Bluff Best Quotes

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Annabeth and I were relaxing on the Great Lawn in Central Park when she ambushed me with a question. “You forgot, didn’t you?” I went into red-alert mode. It’s easy to panic when you’re a new boyfriend. Sure, I’d fought monsters with Annabeth for years. Together we’d faced the wrath of the gods. We’d battled Titans and calmly faced death a dozen times. But now that we were dating, one frown from her and I freaked. What had I done wrong? I mentally reviewed the picnic list: Comfy blanket? Check. Annabeth’s favorite pizza with extra olives? Check. Chocolate toffee from La Maison du Chocolat? Check. Chilled sparkling water with twist of lemon? Check. Weapons in case of sudden Greek mythological apocalypse? Check. So what had I forgotten? I was tempted (briefly) to bluff my way through. Two things stopped me. First, I didn’t want to lie to Annabeth. Second, she was too smart. She’d see right through me. So I did what I do best. I stared at her blankly and acted dumb.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and third---before long the best lines cancel out---and the secret is exposed at last; the planes of the picture have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true.
F. Scott Fitzgerald (The Beautiful and Damned)
The growth of intimacy is like that. First one gives off his best picture, the bight and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third--before long the best lines cancel out--and the secret is exposed at last; the panes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such famous accounts of ourselves as we make to our wives and children and business associates are accepted as true.
F. Scott Fitzgerald (The Beautiful and Damned)
the growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third – before long the best lines cancel out – and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true
F. Scott Fitzgerald
Headache, hmm?" His expression went serious. "Do you know what's the best cure for that?" "What?" "Orgasm." He said it so matter-of-factly I had to sputter a laugh. "Multiple, if possible," he continued. "It's a proven medical fact that one physiologic event, like orgasm, can cancel out the effects of another physiological process, such as a headache." His expression was perfectly serious, but I said, "You're full of shit." "Perhaps. If so, you should call my bluff. Just open the door and we'll test it out.
Kelley Armstrong (No Humans Involved (Women of the Otherworld, #7))
Why do you hate Indians? You know white people are are much worse, don't you? It isn't as though there's some kind of international bar you're not reaching out here. We're terrible at everything. Lasting much past forty-five. Learning more than one language. It's a miracle, actually; sickly prematurely aging worryingly inbred horsey idiots have managed to convince everyone else their way is best by no other means than firmness of manner and the tactical distribution of flags. I can't believe no one's called our bluff yet.
Natasha Pulley (The Bedlam Stacks)
And Mr. Greaves…,” Meyers said. “At the Commerce Department they say he’s outsmarted the best smugglers in the business. He’ll help flush out these bastards.
Kathleen Concannon (A Deadly Bluff: A Dana Madison Mystery)
The best bluff, it turns out, is the one in which even the bluffer is unaware of the cards he is holding.
David McRaney (You Are Now Less Dumb: How to Conquer Mob Mentality, How to Buy Happiness, and All the Other Ways to Outsmart Yourself)
There’s just one problem, Van Eck. You’ll need Kuwei Yul-Bo to do it.” “And how will you take him from me? You are outgunned and surrounded.” “I don’t need to take him from you. You never had him. That’s not Kuwei Yul-Bo.” “A sorry bluff at best.” “I’m not big on bluffing, am I, Inej?” “Not as a rule.” Van Eck’s lip curled. “And why is that?” “Because he’d rather cheat,” said the boy who was not Kuwei Yul-Bo in perfect, unaccented Kerch.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Through that journey, I hoped to learn how to make the best decisions I possibly could, not just at the card table but in the world. Through poker, I wanted to tame luck—to learn to make a difference even when the deck seemed stacked against me.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Take Control and Win)
The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third--before long the best lines cancel out--and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture.
F. Scott Fitzgerald (The Beautiful and Damned)
The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third—before long the best lines cancel out—and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true. "It
F. Scott Fitzgerald (The Beautiful and Damned)
i bring my kiasu friend to the airport leavings are never easy, not for long and though we both saw blur along the way memories flooded present tensions. in the curry of his life no lemak remained so now the predictable exit signalled the end of his roundings, his bombings– he can bluff like hell, ma, he got style– and left me thinking about home, my kampong.
Kirpal Singh (The Best of Kirpal Singh)
The most plausible explanation is that positive illusions are a bargaining tactic, a credible bluff. In recruiting an ally to support you in a risky venture, in bargaining for the best deal, or in intimidating an adversary into backing down, you stand to gain if you credibly exaggerate your strengths. Believing your own exaggeration is better than cynically lying about it, because the arms race between lying and lie detection has equipped your audience with the means of seeing through barefaced lies. ... our brains were not selected for the benefit of the species, and no individual can afford to be the only honest one in a community of selfenhancers.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect
David Foster Wallace (The Pale King)
Both Cooper and Brennan got their start as extras. Like Brennan, Cooper had learned his craft by roaming around movie lots, absorbing the atmosphere and watching how things were done—especially the subtle interplay between actors, and between the best actors and the camera lens, which always picked up details that not even the most perceptive directors could spot before they were projected onto a screen. And like Brennan, when Cooper got his first two minutes of screen time, he was prepared. Watch him in Wings, playing an aviator about to go to his death, enter a tent and converse with the film’s two stars, Buddy Rogers and Richard Arlen, who are immediately fascinated by his bluff allure. He is a hero without bravado. He is for those two minutes the picture’s star, the very embodiment of what Hemingway called grace under pressure. Cooper’s ability to convey composure just before a dogfight, to act with such quiet courtesy and aplomb, stuns Rogers and Arlen—and just that quickly Cooper takes the picture away from them.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
They call me Mac. The name's unimportant. You can best identify me by the six chevrons, three up and three down, and by that row of hashmarks. Thirty years in the United States Marine Corps. I've sailed the Cape and the Horn aboard a battlewagon with a sea so choppy the bow was awash half the time under thirty-foot waves. I've stood Legation guard in Paris and London and Prague. I know every damned port of call and call house in the Mediterranean and the world that shines beneath the Southern Cross like the nomenclature of a rifle. I've sat behind a machine gun poked through the barbed wire that encircled the International Settlement when the world was supposed to have been at peace, and I've called Jap bluffs on the Yangtze Patrol a decade before Pearl Harbor. I know the beauty of the Northern Lights that cast their eerie glow on Iceland and I know the rivers and the jungles of Central America. There are few skylines that would fool me: Sugar Loaf, Diamond Head, the Tinokiri Hills or the palms of a Caribbean hellhole. Yes, I knew the slick brown hills of Korea just as the Marines knew them in 1871. Fighting in Korea is an old story for the Corps. Nothing sounds worse than an old salt blowing his bugle. Anyhow, that isn't my story.
Leon Uris (Battle Cry)
(Orual's challenge to the gods) Now, you who read, judge between the gods and me. They gave me nothing in the world to love but Psyche and then took her from me. But that was not enough. They then brought me to her at such a place and time that it hung on my word whether she should continue in bliss or be cast out into misery. They would not tell me whether she was the bride of a god, or mad, or a brute's or villain's spoil. They would give no clear sign, though I begged for it. I had to guess. And because I guessed wrong they punished me - what's worse punished me through her. And even that was not enough; they have now sent out a lying story in which I was given no riddle to guess, but knew and saw that she was the god's bride, and of my own free will destroyed her, and that for jealousy. As if I were another Redival. I say the gods deal very unrightly with us. For they will neither (which would be best of all) go away and leave us to live our own short days to ourselves, nor will they show themselves openly and tell us what they would have us do. For that too would be endurable. But to hint and hover, to draw us in dreams and oracles, or in a waking vision that vanishes as soon as seen, to be dead silent when we question them and then glide back and whisper (words we cannot understand) in our ears when we most wish to be free of them, and to show to one what they hide from another; what is all this but cat-and-mouse play, blindman's bluff, and mere jugglery? Why must holy places be dark places? I say, therefore, that there is no creature (toad, scorpion, or serpent) so noxious to man as the gods. Let them answer my charge if they can. It may well be that, instead of answering, they'll strike me mad or leprous or turn me into beast, bird, or tree. But will not all the world then know (and the gods will know it knows) that this is because they have no answer?
C.S. Lewis (Till We Have Faces)
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Take a bucket, fill it with water, Put your hand in—clear up to the wrist. Now pull it out; the hole that remains Is a measure of how you’ll be missed… The moral of this quaint example; To do just the best that you can, Be proud of yourself, but remember, There is no Indispensable Man!
Evan Thomas (Ike's Bluff: President Eisenhower's Secret Battle to Save the World)
Some of the world's best poker players use random choice to determine when to bluff.
Rich Jolly (Systems Thinking for Business: Capitalize on Structures Hidden in Plain Sight)
The best laid plans often crumble – sometimes subtly like a sandstone bluff, taking decades to show the wear of wind and rain, and sometimes magnificently, like an iceberg calving off huge sheets of liquid blue with a thunderous crash.
Leslie Hanshew (Male Order)
The infamous Roaring Forties winds crash through on the western side of the island state. I looked down from our small plane and saw some of the waves that Steve loved. About two hundred miles off Tasmania’s western shore is Shipstern’s Bluff, with some of the biggest and best surf in the world. This is “big-wave” surfing, where the surfers have to be towed in, and it is not unusual to have sixty-foot faces on the waves. Probably only around 5 percent of the surfers in the world would dare to even approach Shipstern’s Bluff. As our plane made its approach, I saw sets of ragged, white-topped waves heading toward shore. I myself was not much of a water person, but I really enjoyed photographing or filming Steve in action. We’ll have to come back, I thought. Steve and Bindi could surf here together now.
Terri Irwin (Steve & Me)
Buying more and more of the best land, sometimes owning multiple estates spread across several states, extended plantation families - fathers who provided sons and sons-in-law with a start - created slaveholding conglomerates that controlled hundreds and sometimes thousands of slaves. The grandees' vast wealth allowed them to introduce new hybrid cotton seeds and strains of cane, new technologies, and new forms of organization that elevated productivity and increased profitability. In some places, the higher levels of capitalization and technical mastery of the grandees reduced white yeomen to landlessness and forced smallholders to move on or else enter the wage-earning class as managers or overseers. As a result, the richest plantation areas became increasingly black, with ever-larger estates managed from afar as the planters retreated to some local country seat, one of the region's ports, or occasionally some northern metropolis. Claiming the benefits of their new standing, the grandees - characterized in various places as 'nabobs,' 'a feudal aristocracy,' or simply 'The Royal Family' - established their bona fides as a ruling class. They built great houses strategically located along broad rivers or high bluffs. They named their estates in the aristocratic manner - the Briars, Fairmont, Richmond - and made them markers on the landscape. Planters married among themselves, educated their sons in northern universities, and sent their wives and daughters on European tours, collecting the bric-a-brac of the continent to grace their mansions. Reaching out to their neighbors, they burnished their reputations for hospitality. The annual Christmas ball or the great July Fourth barbecue were private events with a public purpose. They confirmed the distance between the planters and their neighbors and allowed leadership to fall lightly and naturally on their shoulders, as governors, legislators, judges, and occasionally congressmen, senators, and presidents.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
I say the gods deal very unrightly with us. For they will neither (which would be best of all) go away and leave us to live our own short days to ourselves, nor will they show themselves openly and tell us what they would have us do. For that too would be endurable. But to hint and hover, to draw us in dreams and oracles, or in a waking vision that vanishes as soon as seen, to be dead silent when we question them and then glide back and whisper (words we cannot understand) in our ears when we most wish to be free of them, and to show to one what they hide from another; what is all this but cat-and-mouse play, blindman's bluff, and mere jugglery? Why must holy places be dark places?
C.S. Lewis (Till We Have Faces)
l’after-shave, le badge, le barbeque, le best-seller, le blue-jean, le blues, le bluff, le box-office, le break, le bridge, le bulldozer, le business, le cake, la call-girl, le cashflow, le check-in, le chewing-gum, le club, le cocktail, la cover-girl, le cover-story, le dancing, le design, le discount, le do-it-yourself, le doping, le fan, le fast-food, le feedback, le freezer, le gadget, le gangster, le gay, le hall, le handicap, le hold-up, le jogging, l’interview, le joker, le kidnapping, le kit, le knock-out, le label, le leader, le look, le manager, le marketing, le must, les news, le parking, le pickpocket, le pipeline, le planning, le playboy, le prime time, le pub, le puzzle, se relaxer, le self-service, le software, le snack, le slogan, le steak, le stress, le sweatshirt, le toaster and le week-end.
Alexis Munier (Talk Dirty French: Beyond Merde: The curses, slang, and street lingo you need to Know when you speak francais)
O world, I cannot hold thee close enough!   Thy winds, thy wide grey skies!   Thy mists, that roll and rise! Thy woods, this autumn day, that ache and sag And all but cry with colour! That gaunt crag To crush! To lift the lean of that black bluff! World, World, I cannot get thee close enough!   Long have I known a glory in it all,   But never knew I this;   Here such a passion is As stretcheth me apart, – Lord, I do fear Thou’st made the world too beautiful this year; My soul is all but out of me, – let fall No burning leaf; prithee, let no bird call.
Rudolph Amsel (The Best of Poetry: Thoughts that Breathe and Words that Burn: In Two Hundred Poems)
But Dexter was raised on danger and bred on bluff, and this was exactly the kind of crisis that brought out the very best in me. So I took the initiative and broke the ice.
Jeff Lindsay (Double Dexter (Dexter #6))
Kevin Banner. He’s rehabbing the old Parkerson place up on Point Bluff for you. Best pals, birth to earth. Well, earth’s a ways off, unless you kill me with that tire iron, but we’ve known each other since before we could walk. You can call him, get my bona fides if it’ll loosen the grip you’ve got on that thing.
Nora Roberts (The Obsession)
GODMAN QUOTES 1 *** Born a God *** It’s a sign of laxity waiting for the future to come to be a hope to stay. Depend in what you can do to give what you can offer. If you rest in your trouble your peace is in trouble. The idea of a great thinker comes in thinking about the impossible. You can’t rebuke a bluff when you are taken in jokes. Your best is in the bluffs that snitch your glory. A value of anything is what you have accepted it to be. Because of troubles don’t run from problems. Better days will come but the best time is unknown. If you believe in yourself also believe in your worse.
Godman Tochukwu Sabastine
Madness calls literature’s bluff by going beyond it and falling short of it at the same time. When Bloom wrote that “schizophrenia is bad poetry, for the schizophrenic has lost the strength of perverse, wilful, misprision,” he meant that in order to read something “wrong,” there had to be a way to read it right. There had to be truth, whether or not you acknowledged it, instead of mere illusion.
Jonathan Rosen (The Best Minds: A Story of Friendship, Madness, and the Tragedy of Good Intentions)
With a tremendous effort Anthony made his acquiescence a twist of subject, and they drifted into and ancient question-and-answer game concerned with each other's pasts, gradually warming as they discovered the age-old, immemorial resemblances in tastes and ideas. They said things that were more revealing than they intended - but each pretended to accept the other at face, or rather word, value. The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third - and before long the lines cancel out - and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and our children and business associates are accepted as true.
Scott F. Fitzgerald (The Beautiful and Damned)
With a tremendous effort Anthony made his acquiescence a twist of subject, and they drifted into and ancient question-and-answer game concerned with each other's pasts, gradually warming as they discovered the age-old, immemorial resemblances in tastes and ideas. They said things that were more revealing than they intended - but each pretended to accept the other at face, or rather word, value. The growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third - and before long the lines cancel out - and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and our children and business associates are accepted as true.
Scott F. Fitzgerald
It was, as it always had been, my mother who gave me this incredible strength and inner peace, my mother who lent me fortitude when I needed it most. It was then that I realized it. Sometimes, being a mother isn’t about having to fix it. Sometimes, the best thing a mother can be is there at all.
Kristy Woodson Harvey (The Secret to Southern Charm (Peachtree Bluff #2))
thepsychchic chips clips iii Jared gives me an assignment: I need to map out my emotional process so that I can start finding ways to solve each problem. I need to actually sit down and make a spreadsheet. Each time something happens, write it down in the situation trigger column. In the next column write a description of the thoughts, emotional reactions, and behaviors that the situation or trigger causes. In the next column give your best assessment of the underlying flaw or problem, and finally, write a logic statement that I can use in the moment to inject some rationality into the issue. 258 Jared’s 20 minute break routine for Maria: First 5 minutes of break: off load and brain dump. I write down some of the key hands so that they don’t occupy any of my headspace going forward. … Then a few minutes of contemplating my decision making. Asking myself: How was my thinking? Were there any emotionally compromised decisions? … Next 10 minutes: nothing. No poker talk, no thinking. Just walking and relaxing. And then, right before the end of break, a few minutes of warm-up for the next level. 276 - 277 EB White: “an honest ratio between pluck and luck.” 287 Food in Los Vegas: For sushi, Yui and Kabuto. For dinner close to the Rio, the Fat Greek, Peru Chicken, and Sazón. For when I’m feeling nostalgic for the jerk chicken of my local Crown Heights spots, Big Jerk. Lola’s for Cajun. Milos, but only for lunch. El Dorado for late-night poker sessions. Partage to celebrate. Lotus of Siam to drown your sorrows in delightful Thai. 314
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
You, Kit Bishop, deserve the real fucking deal. The best kind of love. The constant, unwavering, selfless, for better or worse, never goes away and they'd do anything to see you smile kind of love. And one day, someone is going to come along and give it to you in spades. They're gonna crash right into you and never let go.
Ashley Jade (Bluff (Complicated Parts, #2))
Madness calls literature’s bluff by going beyond it and falling short of it at the same time.
Jonathan Rosen (The Best Minds: A Story of Friendship, Madness, and the Tragedy of Good Intentions)
Falling moths! It was midnight as I passed by the street, There were street lights, that cast shadows elite, Long and elongated, as if to boast and bluff, A macabre sight with fiendish stuff, Shadows that scared their casters, As if they were signs of foreboding disasters, I still walked my course one step at a time, While the shadows committed their emotional and visual crime, Of intimidating the walker’s will and courage, But I knew they had a surmised existence and it tamed my rage, Then suddenly a moth fell over my shadow, I stopped, I could clearly feel its bravado, For the love of light, it dared the night, Even if it meant the moth was destined to be a fallen knight, But the night didn't know it kissed the light a 100 times, Before it fell just for the destiny’s sake, and for no felony and no crimes, Because if it is a crime to love light then I shall commit it too, And like the swarm of million moths I shall kiss the one I love even if it begets me a moth-like fate too, The fallen moth shivered and flapped its failing wings, As it lay covered in the shroud of light that silently, every night a dirge sings, To honour its all lover moths who fall just to kiss it, For even Gods and prophets have died to kiss it, The light, the light that reveals the true passions of a romantic moth, And the light that guides every traveler on life’s path, And tonight as moths flapped their failing wings over these bluffing shadows, I thought of you my love and then the endless sorrows, But the moth that fell over my shadow and died not suddenly but moment by moment, I heard it say, “the kiss of light, the kiss of life I had eventually felt!” So whenever I cross the street and street lights during the night, I think of you, I think of the moth, I think of light and then everything disappears from sight, And I see an infinite swarm of moths flying towards the sun, For the divine light shall fulfill the promises that here for the moth were left undone, And the eclipsed sun, that you and I see, Is actually an infinite swarm of moths kissing the sun, that appears to be a solar eclipse to fools like me, So let the fallen moth rest over these shadows in peace, And let the night moan these gallant lovers, whose valour is stronger than the warriors of Greece!
Javid Ahmad Tak (They Loved in 2075!)
You and your beauty’s world! They say imagination is always ahead of the dream, So I imagine about you, your ways, your sweet smile, and then I retire into a dream, Where you are the imagination, you are the reality, Where I sleep in the palpable wonder of your beauty, And whenever I wake up in these endless projections of your beauty, I feel within me the rush of your beauty and its sanctity, Then when I have reposed in it for long enough, I imagine again and indulge in the imaginary bluff, Where you are cast in the mirror of my life and now you reflect everywhere, Easily everywhere because in this world there is no here and no there, It is always everywhere although you are just somewhere, Because it does not matter as long as your beauty and you are there, just there, Then who cares whether it is left or right, up or down, East or West, For me in your presence everything appears to be in a state nothing short of the best, So it is this world, your world, your beauty’s world where you are installed in every atom and its every element, And even God wonders what is this new, but such a wonderful element!
Javid Ahmad Tak (They Loved in 2075!)
Lying is so fundamental to our existence, it is wired into our DNA. That’s why babies learn to fake cry before they’re a year old and to bluff by the age of two. By four a child is an accomplished liar, and by five, he or she realizes that truly outrageous lies are less likely to be believed. People usually lie for all the right reasons and with the best possible intentions—to keep families together and to protect relationships and hold on to our friends and make people happy. These are the good lies, not the bad ones.
Michael Robotham (When She Was Good (Cyrus Haven, #2))
Christie was sitting on a sofa beside Donald Trump when Pennsylvania was finally called. It was one thirty-five in the morning, but that wasn’t the only reason the feeling in the room was odd. Mike Pence went to kiss his wife, Karen, and she turned away from him. “You got what you wanted, Mike,” she said, “now leave me alone.” She wouldn’t so much as say hello to Trump. Trump himself just stared at the tube without saying anything, like a man with a pair of twos whose bluff has been called. His campaign hadn’t even bothered to prepare an acceptance speech. It wasn’t hard to see why Trump hadn’t seen the point in preparing to take over the federal government: Why study for a test you’ll never need to take? Why take the risk of discovering you might at your very best be a C student?
Michael Lewis (The Fifth Risk: Undoing Democracy)
The great players don’t play that way. It’s too draining, and it makes you too much the victim. And the victim doesn’t win. Bad table draw? It’s a challenging table that will force you to play well. You can’t change tables, so you may as well call on all your inner powers to play the best version of your game. See it as an opportunity to learn. Card dead? No one knows that. If your face reads card dead, everyone will walk all over you as you meekly fold. If you decide to take the opportunity to cultivate a conservative image and then make a well-timed move, suddenly you have the upper hand. The best players don’t need pocket aces to win. Everything is in how you perceive it.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
In every other game in a casino—and in games of perfect information like chess and Go—you simply must have the best of it to win. No other way is possible. And that, in a nutshell, is why poker is a skilled endeavor rather than a gambling one.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
Mike Tyson said it best. ‘Everyone has a plan until you get punched in the mouth.’ And he’s right. Until you go through a month of everything going wrong, you won’t know whether you have what it takes. You will never learn how to play good poker if you get lucky—it’s as simple as that. You just won’t.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
Sometimes, people are having a tough time, and though they don’t mean to be mean, they can’t help it. Sometimes, their demons are scarier than mine, and they’re doing their best in a bad situation.
Emilia Finn (Bluff (Stacked Deck, #6))
Poker is a game of odds, simple math, and being able to read people. If you are going to bluff, you have to believe it yourself. Keep in mind, the other players are looking for information from you. Facial expressions, body language, the amount and the way you bet. When you have what you believe to be the best hand, which is called the ‘nuts,’ you can either try to keep your opponents playing by betting in a way that strings them along, or bet aggressively and take the pot. And if you are going to go all in, make sure you have thought it through. Make sure you have the nuts, or that your opponent thinks you have them beat. “But,” he continued, “outplaying your opponent doesn’t always work. Even the best players in the world have nights when they run bad. Recognize those nights and be disciplined with your downside, or the amount of money you allow yourself to lose. Know when to leave the table.
Molly Bloom (Molly's Game: From Hollywood's Elite to Wall Street's Billionaire Boys Club, My High-Stakes Adventure in the World of Underground Poker)