Mr Freeze Quotes

We've searched our database for all the quotes and captions related to Mr Freeze. Here they are! All 31 of them:

The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
With the aid of the baluster-rail and Mr Goring's stalwart arm she arrived, panting but triumphant, on the first floor, and paused to take breath. Observing that Lybster was about to throw open the door into the drawing room she stopped him by the simple expedient of grasping his sleeve. Affronted, he gazed at her with much hauteur, and said in freezing accents: "Madam?" "Looby!" enunciated Mrs Floore, between gasps. "You wait! Trying to push me in - like a landed salmon!
Georgette Heyer (Bath Tangle)
Listen to me and listen to me good,” she ground out. “You are an asshole. You don’t tell me what to do, ever. The day you control my life, well, that day is when hell freezes over. I’m not some weak little wife type, asshole, and I don’t need a man to control me or tell me what to do. If you ever try to pull this shit again I’ll show you weak when they have to surgically remove my shoe from your ass. When you walk in the door of my house after you find a way back there, you have five minutes to pack up your things and get the hell out or you’ll need that surgery. I want you to get on a plane, take your miserable, bitchy little bald ass out of my life, and don’t ever come near me again. Do you hear me?
Laurann Dohner (Propositioning Mr. Raine (Riding the Raines, #1))
Extremely useful in the winter,' said Mr Wonka, rushing on. 'Hot ice cream warms you up no end in freezing weather. I also make hot ice cubes for putting in hot drinks. Hot ice cubes make hot drinks hotter.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
when I was seized again with those indescribable sensations that heralded the change; and I had but the time to gain the shelter of my cabinet, before I was once again raging and freezing with the passions of Hyde. It
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde)
Mr. Babcock pats my shoulder. He smiles, and the caterpillar mustache — the envy of state troopers everywhere, I'm sure — straightens out again. I hear that on the weekends, he's a part-time security guard with mirrored sunglasses and a gun. He probably poses in front of his bathroom mirror to see how he looks saying "Freeze!
Libba Bray
I really am a little afraid, my dear,” hinted the cherub meekly, “that you are not enjoying yourself?” “On the contrary,” returned Mrs. Wilfer, “quite so. Why should I not?” “I thought, my dear, that perhaps your face might—“ “My face might be a martyrdom, but what would that import, or who should know it, if I smiled?” And she did smile; manifestly freezing the blood of Mr. George Sampson by so doing. For that young gentleman, catching her smiling eye, was so very much appalled by its expression as to cast about in his thoughts concerning what he had done to bring it down upon himself.
Charles Dickens (Our Mutual Friend)
Mr. Charles Dickens was serializing his novel Oliver Twist; Mr. Draper had just taken the first photograph of the moon, freezing her pale face on cold paper; Mr. Morse had recently announced a way of transmitting messages down metal wires. Had you mentioned magic or Faerie to any of them, they would have smiled at you disdainfully, except, perhaps for Mr. Dickens, at the time a young man, and beardless. He would have looked at you wistfully.
Neil Gaiman (Stardust)
I don't know why I always felt the need to educate my friends when I learned some new bit of information most of the rest of the world didn't know, such as the secret existence of Jesus' older, smarter brother, or, later, that you could crawl into our coal furnace and freeze or that the water coming out of our C tap was actually warm. But I did, and ended up on the wooden bench outside Mr. Mautz's Sunday school classroom the very next Sunday for what would become the first in a long string of blasphemous statements.
Chris Crutcher
Every day Patti Goss-Simpson brings four fish sticks to school in her Titan Deep Freeze lunch box and every day at 11:52 a.m., because the cafeteria is being remodeled, Patti puts her terrible fish sticks in the terrible microwave at the back of Mr. Bates’s room and presses the terrible beepy buttons and the smell that pours out feels to Seymour like he’s being pressed face-first into a swamp.
Anthony Doerr (Cloud Cuckoo Land)
Maybe next time you'll take me up on dinner." "I doubt it, Mr. Holbrook. I'm pretty sure hell will freeze over first." Again he smiled. "Well, that may be happening sooner than you think, my dear.
Brynn Myers (The Life & Death of Jorja Graham (Jorja Graham #1))
The piece you have written for us is called "The Gambol of the Caribou." Now, Mr. Steenwilly, I don't mean to be critical. What I know about music could be squeezed into a peanut shell, and there would still be room for the peanut. But I looked up "gambol" in the dictionary, and it means to "skip or jump about playfully." It also means to "caper or frolic." Caribou are large, ponderous, woolly reindeer. They do not gambol. They do not caper. They do not frolic. And they certainly do not skip. It would be an interesting sight to see a herd of caribou skipping down the tundra, but, Mr. Steenwilly, it would never happen. You could write a piece called "The Caribou Standing Still and Freezing Their Butts Off." Or "The March of the Caribou." Or even "The Stampede of the Caribou." But "The Gambol of the Caribou" is not such a great image to build a piece of music around.
David Klass (You Don't Know Me)
The poor guy had been sucked like a Mr. Freeze. Loviatar was humming and picking her teeth with a fingernail. When she saw Lara’s glance at the remains, she stroked her waist. “Epidermis is very fattening, and polyester gives the worst heartburn.
Gabriele Russo (Inclement Gods (Gods Inc. #2))
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
Judith McNaught (Almost Heaven (Sequels, #3))
I don’t want to go to Baltimore. I don’t want to leave my aunt and uncle to continue managing when I should have been here years ago. I don’t want to avoid my neighbors because of some sad contretemps a dozen years ago, but I have wishes too, Sophie Windham.” “What do you wish for?” “A place in your heart. A permanent place in your heart. I wish for my children to have you as their mother. I wish for your idiot brothers to be doting uncles to our children and your sisters to be the aunts who spoil them shamelessly. I wish to make a home with you for our children, where your parents can come inspect our situation and criticize us for being too lenient with our offspring. I want one present, Sophie Windham—a future with you. That is my Christmas wish. Will you grant it?” Lord Valentine’s impromptu recital came to a close as Vim posed his question, and silence filled the air. “Please, Sophie?” Vim was on his knees in the freezing darkness, and he reached for her. He reached out his arms for her just as she—thank God and all the angels—reached for him. “Yes. Yes, Mr. Charpentier, I will be your Christmas, and you shall be mine, and Kit shall belong to us, and we shall belong to him, and my bro—” He growled as he hugged her to him,
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Now, tell me, have you ever heard of upyr? Vampir? Shrtriga?" The words rolled and hissed in his mouth. They reminded me, for no clear reason, of the trip I'd taken with Mr. Locke to Vienna when I was twelve. It'd been February and the city was shadowed, wind-scoured, old. "Well, the name hardly matters. I'm sure you've heard of them in general outline: things that creep out of the black forests of the north and feast on the lifeblood of the living." He was removing the glove from his left hand as he spoke, tugging on each white fingertip. "Lies spread by superstitious peasants, in the main, repeated in story papers and sold to Victorian urchins." Now his hand was entirely free, fingers so pale I could see blue veins threading them. "Stoker should've been summarily executed, if you ask me." And he reached toward me. There was perhaps half a second before his fingertip touched me when all the fine hairs on my arm stood straight and my heart seized and I knew, in a scrabbling, animalish way, that I shouldn't let him touch me, that I should scream for help- but it was too late. His finger was cold against my skin. Beyond cold. An aching, burning, tooth-hurting absence of heat. My body warmth drained desperately toward it, but the cold was ravenous. My lips tried to form words but they felt numb and clumsy, as if I'd been out walking in freezing wind.
Alix E. Harrow (The Ten Thousand Doors of January)
The gate downstairs has a dead bolt,” said Frost. “There’s no way you could pick the lock.” “Then how could anyone …” She went dead silent. Turned toward the doorway. Footsteps were thumping up the stairs. In an instant her weapon was drawn and clutched in both hands. Pushing aside Mr. Kwan, she quickly slipped out of the bedroom. As she eased her way across the living room, she felt her heart banging, heard Frost’s footsteps creaking on her right. Smelled incense and mold and sweat, a dozen details assaulting her at once. But it was the stairwell door she focused on, a black portal to something that was now climbing toward them. Something that suddenly took on the shape of a man. “Freeze!” Frost commanded. “Boston PD!” “Whoa, Frost.” Johnny Tam gave a startled laugh. “It’s just me.” Behind her, Jane heard Mr. Kwan give a squawk of fear. “Who is he? Who is he?” “What the hell, Tam,” said Frost, huffing out a breath as he holstered his weapon. “I could have blown your head off.” “You did tell me to meet you here, didn’t you? I would’ve gotten here sooner, but I got stuck in traffic coming back from Springfield.” “You talk to the owner of that Honda?” “Yeah. Said it was stolen right out of his driveway. And that wasn’t his GPS in the car.” He swept his flashlight around the room. “So what’s going on in here?” “Mr. Kwan’s giving us a tour of the building.” “It’s been boarded up for years.
Tess Gerritsen (The Silent Girl (Rizzoli & Isles, #9))
And these two very old people are the father and mother of Mrs Bucket. Their names are Grandpa George and Grandma Georgina. This is Mr Bucket. This is Mrs Bucket. Mr and Mrs Bucket have a small boy whose name is Charlie Bucket. This is Charlie. How d’you do? And how d’you do? And how d’you do again? He is pleased to meet you. The whole of this family – the six grown-ups (count them) and little Charlie Bucket – live together in a small wooden house on the edge of a great town. The house wasn’t nearly large enough for so many people, and life was extremely uncomfortable for them all. There were only two rooms in the place altogether, and there was only one bed. The bed was given to the four old grandparents because they were so old and tired. They were so tired, they never got out of it. Grandpa Joe and Grandma Josephine on this side, Grandpa George and Grandma Georgina on this side. Mr and Mrs Bucket and little Charlie Bucket slept in the other room, upon mattresses on the floor. In the summertime, this wasn’t too bad, but in the winter, freezing cold draughts blew across the floor all night long, and it was awful. There wasn’t any question of them being able to buy a better house – or even one more bed to sleep in. They were far too poor for that. Mr Bucket was the only person in the family with a job. He worked in a toothpaste factory, where he sat all day long at a bench and screwed the little caps on to the tops of the tubes of toothpaste after the tubes had been filled. But a toothpaste cap-screwer is never paid very much money, and poor Mr Bucket, however hard he worked, and however fast he screwed on the caps, was never able to make enough to buy one half of the things that so large a family needed. There wasn’t even enough money to buy proper food for them all. The only meals they could afford were bread and margarine for breakfast, boiled potatoes and cabbage for lunch, and cabbage soup for supper. Sundays were a bit better. They all looked forward to Sundays because then, although they had exactly the same, everyone was allowed a second helping. The Buckets, of course, didn’t starve, but every one of them – the two old grandfathers, the two old grandmothers, Charlie’s father, Charlie’s mother, and especially little Charlie himself – went about from morning till night with a horrible empty feeling in their tummies. Charlie felt it worst of all. And although his father and mother often went without their own share of lunch or supper so that they could give it to him, it still wasn’t nearly enough for a growing boy. He desperately wanted something more filling and satisfying than cabbage and cabbage soup. The one thing he longed for
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket #1))
Mr. Bashmilah has told them of being tortured in Jordan before he was handed over to the C.I.A., which at times kept him shackled alone in freezing-cold cells in Afghanistan, subjected to loud music 24 hours a day. He attempted suicide at least three times, once by saving pills and swallowing them all at once; once by slashing his wrists; and once by trying to hang himself. Another time he cut himself and used his own blood to write “this is unjust” on the wall.
Anonymous
So she was still single. She wondered sometimes if Blake was being deprived of male companionship solely because of her attitudes. It bothered her, but she didn’t want to change. “Snow is awesome,” he sighed, using a word that he used to denote only the best things in his life. Cherry pie was awesome. So was baseball, if the Atlanta Braves were playing, and football if the Dallas Cowboys were. She smiled at his dark head, so like her own. He had her slender build, too, but he had his father’s green eyes. Bob had been a handsome man. Handsome and far too brave for his own good. Dead at twenty-seven, she sighed, and for what? She folded her arms across her chest, cozy in the oversize red flannel shirt that she wore over well-broken-in jeans. “It’s freezing, that’s what it is,” she informed her offspring. “And it isn’t awesome; it’s irritating. Apparently, the electric generator goes out every other day, and the only man who can fix it stays drunk.” “That cowboy seems to know how,” Blake said hesitantly. Maggie agreed reluctantly. “I know. Things were running great until our foreman asked for time off to spend Christmas with his wife’s family in Pennsylvania. That leaves me in charge, and what do I know about running a ranch?” she moaned. “I grew up on a small farm, but I don’t know beans about how to manage this kind of place, and the men realize it. I suppose they don’t have any confidence in working for a secretary, even just temporarily.” “Well, there’s always Mr. Hollister,” Blake said with pursed lips and a wicked grin. She glared at him. “Mr. Hollister hates me. He hates you, too, in fact, but you don’t seem to let that stand in the way of your admiration for the man.” She threw up her hands, off on her favorite subject again. “For heaven’s sake, he’s a cross between a bear and a moose! He never comes off his mountain except when he wants to cuss somebody out or raise hell!” “He’s lonely,” Blake pointed out. “He lives all by himself. It’s hard going, I’ll bet, and he has to eat his own cooking.” He sat up enthusiastically, his thick hair over his brow. “Grandpa said he once knew a man who quit working for Mr. Hollister just because the cook got sick and Mr. Hollister had to feed the men.” Maggie glanced at her son with a wicked gleam in her eyes. “He probably fed them some of his
Diana Palmer (The Humbug Man)
You never mentioned a single thing about running into Everett.” “Because you just got home, and again, I’m trying to take a bath, and just so everyone knows, the water is turning a little chilly.” She sent what she hoped was a pointed look toward the door, but her message was ignored. “Chilly water is incredibly beneficial for a lady’s skin, but back to Everett.” Lucetta scooted her chair forward. “Did his wards run off another nanny, and did he ask you to accept a position with him, and . . . did you feel compelled to turn down his offer because of that pesky attraction you feel for the man?” “I’m not attracted to Mr. Mulberry,” was the only protest she could think to respond. “How could you not be attracted to the gentleman?” Abigail countered. “A person would have to be blind not to notice that he’s incredibly handsome. Add in the fact he’s now responsible for three children, and well that must make him downright scrumptious to a lady who has a soft spot for little ones.” “I do not find Mr. Mulberry scrumptious,” Millie argued, wincing when Abigail sent her an incredulous look. “Oh, very well, I might have, when I first laid eyes on the man, thought he was a little handsome—although not scrumptious, mind you. But after he refused to consider me as a nanny for his wards, his handsomeness faded in a flash. Furthermore—” A knock on the door interrupted her speech. “Mrs. Hart? Are you in there?” Mr. Kenton, Abigail’s butler, called through the door. Abigail rose to her feet and moved across the room. “I am, Mr. Kenton, but Miss Longfellow is in the middle of her bath, so in order to preserve her modesty, I suggest you don’t open this door.” “Very good, ma’am, but I’m here to tell you that Miss Longfellow has a visitor. He gave his name as Mr. Everett Mulberry. May I tell him Miss Longfellow is receiving this evening?” “Of course she’s receiving, Mr. Kenton. Tell Mr. Mulberry she’ll be down directly.” “Tell him I’m not available,” Millie called. “Do no such thing, Mr. Kenton,” Abigail countered. “Millie is certainly available, and she’ll receive Mr. Mulberry in the drawing room in five minutes, ten at the most.” “Very good, ma’am.” Listening to Mr. Kenton’s departing footsteps, Millie frowned at Abigail, who’d turned away from the door and was beaming back at her. “I have no desire to see Mr. Mulberry, and since I am in the middle of my bath, which does, indeed, make me unavailable, you’ll need to go and make my excuses to the man.” “You’ve been complaining that your water is getting cold. That means you’ll have to get out of the tub soon to avoid freezing to death, making you available to speak with Mr. Mulberry.” “Perhaps I’ve decided to heed Lucetta’s advice and enjoy the benefits cold water is supposed to deliver to my skin.” Abigail
Jen Turano (In Good Company (A Class of Their Own Book #2))
Like a dog's whimper, Mr. Hauser sobs. His high-pitched crying makes my heart ache and my brain freeze. Maybe men don't have it easier after all. I have just seen another piece of what makes a man vulnerable.
M.B. Wynter (The Fetal Position)
What’s it like working for Mr. Freeze?” “I was going to say the Penguin,” Dinah said, “but people in Seattle don’t carry umbrellas.
Neal Stephenson (Seveneves)
Incoming call: Adam Reynolds. I let those words fill my vision for a moment. Not because I intend to make him wait; it’s simply that for a second I freeze. Blake’s dad is a wolf, and I feel very much like the rabbit. The last time Adam and I talked, it didn’t turn out particularly well. But right now, the CEO of Cyclone—and the man who, incidentally, still thinks I’m dating his son—is calling me. What can I do? I hit accept. He appears on the screen: messy pepper-gray hair and beard scruff in need of a shave. His gaze fixes on mine. “Tina.” His voice is just a little hoarse. He clears his throat and sniffs. “Is Blake there?” “No.” “Good.” He frowns. “Look. Blake’s a little distant right now. Is something going on with him?” Something is obviously going on between them, but even I can’t tell what it is, and I suspect I know about as much as anyone on the planet except these two. I shake my head. “I’m not talking to you about Blake.” “Yeah.” He blows out a breath. “Probably just as well that you’re loyal to him. I just…” He pauses, tapping his fingers against his cheek. “It’s not that,” I interject. “It’s just that you’re an…” I choke back the word I’d been planning to put in that blank. Last time was bad enough. “You’re a little intense,” I finish. For a moment, he stares at me. Then, ever so slowly, he smiles. “Don’t start holding out on me now. I’m an asshole.” My surprise must show, because he shrugs a shoulder. “I’ve never claimed otherwise.” I suspect this is as close as Adam Reynolds will ever come to apologizing for his behavior in that restaurant. “Blake thinks you’re not an asshole.” “Blake,” Mr. Reynolds says with a roll of his eyes, “is a ridiculously good kid. There’s a reason I’m a little protective of him. I’m always afraid people will take advantage.” I don’t say anything. A little protective is what he is? Despite my silence, he sighs and waves his hand. “Good point,” he mutters in response to the thing I didn’t say. “It hasn’t happened yet, and God knows if he were as naïve as I really feared, it would have by now. Of all the women he could have had, he did choose you.” I think this is intended as a compliment. “Still,” his dad continues. “I worry. Is everything okay with him?” I have the distinct impression that even though Blake has never said so, most of his problems lie with this man. Somehow. Some way. “This is a conversation you should have with Blake.” He puts his fingers to the bridge of his nose. “Fuck.” He doesn’t move for a few moments. And then—of all things—he sniffles. Unconvincingly. “Mr. Reynolds, are you fake crying to try to get my sympathy?” The hand lowers. He glowers at me—obviously dry-eyed. “Fuck me,” he says. “First, call me Adam. Mr. Reynolds makes me sound like some bullshit old fart. Second, I don’t fucking cry. I especially don’t fake cry. Emotional manipulation is for morons who don’t have the strength of will to get people on their side with reason. I have a cold.” “Aw. Poor baby. You should get some rest.” I incline my head toward him, and then widen my eyes. “Oh, wait. I forgot. You can’t.” He shakes his head, but he’s smiling. “Yeah, yeah. My kid has good taste. I’m fucking things up for you. I hope it won’t be too much of a disturbance.” “You know.” I swallow. “I think Blake gave you the wrong impression about us.” “What, that he’s into you more than you’re into him? I got that from him.” I swallow. “That you need to be convinced? That he’s going to end up convincing you, no matter what you’re telling yourself right now? I let out a breath. “Exactly.” Adam points a finger at me. “That’s what I thought. My money’s on my boy. But hey, don’t tell me what’s going on. Who needs details? Surely not his own father. I’m not invasive.” “Right. Calling me in the middle of the night when Blake’s not around isn’t invasive at all.
Courtney Milan (Trade Me (Cyclone, #1))
Once I saw this trend, the paper quickly wrote itself and was titled “Has Financial Development Made the World Riskier?” As the Wall Street Journal reported in 2009 in an article on my Jackson Hole presentation: Incentives were horribly skewed in the financial sector, with workers reaping rich rewards for making money but being only lightly penalized for losses, Mr. Rajan argued. That encouraged financial firms to invest in complex products, with potentially big payoffs, which could on occasion fail spectacularly. He pointed to “credit default swaps” which act as insurance against bond defaults. He said insurers and others were generating big returns selling these swaps with the appearance of taking on little risk, even though the pain could be immense if defaults actually occurred. Mr. Rajan also argued that because banks were holding a portion of the credit securities they created on their books, if those securities ran into trouble, the banking system itself would be at risk. Banks would lose confidence in one another, he said. “The inter-bank market could freeze up, and one could well have a full-blown financial crisis.” Two years later, that’s essentially what happened.2 Forecasting at that time did not require tremendous prescience: all I did was connect the dots using theoretical frameworks that my colleagues and I had developed. I did not, however, foresee the reaction from the normally polite conference audience. I exaggerate only a bit when I say I felt like an early Christian who had wandered into a convention of half-starved lions. As I walked away from the podium after being roundly criticized by a number of luminaries (with a few notable exceptions), I felt some unease. It was not caused by the criticism itself, for one develops a thick skin after years of lively debate in faculty seminars: if you took everything the audience said to heart, you would never publish anything. Rather it was because the critics seemed to be ignoring what was going on before their eyes.
Raghuram G. Rajan (Fault Lines: How Hidden Fractures Still Threaten The World Economy)
his back to me. He’s looking over the menu. I walk around the table as I reach my seat and he stands. At least he’s a gentleman. I look up and… Just kill me now. The manuscript copy I’m holding almost falls to the floor. Standing in front of me, in the flesh, is none other than Mr. Khaki Shorts himself. I nearly faint. Cool it Julia. This is work. You can do this. He’s stunning. There’s no other word… simply stunning. He’s wearing a dark navy blazer over a light blue button down shirt, opened enough at the collar to see some of his chest hair peeking out and a tight in all the right places pair of jeans. He’s perfected the sexy stubble look; I’d like to freeze this moment so I could run my hand through his beard, just to feel it.
A.C. Netzel (The Casual Rule (The Casual Rule, #1))
The sky is grey, with a thin TV-static drizzle that hangs in the air like it's been freeze-framed.
Scarlett Thomas (The End of Mr. Y)
FJ lifted a hand, and the two men stopped as though they’d been sprayed by Mr. Freeze. “We’re not mobsters,” FJ said. “We’re businessmen.” “Right,” Myron said. “And Bubba and Rocco over there—they your CPAs?” A tiny smile came to FJ’s lips. The smile was strictly reptilian, meaning it was far warmer than his other ones. “If you are indeed her agent,” FJ said, “then it would behoove you to speak with me.” Myron
Harlan Coben (One False Move (Myron Bolitar, #5))
Theism and materialism, so indifferent when taken retrospectively, point, when we take them prospectively, to wholly different outlooks of experience. For, according to the theory of mechanical evolution, the laws of redistribution of matter and motion, tho they are certainly to thank for all the good hours which our organisms have ever yielded us and for all the ideals which our minds now frame, are yet fatally certain to undo their work again, and to redissolve everything that they have once evolved. You all know the picture of the last state of the universe which evolutionary science foresees. I cannot state it better than in Mr. Balfour's words: That is the sting of it, that in the vast driftings of the cosmic weather, tho many a jeweled shore appears, and many an enchanted cloud-bank floats away, long lingering ere it be dissolved—even as our world now lingers, for our joy-yet when these transient products are gone, nothing, absolutely NOTHING remains, of represent those particular qualities, those elements of preciousness which they may have enshrined. Dead and gone are they, gone utterly from the very sphere and room of being. Without an echo; without a memory; without an influence on aught that may come after, to make it care for similar ideals. This utter final wreck and tragedy is of the essence of scientific materialism as at present understood. The lower and not the higher forces are the eternal forces, or the last surviving forces within the only cycle of evolution which we can definitely see. Mr. Spencer believes this as much as anyone; so why should he argue with us as if we were making silly aesthetic objections to the 'grossness' of 'matter and motion,' the principles of his philosophy, when what really dismays us is the disconsolateness of its ulterior practical results? No the true objection to materialism is not positive but negative. It would be farcical at this day to make complaint of it for what it IS for 'grossness.' Grossness is what grossness DOES—we now know THAT. We make complaint of it, on the contrary, for what it is NOT—not a permanent warrant for our more ideal interests, not a fulfiller of our remotest hopes. The notion of God, on the other hand, however inferior it may be in clearness to those mathematical notions so current in mechanical philosophy, has at least this practical superiority over them, that it guarantees an ideal order that shall be permanently preserved. A world with a God in it to say the last word, may indeed burn up or freeze, but we then think of him as still mindful of the old ideals and sure to bring them elsewhere to fruition; so that, where he is, tragedy is only provisional and partial, and shipwreck and dissolution not the absolutely final things. This need of an eternal moral order is one of the deepest needs of our breast. And those poets, like Dante and Wordsworth, who live on the conviction of such an order, owe to that fact the extraordinary tonic and consoling power of their verse. Here then, in these different emotional and practical appeals, in these adjustments of our concrete attitudes of hope and expectation, and all the delicate consequences which their differences entail, lie the real meanings of materialism and spiritualism—not in hair-splitting abstractions about matter's inner essence, or about the metaphysical attributes of God. Materialism means simply the denial that the moral order is eternal, and the cutting off of ultimate hopes; spiritualism means the affirmation of an eternal moral order and the letting loose of hope. Surely here is an issue genuine enough, for anyone who feels it; and, as long as men are men, it will yield matter for a serious philosophic debate.
William James
His mother promptly gives him a stare that would cause even Mr. Winters, the meanest teacher in the world, to freeze up.
Apryl Baker (The Ghost Files (The Ghost Files, #1))
There’s water in their lungs. Mr. Bell holds her now and afterward. There’s water in their ears and a voice warm as a mother’s should be. They fall toward the voice, through the deepest lake in the Adirondacks. “When you were a baby,” the voice says, “you used to point at birds.” The gesture of their hands entwined, reaching up through their descent, clawing for the disappearing surface, could be misconstrued as fingers pointing out a goldfinch on a branch, a red cardinal nosing the grass for some seeds. Later that night the lake freezes, sealing the scar under a dusting of snow.
Samantha Hunt (Mr. Splitfoot)