My Dea Quotes

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At the round earth's imagined corners blow Your trumpets, angels, and arise, arise From death, you numberless infinities Of souls, and to your scattered bodies go ; All whom the flood did, and fire shall o'erthrow, All whom war, dea[r]th, age, agues, tyrannies, Despair, law, chance hath slain, and you, whose eyes Shall behold God, and never taste death's woe. But let them sleep, Lord, and me mourn a space ; For, if above all these my sins abound, 'Tis late to ask abundance of Thy grace, When we are there. Here on this lowly ground, Teach me how to repent, for that's as good As if Thou hadst seal'd my pardon with Thy blood.
John Donne
My ears hurt as if being tugged upon by pliers—yet I welcome the pain, as it heralds the completion of my journey to reunite with my Welsh ancestors. I hear them clearly now: We be *Tylwyth Teg*, the Fair Folk. We be your kinsfolk. *Mae ein gwaed yn eich gwaed*. Our blood is your blood. We be the Dea-kinsmen. Magick is our way.
Horton Deakins
FOR THE VOICELESS by El Niño Salvaje I speak for the ones who cannot speak, for the voiceless. I raise my voice and wave my arms and shout for the ones you do not see, perhaps cannot see, for the invisible. For the poor, the powerless, the disenfranchised; for the victims of this so-called “war on drugs,” for the eighty thousand murdered by the narcos, by the police, by the military, by the government, by the purchasers of drugs and the sellers of guns, by the investors in gleaming towers who have parlayed their “new money” into hotels, resorts, shopping malls, and suburban developments. I speak for the tortured, burned, and flayed by the narcos, beaten and raped by the soldiers, electrocuted and half-drowned by the police. I speak for the orphans, twenty thousand of them, for the children who have lost both or one parent, whose lives will never be the same. I speak for the dead children, shot in crossfires, murdered alongside their parents, ripped from their mothers’ wombs. I speak for the people enslaved, forced to labor on the narcos’ ranches, forced to fight. I speak for the mass of others ground down by an economic system that cares more for profit than for people. I speak for the people who tried to tell the truth, who tried to tell the story, who tried to show you what you have been doing and what you have done. But you silenced them and blinded them so that they could not tell you, could not show you. I speak for them, but I speak to you—the rich, the powerful, the politicians, the comandantes, the generals. I speak to Los Pinos and the Chamber of Deputies, I speak to the White House and Congress, I speak to AFI and the DEA, I speak to the bankers, and the ranchers and the oil barons and the capitalists and the narco drug lords and I say— You are the same. You are all the cartel. And you are guilty. You are guilty of murder, you are guilty of torture, you are guilty of rape, of kidnapping, of slavery, of oppression, but mostly I say that you are guilty of indifference. You do not see the people that you grind under your heel. You do not see their pain, you do not hear their cries, they are voiceless and invisible to you and they are the victims of this war that you perpetuate to keep yourselves above them. This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible, that you would just as soon be swept from your streets like the trash that blows around your ankles and soils your shoes. Congratulations. You’ve done it. You’ve performed a cleansing. A limpieza. The country is safe now for your shopping malls and suburban tracts, the invisible are safely out of sight, the voiceless silent as they should be. I speak these last words, and now you will kill me for it. I only ask that you bury me in the fosa común—the common grave—with the faceless and the nameless, without a headstone. I would rather be with them than you. And I am voiceless now, and invisible.
Don Winslow (The Cartel (Power of the Dog #2))
I just have to ask these questions. Are you DEA? FDA? NICB? NHCAA? Are you a private investigator hired by any private or governmental entity? Do you work for a medical insurance company? Are you a drug dealer? Drug addict? Are you a clinician? A med student? Getting pills for an abusive boyfriend or employer? NASA?” “I think I have insomnia. That’s my main issue.” “You’re probably addicted to caffeine, too, am I right?” “I don’t know.” “You better keep drinking it. If you quit now, you’ll just go crazy. Real insomniacs suffer hallucinations and lost time and usually have poor memory. It can make life very confusing. Does that sound like you?” “Sometimes I feel dead,” I told her, “and I hate everybody. Does that count?” “Oh, that counts. That certainly counts. I’m sure I can help you. But I do ask new patients to come in for a fifteen-minute consultation to make sure we’ll make a good fit. Gratis. And I recommend you get into the habit of writing notes to remind yourself of our appointments. I have a twenty-four-hour cancellation policy. You know Post-its? Get yourself some Post-its. I’ll have some agreements for you to sign, some contracts. Now write this down.” Dr. Tuttle told me to come in the next day at nine A.M.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Before go to rest I say good night to my brother dead.
NIAP DEA WORROWS
Going to the office wasn't as pleasant lately, Sam thought, as he made his way through the back entry to the detectives' division. There weren't so many people there that day, and it seemed like a lot of them were avoiding the place, just staying away as much as they could. He could understand that. After almost ten years as a Denver cop, Sam was sick of seeing what humanity was really capable of. He had grown up reading cop stories, always seeing how the cops would save the day, watching them rescue the innocent and punish the guilty every week on TV, until he finally knew that he had to be one himself. After a short stint in the Army that never even got him out of the country, he'd come home and applied for the academy. He'd been accepted, and that was the start of an illustrious career. Now, it was all he could do to drag himself out of bed in the mornings, make himself come in and see what new horrors he'd have to deal with. The past four months he'd been on loan to the DEA, and they'd made some big drug busts, shut down some of the most evil purveyors of sin and death that ever lived, but they were like the mythical hydra—as soon as you cut off one of its heads, three more grew back to take its place. Sam wanted to stop cutting off heads and find the creature's heart, but there was almost no evidence as to where that heart might be. They knew there was something big behind the drug operations in the city, but it was so well organized and so carefully designed that no one seemed to have any idea where or how to find it. His cell rang as he sat down at his desk, and he saw his partner's number. Dan Jacobs was already out on his station, watching one of the dealers they'd identified the day before. “Yo,” Sam answered. “Sam, it's Dan. I been thinkin', and it seems to me that we might be lookin' in the wrong direction, y'know?” Sam blinked a couple of times. “Danny, I've been awake for about fifteen minutes, and haven't even opened my Starbuck's yet. What the heck are you talkin' about?” “I'm sayin', maybe we're goin' about this all the wrong way, tryin' to find dealers and trail 'em, follow the tracks up the ladder. There's something about this whole setup that smacks of serious organization, something big enough to hide in plain sight, know what I mean? If it's that well laid out, we can follow minions all day long, we're never gonna find the top guy, because they don’t ever see the top guys.” Sam nodded. “Yeah, you're probably right,” he said, “but unless you got a crystal ball lead on where else to go, I don’t know what good it's doin' us. Where else we gonna find any leads at all? Got a clue, there?” “Maybe,” Dan said. “We've been tailing a lot of these clowns the past few weeks, right? Have you noticed one thing they all do the same?” Sam thought about it, but nothing jumped out at him. He looked at it from a couple of different angles, then shook his head. Into the phone, he said, “Nope. So, what is it?” “Facebook. No matter what else they're doin', these bastards never miss checking in on Facebook every day, several times a day. They go on, look at what people are sayin' on their pages, sometimes they answer and sometimes they don't, and then they go back to their drug dealin' ways.” Sam rubbed his temple. “Dan, everyone does that. Everyone on freakin' earth is on Facebook, and always checkin' it out. That's just part
David Archer (The Grave Man (Sam Prichard #1))
I let an undercover DEA agent talk me into snitching on my man. One
Mz. Lady P. (Thug Passion)
Muffled footsteps sounded in the distance. Goldie heard a shout, and the heavy clank of punishment chains. The footsteps came closer. A boy began to sing in a hoarse, adolescent voice. "Awa-a-a-y, across the ocean-a-an, awa-a-a-y, across the sea-a-a-a-." There was a slap, and a yell. The singing stopped, but only for a moment. When it started up again, there were a dozen or more voices, all caterwauling at the top of their lungs. "-I'll go-o-o-o where my heart takes me, where my-y-y-y love waits for me-e-e-e-e." A pause. A furious adult's voice said, "It's not your love that's waiting for you, you little villains, it's the House of Repentance! Deliberate destruction of property, putting the lives of others at risk, oh you're in for it, you are!" Clank clank clank, went the punishment chains. "I’ve be-e-e-e-en away so long, dear, I've tra-a-a-aveled far and wi-i-i-i-i-ide-" sang the voices. Goldie edged along the wall and eased the door open. There was a bustle and a shoving and a clanking, and suddenly the corridor in front of her was full of boys, milling backward and forward, rattling their chains and singing loudly. They were all older than Goldie, but they wore the same gray threadbare smock and leggings. Somewhere in the middle of them were two Blessed Guardians. The smell of burning hung over them all. There was no time to think. Goldie couldn't see Toadspit, but she was sure he must be there somewhere. She whispered a quick "thank you" to Bald Thoke, then she stepped out into the corridor and tucked herself between two of the boys. For a heart-stopping moment the song faltered. The boys on either side of Goldie shot incredulous glances at her- Then they closed smoothly around her and began to sing louder than ever, their voices bouncing off the high ceilings. "Three yea-a-a-a-ars I rowed the galley-y-y-ys, three year-a-a-a-ars I was a sla-a-a-a-ave-." They spilled out into the foyer, a laughing, shouting, singing rabble. The Guardians who led them were shouting too. Only Goldie was silent. She crouched between the tall, raucous boys, her smock blending with theirs, her pulse thundering in her ears. "What's this?" shouted the toad-like Guardian. "Where are you taking them at this time of night?" "Set fire to their beds?" shouted one of the other Guardians. "Don't know what's got into them! Marching them off to Repentance!" "I'll need their names!" "If I-I-I-I-I could turn back time, dea-a-a-a-ar, if I-I-I-I-I-I could start aga-a-a-a-a-in-" "For Great Wooden's sake, we'll give them to you when we come back. I can't bear this appalling racket a moment longer!" And with that, the boys, Goldie and the two Guardians spilled out the front door of Care, across the yard and through the gate.
Lian Tanner (Museum of Thieves (The Keepers, #1))
I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .
Tim Dorsey (Electric Barracuda (Serge Storms #13))
And the dusk in my heart Becomes light When you Look toward me…
Rehmat Changaizi (Mia Bella Dea)
The ferry’s horn echoes across the bay, a low tune, a lament. With each roar of the engine, we press closer to the island, and my stomach creeps into my throat, bringing regret along for the ride. What the hell was I thinking coming back here? I
Dea Poirier (Next Girl to Die (The Calderwood Cases, #1))
My hands tremble as I dart across the hall to Sergeant Michaels’s office. Though I take a deep breath to steady myself, it does absolutely nothing to calm the sense of dread rising inside me like the tide. In the few steps to his office, my mind speeds at a million miles an hour. He’s taunting us. He wants us to know he’s doing it. He wants to be chased.
Dea Poirier (Next Girl to Die (The Calderwood Cases, #1))
Being back here, I see Rachel everywhere I go. Her ghost lingers in every shadow, the memory of her written on every street. It’s as close to a haunting as my life is ever going to get.
Dea Poirier (Next Girl to Die (The Calderwood Cases, #1))
I take a deep breath to settle my nerves, but it does nothing to uncoil the anxiety wound inside me. Carefully, I open the folder, as if I’m afraid jostling it too much might trigger something. A picture of Rachel’s lifeless body lies on top, as though warning me about the other horrors waiting inside. It’s different seeing her laid out like this, her neck purple, her lips blue. She’s so pale that she’s nearly the color of the fresh blanket of snow beneath her. All at once, the breath goes out of me. I knew what had happened to her, but I’ve never seen the pictures—I’ve never had the evidence scattered across my lap. My stomach bottoms out, and a bolt of pain hits my heart. I look away and catch my breath. I’m not sure this is something I can compartmentalize, but I’ve got to try. Her body is laid—no, posed—exactly like Madeline and Emma. The folder is as heavy as it would be if her body were laid across me. I’ve seen pictures like this a thousand times, victims, cases I had to solve—but this is different. This is my sister.
Dea Poirier (Next Girl to Die (The Calderwood Cases, #1))
Tuturor ni se întâmplă asta: după ce ne facem iluzii săptămâni ori ani de-a rândul, crezând că ceea ce gândim este îndreptăţit, vedem într-o bună zi ceva - un chip, un veşmânt, un om fericit - şi pricepem într-o clipă că dorinţele noastre deşarte nu se vor împlini niciodată.
Orhan Pamuk (My Name Is Red)
My name is Skyler White, yo. My husband is Walter White, yo. Uh huh! He told me everything, that's right, and just so you know my brother-in-law is a DEA agent. And I will not hesitate to call him, not if I have to. Understood? This is your one and only warning, do not sell marijuana to my husband.
Skyler White
Sitting before a conversation is never good news, I should know from experience. Nothing good in my office happens when anyone is sitting down
Dea Poirier (The Marriage Counselor)
I I wish I hadn't made lemonade out of those lemons life handed me and instead SQUIRTED THEM IN THE EYE OF MY ENEMIES… hahaha, who am I kidding? Then I'd be all like damn it made poor choices and squirted you in the eye when I could have made lemonade. And then I wouldn't sleep for a week and would commit to hydrating eye drops first thing in the morning, cupcakes for a week, and an oath to make lemonade always and forever. And ever. Visine would be a bad ... idea..eye-dea...there's no hope here I bid you a good day
Shay Hazelwood
Really? It’s not even ten o’clock in the morning.” “Ice cream is good,” Uncle Karl said. “I’ve never thought of ice cream as a breakfast food.” “Don’t be an old thinker. Join me in new thoughts. What do you pour over cereal?” “Milk.” Benny already knew where this was going. “What is the main ingredient in ice cream?” “Milk.” “Thank you! I like my milk frozen.
Jason Deas (Brushed Away (Benny James Mystery #3))
After several minutes, my cell phone rang and a White House operator announced the president. He came on the line to say he was calling “just to see how you’re doing.” I replied that I was doing fine and had a lot going on. To make conversation, I told him the attorney general seemed to have hit the ground running with a good speech about violent crime. He replied, “That’s his thing.” The awkward conversation, which lasted less than a minute, struck me as yet another effort to bring me close, to ensure I was an amica nostra, a friend of ours. Why else would the president of the United States, who presumably had a million things to do, call the FBI director just to “see how you’re doing”? I got out of the car and joined the DEA leader, apologizing that the delay was because the president just wanted to say “wassup.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)