“
Don't forget to give Neville our love!' Ginny told James as she hugged him.
'Mum! I can't give a professor love!'
'But you know Neville-'
James rolled his eyes.
'Outside, yeah, but at school he's Professor Longbottom, isn't he? I can't walk into Herbology and give him love....
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
If you want to know what's in motherhood for you, as a woman, then - in truth - it's nothing you couldn't get from, say, reading the 100 greatest books in human history; learning a foreign language well enough to argue in it; climbing hills; loving recklessly; sitting quietly, alone, in the dawn; drinking whisky with revolutionaries; learning to do close-hand magic; swimming in a river in winter; growing foxgloves, peas and roses; calling your mum; singing while you walk; being polite; and always, always helping strangers. No one has ever claimed for a moment that childless men have missed out on a vital aspect of their existence, and were the poorer, and crippled by it.
”
”
Caitlin Moran (How to Be a Woman)
“
Maybe you can't help him, darling. I know you love him so, so much. I'm sure he loves you too. And I know you feel like it's your job to "save him". I know it feels like you are both each other's whole world, but that dependency isn't healthy for either of you. Charlie needs help from someone who isn't his sixteen-year-old boyfriend. He needs help from a doctor or a therapist, someone who knows about eating disorder and how to treat them. Love can't cure a mental illness. There are lots of ways to help him, you can just be there. To listen. To talk. To cheer him up if he's having a bad day. And on the bad days you can ask what to could do to make things easier. Stand by his side, even when things are hard. But also knowing that sometimes people need more support than just one person can give. That's love darling" - Sarah Nelson (Nick's mum)
”
”
Alice Oseman
“
It wasn’t always that way for the wives of powerful men. Prior to the 1960s, the press generally kept mum about the sex lives of politicians. When Eleanor Roosevelt discovered her husband’s affair by reading a love letter, she kept it to herself — and used it to gain the upper hand in her marriage, which had the additional benefit of setting her free to pursue writing and social activism.
”
”
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Eight Political Wives)
“
You know what my mum once said?’ said Rosie… ‘She said that if a just-married couple put a coin in a jar every time they make love in their first year, and take a coin out for every time that they make love in the years that follow, the jar will never be emptied.’
And this means…?’
Well’, she said. ‘It’s interesting, isn’t it?
”
”
Neil Gaiman (Anansi Boys)
“
Harry, despite your privileged insight into Voldemort’s world (which, incidentally, is a gift any Death Eater would kill to have), you have never been seduced by the Dark Arts, never, even for a second, shown the slightest desire to become one of Voldemort’s followers!”
“Of course I haven’t!” said Harry indignantly. “He killed my mum and dad!”
“You are protected, in short, by your ability to love!” said Dumbledore loudly.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Mum said earlier what a lovely dress
you’re wearing.”
Beryl’s eyebrows wriggled like two tiny tapeworms. “This?” she said. “But I’ve had this for years.”
It was a beige dress that would have looked better on an eighty year-old. Any eighty-year-old, man or woman.
“I think you’ve really grown into it,” Valkyrie said.
“I always thought it was a little shapeless.”
Valkyrie resisted the urge to say that was what she meant.
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
I've always found people love you best if you can laugh at your own foolish misfortunes and keep mum about everyone else's
”
”
Barbara Kingsolver (Prodigal Summer)
“
Love was there in my empty bed. It was piled up in the records Lauren bought me when we were teenagers. It was in the smudged recipe cards from my mum in between the pages of cookbooks in my kitchen cabinet. Love was in the bottle of gin tied with a ribbon that India had packed me off with; in the smeary photo-strips with curled corners that would end up stuck to my fridge. It was in the note that lay on the pillow next to me, the one I would fold up and keep in the shoebox of all the other notes she had written before. I woke up safe in my one-woman boat. I was gliding into a new horizon; floating in a sea of love. There it was. Who knew? It had been there all along.
”
”
Dolly Alderton (Everything I Know About Love)
“
Keep thinking back about what Mum said about being real and the Velveteen Rabbit book (though frankly have had enough trouble with rabbits in this particular house). My favorite book, she claims of which I have no memory was about how little kids get one toy that they love more than all the others, and even when its fur has been rubbed off, and it's gone saggy with bits missing, the little child still thinks it's the most beautiful toy in the world, and can't bear to be parted from it.
That's how it works, when people really love each other, Mum whispered on the way out in the Debenhams lift, as if she was confessing some hideous and embarrassing secret. But, the thing is, darling, it doesn't happen to ones who have sharp edges, or break if they get dropped, or ones made of silly synthetic stuff that doesn't last. You have to be brave and let the other person know who you are and what you feel.
”
”
Helen Fielding (Bridget Jones: The Edge of Reason (Bridget Jones, #2))
“
I'm going because my life was crap until I met you. I'm going because I don't want to be here when you're not, still living with my mum and nothing being any different. I wouldn't even be thinking about going if it hadn't been for you.
”
”
Jenny Downham (Before I Die)
“
When I look at your stones, I remember.” Jace glances over to Annie, Mum, and finally Dad. “I remember what each of these stones mean because I was with Cooper for a lot of them. Falling in love with him.
”
”
Anyta Sunday (rock)
“
I hate it, all of this," I screamed, my voice breaking. "I even hate him, even him." A huge sob came up from my chest.
And I did, right then. I hated you for everything; for making me feel so helpless everywhere I went, for making me lose control. I hated you for all the emotions in my head, for the confusion... for the way I was suddenly doubting everything. I hated you for turning my life upside down and then smashing it into shards. I hated you for making me stand with a whirring fan in my hand, screaming at my mum.
But I hated you for something else, too. Right then, and at every moment since you'd left me, all I could think about was you. I wanted you in that apartment. I wanted your arms around me, your face close to mine. I wanted your smell. And I knew I couldn't-shouldn't-have it. That's what I hated most. The uncertainty of you. You'd kidnapped me, put my life in danger... but I loved you, too. Or thought I did. None of it made sense.
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
But why me?
Because, idiot, you... are funny and smart and you have a giant heart that you can't even pretend to hide. And you love your friends and your mum, and you held my hand and made me sing when I was so scared I thought I was going to die. I knew you understood, right from the beginning, this thing inside, the stuff in your head that you need to make real. You get that.... And you wear stupid Superman pyjamas without any irony, and your face lights up when you talk about the movies you love.... And... you protect my dwarf. You always have her back. And you have a dimple when you smile that's so cute I almost died the first time I saw it.
”
”
Melissa Keil (Life in Outer Space)
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
I'm here, Tess. I'm right here, holding your hand. Adam's here, too, he's sitting on the other side of the bed. And Cal. Mum's on her way, she'll be just a minute. We all love you, Tessa. We're all right here with you.
”
”
Jenny Downham (Before I Die)
“
Somewhere along the way, without me even noticing, I grew up Alex. For
once, I couldn’t take advice from anyone around me about what I should or
shouldn’t do. I couldn’t go running to mum and dad and I can’t compare my
marriage to anybody else’s, we all follow our own rules.
”
”
Cecelia Ahern (Love, Rosie)
“
Listen. You can be anything you want to be. Be careful. It's a spell. It's magic. Listen to the words. You can be anything, you can do anything, you can be anything, you can do anything. Listen to the magic.
You are anything . . . everyone, anyone. Whatever you want. I'm showing you. So long as you stay yourself inside, you can eat dirt and it'll taste good because it's you that's eating it. You can even lick their arses if you have to. You listen to them, teachers, parents, politicians. They're always saying, if you steal you're a thief, if you sleep around you're a slut, if you take drugs you're a junkie. They want to get inside your head and control you with their fear.
Maybe you think your mum and dad love you but if you do the wrong things they'll try and turn you into dirt. It's your punishment for being you. Don't play their game. Nothing can touch you; you stay beautiful.
I've done everything. All of it. You think it, I've done it.
All the things you never dared, all the things you dream about, all the things you were curious about and then forgot because you knew you never would. I did 'em, I did 'em yesterday while you were still in bed,
What about you? When's it going to be your turn?
”
”
Melvin Burgess (Smack (rack))
“
I watch as my mum approaches and throws her arms around Jesse. "Jesse Ward, I love you," she says in his ear, as he holds her with one arm, "But please remove those handcuffs from my daughter.
”
”
Jodi Ellen Malpas (This Man Confessed (This Man, #3))
“
Helicopter parents. Before I started at Pirriwee Public, I thought it was an exaggeration, this thing about parents being overly involved with their kids. I mean, my mum and dad loved me, they were, like, interested in me when I was growing up in the nineties, but they weren't, like, obsessed with me.
”
”
Liane Moriarty (Big Little Lies)
“
Have you ever loved anyone?"
"You mean besides my mum?"
Luke was dumbfounded as he stared at Jack. He knew his friend's story. "She sold you when you were five."
Jack shrugged. "Doesn't mean I didn't love her. Just means she didn't love me.
”
”
Lorraine Heath (In Bed with the Devil (Scoundrels of St. James, #1))
“
My mum always used to say you couldn't see where you were going until you'd come to terms with where you'd been.
”
”
Garrett Leigh (Only Love (Only Love #1))
“
mum's dress. mum loved big parties. she loved dressing up and champagne bubbles tickling her nose, and dancing with her arms above her head, shoes thrown to the edges of the dance floor, and shouting inane happy things at people.
”
”
Elizabeth Noble (Things I Want My Daughters to Know)
“
And then our Mum and Dad were in love and they were truly dry-stone strong and durable and people speak of ease and joy and spontaneity and the fact that their two smells became one smell, our smell. Us.
”
”
Max Porter (Grief Is the Thing with Feathers)
“
My mum and I have an incredible friendship now after a mixture of pain, honesty, unconditional love and a long break from each other
”
”
P!nk
“
My favourite photos of my mum and dad are those from before I was born. Because they were so into each other and I can see this love in her eyes that says, I trust this guy to fucking bits.
”
”
Melina Marchetta (The Place on Dalhousie)
“
The boy's bravery solidified something in Thomas's heart. He loved the kid. He loved him as if they had the same mum.
”
”
James Dashner (The Maze Runner (The Maze Runner, #1))
“
Bramble's lips were tight. Her fists still shook.
"Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!"
Teddie drew himself up to his full, towering taffy height.
"N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!"
The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white.
"Young man," said the King gently. "Your ship leaves soon?"
Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved.
"Do you mean it?"
Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow.
"Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!"
"Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!"
In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his.
"Oh...my," said Clover.
No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
”
”
Heather Dixon Wallwork (Entwined)
“
Mum used to say to me—when you pick who you want to be with, you have to imagine every part of life, every scenario. Good, bad, happy, sad, painful, beautiful—not just the person you want to do road trips with, but the person you want to be stuck in gridlock traffic with. Not just the person you want to have babies with, but the person you want to grieve with, the person you want next to you on the worst day of your life, at the funeral of someone you love, who's next to you? You don't need a fair-weather lover, you need the person that's going to stand next to you in their wellies, staring down the barrel of the storm.
”
”
Jessa Hastings (Daisy Haites: The Great Undoing (Magnolia Parks Universe, #4))
“
I'm not vicious really. I consider myself kind-hearted. I love my mum
”
”
Sid Vicious
“
The air in my home is heavy with my mom's unhappiness. And her exhaustion. And her sheer dissatisfaction with her life. And I hate it. I can be up in my room when she's in the kitchen below and I feel her despair seeping up through the floorboards. You can hear her banging pots and pans or cursing the vacuum cleaner
”
”
Laura Buzo (Love and Other Perishable Items)
“
Wanna rock you, girl, with a butterfly tunic. / No, I'm not gay, I'm just your emo enuch. / Gonna smile real shy, won't cop a feel, / 'cause I'm your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / 'bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don't mean that nasty, tell your mum don't get mad. / I even wrote 'You're awesome' on your maxi pads.
”
”
Libba Bray (Beauty Queens)
“
Mum says be careful of boys who never take anything seriously. Dad says a boy needs a good sense of humor to get through his love life. Jazz says my dad must need a sense of humor to get through his love life if he's living in the shed
”
”
Cath Crowley (Graffiti Moon)
“
For an instant Harry imagined his own Mum and Dad in Azkaban with the Dementors sucking out their life, draining away the happy memories of their love for him. Just for an instant, before his imagination blew a fuse and called an emergency shutdown and told him never to imagine that again.
”
”
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
“
I cannot imagine how much I must’ve suffered in my previous lives to be fortunate enough to have parents like you in this life.
”
”
Kamand Kojouri
“
I know sometimes things are hard with Mum." "She misses Dad," I said, which was like pointing out that a sky-scraper is tall. Uncle Julian nodded.
”
”
Nicole Krauss (The History of Love)
“
Is she the only one at fault? For though she’s spoiled, and dreadfully so, A girl can’t spoil herself, you know. Who spoiled her, then? Ah, who indeed? Who pandered to her every need? Who turned her into such a brat? Who are the culprits? Who did that? Alas! You needn’t look so far To find out who these sinners are. They are (and this is very sad) Her loving parents, MUM and DAD. And that is why we’re glad they fell Into the garbage chute as well.
”
”
Roald Dahl (Charlie and the Chocolate Factory)
“
Love is homesickness,” I once read in a book. The author’s therapist had told her that the pursuit of love in adulthood is just an expression of missing our mums and dads—that we look for intimacy and romance because we never stop wanting parental security and attention. We simply displace it.
”
”
Dolly Alderton (Ghosts)
“
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you."
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
"Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's."
"Don't you guys have somewhere to be?" I asked hastily. "We're about to start."
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat."
"Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
She kisses the children goodnight, leaving lipstick on their foreheads and a trail of Chanel No.5.
”
”
Camilla Gibb (Sweetness in the Belly)
“
What did I think I was doing? What did she think she was doing? When I want to kiss people in that way now, with mouths and tongues and all that, it's because I want other things too: sex, Friday nights at the cinema, company and conversation, fused networks of family and friends, Lemsips brought to me in bed when I am ill, a new pair of ears for my records and CDs, maybe a little boy called Jack and a little girl called Holly or Maisie, I haven't decided yet. But I didn't want any of those things from Alison Ashworth. Not children, because we were children, and not Friday nights at the pictures, because we went Saturday mornings, and not Lemsips, because my mum did that, not even sex, especially not sex, please God not sex, the filthiest and most terrifying invention of the early seventies.
”
”
Nick Hornby (High Fidelity)
“
Who are these people sharing the street with me? What is going on in their worlds, inside their heads? Are they in love? If so, is it the kind that Mum and Dad have? Based on having things in common, like raspberry picking and a love of dogs, and Shakespeare, and long country walks? Or is it the knock-you-out, eat-you-up, set-you-on-fire kind of love that I have longed for-and avoided-all my life?
”
”
Alison Larkin (The English American)
“
Becky! Love!" Mum has pushed her way through her dancing guests to reach me. "What's wrong? Has labor started?"
Honestly. My family has no idea about contemporary urban street dance trends.
”
”
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
“
Part of me wants to grab her right now and pat her down head to toe, just to make sure she's whole – but Penny hates scenes as much az her mum loves them. "Don't say hello, Simon," she's told me. "Because then we'll have to say goodbye and I can't stand goodbyes.
”
”
Rainbow Rowell (Carry On (Simon Snow, #1))
“
I don't think my mum ever understood my love of Doctor Who. Surely her strongest memory would have been me, standing at the top of the stairs, crying about how the "jelly men" were going to get me? Sorry, Mum, for those sleepless nights, but it was with good reason they called it Terror of the Zygons.
”
”
Steve Berry (Behind The Sofa: Celebrity Memories of Doctor Who)
“
When my mum died I realized that it's possible to live without someone you love." When I asked him what he meant, he wrapped me back in his arms. "I love you, Willow, but I can live without you. I just refuse to.
”
”
Emily Snow
“
My mum often told me this was a misguided act of feminism; that emulating the most loutish behavior of men was not a mark of equality.
”
”
Dolly Alderton (Everything I Know About Love)
“
She abandoned the garden, and the mums and asters that had trusted her to see them through to the first frost hung their waterlogged heads.
”
”
Nicole Krauss (The History of Love)
“
That I always had space to run and that I had the opportunity to play with my imagination. I also loved that my mum drew and painted with me. I always remember that my parents loved me, and that is essential when you're a kid; they always showed me how proud they were of my achievements. It's also very important when parents put their kids' drawings on the refrigerator.
”
”
Taylor Swift
“
Open your eyes, Charlie love,' Mum whispers. 'You'll miss out on the day.' Not a lot to miss out on, really. My days have been sort of shakey lately. Like a voice running out of breath. Like a hand playing the blues. Like a girl losing her bikini top in the pool at Jeremy Magden's final party for Year 10 last week, if we're getting specific. Mum says look on the bright side. Okay. I guess I was only half naked.
”
”
Cath Crowley (A Little Wanting Song)
“
Mum?” Addolgar said to his mother.
“Because I love him,” she reminded them all as she’d been doing for centuries. “That’s what I’m doing with your father. I love him. So, honestly—just let it go already.
”
”
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
“
My problem is I love sex. No joking I really love sex. Life without sex is unbearable for me. As a child my mum says I loved men and hated women. I use to smile at men when I was in the pram and offer them lollipops or sweeties. I guess it is in my genes, my little weakness. I can live without the Valium and Vodka but not my sex. To me my choice is simple men or Paradise and I love them both. I cannot make that choice. It is like there is some evil force driving me to flirt and sleep around. No one man has ever been enough for me and now I have to live like a nun in rehab. I am not bold I am just misunderstood. No, don’t laugh it is an illness and an exhausting one I am so tired, so very tired.
”
”
Annette J. Dunlea
“
You make a nice mum,’ I mumbled.
‘I always hoped one day the woman of my dreams would say those words to me,’ he said, ruffling my vomity hair. I would’ve poked him in the ribs in reprisal, but I lacked the motor skills.
”
”
Mhairi McFarlane
“
She was their mother, their mum, their life line.
”
”
Soulla Christodoulou (Broken Pieces of Tomorrow: Strong women don't give up...They find a way through tears and thrills to love again...)
“
Mum always says the right thing. She always makes everything better.
”
”
Sophie Kinsella (Mini Shopaholic (Shopaholic, #6))
“
My prayer for you:
Know the Lord in greater depth.
Abide in the presence of God.
Live under the shelter of most High,God.
Remain under the shadow of God’s grace in Jesus Name.Amen.
”
”
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
“
She's my best friend—she's everything to me. It's always just been me and her against the world.
”
”
Jacquelyn Middleton (Until the Last Star Fades)
“
We all have a reason for living I am blessed mine has two eyes a heartbeat and calls me mum.
”
”
Nikki Rowe
“
Someone like my mum would say, Oh, you're just a kid, you don't know what love is.But I didn't think of anything else apart from being with Alicia, and the only time I felt like I was where I wanted to be was when I was with her. I mean, that may as well be love, mightn't it?
”
”
Nick Hornby (Slam)
“
Mum regularly pointed out boys she thought I would find attractive, as if I could just go up to someone and ask them out. I never thought any of her choices were attractive anyway. But she was hopeful. Mostly out of curiosity, I think. She wanted to know what sort of person I would choose, like when you're watching a movie and waiting for the love interest to appear.
”
”
Alice Oseman (Loveless)
“
Sometimes I look at the lives of the people around me and I wonder if we aren’t all destined to leave a trail of damage. It’s not just your mum and dad who fuck you up, Mr. Larkin. I gazed around me, like someone suddenly handed clear glasses, and I saw that pretty much everyone bore the brutal imprint of love, whether it was lost, whipped away from them, or simply vanished into a grave.
”
”
Jojo Moyes (After You (Me Before You, #2))
“
To: Anna Oliphant
From: Etienne St. Clair
Subject: HAPPY CHRISTMAS
Have you gotten used to the time difference? Bloody hell,I can't sleep. I'd call,but I don't know if you're awake or doing the family thing or what. The bay fog is so thick that I can't see out my window.But if I could, I am quite certain I'd discover that I'm the only person alive in San Francisco.
To: Anna Oliphant
From: Etienne St. Clair
Subject: I forgot to tell you.
Yesterday I saw a guy wearing an Atlanta Film Festival shirt at the hospital.I asked if he knew you,but he didn't.I also met an enormous,hair man in a cheeky Mrs. Claus getup. he was handing out gifts to the cancer patients.Mum took the attached picture. Do I always look so startled?
To: Anna Oliphant
From: Etienne St. Clair
Subject: Are you awake yet?
Wake up.Wake up wake up wake up.
To: Etienne St. Clair
From: Anna Oliphant
Subject: re: Are you awake yet?
I'm awake! Seany started jumping on my bed,like,three hours ago. We've been opening presents and eating sugar cookies for breakfast. Dad gave me a gold ring shaped like a heart. "For Daddy's sweetheart," he said. As if I'm the type of girl who'd wear a heart-shaped ring. FROM HER FATHER. He gave Seany tons of Star Wars stuff and a rock polishing kit,and I'd much rather have those.I can't beleive Mom invited him here for Christmas. She says it's because their divorce is amicable (um,no) and Seany and I need a father figure in our lives,but all they ever do is fight.This morning it was about my hair.Dad wants me to dye it back, because he thinks I look like a "common prostitute," and Mom wants to re-bleach it.Like either of them has a say. Oops,gotta run.My grandparents just arrived,and Granddad is bellowing for his bonnie lass.That would be me.
P.S. Love the picture.Mrs. Claus is totally checking out your butt. And it's Merry Christmas, weirdo.
To: Anna Oliphant
From: Etienne St. Clair
Subject: HAHAHA@
Was it a PROMISE RING? Did your father give you a PROMISE RING?
To: Etienne St. Clair
From: Anna Oliphant
Subject: Re: HAHAHA!
I am so not responding to that.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Is, er, your friend a member of college staff?"
"No, Al's an artist. And, ah, he's my partner," Larry said. I like it when he calls me that.
I don't think Matthew's mum liked it. "How...lovely. Is that how you met? Through...art?"
Larry said "Yes" just as I said, "No, we met when I was having a piss in an alley.
”
”
J.L. Merrow (Muscling Through)
“
They say she's a girl like a garden, it said. "All roses and lavender and spider mums. Too bright, too bright to be there. One foot among the dead, one foot among the living, like a little breathing bridge. Oh, how I'd love to see her. What a pretty, pretty sight she must be.
”
”
Kelly Andrew (The Whispering Dark)
“
Whosoever does not believe in the existence of a sixth sense has clearly not regarded their own mother. How it is they know all they know about you, even those secrets you locked away so tightly in the most hidden compartments of your heart, remains one of the great mysteries of the world. And they don't just know—they know instantly.
”
”
Narissa Doumani
“
My bleep goes off - it’s the morning SHO asking for handover. I’ve spent two hours in this room, the longest I’ve ever spent with a patient who wasn’t under anaesthetic. On the way home I phone my mum to tell her I love her.
”
”
Adam Kay (This Is Going to Hurt: Secret Diaries of a Junior Doctor)
“
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower.
"Mmm," I say.He's kissing my neck.
"That's it," Rashmi says. "I'm outta here.Enjoy your hormones."
Josh and Mer follow her exit,and we're alone.Just the way I like it.
"Ha!" Ettiene says. "Just the way I like it."
He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say.
"I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want."
I lace my fingers through his. "I want to stay right here,in this moment."
"Isn't that the name of the latest James Ashley bestseller? In This Moment?"
"Careful.Someday you'll meet him, and he won't be nearly as amusing in person."
Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing."
"I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run."
"I'm not most people."
I smile. "I know.But you still have to promise."
His eyes lock on mine. "Anna,I promise that I will never leave you."
My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says.
I'm still dazed. "My what?"
He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him."
I pause. "Do you think he'll object to me?"
"Oh,I'm sure he will."
Okay.Not the answer I was looking for.
Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you."
"So....that's a good thing?"
"I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails."
"You've worn your pinkies to nubs," I say cheerfully.
"Or if I need to start ironing my bedspread."
"I DO NOT IRON MY BEDSPREAD."
"You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you."
"She goes?"
"You're the only thing I've talked about all year.She's ecstatic we're together."
I'm smiling inside and out. "I can't wait to meet her.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The world won’t leave things be. It’s always injecting endings into beginnings. Leaves tweezer themselves from these weeping willows. Leaves fall into the lake and dissolve into slime. Where’s the sense in that? Mum and Dad fell in love, had Julia, had me. They fall out of love, Julia moves off to Edinburgh, Mum to Cheltenham, and Dad to Oxford with Cynthia. The world never stops unmaking what the world never stops making. But who says the world has to make sense?
”
”
David Mitchell (Black Swan Green)
“
You play the hand you're dealt just like everyone else in this bloody world. You have gifts people would kill for, no matter that you scorn them. You have a mum who loves you and a nice house to go home to. Sod your backwoods neighbors who look down their ignorant noses at you for your lack of a father. This world is a big place and you've got an important role to play in it. Think everyone goes around whistling about the life they lead? Think everyone is given the power to choose the way their fate goes? Sorry, luv, it doesn't work that way. You hold the ones you love close and fight the battles you can win, and that, Kitten, is how it is.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
If we could talk to our younger selves now, eh? Dust yourself off, don’t let the bastards grind you down, and always make your mum proud.
”
”
Jacquelyn Middleton (Until the Last Star Fades)
“
What plant?'
'Sorry?'
"What plant did Mum leave, at the grave?'
Sally went to the open window and reached through to pick a peach-colored flower from a blooming bush. She offered it to Alice.
'Beach hibiscus,' Alice cried softly, remembering the flower crown her mother made when she was a child. Remembering its meaning in the Thornfield Dictionary. Love binds us in eternity.
”
”
Holly Ringland (The Lost Flowers of Alice Hart)
“
I look at her and see her pieced-together smile, the wobble of her. I see how Mum is made of molecules, how she is only just together.
'Why do you love me?' I ask.
She hiccup-laughs. 'So many reasons,' she says.
She sits beside my bed and lists them.
”
”
Helena Fox (How It Feels to Float)
“
On the flight home, I daydreamed of Tottenham Court Road and ordering shit off Amazon. I thought of Farly's laugh and the sound of my flatmates getting ready for work int he morning and the smell of my mum's perfume in her hair when I hug her. I thought of the bliss mundanity of life; of what a privilege it was to live it.
”
”
Dolly Alderton (Everything I Know About Love)
“
Mum always said that it's the content of the years that you're given to live, not the length of those years. I want my content to count. I want your content to count. I'll do whatever I have to do to prevent losing those I love most." His eyes flickered to Lily. "Are any of us more important than the entire Wizarding world? The entire world? I don't love you any more than the wizard down the street loves his sister. I don't love Lily more than any other man loves his wife. Though I do try.
”
”
Shaya Lonnie (The Debt of Time)
“
I think sometimes the bits of your life happen in the wrong order, or all at the same time and you waste time feeling angry about it, but that's the way it is, it's real life. You meet the person who you think could make you happy the rest of your life, but at the same time your ex-girlfriend who's told you umpteen times she never wants to see you again tells you you're going to be a dad.'
Elle took up the story.
'And then you move to another country and then the next time you see that person, even though its like no time has passed, you sleep together and then - your mum dies'
She gave a short, sad laugh.
'Yep that's rubbish timing
”
”
Harriet Evans (Happily Ever After)
“
There was a line there, firmly drawn, between friend and Mum, and if a situation ever neared that line, she was always going to come down on the Mum side. But up until that line, she could be — and was, and is — both.
”
”
Dot Hutchison (The Summer Children (The Collector, #3))
“
I’ve watched it time and time again—a woman always slots into a man’s life better than he slots into hers. She will be the one who spends the most time at his flat, she will be the one who makes friends with all his friends and their girlfriends. She will be the one who sends his mother a bunch of flowers on her birthday. Women don’t like this rigmarole any more than men do, but they’re better at it—they just get on with it. This means that when a woman my age falls in love with a man, the list of priorities goes from this: Family Friends To this: Family Boyfriend Boyfriend’s family Boyfriend’s friends Girlfriends of the boyfriend’s friends Friends Which means, on average, you go from seeing your friend every weekend to once every six weekends. She becomes a baton and you’re the one at the very end of the track. You get your go for, say, your birthday or a brunch, then you have to pass her back round to the boyfriend to start the long, boring rotation again. These gaps in each other’s lives slowly but surely form a gap in the middle of your friendship. The love is still there, but the familiarity is not. Before you know it, you’re not living life together anymore. You’re living life separately with respective boyfriends then meeting up for dinner every six weekends to tell each other what living is like. I now understand why our mums cleaned the house before their best friend came round and asked them “What’s the news, then?” in a jolly, stilted way. I get how that happens. So don’t tell me when you move in with your boyfriend that nothing will change. There will be no road trip. The cycle works when it comes to holidays as well—I’ll get my buddy back for every sixth summer, unless she has a baby in which case I’ll get my road trip in eighteen years’ time. It never stops happening. Everything will change.
”
”
Dolly Alderton (Everything I Know About Love)
“
You bet against your own son?”
“Just like you, the boy doesn’t pay attention. And seeing that she’s just like her mother, he didn’t stand a chance against Braith of the Darkness.”
“Mum?” Addolgar said to his mother.
“Because I love him,” she reminded them all as she’d been doing for centuries. “That’s what I’m doing with your father. I love him. So, honestly—just let it go already.
”
”
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
“
Love is a funny thing; there’s the kind that’s like you’re five and you’re looking up at your Mum’s face as she reads you a bedtime story.
Then there’s the kind that makes you nervous and twists in your stomach.
Then there’s the kind that makes you feel like you’re holding everything of worth in your hands.
”
”
L.C. Smith (Falling)
“
His mum had loved her ornaments, as she called them, but when she died, his dad waited about a week before boxing them up and giving them to a charity shop. “I loved your mum, Quinton,” he’d said, “but I hate them fuckin’ porcelaincats.
”
”
India Drummond (Blood Faerie (Caledonia Fae, #1))
“
People aren't locked doors. You can get through to them if you want.
But no one did. No one reached out a hand to Tulip. Nobody tried to touch her. I hear them whispering and they sicken me. 'Bus seats!' grumbles Mrs Bodell. 'Locker doors!' complain the teachers. 'Chicken sheds!' say the farmers. 'Greenhouses! Dustbins!' moan the neighbours. And Mum says, 'A lovely old hotel!'
But what about Tulip?
I shall feel sorry for Tulip all my life.
And guilty, too.
Guilty.
”
”
Anne Fine (The Tulip Touch)
“
I love people who play guitars on roofs!" said Rose, hopping along the pavement in one of her sudden happy moods. "Don't you?"
"Never knew anyone else who did it!"
"Don't you like Tom?"
"Of course I do. But I don't know about all the other guitar-on-roof players! They might be really awful people, with just that one good thing about them. Playing guitars on roofs... or bagpipes... Or drums... Sarah would like that, and Saffy could have the bagpipes! Caddy could have a harp.... What about Mum?"
"One of those gourds filled with beans!" said Rose at once. "And Daddy could have a grand piano. On a flat roof. With a balcony and pink flowers in pots around the edge! And I'll have a very loud trumpet! What about you?"
"I'll just listen," said Indigo.
”
”
Hilary McKay (Indigo's Star (Casson Family, #2))
“
Spoiled?" Mum cuts her off with a laugh. "Nonsense! There's nothing wrong with Minnie, is there, my precious? She knows her own mind!" She strokes Minnie's hair fondly, then looks up again. "Becky, love, you were exactly the same at her age. Exactly the same.
”
”
Sophie Kinsella (Mini Shopaholic (Shopaholic, #6))
“
She’s always there for me, Mum. She always forgives me, even when she shouldn’t. She always says the right thing. She calms me, but challenges me—she makes me want to be a better man. I know I’m a shitty person, I know that. I have done so much shit, but Tessa can’t leave me. I don’t want to be alone anymore, and I’ll never love anyone again—she is it for me. I know it. She’s my ultimate sin, Mum, and I’ll gladly be damned for her.
”
”
Anna Todd (After We Collided (After, #2))
“
A rotten nut, a reeky pear,
A thing the cat left on the stair,
And lots of other things as well,
Each with a rather horrid smell.
These are Veruca's new found friends
That she will meet as she descends,
And this is the price she has to pay
For going so very far astray.
But now, my dears, we think you might
Be wondering-is it really right
That every single bit of blame
And all the scolding and the shame
Should fall upon Veruca Salt?
Is she the only one at fault?
For though she's spoiled, and dreadfully so,
A girl can't spoil herself, you know.
Who spoiled her, then? Ah, who indeed?
Who pandered to her every need?
Who turned her into such a brat?
Who are the culprits? Who did that?
Alas! You needn't look so far
To find out who these sinners are.
They are (and this is very sad)
Her loving parents, Mum and Dad.
And that is why we're glad they fell
Into the garbage chute as well.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
Mum,” she frowned “if one has freedom of worship to either be a Christian, Muslim, Jew, Buddhist or pagan: why can’t one have freedom to marry whoever or whatever one loves?
”
”
S.A. David (7 Flash)
“
Arran’s grey-blue eyes opened and they were clear and bright. He smiled at Maxie. ‘I love you, Mum,’ he said quietly and he died in Maxie’s arms.
”
”
Charlie Higson (The Enemy (The Enemy, #1))
“
Mum handed me back my engagement ring and I slipped it on. I found the weight of it around my finger comforting, as it Todd was holding my hand.
”
”
Rosamund Lupton (Sister)
“
A kid—or a few—would make her mine for good. Though there are two pesky inconveniences. One, I genuinely dislike kids. They’re messy and illogical—my least favorite characteristics. Two, I’d be forced to share their mother with them. I’m ready to overlook both. Barely. My dad loathes kids more than I do, but he loves me and Creigh, so I choose to believe I will at least tolerate my own kids. I might even like them if they look anything like their mum.
”
”
Rina Kent (God of War (Legacy of Gods, #6))
“
Give others a chance to talk....
A lovely little girl was holding two apples with both hands.Her mum came in and softly asked her little daughter with a smile: my sweetie, could you give your mum one of your two apples? The girl looked up at her mum for some seconds, then she suddenly took a quick bite on one apple, and then quickly on the other. The mum felt the smile on her face freeze. She tried hard not to reveal her disappointment. Then the little girl handed one of her bitten apples to her mum, and said: mummy, here you are.This is the sweeter one.
No matter who you are, how experienced you are, and how knowledgeable you think you are, always delay judgement. Give others the privilege to explain themselves. What you see may not be the reality. Never conclude for others.
”
”
Anonymous
“
I love the night. Anything seems possible at night when the rest of the world has gone to sleep. It's dark and silent in the house, but if I listen close, I hear the beat beat beat of my heart. I hear the creak and crack of the house. I hear my mum breathing gently in her sleep in the room next door.
”
”
David Almond
“
And as you grow up, please know that whenever you hear thunder, that will be me. Whenever the Red Sox win in the ninth, that will be me. Whenever you and daddy dance together, know that I am there too. I will always be watching my boys. My boys, whom I love so much that I feel my heart will burst. Love, Mum
”
”
Samantha Power (The Education of an Idealist: A Memoir)
“
If she’s watching, I would like to say…” I turned to the camera facing me, talking directly to her. “I’m sorry. I’m sorry you can’t bring yourself to understand, or accept me. I’m sorry I’m not enough for you, but I will never be sorry for falling in love, for finding the kind of connection some people spend their whole lives trying to find without success. I might no longer be a son to you, but you will always be my mum.
”
”
Nicola Haken (Being Sawyer Knight (Souls of the Knight, #1))
“
I prefer sunsets over sunrises, but only because I love to watch the constellations begin to burn. My favorite season is autumn, because my mum and I both believed that’s the only time when magic can be tasted in the air.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
Thanks to my mum, Pamela Marrs, the biggest reader I know and who inspired my love of books. Thank you to Tracy Fenton from Facebook’s THE Book Club for discovering this story and helping it to take on a life of its own. And in alphabetical order, thank you to my early readers Katie Begley, Lorna Fitch, Fiona Goodman, Jenny Goodman,
”
”
John Marrs (When You Disappeared)
“
What have I ever had to do in my life that really
needed to be done? I always had a choice, and I always took the easy way
out—we always took the easy way out. At our age the burden of double
maths on a Monday morning and finding a spot the size of Pluto on my nose
was as complicated as it ever got for me.
This time round I’m having a baby. A baby. And that baby will be
around on the Monday, on the Tuesday, on the Wednesday, Thursday, Friday, Saturday, and Sunday. I have no weekends off. No three-month holidays.
I can’t take a day off, call in sick, or get Mum to write a note. I am
going to be the mum now. I wish I could write myself a note.
I’m scared, Alex.
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
His mum and Benji's three older sisters only slip into the old language when they want to express great anger or eternal love, and this country simply doesn't have sufficiently flexible grammar to express which good-for-nothing part of the laziest useless donkey Benji might be, or how they love him as deeply as ten thousand wells full of gold.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
I've learned that it is important to be beautiful to people. That all that matters is that you are lovely to the people around you and the people that you meet. It doesn't matter if you're a show off or a little bit vain, as long as you're good to your mum, and that you're kind, and that you're lovely. And that everything is transient and superficial and to not get attached to material things because you're going to lose it all. And the only thing that is constant is love.
”
”
Russell Brand
“
But mum was tough. No matter how fancily she dressed, she couldn't hide her true nature. Everyone at school was scared of her. Especially the other mums. She once knocked out a man with a single punch when he barged her trolley in Sainsbury's.
”
”
Matthew Crow (In Bloom)
“
Luke!...We have to be able to do cool dancing so we don't embarrass our child!"
"I'm a very cool dancer," replies Luke. "Very cool indeed,"
"No you're not!"
"I had dance lessons in my teens, you know," he retorts. "I can waltz like Fred Astire."
"Waltz?" I echo derisively. "That's not cool! We need to know all the street moves. Watch me."
I do a couple funky head-wriggle body-pop maneuvers, like they do on rap videos. When I look up, Luke is gaping at me.
"Sweetheart," he says. "What are you doing?"
"It's hip-hop!" I say. "It's street!"
"Becky! Love!" Mum has pushed her way through her dancing guests to reach me. "What's wrong? Has labour started?"
Honestly. My family has no idea about contemporary urban steet dance trends.
”
”
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
“
No, I was waiting for the train. The three forty-seven to Yass. Comes every afternoon and, according to the station master, it’s never late and I knew that. And then you came along and you spoke to me and nobody had looked me in the eye for years. My mum wouldn’t. She told me later that she couldn’t, because she was scared to see that I might hate her. She feels like she didn’t protect me from him. But I remember you that day and you looked at peace with yourself and it made me reconsider everything I had planned to do. Because I thought to myself, you can’t do this to her, not after the Hermit thing.”
“Do what to me? I don’t think that leaving me on that platform would have changed my life, Griggs,” I lie.
“You being on that platform changed mine.”
This isn’t romance. This isn’t a declaration of love or affirmation of friendship. This is something more.
“I wasn’t there that day to get on the three forty-seven to Yass,” he says. “I was there to throw myself in front of it.
”
”
Melina Marchetta (On the Jellicoe Road)
“
Dr. R scratches out a note on his pad.
"Losing you both was only the practice pain, wasn't it? For my mum and dad..."
He puts his finger on his lips, his elbow at his chest, not racked with cancer. "Yes."
"And when that happens, this will seem like nothing."
He nods.
"When it happens," he asks me, "what will get you through?"
"Friends who love me."
"And if your friends weren't there?"
"Music through headphones."
"And if the music stopped?"
"A sermon by Rabbi Wolpe."
"If there was no religion?"
"The mountains and the sky."
"If you leave California?"
"Numbered streets to keep me walking."
"If New York falls into the ocean?"
Your voice in my head.
”
”
Emma Forrest
“
Part of me wants to grab her right now and pat her down head to toe, just to make sure she's whole – but Penny hates scenes as much as her mum loves them. "Don't say hello, Simon," she's told me. "Because then we'll have to say goodbye and I can't stand goodbyes
”
”
Rainbow Rowell (Carry On (Simon Snow, #1))
“
It's worth remembering that [having a baby] is not of vital use to you as a woman. Yes, you could learn thousands of interesting things about love, strength, faith, fear, human relationships, genetic loyalty, and the effect of apricots on an immune digestive system. But I don't think there's a single lesson that motherhood has to offer that couldn't be learned elsewhere. If you want to know what's in motherhood for you, as a woman, then-in truth-it's nothing you couldn't get from, say, reading the 100 greatest books in human history; learning a foreign language well enough to argue in it; climbing hills; loving recklessly; sitting quietly, alone, in the dawn; drinking whiskey with revolutionaries; learning to do close-hand magic; swimming in a river in the winter; growing foxgloves, peas, and roses; calling your mum; singing while you walk; being polite; and always, always helping strangers. No one has ever claimed for a minute that childless men have missed out on a vital aspect of their existence, and were the poorer and crippled by it. Da Vinci, Van Gogh, Newton, Faraday, Plato, Aquinas, Beethoven, Handel, Kant, Hume, Jesus. They all seem to have managed quite well.
”
”
Caitlin Moran (How to Be a Woman)
“
Ah genclik! Genclik! Pervasizca,umursamadan gidiyorsun kendi yolunda-dünyanin bütün hazineleri seninmiş gibi;keder bile seni umutlandırıyor,acı bile alnına çok güzel oturuyor.Özgüvenli ve küstahsın ve "sadece ben canlıyım,bakın!" diyorsun.Kendi günlerin hızla uçup,hiçbir iz bırakmadan yok olur ve içinmdeki her şey güneşin altında eriyip giderken bile mum gibi...kar gibi..ve belki de senin sihrinin bütün sırrı istediğin her şeyi yapabilme gücünde değil,yapmayacağın hiçbir şey olmadığını düşünme gücünde saklı.(İlk Aşk-Turgenyev)
”
”
Ivan Turgenev (First Love)
“
Mum used to say that when she met my dad it was like a perfect love story. I thought Patrick was my perfect love story. Except he’s not. He’s the hypnotist’s love story. I’m the ex-girlfriend in the hypnotist’s love story. Not the heroine. I’m only a minor character.
”
”
Liane Moriarty (The Hypnotist's Love Story)
“
Jen's Mum Will Write
Jen's mum writes advertising copy.
She specializes in white goods:
washing machines, dryers, fridges,
freezers, dishwashers.
She hates these appliances
hulking
in corners,
power-hungry and fractious.
One day, she will have a wood stove,
and she'll write about things that matter-
she will write about birth and death,
about love and the absence of love,
about fathers and children,
about mothers and daughters,
about lovers and friends.
She'll write about the whole goddamn
wonderful, awful business
of loving and being loved
”
”
Margaret Wild (Jinx)
“
Then she will marry the man whom she is currently trying to find both online and in real life, the man with the smile lines and the dog and/or cat, the man with an interesting surname that she can double-barrel with Jones, the man who earns the same as or more than her, the man who likes hugs more than sex and has nice shoes and beautiful skin and no tattoos and a lovely mum and attractive feet. The man who is at least five feet ten, but preferably five feet eleven or over. The man who has no baggage and a good car and a suggestion of abdominal definition although a flat stomach would suffice.
This man has yet to materialize and Libby is aware that she is possibly a little over-proscriptive.
”
”
Lisa Jewell (The Family Upstairs (The Family Upstairs, #1))
“
There comes an end to summer,
To spring showers and hoar rime;
His mumming to each mummer
Has somewhere end in time,
And since life ends and laughter,
And leaves fall and tears dry,
Who shall call love immortal,
When all that is must die ?
Nay, sweet, let’s leave unspoken
The vows the fates gainsay,
For all vows made are broken,
We love but while we may.
Let’s kiss when kissing pleases,
And part when kisses pall,
Perchance, this time to-morrow,
We shall not love at all.
You ask my love completest,
As strong next year as now,
The devil take you, sweetest,
Ere I make aught such vow.
Life is a masque that changes,
A fig for constancy!
No love at all were better,
Than love which is not free."
-"To His Mistress
”
”
Ernest Dowson (The Poems and Prose of Ernest Dowson)
“
The Settle House is load bearing. Here is what it bears: Mum's endless sadness, September's fitful wrath, my quiet failure to ever do quite what anyone needs me to do, the seasons, the death of small animals in the scrublands around it, every word that we say in love or anger to one another.
”
”
Daisy Johnson (Sisters)
“
I still love logic, but I understand its limitations. I was nineteen when I first learned about Gödel’s “incompleteness theorem,” which states that in any reasonable mathematical system there will always be true statements that cannot be proved. I was so disappointed! I thought: Dammit, Mum.
”
”
Liane Moriarty (Here One Moment)
“
I couldn’t help myself, you know? That family. Everything we never had. I wanted to be part of it. I wanted them to love me. And at the same time, I wanted to destroy them. Partly for living off women who might have been Mum, at one stage in her life. But also, I suppose, just because I could.
”
”
Lucy Foley (The Paris Apartment)
“
There will come a time when a person you most likely pushed out through your vagina and nursed from your
nipples, whose bottom you wiped, and whose snot and spit you cleaned up over several sleep-starved years will apprehend you with a mixture of boredom and irritation and say, ‘Get a life, Mum.’
This would be a good time to remember that a) violence never solved anything; b) teenagers don’t have a full brain yet – the prefrontal cortex that controls the ability to make important distinctions, like who controls the pocket money, only kicks in around the age of twenty-four; and c) you are, in fact, the adult.
”
”
JOANNE FEDLER
“
I used to think love was the feeling hanging between me
and my mum on that phone call, a mix of what I felt for her
and what she felt for me. But now I understand that love
was the act of switching the way I responded to the
moment; it existed in both the intention and the choice to
consciously focus on it.
”
”
Natasha Lunn (Conversations on Love)
“
By attempting to kill you, Voldemort himself singled out the remarkable person who sits here in front of me, and gave him the tools for the job! It is Voldemort's fault that you were able to see into his thoughts, his ambitions, that you even understand the snakelike language in which he gives orders, and yet, Harry, despite your privileged insight into Voldemort's world (which, incidentally, is a gift any Death Eater would kill to have), you have never been seduced by the Dark Arts, never, even for a second, shown the slightest desire to become one of Voldemort's followers!"
"Of course I haven't!" said Harry indignantly. "He killed my mum and dad!"
"You are protected, in short, by your ability to love!" said Dumbledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mirror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not!
”
”
J.K. Rowling
“
I grew up with nobody.
I grew up…with literally no friends.
I grew up without a care in the world.
I grew up thinking I’d be a lonely human walking on grass.
I grew up saying I’m gonna be alone forever.
I grew up hugging myself when I was sad.
I grew up crying on my mothers shoulder.
….
I now have my younger, and older siblings.
I now have friends online or not.
I now care about everyone except myself.
I now realize I’m not as lonely as I was before. I’m walking on the moon.
I now realize that I won’t stay alone forever. I have someone special now.
I now hug my own screen because I love every little icon I see that says hello.
And now….my real mum may be gone, but I still have my siblings.
I have things I didn’t have before.
Things I thought I wouldn’t have…
And I’m feeling better than ever.
”
”
Howler the Icewing
“
I choose not to think about these images,” I muttered. “I choose to think about . . .” And then I stopped. What? What? None of Barry’s tutorials had focused on what happy images to choose when you were being held prisoner by a murderer. Was I supposed to think about my mum? About Judah? About everything I loved and held dear and was about to lose? “Insert happy image here, you little fucker,” I whispered, but the place I was inserting it probably wasn’t the one Barry had in mind.
”
”
Ruth Ware (The Woman in Cabin 10 (Lo Blacklock, #1))
“
If your mum dies early, you spend your life knowing your dad can too. You know there's a sword hanging over everyone you've ever loved and the extra kick in the teeth? You're not worrying for nothing.
One day that phone will ring and the blade will run right through you...
And you are always waiting. It's there, and it's hard to let go of that.
”
”
Kieron Gillen (Die, Vol. 4: Bleed)
“
Women aren’t at home all the time like they used to be. I don’t blame them; women aren’t goldfish. They’ve evolved. But, like my mum says, emancipation can be a problem for a man.
”
”
Jeanette Winterson (Frankissstein: A Love Story)
“
I find it frightening now that Mum knew how she ought to behave and yet she chose not do that all those years she actually had us in her care.
”
”
Mae West (Love as Always, Mum xxx)
“
she couldn’t be in control of her children she didn’t want them.
”
”
Mae West (Love as Always, Mum xxx)
“
You don’t say! It’s always a pleasure to meet someone who loves mums.
”
”
Osamu Dazai (Blue Bamboo: Tales by Dazai Osamu)
“
your mum never really cared about possessions, love. She liked all this stuff, but she was much more interested in getting out there and living her life.
”
”
Freya Sampson (The Last Library)
“
I spot a glorious sunset through the landing window as I follow Mum up to see Dad; orange and bloodred layered on tired gray, with streaks of pink straight from an eighties disco.
”
”
Rosie Walsh (The Love of my Life)
“
I can’t bring myself to remove my braids, but I do take a butterfly hairpin that belonged to my mum and clip my already dampening fringe to one side.
”
”
Kirsty Greenwood (The Love of My Afterlife)
“
The boy's bravery solidified something in Thomas's heart. He loved the kid. He loved him as if they had the same mum.
”
”
null
“
My mother is my pastor
She teaches me the Bible
I love her as my mentor
She tells me to be humble!
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
My mother is my doctor
Caring for me when am ill
I will love her forever till
We are gone to our creator!
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
Be to, jei tikimės, kad mums kas nors išeis, noriu, kad nieko neliktų nepasakyta... apie praeitį.
”
”
Gregory David Roberts (Shantaram)
“
One woman sent me on a letter written to her by her daughter, and the young girl's words are a remarkable statement about artistic creation as an infinitely versatile and subtle form of communication:
'...How many words does a person know?' she asks her mother. 'How many does he use in his everyday vocabulary? One hundred, two, three? We wrap our feelings up in words, try to express in words sorrow and joy and any sort of emotion, the very things that can't in fact be expressed. Romeo uttered beautiful words to Juliet, vivid, expressive words, but they surely didn't say even half of what made his heart feel as if it was ready to jump out of his chest, and stopped him breathing, and made Juliet forget everything except her love?
There's another kind of language, another form of communication: by means of feeling, and images. That is the contact that stops people being separated from each other, that brings down barriers. Will, feeling, emotion—these remove obstacles from between people who otherwise stand on opposite sides of a mirror, on opposite sides of a door.. The frames of the screen move out, and the world which used to be partitioned off comes into us, becomes something real... And this doesn't happen through little Audrey, it's Tarkovsky himself addressing the audience directly, as they sit on the other side of the screen. There's no death, there is immortality. Time is one and undivided, as it says in one of the poems. "At the table are great-grandfathers and grandchildren.." Actually Mum, I've taken the film entirely from an emotional angle, but I'm sure there could be a different way of looking at it. What about you? Do write and tell me please..
”
”
Andrei Tarkovsky (Sculpting in Time)
“
As everyone knows, fame, especially sudden fame, is a hollow, shallow and dangerous thing, its dark, seductive powers no substitute for true love or real friendship. On the other hand, if you’re a terribly shy person, desperately in need of a confidence boost – someone who spent a lot of their childhood trying to be as invisible as possible so you didn’t provoke one of your mum’s moods or your dad’s rage – I can tell you for a fact that being hailed as the future of rock and roll in the LA Times and feted by a succession of your musical heroes will definitely do the trick.
”
”
Elton John (Me)
“
I always got angry at my mum, when she washed my ears," he told me. "But she knew I loved her. I love you too, Tom. You gave me a whistle. And pink sugar cake. I'll try not to be mean to you anymore."
The simple words caught me off guard. He stood, lips and tongue pushed out, his round little eyes peering at me from under his knit cap. He was a toadish little man, and his nose was running. It had been a long time since I'd been offered love on such a simple and honest basis. Strangely enough, it woke the wolf in me. I could almost see the slow, accepting wag of Nighteyes' tail. We were pack.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
Disgusted, Addolgar faced Ailean. “You bet against your own son?” “Just like you, the boy doesn’t pay attention. And seeing that she’s just like her mother, he didn’t stand a chance against Braith of the Darkness.” “Mum?” Addolgar said to his mother. “Because I love him,” she reminded them all as she’d been doing for centuries. “That’s what I’m doing with your father. I love him. So, honestly—just let it go already.
”
”
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
“
During the many evenings she’d spent babysitting her nieces and nephew, she’d ached to have the same for herself, someone to love unconditionally. Of course she loved her sisters’ kids, but it wasn’t the same at all. She dreamed of having someone she had helped to create and mold, someone who depended on her, who needed her, who would always seek her out for guidance and who, until her dying day, would call her “Mum.
”
”
John Marrs (The One (Dark Future #1))
“
Skinny as Mum was, she'd always had a good appetite, so when she couldn't eat her roast potatoes I knew the end must be nigh.
[...] We opened our presents and Mum put a polka-dot shower cap on her head and let us take pictures of her in it, which was most unlike her, she liked to be a bit dignified about things. This was another indication that she knew she was dying. Other signs to look out for are when an elderly person starts giving away their things – usually about two or three years before they die – and if they insist, rather aggressively, on returning anything they've borrowed or get annoyed if you give them gifts – they don't want any more clutter.
”
”
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
“
Lay your head, Evermore, for there is nothing to fear. Love will slay the monsters; velvet skies are warm and clear. Drift to sleep, Evermore, you’re free to touch the moon. Soar and dance with stars; Mum and dad will see you through. Get lost in adventure, Evermore, but never stray too far. Stay with me in my arms, even while you’re gone. Sleep with angels, Evermore. Soon the sun will rise, But only when morning whispers, Now open your eyes.
”
”
Nicole Fiorina (Now Open Your Eyes (Stay with Me, #3))
“
Life with Mum and Judy had been this bubble I’d kept other people away from, partly because I was worried they wouldn’t understand, but also because, I guess, in some odd way, I wanted it to stay mine. This private space where Mum would always be cooking—or saying—something awful, and she and Judy would always be far too into whatever hobby or book or TV show had caught their attention this week, and I would always be welcome and safe and loved.
”
”
Alexis Hall (Boyfriend Material (London Calling, #1))
“
Dear Ms. Dunne,
I was hoping that you could come to the school to discuss Katie’s rapidly deteriorating behavior in class. Her attention span is short and she distracts other students by her note-passing. How does Wednesday after school sound? You can reach me at the school. You know the number.
Ms. Casey
To Katie,
What do you mean your mum just laughed?
From Toby
Ahern, Cecelia (2005-02-01). Love, Rosie (p. 99). Hachette Books. Kindle Edition.
”
”
Cecelia Ahern (Love, Rosie)
“
He really is a first-class waste of space, isn't he ?"
"Thank you" I said. It's nice when the people you love share your opinions.
"You're welcome," Dad said. "And the cartwheels would seem to imply that the new model's a good thing ?"
I looked at him with something close to shock. My father and I have a very satisfactory system in place, based on the unspoken agreement that I won't tell him about my love life and he won't ask. All that sort of carry-on is Mum's department, and she advises Dad on a need-to-know basis. "Um, yes," I said.
"Very good," said Dad and, clearly appalled at having strayed so far into this emotional minefield, he began to brush his teeth with most unnecessary vigour.
”
”
Danielle Hawkins (Dinner at Rose's)
“
She takes in the sight of a cake with thick frosting, covered in edible silver stars. I call it Princess Cake, and little girls love it. One of my regular mums says it is magic; it keeps her daughter quiet for at least twenty minutes.
”
”
Hannah Tunnicliffe (The Color of Tea)
“
Why does she always push her mum away? There’s something about that relationship, something about being a child, and the need of a child to be an individual, to be something more than the things she’s been taught and the way she’s been raised. The need to somehow teach a lesson to the person who has taught her so many lessons? Joyce’s love for her is unconditional, Joanna knows that, but, really, unconditional love has a huge flaw. If you love me no matter what, who I actually am doesn’t matter. If someone loves your essence, your very being, what can you do to make them love you more or love you less? Nothing: there is no space. So the only option left to you is to continually prod at that unconditional love, to test it and stretch it, to mock it even. And it’s not just that. There is a further problem with unconditional love, isn’t there? Because what if you don’t love yourself? What if, like Joanna, you obsess over your flaws and weaknesses, you constantly update the balance sheet of your own personality and find it wanting? Well, then the unconditional love of a parent is a sign that they simply don’t know you. If they truly knew you, their love would be peppered with caveats. “I love you, but…
”
”
Richard Osman (The Impossible Fortune (Thursday Murder Club, #5))
“
There were many things Viola could have said at this point. She had thought of all of them while gazing at the forest, the sacred river, the birds, ‘I’m sorry’ being foremost, but instead she told him about the dream. ‘And then you turned to me and you were smiling and you said, “We did it, Mum! Everyone got on the train.”’ ‘I don’t think it was about the train.’ ‘No,’ Viola agreed. ‘It was how I felt when you spoke to me.’ ‘Which was?’ ‘Overwhelmed by love. For you.’ Oh, Viola. At last. Bertie
”
”
Kate Atkinson (A God in Ruins)
“
One of Aggie, mum & I's favourite poems, it turns out.
/
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.
”
”
Mary Oliver (Wild Geese)
“
I would love, though, to be able to forage---to pick the rosemary that grows near my mum's house, the dandelion flowers and their leaves that I've seen on the little patch of grass outside the studios---and to be able to eat the foods the artists in this building are growing, the mushrooms, tomatoes, herbs... I'd love, also, to be able to just go to a normal shop and buy my food, to peel back an aluminum and plastic lid on a polystyrene box and tuck into my dinner in the way a human can with instant ramen.
”
”
Claire Kohda (Woman, Eating)
“
I love your body 'cause I've lost my mind
If you want someone to talk to, you're wasting your time
If you want someone to share your life, you need someone who's alive
And if every relationship is a two-way street, I have been screwing in the back whilst you drive
I never said I was deep, but I am profoundly shallow
My lack of knowledge is vast, and my horizons are narrow
I never said I was big, I never said that I was clever
And if you're waiting to find what's going on in my mind, you could be waiting forever
Forever and ever
I can dance you to the end of the night 'cause I'm afraid of the dark
I have to confess: I'm out of my depth
You're going over my head and straight through my heart
Some girls like to play it dirty, some girls want to be your mum
Me, I disrespected you whilst we were waiting for the taxi to come
My morality is shabby, my behaviour unacceptable
No, I'm not looking for a relationship, just a willing receptacle
I never said I was...
I never said I was...
I never said I was...
I never said I was deep, but I am profoundly shallow
My lack of knowledge is vast, and my horizons are narrow
Oh, yeah. I never said I was big, I never said that I was clever
And if you're waiting to find what's going on in my mind, you could be waiting forever
Forever and ever
”
”
Jarvis Cocker
“
It’s nearly eleven, you’d better get on board.”
“Don’t forget to give Neville our love!” Ginny told James as she hugged him.
“Mum! I can’t give a professor love!”
“But you know Neville--”
James rolled his eyes.
“Outside, yeah, but at school he’s Professor Longbottom, isn’t he? I can’t walk into Herbology and give him love…”
Shaking his head at his mother’s foolishness, he vented his feelings by aiming a kick at Albus.
“See you later, Al. Watch out for the thestrals.”
“I thought they were invisible? You said they were invisible!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Did I ever tell you I went to school in America?"
"What? No."
"It's true,for a year. Eighth grade. It was terrible."
"Eighth grade is terrible for everyone," I say.
"Well,it was worse for me. My parents had just seperated,and my mum moved back to California.I hadn't been since I was an infant,but I went with her,and I was put in this horrid public school-"
"Oh,no. Public school."
He nudges me with his shoulder. "The other kids were ruthless. They made fun of everything about me-my height,my accent, the way I dressed.I vowed I'd never go back."
"But American girls love English accents." I blurt this without thinking, and then pray he doesn't notice my blush.
St. Clair picks up a pebble and tosses it into the river. "Not in middle school, they don't.Especially when it's attached to a bloke who comes up to their kneecaps."
I laugh.
"So when the year was over,my parents found a new school for me. I wanted to go back to London,where my mates were, but my father insisted on Paris so he could keep an eye on me. And that's how I would up at the School of America.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE.
Paradoxes of Destiny?
Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t…
That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe…
It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost?
I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash.
There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown.
Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight.
He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here…
Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!...
Splat!...
“Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…”
Absolute cold and silence…
THE END
(1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
”
”
Gonzalo Guma (Equinoccio. Susurros del destino)
“
Labels were for people who needed to define everything so they could make sense of it for themselves. I had always preferred to just live my life and let everyone else live theirs. I was the product of a bona fide flower child. Mum had taught me that love was love in whatever form it took
”
”
River Mitchell (Succumbing to His Fear (Living Art, #1))
“
Get. Up,’ George says, gently shoving me with her knee, which is her version of a hug. I love my sister, but, along with the rest of the world, I don’t really understand her and it’d be true to say I fear her, just slightly.
She’s seventeen, starting Year 12 this year. She likes learning but she hates her school. She got a scholarship to a private one on the other side of the river in Year 7 and Mum makes her stay there even though she’d rather go to Gracetown High.
She wears a huge amount of black, mostly t-shirts with things like Read, Motherfuckers on the front. Sometimes I think she likes post-apocalyptic fiction so much because she’s genuinely happy at the thought that the world might end.
‘Is the plan to get up sometime soon?’ she asks, and I tell her no, that is not the plan. I explain the plan to her, which is basically to wait, horizontally, for life to improve.
”
”
Cath Crowley (Words in Deep Blue)
“
Muzi, honey, remember what I just said? Not everything you do is going to please Papa. He’s his own person, living his own life, making his own decisions. You’ve got to do the same, and look out for your own happiness. You’ve got this little spark inside, the spark that makes you Muzikayise McCarthy and not Papa and not Mum or Dad, and not anyone else on this planet. And you’ve got to tend to that spark because it’s the most precious thing you’ve got. Love who you want to love, live how you want to live, but promise me, Muzi, that you will not let anyone extinguish what makes you you.
”
”
Nicky Drayden (The Prey of Gods)
“
Children don’t need to thank their parents,’ Mum had said with a smile when I was in my twenties and tried to tell her how grateful I was, how loved I’d always felt. ‘That’s what you do, as a mum or dad. Unconditional. You say thank you by passing it on to your own children and they pass it on to theirs.
”
”
Jill Childs (The First Wife)
“
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches.
And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo.
And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995).
But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
”
”
Dolly Alderton (Good Material)
“
Once unpacked, I saw my family downstairs. Each step released something spidery inside me: the sick-making terror of need. Needing the accumulative, impervious love of being forced to eat all your broccoli even when it is making you retch and gag to put it in your mouth. The love of the TV being turned off past eleven. The love of being asked to say hello to the dog over the telephone. I’d always seen my mum and aunt from knee height, never quite managed to meet them as equals. It occurred to me how ludicrous it was that families slept in separate bedrooms, not piled on top of one another like lazily sunbathing lions.
”
”
Lara Williams (Supper Club)
“
I try to teach this to every young person I meet. Your mother does everything for you. Let her know you appreciate her, let her know that you love her. Why argue with the people you love? Go out on the street, stop a person littering and argue with them. There are a million better people to argue with than your mum!
”
”
Eddie Jaku (The Happiest Man on Earth: The Beautiful Life of an Auschwitz Survivor – A New York Times Bestseller with Timeless Lessons on Gratitude and Hope)
“
Happiness," she says. "What is that, to Emmie Blue?"
"Wow," I say with a smile, "that's a... big question."
[...] "I suppose when I was younger, a few years ago, I would have said... a family. A normal, safe family life."
[...]
"You know," I say, "a home, with flowers in the window, a relationship with my mum where maybe she pops in for lunch now and then. Children, one day, maybe. Someone..." I swallow, words becoming increasingly difficult to say. "Someone to love. Someone to love me."
"Love," says Louise. "So you think love is happiness?"
I hesitate, laugh, nerves turning it into a high-pitched giggle. "I—don't know. Yes. Yes, I suppose it is. For me.
”
”
Lia Louis (Dear Emmie Blue)
“
Ever since people are kids they use their parents as some
sort of measurement for how bad a situation is. When you fall on the ground
really hard and you can’t figure out whether it hurts or not you look to your
parents. If they look worried and rush toward you, you cry. If they laugh and
smack the ground saying “Bold ground,” then you pick yourself up and get
on with it.
When you find out you’re pregnant and feel numb of all emotions you
look at their expressions. When both your mum and dad hug you and tell
you it’s going to be OK and that they’ll support you, you know it’s not the
end of the world. But depending on the parents, it could have been pretty
damn close.
”
”
Cecelia Ahern
“
I have never hated anything as much as I hated being a teenager. I could not have been more ill-suited to the state of adolescence. I was desperate to be an adult; desperate to be taken seriously. I hated relying on anyone for anything. I'd have sooner cleaned floors than be given pocket money or walked three miles in the rain at night than be given a lift home by a parent. I was looking up the price of one-bedroom flats in Camden when I was fifteen, so I could get a head start on saving up with my babysitting money. I was using my mum's recipes and dining table to host 'dinner parties' at the same age, forcing my friends round for rosemary roast chicken tagliatelle and raspberry pavlova with a Frank Sinatra soundtrack, when all they wanted to was eat burgers and go bowling. I wanted my own friends, my own schedule, my own home, my own money and my own life. I found being a teenager one big, frustrating, mortifying, exposing, co-dependent embarrassment that couldn't end fast enough. Alcohol, I think, was my small act of independence. It was the one way I could feel like an adult.
”
”
Dolly Alderton (Everything I Know About Love)
“
Hey, Freckles.” I bite my lip and screw my face up as my ribs burn, taking a deep breath before continuing. “I’m so sorry. I’m so fucking sorry for not knowing what you went through or giving you a chance to explain what happened. I should have heard you out. I should have stayed. But you need to listen.” I wince and pull the phone away, so she can’t hear my groan of pain. “They know who you are, and what we were. They’re going to come for you. Please. Please, baby, you need to run. Run, and don’t you dare turn back. Get away from all of them. You… you hear m-me?” My eyes close, and my phone slides out of my hand, but I quickly grab it. “Please hide, please.” My vision goes dark, and the tremble in my bones stops. “I n-never stopped loving you.” My heart is fucking sore, but I need to get this last part out. I know I’m dying. But the only thing I’m worried about is her getting the fuck away from those evil pricks. “I will… will always lo-love you, Freckles. Go, live your life and be free. Meet someone who can tr-treat you ri-ight. For-for-forget me.” I can’t hear anything, not even my heartbeat. “Pl-please for… forgive me. B-Be safe and ha-ha-happy. I love you. I…” The phone slides again, and I have no energy left to finish my sentence, but as long as she knows I loved her, that she meant the world to me, that she is fucking special and deserves everything that makes her happy – then I’ve said all I need to. A hand touches my face, but I can’t see through the blood in my eyes from the gaping wound in my head. Stacey? Is that you? Mum? But it’s Bernie’s voice in my ear. Faint, but enough that I can make out what she’s saying. “Oh, silly me. Did I forget to mention Stacey fled the country? New phone. ID. Everything. You’ll never find her, but guess what? I will.” She wipes my eyes with a cloth, and I can just make out a medic hovering over me. Archie lowers himself beside me as I try to drag air into my punctured lungs. “I did some digging and was able to lift some messages between you both – and her nickname. Freckles?” He laughs, and blood drops from my mouth as I attempt to move, to get up and snap his neck. “I’ll carve each freckle out of her skin.” “I’ll k-kill y-you.
”
”
Leigh Rivers (Voracious (The Edge of Darkness, #2))
“
She turned to put the basket of bread on the table and saw Brian, and the clutch of mums and zinnias he held in his hand.
"It seemed to call for them," he said.
She stared at the cheerful fall bloossoms, then up into his face. "You picked me flowers."
The sheer disbelief in her voice had him moving his shoulders restlessly. "Well,you made me dinner, with wine and candles and the whole of it. Bedsides, they're your flowers anyway."
"No,they're not." Drowning in love she set the basket down, waited. "Until you give them to me."
"I'll never understand why women are so sensitive over posies." He held them out.
"Thank you." She closed her eyes, buried her face in them. She wanted to remember the exact fragrance, the exact texture. Then lowering them again, she lifted her mouth to his for a kiss. Rubbed her cheek against his.
His arms came around her so suddenly, so tightly, she gasped. "Brian? What is it?"
That gesture,the simple and sweet gesture of cheek against cheek nearly destroyed him. "It's nothing. I just like the way you feel against me when I hold you."
"Hold me any tighter,I'll be through you.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
It felt like I was living in two worlds. There was one world which was a daylight world and another dark world (though I'm not saying that everything bad happened in darkness because it didn't). In the daylight world, life had a veneer of normality - my mum was a bit violent, my dad was a bit distant, my big brother was in hospital somewhere, my little brother was always with Mum, and I had an uncle who was very loving and caring and did nice things for me. In this daylight world, I went to church and learned about Jesus. I was told about innocence and how He loves children.
Then there was the other side, the dark world, which was almost a mirror image. But what I was getting taught there was all of the opposites.
It was almost the reverse of Christianity. They would say that the Christian teachings were rubbish, and everything in the Kirk was right. they would sing a hymn - not like 'All Things Bright and Beautiful' but something about being strong. The hymns were quite Germanic, with harsh, aggressive chanting. They were always about power and strength and right. When they were singing I would be standing or sitting with whoever had taken me.
”
”
Laurie Matthew (Groomed)
“
My Dear Mother, Please, Mum, read this letter and give me the chance to get to know you again. Mum, I love you and always will. You have been in my heart for forty years. All I remember was a funeral, then I was taken away. I was told you were dead. I will not forgive them for that. Please, Mum, write to me. Please give me the chance to prove to you that there is no hurt in me towards you.
”
”
Margaret Humphreys (Oranges and Sunshine: Empty Cradles)
“
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
”
Cecelia Ahern (Thanks for the Memories)
“
Is that...the Looney Tunes theme?"
Mer and St. Clair cock their ears.
"Why,yes.I believe it is," St. Clair says.
"I heard 'Love Shack' a few minutes ago," Mer says.
"It's official," I say. "America has finally ruined France."
"So can we go now?" St. Clair holds up a small bag. "I'm done."
"Ooo,what'd you get?" Mer asks. She takes his bag and pulls out a delicate, shimmery scarf. "Is it for Ellie?"
"Shite."
Mer pauses. "You didn't get anything for Ellie?"
"No,it's for Mum.Arrrgh." He rakes a hand through his hair. "Would you mind if we pop over to Sennelier before we go home?" Sennelier is a gorgeous little art supply sore,the kind that makes me wish I had an excuse to buy oil paints and pastels. Mer and I went with Rashmi last weekend. She bought Josh a new sketchbook for Hanukkah.
"Wow.Congratulations,St. Clair," I say. "Winner of today's Sucky Boyfriend award.And I thought Steve was bad-did you see what happened in calc?"
"You mean when Amanda caught him dirty-texting Nicole?" Mer asks. "I thought she was gonna stab him in the neck with her pencil."
"I've been busy," St. Clair says.
I glance at him. "I was just teasing."
"Well,you don't have to be such a bloody git about it."
"I wasn't being a git. I wasnt even being a twat, or a wanker, or any of your other bleeding Briticisms-"
"Piss off." He snatches his bag back from Mer and scowls at me.
"HEY!" Mer says. "It's Christmas. Ho-ho-ho. Deck the halls. Stop fighting."
"We weren't fighting," he and I say together.
She shakes her head. "Come on,St. Clair's right. Let's get out of here. This place gives me the creeps."
"I think it's pretty," I say. "Besides, I'd rather look at ribbons than dead rabbits."
"Not the hares again," St. Clair says. "You're as bad as Rashmi."
We wrestle through the Christmas crowds. "I can see why she was upset! The way they're hung up,like they'd died of nosebleeds. It's horrible. Poor Isis." All of the shops in Paris have outdone themselves with elaborate window displays,and the butcher is no exception. I pass the dead bunnies every time I go to the movies.
"In case you hadn't noticed," he says. "Isis is perfectly alive and well on the sixth floor.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I’d ask you to be careful tomorrow, if I thought you’d listen to me,’ I said to him.
He looked sympathetic but annoyed. ‘Mum, I’m not a baby anymore.’ Then sensing that I was on the verge of crying, he hugged me gently to his chest.
I couldn’t remember the last time he’d hugged me this way. With my face pressed next to his heart I whispered softly, ‘You’ll always be my baby.’ The hug grew firmer and the teardrops began to fall freely.
”
”
Teresa Schulz (Barbed Wire and Daisies)
“
You will need to stay calm as you witness the candy floss in your daughter’s smile harden into brittle bitchiness. You will need to muster a new resolve as your son’s fascination with Pokémon shifts to porn. You will have to recalibrate your mothering instinct to accommodate the notion that not only do your children poop and burp, they also masturbate, drink and smoke. As their bodies, brains and worlds rearrange themselves, you will need to do your own reshuffling. You will come to see that, though you gave them life, they’re the ones who’ve got a life. They’ve got 1700 friends on Facebook. They’ve got YouTube accounts (with hundreds of sub- scribers), endless social arrangements, concerts, Valentine’s Day dances and Halloween parties. What we have – if we’re lucky – is a ‘Thanks for the ride, Mum, don’t call me, I’ll call you,’ as they slam the car door and indicate we can run along now.
”
”
JOANNE FEDLER
“
Nookie.” I giggle because the word itself is funny but hearing her say it makes it even more so. “I’m going to give you some advice because you’re still a new wife—and because my son can be a little shit at times. I know; I’m his mum.” She looks around as though she’s about to reveal top-secret information. “Nookie equals power and there’s a reason he wants it from you all the time. It levels the playing field. Don’t like something he’s doing? Take the nookie away. Get the results you want. Need him to see things your way but he refuses? Withhold the nookie and he’ll make the fastest attitude adjustment you’ve ever seen. Want your husband to retire because he’s going to work himself into an early grave and miss his grandchildren growing up the way he missed his kids? Close the gates of nookie and get your husband home with you instead of burying him. That’s how you work it, darling. You use the power of the nookie to get the results you want.
”
”
Georgia Cates (Beauty from Love (Beauty, #3))
“
You're Beautiful
Like the green romance of a bud
and lily's pink, gentle sway.
You: more beautiful than yesterday.
Wildflower's blue surprise.
Daisy's white, sunny play.
You're more beautiful than yesterday.
Orchid's purple mystery
Mum's bronze ole`
You: more beautiful than yesterday.
Rose's orange perfume,
even tulip's yellow secrets say:
You're more beautiful that yesterday.
Poppy's red, teasing lips,
but YOUR beauty will never fade.
You: more lovely than yesterday,
You: my dazzling bouquet.
”
”
Pat Mora (Dizzy in Your Eyes: Poems about Love)
“
We've been trying to recreate Mum's Coorg pandhi curry."
"Is that so?" said Mynah. "How was that supposed to work without the kachampuli?"
"The what?"
"Kachampuli," she repeated.
"What is kachampuli supposed to be?" Dad asked, sounding out the syllables carefully.
Mynah let out a shriek of laughter. "Are you telling me you've been trying to make Coorg pandhi curry all this time, and neither of you knows about kachampuli? Which is only the most essential ingredient?"
"But surely the pandhi is the most essential ingredient," Anna protested, gesturing in the direction of the pork rind sitting on the counter. "Otherwise it would be called kachampuli curry."
Mynah ignored that and wiped tears of laughter from her eyes. "Kachampuli, my sweet ignorant ones, is what gives the pandhi curry its distinct flavor. It's a little vinegar, and it's made from a limey sort of fruit they grow in Coorg." She marched to one of the cupboards, rooted around in the back, and retrieved a dusty bottle with a sealed cap. Inside gleamed a thick, dark liquid. "Behold," she said dramatically, "kachampuli.
”
”
Sangu Mandanna (Hungry Hearts: 13 Tales of Food & Love)
“
I understand, intellectually, that the death of a parent is a natural, acceptable part of life. Nobody would call the death of a very sick eighty-year-old woman a tragedy. There was soft weeping at her funeral and red watery eyes. No wrenching sobs. Now I think that I should have let myself sob. I should have wailed and beaten my chest and thrown myself over her coffin. I read a poem. A pretty, touching poem I thought she would have liked. I should have used my own words. I should have said: No one will ever love me as fiercely as my mother did. I should have said: You all think you’re at the funeral of a sweet little old lady, but you’re at the funeral of a girl called Clara, who had long blond hair in a heavy thick plait down to her waist, who fell in love with a shy man who worked on the railways, and they spent years and years trying to have a baby, and when Clara finally got pregnant, they danced around the living room but very slowly, so as not to hurt the baby, and the first two years of her little girl’s life were the happiest of Clara’s life, except then her husband died, and she had to bring up the little girl on her own, before there was a single mother’s pension, before the words “single mother” even existed. I should have told them about how when I was at school, if the day became unexpectedly cold, Mum would turn up in the school yard with a jacket for me. I should have told them that she hated broccoli with such a passion she couldn’t even look at it, and that she was in love with the main character on the English television series Judge John Deed. I should have told them that she loved to read and she was a terrible cook, because she’d try to cook and read her latest library book at the same time, and the dinner always got burned and the library book always got food spatters on it, and then she’d spend ages trying to dab them away with the wet corner of a tea towel. I should have told them that my mum thought of Jack as her own grandchild, and how she made him a special racing car quilt he adored. I should have talked and talked and grabbed both sides of the lectern and said: She was not just a little old lady. She was Clara. She was my mother. She was wonderful.
”
”
Liane Moriarty (The Hypnotist's Love Story)
“
Words matter to Christians not primarily because they spread our ideas or accomplish our goals, but because they proclaim our love. For both God and humans, love is a self-communicating impulse. Love goes out from itself toward the beloved; love cannot be contained. God reaches for us in the act of creation, in deliverance, in the gift of the Holy Spirit, but above all in the Incarnation, the life, death, and resurrection of Jesus Christ. So we preach, pray, dance, and sing because—like the ebullient leper who ignores Jesus’ instructions to stay mum about his miraculous healing—we tell anyway (Mark 1:40–45).
”
”
Kenda Creasy Dean (Almost Christian : What the Faith of Our Teenagers is Telling the American Church)
“
My mum all those years ago sensed a child who had been adopted was also a child who could feel terribly hurt. And no matter how much she loved me, no matter how much my dad loved me, there is still a windy place right at the core of my heart. The windy place is like Wuthering Heights, out on open moors, rugged and wild and free and lonely. The wind rages and batters at the trees. I struggle against the windy place. I sometimes even forget it. But there it is. I am partly defeated by it. You think adoption is a story which has an end. But the point about it is that it has no end. It keeps changing its ending.
”
”
Jackie Kay (Red Dust Road)
“
Mum was pregnant, then there was Sharron. [...]
I wanted to keep him away from her - but for the wrong reasons. In my head he was mine, he was my special person but, of course, as I was getting older, his interest in me was waning anyway. I don't know whether it was because he had lost interest in me, or because the abuse elsewhere was so horrific, particularly without him in my life to make things seem better but, whatever the reason, I soon moved from wanted him to leave Sharron alone for my sake, to wanting him to leave her alone for the right reasons. She was tiny, just a toddler, and the thought of him touching her or abusing her horrified me. I started trying to attract his attention whenever he looked at her. I'd dance, I'd sing, I'd sit on his lap. I'd do a hundred things that were completely out of character - anything, anything to avoid seeing that look in his eye when he glanced at the baby.
I knew that he was planing to do to her what he had done to me. I tried to get in the way, I tried to get him to play with me, but once Sharron was about three, the penny finally dropped. I had always thought he wasn't in the same category as the others; they weren't nice, and he always was. But as she began to replace me, it made me face up to things. What Uncle Andrew did wasn't right. [...]
Even though I loved my uncle, and craved his attention, the thought of him coming into my bed was starting to repulse me. sharron slept in my bed, too, by then, and I wanted that to continue because I wanted to protect her.
Of course, there were plenty of times when I wasn't there. I was still being taken away to be abused. I was at school; Sharon was often left unprotected. Something must have been happening because she started wetting the bed almost every night. This was a sign that even I couldn't turn away from. Sharon was being abused. I was sure of it. But I wouldn't stand for it, not for much longer.
p209-2010
”
”
Laurie Matthew (Groomed)
“
Homophobia and the closet are allies. Like an unhealthy co-dependent relationship they need each other to survive. One plays the victim living in fear and shame while the other plays the persecutor policing what is ‘normal’. The only way to dismantle homophobia is for every gay man and lesbian in the world to come out and live authentic lives. Once they realise how normal we are and see themselves in us….the controversy is over.
It is interesting to think what would happen though....on a particularly pre-determined day that every single gay man and lesbian came out. Imagine the impact when, on that day, people all around the world suddenly discovered their bosses, mums, dads, daughters, sons, aunts, uncles, cousins, teachers, doctors, neighbours, colleagues, politicians, their favourite actors, celebrities and sports heroes, the people they loved and respected......were indeed gay.
All stereotypes would immediately be broken.....just by the same single act of millions of people…..and at last there would no longer be need for secrecy. The closet would become the lounge room. How much healthier would we be emotionally and psychologically when we could all be ourselves doing life without the internal and societal negatives that have been attached to our sexual orientation.
”
”
Anthony Venn-Brown OAM (A Life of Unlearning - a journey to find the truth)
“
You know, Lockie,’ she said aloud.
‘What?’
‘The thing about parents is . . . the thing about good parents — and I think your parents are pretty good . . .’
‘Yeah, Mum makes cakes, amazing cakes, and Dad takes me fishing even when there’s work to do. They’re good parents, my mum and dad. But . . . but they didn’t find me.’
‘I know, Lockie, but I promise they were looking. When we get you home they’ll tell you. I promise they were looking.’
‘I should have stayed by the stroller. Maybe they’re mad and that’s why they didn’t look. Maybe they know I’m a bad boy.’
‘You are not bad, Lockie,’ said Tina. She said the words slowly, patiently. ‘You are not bad and your parents sound like they’re pretty good parents. And you know . . . well, the thing about good parents is that they kind of love you no matter what.’
‘No matter what?’
‘Yeah, whatever happens, whatever you do, they still love you. Sometimes they shout when you do stuff they don’t like but they always love you.’
‘What if the stuff you do is really bad?’
‘They’ll still love you. That’s their job.’
‘No, I mean what if the stuff you did is really, really bad?’
‘It doesn’t matter, Lockie. You’re just a kid. Nothing you could do could be that bad.’
‘You don’t know what bad is,’ said Lockie, and then he repeated the words to himself. ‘You don’t know what bad is.
”
”
Nicole Trope (The Boy Under the Table)
“
They will eat him alive. On his current course, Henry will fail spectacularly.”
My chest constricts so tight it feels like my bones may crack.
Because she’s right.
“He won’t.”
“You don’t know that,” she swipes back.
“I damn well do! I never would have abdicated otherwise.”
“What?”
“Don’t mistake me—I wouldn’t have married anyone but Olivia, and I would’ve waited a lifetime if I had to, until the laws were changed. But I didn’t because I knew in my heart and soul that Henry will not just be a good king, he will be better than I ever could’ve been.”
For a moment I don’t breathe. I can’t. The shock of my brother’s words has knocked the air right out of my lungs.
Granny’s too, if her whisper is any indication.
“You truly believe that?”
“Absolutely. And, frankly, I’m disheartened that you don’t.”
“Henry has never been one to rise to the occasion,” she states plainly.
“He’s never needed to,” my brother insists. “He’s never been asked—not once in his whole life. Until now. And he will not only rise to the occasion . . . he will soar beyond it.”
The Queen’s voice is hushed, like she’s in prayer.
“I want to believe that. More than I can say. Lend me a bit of your faith, Nicholas. Why are you so certain?”
Nicholas’s voice is rough, tight with emotion.
“Because . . . he’s just like Mum.”
My eyes close when the words reach my ears. Burning and wet. There’s no greater compliment—not to me—not ever.
But, Christ, look at me . . . it’s not even close to true.
“He’s exactly like her. That way she had of knowing just what a person needed—whether it was strength or guidance, kindness or comfort or joy—and effortlessly giving it to them. The way people used to gravitate to her . . . at parties, the whole room would shift when she walked in . . . because everyone wanted to be nearer to her. She had a light, a talent, a gift—it doesn’t matter what it’s called—all that matters is that Henry has it too. He doesn’t see it in himself, but I do. I always have.”
There’s a moment of quiet and I imagine Nicholas leaning in closer to the Queen.
“The people would have followed me or Dad for the same reason they follow you—because we are dependable, solid. They trust our judgment; they know we would never let them down. But they will follow Henry because they love him. They’ll see in him their son, brother, best friend, and even if he mucks it up now, they will stick with him because they will want him to succeed. I would have been respected and admired, but Grandmother . . . he will be beloved. And if I have learned anything since the day Olivia came into my life, it’s that more than reasoning or duty, honor or tradition . . . love is stronger.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
If I set my stones, my mum would be an opal, all swirly colours and clashy statements. I would put her at the north point of my stone compass and be grateful to her for my brains, and the fact that I stand up for myself. I'd be grateful to her for the ease with which I laugh, although I wish she'd rein in her own guffaws sometimes because really, who needs to be that loud? I was grateful that she didn't hover over me like some parents who couldn't seem to let their (nearly adult) children out of their sight without keeping constant telephone contact. He'll, I was even grateful that she had strict house rules that were a pain in the arse, because we both knew it would be much easier if she said yes, but she did no because she really believed no was the right answer.
”
”
Gabrielle Williams (The Reluctant Hallelujah)
“
I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does.
I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera.
Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.
”
”
Claire Kohda (Woman, Eating)
“
The pan dulce was perfect, and it gave Anna an idea. Talking to Lila about her favorite memories of her mother had shaken loose parts of the past she had either forgotten or overlooked. Like the songs her mother would sing as she cooked the one and only thing she ever cooked; like that time they visited the family coffee estate and Mum shot a rampaging wild boar and then they cooked and ate it later that night; like the smell of rain in the forest; like the fat, sour gooseberries they would pick off the trees; like fresh peppercorns straight off the vine; like countless other jumbled memories and smells and tastes and sounds that had been tucked away in some corner of her mind gathering dust for so long.
Mum's favorite dish, the one and only thing she ever cooked.
I'm going to make it.
Anna had never learned how to make it, because she had always arrogantly assumed her mother would be around forever, but she had eaten it so many times that she was sure she could recreate it by memory and taste alone. This is it. Her favorite food. She would have to thank Lila for the inspiration later. This was the connection she had been afraid she would never find. It was a way to hold on to everything she had lost.
"Can I borrow your wallet, Dad?"
Excited for the first time in what felt like months, Anna rushed out to the neighborhood grocery store and picked out the ingredients she hoped would work. Curry leaves, bay leaves, whole black peppercorns, turmeric, ginger, garlic, green chilies, red chilies, limes, honey, and, finally, a fresh shoulder of pork.
”
”
Sangu Mandanna (Hungry Hearts: 13 Tales of Food & Love)
“
I’m not—I’m not talking about myself.” “Oh, darling,” her mother said, the sharp planes of her face softening. “We’re all talking about ourselves. Always, because the only way we see the world is through our own eyes. The way you’ve always seen Anthony in Will, and you’re so scared that he’s his dad all over again. That he’s weak at the core after all, and that he’ll disgrace you in the end, and desert you, too. This is all just one more way you’re afraid he’s done it. But he hasn’t, and he won’t, because he’s not his dad. He’s got you in him, too. He’s got the mum who stayed, and stuck. That’s why he’ll never do a runner on the people he loves, no matter how heavy the burden gets. He’ll take care of you until you’re in your grave, and he’ll take care of his brother and sisters as well. Because he’s strong to the core, and solid to the bone. Because he’s a good man.
”
”
Rosalind James (Just in Time (Escape to New Zealand, #8))
“
Mr. Sturgess ran the classes with iron, ex-military discipline. We each had spots on the floor, denoting where we should stand rigidly to attention, awaiting our next task. And he pushed us hard. It felt like Mr. Sturgess had forgotten that we were only age six--but as kids, we loved it.
It made us feel special.
We would line up in rows beneath a metal bar, some seven feet off the ground, then one by one we would say: “Up, please, Mr. Sturgess,” and he would lift us up and leave us hanging, as he continued down the line.
The rules were simple: you were not allowed to ask permission to drop off until the whole row was up and hanging, like dead pheasants in a game larder. And even then you had to request: “Down, please, Mr. Sturgess.” If you buckled and dropped off prematurely, you were sent back in shame to your spot.
I found I loved these sessions and took great pride in determining to be the last man hanging. Mum would say that she couldn’t bear to watch as my little skinny body hung there, my face purple and contorted in blind determination to stick it out until the bitter end.
One by one the other boys would drop off the bar, and I would be left hanging there, battling to endure until the point where even Mr. Sturgess would decide it was time to call it.
I would then scuttle back to my mark, grinning from ear to ear.
“Down, please, Mr. Sturgess,” became a family phrase for us, as an example of hard physical exercise, strict discipline, and foolhardy determination. All of which would serve me well in later military days.
So my training was pretty well rounded. Climbing. Hanging. Escaping.
I loved them all.
Mum, still to this day, says that growing up I seemed destined to be a mix of Robin Hood, Harry Houdini, John the Baptist, and an assassin.
I took it as a great compliment.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
I push it all into the tree, using both hands. As I do, I feel the shame, the fear, the anxiety of it all transfer into the bark. I push the horrible word Emily used into it with a final shove. And I feel free. Because I know, after all of it, that there's nothing wrong with me. There is nothing wrong with me. I will not let people use my difference, as a stick to beat me with. I imagine throwing that stick into the river. Watching it disappear and float away. I press my forehead against the trunk of this giant tree.
"Mary," I breathe. "Jean." Another breath. "Maggie."
I leap back from the tree, as if I've been shocked by a spark. I breathe heavily, staring up at it. It seems less frightening. Less powerful.
I'm still breathing in and out as Mum, Dad, Nina and Keedie move to stand behind me. No one says anything. We stand, the five of us, by the tree and the river while all of the past blows away. And we stand steady.
”
”
Elle McNicoll (A Kind of Spark)
“
Hello, little man,’ I said and kissed his cheek.
‘Urgh.’ He wiped the kiss off. ‘I hate lipstick.’
I laughed as if he were joking and kissed him again. ‘You’ll love it when you’re older.’
‘When I’m older,’ he asked, ‘will you be dead?’
Though there was nothing in his tone but interest, the question floored me completely. Stunned, I opened my mouth to reply, but could think of nothing to say.
‘The mum of one of the kids in Ben’s class is dead,’ Red said, his tone neutral. ‘Ever since he found out, he’s been obsessed.’
‘Will you?’ Ben pressed.
‘Mummy will die when she’s old,’ his father answered, and I had to bite my tongue, because I knew better than anyone that death did not pre-book appointments decades in advance. Its approach was random, based on whimsy, often violent. I came from a line of women who bore a single child and were dead before its eighteenth birthday. ‘You’ve got nothing to worry about,’ Red said.
”
”
Yvvette Edwards (A Cupboard Full of Coats)
“
From Sister by ROSAMUND LUPTON
The rain hammered down onto your coffin, pitter-patter; ‘Pitter-patter, pitter-patter, I hear raindrops’; I was five and singing it to you, just born.
Your coffin reached the bottom of the monstrous hole. And a part of me went down into the muddy earth with you and lay down next to you and died with you.
Then Mum stepped forwards and took a wooden spoon from her coat pocket. She loosened her fingers and it fell on top of your coffin. Your magic wand.
And I threw the emails I sign ‘lol’. And the title of older sister. And the nickname Bee. Not grand or important to anyone else, I thought, this bond that we had. Small things. Tiny things. You knew that I didn’t make words out of my alphabetti spaghetti but I gave you my vowels so you could make more words out of yours. I knew that your favourite colour used to be purple but then became bright yellow; (‘Ochre’s the arty word, Bee’) and you knew mine was orange, until I discovered that taupe was more sophisticated and you teased me for that. You knew that my first whimsy china animal was a cat (you lent me 50p of your pocket money to buy it) and that I once took all my clothes out of my school trunk and hurled them around the room and that was the only time I had something close to a tantrum. I knew that when you were five you climbed into bed with me every night for a year. I threw everything we had together - the strong roots and stems and leaves and beautiful soft blossoms of sisterhood - into the earth with you. And I was left standing on the edge, so diminished by the loss, that I thought I could no longer be there.
All I was allowed to keep for myself was missing you. Which is what? The tears that pricked the inside of my face, the emotion catching at the top of my throat, the cavity in my chest that was larger than I am. Was that all I had now? Nothing else from twenty-one years of loving you. Was the feeling that all is right with the world, my world, because you were its foundations, formed in childhood and with me grown into adulthood - was that to be replaced by nothing? The ghastliness of nothing. Because I was nobody’s sister now.
I saw Dad had been given a handful of earth. But as he held out his hand above your coffin he couldn’t unprise his fingers. Instead, he put his hand into his pocket, letting the earth fall there and not onto you. He watched as Father Peter threw the first clod of earth instead and broke apart, splintering with the pain of it. I went to him and took his earth-stained hand in mine, the earth gritty between our soft palms. He looked at me with love. A selfish person can still love someone else, can’t they? Even when they’ve hurt them and let them down. I, of all people, should understand that.
Mum was silent as they put earth over your coffin.
An explosion in space makes no sound at all.
”
”
Rosamund Lupton
“
Your lip looks better, Kate. Um…." He lifted his hands as if to rake them through his hair, stopping just before he ruined a look that must have taken beaucoup product to achieve. "Hiya, Harvey. Sad about the guv, eh? I mean Lord… I mean, him. The fact is, before we begin…." "Are you off your meds? Sit down," Kate barked. "Yes, I appreciate the invitation, it's lovely to be here, but the fact is—" "Deepal!" A woman called from the front parlor. "I won't be hidden out here! It's undignified!" "… I brought my mum," Paul concluded. "When I told her I was popping by the guv's—I mean, Lord—I mean, his place, she wouldn't take no for an answer." "You're sacked," Tony said. "Too late. Mum," Paul said, turning to intercept Sharada in the doorway, "Of course you've met, um, er, Tony, and Kate. This is Mrs. Snell, who used to be his secretary, and that's Harvey, the manservant. Like Alfred to Batman." "Deepal, I write romances. I know what a manservant is." Evading her
”
”
Emma Jameson (Black & Blue (Lord and Lady Hetheridge, #4))
“
Grace didn’t go to the shelter at all that week. She just couldn’t bear it. She had made Harry’s life even harder by falling in love with him. He had to find a new home, and she was stopping him. She just had to let him go, the sooner the better. She supposed she could have gone back to the shelter and kept away from Harry, but that would be so difficult. Danny didn’t even try to persuade her this time. Mum had phoned the shelter to talk to Sally and explain. Grace had listened to what Mum was saying, and she could tell that Sally was sad, but that she agreed with Mum. It was the best thing for Harry. Life felt very flat without the shelter to go to, though, Grace thought, lying on her bed listening to her favourite CD. School, more school, hanging around at home. She’d gone to Maya’s for tea yesterday, which was nice, but she still missed Harry, and all the other dogs, so much. “Grace!” Mum called from the kitchen. “Time to go!” Grace sighed, and rolled off her bed. Another flat to go and see.
”
”
Holly Webb (Harry the Homeless Puppy (Holly Webb Animal Stories Book 7))
“
I dial her mum's number, then sit down cross-legged, facing the wall. When she comes on the line, she sounds uncertain, hesitant.
'Hey! Guess where I am?' I ask, my voice loud with false cheer.
'Rami told me. The Wellesly Hospital in Worthing. What's it like?'
'For a loony-bin it's actually quite decent,' I reply. 'I don't have Sky or an en-suite, and the menu isn't exactly à la carte, but you know...' I tail off.
There is a silence.
'Do you have your own room?' Jenna asks,
'Oh yeah, yeah. I have a lovely view of the sea between the bars of my window.'
She doesn't laugh.
'Have you started' -there is a pause as she searches for the right word -'threatment?'
'Yeah, yeah. We had group therapy today. Tomorrow we'll probably have art therapy - maybe I'll draw you a hourse and a garden. I know, perhaps they'll teach us to make baskets! Isn't that why they call us basket cases?'
'Flynn, stop,' Jennah softly implores.
'And we'll probably have music therapy the day after. Maybe I'll get to play the tambourine. Or the triangle. I've always wanted to play the triangle!'
'Flynn-'
'No, I'm serious! I'll ask for some manuscript paper and see if I can write a composition for tambourine and triangle. Then I can post if off to you to hand in for my next composition assignment.'
'Flynn, listen-'
'Hold on, hold on! I'm making a note to myself now: Find fellow insane musician and start composing the Flynn Laukonen Sonata for Tambourine and Triangle.'
'Flynn-'
'And then, when they let me out, if they ever let me out, perhaps you could pull a few strigns and organize for me and my tambourine buddy to give a recital. I'm not sure where though -how about the subway at Marble Arch tube? Nice and central, good acoustics-'
'What are the other people like?' Jennah cuts in, an edge to her voice. I notice she doesn't use the word patients. Clever Jennah. For a moment there you almost made me forget I was locked up in a mental institution.
'Round the bend, just like me,' I reply. 'I'm in excellent company. We'll be swapping suicide tips in no time at all!' I give a harsh laugh.
”
”
Tabitha Suzuma (A Voice in the Distance (Flynn Laukonen, #2))
“
Part 3
Anna: St. Clair…
Etienne: And that. Why don’t you call me Etienne any more?
Anna: But … no one else calls you that. It was weird. Right?
Etienne: No. It wasn’t And every time you say St. Clair, it’s like you’re rejecting me again.
Anna: I have never rejected you.
Etienne: But you have. And for Dave.
Anna: And you rejected me for Ellie on my birhtday. I don’t understand. If you liked me so much, why didn’t you break up with her?
Etienne: I’ve been confused. I’ve been so stupid.
Anna: Yes. You have.
Etienne: I deserve that.
Anna: Yes. You do. But I’ve been stupid, too. You were right. About … the alone thing.
Etienne: I’ve been thinking lately. About my mum and dad. How she gives in to him. How she won’t leave him. And as much as I love her, I hate her for it. I don’t understand why she won’t stand up for herself, why she won’t go for what she wants. But I’ve been doing t he same thing. I’m just like her.
Anna: You aren’t like your mom.
Etienne: I am. But I don’t want to be like that any more, I want what I want. I told my father’s friends that I’m studying at Berkeley next year. It worked. He’s really, really angry with me, but it worked. You told me to go for his pride. You were right.
Anna: So.You’re moving to California?
Etienne: I have to.
Anna: Right. Because of your mom.
Etienne: Because of you. I’ll only be a twenty-minute train ride from your school, and I’ll make the commute to see you every night. I’d take a commute ten times that just tob e with you every night. You’re the most incredible girl I’ve ever known. You’re gorgeous and smart, and you make me laugh lilke no one else can. And I can talk to you. And I know after all this I don’t deserve you, but what I’m trying to say ist hat I love you, Anna. Very much.Oh God, And I’ve mucked things up again, haven’t I? I didn’t mean to attack you like this. I mean I did but … all right. I’ll leave. Or you can go down first, and then I’l come down, and I promise I’ll never bother you again…
Anna: No.
Etienne: I’m so sorry. I never meant to hurt you.
Anna: Please stopl apologizing, Etienne.
Etienne: Say my name again
Anna: Etienne.
Etienne: Anna?
Anna: Yes?
Etienne: Will you please tell me you love me? I’m dying here.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Thirty-nine-year-old moderately successful Human Resources Director. Interests include regency romances, reality TV, and baking large novelty birthday cakes for other people’s children. Hobbies include drinking Tia Maria and eating Turkish delight in the bath and dining out with her mum and dad. Wanted to be a ballerina but didn’t end up with a ballerina body; however, has been told she is an impressive dirty dancer when drunk. Knows her wine, so please just hand the wine list over. Godmother to nine children, member of two book clubs, Social Club Manager for the Australian Payroll Officers’ Association. Suffers from a severe blushing problem but is not shy and will probably end up better friends with your friends than you, which you’ll find highly irritating after we break up. Has recently become so worried about meeting the love of her life and having children before she reaches menopause that she has cried piteously in the middle of the night. But otherwise is generally quite cheerful and has on at least three separate occasions that she knows of been described as ‘Charming’. Yep, that about summed it up. What a catch.
”
”
Liane Moriarty (The Last Anniversary)
“
My time at Eton did develop in me a character trait that is essentially, I guess, very English: the notion that it is best to be the sort of person who messes about and plays the fool but who, when it really matters, is tough to the core.
I think it goes back to the English Scarlet Pimpernel mentality: the nobility of aspiring to be the hidden hero. (In fact, I am sure it is no coincidence that over the years, so many senior SAS officers have also been Old Etonians. Now explain that one, when the SAS really is the ultimate meritocracy? No school tie can earn you a place there. That comes only with sweat and hard work. But the SAS also attracts a certain personality and attitude. It favors the individual, the maverick, and the quietly talented. That was Eton for you, too.)
This is essentially a very English ethos: work hard, play hard; be modest; do your job to your utmost, laugh at yourself; and sometimes, if you have to, cuff it.
I found that these qualities were ones that I loved in others, and they were qualities that subconsciously I was aspiring to in myself--whether I knew it or not.
One truth never changed for me at Eton: however much I threw myself into life there, the bare fact was that I still really lived for the holidays--to be back at home with my mum and dad, and Lara, in the Isle of Wight.
It was always where my heart really was.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Ava,’ he says quietly, but I’ve no doubt the whole room can hear him. The silence is screaming. ‘My
beautiful girl.’ He smiles mildly. ‘All mine.’ Leaning up, he kisses me sweetly. ‘I don’t need to stand
up and declare to everyone here how much I love you. I’m not interested in satisfying anyone of that.
Except you.’
A lump is forming in my throat, and he’s only just started.
He sighs. ‘You’ve taken me completely, baby. You’ve swallowed me up and drowned me in your
beauty and spirit. You know I can’t function without you. You’ve made my life as beautiful as you
are. You’ve made me want to live a worthy existence—a life with you. All I need is you—to look at
you; to listen to you; to feel you.’ He drops my hands and smoothes his palms over my thighs. ‘To
love you.’
I’m ruined. My mum’s ruined. Everyone in the room is ruined. My teeth are clamped on my bottom lip
to prevent a sob escaping, I’m choking on the lump in my throat and my eyes are welling with tears as
I look down at Jesse’s handsome face.
‘I need you to let me do all of those things, Ava. I need you to let me look after you forever.’
I hear my mum’s quiet sob, and I can’t help mine. Not now. He used to cripple me with just his touch.
Now he cripples me with his touch and his words. I’m destined for a life of devastating pleasure,
melting tenderness, and heart stopping emotion. He’s going to incapacitate me at every turn.
‘I know.’ I whisper.
”
”
Jodi Ellen Malpas (This Man Confessed (This Man, #3))
“
Mum: I loved watching you work on it because you were concentrating so hard and it looked like you were enjoying it. Do you like it? Grace: I like the path. It’s easy to follow and stay safe. But the trees don’t look right. I just made round tops. Trees are hard to draw. Mum: Yes … Trees can be tough … Lots of artists spend their whole lives practising trees. We can look at some next time we go to the art gallery, okay? We can see all the ways that different artists draw trees. It’s okay to draw them any way you want to. And you can try different ways. Grace: Okay. I’m going to do a new picture and practise my trees. Mum: [smiling] I love how you keep practising things you want to get good at! What has Grace learned? That her Mum values ‘concentrating so hard’ and enjoying working at something. That her mother is interested in the witches of her inner world. That her mother values the work she does, but that she is the one to evaluate it. That even skilled adults practise. That her own work has some relationship to the work hanging in an art gallery. That she can try different ways and do things the ways she wants to. That whether to practise more is her own choice but will give her the results she wants in her work. That she can take joy in sharing her inner life through the creative process. Grace is accessing her unique gifts, honing them and enjoying the process of sharing them with the world. She is well on her way to developing mastery. Mastery
”
”
Laura Markham (Calm Parents, Happy Kids: The Secrets of Stress-free Parenting)
“
Mum was always so generous to Lara and me growing up, and it helped me develop a very healthy attitude to money. You could never accuse my mum of being tight: she was free, fun, mad, and endlessly giving everything away--always. Sometimes that last part became a bit annoying (such as if it was some belonging of ours that Mum had decided someone else would benefit more from), but more often than not we were on the receiving end of her generosity, and that was a great spirit to grow up around.
Mum’s generosity ensured that as adults we never became too attached to, or attracted by money.
I learned from her that before you can get, you have to give, and that money is like a river--if you try to block it up and dam it (that is, cling to it), then, like a damned river, the water will go stagnant and stale, and your life will fester. If you keep the stream moving and keep giving stuff and money away, wherever you can, then the river and the rewards will keep flowing in.
I love the quote she once gave me: “When supply seems to have dried up, look around you quickly for something to give away.” It is a law of the universe: to get good things you must first give away good things. (And of course this applies to love and friendship, as well.)
Mum was also very tolerant of my unusual aspirations. When I found a ninjutsu school through a magazine, I was determined to go and seek it out and train there. The problem was that it was at the far end of the island in some pretty rough council estate hall. This was before the moped, so poor Mum drove me every week…and would wait for me. I probably never even really thanked her.
So, thank you, Mum…for all those times and so much more.
By the way, the ninjutsu has come in real handy at times.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Sometimes it takes a knock in life to make us sit up and grab life. And I had just undergone the mother of all knocks.
But out of that despair, fear, and struggle came a silver lining--and I didn’t even know it yet.
What I did know was that I needed something to give me back my hope. My sparkle. My life. I found that something in my Christian faith, in my family, and also in my dreams of adventure.
My Christian faith says that I have nothing ever to fear or worry about. All is well.
At that time, in and out of hospital, it reminded me that, despite the pain and despair, I was held and loved and blessed--my life was secure through Jesus Christ.
That gift of grace has been so powerful to me ever since.
My family said something very similar: “Bear, you are an idiot, but we love you anyway, forever and always.”
That meant the world to me and gave me back some of the confidence that I was struggling to find again.
Finally, I had my not insubstantial dreams of adventure. And those dreams were beginning to burn bright once more.
You see, I figure that life is a gift. I was learning that more than anyone.
My mum always taught me to be grateful for gifts. And as I slowly began to recover my strength and confidence, I realized that what mattered was doing something bold with that present.
A gift buried under a tree is wasted.
Alone one night in bed, I made a verbal, out-loud, conscious decision, that if I recovered well enough to be able to climb again, then I would get out there and follow those dreams to the max.
Cliché? To me it was my only hope.
I was choosing to live life with both arms open--I would grab life by the horns and ride it for all it was worth.
Life doesn’t often give us second chances. But if it does, be bloody grateful.
I vowed I would always be thankful to my father in heaven for having somehow helped me along this rocky road.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Over the next few days we spent every waking moment together. We made up silly dances, did puzzles in the evening, and she stood smiling on the beach waiting for me as I took my customary New Year’s dip in the freezing cold North Atlantic.
I just had a sense that we were meant to be.
I even found out she lived in the next-door road along from where I was renting a room from a friend in London. What were the chances of that?
As the week drew to a close we both got ready to head back south to London. She was flying. I was driving.
“I’ll beat you to London,” I challenged her.
She smiled knowingly. “No, you won’t.” (But I love your spirit.)
She, of course, won. It took me ten hours to drive. But at 10:00 P.M. that same night I turned up at her door and knocked.
She answered in her pajamas.
“Damn, you were right,” I said, laughing. “Shall we go for some supper together?”
“I’m in my pajamas, Bear.”
“I know, and you look amazing. Put a coat on. Come on.”
And so she did.
Our first date, and Shara in her pajamas. Now here was a cool girl.
From then on we were rarely apart. I delivered love letters to her office by day and persuaded her to take endless afternoons off.
We roller-skated in the parks, and I took her down to the Isle of Wight for the weekends.
Mum and Dad had since moved to my grandfather’s old house in Dorset, and had rented out our cottage on the island. But we still had an old caravan parked down the side of the house, hidden under a load of bushes, so any of the family could sneak into it when they wanted.
The floors were rotten and the bath full of bugs, but neither Shara nor I cared.
It was heaven just to be together.
Within a week I knew she was the one for me and within a fortnight we had told each other that we loved each other, heart and soul.
Deep down I knew that this was going to make having to go away to Everest for three and a half months very hard.
But if I survived, I promised myself that I would marry this girl.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
As we pulled up at the big school gates, I saw tears rolling down my dad’s face. I felt confused as to what part of nature or love thought this was a good idea. My instinct certainly didn’t; but what did I know? I was only eight.
So I embarked on this mission called boarding school. And how do you prepare for that one?
In truth, I found it really hard; there were some great moments like building dens in the snow in winter, or getting chosen for the tennis team, or earning a naval button, but on the whole it was a survival exercise in learning to cope.
Coping with fear was the big one. The fear of being left and the fear of being bullied--both of which were very real.
What I learned was that I couldn’t manage either of those things very well on my own.
It wasn’t anything to do with the school itself, in fact the headmaster and teachers were almost invariably kind, well-meaning and good people, but that sadly didn’t make surviving it much easier.
I was learning very young that if I were to survive this place then I had to find some coping mechanisms.
My way was to behave badly, and learn to scrap, as a way to avoid bullies wanting to target me. It was also a way to avoid thinking about home. But not thinking about home is hard when all you want is to be at home.
I missed my mum and dad terribly, and on the occasional night where I felt this worst, I remember trying to muffle my tears in my pillow while the rest of the dormitory slept.
In fact I was not alone in doing this. Almost everyone cried, but we all learned to hide it, and those who didn’t were the ones who got bullied.
As a kid, you can only cry so much before you run out of tears and learn to get tough.
I meet lots of folks nowadays who say how great boarding school is as a way of toughening kids up. That feels a bit back-to-front to me. I was much tougher before school. I had learned to love the outdoors and to understand the wild, and how to push myself.
When I hit school, suddenly all I felt was fear. Fear forces you to look tough on the outside but makes you weak on the inside. This was the opposite of all I had ever known as a kid growing up.
I had been shown by my dad that it was good to be fun, cozy, homely--but then as tough as boots when needed. At prep school I was unlearning this lesson and adopting new ways to survive.
And age eight, I didn’t always pick them so well.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
The final examination came and my mother came down to watch it. She hated watching me fight. (Unlike my school friends, who took a weird pleasure in the fights--and more and more so as I got better.)
But Mum had a bad habit.
Instead of standing on the balcony overlooking the gymnasium where the martial arts grading and fights took place, she would lie down on the ground--among everyone else vying to get a good view.
Now don’t ask me why. She will say it is because she couldn’t bear to watch me get hurt. But I could never figure out why she just couldn’t stay outside if that was her reasoning.
I have, though, learned that there is never much logic to my wonderful mother, but at heart there is great love and concern, and that has always shone through with Mum.
Anyway, it was the big day. I had performed all the routines and katas and it was now time for the kumite, or fighting part of the black-belt grading.
The European grandmaster Sensei Enoeda had come down to adjudicate. I was both excited and terrified--again.
The fight started.
My opponent (a rugby ace from a nearby college), and I traded punches, blocks, and kicks, but there was no real breakthrough.
Suddenly I found myself being backed into a corner, and out of instinct (or desperation), I dropped low, spun around, and caught my opponent square round the head with a spinning back fist.
Down he went.
Now this was not good news for me.
It was bad form and showed a lack of control.
On top of that, you simply weren’t meant to deck your opponent. The idea was to win with the use of semicontact strikes, delivered with speed and technique that hit but didn’t injure your opponent.
So I winced, apologized, and then helped the guy up.
I then looked over to Sensei Enoeda, expecting a disapproving scowl, but instead was met with a look of delight. The sort of look that a kid gives when handed an unexpected present.
I guess that the fighter in him loved it, and on that note I passed and was given my black belt.
I had never felt so proud as I did finally wearing that belt after having crawled my way up the rungs of yellow, green, orange, purple, brown--you name it--colored belts.
I had done this on my own and the hard way; you can’t buy your way to a black belt.
I remember being told by our instructor that martial arts is not about the belts, it is about the spirit; and I agree…but I still couldn’t help sleeping with my black belt on that first night.
Oh, and the bullying stopped.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
”
”
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
“
What do you call an evil leader digging a hole? Darth Spader What do you call Obi Wan eating crunchy toast? Obi Crumb What do call a padawan who likes to play computer games? i'Pad' me What do you call a starship pilot who likes to drink cocoa? Han Coco What starship is always happy to have people aboard? The Millennium Welcome What did Yoda say to Luke while eating dinner? Use the fork Luke. What do you call a Sith who won't fight? A Sithy. Which Star Wars character uses meat for a weapon instead of a Lightsaber? Obi Wan Baloney. What do call a smelly droid? R2DPOO What do call a droid that has wet its pants? C3PEE0 What do you call a Jedi who loves pies? Luke PieWalker? What do call captain Rex when he emailing on a phone? Captain Text What evil leader doesn’t need help reaching? Ladder the Hutt What kind of evil lord will always say goodbye? Darth Later Which rebel will always win the limbo? Han LowLow What do you call R2D2 when he’s older? R2D3 What do you call R2D2 when he’s busting to go to the toilet? R2DLoo What do call Padme’s father? Dadme What’s do you call the Death Star when its wet? The Death Spa What do call R2D2 when he climbs a tree? R2Tree2 What do you say a Jedi adding ketchup to his dinner? Use the sauce Luke. What star wars baddy is most likely to go crazy? Count KooKoo What do call Count Dooku when he’s really sad? Count Boohoo Which Jedi is most likely to trick someone? Luke Liewalker Which evil lord is most likely to be a dad? Dadda the Hutt Which rebel likes to drink through straws? Chew Sucker Which space station can you eat from? The Death bar What do call a moody rebel? Luke Sighwalker What do you call an even older droid R2D4 What do call Darth Vader with lots of scrapes? Dearth Grazer What call an evil lord on eBay? Darth Trader What do call it when an evil lord pays his mum? Darth Paid-her What do call an evil insect Darth Cicada What sith always teases? General Teasers Who's the scariest sith? Count Spooko Which sith always uses his spoon to eat his lunch Count Spoonu What evil lord has lots of people living next door? Darth Neighbour What Jedi always looks well dressed? Luke TieWalker Which evil lord works in a restaurant? Darth waiter What do you call a smelly storm trooper? A storm pooper What do you call Darth Vader digging a hole? Darth Spader What do you C3PO wetting his pants? C3PEE0 What do you call Asoka’s pet frog? Acroaka What do you call a Jedi that loves pies? Luke Piewalker What rebel loves hot drinks? Han Coco What did Leia say to Luke at the dinner table? Use the fork Luke. What do call Obi Wan eating fruit? Obi plum What do you call Obi in a band? Obi Drum What doe Luke take out at night? A Night Sabre What is the favourite cooking pot on Endor? The e Wok
”
”
Reily Sievers (The Best Star Wars Joke Book)
“
So, what did you want to watch?’
‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’
Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’
Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’
‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’
‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake.
For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’
‘I think I’ll pass.’
‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’
‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’
‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’
‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table.
‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working.
‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’
It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board.
Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’
When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round.
It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
”
”
Sarra Manning (You Don't Have to Say You Love Me)