Cherries And Love Quotes

We've searched our database for all the quotes and captions related to Cherries And Love. Here they are! All 100 of them:

I want To do with you what spring does with the cherry trees.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
As your lover describes you, so you are.
Jeanette Winterson (Sexing the Cherry)
Leave the past behind you so the future can find you.
Brittainy C. Cherry (Loving Mr. Daniels)
So we grew together, Like to a double cherry, seeming parted, But yet an union in partition, Two lovely berries moulded on one stem.
William Shakespeare (A Midsummer Night’s Dream)
Because pretending to be happy is almost like being happy. Until you remember that you’re only pretending. Then you’re sad. Really sad. Because wearing a mask every day of your life is the hardest thing to do. And after a while, you get a little scared because the mask becomes you.
Brittainy C. Cherry (Loving Mr. Daniels)
I'd sacrificed true love and a popped cherry to the god of deception and hormones." - Zoey Redbird (Ch 24)
P.C. Cast (Chosen (House of Night, #3))
You'd give up drinking to go see your dad?" "Well, not permanently," he said. "That'd be ridiculous. But maybe I could switch to something slightly cheaper for a while. Like...slushes. Do you know how much I love those? Cherry, especially.
Richelle Mead (The Golden Lily (Bloodlines, #2))
I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. You take whatever works from wherever you can find it, and you keep moving toward the light.
Elizabeth Gilbert (Eat, Pray, Love)
Slushes. Do you know how much I love those? Cherry, especially.
Richelle Mead (The Golden Lily (Bloodlines, #2))
I love you slowly. I love you deeply. I love you quietly. I love you powerfully. I love you unconditionally.
Brittainy C. Cherry (Loving Mr. Daniels)
Not all broken things need to be fixed. Sometimes they just need to be loved. It would be a shame if only people who were whole were deserving of love.” “Brooks.
Brittainy C. Cherry (The Silent Waters (Elements, #3))
Lady, lady, never start Conversation toward your heart; Keep your pretty words serene; Never murmur what you mean. Show yourself, by word and look, Swift and shallow as a brook. Be as cool and quick to go As a drop of April snow; Be as delicate and gay As a cherry flower in May. Lady, lady, never speak Of the tears that burn your cheek- She will never win him, whose Words had shown she feared to lose. Be you wise and never sad, You will get your lovely lad. Never serious be, nor true, And your wish will come to you- And if that makes you happy, kid, You'll be the first it ever did.
Dorothy Parker
I fell in love once, if love be that cruelty which takes us straight to the gates of Paradise only to remind us they are closed for ever.
Jeanette Winterson (Sexing the Cherry)
He was my golden, and I was his. Forever forever and always always.
Brittainy C. Cherry (Loving Mr. Daniels)
Why didn’t anyone ever throw reading parties? I would be all over that crap.
Brittainy C. Cherry (Loving Mr. Daniels)
Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Red", I write "is the color of life. It's blood, passion, rage. It's menstrual flow and after birth. Beginnings and violent end. Red is the color of love. Beating hearts and hungry lips. Roses, Valentines, cherries. Red is the color of shame. Crimson cheeks and spilled blood. Broken hearts, opened veins. A burning desire to return to white.
Mary Hogan (Pretty Face)
You can apologize for punching someone, but it doesn’t stop the bruising.
Brittainy C. Cherry (Loving Mr. Daniels)
Big enough that I should tie a bow around it and attach a little card that says ‘To: Macy. You’re welcome. Love, Seth.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine
L.M. Montgomery (Anne of Windy Poplars (Anne of Green Gables, #4))
Even when your heart was hurting, there was something so hopeful about reading a book filled with love. The pages were somewhat of a reminder that maybe one day I would be okay again. Maybe one day I would be all right.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
-Do you love this girl ? -I'm fucking crazy about her. -Fucking crazy I've gathered. But I asked if you love her. I'm talking true, enduring, unconditional, hold-her-hair-while-she's-pucking-from-the-morning-sickness love.
Cherrie Lynn (Rock Me (Ross Siblings, #2))
If love was a moment, this would be where it existed.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
Alive. I want to be alive, and I have no idea why, seeing how hideous life is at times. Maybe it's belief, hope, and passion all wrapped into one shape that rests inside my chest. Perhaps my heart is just praying for better tomorrows to replace all those shitty yesterdays.
Brittainy C. Cherry (Loving Mr. Daniels)
His kisses tasted like forever soaked in always.
Brittainy C. Cherry (Loving Mr. Daniels)
Who needs a fairytale? In the end, I only want to be happy with a guy I love, and who loves me just as much. That’s all I need.
Cherrie Lynn (Rock Me (Ross Siblings, #2))
Because at the end of the day, it’s not about the tarot cards, or the crystals, or the special teas. That’s not where the magic lives. The magic is in the tiny moments. The small touches, the gentle smiles, the quiet laughs. The magic is about living for today and allowing yourself to breathe and be happy. My dear boy, to love is the magic.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
Sometimes the hardest part of existing without your loved ones was remembering how to breathe.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
I don’t want to be your friend,” he said. We breathed in together and exhaled in harmony. “I want to be yours, I want you to be mine, and I hate that we can’t be us. Because I think we were meant to be us.
Brittainy C. Cherry (Loving Mr. Daniels)
By this point Viviane Lavender had loved Jack Griffith for twelve years, which was far more than half of her life. If she thought of her love as a commodity and were to, say, eat it, it would fill 4,745 cherry pies. If she were to preserve it, she would need 23,725 glass jars and labels and a basement spanning the length of Pinnacle Lane. If she were to drink it, she'd drown.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
Being a teenager is a curse and a gift. It's the age where fairytales cease to exist and Santa isn't real but parts of our hearts want to say 'What if...
Brittainy C. Cherry (Loving Mr. Daniels)
Because I’d never seen two people who loved each other so quietly.
Brittainy C. Cherry (Loving Mr. Daniels)
I never said it would be easy. I just said do it. Besides, the best things in life aren't easy. They are tough, they are painful, and they are raw. That makes the arrival to the final destination that much sweeter.
Brittainy C. Cherry (Loving Mr. Daniels)
Everyone has a golden. It could be anything-a song, a book, a pet, a person. Anything that makes you so happy your insides cry of pure joy. It feels like you're on drugs but better because it's a natural high. Shakespeare is my golden.
Brittainy C. Cherry (Loving Mr. Daniels)
You deserve to be the chorus to a person’s favorite song. You deserve to be the dedication in their favorite book.
Brittainy C. Cherry (Loving Mr. Daniels)
It was amazing how our minds crafted stories for strangers who probably needed love more than our close-minded judgments.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
that’s the thing with love—time doesn’t exist with it. The only thing love counts is the heartbeats.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
Sometimes when you miss a person, you can only focus on how sad you feel that they are gone. Other times, it's best to focus on the memories that bring you joy and laughter.
Brittainy C. Cherry (Loving Mr. Daniels)
I love it when you look at me like that,' he murmured, his fingers kneading into the plump flesh of her cheeks, 'How am I looking at you?' she managed. 'Like you want to eat me alive, but you don't have a spoon.
Cherrie Lynn (Rock Me (Ross Siblings, #2))
Everything in life happened for a reason,happened exactly how it meant to,no matter how painful it seemed. Some love stories were meant to be forever,and others just for a season.
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
Humans weren't made to be perfect, Daniel. We were made to screw up, fuck up, and learn new things. We were made perfectly imperfect.
Brittainy C. Cherry (Loving Mr. Daniels)
Isn't this the truth of any good mother? That in all of our lives. We worry only about those we brought into this world, regardless of whether they loved us back or treated us fairly or understood our shortcomings.
Adriana Trigiani (Big Cherry Holler (Big Stone Gap, #2))
Love openly,” my heart whispered. “Love unconditionally,” my heart begged. “Love the struggles,” my heart taught. “Love in the moment.
Brittainy C. Cherry (Art & Soul)
The magic is in the tiny moments. The small touches, the gentle smiles, the quiet laughs. The magic is about living for today and allowing yourself to breathe and be happy. My dear boy, to love is the magic.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
You're like a doll I had when I was a kid. She was all stiched together and her head kept falling off, but I loved that doll. That's what you look like. Like somebody just loved you to death.
Dia Reeves (Slice of Cherry)
But what was the point of love if it didn't keep people from leaving you?
Dia Reeves (Slice of Cherry)
I want to do with you what spring does with the cherry trees.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
He said that it was okay to not be okay. He explained that it was fine to be broken for a while, to not feel anything but hurt.
Brittainy C. Cherry (Loving Mr. Daniels)
Because maybe home wasn’t a location. Maybe it’s simply the people who you were surrounded with that made you feel as if you could be whoever you wanted to be. Maybe home was friendship.
Brittainy C. Cherry (Loving Mr. Daniels)
Do not censor yourself. Let go of that part of your brain and just be.
Red Phoenix (Socrates Inspires Cherry to Blossom)
I guess sometimes it was easier to be mean than to be hurt.
Brittainy C. Cherry (Loving Mr. Daniels)
On more than one occasion I have been ready to abandon my whole life for love. To alter everything that makes sense to me and to move into a different world where the only known will be the beloved. Such a sacrifice must be the result of love... or is it that the life itself was already worn out? I had finished with that life, perhaps, and could not admit it, being stubborn or afraid, or perhaps did not known it, habit being a great binder. I think it is often so that those most in need of change choose to fall in love and then throw up their hands and blame it all on fate. But it is not fate, at least, not if fate is something outside of us; it is a choice made in secret after nights of longing. ... I may be cynical when I say that very rarely is the beloved more than a shaping spirit for the lover's dreams... To be a muse may be enough. The pain is when the dreams change, as they do, as they must. Suddenly the enchanted city fades and you are left alone again in the windy desert. As for your beloved, she didn't understand you. The truth is, you never understood yourself.
Jeanette Winterson (Sexing the Cherry)
I'll be your best friend, darlin', if you tell me your name. I'll be your sunshine when you grow tired of the rain. You can walk away and I'm sure I'll be all right. But just so you know, you'll be in my dreams tonight...
Brittainy C. Cherry (Loving Mr. Daniels)
The hardest part about losing someone you love is the fact that you also lose yourself.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
I. Those of us born by water are never afraid enough of drowning. Bruises used to trophy my knees from my death-defying tree climb jumps. Growing up, my backyard was a forest of blackberry bushes. I learned early nothing sweet will come to you unthorned. II. At twelve your body becomes a currency. So Jenny and I sat down and cut up all our clothes into nothing. That year I failed math class but knew the exact number of calories in a carrot stick. I learned early being desired goes hand in hand with hunger. III. The last time I tried to scream I felt my father climbing up through my throat and into my mouth. IV. There is a certain kind of girl who reads Lolita at fourteen and finds religion. I painted my eyes black and sucked barroom cherries to red my tongue. There was a boy who promised Judas really did love Jesus. I learned early every kiss and betrayal are up for interpretation. V. I think he must have conferenced with my nightmares on exactly how to hurt me. VI. He never broke my heart. He only turned it into a compass that always points me back to him.
Clementine von Radics
That's the thing they never tell you about love stories: just because one ends, that doesn't mean it failed. A cherry pie isn't a failure just because you eat it all. It's perfect for what it is, and then it's gone. And exchanging the truest parts of yourself--all the things you are--with someone? What a slice of life. One I'll carry with me into every single someday.
Emery Lord (When We Collided)
Being in love with someone didn't mean you only loved them during the sunbeams. It meant you stood by their side during the cloudy nights, too.
Brittainy C. Cherry (The Silent Waters (Elements, #3))
Lips that have tasted the salt of tears always give the sweetest kiss.
C.J. Carlyon (The Cherry House)
Daniel: You’re beautiful, Ashlyn. I don’t just mean your looks. I mean your smarts, your tears, your brokenness. I think that’s beautiful.
Brittainy C. Cherry (Loving Mr. Daniels)
I want to do with you what spring does with cherry trees.
Pablo Neruda
I just kind of wonder what it would be like to find someone who loves you the same amount that you love them. You know, that person who you see looking your way and smiling because they are just as wild for you as you are for them.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
IV. There is a certain kind of girl who reads Lolita at fourteen and finds religion. I painted my eyes black and sucked barroom cherries to red my tongue. There was a boy who promised Judas really did love Jesus. I learned early every kiss and betrayal are up for interpretation.
Clementine von Radics
My point, exactly. Those poor women are so malnourished, they can’t think straight. Take my friend Sasha. Her idea of a three-course meal is a celery stick, a cherry tomato, and a laxative. She’s killing herself to fit into these clothes. Women like me can’t dress like that.
Kerrelyn Sparks (The Undead Next Door (Love at Stake, #4))
But I knew I’d made the right decision. Because if it were the wrong decision, my heart wouldn’t hurt this much.
Brittainy C. Cherry (Loving Mr. Daniels)
If love were a person, it would be her.
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
He stared at me. "She liked you, boy." The intensity of his voice and eyes made me blink. "Yes," I said. "She did it for you, you know." "What?" "Gave up her self, for a while there. She loved you that much. What an incredibly lucky kid you were." I could not look at him. "I know." He shook his head with a wistful sadness. "No, you don't. You can't know yet. Maybe someday..." I knew he was tempted to say more. Probably to tell me how stupid I was, how cowardly, that I blew the best chance I would ever have. But his smile returned, and his eyes were tender again, and nothing harsher than cherry smoke came out of his mouth.
Jerry Spinelli (Stargirl (Stargirl, #1))
Come see the cherry trees of a water constellation and the round key of the rapid universe, come touch the fire of instantaneous blue, come before its petals are consumed.
Pablo Neruda (100 Love Sonnets)
When you loved someone, you let them fly away, even if you weren’t on the same flight. “It’s not fair,” she said. “Because the way he looks at you, and the way you look at him—that’s my dream.
Brittainy C. Cherry (The Silent Waters (Elements, #3))
Not all broken things need to be fixed. Sometimes they just need to be loved. It would be a shame if only people who were whole were deserving of love.
Brittainy C. Cherry (The Silent Waters (Elements, #3))
.« Nik has obviously spoken to Nat about my candy preferences. Written in raspberry bullets is ‘I’m sorry’. Written in green apple jellybeans is ‘I miss you’. Written in cherry jellybeans is ‘I love you’. My heart skips a beat at the last line. Written in gummy bears is ‘Marry me’. Did Nik just propose using candy? Why, yes, brain. Yes, he did. »
Belle Aurora (Friend-Zoned (Friend-Zoned, #1))
Eighteen luscuios scrumpitous flavors, Chocolate,Lime and Cherry Coffee,Pumpkin, Fudge-Banana, Caramel Cream and boysenberry. Rocky Road and Toasted Almond, Butterscotch,Vanilla Dip, Butter Brinkle, Apple Ripple,Coconut,and Mocha Chip, Brandy Peach and Lemon Custard. Each scoop lovely.smooth and round. Tallest cream cone in town lying there on the ground.
Shel Silverstein (Where the Sidewalk Ends)
O Helena, goddess, nymph, perfect, divine! To what, my love, shall I compare thine eyne? Crystal is muddy. O, how ripe in show Thy lips, those kissing cherries, tempting grow!
William Shakespeare (A Midsummer Night’s Dream)
I was convinced that everyone in the world had a form a weirdness to them. And the cool thing, at least I hoped so, was the idea that there was someone out there just as quirky as you were. The idea of finding your other weirdo was so attractive to me.
Brittainy C. Cherry (Loving Mr. Daniels)
Loneliness is a liar,” Graham told me, sitting down on the edge of his bed as he spoke. “It’s toxic and deadly most of the time. It forces people to believe they are better off with the devil himself than being alone, because somehow being alone means a person failed. Somehow being alone means a person isn’t good enough. So, more often than not, the poison of loneliness seeps in and makes a person believe that any kind of attention must stand for love. Fake love that is built on a bed of loneliness will fail—I should know. I’ve been alone all my life.
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
If I learned anything these past few months, it's that life sucks, Daniel. It sucks. It's mean, it's vicious, and it's unapologetic. It's dark and cruel. But then, sometimes, it's so beautiful that it knocks all of that darkness out of your system with the light.
Brittainy C. Cherry (Loving Mr. Daniels)
It was what she'd most enjoyed about being married to Jim. It wasn't only the heady flush of emotions when they'd made love that enthralled her; more than that, it was the lazy mornings they'd spent reading the newspaper in bed while drinking coffee, or the cold December mornings they'd planted bulbs in the garden, or the hours they'd spent traipsing through various stores, picking out bedroom furniture, debating cherry or maple. Those were the moments she felt most content, when she finally allowed herself to believe in the impossible. Those were the moments when all seemed right in the world.
Nicholas Sparks (The Guardian)
I wasn't sure of it, but I was almost certain that loneliness was a disease. An infectious, disgusting illness that was slow to creep into your system and overtake you, even though you tried to fight it off the best you could.
Brittainy C. Cherry (Loving Mr. Daniels)
Giovanni had awakened an itch, had released a gnaw in me. I realized it one afternoon, when I was taking him to work via the Boulevard Montparnasse. We had bought a kilo of cherries and we were eating them as we walked along. We were both insufferably childish and high-spirited that afternoon and the spectacle we presented, two grown men jostling each other on the wide sidewalk and aiming the cherry pits, as though they were spitballs, into each other's faces, must have been outrageous. And I realized that such childishness was fantastic at my age and the happiness out of which it sprang yet more so; for that moment I really loved Giovanni, who had never seemed more beautiful than he was that afternoon.
James Baldwin (Giovanni’s Room)
I thought I made you up. I thought that I was living in a world of darkness and I imagined you into existence. That somehow my mind crafted you, placing you on that train months ago. But then I realized I could never dream of something so beautiful. “You’re the reason people believe in tomorrow. You’re the voice that scares the shadows away. You’re the love that makes me breathe. So for the next few seconds, I’m going to be selfish. I’m going to say things that I don’t want you to listen to.” My hands ran up and down her back as I pulled her closer, feeling her nerves rocking throughout her. I kissed the edge of her ear. “Don’t go. Stay with me forever. Please, Ashlyn. Let me be your everything. Make me your golden. Don’t. Go.
Brittainy C. Cherry (Loving Mr. Daniels)
Can you do me a few favours? Show her off to the world. Shout it from the rooftops. Take her out on dates. She loves to dance - even though she's really bad at it. Make other couples jealous. Be her golden. Because I promise that she'll be yours.
Brittainy C. Cherry (Loving Mr. Daniels)
I love her, Lizzie. I adore her, and there is nothing about her that is baggage. Emma is a luxury. I’ll take care of her for the rest of my life because it would be an honor. Because I love you. I love your heart, I love your soul, I love you, Elizabeth, and I’m never going to stop loving you or that beautiful girl of yours.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
Has the old man lost his freaking mind? Would I ask him to share something he’s worked his ass off for? Would he let someone else drive his 1962 cherry Mustang convertible? Would he open his bedroom door and let some other guy screw his wife? Okay, that was too far. I take it back—considering his wife is my mother. Forget I ever referred to my mother and screwing in the same sentence. That’s just…wrong. On so many levels. But for the love of God, tell me you see my point.
Emma Chase (Tangled (Tangled, #1))
I don't know what I want to be when I grow up. But if there's anyone I want to be like when I do, it's that young man who wrote those words. I want to remember to breathe in the laughter and cherish the tears. I want to dive into hope and land in love. I want to be alive when I grow up because...I have never been alive in all of my life. And I think the least we can do, in order to honor Ryan, is to start living today. And forgive ourselves for all of the shitty yesterdays.
Brittainy C. Cherry (Loving Mr. Daniels)
You're the reason people believe in tomorrow. You're the voice that scares the shadows away. You're the love that makes me breathe. So for the next few seconds, I'm going to be selfish. I'm going to say things that I don't want you to listen to. Don't go. Stay with me forever. Please, Ashlyn. Let me be your everything. Make me your golden. Don't. Go.
Brittainy C. Cherry (Loving Mr. Daniels)
Because at the end of the day, we’re all lost. We’re all cracked. We’re all scarred. We’re all broken. We’re all just trying to figure out this thing called life, you know? Sometimes it feels so lonely, but then you remember your core tribe. The people who sometimes hate you, but never stop loving you. The people who always show up, no matter how many times you’ve fucked up and pushed them away. That’s your tribe. These people, these struggles, this is my tribe. So yeah, we fall apart, but we’ll fall together. We’ll stand up—together. Then, at the end of all the bullshit, all of the tears, all of the hurt, we’ll take a few steps at a time. Then we’ll take a few deep breaths, and we’ll walk each other home.
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere. I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light. The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite." But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while? That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
Elizabeth Gilbert (Eat, Pray, Love)
Tenderness, that most alien and disconcerting of emotions, swelled and billowed in her. She picked up a cherry and stared down at the soft, bright-red fruit. “I love you.” The last time she'd declared her love he'd thrown it right back in her face. She waited uncertainly for his response. She didn't even have to wait a second. He leaned over and kissed her on the mouth. “I love you more.” - Gigi and Camden
Sherry Thomas (Private Arrangements)
It takes a strong man to love my sister. And you are a strong man. So her are some twin-tips for you from yours truly: Read her Shakespeare when she cries. Take walks in the rain and jump in the puddles with her. Don't mind her when she calls you an asshole during 'that time of the month' - she's a total bitch at those times. Buy her flowers because it's Tuesday. Make her do things that scare her. Don't be a pushover - we don't like that. Don't be a dick either - we hate that. Smile at her when you're mad. Dance with her in the middle of the day. Kiss her just because. Love her forever.
Brittainy C. Cherry (Loving Mr. Daniels)
I think the tingles are important. They are real, and I am in favor of their survival. But they are not the basis for a satisfactory marriage. I am not suggesting that on should marry without the tingles. Those warm, excited feelings, the chill bumps, that sense of acceptance, the excitement of the touch that make up the tingles serve as the cherry on top of the sundae. But you cannot have a sundae with only the cherry.
Gary Chapman (Things I Wish I'd Known Before We Got Married)
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
I’m still in love with you,” he repeated walking closer to me. “I’ve tried to stop it. I tried to ignore it. I tried to wish it away, but it won’t leave. Whenever you’re near me, I want you closer. Whenever you laugh, I want the sound to never fade. Whenever you’re sad, I want to kiss your tears away. I know all of the reasons that I shouldn’t want to be with you. I know that I can never be forgiven for what happened all those years ago, but I also know that I still love you. You’re still the fire that keeps me warm when life becomes cold. You’re still the voice that keeps the darkness at bay. You’re still the reason my heart beats. You’re still the air in my lungs. You’re still my greatest high. And I am still truly, madly, painfully in love with you. And I don’t think I’ll ever know how to stop.
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me. He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me. It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left. As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it. Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on. He admitted he was in love with her, but he said he loved me. Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time. Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution. I loved him and I was in love with him. I didn't use language to make a war-zone of my heart. 'You're so simple and good,' he said, brushing the hair from my face. He meant, Your emotions are not complex like mine. My dilemma is poetic. But there was no dilemma. He no longer wanted me, but he wanted our life Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love. 'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.' He asked me to shut up. He wasn't a hero. 'Then why should I be a heroine?' He didn't answer, he plucked at the blanket. I considered my choices. I could stay and be unhappy and humiliated. I could leave and be unhappy and dignified. I could Beg him to touch me again. I could live in hope and die of bitterness. I took some things and left. It wasn't easy, it was my home too. I hear he's replaced the back fence.
Jeanette Winterson (Sexing the Cherry)
Though men in their hundreds of thousands had tried their hardest to disfigure that little corner of the earth where they had crowded themselves together, paving the ground with stones so that nothing could grow, weeding out every blade of vegetation, filling the air with the fumes of coal and gas, cutting down trees and driving away every beast and every bird -- spring, however, was still spring, even in the town. The sun shone warm, the grass, wherever it had not been scraped away, revived and showed green not only on the narrow strips of lawn on the boulevards but between the paving-stones as well, and the birches, the poplars and the wild cherry-trees were unfolding their sticky, fragrant leaves, and the swelling buds were bursting on the lime trees; the jackdaws, the sparrows and the pigeons were cheerfully getting their nests ready for the spring, and the flies, warmed by the sunshine, buzzed gaily along the walls. All were happy -- plants, birds, insects and children. But grown-up people -- adult men and women -- never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy -- a beauty which inclines the heart to peace, to harmony and to love. No, what they considered sacred and important were their own devices for wielding power over each other.
Leo Tolstoy (Resurrection)
Black Beauty" I paint my nails black, I dye my hair a darker shade of brown 'Cause you like your women Spanish, dark, strong and proud I paint the sky black You said if you could have your way You'd make a night time of today So it'd suit the mood of your soul Oh, what can I do? Nothing, my sparrow blue Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh I paint the house black My wedding dress black leather too You have no room for light Love is lost on you I keep my lips red The same like cherries in the spring Darling, you can't let everything Seem so dark blue Oh, what can I do? To turn you on or get through to you Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, ah ah Black beauty, ah ah Black beauty, ah ah ah ah Black beauty, baby Black beauty, baby Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh
Lana Del Rey
The window rattles without you, you bastard. The trees are the cause, rattling in the wind, you jerk, the wind scraping those leaves and twigs against my window. They'll keep doing this, you terrible husband, and slowly wear away our entire apartment building. I know all these facts about you and there is no longer any use for them. What will I do with your license plate number, and where you hid the key outside so we'd never get locked out of this shaky building? What good does it do me, your pants size and the blue cheese preference for dressing? Who opens the door in the morning now, and takes the newspaper out of the plastic bag when it rains? I'll never get back all the hours I was nice to your parents. I nudge my cherry tomatoes to the side of the plate, bastard, but no one is waiting there with a fork to eat them. I miss you and I love you, bastard bastard bastard, come and clean the onion skins out of the crisper and trim back the tree so I can sleep at night.
Daniel Handler (Adverbs)
Cherry" Love I said real love, it's like feeling no fear When you're standing in the face of danger 'Cause you just want it so much A touch From your real love It's like heaven taking the place of something evil And lettin' it burn off from the rush Yeah, yeah (Fuck) Darlin', darlin', darlin' I fall to pieces when I'm with you, I fall to pieces My cherries and wine, rosemary and thyme And all of my peaches (are ruined) Love, is it real love? It's like smiling when the firing squad's against you And you just stay lined up Yeah (Fuck) Darlin', darlin', darlin' I fall to pieces when I'm with you, I fall to pieces (bitch) My cherries and wine, rosemary and thyme And all of my peaches (are ruined, bitch) My rose garden dreams, set on fire by fiends And all my black beaches (are ruined) My celluloid scenes are torn at the seams And I fall to pieces (bitch) I fall to pieces when I'm with you (Why?) 'Cause I love you so much, I fall to pieces My cherries and wine, rosemary and thyme And all of my peaches (are ruined, bitch) Are ruined (bitch) Are ruined (fuck)
Lana Del Rey
Give me the strongest cheese, the one that stinks best; and I want the good wine, the swirl in crystal surrendering the bruised scent of blackberries, or cherries, the rich spurt in the back of the throat, the holding it there before swallowing. Give me the lover who yanks open the door of his house and presses me to the wall in the dim hallway, and keeps me there until I’m drenched and shaking, whose kisses arrive by the boatload and begin their delicious diaspora through the cities and small towns of my body. To hell with the saints, with martyrs of my childhood meant to instruct me in the power of endurance and faith, to hell with the next world and its pallid angels swooning and sighing like Victorian girls. I want this world. I want to walk into the ocean and feel it trying to drag me along like I’m nothing but a broken bit of scratched glass, and I want to resist it. I want to go staggering and flailing my way through the bars and back rooms, through the gleaming hotels and weedy lots of abandoned sunflowers and the parks where dogs are let off their leashes in spite of the signs, where they sniff each other and roll together in the grass, I want to lie down somewhere and suffer for love until it nearly kills me, and then I want to get up again and put on that little black dress and wait for you, yes you, to come over here and get down on your knees and tell me just how fucking good I look. - “For Desire
Kim Addonizio
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A. The last words I ever carved into myself, sixteen years after I started: vanish. Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck. Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist. Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving. For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
Gillian Flynn (Sharp Objects)
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))