Mumbai Night Quotes

No umbrella had yet been invented successfully for the Mumbai rains.

The Source of all things, the luminescence, has more forms than heaven’s stars, sure. And one good thought is all it takes to make it shine. But a single mistake can burn down a forest in your heart, hiding all the stars, in all the skies. And while a mistake’s still burning, ruined love or lost faith can make you think you’re done, and you can’t go on. But it’s not true. It’s never true. No matter what you do, no matter where you’re lost, the luminescence never leaves you. Any good thing that dies inside can rise again, if you want it hard enough. The heart doesn’t know how to quit, because it doesn’t know how to lie. You lift your eyes from the page, fall into the smile of a perfect stranger, and the searching starts all over again. It’s not what it was. It’s always different. It’s always something else. But the new forest that grows back in a scarred heart is sometimes wilder and stronger than it was before the fire. And if you stay there, in that shine within yourself, that new place for the light, forgiving everything and never giving up, sooner or later you’ll always find yourself right back there where love and beauty made the world: at the beginning. The beginning. The beginning.

Author's Note: I wanted to read the book that would begin to answer some of my questions, because I felt I couldn't write it... I also doubted my ability to handle monsoon and slum conditions after years of lousy health. I made the decision to try in the course of an absurdly long night at home alone in Washington, D.C. Tripping over an unabridged dictionary, I found myself on the floor with a punctured lung and three broken ribs in a spreading pool of Diet Dr Pepper, unable to slither to a phone. In the hours that passed, I arrived at a certain clarity. Having proved myself ill-suited to safe cohabitation with an unabridged dictionary, I had little to lose by pursuing my interests in another quarter-- a place beyond my so-called expertise, where the risk of failure would be great but the interactions somewhat more meaningful.

Mumbai hides all its blemishes in the night

The municipality sent water through six Annawadi faucets for ninety minutes in the morning and ninety minutes at night. Shiv Sena men had appropriated the taps, charging usage fees to their neighbors. These water-brokers were resented, but not as much as the renegade World Vision social worker who had collected money from Annawadians for a new tap, then run away with it.

Somer reclines in her airplane seat, watching through the window as the glimmering lights of Mumbai recede into the darkness of night. In the seat next to her, Asha is already asleep, her head and pillow resting on Somer’s lap, her feet in Krishnan’s. They should both try to sleep as well, but she knows Krishnan, like her, is reluctant to disturb Asha. He extends his hand to Somer, and she takes it. They rest their interlocking hands on Asha’s sleeping body between them, just as they did the first time they made this journey.

I stood outside Antilla for a long time watching the sun go down. I imagined that the tower was as deep as it was high. That it had a twenty-seven-story-long tap root, snaking around below the ground, hungrily sucking sustenance out of the earth, turning it into smoke and gold. Why did the Ambanis choose to call their building Antilla? Antilla is the name of a set of mythical islands whose story dates back to an eighth-century Iberian legend. When the Muslims conquered Hispania, six Christian Visigothic bishops and their parishioners boarded ships and fled. After days, or maybe weeks, at sea, they arrived at the isles of Antilla, where they decided to settle and raise a new civilization. They burned their boats to permanently sever their links to their barbarian-dominated homeland. By calling their tower Antilla, do the Ambanis hope to sever their links to the poverty and squalor of their homeland and raise a new civilization? Is this the final act of the most successful secessionist movement in India: the secession of the middle and upper classes into outer space? As night fell over Mumbai, guards in crisp linen shirts with crackling walkie-talkies appeared outside the forbidding gates of Antilla. The lights blazed on, to scare away the ghosts perhaps. The neighbors complain that Antilla’s bright lights have stolen the night. Perhaps it’s time for us to take back the night.

At her final dinner in Imperial Heights, she notices afresh all that a week has made familiar: the silk runner, the brass casseroles, and the many little bowls on her plate that Sita, already turning invisible, keeps refilling. The meal is elaborate. There is saag paneer because it is her favourite Indian dish; corn bake, should the curry get too spicy; what she now knows is dal, not soup; yogurt, rotis, pilaf rice and pickle. Her first night here, she asked what order to eat things in, and everyone laughed like it was the most charming thing to say. Tonight, she folds her roti into a roll, one bite for each spoonful of curry, and as the subject of her new rental in Santacruz leads to a discussion on the city's suburbs, she feels reassured that Nana is right, people are people; no matter where you go and how confusing or daunting or hilarious they seem, there is always room to be kindred.

Rahul had been underwhelmed by the New Year's rituals of the rich. "Moronic," he had concluded. "Just people drinking and dancing and standing around acting stupid, like people here do every night." "The hotel people get strange when they drink," he told his friends. "Last night at the end of the party, there was one hero-good-looking, stripes on his suit, expensive cloth. He was drunk, full tight, and he started stuffing bread into his pants pockets, jacket pockets. Then he put more rolls straight into his pants! Rolls fell on the floor and he was crawling under the table to get them. This one waiter was saying the guy must have been hungry, earlier- that whiskey brought back the memory. But when I get rich enough to be a guest at a big hotel, I'm not going to act like such a loser.

Evening brings the people to their windows, balconies, and doorways. Evening fills the streets with strolling crowds. Evening is an indigo tent for the circus of the city, and families bring children to the entertainments that inspire every corner and crossroad. And evening is a chaperone for young lovers: the last hour of light before the night comes to steal the innocence from their slow promenades. There’s no time, in the day or night, when there are more people on the streets of Bombay than there are in the evening, and no light loves the human face quite so much as the evening light in my Mumbai.

Spring Of Rhythm is the best event management company from Mumbai.We have the team of Dedicated,Honest,Hard working,Creative and Well Experienced Staff.We have been consistently delevering our best result towards the flawless execution of events.We manage events across in india and abroad.We are here to fulfill your each and every requirement according to your expectation and budget.At Spring Of Rhythm your time and money are important to us and we try to go our extra mile to make you happy and full satisfied.Spring Of Rhythm is proficient in converting spectacular event plans into reality and its unmatched expertise in organizing magnificent event.Our portfolio is the strongest evidence of our capability,dedication and competence in event management.We at Spring Of Rhythm not only sign business deal but also build strong bonds with our clients.We believe that business is all about customer satisfaction and not just a mean of earning money.We as a team pride ourselves with our levels of commitment,dedication and attention to detail,taking great satisfaction with the end result.Spring Of Rhythm has distinguished itself by bringing innotive ideas in event management industry like wedding ceremony,celebrity management,musical nights,ghazal nights,classical nights,corporate events,new year bash,birthday bash,decoration and catering etc

During visiting hours, Sameer brings flowers that the night nurse (why is she still awake?) dispatches to the bin. ‘Hospital policy,’ she says. Mom brings home-made sweets. The nurse sends the sweets off to keep the flowers company. Hospital policy again. Sameer’s mom, who has flown in from Igatpuri to spend the week with us, brings ghastly advice. ‘Yesterday, you were living for yourself,’ she says, making it sound like I was dancing for money on the tops of bar tables. ‘Now you must live for your daughter.’ There’s no hospital policy about advice. (I checked.)

I was watching the news the other night, and they were still covering that story in Mumbai about the terrorists who went on a shooting rampage. The man on the news said that before the terrorists killed the Jews in the Jewish center, they tortured them. I had to turn off the television, because I could see the torture in my head the way they were describing it. I kept imagining these people, just living their daily lives, and then having them suddenly ended in unjust tragedy. When we watch the news, we grieve all of this, but when we go to the movies, we want more of it. Somehow we realize that great stories are told in conflict, but we are unwilling to embrace the potential greatness of the story we are actually in. We think God is unjust, rather than a master storyteller. If you want to talk about positive and negative charges in a story, ultimately I think you’d break those charges down into life and death. The fact of life and the reality of death give the human story its dramatic tension. For whatever reason, we don’t celebrate coming into life much. I mean we send cards and women have baby showers and all that, but because the baby can’t really say thank you, we don’t make a big deal out of it. We make a big deal out of death, though. We sit around at funerals, feeling sorry for the unfortunate person whom death happened to. We say nice things about the person; we dig a hole and put the body in the hole and cover the casket with all our questions. I heard that a lot of playwrights used to end their stories with a funeral if it was a tragedy and a wedding if it was a comedy. I think that’s why we make such a big deal out of weddings, because a wedding means life, and because the bride and groom are old enough to write a thank-you note for the serving spoons you gave them. And perhaps because you get to drink and dance, no matter how old you are. I only dance at weddings. I practically only drink at weddings, too, mostly because that’s where I do my dancing. One of the things that gives me hope is that, even with all the tragedy that happens in the world, the Bible says that when we get to heaven, there will be a wedding and there will be drinking and there will be dancing.

Gay life in Amman, as in Havana, Damascus, Tehran, Riyadh, Cairo, Mumbai, and Beijing, is a marginal, dangerous, and marvelous underground counterculture: a fear and a promise. The phrase “one thousand and one nights” has never seemed to me both so unsettling—and so gay-friendly.

Mumbai hides all its blemishes in the night.