Slick People Quotes

I hate slick and pretty things. I prefer mistakes and accidents. Which is why I like things like cuts and bruises - they're like little flowers. I've always said that if you have a name for something, like 'cut' or 'bruise,' people will automatically be disturbed by it. But when you see the same thing in nature, and you don't know what it is, it can be very beautiful.

People who worship only themselves get a slick, polished look -- like monuments. Too bad they had to go so soon.

Oh well, maybe the only beauty left in cities is in the oil slicks on the road and maybe there isn't any beauty left in the people who live in these places.

I've had more difficulty accepting myself as bisexual than I ever did accepting that I was a lesbian. It felt traitorous. A few years ago, I admitted to myself that I was still interested in men in more than a "Brad Pitt is slick hot sexy" kind of way. But I worried what my friends, exes, and the Community would think. I never even broached the subject with my parents. Because what bothered me the most was that people would think that being a lesbian had been a phase for me, when that was so very not the case. What I feared was that I would no longer be part of a community, that I might be seen with my boyfriend and not be recognized as something not the same.

Dublin is extraordinarily beautiful to her in wet weather, the way gray stone darkens to black, and rain moves over the grass and whispers on slick roof tiles. Raincoats glistening in the undersea color of street lamps. Rain silver as loose change in the glare of traffic.

Listen up, Mount High-Hair," Gustav barked. "Say what you want about me, but lay off the rest of the team. I've been through a lot of stuff with these people. Nobody can tell me that Fancy Dancer and Lady Slick-Pants aren't heroes. Captain Gloom-Cape over there, too. And even Shrimp Charming has his moments." Briar leaned back in her chair. "I admire your ability to insult your friends *while* you defend them. It's a rare talent.

Look, you're small-town. I've had over 50 jobs, maybe a hundred. I've never stayed anywhere long. What I am trying to say is, there is a certain game played in offices all over America. The people are bored, they don't know what to do, so they play the office-romance game. Most of the time it means nothing but the passing of time. Sometimes they do manage to work off a screw or two on the side. But even then, it is just an offhand pasttime, like bowling or t.v. or a New Year's Eve party. You've got to understand that it doesn't mean anything and then you won't get hurt. Do you understand what I mean?" I think that Mr. Partisan is sincere." You're going to get stuck with that pin, babe, don't forget what I told you. Watch those slicks. They are as phony as a lead dime.

I know I grew up in the time when a young man in a baggy suit and slicked-down hair stood spraddle-legged in the crossroads of history and talked hot and mean about the colored, giving my poor and desperate people a reason to feel superior to somebody, to anybody. I know that even as the words of George Wallace rang through my Alabama, the black family who lived down the dirt road from our house sent fresh-picked corn and other food to the poor white lady and her three sons, because they knew their daddy had run off, because hungry does not have a color.

The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seatmates' faces and revealed them as they were when they first came to the country, when they were young and America seemed conquerable. He'd watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer's wand.

Declan Lynch had a complicated relationship with his family. It wasn’t that he hated them. Hate was such a slick, neat, simple emotion. Declan envied people who felt proper hate. You had to sand all the corners off things in order to unequivocally hate; it was a subtractive emotion. Hate was sometimes a prize. But hate was sometimes also just a dick move. It was annoying how many people had small redeeming qualities or depressingly sympathetic motives or other complicating features that disqualified it as an appropriate response.

Part of love is preparing for death... Afterwards comes the madness. And then the loneliness... [People say] you'll come out of it... And you do come out of it, that's true. But you don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil slick; you are tarred and feathered for life.

But it’s not always enough, you know? And sometimes, it spills over because you can’t control it, because you need to make others feel your pain, your hurt, your rage, because it’s tough to walk around all scarred up, in a world full of slick billboards and bright, smiley toothpaste ads and shiny, happy people. Life’s not always fair. So suck it, lick it, stroke it, fuck it.

That was how I’d always imagined the surface of my heart—smooth, slick, unattached. Nothing to grab on to. Unscored. No one could attach to me once the inevitable heat of life bore down. I suspected the metaphor went deeper still—that I was afraid of marring my heart with the scoring that arose naturally between people, the inevitable bumping against other people’s desires, demands, pettiness, preferences, and all the quotidian negotiations that made up a relationship. Scoring was required for attachment, and my heart lacked the grooves.

He’d watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer’s wand.

I'd seen old Yardley Slickers- the makeup now just a waxy crumble- sell for almost one hundred dollars on the internet. So grown women could smell it again, that chemical, flowery fug. That's how badly people wanted it- to know that their lives had happened, that the person they once had been, still existed inside of them. There were so many things that returned me. The tang of soy, the smoke in someone's hair, the grassy hills turning blond in June. An arrangement of oaks and boulders could, seen out of the corner of my eye, crack open something in my chest, palms going suddenly slick with adrenaline.

Observing a candidate's supporters is crucial. The candidates themselves are slick and polished. Their supporters aren't, so their words and actions are far easier to unravel. The Berkeley riots at Milo Yiannopoulos' attempted speech told me all I needed to know about Hillary.

People do not trust the slick and polished. Instead, the objectives of media training should be to learn how to directly address difficult questions, how to avoid falling into media traps, and most importantly, how to accomplish the two previous tasks with honesty and integrity.

Mankind is the creation of God. You are made in his image—not a physical image, since God is not a physical being. You are made in his spiritual image in that you can be rational, think, love, hate, make choices, and such. This is why all people should be shown respect…because they reflect God’s image.

To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.

a motivated person who was willing to get in front of enough people and simply tell their story would almost always outsell the ‘sales pro’ with the slick closes and fancy techniques.

Always, endeavor, Slick, to keep a fix on the addiction industries: you can't lose. The addicts can't win. Dope, Liquor, gambling, anything video--these have to be the deep-money veins. Nowadays the responsible businessman keeps a finger on the pulse of dependence. What next? All projections are targeting the low-energy domestic stuff, the schlep factor. People just can't hack going out any more. They're all addicted to staying at home. Hence the shit-food bonanza. Swallow your chemicals, swallow them fast, and get back inside. Or take the junk back with you. Stay off the streets. Stay inside. With pornography...

There were opera cloaks stitched of myriad, many-colored silks and furs; there were jewels dripping from arms and throats and ear-tips of white and rose; there were innumerable broad shimmers down the middles of innumerable silk hats; there were shoes of gold and bronze and red and shining black; there were the high-piled, tight-packed coiffures of many women and the slick, watered hair of well-kept men—most of all there was the ebbing, flowing, chattering, chuckling, foaming, slow-rolling wave effect of this cheerful sea of people as to-night it poured its glittering torrent into the artificial lake of laughter…. After

There is no pain - just travel. On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again. It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open. It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever. She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too. Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge. And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up. She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down. She wonders if she will ever hit the bottom, wonders will the splash ever come. Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities. And also they make forever seem like an okay thing.

The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seat-mates’ faces and revealed them as they were when they first came to the country, when they were young and America seemed conquerable. He’d watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer’s wand. He

Though all dictators endorse the same principle of government aggression to suppress people’s liberty, some dictators are harder to detect than others. A slick neocon can seem virtuous compared to a Hitler, yet still endorse invasion and the slaughter of innocent people.

There would be people answering to names they did not deserve. It would hurt to say their names. I would head upstairs and crack the seal on a jar of tomorrow's water, next week's water, next year's thin, sweet water--going as far ahead into the future as I could, until the water was barely there, clear and weak and airy-- and I would commence a fine, hard drinking spell, until this whole day, and the days before it, and then the people in those days and myself entirely, and my hard, dead name turned into a slick wire that pulled farther and farther away from me, slipping finally from view as I filled myself, as I took in enough water to make myself forever new to the small world that held me.

Dear lady, ... dear gentleman, reader, [it's] not right ... to put down this writer on his writing ... And I'll tell you why, too: it hurts, that's why.... People try to understand why writers commit suicide by jumping off boats or by alcoholism or by being heroic continuously or by rope or gun or drug or knife or water, and ... I can tell you straight out, ... it is reading slurring remarks about their writing that drives writers to the grave. Dirty remarks passed by ... dirty but damned nicely educated and very highly-paid ladies and gentlemen have the effect of killing writers. Yes, that's right. Dirty words ... in slick paper magazines read by smart people do assassinate writers. ... And boy let me tell you I am all for it, even when by some ... misunderstanding the dirty words are directed to me rather than to the party really deserving them. Accidents happen, dear clever reviewer or critic, and let it not be said that William Saroyan is one not to see a situation from the point of view of the other party, ... and I shall be the first to defend your right to be critical and even sarcastic, knowing full well that it is not about me and my writing, although my name is by mistake taken in vain by you. ... But go on, go on, do your good clever writing, every one of you, I am home, your are home, and we are each of us not yet on Variety's Necrology list, so if we can't take it, who can?

When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all. Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was? And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands. Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables. And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.

The cellar was straight off the set of a horror film. The floor was packed dirt and littered with the droppings of mice and rats. The worn stone walls were damp with a slick layer of mold. Even the air was heavy and filled with a dark sense of menace. It combined to create an atmosphere that would send most people fleeing in terror. But Edra was made of sterner stuff.

By the time I left college, I realized I'd never be happy unless I undid a lifetime of conformist conditioning. Thus, I reversed my directives. I shunned affirmation and craved contempt. I sought arguments from argumentative people. I encouraged judgement from judgmental people. I went out of my way to trigger all kinds of scorn from anyone who was willing to give it, and there was never a shortage of volunteers. It wasn't the easiest phase of my life. In fact, there were dozens of nights I cried myself to sleep. But like the most determined of body builders, I stuck to my regimen and eventually began to see results. Eventually, I became a human fortress, impervious to even the most subtle and penetrating forms of disdain. At long last, my mind became a peaceful, self-sufficient entity. Life got easier from there.

He was the most astonishing contradiction of components I’d ever encountered. Shy yet fiercely communicative when putting an idea into your head. Vocally astringent regarding his own abilities but not to the point that he couldn’t produce—he was as prolific an artist (yes, an artist, and I never use the term, especially regarding people I like) I’ve ever seen. But I could feel it. Everything he sketched, penciled, inked, made—was a payment, one he could scarcely afford; as if it physically hurt him to put pencil to paper. Yet that only seemed to spur him on, to live far beyond his means. He was unable not to. For Sketch, to draw was to breath, and so the air became lead—silvery in the right light, dark soot in the wrong; heavy, slick and malleable—into shapes he brought together in glorious orchestration, with a child’s eye and a rocket scientist’s precision, all fortified by a furious melancholy, a quiet engine of sourceless shame and humility. When it came to another’s work, he longed to praise it but then couldn’t resist critiquing it all within an inch of its life, analyzing deficiencies with uncontrollable abandon and laser accuracy. He was sharp as his Radio 914 pen nibs, and as pointed. And then he’d apologize. Oh, he would apologize: Oh my GOD, forgive me, please don’t hate me, I’m SORRY, don’t listen to me, why am I saying things, what do I know, I don’t know anything, why do you listen to me you should just tell me to shut UP, I’m awful, forgive me, you hate me, don’t you? Tell the truth. Please don’t hate me. Please don’t. Please.

In certain young people today…I notice what I find increasingly troubling: a cold-blooded grasping, a hunger to take and take and take, but never give; a massive sense of entitlement; an inability to show gratitude; an ease with dishonesty and pretension and selfishness that is couched in the language of self-care; an expectation always to be helped and rewarded no matter whether deserving or not; language that is slick and sleek but with little emotional intelligence; an astonishing level of self-absorption; an unrealistic expectation of puritanism from others; an over-inflated sense of ability, or of talent where there is any at all; an inability to apologize, truly and fully, without justifications; a passionate performance of virtue that is well mexecuted in the public space of Twitter but not in the intimate space of friendship. I find it obscene. People who ask you to ‘educate’ yourself while not having actually read any books themselves, while not being able to intelligently defend their own ideological positions, because by ‘educate,’ they actually mean ‘parrot what I say, flatten all nuance, wish away complexity.’ People who wield the words ‘violence’ and ‘weaponize’ like tarnished pitchforks. People who depend on obfuscation, who have no compassion for anybody genuinely curious or confused. Ask them a question and you are told that the answer is to repeat a mantra. Ask again for clarity and be accused of violence. And so we have a generation of young people on social media so terrified of having the wrong opinions that they have robbed themselves of the opportunity to think and to learn and to grow.

I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they , whatever became of them. When I was twelve I dreamed of Hongkong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement. When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a coloured print of London Bridge or the Eiffel Tower. One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the colour of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassières and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.

As he surveyed the world being remade by Silicon Valley, and especially what was once called the sharing economy, he began to see through the fantasy-speak. Here were a handful of companies thriving by serving as middlemen between people who wanted rides and people who offered them, people who wanted their Ikea furniture assembled and people who came over to install it, people who defrayed their costs by renting out a room and people who stayed there. It was no accident, Scholz believed, that these services had taken off at the historical moment that they had. An epic meltdown of the world financial system had cost millions of people their homes, jobs, and health insurance. And as the fallout from the crash spread, many of those cut loose had been drafted into joining a new American servant class. The precariousness at the bottom, which had shown few signs of improving several years after the meltdown, had become the fodder for a bounty of services for the affluent—and, Scholz noted, for the “channeling of wealth in fewer and fewer hands.” Somehow, the technologies celebrated by the Valley as leveling playing fields and emancipating people had fostered a slick new digitally enabled upstairs-downstairs line in American social life.

After I left finance, I started attending some of the fashionable conferences attended by pre-rich and post-rich technology people and the new category of technology intellectuals. I was initially exhilarated to see them wearing no ties, as, living among tie-wearing abhorrent bankers, I had developed the illusion that anyone who doesn’t wear a tie was not an empty suit. But these conferences, while colorful and slick with computerized images and fancy animations, felt depressing. I knew I did not belong. It was not just their additive approach to the future (failure to subtract the fragile rather than add to destiny). It was not entirely their blindness by uncompromising neomania. It took a while for me to realize the reason: a profound lack of elegance. Technothinkers tend to have an “engineering mind”—to put it less politely, they have autistic tendencies. While they don’t usually wear ties, these types tend, of course, to exhibit all the textbook characteristics of nerdiness—mostly lack of charm, interest in objects instead of persons, causing them to neglect their looks. They love precision at the expense of applicability. And they typically share an absence of literary culture. This absence of literary culture is actually a marker of future blindness because it is usually accompanied by a denigration of history, a byproduct of unconditional neomania. Outside of the niche and isolated genre of science fiction, literature is about the past. We do not learn physics or biology from medieval textbooks, but we still read Homer, Plato, or the very modern Shakespeare. We cannot talk about sculpture without knowledge of the works of Phidias, Michelangelo, or the great Canova. These are in the past, not in the future. Just by setting foot into a museum, the aesthetically minded person is connecting with the elders. Whether overtly or not, he will tend to acquire and respect historical knowledge, even if it is to reject it. And the past—properly handled, as we will see in the next section—is a much better teacher about the properties of the future than the present. To understand the future, you do not need technoautistic jargon, obsession with “killer apps,” these sort of things. You just need the following: some respect for the past, some curiosity about the historical record, a hunger for the wisdom of the elders, and a grasp of the notion of “heuristics,” these often unwritten rules of thumb that are so determining of survival. In other words, you will be forced to give weight to things that have been around, things that have survived.

Back at the Berlin Conference of 1885, it was decided that the Congo Free State was to be open to international trade. Competition between market and state still exists today, in fact more than ever. In those days the focus was solely on the purchase of raw materials, today it’s about the selling of products as well—even in a desperately poor country, there is a great deal of money to be made with the trade in little commodities like phone vouchers, bottles of soda pop, or bags of powdered milk. To win the souls of all those dispossessed, foreign companies colonize the public spaces of the destroyed country with a temerity only thinly disguised by the bright smile of slick marketing.

Now you take dark Negroes like you, Mr. Griffin, and me," he went on. "We're old Uncle Toms to our people, no matter how much education and morals we've got. No, you have to be almost a mulatto, have your hair conked and all slicked out and look like a Valentino. Then the Negro will look up to you. You've got class. Isn't that a pitiful hero-type?" "And the white man knows that," Mr. Davis said. "Yes," the cafe owner continued. "He utilizes this knowledge to flatter some of us, tell us we're above our people, not like most Negroes. We're so stupid we fall for it and work against own own. Why, if we'd work just half as hard to boost our race as we do to please whites whose attentions flatter us, we'd really get somewhere.

No one under mind control has the capacity to cleverly lie and creatively twist words like Bill Clinton does! The more you understand about mind control, the easier it will become to identify victims. Victims can eloquently deliver a speech over and over using the same words, same voice inflections and gestures, the same dramatic pauses as programmed, yet cannot think to spontaneously respond to questions charismatically.” Mark furthered the explanation. “Especially questions pertaining to dates, times, geography, or even how to spell simple words like ‘potato’. People under mind control are literal, and are therefore incapable of playing word semantics, misleading others, and spontaneously telling a blatant lie the way Slick Willie does.

The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!" Carlyle waited and her words came with a rush. “Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?" He handed one over and held a match for her silently. "Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?" "Sort of. You never were beaten and you never apologized." "Never!" She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below. Her voice floated up to him again. "And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things." She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level. "All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless." She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock. "I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male." "But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?" Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above. "Why," she called back, "then I'd have won!

The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seatmates' faces and revealed them as they were when they first came to the country, when thy were young and America seemed conquerable. He'd watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer's wand.

The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seat-mates’ faces and revealed them as they were when they first came to the country, when they were young and America seemed conquerable. He’d watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer’s wand.

A war changes people in a number of ways. It either shortcuts you to your very self; or it triggers such variations that you might as well have been a larva, pupating indampness, darkness and tightly wrapped puttees. Then, providing you don't take flight from a burst shell, you emerge from your khaki cocoon so changed from what you were that you fear you've gone mad, because people at home treat you as though you were someone else. Someone who, through a bizarre coincidence, had the same name, address and blood ties as you, but who must have died in the war. And you have no choice but to live as an impostor because you can't remember who you were before the war. There's a simple but horrible explanation for this: you were born in the war. You slid, slick, bloody and fully formed, out of a trench.

Wallace hugged his knees and put his chin on his arms. He slid his feet out of his canvas shoes and let the lake wash up to his ankles. It was cold, though not as cold as he had expected or would have liked. There was something slick in the water, something apart from the water itself, like a loose second skin swilling around under the surface. There were stretches of days when the lakes were closed because of the algae. It sometimes secreted neurotoxins that could be fatal. Or harbored parasitic organisms that clasped onto swimmers and sucked them dry, or gave them diseases that caused their bodies to tear themselves apart from the inside. The water here could be dangerous even if you didn't know it. But there were no warnings posted. Whatever was in the water was not yet at a level thought dangerous to people. The water stank more now that he was close to it, like alcohol, powerfully astringent and chemical.

GOD I am ready for you to come back. Whether in a train full of dying criminals or on the gleaming saddle of a locust, you are needed again. The earth is a giant chessboard where the dark squares get all the rain. On this one the wet is driving people mad—the bankers all baying in the woods while their markets fail, a florist chewing up flowers to spit mouthfuls here and there as his daughter’s lungs seize shut from the pollen. There is a flat logic to neglect. Sweet nothings sour in the air while the ocean hoots itself to sleep. I live on the skull of a giant burning brain, the earth’s core. Sometimes I can feel it pulsing through the dirt, though even this you ignore. The mind wants what it wants: daily newspapers, snapping turtles, a pound of flesh. The work I’ve been doing is a kind of erasing. I dump my ashtray into a bucket of paint and coat myself in the gray slick, rolling around on the carpets of rich strangers while they applaud and sip their scotch. A body can cause almost anything to happen. Remember when you breathed through my mouth, your breath becoming mine? Remember when you sang for me and I fell to the floor, turning into a thousand mice? Whatever it was we were practicing cannot happen without you. I thought I saw you last year, bark wrapped around your thighs, lurching toward the shore at dawn. It was only mist and dumb want. They say even longing has its limits: in a bucket, an eel will simply stop swimming long before it starves. Wounded wolves will pad away from their pack to die lonely and cold. Do you not know how scary it can get here? The talons that dropped me left long scars around my neck that still burn in the wind. I was promised epiphany, earth- honey, and a flood of milk, but I will settle for anything that brings you now, you still-hungry mongrel, you glut of bone, you, scentless as gold.

Even the cinema stories of fabulous Hollywood are loaded. One has only to listen to the cheers of an African audience as Hollywood’s heroes slaughter red Indians or Asiatics to understand the effectiveness of this weapon. For, in the developing continents, where the colonialist heritage has left a vast majority still illiterate, even the smallest child gets the message contained in the blood and thunder stories emanating from California. And along with murder and the Wild West goes an incessant barrage of anti-socialist propaganda, in which the trade union man, the revolutionary, or the man of dark skin is generally cast as the villain, while the policeman, the gum-shoe, the Federal agent — in a word, the CIA — type spy is ever the hero. Here, truly, is the ideological under-belly of those political murders which so often use local people as their instruments. While Hollywood takes care of fiction, the enormous monopoly press, together with the outflow of slick, clever, expensive magazines, attends to what it chooses to call ‘news. Within separate countries, one or two news agencies control the news handouts, so that a deadly uniformity is achieved, regardless of the number of separate newspapers or magazines; while internationally, the financial preponderance of the United States is felt more and more through its foreign correspondents and offices abroad, as well as through its influence over inter-national capitalist journalism. Under this guise, a flood of anti-liberation propaganda emanates from the capital cities of the West, directed against China, Vietnam, Indonesia, Algeria, Ghana and all countries which hack out their own independent path to freedom. Prejudice is rife. For example, wherever there is armed struggle against the forces of reaction, the nationalists are referred to as rebels, terrorists, or frequently ‘communist terrorists'!

Unlike the rain-slicked streets of Oblakgrad, Dírorth was a stir of activity. The streets were lined with vendors selling greasy meat pies to passersby. The clogging crowd of Humans cramped together as they pushed past one another, rushing from one errand to the next. The shouting of a thousand voices melted together into a perpetual buzz, like a great swarm of bees hovering over the street. And yet a strange silence hung over the city. It filled in the background, inhabiting dark corners where the din of the crowd could not squelch it. It had a strange omnipresence, like something that you are subconsciously aware of, but do not consciously see with your eyes. It was a silence ignored, hidden by the façade of hectic traffic. You wouldn’t really notice it, not unless you were looking for it. Not unless you actually stopped to listen. If the city folk had stopped, frozen, if they had stilled themselves for a moment, the silence would have gaped wide open like a dark, hungry maw. But they ignored it. For the past century, they had covered that silence with the commotion of everyday life, refusing to let it control them. To define them. They did not hear it. They would not hear it. I myself did not hear it for years and years, not until the day that I actually stopped to listen. Can you hear it, now? Can you hear it in the words your reading, the words I say to you? Listen. Hear its empty resonance across the cobbles. Feel it in the dust beneath Notak’s boot, damp with last night’s rain. Smell it on the ragged clothes of the peasants, hidden in the folds of dirty fabric. See it in their eyes, latent beneath the gloss of the everyday. Taste it in the clamor of the streets, clamor born out of a unconscious urge to fill the quiet with something, anything to drive it away, anything to stave off the silence that reeked with defeat. It was the echo of a hundred years of slavery. It was the song of a people, waiting for God.

The impossibility of exact knowledge is in the physical disintegration which protects the past from our trespasses; it forms a hygiene barrier against mixing with us, the present. For us, this impossibility is an advantage. The owners have left the house, they’ve gone away, and there is no one to see how we are dividing up all their many goods. For the full enjoyment of those olden days we need those who once peopled them to die - then we can begin the yearning process, trying out the role of rightful heirs. The heaped mass of witness accounts only teases us in our hunger: rifle through the bank of pictures, enlarge them, bring them up close to your eyes, spend a lifetime gazing at a single iconic image. It’s all pointless: scoop it all out, to the very bottom of the cup, it’s thin walls, you can walk into the house of the past, but you can’t penetrate it, nor will it enter you, like a chill slick of a ghost that appears out of nowhere in the warm twilight of a July evening.

for you?" Robbie asked me quietly. "Good!" I blurted, my heart slamming against my rib cage. It's…it's good." " Good," he replied. My palms were totally slick by now. My pulse a rushing freight train. What was going on here? This was how I felt around Cameron, not Robbie. This was all totally wrong. It's just the slow dance, KJ. It's just because it's your first slow dance. Don't get all carried away. " Okay, here comes the twirl thing," Robbie announced. " Let's try it." He pulled me closer and my breath caught, then he spun me away and I almost lost my balance, but he pulled me back in, slung by his arm around my back, and dipped me, never letting me fall. By the time I stood up again, the whole room was reeling and the people on the screen were kissing passionately and Robbie was holding me, his breath short and quick, his face ever so close to mine. " How was that?" he asked. "That was…that…was" Just the dance. Just the slow dance. Cameron was the guy I liked. Cameron, Cameron, Cameron. "Perfect.

For the mob is a congregation of compulsions. It does not matter who or what squats upon the altar: Robespierre, Beelzebub, Mussolini, Belial, any political or social savior with the sibilant speech and the slick tongue, hissing out every other word with its suffix -ism. The people will be saved not by the grace of God, not by any act of faith, hope, or charity. They will be saved because they belong to the right mob. They think they have pulled the lever of righteousness, but they are themselves the levers that are pulled. A mob is not a great cloud of witnesses. It is not a gathering of friends for a wedding feast. It is a herd of enemies who have fused their enmity with the cause, whereof they are the willing effects. Witness the goings-on when a politician dies. No one, in Life Under Compulsion, says to himself, “The fearful reckoning he meets may be mine, soon.” They turn the funeral into a political event. They must: they are marionettes and they will dance. They look over the shoulder to see who gets the prime time for the moist eye and the hitch in the voice.

Imagine, for instance, that all of Washington’s 100,000 lobbyists were to go on strike tomorrow.3 Or that every tax accountant in Manhattan decided to stay home. It seems unlikely the mayor would announce a state of emergency. In fact, it’s unlikely that either of these scenarios would do much damage. A strike by, say, social media consultants, telemarketers, or high-frequency traders might never even make the news at all. When it comes to garbage collectors, though, it’s different. Any way you look at it, they do a job we can’t do without. And the harsh truth is that an increasing number of people do jobs that we can do just fine without. Were they to suddenly stop working the world wouldn’t get any poorer, uglier, or in any way worse. Take the slick Wall Street traders who line their pockets at the expense of another retirement fund. Take the shrewd lawyers who can draw a corporate lawsuit out until the end of days. Or take the brilliant ad writer who pens the slogan of the year and puts the competition right out of business. Instead of creating wealth, these jobs mostly just shift it around.

Somewhere in between are the rest of us natives, in whom such change revives long-buried anger at those faraway people who seem to govern the world: city people, educated city people who win and control while the rest of us work and lose. Snort at the proposition if you want, but that was the view I grew up with, and it still is quite prevalent, though not so open as in those days. These are the sentiments the fearful rich and the Republicans capitalize on in order to kick liberal asses in elections. The Democrats' 2006 midterm gains should not fool anyone into thinking that these feelings are not still out here in this heartland that has so rapidly become suburbanized. It is still politically profitable to cast matters as a battle between the slick people, liberals all, and the regular Joes, people who like white bread and Hamburger Helper and "normal" beer. When you are looking around you in the big cities at all those people, it's hard to understand that there are just as many out here who never will taste sushi or, in all likelihood, fly on an airplane other than when we are flown to boot camp, compliments of Uncle Sam. Only 20 percent of Americans have ever owned a passport. To the working people I grew up with, sophistication of any and all types, and especially urbanity, is suspect. Hell, those city people have never even fired a gun. Then again, who would ever trust Jerry Seinfeld or Dennis Kucinich or Hillary Clinton with a gun? At least Dick Cheney hunts, even if he ain't safe to hunt with. George W. Bush probably knows a good goose gun when he sees one. Guns are everyday tools, like Skil saws and barbecue grills. So when the left began to demonize gun owners in the 1960s, they not only were arrogant and insulting because they associated all gun owners with criminals but also were politically stupid. It made perfect sense to middle America that the gun control movement was centered in large urban areas, the home to everything against which middle America tries to protect itself—gangbangers, queer bars, dope-fiend burglars, swarthy people jabbering in strange languages. From the perspective of small and medium-size towns all over the country, antigun activists are an overwrought bunch.

Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.

At 5pm every weekday,,,JB got on the subway and headed for his studio in Long Island City. The weekday journey was his favorite: He'd board at Canal and watch the train fill and empty at each stop with an ever-shifting mix of different peoples and ethnicities, the car's population reconstituting itself every ten blocks or so into provocative and improbably constellations of Poles, Chinese, Koreans, Senegalese; Senegalese, Dominicans, Indians, Pakistanis; Pakistanis, Irish, Salvadorans, Mexicans; Mexicans, Sri Lankans, Nigerians, and Tibetans - the only thing uniting them being their newness to America and their identical expressions of exhaustion, that blend of determination and resignation that only the immigrant possesses.... The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train with something living as the cars rattled across the bridge, how it washed the weariness from his seat-mates' faces and revealed them as they were when they first came to the county, when they were young and America seemed conquerable. He'd watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine.

Hanging around them made Charlie feel like maybe there wasn’t anything wrong with her. It didn’t matter if she didn’t fit in at school, or that her body kept changing on her. It was okay when her best friend’s parents took one look at Charlie and clocked her for trouble. When even Laura herself, who’d known her since she was eight, started acting weird. It was fine that she’d given up hoping her mother would notice there was something strange about Rand taking her on trips all the time. All those people who judged her or couldn’t be bothered with her were marks. She’d have the last laugh. “You gotta be like a shark in this business,” Benny told her with his soft voice and slicked-back hair. “Sniff around for blood in the water. Greet life teeth first. And no matter what, never stop swimming.” Charlie took that advice and the money from her last job with Rand and got a tattoo. She’d wanted one, and she’d also wanting to know if she could con a shop into giving her ink, even though she was three years away from eighteen. It involved some fast talking and swiping a notary sigil, but she got it done. Her first tattoo. It was still a little bit sore when she moved. Along her inner arm was the word “fearless” in looping cursive letters, except the tattooist had spaced them oddly so that it looked as though it said “fear less.” It reminded her of what she wanted to be, and that her body belonged to her. She could write all over it if she wanted.

that night she dreamed of employing an army of women cleaners who would set forth across the planet on a mission to clean up all the damage done to the environment they came from all over Africa and from North and South and South America, they came from India and China and all over Asia, they came from Europe and the Middle East, from Oceania, and from the Antarctic, too she imagined them all descending in their millions on the Niger Delta and driving out the oil companies with their mop and broom handles transformed into spears and poison-tipped swords and machine guns she imagined them demolishing al the equipment used for oil production, including the flare stacks that rose into the skies to burn the natural gas, her cleaners setting charges underneath each one, detonating from a safe distance and watching them being blown up she imagined the local people cheering and celebrating with dancing, drumming and roasted fish she imagined the international media filming it- CNN, BBC, NBC she imagined the government unable to mobilize the poorly paid local militia because they were terrified by the sheer numbers of her Worldwide Army of Women Cleaners who could vaporize them with their superhuman powers afterwards, she imagined legions of singing women sifting the rivers and creeks to remove the thick slicks of grease that had polluted them and digging up the land until they'd removed the toxic sublayers of soil she imagined the skies opening when the job was fone and the pouring of pure water from the now hygienic clouds for as long as it took for the region to be thoroughly cleansed and replenished

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.

They had her in Intensive Care. I sat outside Intensive Care in their slick little awful waiting room. They had red slippery chairs, cheap covering, and a stand full of pebbles with green plastic leaves growing up. I sat there hour after hour and read The Reader's Digest. The jokes. Thinking this is how it is, this is it, really, she's dying. Now, this moment, behind those doors, dying. Nothing stops or holds off for it the way you somehow and against all your sense believe it will. I thought about Mother's life, the part of it I knew. Going to work every day, first on the ferry then on the bus. Shopping at the old Red-and-White then at the new Safeway -- new, fifteen years old! Going down to the Library one night a week, taking me with her, and we would come home on the bus with our load of books and a bag of grapes we bought at the Chinese place, for a treat. Wednesday afternoons too when my kids were small and I went over there to drink coffee and she rolled us cigarettes on that contraption she had. And I thought, all these things don't seem that much like life, when you're doing them, they're just what you do, how you fill up your days, and you think all the time something is going to crack open, and you'll find yourself, then you'll find yourself, in life. It's not even that you particularly want this to happen, this cracking open, you're comfortable enough the way things are, but you do expect it. Then you're dying, Mother is dying, and it's just the same plastic chairs and plastic plants and ordinary day outside with people getting groceries and what you've had is all there is, and going to the Library, just a thing like that, coming back up the hill on the bus with books and a bag of grapes seems now worth wanting, O God doesn't it, you'd break your heart wanting back there.

The people are pieces of software called avatars. They are the audiovisual bodies that people use to communicate with each other in the Metaverse. Hiro's avatar is now on the Street, too, and if the couples coming off the monorail look over in his direction, they can see him, just as he's seeing them. They could strike up a conversation: Hiro in the U-Stor-It in L.A. and the four teenagers probably on a couch in a suburb of Chicago, each with their own laptop. But they probably won't talk to each other, any more than they would in Reality. These are nice kids, and they don't want to talk to a solitary crossbreed with a slick custom avatar who's packing a couple of swords. Your avatar can look any way you want it to, up to the limitations of your equipment. If you're ugly, you can make your avatar beautiful. If you've just gotten out of bed, your avatar can still be wearing beautiful clothes and professionally applied makeup. You can look like a gorilla or a dragon or a giant talking penis in the Metaverse. Spend five minutes walking down the Street and you will see all of these. Hiro's avatar just looks like Hiro, with the difference that no matter what Hiro is wearing in Reality, his avatar always wears a black leather kimono. Most hacker types don't go in for garish avatars, because they know that it takes a lot more sophistication to render a realistic human face than a talking penis. Kind of the way people who really know clothing can appreciate the fine details that separate a cheap gray wool suit from an expensive hand-tailored gray wool suit. You can't just materialize anywhere in the Metaverse, like Captain Kirk beaming down from on high. This would be confusing and irritating to the people around you. It would break the metaphor. Materializing out of nowhere (or vanishing back into Reality) is considered to be a private function best done in the confines of your own House. Most avatars nowadays are anatomically correct, and naked as a babe when they are first created, so in any case, you have to make yourself decent before you emerge onto the Street. Unless you're something intrinsically indecent and you don't care.

And maybe I was exhausted and broken, but I breathed, 'I killed them.' I hadn't said the words aloud since it had happened. Cassian's lips tightened. 'I know.' Not condemnation, not praise. But grim understanding. My hands slackened as another shuddering sob worked its way through me. 'It should have been me.' And there it was. Standing there under the cloudless sky, the winter sun beating on my head, nothing around me save for rock, no shadows in which to hide, nothing to cling to... There it was. Then darkness swept in, soothing, gentle darkness- no, shade- and a sweat-slicked male body halted before me. Gentle fingers lifted my chin until I looked up... at Rhysand's face. His wings had wrapped around us, cocooned us, the sunlight casting the membrane in gold and red. Beyond us, outside, in another world, maybe, the sound of steel on steel- Cassian and Azriel sparring- began. 'You will feel that way every day for the rest of your life,' Rhysand said. This close, I could smell the sweat on him the sea-and-citrus sent beneath it. His eyes were soft. I tried to look away, but he held my chin firm. 'And I know this because I have felt that way every day since my mother and sister were slaughtered and I had to bury them myself, and even retribution didn't fix it.' He wiped away the tears on one cheek, then another. 'You can either let it wreck you, let it get you killed like it nearly did with the Weaver, or you can learn to live with it.' For a long moment, I just stared at the open, calm face- maybe his true face, the one beneath all the masks he wore to keep his people safe. 'I'm sorry- about your family,' I rasped. 'I'm sorry I didn't find a way to spare you from what happened Under the Mountain,' Rhys said with equal quiet. 'From dying. From wanting to die.' I began to shake my head, but he said, 'I have two kinds of nightmares: the one when I'm again Amarantha's whore or my friends are... And the ones where I hear your neck snap and see the light leave your eyes.' I had no answer to that- to the tenor in his rich, deep voice. So I examined the tattoos on his chest and arms, the glow of his tan skin, so golden now that he was no longer caged inside that mountain. I stopped my perusal when I got to the vee of muscles that flowed beneath the waist of his leather pants.

this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.

A woman paralyzed by her own selfishness and triviality, a woman who knew she should love her life more than she did but couldn’t seem to love her life beyond a few odd inconsequential incidents. It is, in fact, time to start dating again. But Dan has no idea what that means for a gay man well into his thirties who has neither money nor abs. - if you’re delivering a song, there are instances when the veil of the ordinary falls away and you are, fleetingly, a supernatural being, with music rampaging through you and soaring out into a crowd. You connect, you’re giving it, you’re the living sweat-slicked manifestation of music itself, the crowd feels it as piercingly as you do. Always, almost always, you “spot a girl. She doesn’t need to be pretty. She’s the love of somebody’s life (you hope she is), and for those few seconds she’s the love of yours, you’re singing to her and she’s singing back to you, by raising her arms over her head and swinging her hips, adoring you or, rather, adoring some being who is you and the song combined, able to touch her everywhere. It’s the briefest of love affairs. - Isabel is embarrassed about her sadness. She’s embarrassed about being embarrassed about her sadness, she who has love and money. She tries looking discreetly into her bag for a Kleenex, without anything that could be called frantic rummaging. She ponders the prospect that decadent unhappiness might, in its way, be worse than genuine, legitimate despair. Which is, as she knows, a decadent question to pose at all. - members of a biological aristocracy - Dan is taken by a tremor of scorn twisted up with painful affection, as if they were two names for the same emotion - but that’s my narcissism speaking ive been working on the idea that there are other people in the world - Beyond lust there’s a purity, you know? Does it ever get to be too late? If neither of you abuses the dog (should they finally get a dog?) or leaves the children in the car on a hot day. Does it ever become irreparable? If so, when? How do you, how does any“one, know when they cross over from working through this to it’s too late? Is there (she suspects there must be) an interlude during which you’re so bored or disappointed or ambushed by regret that it is, truly, too late? Or, more to the point, do we arrive at it’s too late over and over again, only to return to working through this before it’s too late arrives, yet again? Do you think we ever really survive our childhoods? Most mothers think their children are amazing and singular people. Most mothers are wrong about that. You’re beautiful in your own skin. You brought with you into the world some kind of human amazingness, and you can depend on it, always. Please try not to ever let anybody talk you out of that. She says, “You’re not in love with me.” “Trust me. I’ve had a lot of experience at not being in love with people. I’ve been not in love with pretty much everybody, all my life.” She wonders how many women think more kindly and, all right, more lustfully toward their husbands after they’ve left them. Maybe someone’s done a study. “If you’re determined to be insulted.

Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.

So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.

The Lowly Thermostat, Now Minter of Megawatts How Nest is turning its consumer hit into a service for utilities. Peter Fairley | 945 words • Google’s $3.2 billion acquisition of Nest Labs in January put the Internet of things on the map. Everyone had vaguely understood that connecting everyday objects to the Internet could be a big deal. Here was an eye-popping price tag to prove it. Nest, founded by former Apple engineers in 2010, had managed to turn the humble thermostat into a slick, Internet-connected gadget. By this year, Nest was selling 100,000 of them a month, according to an estimate by Morgan Stanley. At $249 a pop, that’s a nice business. But more interesting is what Nest has been up to since last May in Texas, where an Austin utility is paying Nest to remotely turn down people’s air conditioners in order to conserve power on hot summer days—just when electricity is most expensive. For utilities, this kind of “demand response” has long been seen as a killer app for a smart electrical grid, because if electricity use can be lowered just enough at peak times, utilities can avoid firing up costly (and dirty) backup plants. Demand response is a neat trick. The Nest thermostat manages it by combining two things that are typically separate—price information and control over demand. It’s consumers who control the air conditioners, electric heaters, and furnaces that dominate a home’s energy diet. But the actual cost of energy can vary widely, in ways that consumers only dimly appreciate and can’t influence. While utilities frequently carry out demand

Plato sees the rot setting in and cries out like a prophet to his people to repent while there is yet time. He sees that the theater audience is in fact looking to the theater for nothing but amusement and entertainment, that their energies are, in fact, frittering themselves away in spurious emotion— sob stuff and sensation, and senseless laughter, phantasy and daydreaming, and admiration for the merely smart and slick and clever and amusing. And there is an ominous likeness between his age and ours. We too have audiences and critics and newspapers assessing every play and book and novel in terms of its entertainment value, and a whole generation of young men and women who dream over novels and wallow in daydreaming at the cinema, and who seemed to be in a fair way of doping themselves into complete irresponsibility over the conduct of life until war came, as it did to Greece, to jerk them back to reality.

It was a dazed, shambling kind of afternoon, a day seen through a scrim, the time gliding by. When I first met a lot of orchid people, they also said that time spent in a greenhouse had a rare, shapeless quality - a day could go by and they wouldn't even notice it had passed if they had spent it among their orchids. That afternoon at Dewey's the light shifted and still we roved around the shadehouse picking up plants, smelling things, rubbing fingers on slick leaves, poking thumbs into dirt, and every couple of minutes Dewey and Laroche would pause and both would light cigarettes and stand in front of some delicate green sprig of something, smoking hard and wordlessly admiring it. I wasn't in any hurry to leave, even though I should have been. Being int he shadehouse was restful in a way that being around people can never be, and it was vivid the way being around lifeless objects can never be, and in the veil of evening air it was as fantastic as a dream.

The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar.

And this takes us back to perhaps the most paradoxical aspect of cognitive dissonance. It is precisely those thinkers who are most renowned, who are famous for their brilliant minds, who have the most to lose from mistakes. And that is why it is often the most influential people, those who ought to be in the best position to help the world learn from new evidence, who have the greatest incentive to reframe it. And these are also the kinds of people (or institutions) who often have the capacity to employ expensive PR firms to bolster their post hoc justifications. They have the financial means, in addition to a powerful subconscious urge, to bridge the gap between beliefs and evidence, not by learning, but by spinning. It is the equivalent of a golfer hitting the ball out of bounds and then hiring a slick PR company to convince the world that it had nothing to do with him, it was a sudden gust of wind!

I showed it to my mother, and after she finished reading, I burst out, “I feel so pure and so clean—I feel all emptied out,” just those words, without any embarrassment at all, and she said eagerly, “Oh no, I would think you would feel all filled up,” and I laughed, and didn’t volunteer information of that kind again, because after all it wasn’t necessary to tell your mother everything. A kind of stinginess, it seems to me now. “Is it ADD?” she asks me. “Your father gave you all ADD, you know.” Sensing that this is not entirely fair, she adds graciously, “And then I gave you ADD as well.” “Maybe,” I say, laughing again. It was true I always had trouble listening and remembering, trouble hearing people when they explained simple facts to me. When I read, my head seemed to go diagonal, and I swore I saw things in the sentences—not what I was supposed to see. When I read the words “moonlit swim,” I saw the moonlight slicked all over the bare skin. The word “sunshine” had a washed look, with the sweep of a rag in the middle of it. The word “violinist” was a fig cut in half. “String quartet” was a cat’s cradle held between two hands. “Penniless

People like me—like the Roussels—are a dying breed, our gifts of little value to a world that no longer believes in la magie. For generations, my family has been part of a kind of conte de fée—a fairy tale. Though perhaps fairy tale is the wrong term. Fairy tales have happy endings. Fables are meant as cautionary tales, lessons intended to teach us about life and its consequences. And over the years, the Roussels have learned much about consequences. There are many names for what we are. Gypsies, hexers, white witches, and shamans. In England we’re called cunning folk, though I’ve always hated the term. Perhaps because it conjures thoughts of slick-handed cheats, waiting to separate the unsuspecting passerby from the few pennies in his pocket, the charlatans with their phony magic and vulgar showmanship, making up fortunes and doling out platitudes. We are not those people. For us, The Work is sacred, a vocation. In France, where I come from, we are les tisseuses de sort—Spell Weavers—which is at least closer to the truth. We possess certain skills, talents with things like charms and herbs, cards and stones—or in our case, needle and thread. There are not many of us left these days, or at least not many who depend on the craft for their living. But there are a few still, if one knows where to look. And for a time, I was one of them, like my mother and her mother before her, living in the narrow, twisty lanes of Paris discreetly known as the craft district.

The easiest way to describe how to harness the galvanizing power of why is with a tool I call the belief statement. For example, most of Apple’s product launches in recent years feature slick videos with commentary from Apple designers, engineers, and executives. These videos, while camouflaged as beautiful product showcases, are actually packed with statements not about what the products do but about the design thinking behind them: in essence, the tightly held beliefs with which Apple’s design team operates. We believe our users should be at the center of everything we do. We believe that a piece of technology should be as beautiful as it is functional. We believe that making devices thinner and lighter but more powerful requires innovative problem solving. Belief statements like these are so compelling for two reasons. First, the right corporate or organizational beliefs have the ability to resonate with our personal belief systems and feelings, and move us to action. In fact, the 2018 Edelman Earned Brand study revealed that nearly two out of three people are now belief-driven buyers.4 And as we saw in our discussion of buyers’ emotional motivators in chapter 3, this works even if the beliefs stated are aspirational. For example, if my vision for my future self is someone who weighs a few pounds less and is in better physical shape, a well-timed ad from a health club or fancy kitchen blender evangelizing the benefits of a healthy lifestyle may be enough to rapidly convert me. In the case of Apple, the same phenomenon results in mobs of smitten consumers arriving at stores in droves, braving long lines and paying premium prices, as if to say, “Yes! I do believe I should be at the center of everything you do! Technology should be beautiful! Thinner? Lighter? More powerful? Of course! We share the same vision! We’re both cool!” (Although these actual words are rarely spoken aloud.) The second reason belief statements are so compelling is because they help us manifest the conviction and emotion critical to delivering our message in an authentic way.

A picnic. Picture a forest, a country road, a meadow. A car drives off the country road into the meadow, a group of young people get out of the car carrying bottles, baskets of food, transistor radios, and cameras. They light fires, pitch tents, turn on the music. In the morning they leave. The animals, birds, and insects that watched in horror through the long night creep out from their hiding places. And what do they see? Gas and oil spilled on the grass. Old spark plugs and old filters strewn around. Rags, burnt-out bulbs, and a monkey wrench left behind. Oil slicks on the pond. And of course, the usual mess -- apple cores, candy wrappers, charred remains of the campfire, cans, bottles, somebody’s handkerchief, somebody’s penknife, torn newspapers, coins, faded flowers picked in another meadow." "I see. A roadside picnic.

The truth is, I like an unforgiving climate where if you make mistakes you suffer for it. That's what turns me on. It's like the difference between windsurfing on Lake Como in the summer and off the coast of Maine in the winter. One is a challenge, the other is a soft option, something you do at weekends when you want to have a good time. But every year you need to flush out your system and do a bit of suffering. It does you a power of good. I think it's because there is always a question mark about how you would perform. You have an idea of yourself and it can be quite a shock when you don't come up to your own expectations. If you just tootle along you can think you're a pretty slick bloke until things go wrong and you find you're nothing like you imagined yourself to be. But if you deliberately put yourself in difficult situations, then you get a pretty good idea of how you are going. That's why I like feeding the rat. It's a sort of annual check-up on myself. The rat is you, really. It's the other you, and it's being fed by the you that you think you are. And they are often very different people. But when they come close to each other, it's smashing, that is. Then the rat's had a good meal and you come away feeling terrific. It's a fairly rare thing, but you have to keep feeding the brute, just for your own peace of mind. And even if you did blow it, at least there wouldn't be that great unknown. But to snuff it without knowing who you are and what you are capable of, I can't think of anything sadder that that.

I've had my allotment of liquor — and probably twenty other people's

I’d be hard-pressed to find a better start to a brand story than the one that chronicles the birth of “the people’s car,” the Tata Nano. The story goes that Ratan Tata, chairman of the well-respected Tata Group, was travelling along in the pouring rain behind a family who was precariously perched on a scooter weaving in and out of traffic on the slick wet roads of Bangalore. Tata thought that surely this was a problem he and his company could solve. He wanted to bring safe, affordable transport to the poor—to design, build, and sell a family car that could replace the scooter for a price that was less than $2,500. It was a business idea born from a high ideal and coming from a man with a track record in the industry, someone with the capability to innovate, design, and produce a high-quality product. People were captivated by the idea of what would be the world’s cheapest car. The media and the world watched to see how delivering on this seemingly impossible promise might pan out. Ratan Tata did deliver on his promise when he unveiled the Nano at the New Delhi Auto Expo in 2009, six years after having the idea. The hype around the new “people’s car” and the media attention it received meant that any mistakes were very public (several production challenges and safety problems were reported along the way). And while the general public seemed to be behind the idea of a new and fun Indian-led innovation, the number of Facebook likes (almost 4 million to date) didn’t convert to actual sales. It seemed that while Tata Motors was telling a story about affordability and innovating with frugal engineering (perhaps “lean engineering” might have worked better for them), the story prospective customers were hearing was one about a car that was cheap. The positioning of the car was at odds with the buying public’s perception of it. In a country where a car is an aspirational purchase, the Nano became symbolic of the car to buy if you couldn’t afford anything else. Since its launch in 2009, just over 200,000 Nanos have sold. The factory has the capacity to produce 21,000 cars a month. It turns out that the modest numbers of people buying the Nano are not the scooter drivers but middle-class Indians who are looking for a second car, or a car for their parents or children. The car that was billed as a “game changer” hasn’t lived up to the hype in the hearts of the people who were expected to line up and buy it in the tens of thousands. Despite winning design and innovation awards, the Nano’s reputation amongst consumers—and the story they have come to believe—has been the thing that’s held it back.

When Vanity caught Stack staring toward them, she smiled. “I really think you guys should let us use the locker room. I’m perspiring. Cherry’s perspiring.” Cherry went still, then looked down at herself and blushed. Sweat dampened the front of her tank top, especially between and beneath her big boobs. Denver scowled, giving Stack a shove. Which in turn knocked him into Armie. None of them spoke. Cannon took up the torch. “It’s only set up for men.” “We don’t need the urinals,” Vanity said. “Just the showers.” Yvette plucked at her top. “I really could—” Cannon put his hand over her mouth. “We don’t have a door on the locker room, and sure, we’d all know not to step in, but there are other people here, other guys, and—” Vanity said, “So put someone there to keep watch for us.” Stack opened his mouth, but at first nothing came out. He cleared his throat. “Sounds carry down there.” He gestured. “There not being a door and all.” Grinning, Armie said, “Meaning whoever keeps guard—” “Watch,” Vanity corrected. “—will hear every little detail. Like clothes dropping. And water running. Even slick, soapy hands—” This time, Stack shoved him without Denver’s help. “I’ll do it,” Cannon offered, and he sounded like he’d just thrown himself on the sacrificial altar. “Fuck that.” Denver took a step forward. “I don’t want you listening to Cherry shower.” Cherry’s face got hotter. “Denver!” Folding his arms, Cannon stared at him. “You think I’d let you listen to Yvette?” “Cannon!” Yvette joined the brigade of embarrassed women. Only Vanity remained unflustered. “Let Armie do it.” Mutually appalled, Stack, Denver and Cannon all stared at her. Going along, Armie nodded and rubbed his hands together. “Yeah, let me do it.” “Hell, no.” “In his dreams.” “Not in this lifetime.” Armie laughed. “You guys know I won’t be thinking anything you wouldn’t be thinking.” “Maybe,” Denver said. “But we wouldn’t go blabbing it everywhere.” Crossing his heart dramatically, Armie swore, “It’ll be between me and my pillow.” Denver took a step toward him, but Vanity put herself in his way. “We’re showering. For the future, you might want to think about creating a space for women.” “Tried,” Cannon argued. “We’re out of room here. I wanted to expand, but the guy who owns the lot next to us doesn’t want to sell.” “Hmm...” Vanity got a thoughtful look on her face. “Well then, I suggest you find a desk to put down there and then, perhaps, we could plan this around when Harper is here doing the scheduling. She could be our lookout.” “I could call her—” Cannon tried to offer. But Stack noticed that Vanity already had both her arms wrapped around one of Armie’s. And damn him, Armie just let her, smiling in a way that just might lose him a few teeth. Leese looked at each of the men and started snickering. “They’re pathetic, right?” Armie said. “They’re something,” Leese agreed. “Not sure what.” “You two losers are just jealous,” Cannon accused. “Yeah,” Armie said, patting at Vanity’s arm. “So jealous.” Denver growled when Cherry cozied up to the other side of Armie, and even Yvette smiled as she followed along, all of them heading to the locker room. The men stared until the group was out of sight. “I’m going to have to punch him,” Denver said. “At least once.” “Get in line,” Cannon told him. Then he pointed at Leese. “Not a word out of you!” Trying to bite back his grin, Leese got started mopping. Damn, Stack wondered, did Vanity enjoy making him nuts? And unlike Cannon and Denver, he couldn’t protest as much as he wanted because, though he’d thrown out some signals, he and Vanity weren’t official. Fuck.

Quattro" Only for a piece of broken glass I will be there waiting For it Always Taken to another place Where I see it happen Bear witness to a spectacular Spectacle One day we'll be up as gods on high That praise the beats of undeniable bliss And kiss the stars of harmony gone blind But all of this could be averted All of this could be unearthed We could go get gowns, spread loss And force invisible lines and flaws Take our time, and hurry up to die Save it all or try, try, try To be free, to be us To be something real to us Catered affairs, daytime nightmares Standing on chairs three nights straight County fairs, I said "who cares?" And what he wears ain't that great Freight train antics, slick camera tricks Forty licks and I'm alright Late night comics, black and white flicks White trash hicks on TV tonight, alright Living with weak CD compilations Driving downtown again Pop culture confrontations Eye rolling people spend Forgotten dates, old dinner plates Rush the gates and we'll let you in What she hates is how he waits And fifty states are wrong again Limousine got no time for you Limousine got no time for you Dollar bills soaked up red wine for you Dollar bills soaked up red, white and blue Living with weak CD compilations Driving downtown again Pop culture confrontations Eye rolling people spend Forgotten dates, old dinner plates Rush the gates and we'll let you in What she hates is how he waits And fifty states are wrong again

After seeing him take more than 100 selfies in just a few days, I realised Turnbull’s selfie technique was slick. There was a routine developing. He cradled the phone in his right hand. Held it out at full arm’s length. Made sure everyone was in the shot, then slightly tilted his arm so the camera was above eye level. It was optimum selfie technique, taking advantage of the high angle which slimmed the faces of those involved. He’d take 2–4 very distinct shots, so people could choose from a menu of options which one would be uploaded to Facebook as a new profile picture. Often he’d spin around before even opening the camera, aware of where the light was and how it would impact on the selfie. He was more comfortable with iPhones over Androids, sometimes stumbling over finding the camera on the phone’s screen. It might seem facile (and it was) but the selfie was often the only genuine interaction the Prime Minister had with voters.

Washington isn’t a nest of vipers. Really. It’s a city of mostly well-intentioned people who, like the rest of us, sometimes cut corners out of expedience, self-interest, or, quite possibly, the greater good. It’s a city defined not by its cardinal sins, but by its venal ones. For every bug-eyed backbencher who insists Mexican immigrants are all al-Qaeda sleeper agents, or every slick lobbyist clamoring to sign an energy company that drenched half of Puget Sound in unrefined crude, there are thousands of far more relatable individuals committing much less conspicuous, and more ethically muddled, offenses: the congressman who votes for a discriminatory bill that won’t go anywhere to earn political capital so he or she can defeat their challenger who would bring a much more harmful agenda to Washington; the reporter who holds off on a story about a senator’s special interest fundraiser to stay in the lawmaker’s good graces for a larger piece about malfeasance among congressional leadership; the political staffer who holds their tongue when a colleague cashes out at a lobbying firm because they, too, might one day want to stop working eighty hours a week while making $45,000 a year. All

What some churches have created is a remarkably sophisticated, very efficient system dedicated to creating the surface appearance of people-centricity, while in reality remaining as unresponsive, impenetrable, and clueless regarding the real needs of its people as even the most backward car dealer. The emerging culture is looking for something far less slick and produced. People are not looking for someone to speak to them glibly about relationships. They are looking for a friend. They are not looking for someone to talk with them about getting real. They are looking for those who will be open and honest about their lives.

I see rather than hear a guy in a suit and tie knocking on my door.  I wave him in, he opens the door and starts strolling toward my desk, he’s followed by two long haired, bearded, overweight, scruffy looking assholes both wearing glasses, short sleeved white shirts with their shirt breast pocket full of pens and little ruler looking things, complete with pocket protectors.       He’s wearing a really cheap looking blue suit, that’s been worn shiny slick and had to be right out of the 50’s.  The suit is adorned with a greasy looking; really wide tie that had more soup stains than Campbell’s.  To complete his ensemble he’s chosen a pair of shit brown shoes that hadn’t seen polish since they were new, which had to be a long time ago.  To top it all off, he’s sporting the most massive “Comb Over” on his head I’ve ever seen.  On the left side of his head was a “Tuft” of very thin gray hair.  He’d allowed this to grow until he could comb it all the way over the top of his bald head and down to his right ear.  I couldn’t help but stare.      Marines are first impression people and if you present a poor one, they generally will turn you off immediately. 

A war changes people in a number of ways. It either shortcuts you to your very self; or it triggers such variations that you might as well have been a larva, pupating in dampness, darkness and tightly wrapped puttees. Then, providing you don't take flight from a burst shell, you emerge from your khaki cocoon so changed from what you were that you fear you've gone mad, because people at home treat you as though you were someone else. Someone who, through a bizarre coincidence, had the same name, address and blood ties as you, but who must have died in the war. And you have no choice but to live as an impostor because you can't remember who you were before the war. There's a simple but horrible explanation for this: you were born in the war. You slid, slick, bloody and fully formed, out of a trench. The Great War was the greatest changer of them all.

The case of Cecily Chandler is a perfect example of how privileged people get over on the system,” the young man said. “Harry Chandler had a famous defense attorney for a lawyer, a slick talker who probably played tennis with the judge.

people didn’t always appreciate my ability to predict an outcome based on previous experiences with similar patterns.

He’d watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer’s wand.

Be careful and go straight home. Hospital’s full enough for today,” said Ben as he held her arm while she navigated a slick spot on the sidewalk. “Use your turn signals; don’t go switching lanes without warning people.” ​“I hate those things, all clickety-click,” replied Dorothy, as she stopped to slip her gloves on. “Besides, I never use the indicator, keeps the other drivers on their toes.” ​All Ben could do was shake his head and thank the heavens Dorothy drove slow enough to not so much crash into things as nestle up against them, kind of a vehicular hug.

Everything in me told me to close my eyes, but I wouldn’t. There had been too many times when I squeezed my eyes shut, hoping to block out the world or whatever threat was coming my way. It was the grown-up equivalent of a little child covering their eyes when the thunder came because they thought it would protect them, only it really wasn’t all that grown up. I wasn’t doing it this time. I was done letting other people push me around and tell me what to do, and offering up control in situations because it was intimidating. I was facing whatever was coming for me on my terms now.

into the life of crime and made it real to me. I went everywhere with his books, idolizing him. A lot of people don’t know this, but in 1976 Iceberg recorded an album called Reflections, which had a lot of slick rhyming. I used to spit his words back verbatim. The gangbangers used to constantly say, “Yo, kick

Kenji knew people who knew how to party, and so when it was time to transport their friend’s body to the crematorium, the musicians canceled the hearse and took matters into their own hands. Annabelle went along with them. The coffin was heavy, but Kenji added little to its weight, and so they were able to lift it, taking turns carrying it on their shoulders, New Orleans–style, through the narrow back alleys and the dark, rain-slick streets.

there'll always be people who are afraid of living and afraid of dying. And there are always more of them than there are risk-takers, the people who bring innovation into every area, with or without drugs.

She'd wanted to be a chef that little girls could look up to--- a role model. Empowering other women was where she wanted to be, because she'd never seen a woman with the career she now had when she was coming up in the industry. And after landing a spot on the show, she thought she could be that person for aspiring chefs. And, maybe more importantly, her brand was different from other female chefs who flourished on TV. She wasn't like Giada or the Barefoot Contessa, with slick, oceanfront homes that made wealthy people feel seen. Or Rachael Ray, who made meals in fifteen minutes using canned ingredients. Nina wanted to show that food could be an experience. The same way that she and her mom used to cook together. All her childhood memories were tied in to their tiny kitchen. Nina could just as easily pull up the smell of her mother blending flour and rosemary in the mixer as she could breathe.

Corporations used to try to convince you that buying their stuff would make you cool; now they tell you buying it will make you good. The difference is subtle but important. What’s cool is entirely subjective, but what’s good is not. There’s no real risk to letting the slick PR people define what’s cool, but there’s a lot of risk to letting them define what’s good.

Nah, pride’s just a slick dress uniform and a cheap lie that’ll get you killed when the people you’re fighting for, who aren’t doing any of the actual fighting, start selling you out and

Okay, then.” Mom leaned back in the seat. Her finger moved over the photo, feeling its slick surface. For once, the lights were on as she started to speak. “Vera fell in love with Sasha on that day in the Summer Garden, and for her, this is a decision that will never change. Even though her mother disagrees, is afraid of Sasha’s love of poetry, Vera is young and passionately in love with her husband, and when their first child is born, it seems like a miracle. Anastasia, they name her, and she is the light of Vera’s life. When Leo is born the next year, Vera cannot imagine that it is possible to be happier, even though it is a bad time in the Soviet Union. The world knows this, they know of Stalin’s evil. People are disappearing and dying. No one knows this better than Vera and Olga, who still cannot safely say their father’s name. But in June of 1941, it is impossible to worry, or so it seems to Vera as she kneels in th

There were a couple of Bowie twins from Hatfield in Hertfordshire. They were both tall and razor thin, and looked like a slightly more exaggerated version of David Bowie on the cover of Young Americans. Their hair was even more exaggerated: deep red with bleached streaks through the front, but also with pink highlights cascading over their eyes, and slicked back at the sides. Pencil-thin dark plucked eyebrows, very pale complexions, with black mascara. They always wore the shiniest black or red plastic dungarees. Outside the club they would wear these slightly furry leopard-skin bomber jackets, which I thought looked great. They had a mad, slurry way of talking, and kind of shouted and talked at the same time. They would jump from one subject to another in mid-sentence. They were very unusual people. Every second line was ‘Never mind the bollocks.’ They would say that three hundred times a night. Everything was ‘Never mind the bollocks.’ I know for a fact that the Sex Pistols got the name for their album from the twins. They both earned a living selling hot dogs. One worked on Charing Cross Road, the other down by Trafalgar Square. They were mad. If you stopped to talk to them, they would always be arguing with someone. Man or woman, they always had the same line: ‘Now listen, sweetheart: never mind the bollocks.

It's the ugliness of his fucking soul that riles me. I don't care if he calls me a mongrel bastard.' Eris had called him such things today, she realised. Rage rippled through her. 'It's just that, ally or not, I hate him. He's so slick and unruffled and... I can't stand him.' He set down his fork and stared toward the window behind him. 'Eris and his twisted word games and politics are an enemy I don't know how to handle. Every time I meet with him, I feel like he's got the upper hand. Like I can only catch up to him, and he sees through my every fumbling attempt at being clever. Maybe that makes me a stupid brute after all.' True sorrow filled his eyes- and enough self-loathing that Nesta rose from her seat. He went still as she rounded the table, only lifting his head when she leaned against the edge of the table beside his plate. 'Rhys should kill him and be done with it.' 'If anyone is going to kill Eris, it will be Mor or me.' His hazel eyes were nearly pleading. Not with her, she knew, but with fate. 'But killing him would prove him and his ilk right about me. And regardless of how I feel about Eris, he would be a better High Lord than Beron. No matter what I want, there's still the well-being of the Autumn Court to consider.' Cassian was good. In his soul, in his warrior's heart, Cassian was good in a way Nesta knew most people were not. In a way she knew she was not and would never be. He was not a warrior who killed on a whim, but a male who carefully considered every life he had to take. Who'd defend what he loved until death. And Eris... He'd hurt Cassian. With what he'd done to Morrigan, yes, but also with the words so similar to ones that Nesta herself had wielded. The wound lay in Cassian's eyes, as raw as any injury. Shame rushed through her. Shame, and anger, and a wild sort of desperation. She couldn't abide the pain in his eyes, teetering on the brink of despair. Couldn't stand the absence of the grinning and winking and swaggering she knew so well. She'd do anything to get rid of that look in his eyes. Even for a few moments.

I said to him, “Why is it, Alfonse, that decent, well-meaning and responsible people find themselves intrigued by catastrophe when they see it on television?” I told him about the recent evening of lava, mud and raging water that the children and I had found so entertaining. “We wanted more, more.” “It’s natural, it’s normal,” he said, with a reassuring nod. “It happens to everybody.” “Why?” “Because we’re suffering from brain fade. We need an occasional catastrophe to break up the incessant bombardment of information.” “It’s obvious,” Lasher said. A slight man with a taut face and slicked-back hair. “The flow is constant,” Alfonse said. “Words, pictures, numbers, facts, graphics, statistics, specks, waves, particles, motes. Only a catastrophe gets our attention. We want them, we need them, we depend on them. As long as they happen somewhere else. This is where California comes in. Mud slides, brush fires, coastal erosion, earthquakes, mass killings, et cetera. We can relax and enjoy these disasters because in our hearts we feel that California deserves whatever it gets. Californians invented the concept of life-style. This alone warrants their doom.

Gabrielle, my dear, my sweet, my flower, I, the King of Romance, have come for you!” The person who had appeared was wearing a white tuxedo that was different from everyone else’s plaid pants and blazer combination. He had bright blond hair that was slicked back. His eyes were blue. Gabrielle had seen him numerous times already, but she couldn’t for the life of her remember his name. The blond man walked up the stairs toward her, his hand extended in a grand gesture. “My love, you are the only one whose beauty can captivate me so. Please, allow me, the King of Love, the sweep you off your feet!” The blond knelt before Gabrielle and took her hand in his. He stared into her eyes. Why was he staring into her eyes so hard? It looked like he was trying to drill holes through her with his gaze. Creepy. Gabrielle responded to this man the same way she had done every time he appeared. “Who are you again?” The reaction around the room was instant. The whole class burst out laughing. Ryoko and Serah were the worst perpetrators, bent over the table and howling with laughter as they were, but even Kazekiri was snickering into her hand while trying to look stern. Gabrielle just smiled. She didn’t really know what was so funny. “W-why is it that you can never remember my name?” The blond cried out. “I’m Jameson de Truante, the most handsome man in this entire school. I am so handsome that people often call me the King of Good Looks.” “Hmm…” Gabrielle crossed her arms. That’s right. This boy was Jasmine’s older brother, wasn’t he? She remembered now. However… “I’m sorry, but you’re nowhere near as handsome as Alex.” “Hurk!” Jameson jerked backwards as though he’d been shot through the heart with something, though all this did was cause him to lose his balance. With a loud squawk that reminded her of an Angelisian parocetian (a lizard found on Angelisia that sounded like a parrot), he rolled down the stairs, bounced along the floor, and hit the stage with a harsh thud. And there he lay, insensate to the world around him. “Oh! That was rich!” Ryoko continued to laugh. “He keeps… keeps making passes at you… and you… you can’t even remember his name!! Bwa-ha-ha-ha!” “Serves the jerk right,” Serah added. Kazekiri sighed. “I normally would not approve of such behavior, but Jameson has always been a problem child, so I will let this slide once.” “Um, thank you?” Gabrielle said, not quite sure if she should be grateful or not. “Don’t worry,” Selene said upon seeing her confused look. “You might not understand right now, but you did a very good thing.” “Oh.” Gabrielle paused, and then beamed brightly at her friend. “Okay!” Class eventually settled down, though Jameson remained lying on the floor. Students chatted about this and that. Gabrielle engaged in her own conversation with her friends, discussing the possibility of going to sing karaoke this weekend. Of course, she invited Kazekiri to come as well, to which the young woman replied that she would think about it. Gabrielle hoped that meant she would come. It wasn’t long before the students were forced to settle down as their teacher came in and barked at them. Their homeroom teacher, a stern-looking man with neatly combed gray hair named Mr. Sanchez, took one look at Jameson, sighed, and then said, “Does anyone want to explain why Mr. Truante is lying unconscious on the floor?

Entering the city of Monrovia on Tubman Boulevard, the road suddenly became paved and a little smoother. Most of the other streets were made of sand and coated with used crankcase oil, making them extremely slick. I couldn’t believe the huge water-filled potholes everywhere; couldn’t they fill them in? A major problem was that there was no way of knowing how deep the holes were since they were full of water…. Jimmy had his hands full bouncing along in a car that didn’t seem to have shocks, and from the looks of the tires I don’t believe the front wheels had ever been aligned. Some of the streets went from being a rutted, muddy mess, to being exposed bed-rock with shale stone filling in the worst holes. Somehow Jimmy skillfully navigated these streets, at what I considered at the time, as being reckless speeds. We passed simple dwellings pieced together from flotsam, debris, and recycled planks or pieces of plywood, including what appeared to be random soft drink signs and the likes. It reminded me of some of the Mexican border towns I had been to. There were mangy dogs picking through the piles of garbage, without much hope of finding anything edible. The raw garbage, scattered on the streets, had obviously been picked through already by people or other feral beasts trying to live off the land. If the dogs and cats left anything behind, I could only imagine the rats getting it!