sit by my side, I'll teach you the speech of the learned." The forest bird cries, "No, ah no! songs can never be taught." The cage bird says, "Alas for me, I know not the songs of the woodlands." There love is intense with longing, but they never can fly wing to wing. Through the bars of the cage they look, and vain is their wish to know each other. They flutter their wings in yearning, and sing, "Come closer, my love!" The free bird cries, "It cannot be, I fear the closed doors of the cage." The cage bird whispers, "Alas, my wings are powerless and dead.

You need to stop this,” he said, smoothing her forehead again. “Keep frowning, and you’ll age thirty years in no time. Maybe forty.” She batted away his hand and deliberately deepened her frown. “That’s lovely,” he said. “Real charming.” “Have you always been this annoying?” Kiva asked. “You bring out the best in me, Sweet Cheeks.

But Maven shut me out of a place that was rightfully mine. He didn't know to look for Elane. My lovely, invisible shadow. Her reports came later, under the cover of the night. They were very thorough. I feel them still, whispered against my skin with only the moon to listen. Elane Haven is the most beautiful girl I've ever seen in any capacity, but she looks best in moonlight

Sting told me if I love somebody I should set them free. I doubt Sting ever loved anyone with wings. If he did he might rethink such a stupid sentiment. I suppose the point is to wait for your love to come back to you voluntarily. I wonder if there’s a difference between setting something free and letting it go? I probably did it wrong. I should stop taking advice from my radio. I worry that you’re lost. I keep a heart-shaped cage unlocked for you, out on the street where it can easily be seen. So if one day you return at least you’ll have a place to stay.

When it came to Cage West, my mistakes were plenty and my regrets were numerous. If my past were a person, I would grab the throat of that motherfucker, drag her ass down Re-do Street, and once I’d beaten the ever loving shit out of her, I’d stand over her beaten-down, broken body and say: “You stupid bitch. You ignorant, stupid bitch. Love isn’t a fucking answer. It hurts more than it doesn’t, it’s harder than it is easy, it takes work, guts and perseverance.

He was watching me, and he chuckled. "Do you know how a man tames a wolf?" he asked me. "No," I said. "You get some clothing that you've been wearing for a while, and you toss it in with her. In the cage or the cavern where she sleeps. That first one, she rips up, shreds it to nothing. The second one, she just mouths it a bit, gets a taste. Inhales, like you're doing there. The third but of clothing, she starts dragging it around, loving on it, sleeping with it. And then you've got her under your spell. She's got the scent of you, wants to keep it around. She'll follow you everywhere." "Are you calling me a wolf?" I asked. "Are you calling me a man?" he said.

I have worn my heart on my sleeve because it is too painful to carry it inside my chest. When I carry it on my sleeve, it has the freedom to exist, to beat in rhythm with the Universe. I feel like I'm more alive and yes, there are those who out of curiosity will say or do things that can cause its delicate existence to feel pain and sorrow. I would rather deal with that, than to put it back in its little cage where it knows nothing else but the rhythm of my body and my Ego. My heart was never meant to be part of my Ego. My heart was meant to experience the Soul.

it seems a shame to have to sneak to get to the truth.To make the truth such a dirty old nasty thing.You gotta sneak to get to the truth, the truth is condemned.The truth is in the gas chamber.The truth has been in your stockyards.Your slaughterhouses.The truth has been in your reservations, building your railroads, emtying your garbage.The truth is in your ghettos.In your jails.In your young love,not in your courts or congress where the old set judgement on the young.What the hell do the old know about the young?They put a picture of old George on the dollar and tell you that he's your father, worship him.Look at the madness that goes on, you can't prove anything that happened yesterday.Now is the only thing that's real.Everyday, every reality is a new reality.Every new reality is a new horizon,a brand new experience of living.I got a note last night from a friend of mine.He writes in this note that he's afraid of what he might have to do in order to save his reality, as i save mine.You can't prove anything.There's nothing to prove.Every man judges himself.He knows what he is. You know what you are, as i know what i am,we all know what we are.Nobody can stand in judgement, they can play like they're standing in judgement.They can play like they stand in judgement and take you off and control the masses, with your human body.They can lock you up in penitentiaries and cages and put you in crosses like they did in the past,but it doesn't amount to anything. What they're doing is, they're only persecuting a reflection of themselves. They're persecuting what they can't stand to look at in themselves,the truth.

Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.

I’m a grown-ass woman now and I do what the fuck I want. I mean this with deep respect and love—and with the desire that you, too, will do what the fuck you want with your own singular precious life. The truth is that it matters not at all what you think of my life—but it matters supremely what you think of your own. Judgment is just another cage we live in so we don’t have to feel, know, and imagine. Judgment is self-abandonment. You are not here to waste your time deciding whether my life is true and beautiful enough for you. You are here to decide if your life, relationships, and world are true and beautiful enough for you. And if they are not and you dare to admit they are not, you must decide if you have the guts, the right—perhaps even the duty—to burn to the ground that which is not true and beautiful enough and get started building what is.

Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.

I couldn't help but suspect something he'd seen or encountered had changed his view of what had happened between them. It had somehow set him free. And he'd let it fly, that gorgeous blackbird of a love he'd been keeping in a cage. What was it like for him, every day standing outside in the wind and rain to stare at the ocean, yearning for some sign of her, never giving up hope? At The Peak perhaps she'd finally come into view, a ship coming neither toward him nor away, only riding that perfect line between heaven and earth, long enough for him to know that she had loved him, that what they had was real, before slipping out of sight, probably forever.

Lovers, forget your love, And list to the love of these, She a window flower, And he a winter breeze. When the frosty window veil Was melted down at noon, And the caged yellow bird Hung over her in tune, He marked her through the pane, He could not help but mark, And only passed her by, To come again at dark. He was a winter wind, Concerned with ice and snow, Dead weeds and unmated birds, And little of love could know. But he sighed upon the sill, He gave the sash a shake, As witness all within Who lay that night awake. Perchance he half prevailed To win her for the flight From the firelit looking-glass And warm stove-window light. But the flower leaned aside And thought of naught to say, And morning found the breeze A hundred miles away.

I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others—the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.

I still carry you on the insides of me: cave paintings on rib-caging. If I were a peach, you would be the pit that holds me all together. When I met you, I was something small and whole; I do not know how to get back there. You have the warmest heart I have ever set up camp in. I still carry you on the insides of me: the contents of my suitcase heart. I will lug you around until it breaks my back and then some. I feel sometimes like I have scattered my pieces everywhere, but you are the piece I do not know how to leave at the foot of a stranger’s bed or between the lines of a free-verse poem. I want you to know that loving you is freeing; that loving you is like holding my head under water and coming up new again and again. I still carry you on the insides of me. This will not always make sense to you

How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much

Life is an island in an ocean of solitude and seclusion. Life is an island, rocks are its desires, trees its dreams, and flowers its loneliness, and it is in the middle of an ocean of solitude and seclusion. Your life, my friend, is an island separated from all other islands and continents. Regardless of how many boats you send to other shores, you yourself are an island separated by its own pains,secluded its happiness and far away in its compassion and hidden in its secrets and mysteries. I saw you, my friend, sitting upon a mound of gold, happy in your wealth and great in your riches and believing that a handful of gold is the secret chain that links the thoughts of the people with your own thoughts and links their feeling with your own. I saw you as a great conqueror leading a conquering army toward the fortress, then destroying and capturing it. On second glance I found beyond the wall of your treasures a heart trembling in its solitude and seclusion like the trembling of a thirsty man within a cage of gold and jewels, but without water. I saw you, my friend, sitting on a throne of glory surrounded by people extolling your charity, enumerating your gifts, gazing upon you as if they were in the presence of a prophet lifting their souls up into the planets and stars. I saw you looking at them, contentment and strength upon your face, as if you were to them as the soul is to the body. On the second look I saw your secluded self standing beside your throne, suffering in its seclusion and quaking in its loneliness. I saw that self stretching its hands as if begging from unseen ghosts. I saw it looking above the shoulders of the people to a far horizon, empty of everything except its solitude and seclusion. I saw you, my friend, passionately in love with a beautiful woman, filling her palms with your kisses as she looked at you with sympathy and affection in her eyes and sweetness of motherhood on her lips; I said, secretly, that love has erased his solitude and removed his seclusion and he is now within the eternal soul which draws toward itself, with love, those who were separated by solitude and seclusion. On the second look I saw behind your soul another lonely soul, like a fog, trying in vain to become a drop of tears in the palm of that woman. Your life, my friend, is a residence far away from any other residence and neighbors. Your inner soul is a home far away from other homes named after you. If this residence is dark, you cannot light it with your neighbor's lamp; if it is empty you cannot fill it with the riches of your neighbor; were it in the middle of a desert, you could not move it to a garden planted by someone else. Your inner soul, my friend, is surrounded with solitude and seclusion. Were it not for this solitude and this seclusion you would not be you and I would not be I. If it were not for that solitude and seclusion, I would, if I heard your voice, think myself to be speaking; yet, if I saw your face, i would imagine that I were looking into a mirror.

For here was the thing that no fairy tale would ever admit, but that she understood in that moment: love was not inherently good. Certainly, it could inspire goodness. She didn’t argue that. Poets would tell you that love was electricity in your veins that could light a room. That it was a river in your soul to lift you up and carry you away, or a fire inside the heart to keep you warm. Yet electricity could also fry, rivers could drown, and fires could burn; love could be destructive. Punishingly, fatally destructive. And the other thing, the real bloody clincher of it all, was that the good and the bad didn’t get served up equally. If love were a balance of electric lights and electric jolts, two sides of an equally weighted coin, then fair enough. She could deal. That wasn’t how it worked, though. Some love was just the bad, all the time: an endless parade of electrified bones and drowned lungs and hearts that burned to a cinder inside the cage of your chest. And so she looked down at her son and loved him with the kind of twisted, complex feeling that came from having never wanted him in the first place; she loved him with bitterness, and she loved him with resignation. She loved him though she knew no good could ever come from such a bond.

Einstein said the arrow of time flies in only one direction. Faulkner, being from Mississippi, understood the matter differently. He said the past is never dead; it's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose provenance dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always. And who among us, offered the chance, would not relive the day or hour in which we first knew love, or ecstasy, or made a choice that forever altered our future, negating a life we might have had? Such chances are rarely granted. Memory and grief prove Faulkner right enough, but Einstein knew the finality of action. If I cannot change what I had for lunch yesterday, I certainly cannot unmake a marriage, erase the betrayal of a friend, or board a ship that left port twenty years ago.

Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers. One day, a woman saw this bird and fell in love with him. She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird. But then she thought: He might want to visit far-off mountains! And she was afraid, afraid that she would never feel the same way about any other bird. And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.” The bird, who was also in love, returned the following day, fell into the trap and was put in a cage. She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.” However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest. The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage. One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds. If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body. Without the bird, her life too lost all meaning, and Death came knocking at her door. “Why have you come?” she asked Death. “So that you can fly once more with him across the sky,” Death replied. “If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.

I felt my resolve crumbling. I wanted him, wanted him badly. I needed him too. I almost gave in. I almost told him that there was nothing in the world I wanted more than to be with him. That I didn’t think I was capable of leaving him. That he was more precious to me than anything. That I’d give up anything to be with him. But then he pressed me close and spoke softly in my ear, “Pease don’t leave me, priya. I don’t think I could survive without you.” My eyes filled up with tears, and shiny wet drops spilled down my cheeks. I touched his face. “Don’t you see, Ren? That’s exactly why I have to go. You need to know that you can survive without me. That there’s more to life than just me. You need to see this world that’s opened up to you and know that you have choices. I refuse to be your cage. “I could capture you and keep you selfishly to indulge my own desires. Regardless of whether you’re willing or not, it would be wrong. I helped you so that you could be free. Free to see and do all of the things that you missed out on all these years.” My hand slipped from his cheek to his neck. “Should I put a collar on you? Chain you up so you spend your life connected to me out of a sense of obligation?” I shook my head. I wept openly now. “I’m sorry, Ren, but I won’t do that to you. I can’t. Because…I love you too.” I kissed him quickly one last time.

In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion. It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.

Say to my friends, when they look upon me, dead, Weeping for me and mourning me in sorrow, ‘Do not believe that this corpse you see is myself, In the name of God, I tell you, it is not I, I am a spirit, and this is naught but flesh, It was my abode and my garment for a time. I am a treasure, by a talisman kept hid, Fashioned of dust, which served me as a shrine, I am a pearl, which has left it’s shell deserted, I am a bird, and this body was my cage, Whence I have now flown forth and it is left as a token, Praise to God, who hath now set me free, And prepared for me my place in the highest of the Heavens, Until today I was dead, though alive in your midst. Now I live in truth, with the grave – clothes discarded. Today I hold converse with the Saints above, With no veil between, I see God face to face. I look upon “Loh-i-Mahfuz” and there in I read, Whatever was and is, and all that is to be. Let my house fall in ruins, lay my cage in the ground, Cast away the talisman, it is a token no more, Lay aside my cloak, it was but my outer garment. Place them all in the grave, let them be forgotten, I have passed on my way and you are left behind, Your place of abode was no dwelling place for me. Think not that death is death, nay, it is life, A life that surpasses all we could dream of here, While in this world, here we are granted sleep, Death is but sleep, sleep that shall be prolonged Be not frightened when death draweth nigh, It is but the departure for this blessed home, Think of the mercy and love of your Lord, Give thanks for His Grace and come without fear. What I am now, even so shall you be, For I know that you are even as I am, The souls of all men come forth from God, The bodies of all are compounded alike, Good and evil, alike it was ours. I give you now a message of good cheer May God’s peace and joy forever more be yours.

How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…

Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.” He folds his hands gently, a teacher arriving at his point. “So do I feel lost? Always. When Lea died at the Institute …” His lips slip gently downward. “… I was in a dark woods, blind and lost as Dante before Virgil. But Quinn helped me. Her voice calling me out of misery. She became my home. As she puts it, ‘Home isn’t where you’re from, it’s where you find light when all grows dark.’ ” He grasps the top of my hand. “Find your home, Darrow. It may not be in the past. But find it, and you’ll never be lost again.

On Pleasure Pleasure is a freedom-song, But it is not freedom. It is the blossoming of your desires, But it is not their fruit. It is a depth calling unto a height, But it is not the deep nor the high. It is the caged taking wing, But it is not space encompassed. Aye, in very truth, pleasure is a freedom-song. And I fain would have you sing it with fullness of heart; yet I would not have you lose your hearts in the singing. Some of your youth seek pleasure as if it were all, and they are judged and rebuked. I would not judge nor rebuke them. I would have them seek. For they shall find pleasure, but not her alone; Seven are her sisters, and the least of them is more beautiful than pleasure. Have you not heard of the man who was digging in the earth for roots and found a treasure? And some of your elders remember pleasures with regret like wrongs committed in drunkenness. But regret is the beclouding of the mind and not its chastisement. They should remember their pleasures with gratitude, as they would the harvest of a summer. Yet if it comforts them to regret, let them be comforted. And there are among you those who are neither young to seek nor old to remember; And in their fear of seeking and remembering they shun all pleasures, lest they neglect the spirit or offend against it. But even in their foregoing is their pleasure. And thus they too find a treasure though they dig for roots with quivering hands. But tell me, who is he that can offend the spirit? Shall the nightingale offend the stillness of the night, or the firefly the stars? And shall your flame or your smoke burden the wind? Think you the spirit is a still pool which you can trouble with a staff? Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being. Who knows but that which seems omitted today, waits for tomorrow? Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul, And it is yours to bring forth sweet music from it or confused sounds. And now you ask in your heart, “How shall we distinguish that which is good in pleasure from that which is not good?” Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy.

Practical advice.—People who read much must always keep it in mind that life is one thing, literature another. Not that authors invariably lie. I declare that there are writers who rarely and most reluctantly lie. But one must know how to read, and that isn't easy. Out of a hundred bookreaders ninety-nine have no idea what they are reading about. It is a common belief, for example, that any writer who sings of suffering must be ready at all times to open his arms to the weary and heavy-laden. This is what his readers feel when they read his books. Then when they approach him with their woes, and find that he runs away without looking back at them, they are filled with indignation and talk of the discrepancy between word and deed. Whereas the fact is, the singer has more than enough woes of his own, and he sings them because he can't get rid of them. L’uccello canta nella gabbia, non di gioia ma di rabbia, says the Italian proverb: "The bird sings in the cage, not from joy but from rage." It is impossible to love sufferers, particularly hopeless sufferers, and whoever says otherwise is a deliberate liar. "Come unto Me all ye that labour and are heavy laden, and I will give you rest." But you remember what the Jews said about Him: "He speaks as one having authority!" And if Jesus had been unable, or had not possessed the right, to answer this skeptical taunt, He would have had to renounce His words. We common mortals have neither divine powers nor divine rights, we can only love our neighbours whilst they still have hope, and any pretence of going beyond this is empty swagger. Ask him who sings of suffering for nothing but his songs. Rather think of alleviating his burden than of requiring alleviation from him. Surely not—for ever should we ask any poet to sob and look upon tears. I will end with another Italian saying: Non è un si triste cane che non meni la coda... "No dog so wretched that doesn't wag his tail sometimes.