Lone Lion Quotes

We must tell stories the way God does, stories in which a sister must float her little brother on a river with nothing but a basket between him and the crocodiles. Stories in which a king is a coward, and a shepherd boy steps forward to face the giant. Stories with fiery serpents and leviathans and sermons in whirlwinds. Stories in which murderers are blinded on donkeys and become heroes. Stories with dens of lions and fiery furnaces and lone prophets laughing at kings and priests and demons. Stories with heads on platters. Stories with courage and crosses and redemption. Stories with resurrections.

If the characters are not wicked, the book is." We must tell stories the way God does, stories in which a sister must float her little brother on a river with nothing but a basket between him and the crocodiles. Stories in which a king is a coward, and a shepherd boy steps forward to face the giant. Stories with fiery serpents and leviathans and sermons in whirlwinds. Stories in which murderers are blinded on donkeys and become heroes. Stories with dens of lions and fiery furnaces and lone prophets laughing at kings and priests and demons. Stories with heads on platters. Stories with courage and crosses and redemption. Stories with resurrections.

You remember the old parable about the holy prophet who got thrown into the lions’ den. I felt like a lone lion in a den of prophets.

Today, I have seen a lonely giraffe attacked and eaten by ten lions. This cannot be God’s Order; this is obviously Devil’s Order! God is not here, even though the fools claim the opposite!

The world," said Pavone, "will swing to the left. The whole world except America. The world will swing, not because people read Karl Marx, or because agitators will come out of Russia, but because, after the war is over, that will be the only way they can turn. Everything else will have been tried, everything else will have failed. And I am afraid that American will be isolated, hated, backward, we will all be living there like old maids in a lonely house in the woods, locking the doors, looking under the beds, with a fortune in the mattress, not being able to sleep, because every time the wind blows and a floor creaks, we will think the murderers are breaking in to kill us and take our treasure...

Lila had been the water flowing over the jagged rocks of her anger & fear, smoothing them out with her infinite patience.

Sire, there is a messenger from the enemy who craves audience.” “Let him approach,” said Aslan. The leopard went away and soon returned leading the Witch’s Dwarf. “What is your message, Son of Earth?” asked Aslan. “The Queen of Narnia and Empress of the Lone Islands desires a safe conduct to come and speak with you,” said the Dwarf, “on a matter which is as much to your advantage as to hers.” “Queen of Narnia, indeed!” said Mr. Beaver. “Of all the cheek--” “Peace, Beaver,” said Aslan. “All names will soon be restored to their proper owners. In the meantime we will not dispute about noises.

Lizards frolicked in the flames of a bonfire; two lonely fish swam toward each other under the sea; a lion devoured the sun. An eagle flying high in the air was incongruously chained to a toad crawling on the ground. A wolf and dog battled in the middle of a deserted town. A slithering serpent entwined itself around a female corpse lying in an open grave. Another serpent lay nailed to a cross, while other serpents and dragons chased their own tails in never ending circles.

This is the lone-American type I admire, the kind I believe in, can get along with, and whom I vote for even though he’s never nominated for office. The democratic man our poets sang of but who, alas, is being rapidly exterminated, along with the buffalo, the moose and the elk, the great bear, the eagle, the condor, the mountain lion. The sort of American that never starts a war, never raises a feud, never draws the color line, never tries to lord it over his fellow-man, never yearns for higher education, never holds a grudge against his neighbor, never treats an artist shabbily and never turns a beggar away. Often untutored and unlettered, he sometimes has more of the poet and the musician in him, philosopher too, than those who are acclaimed as such. His whole way of life is aesthetic. What marks him as different, sometimes ridiculous, is his serenity and originality. That he aspires to be none other than himself, is this not the essence of wisdom?

Every morning a great wall of fog descends upon the city of San Francisco. It begins far out at sea. It forms over the Farallons, covering the sea lions on their rocks, and then it sweeps onto Ocean Beach, filling the long green bowl of Golden Gate Park. The fog obscures the early morning joggers and the lone practitioners of tai chi. It mists up the windows of the Glass Pavilion. It creeps over the entire city, over the monuments and movie theaters, over the Panhandle dope dens and the flophouses in the Tenderloin. The fog covers the pastel Victorian mansions in Pacific Heights and shrouds the rainbow-colored houses in the Haight. It walks up and down the twisting streets of Chinatown; it boards the cable cars, making their clanging bells sound like buoys; it climbs to the top of Coit Tower until you can’t see it anymore; it moves in on the Mission, where the mariachi players are still asleep; and it bothers the tourists. The fog of San Francisco, that cold, identity-cleansing mist that rolls over the city every day, explains better than anything else why that city is what it is.

However far you go from here, you must carry me with you in your heart. If you are lonely, you must know that every hour I will be thinking of you. If you are among evil people, you must be like the lion, gathering your strength and awaiting your time. That time will come, and when it comes, you will come back to us.

Anybody who has done high school physics knows Newton’s Third Law. For every action there is an equal and opposite reaction. You push against a wall; it pushes back against you. I love the poetry hidden in these truths, in the many laws we’ve discovered that underpin the universal fabric. We search for meaning ever hungrier, perhaps even with desperation: the symmetry in the equations freaks us out; for all we know, there is just us on this lonely little marble in the inky void.

And so, finding that, for once, I was not sorry to be alone, I said to myself: I am happy. Perfectly happy, I repeated, as my eyes roamed wide over the brilliant desolate sea and the empty contours of the land. Were they, after all, searching for something that was lacking? I hardly knew. A tiny obstinate figure by the dwarf obelisk under an enormous sky, I declared for the third time: I am absolutely happy, absolutely content. And, increasingly overcome by a profound melancholy which I interpreted simply as an appetite for supper I began to walk downhill, towards my sitting room, my holiday task and my lonely bed.

I like nouns that go up: loft. And ones that sink: mud. I like the ones that peck: chicken. And canter: canter. Those that comfort: flannel and pelt. Cell is an excellent word, in that it sweetly fulfills its assigned sound in a small, thin container. Unlike hell, which is disappointing. Overall. Wanting in force and fury. I like that a lone syllable names a necessary thing: bridge, house, door, food, bed. And the ones that sustain us: dirt, milk, and so on. What a thing, that a syllable — birth, time, space, death — points to the major mysteries with such simplicity, as with a silent finger. And to our very vital parts: head, snout, heart, butt. And our fundamental feeling: fear.

I nudged her shoulder with mine, gently. “Let’s not think of the hurts right now.” I patted Rainbow in front of me. “It’s only about Rainbow and Pink Streak tonight. Mano a mano.” “Our bowling balls are male?” “Chica a chica.” Avery laughed. Marcus called, “Is the girl talk portion of this evening done with? Avery, we got a game to win.” “My rainbow ball laughs in the face of your arrogance,” I told him. “There’s nothing wrong with feeling sure of yourself,” Marcus countered. “Said the lone camper when he didn’t realize a hungry lion was behind him.” “What?” I placed my ball with theirs. Avery did the same, snickering under her breath. Marcus looked at his brother. ‘What the hell?” Caden shrugged, sitting down behind the score sheet. “Just nod and smile. That’s what I do

THEORY OF ALMOST EVERYTHING After the war, Einstein, the towering figure who had unlocked the cosmic relationship between matter and energy and discovered the secret of the stars, found himself lonely and isolated. Almost all recent progress in physics had been made in the quantum theory, not in the unified field theory. In fact, Einstein lamented that he was viewed as a relic by other physicists. His goal of finding a unified field theory was considered too difficult by most physicists, especially when the nuclear force remained a total mystery. Einstein commented, “I am generally regarded as a sort of petrified object, rendered blind and deaf by the years. I find this role not too distasteful, as it corresponds fairly well with my temperament.” In the past, there was a fundamental principle that guided Einstein’s work. In special relativity, his theory had to remain the same when interchanging X, Y, Z, and T. In general relativity, it was the equivalence principle, that gravity and acceleration could be equivalent. But in his quest for the theory of everything, Einstein failed to find a guiding principle. Even today, when I go through Einstein’s notebooks and calculations, I find plenty of ideas but no guiding principle. He himself realized that this would doom his ultimate quest. He once observed sadly, “I believe that in order to make real progress, one must again ferret out some general principle from nature.” He never found it. Einstein once bravely said that “God is subtle, but not malicious.” In his later years, he became frustrated and concluded, “I have second thoughts. Maybe God is malicious.” Although the quest for a unified field theory was ignored by most physicists, every now and then, someone would try their hand at creating one. Even Erwin Schrödinger tried. He modestly wrote to Einstein, “You are on a lion hunt, while I am speaking of rabbits.” Nevertheless, in 1947 Schrödinger held a press conference to announce his version of the unified field theory. Even Ireland’s prime minister, Éamon de Valera, showed up. Schrödinger said, “I believe I am right. I shall look an awful fool if I am wrong.” Einstein would later tell Schrödinger that he had also considered this theory and found it to be incorrect. In addition, his theory could not explain the nature of electrons and the atom. Werner Heisenberg and Wolfgang Pauli caught the bug too, and proposed their version of a unified field theory. Pauli was the biggest cynic in physics and a critic of Einstein’s program. He was famous for saying, “What God has torn asunder, let no man put together”—that is, if God had torn apart the forces in the universe, then who were we to try to put them back together?

The Robot With Human Hair Pt2" Said it's the coming of man And I forget when you went away Like a kick to the face Not winning the race (Lion, I've seen you from afar) I've seen her in the car Knowing that you deserve such more Deserved to know you're free Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Leave, I'm the director Agree to the role of the pilot inspector Breathe, pilot inspector Feed off the role of the radar detector Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you from all of those bruised, bruised and battered wounds (Wave right with a gun in his hand wave right) Can you taste this blood Dripping sweeter than...? And over your eyes And I, and I fall to both knees Not to beg for your forgiveness But to hate the word And you speak Take a right off these cliffs The ground is staring at your wounded weapons Wounded weapons (And I can't believe that you're right) You can bank the night on this its round And glaring at your well I get hyphy Tell 'em I get hyphy And this is where it ends Well, then, you said you could do this on your own I'm sorry baby, I can't aid you (And then you say, hands down, right now, I'll let this go) You... Well, now it's up to god to save you Save you, save you Save you, save you I can't believe these long words Come from many national absurd This is a line cut across Hope, defeat, the line, the loss I can never be this lone wolf You can never see me across this earth This will be a light that I run from You thought you were so strong You pleaded to never be wrong (Brace yourself, fasten belts) Well, now that you go (Close the hatch, flip the latch) I sit here and wonder (They're not dead, speed ahead) Times have changed It's like we've been trashing silos (Well, now that you go) In the time bomb aisle (I sit here and wonder) Maybe they'll dodge the spill Oil kills, sure it will And I can't breathe the air (Hide your daughter 'cause I'm coming over) To reach for this light (You know I'm not lying about) (Trashing silos in the time bomb aisle) And you can't breathe the air (About trashing silos in the time bomb aisle) Not leaving her to reach The line, the work, the rope, the love And I have seen such worse for you It's a no, I'm not coming back It's a no, I'm not coming back It's a no, I'm not coming back And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone And now you see the sky has turned black Why do think everyone has turned back? It's cause he's gone

Our plastic muskets, though powderless, will frontload, and our coup will not be bloodless, nor will the blood be lambly. It will stain the lion's den whose bars though invisible are verily there as well roll along, doo-da doo-da and a thousand lonely dirges.

The wild card was William Fox, a misanthropic lone wolf who, his niece said, “invited enemies. He would boast that if he died, all the executives of his company put together couldn’t run the business.” He was probably right. Allied with no one, fighting everyone, plagued by rampaging paranoia, Fox

You seem awfully concerned about this guy,” Jeoff stated. “More than a disobedient lone wolf merits. Has he hurt someone in the pride?” “In a sense. He threatens my mate.” That was one way to stun an opponent. “You? Mated? You have my condolences.” Arik frowned. “What’s that supposed to mean?” “It’s always sad when a man gets shackled to a ball and chain. Next thing you know, you’ll be taking ballroom fucking dancing, calling everything ‘ours’, losing your closet to shoes, and having to watch romantic comedies instead of going to the bar with the boys.” “I’ll also be having incredible sex multiple times a day.” “You could have had that without having her shackle you.” “I’m the one who claimed her.” “Why? Why would you do that?” Jeoff shook his head. “Don’t come crying to me when she makes you wear an ugly sweater at Christmas.” “I won’t cry because I’ll make sure you and I have matching ones, given to you publicly, so you can’t refuse. I’ll have Hayder take a picture, and I’ll post it on every social media site I find.” “You’re an evil king, Arik.” “Thank you.” He couldn’t help a smug smile.

When I remember the promises of God, I tap into the power of God. God’s promises are always a perfect match for our problems. And our problem instigator the Devil—the lion—is no match for God’s promises.

People and animals come together in herd-communities with their own kind exclusively to a single end. Each individual strives to preserve their own genes but achieving that alone can become extremely difficult or even impossible. It is easier to find a partner for the realisation of the basic instinct as a member of a herd and so ultimately, the prime principle in play is still the Law of Gene Preservation. It is easier to defend oneself from a more powerful enemy as a member of a herd. A pack of hyenas, for example, can face down a powerful predator like a lion, whereas an individual hyena would have no chance. In a herd it is easier to hunt and gather large sources of food, which it would be impossible for a lone animal to find. This is the case for lions, wolves and all other herd predators, including mankind. The unification of human beings into ever larger communities, beginning with tribes and clans in prehistoric times, then nations and states in the Middle Ages, continues today in the process called world globalisation. The reason for globalisation is the same as it was a thousand years ago. It provides the best conditions for preserving one’s own gene.

Your enemy the devil prowls around like a roaring lion looking for someone to devour” (1 Peter 5:8).

I wander through the feria and greet my colleagues who are wandering as dreamily as I am. Dreamily× dreamily = a prison in literary heaven. Wandering. Wandering. The honor of poets: the chant we hear as a pallid judgment. I see young faces looking at the books on display and feeling for coins in the depths of pockets as dark as hope. 7 × 1 = 8, I say to myself as I glance out of the corner of my eye at the young readers and a formless image is superimposed on their remote little smiling faces as slowly as an iceberg. We all pass under the balcony where the letters A and E hang and their blood gushes down on us and stains us forever. But the balcony is pallid like us, and pallor never attacks pallor. At the same time, and I say this in my defense, the balcony wanders with us too. Elsewhere this is called mafia. I see an office, I see a computer running, I see a lonely hallway. Pallor× iceberg = a lonely hallway slowly peopled by our own fear, peopled with those who wander the feria of the hallway, looking not for any book but for some certainty to shore up the void of our certainties. Thus we interpret life at moments of the deepest desperation. Herds. Hangmen. The scalpel slices the bodies. A and E × Feria del Libro = other bodies; light as air, incandescent, as if last night my publisher had fucked me up the ass. Dying can seem satisfactory as a response, Blanchot would say. 31 × 31 = 961 good reasons. Yesterday we sacrificed a young South American writer on the town altar. As his blood dripped over the bas-relief of our ambitions I thought about my books and oblivion, and that, at last, made sense. A writer, we've established, shouldn't look like a writer. He should look like a banker, a rich kid who grows up without a care in the world, a mathematics professor, a prison official. Dendriform. Thus, paradoxically, we wander. Our arborescence × the balcony's pallor = the hallway of our triumph. How can young people, readers by antonomasia, not realize that we're liars? All one has to do is look at us! Our imposture is blazoned on our faces! And yet they don't realize, and we can recite with total impunity: 8, 5, 9, 8, 4, 15, 7. And we can wander and greet each other (I, at least, greet everyone, the juries and the hangmen, the benefactors and the students), and we can praise the faggot for his unbridled heterosexuality and the impotent man for his virility and the cuckold for his spotless honor. And no one moans: there is no anguish. Only our nocturnal silence when we crawl on all fours toward the fires that someone has lit for us at a mysterious hour and with incomprehensible finality. We're guided by fate, though we've left nothing to chance. A writer must resemble a censor, our elders told us, and we've followed that marvelous thought to its penultimate consequence. A writer must resemble a newspaper columnist. A writer must resemble a dwarf and MUST survive. If we didn't have to read too, our work would be a point suspended in nothingness, a mandala pared down to a minimum of meaning, our silence, our certainty of standing with one foot dangling on the far side of death. Fantasies. Fantasies. In some lost fold of the past, we wanted to be lions and we're no more than castrated cats. Castrated cats wedded to cats with slit throats. Everything that begins as comedy ends as a cryptographic exercise.

When I was growing up in the late 1950s and early ’60s, there was very little in the way of literate adventure writing. Periodicals that catered to our adolescent dreams of travel and adventure clearly held us in contempt. Feature articles in magazines that might be called Man’s Testicle carried illustrations of tough, unshaven guys dragging terrified women in artfully torn blouses through jungles, caves, or submarine corridors; through hordes of menacing bikers, lions, and hippopotami. The stories bore the same relation to the truth that professional wrestling bears to sport, which is to say, they were larger-than-life contrivances of an artfully absurd nature aimed, it seemed, at lonely bachelor lip-readers, drinkers of cheap beer, violence-prone psychotics, and semiliterate Walter Mitty types whose vision of true love involved the rescue of some distressed damsel about to be ravaged by bikers, lions, or hippopotami.

Five devils are approaching. Five black hearts are wanting. It is five who cry a dark and lonely song, calling for their queen. Lion, shark, dragon, wolf and...shadow.

That being so, why should I listen to some young scribe who hasn’t even begun to make his name in literary history”—again my wince, again he waited—“who just because he finds a lion cage full of accidental drowning thinks he has stumbled on Crime and Punishment and feels like Raskolnikov’s son. End of speech. Respond.” “You know Raskolnikov?” I said, in amaze. “Almost before you were born. But that doesn’t buy horseflakes. Plead your case.” “I’m a writer, I know more about feelings than you do.” “Balls. I’m a detective, I know more about facts than you do. You afraid a fact will confuse you?” “I—” “Tell me this, kiddo. Anything ever happen to you in your life?” “Anything?

Oh creator of all things, help me. For this day I go out into the world naked and alone, and without your hand to guide me I will wander far from the path which leads to success and happiness. I ask not for gold or garments or even opportunities equal to my ability; instead, guide me so that I may acquire ability equal to my opportunities. You have taught the lion and the eagle how to hunt and prosper with teeth and claw. Teach me how to hunt with words and prosper with love so that I may be a lion among men and an eagle in the market place. Help me to remain humble through obstacles and failures; yet hide not from mine eyes the prize that will come with victory. Assign me tasks to which others have failed; yet guide me to pluck the seeds of success from their failures. Confront me with fears that will temper my spirit; yet endow me with courage to laugh at my misgivings. Spare me sufficient days to reach my goals; yet help me to live this day as though it be my last. Guide me in my words that they may bear fruit; yet silence me from gossip that none be maligned. Discipline me in the habit of trying and trying again; yet show me the way to make use of the law of averages. Favor me with alertness to recognize opportunity; yet endow me with patience which will concentrate my strength. Bathe me in good habits that the bad ones may drown; yet grant me compassion for weaknesses in others. Suffer me to know that all things shall pass; yet help me to count my blessings of today. Expose me to hate so it not be a stranger; yet fill my cup with love to turn strangers into friends. But all these things be only if thy will. I am a small and a lonely grape clutching the vine yet thou hast made me different from all others. Verily, there must be a special place for me. Guide me. Help me. Show me the way. Let me become all you planned for me when my seed was planted and selected by you to sprout in the vineyard of the world. Help this humble salesman. Guide me, God.

There is no story. There is just the truth. Look around you. Everything you see, and far beyond, all of it was once green. Where you see buildings, thousand-year-old trees once stood. Above, where those aircar cables hang? That was once the crisscross of leafy vines. That cracked asphalt that scalds your paws? It was once rich earth, protected by a blanket of grass. And our kind did not look into glass windows to find our skinny reflections; we saw our faces mirrored in fresh streams—not one of them toxic. It was a paradise. Then the men came. They pulled up every plant. They drove off every animal. They paved over each patch of dirt. They built towers higher than the tallest tree trunks. They pumped smoke from factory chimneys, driving away the clouds. They replaced all that was green with shades of gray—steel and iron and concrete. But with time, mutations occur. Nature begins to adapt. If you don’t adapt, you don’t stand a chance in this world. And if you don’t have friends by your side, alerting you to danger and sharing their good food, it’s a very lonely world, indeed. So stick together, little ones. Stay close to your littermates, and help each other adapt. Make the world greener through your dreams. Build your own paradise.

The higher we look on the scale of strength and individuality, the more isolated we see that the nature and habits of creatures are. The eagle chooses his eyrie in the bleakest solitude; the condor affects the deserted empyrean; the leopard prowls through the jungle by himself; the lion has a lonely lair. So with men. While savages, like the Hottentots, gibber in their kraals, and, among civilized nations, the dissipated and the frivolous collect in clubs and assemblies, dreading to be left in seclusion, the poet loves his solitary walk, the saint retreats to be closeted with God, and the philosopher wraps himself in immensity.

YOU DON'T CREATE LIONS BY INSPIRING MONKEYS. YOU CREATE DEPRESSED OBSESSIVE MONKEYS Monkeys and humans are social animals unlike the lonely lions.

Dreaming Of Hair" Ivy ties the cellar door in autumn, in summer morning glory wraps the ribs of a mouse. Love binds me to the one whose hair I've found in my mouth, whose sleeping head I kiss, wondering is it death? beauty? this dark star spreading in every direction from the crown of her head. My love's hair is autumn hair, there the sun ripens. My fingers harvest the dark vegtable of her body. In the morning I remove it from my tongue and sleep again. Hair spills through my dream, sprouts from my stomach, thickens my heart, and tangles from the brain. Hair ties the tongue dumb. Hair ascends the tree of my childhood--the willow I climbed one bare foot and hand at a time, feeling the knuckles of the gnarled tree, hearing my father plead from his window, _Don't fall!_ In my dream I fly past summers and moths, to the thistle caught in my mother's hair, the purple one I touched and bled for, to myself at three, sleeping beside her, waking with her hair in my mouth. Along a slippery twine of her black hair my mother ties ko-tze knots for me: fish and lion heads, chrysanthemum buds, the heads of Chinamen, black-haired and frowning. Li-En, my brother, frowns when he sleeps. I push back his hair, stroke his brow. His hairline is our father's, three peaks pointing down. What sprouts from the body and touches the body? What filters sunlight and drinks moonlight? Where have I misplaced my heart? What stops wheels and great machines? What tangles in the bough and snaps the loom? Out of the grave my father's hair bursts. A strand pierces my left sole, shoots up bone, past ribs, to the broken heart it stiches, then down, swirling in the stomach, in the groin, and down, through the right foot. What binds me to this earth? What remembers the dead and grows towards them? I'm tired of thinking. I long to taste the world with a kiss. I long to fly into hair with kisses and weeping, remembering an afternoon when, kissing my sleeping father, I saw for the first time behind the thick swirl of his black hair, the mole of wisdom, a lone planet spinning slowly. Sometimes my love is melancholy and I hold her head in my hands. Sometimes I recall our hair grows after death. Then, I must grab handfuls of her hair, and, I tell you, there are apples, walnuts, ships sailing, ships docking, and men taking off their boots, their hearts breaking, not knowing which they love more, the water, or their women's hair, sprouting from the head, rushing toward the feet.

Dante, as you might know, had originally titled his book The Comedy of Dante Alighieri, A Florentine by birth but not in character. The title Divine Comedy only came later, when the book became regarded as a masterpiece. It’s a work that can be approached in a thousand different ways, and over the centuries it has been,” he said, his voice gaining strength once he was on firm and familiar ground. “But what we’re going to focus on today is the use of natural imagery in the poem. And this Florentine edition which was recently donated to the Newberry collection—and which I think most of you have now seen in the central display case—is a particularly good way to do that.” He touched a button on the lectern’s electronic panel and the first image—an etching of a deep forest, with a lone figure, head bent, entering a narrow path—appeared on the screen. “ ‘In the middle of the journey of our life,’ ” he recited from memory, “ ‘I came to myself in a dark wood where the straight way was lost.’ ” Looking up, he said, “With the possible exception of ‘Jack and Jill went up the hill,’ there is probably no line of poetry more famous and easily identifiable than that. And you will notice that right here, at the very start of the epic that is to follow, we have a glimpse of the natural world that is both realistic—Dante spends a terrible night in that wood—and metaphorical.” Turning to the etching, he elaborated on several of its most salient features, including the animals that animated its border—a leopard with a spotted coat, a lion, and a skulking wolf with distended jaws. “Confronted by these creatures, Dante pretty much turns tail and runs, until he bumps into a figure—who turns out of course to be the Roman poet Virgil—who offers to guide him ‘through an eternal place where thou shalt hear the hopeless shrieks, shalt see the ancient spirits in pain so that each calls for a second death.’ ” A new image flashed on the screen, of a wide river—Acheron with mobs of the dead huddled on its shores, and a shrouded Charon in the foreground, pointing with one bony finger at a long boat. It was a particularly well-done image and David noted several heads nodding with interest and a low hum of comments. He had thought there might be. This edition of the Divine Comedy was one of the most powerful he had ever seen, and he was making it his mission to find out who the illustrator had been. The title pages of the book had sustained such significant water and smoke damage that no names could be discerned. The book had also had to be intensively treated for mold, and many of the plates bore ineradicable green and blue spots the circumference of a pencil eraser.

Tell me something less significant, Something about our biology, for instance, About what you hear while sitting under the tree, About lonely lions in the prairies; Forget decorated generals; Tell me about Private Ryan's, Tell me something only you know And make a new friend.

The lion is never afraid to walk alone on a lonely path.

Your enemy the devil prowls around like a roaring lion looking for someone to devour” (1 Peter 5:8). He’s not just looking to distract you, or tempt you, or pull you slightly off course. He’s looking to devour you.

Sher Shah the Lion King, no stranger to matters of gallantry himself, is so impressed by the valour of this one lone woman that he not only leaves the grave unmolested but sends an escort with Bibi Mubarika and has Babur’s remains transported to Kabul, where they lie today in the Bagh-e-Babur.

When we say, 'it is well'; it is actually the hovering bird with no sense of direction on how to feed her chicks. The fear tearing the heart of the lion if his meal will ever appear. It is the flower at the mercy of the sleeping sun. The lonely mountain without a climber. Sometimes, it is the strength envisage even when the night falls. The tears of a helpless lost soul... it is saying to my soul "It is well".