Na Meeting Quotes

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The sign on the front door explaining what kind of meeting: NA-NARCOTICS ANONYMOUS Someone had attached a sticky note that said: EMPHASIS ON THE A, PEOPLE! Ty didn't know wheather to be amused that only in Lucky Harbor would the extra note be necessary, or appalled that the town was trusted with the anonymous at all.
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
Jy maak niemand moedswillig seer nie. Jy kom niemand doelbewus te na nie. Jy gun mense om te wees wat en wie hulle is solank hulle jou nie moedswillig seermaak of te na kom nie. Jy vergewe hulle as hulle dit wel gedoen het en insien dat hulle drooggemaak het. As hulle dit nie insien nie, sny jy hulle gewoon uit jou lewe. Meet ‘n bietjie jouself, jou familie, jou gemeente daaraan en kyk hoe vaar jou bende. (Nan aan Gideon)
Chanette Paul
Like most people who decide to get sober, I was brought to Alcoholics Anonymous. While AA certainly works for others, its core propositions felt irreconcilable with my own experiences. I couldn't, for example, rectify the assertion that "alcoholism is a disease" with the facts of my own life. The idea that by simply attending an AA meeting, without any consultation, one is expected to take on a blanket diagnosis of "diseased addict" was to me, at best, patronizing. At worst, irresponsible. Irresponsible because it doesn't encourage people to turn toward and heal the actual underlying causes of their abuse of substances. I drank for thirteen years for REALLY good reasons. Among them were unprocessed grief, parental abandonment, isolation, violent trauma, anxiety and panic, social oppression, a general lack of safety, deep existential discord, and a tremendous diet and lifestyle imbalance. None of which constitute a disease, and all of which manifest as profound internal, mental, emotional and physical discomfort, which I sought to escape by taking external substances. It is only through one's own efforts to turn toward life on its own terms and to develop a wiser relationship to what's there through mindfulness and compassion that make freedom from addictive patterns possible. My sobriety has been sustained by facing life, processing grief, healing family relationships, accepting radically the fact of social oppression, working with my abandonment conditioning, coming into community, renegotiating trauma, making drastic diet and lifestyle changes, forgiving, and practicing mindfulness, to name just a few. Through these things, I began to relieve the very real pressure that compulsive behaviors are an attempt to resolve.
Noah Levine (Refuge Recovery: A Buddhist Path to Recovering from Addiction)
To get a sense of what I mean by evangelism as the practice of hospitality, visit your local church. Don’t go upstairs, to the sanctuary, go downstairs to that room in the basement with the linoleum tile and the coffee urn. That’s where the AA and NA meetings are held. At its best, Alcoholics Anonymous embodies evangelism as hospitality. They offer an invitation, not a sales pitch. They offer testimony — personal stories — instead of a marketing scheme. They are, in fact and in practice, a bunch of beggars offering other beggars the good news of where they found bread. At its worst, AA sometimes slips into the evangelism-as-sales model. You may have found yourself at some point having a beer when some newly sober 12-step disciple begins lecturing you that this is evidence that you have a problem. He will try to sell you the idea that you are a beggar so he can sell you some bread. The ensuing conversation is tense, awkward and pointless — the precise qualities of the similar conversation you may have had with an evangelical Christian coworker who was reluctantly but dutifully inflicting on you a sales pitch for evangelical Christianity.
Fred Clark (The Anti-Christ Handbook: The Horror and Hilarity of Left Behind)
A perfeição não é alcançada quando não há mais nada a ser incluído, mas sim quando não há mais nada a ser retirado." - Perfection is achieved not when there is nothing more to be added but when there is nothing more to be removed "Cada um que passa na nossa vida, passa sozinho, pois cada pessoa é única e nenhuma substitui outra. Cada um que passa na nossa vida, passa sozinho, mas não vai só nem nos deixa sós. Leva um pouco de nós mesmos, deixa um pouco de si mesmo. Há os que levam muito, mas há os que não levam nada. Essa é a maior responsabilidade da nossa vida, e a prova de que duas almas não se encontram ao acaso." - Every one that goes in our life passes alone, because each person is unique and no other substitutes. Every one that goes in our life passes alone, but will just not leave us alone. It takes a bit of ourselves, leaves a bit of himself. There are those who take a lot, but there are those who do not take anything. This is the greatest responsibility of our life, and the proof that two souls do not meet by chance.
Antoine de Saint-Exupéry
Kwa sababu za kijiografia, Copenhagen iko mbele kwa masaa 9 (PST) kuilinganisha na Tijuana (kaskazini-magharibi mwa Meksiko) na masaa 7 (CST) kuilinganisha na Salina Cruz (kusini-magharibi mwa Meksiko). Mauaji ya Meksiko yametokea saa 4 usiku wa Jumanne, Copenhagen ikiwa saa 1 asubuhi Jumatano CET. Saa 5 usiku wa Jumanne, El Tigre anahamishwa (na ndege binafsi) kutoka katika milima ya Tijuana (alikokuwa amejificha) mpaka katika jumba la kifahari la Eduardo Chapa de Christopher (Mkurugenzi wa Usafirishaji wa Kolonia Santita) nje ya Salina Cruz – ambako Chui anafika saa 10 alfajiri na kuendesha kikao cha dharura cha Bodi ya Wakurugenzi ya Kolonia Santita.
Enock Maregesi (Kolonia Santita)
On the 27th morning, at around 8 a.m. the train left Godhra Station. The karsevaks were loudly chanting the Ram Dhoon. The train had hardly gone a few meters, when it suddenly stopped. Somebody had perhaps pulled the chain to stop the train. Before anybody could know what had happened, we saw a huge mob approaching the train. People were carrying weapons like Gupti, Spears, Swords and such other deadly weapons in their hands and were throwing stones at the train. We all got frightened and somehow closed the windows and the doors of the compartment. People outside were shouting loudly, saying ‘Maro, Kato’ and were attacking the train. A loudspeaker from the Masjid (i.e. Mosque) closeby was also very loudly shouting ‘Maro, Kato, Laden na dushmano ne Maro.’ (“Cut, kill, kill the enemies of Laden”)These attackers were so fierce that they managed to break the windows and close the doors from outside before pouring petrol inside and setting the compartment on fire so that nobody could escape alive. A number of attackers entered the compartment and were beating the karsevaks and looting their belongings. The compartments were drenched in petrol all over. We were terrified and were shouting for help but who was there to help us? A few policemen were later seen approaching the compartment but they were also whisked away by the furious mob outside. There was so much of smoke in the compartment that we were unable to see each other and also getting suffocated. Going out was too difficult, however, myself and Pooja somehow managed to jump out through the windows. Pooja was hurt in her back and was unable to stand up. People outside were trying to hold us to take us away but we could escape and run under the burning train and succeeded in crawling towards the cabin. I have seen my parents and sisters being burnt alive right in front of my eyes.” Luckily, Gayatri was not hurt too badly. “We somehow managed to go up to the station and meet our aunty (Masi). After the compartments were completely burnt, the crowd started withering. We saw that even amongst them were men, women and youngsters like us, both male and female.
M.D. Deshpande (Gujarat Riots: The True Story: The Truth of the 2002 Riots)
June 7 Someone Who Believes In Me "Just for today I will have faith in someone in NA who believes in me and wants to help me in my recovery." Basic Text, p. 96 Not all of us arrive in NA and automatically stay clean. But if we keep coming back, we find in Narcotics Anonymous the support we need for our recovery. Staying clean is easier when we have someone who believes in us even when we don't believe in ourselves. Even the most frequent relapser in NA usually has one staunch supporter who is always there, no matter what. It is imperative that we find that one person or group of people who believes in us. When we ask them if we will ever get clean, they will always reply, "Yes, you can and you will. Just keep coming back!" We all need someone who believes in us, especially when we can't believe in ourselves. When we relapse, we undermine our already shattered self-confidence, sometimes so badly that we begin to feel utterly hopeless. At such times, we need the support of our loyal NA friends. They tell us that this can be our last relapse. They know from experience that if we keep coming to meetings, we will eventually get clean and stay clean. It's hard for many of us to believe in ourselves. But when someone loves us unconditionally, offering support no matter how many times we've relapsed, recovery in NA becomes a little more real for us. Just for today: I will find someone who believes in me. I will believe in them.
Anonymous
Heartbeat Who ever wants this You never should want this Why would you want this You never should want this We tried and we worked hard We stayed in at night We tried and we worked hard We stayed in at night Who ever wants this you never should want this Why would you want this you never should want this He wanted me for free but can he not see I’ve no heartbeat I’ve no heartbeat He wanted me for free but can he not see I’ve not heartbeat I’ve no heartbeat Na na na na na na, na na na na na na na na na Na na na na na na, na na na na na na na na na There is a right way I took the wrong way But if you’re coming back round I’ll meet you anyway He wanted me for free but can he not see I’ve no heartbeat I’ve no heartbeat He wanted me for free but can he not see I’ve not heartbeat I’ve no heartbeat Jack is running back he’s taken it all back Jack is running back he’s taken it all back Jack is running back he’s taken it all back Jack is running back he’s take take take take take He wanted me for free but you can’t have me No you can’t have me No you can’t have me He wanted me for free but you can’t have me No you can’t have me No you can’t have me He wanted me for free but can he not see I’ve no heartbeat I’ve no heartbeat He wanted me for free but can he not see I’ve not heartbeat I’ve no heartbeat He wanted me for free but you can’t have me No you can’t have me No you can’t have me He wanted me for free but you can’t have me No you can’t have me No you can’t have me
Femme
Let me tell you one story to illustrate what I mean. I remember a woman who was a spiritist, and even a medium, a paid medium employed by a spiritist society. She used to go every Sunday evening to a spiritist meeting and was paid three guineas for acting as a medium. Thi s was during the thirties, and that was quite a large sum of money for a lower middle-class woman. She was ill one Sunday and could not go to keep her appointment. She was sitting in her house and she saw people passing by on their way to the church where I happened to be ministering in South Wales. Something made her feel a desire to know what those people had, and so she decided to go to the service, and did 80. She came ever afterwards until she died, and became a very fine Christian. One day I asked her what she had felt on that first visit, and this is what she said to me; and this is the point I am illustrating. She said, 'The moment I entered your chapel and sat down on a seat amongst the people I was conscious of a power. I was conscious of the same sort of power as I was accustomed to in our spiritist meetings, but there was one big difference; I had a feeling that the power in your chapel was a clean power.' The point I am making is simply this, tha t she was aware of a power. Thi s is this mysterious element. I t is the presence of the Spirit in the heart of God's children, God's people, and an outsider becomes aware of this. Thi s is something you can never get if you jus t sit and read a book on your own. The Spirit can use a book, I know, but because of the very constitution of man' s na tur e -our gregarious character, and the way in which we lean on one another, and are helped by one another even uncons c ious ly- thi s is a most important factor. Tha t is so in a natural sense, but when the Spirit is present, it is still more so. I am not advocating a mob or a mass psychology which I regard as extremely dangerous, particularly when it is worked up. All I am contending for is tha t when you enter a church, a society, a company of God' s people, there is a factor which immediately comes into operation, which is reinforced still more by the preacher expounding the Word in the pulpit; and tha t is why preaching can never be replaced by either reading or by watching television or anyone of these other activities. 44
Anonymous
In the story, The Alchemist, a young Shepard named Santiago went looking for treasure. He traveled the world to fulfill his Personal Legend. On his way, he meets and falls in love with a beautiful and exotic woman named Fatima." “He says to her, ‘So I love you because the entire universe conspired to help me find you.’ Noah and Arie, I can assure you that like Santiago and Fatima, the universe conspired to help you two find each other." “I wish you a lifetime of more love than anyone could dream of and more happiness than the grains of sand on earth.
N.A. Leigh (Mr. Hinkle's Verum Ink: the navy blue book (Mr. Hinkle's Verium Ink 1))
Oisin had been carried away to the Land of Youth, under the western ocean. Both of them return to their mortal existence, and to Ireland, when Patrick is in the land, winning it from Crom Cruach to Christ. Patrick meets and converts each of them. They attach themselves to his company, and travel Ireland with him. When the Saint is wearied from much travelling and work, or, as often happens, from the perversity of the people he has to deal with, Oisin or Caoilte refresh and beguile him with many a sweet tale of the Fian — all of which, says the tradition, the pleased Patrick had his scribe Breogan write down and preserve for posterity. These tales make the Agallam na Seanorach. The
Seumas MacManus (The Story of the Irish Race: A Popular History of Ireland)
Matatizo ya kijamii, kimiiko, kimaadili, kisiasa, na kiroho; hayataweza kutatuliwa kwa pesa, vikao vya kifamilia, haki za binadamu, usalama wa taifa, au nguvu za kijeshi. Yataweza kutatuliwa kwa haki na hekima ya Mwenyezi Mungu.
Enock Maregesi
Went to Croatia in July. The gals there are amazingly beautiful - far more so than in Poland (and Polish gals are famous). But in general everyone is also pretty miserable, and it's very difficult to meet people, even at the most buzzing places in Croatia. It seems to be a post-Communist thing. Or maybe a Slavic thing? I don't know, that's why I'm posting here.
gościu na blogu
Hey, you don't have friends, do you?" "What? Umm...I..." "It's written on your forehead. Don't go thinking school is everything. When I dropepd out, I didn't know what I'd been doing in that cramped place. Put yourself first...and treat yourself right. Forget those crappy kids at school and meet new people in a new place that you're comfortable with...and the you'll realize...that you're actually pretty alright, more than you thought until now.
NaRae Lee (Bloody Sweet, Vol. 1)
Il n'y a qu'une chose qui puisse arrêter le cheminement d'un peintre et c'est le succès. Van Gogh a vu cela bien avant moi. La peinture est un cheminement dans l'espace - et non dans le temps. Le peintre cherche en permanence la couleur et le style. S'il rencontre le succès, il bloque son style, il le fige. Pourquoi ? Simplement parce que l'acheteur - le marchand - demande uniquement le style qui se vend, le style qui a du succès. Voyez Pablo Picasso, Salvador Dali ou Bernard Buffet...etc, etc. L'artiste connu et reconnu est condamné, à vie, à se copier lui-même ; à copier un moment de son cheminement. Alphonse Daudet disait que le succès (la gloire), c'était la même chose que de fumer un cigare par l'autre bout. Le bout de la braise; donc. Et il avait raison. Mais comme personne n'a le choix - s'agissant du destin - on se situe ici par-delà le bien et le mal et tout jugement moral n'a ici aucune portée *** There is only one thing that can stop the pathway of an artist and this thing is called : success. Van Gogh wrote it long before me. Painting is a pathway through space - and not through time. The painter is constantly looking for new color and new style. If he meets success, he blocks his style, he freezes it. Why ? Simply because the buyer - the merchant - asks only for the style that can be sold, the style that is successful. See Pablo Picasso, Salvador Dali, Bernard Buffet ... etc, etc. The successful artist is therefore condemned, for life, to copy himself; to copy a moment of his pathway. Alphonse Daudet said that success (glory) was the same as smoking a cigar on the other side. The side of the embers. And he was right. But since no one has the choice - when it comes about fate - we are here beyond good and evil and any moral judgment has no value.
Jean-Michel Rene Souche
Na! Na! Never turn back to meet the deevil, when ye have once got past him!
Tara Moore (The Valancourt Book of Victorian Christmas Ghost Stories)
Mia franziu o cenho e dirigiu-se para seu apartamento, mas ficou imóvel. A porta de Alex estava aberta. Como se esperasse por ela. Não tinha como não vê-la. Mia, preparada e com as chaves na mão, moveu-se devagar e destrancou a porta. Não foi rápida o suficiente. Alex apareceu na sua sala, frente a frente com ela, e mostrou mais um daqueles sorrisinhos tortos — desta vez com a maior presunção e sarcasmo já vistos num ser humano. Ele não precisou dizer nada porque seu semblante já dizia tudo: “Você não devia ter feito isso”. Alex usou o controle remoto e apertou um botão. A música cresceu e cresceu conforme Mia se encolhia no próprio casulo da vergonha. Britney Spears cantou “Você me deixa louca, eu não consigo dormir”. Eu te entendo, Britney, pensou e entrou rapidamente em casa.
Lívia S. Medeiros (Mia Jones Não Ama Ninguém (Portuguese Edition))
Do We Need a Eulogy or a Birth Announcement? Like most African-Americans my age and older, I have been touched by the virtue and disturbed by the failures of the African-American church. I have had some of the richest times of celebration and praise in local black churches. And I’ve also experienced some of the most perplexing and discouraging situations in this same institution. It was an African-American preacher who vouched for me when I was facing criminal charges as a rising junior in high school, making all the difference in my future. And it was the membership of a black Baptist congregation that nearly poisoned my love for the church when, as a new Christian, I witnessed the “brawl” of my first church business meeting. The preaching of the church gave me biblical tropes and themes for building a sense of self in the world. But a low level of spiritual living among many African-American Christians tempted me to believe that everything in the Black Church was show-and-tell, a tragic comedy of self-delusion and religious hypocrisy. I left the Black Church of my youth and converted to Islam during college. I became zealous for Islam and a staunch critic of the Black Church. I welcomed much of the criticisms of radicals, Afrocentrists, and groups like the Nation of Islam. I cut my teeth on the writing and speaking of men like Molefi Kete Asante, Na’im Akbar, Wade Noble, and Louis Farrakhan. The institution that helped nurture me I now deem a real enemy to the progress of African-Americans, an opiate and a tool of white supremacy. I had experienced enough of the church’s weakness to reject her altogether. The immature and undiscerning rarely know how to handle the failures of its heroes, to evaluate with nuance and critical appreciation. That was true of me before the Lord saved me. In July 1995, sitting in an African Methodist Episcopal Zion (AMEZ) church in the Washington, DC, area, a short, square, balding African-American preacher expounded the text of Exodus 32. With passion and insight, he detailed the idolatry of Israel and exposed the idolatry of my heart. As he pressed on, more and more I felt guilty for my sin, estranged from God, and deserving of God’s holy judgment. Then, from the text of Exodus 32, he preached Jesus Christ, the Son of God who takes away the sin of the world and reconciles sinners to God. He proclaimed the cross of Jesus Christ, where my sins had been nailed and the Son of God punished in my place. The preacher announced the resurrection of Christ, proving the Father accepted the Son’s sacrifice. Then the pastor called every sinner to repent and put their trust—not in themselves—but in Jesus Christ alone for righteousness, forgiveness, and eternal life. It was as if he addressed me alone though I sat in a congregation of eight thousand. That morning, under the preaching of the gospel from God’s Word, the Spirit gave me and my wife repentance and faith leading to eternal life. I was a dead man when I walked into that building. But I left a living man, revived by God’s Word and Spirit.
Thabiti M. Anyabwile (Reviving the Black Church)
I remember a woman called Máirín na Yanks Ni Mhurchú, who owned a shop near Mrs Hurley's.... I used to buy chocolate from her when I first came here, and sometimes we'd meet on the roads, picking blackberries. A few years ago, shortly before she died, she was interviewed for an Irish language television series. It was called Bibeanna, which is the Irish word for the wraparound aprons women here used to wear in the house and the farmyard. They were made of dark fabric, patterned with little flowers. I remember watching the series on television and thinking that Máirín's quiet voice hadn't changed since I'd first heard it. Sitting by her fire, wrapped in her flowery apron, she described her life, looking back on her childhood and the years she'd spent in her shop. She talked about the pleasure she took in the company of neighbours who'd drop in for a chat. Then she summed it all up in a sentence. 'I'm calm and easy in myself; I take each day as it comes and I keep my door open.
Felicity Hayes-McCoy (The House on an Irish Hillside)
After Jimena left, Serena sat in a chair and set her cello on the end pin between her knees. She loved the way she had to hug the cello when she played. She dreamed of meeting her idols some day in a master class or onstage, someone like Yo-Yo Ma or Han-Na Chang. She picked up her bow and began to play. The music flowed around her, sad and filled with longing.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
Stoner forbids her from attending her AA and NA meetings because so many men go there.
JAMAN PUBLISHINGS (SUMMARY AND ANALYSIS OF DEMON COPPERHEAD (EXECUTIVE COMPANION GUIDES))