“
Being the only female in what was basically a boys’ club must have been difficult for her. Miraculously, she didn’t compensate by becoming hard or quarrelsome. She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose scarves fluttered jauntily in the breeze. But strange and marvelous as she was, a wisp of silk in a forest of black wool, she was not the fragile creature one would have her seem.
”
”
Donna Tartt (The Secret History)
“
She was not filled up with the sight of him, the way she had seen her sisters fill up, like silk balloons, like wineskins. Instead, he seemed to land heavily within her, like a black stone falling.
”
”
Catherynne M. Valente (Deathless)
“
One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you.I'd dream about the way you smell and how your dark hair feels like silk between my fingers. I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss.
Without dreams, I have to be content with my own imagination– which is almost as good. I can picture all of those things perfectly, as well as how it'll be when I take your life from this world.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
My featherbed is deep and soft,
and there I’ll lay you down,
I’ll dress you all in yellow silk
and on your head a crown.
For you shall be my lady love,
and I shall be your lord.
I’ll always keep you warm and safe,
and guard you with my sword.
And how she smiled and how she laughed, the maiden of the tree.
She spun away and said to him,
no featherbed for me.
I’ll wear a gown of golden leaves,
and bind my hair with grass,
But you can be my forest love,
and me your forest lass.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Damon, leather and silk and fine chiseled features. Mercurial and devastating.
”
”
L.J. Smith
“
It's late,' he said again, murmuring, almost crooning now, his voice smoother than silk. 'Sleep, my Bella. Dream happy dreams. You are the only one who has ever touched my heart. It will always be yours. Sleep, my only love.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
His mouth went dry and for a split second he had a metallic taste on the sides of his tongue. He stood, turned, and gulped. A vision had appeared from somewhere. Was she real? She was tall, with long, glossy light-gold hair surrounding a perfectly shaped face. The front of her silk white robe was open down to a delightful cleavage where a long silver cross hung. As she walked slowly past Alec to sit at the desk, the robe parted for a fleeting glimpse of her leg. A scent of lily of the valley meandered over him. A hand with long graceful fingers indicated for him to sit again in his chair. She was real!
She was, without doubt, the most beautiful woman Alec had ever seen.
”
”
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
“
If I look upon my whole life, I cannot think of another time when I felt more comfortable: when I had no worries, fears, or desires, when my life seemed as soft and lovely as lying inside a cocoon of rose silk.
”
”
Amy Tan (The Joy Luck Club)
“
I deserve passion," she said. "I deserve to be loved- in every way. I deserve a man who'll give his whole heart, not the part he isn't using at the moment..
”
”
Loretta Chase (Silk Is for Seduction (The Dressmakers, #1))
“
We were fools.”
“You were children. Was there no one to protect you?”
“Was there anyone to protect you?”
“My father. My mother. They would have done anything to keep me from being stolen.”
“And they would have been mowed down by slavers.”
“Then I guess I was lucky I didn’t have to see that.”
How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.”
“They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.”
“The fact that you’re bleeding through your bandages tells me otherwise.”
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.”
He didn’t mean to say it. He meant to let her go. “I can help you.”
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Fire's tears were real now, and there was no helping them, for there was no time. Everything was moving too fast. She crossed the room to him, put her arms around him, clung to him, turning her face to the side, learning all at once that it was awkward to show a person all of one's love when one's nose was broken.
His arms came around her tightly, his breath short and hard against her hair. He held on to the silk of her hair and she pressed herself against him until her panic calmed to something desperate, but bearable.
Yes, she thought to him, understanding now what he'd been about to ask. If you die in the war, I'll keep Hanna in my heart. I promise I won't leave her.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
He fingers her stuff, her undies, a stocking. He winds it round his hand, tight silk, unwinds it, lays it back across the chair where it dangles like leg skin.
”
”
Lesley Glaister (Blasted Things)
“
I never liked that ending either. More love streaming out the wrong way, and I don't want to be the kind that says the wrong way. But it doesn't work, these erasures, this constant refolding of the pleats. There were some nice parts, sure, all lemondrop and mellonball, laughing in silk pajamas and the grain of sugar on the toast, love love or whatever, take a number. I'm sorry it's such a lousy story.
”
”
Richard Siken (Crush)
“
You are my siren,” he said, running his hands along her thighs and down her calves, feeling the shape of her even as the silk of her gown kept them both from what they wanted. “My temptress . . . my sorceress . . . I cannot resist you, no matter how I try. You threaten to send me over the edge.
”
”
Sarah MacLean (Eleven Scandals to Start to Win a Duke's Heart (Love By Numbers, #3))
“
I love dreams. I know enough about them to know that dream logic is no story logic, and that you can rarely bring a dream back as a tale: it will have transformed from gold into leaves. from silk to cobwebs, on waking
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
The eyes mirror the heart of a person. An entire life can be seen through them. Love, sorrow, deceit, pain. If you look closely, it’s all there.
”
”
Gail Tsukiyama (The Language of Threads (Women of the Silk #2))
“
Margaret: Oh you weak people, you weak, beautiful people! - who give up. What you want is someone to [she turns out the rose-silk lamp] take hold of you. Gently, gently, with love! And I do love you, Brick, I do!
Brick [smiling with charming sadness]: Wouldn't it be funny if that was true?
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
“
I believe the defining moment was when certain persons, who shall remain nameless, objected to my fuchsia silk striped waistcoat. I loved that waistcoat. I put my foot down, right then and there; I do not mind telling you!" To punctuate his deeply offended feelings, he stamped one silver-and-pearl-decorated high heel firmly. "No one tells me what I can and cannot wear!" He snapped up a lace fan from where it lay on a hall table and fanned himself vigorously with it for emphasis.
”
”
Gail Carriger (Soulless (Parasol Protectorate, #1))
“
And the crazy part of it was even if you were clever, even if you spent your adolescence reading John Donne and Shaw, even if you studied history or zoology or physics and hoped to spend your life pursuing some difficult and challenging career, you still had a mind full of all the soupy longings that every high-school girl was awash in... underneath it, all you longed to be was annihilated by love, to be swept off your feet, to be filled up by a giant prick spouting sperm, soapsuds, silk and satins and, of course, money.
”
”
Erica Jong
“
I took her to bed with silk and song
'Lay still, my love, I won’t be long,
I must prepare my body for passion.'
'O, your body you give, but all else you ration...
”
”
Roman Payne
“
Jean grinned down at her, and she handed him something in a small silk bag.
'What's this?'
'Lock of my hair, ' she said. 'Meant to give it to you days ago, but we got busy with all the raiding. You know. Piracy. Hectic life. '
'Thank you, love, ' he said.
'Now, if you find yourself in trouble wherever you go, you can hold up that little bag to whoever's bothering you, and you can say, "You have no idea who you're fucking with. I'm under the protection of the lady who gave me this object of her favour. "'
'And that's supposed to make them stop?'
'Shit no, that's just to confuse them. Then you kill them while they're standing there looking at you funny.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
“
The silkiness of his voice was a torturous caress that I could have endured for the rest of my life.
”
”
Melissa Andrea (Flutter (The Discover, #1))
“
You do not want to help us,” Will said to Magnus. “You do not want to position yourself as an enemy of Mortmain’s.”
“Well, can you blame him?” Woolsey rose in a whirl of yellow silk. “What could you possibly have to offer that would make the risk worth it to him?”
“I will give you anything,” said Tessa in a low voice that Will felt in his bones. “Anything at all, if you can help us help Jem.”
Magnus gripped a handful of his black hair. “God, the two of you. I can make inquiries. Track down some of the more unusual shipping routes. Old Molly —”
“I’ve been to her,” Will said. “Something’s frightened her so badly she won’t even crawl out of her grave.”
Woolsey snorted. “And that doesn’t tell you anything, little Shadowhunter? Is it really worth all this, just to stretch your friend’s life out another few months, another year? He will die anyway. And the sooner he dies, the sooner you can have his fiancée, the one you’re in love with.” He cut his amused gaze toward Tessa. “Really you ought to be counting down the days till he expires with great eagerness.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
If God did not exist it would be necessary to invent Him. But all nature cries aloud that He does exist."
(Voltaire)
”
”
Elizabeth Kales
“
Soft you day, be velvet soft,
My true love approaches,
Look you bright, you dusty sun,
Array your golden coaches.
Soft you wind, be soft as silk
My true love is speaking.
Hold you birds, your silver throats,
His golden voice I'm seeking.
Come you death, in haste, do come
My shroud of black be weaving,
Quiet my heart, be deathly quiet,
My true love is leaving.
”
”
Maya Angelou (The Complete Collected Poems)
“
Love me. Come back to me. Look at me like you used to. Touch me. Stop breaking me.
”
”
Ella Fields (Frayed Silk)
“
My heart is like a singing bird
Whose nest is in a water'd shoot;
My heart is like an apple-tree
Whose boughs are bent with thick-set fruit;
My heart is like a rainbow shell
That paddles in a halcyon sea;
My heart is gladder than all these,
Because my love is come to me.
Raise me a daïs of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.
”
”
Christina Rossetti (Poems of Christina Rossetti)
“
I love you, Eve.” She looked away from the sun, the ocean, and into his eyes. And it was wonderful, and for the moment, it was simple.
“I missed you.” She pressed her cheek to his and held him tightly. “I really missed you. I wore one of your shirts.” She could laugh at herself now because he was here. She could smell him, touch him. “I actually went into your closet and stole one of your shirts—one of the black silk ones you have dozens of. I put it on, then snuck out of the house like a thief so Summerset wouldn’t catch me.”
Absurdly touched, he nuzzled her neck. “At night, I’d play your transmissions over, just so I could look at you, hear your voice.”
“Really?” She giggled, a rare sound from her. “God, Roarke, we’ve gotten so sappy.”
“We’ll keep it our little secret.”
“Deal.” She leaned back to look at his face.
”
”
J.D. Robb (Glory in Death (In Death, #2))
“
The most confident of women are those who believe in every scrap of fabric they wear. They are the ones who are as happy wih their drawers as they are with their gowns. You can tell the difference between a woman who wraps herself in beautiful silks and satins and she who wears...otherwise.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
The season was waning fast
Our nights were growing cold at last
I took her to bed with silk and song,
'Lay still, my love, I won’t be long;
I must prepare my body for passion.'
'O, your body you give, but all else you ration.'
'It is because of these dreams of a sylvan scene:
A bleeding nymph to leave me serene...
I have dreams of a trembling wench.'
'You have dreams,' she said, 'that cannot be quenched.'
'Our passion,' said I, 'should never be feared;
As our longing for love can never be cured.
Our want is our way and our way is our will,
We have the love, my love, that no one can kill.'
'If night is your love, then in dreams you’ll fulfill...
This love, our love, that no one can kill.'
Yet want is my way, and my way is my will,
Thus I killed my love with a sleeping pill.
”
”
Roman Payne
“
Daisy. She seem to blaze like a torch. James had always known she was beautiful-How he always known? Have there been a moment he had realized it? – But still the sight of her hit him like a blow. She was all fire, or heat and light, from the gold silk roses woven into her dark red hair to the ribbons and beads on her golden dress. The hilt of Cortana was visible over her left shoulder; the straps that secured it had been fashioned from thick gold ribbons.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
In a respectful relationship, each person understands, “I am responsible to know what is going on inside me and communicate it to you. I do not expect you to know it, nor will I allow you to assume that you know it. And I will not make assumptions about what is going on inside you.
”
”
Danny Silk (Keep Your Love On: Connection Communication And Boundaries)
“
Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it
becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities.
"You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood.
If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with
tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range,
what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.
”
”
Anaïs Nin (Delta of Venus)
“
My lady Silk, remember that a man always gains in stature any way he chooses to associate with a woman - including adultery...but in her association with a man, a woman is always in danger of being diminished.
”
”
Ama Ata Aidoo (Changes: A Love Story)
“
Yes, it’s vulnerable and scary to keep your love on toward someone who has become a perceived threat—you cannot guarantee what he or she is going to do. But you can guarantee your own choice. And you can always choose connection.
”
”
Danny Silk (Keep Your Love On)
“
Watch, how the sun
slowly rises
from behind my ear
new lines, new countries
spring up in my palms
my rough hair
become swaying silk
and all the leaves
in my body
become lusher than fruits.
”
”
Sanober Khan (A Thousand Flamingos)
“
14. Muddy Road
Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling.
Coming around a bend, they met a lovely girl in a silk kimono and sash, unble to cross the intersection.
"Come on, girl," said Tanzan at once. Lifting her in his arms, he carriedher over the mud.
Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?"
"I left the girl there," said Tanzan. "Are you still carrying her?
”
”
Nyogen Senzaki (Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings)
“
I had a dog
who loved flowers.
Briskly she went
through the fields,
yet paused
for the honeysuckle
or the rose,
her dark head
and her wet nose
touching
the face
of every one
with its petals
of silk
with its fragrance
rising
into the air
where the bees,
their bodies
heavy with pollen
hovered -
and easily
she adored
every blossom
not in the serious
careful way
that we choose
this blossom or that blossom
the way we praise or don't praise -
the way we love
or don't love -
but the way
we long to be -
that happy
in the heaven of earth -
that wild, that loving.
”
”
Mary Oliver
“
If a young woman from money marries an old man because of money and nothing else and makes love to him for hours and has this pious look on her face, she's called a German mother and a decent woman. If a young woman without money sleeps with a man with no money because he has smooth skin and she likes him, she's a whore and a bitch.
”
”
Irmgard Keun (The Artificial Silk Girl)
“
forcing manhood
on boys with skin
still made of
silk and mother's love
is cruel
”
”
Ijeoma Umebinyuo (Questions for Ada)
“
She it is, she, that found me
In the morphia honeymoon;
With silk and steel she bound me
In her poisonous milk she drowned me,
Even now her arms surround me
”
”
Aleister Crowley (Diary of a Drug Fiend)
“
Powerful people do not try to control other people. They know it doesn’t work, and that it’s not their job. Their job is to control themselves.
”
”
Danny Silk (Keep Your Love On)
“
My dearest Rose,
One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you. I'd dream about the way you smell and how your dark hair feels like silk between my fingers.
I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss.
Without dreams, I have to be content with my own imagination - which is almost as good. I can picture all of those things perfectly, as well as how it'll be when I take your life from this world.
It's something I regret having to do, but you've made my choice inevitable. Your refusal to join me in eternal life and love leaves no other course of action, and I can't allow someone as dangerous as you to live. Besides, even if I forced your awakening, you now have so many enemies among the Strigoi that one of them would kill you. If you must die, it'll be by my hand. No one else's.
Nonetheless, I wish you well today as you take your trails - not that you need any luck. If they actually making you take them, it's a waste of everyone's time. You're the best in that group, and by this evening you'll wear your promise mark. Of course, that means you'll be all that much more of a challenge when we meet again - which I'll definitely enjoy.
And we will be meeting again. With graduation, you'll be turned out of the Academy, and once you're outside the wards, I'll find you.
There is no place in this world you can hide from me. I'm watching.
Love,
Dimitri
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
The smell of peace is abroad, the air is cold, the skies are brittle, and the leaves have finally fallen. I wear a pony coat with skin like watered silk and muff of lamb. My fingers lie in depths of warmth. I have a jacket of silver sequins and heavy bracelets of rich corals. I wear about my neck a triple thread-like chain of lapis lazulis and pearls. On my face is softness and content like a veil of golden moonlight. And I have never in all my lives been so lonely.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
He looked at her curiously. He did something that surprised her then, and took her hand, turning it over. She looked down at it, at her bitten fingernails, the still-healing scratches along the backs of her fingers.
He kissed the back of it, just a light touch of his mouth, and his hair-as soft and light as silk-brushed her wrist as he lowered his head. She felt a shock go through her, strong enough to startle her, and she stood speechless as he straightened, his mouth curving into a smile.
"Mizpah," he said.
She blinked at him, a little dazed. "What?"
"A sort or goodbye without saying goodbye," he said.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
If you are very quiet and do not look away, you may see the brightest star in the constellation glow steadily brighter. It brightens until it overwhelms every other star in the sky, brightens until it seems to touch the ground, and then the glow is gone, and in its place is a girl.
Her hair and lashes are painted a shifting silver, and a scar crosses one side of her face. She is dressed in Sealand silk and a necklace of sapphire . Some say that, once upon a time, she had a prince, a father, a society of friends. Others say that she was once a wicked queen ,a worker of illusions, a girl who brought darkness across the lands. Stilll others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.
She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen.
These are only rumour,of course, and make little more than a story to tell round a fire. But it is told. And thus they live on.
—“The Midnight Star,” a folktale
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
She searched his face. "Why did you do this -- go to all this trouble, indulge in what I'm sure will prove a shockingly hideous expense?
He returned he gaze steadily "You like music."
It was that simple -- he let her read the truth in his eyes. Then she shivered. He reached for the shawl she'd left over her chair and held it up. She hesitated, then turned so he could drape it over her shoulders. Releasing the fine silk, he closed his hands about her shoulders; leaning closer, he murmured, "As with other pleasures, my reward is your delight.
”
”
Stephanie Laurens (A Secret Love (Cynster, #5))
“
Kizzy was so busy wishing she was Sarah Ferris or Jenny Glass that she could scarcely see herself at all and she was certainly blind to her own weird beauty: her heavy spell-casting eyes too-wide mouth wild hair and hips that could be wild too if they learned how. No one else in town looked anything like her and if she lived to womanhood she was the one artists would want to draw not the Sarahs and Jennys. She was the one who would some day know a dozen ways to wear a silk scarf how to read the sky for rain and coax feral animals near how to purr throaty love songs in Portuguese and Basque how to lay a vampire to rest how to light a cigar how to light a man's imagination on fire.
”
”
Laini Taylor (Lips Touch: Three Times)
“
In order for us to practice self-control, we must have a goal. We must have something we are saying “yes” to, which necessarily comes with things that we must say “no” to. We use self-control to maneuver ourselves toward this “yes.” This goal must be entirely our own. The minute another person is choosing and managing our goals for us, we have left self-control behind.
”
”
Danny Silk (Keep Your Love On: Connection Communication And Boundaries)
“
When death comes, she said, all that matters is this: to be next to one another. My mother was wearing a silk dress, and as she pressed her fingers into his, all of my father's adventures and hard living melted away. He knew that he had met the woman he would love until he couldn't love anymore.
”
”
Hannah Tinti (The Good Thief)
“
Love? Love? Love is not safe, my lady silk, love is dangerous. It is deceitfully sweet like wine from a fresh palm tree at dawn. Love is fine for singing about and love songs are good to listen to, sometimes even to dance to. But when we need to count on human strength, and when we have to count pennies for food for our stomachs and clothes for our backs, love is nothing. Ah my lady, the last man any woman should think of marrying is the man she loves.
”
”
Ama Ata Aidoo (Changes: A Love Story)
“
The collar had restrained his winds but not killed them. They uncoiled from behind the shadows, ready to surround her, to lift her up, to carry her away with only Ariel’s silk-clad arms wrapped about her to keep her from falling.
Spirare, they whispered to her like an incantation. Breathe us in.
Bertie didn’t mean to, but she inhaled, and everything inside her was a spring morning, a rose opening its petals to the sun, the light coming through the wavering glass of an old, diamond-paned window.
Tendrils of wind reached for Bertie with a coaxing hand. Release him, and he will love you.
”
”
Lisa Mantchev (Eyes Like Stars (Théâtre Illuminata, #1))
“
...My life has always been a powder keg waiting for a match."
"Well, hello, match," Hazel said, pointing to herself with both thumbs, but she smiled as she did it, hoping to take the sting out of the words.
"Hello, match." Somehow his snagged-silk voice gave them an entirely different meaning.
”
”
Holly Black (The Darkest Part of the Forest)
“
We can’t make love out here. It’s freezing!” Maryanne cried.
A boyishly beseeching look lit up his eyes. “We would heat up quickly.”
“It’s fine for you,” she protested. “You only need one part of your body, and you’ll be sliding that into warmth.
”
”
Sharon Page (Black Silk (Rodesson's Daughters, #2))
“
Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty.
”
”
Walter Moers (The Alchemaster's Apprentice: A Culinary Tale from Zamonia by Optimus Yarnspinner (Zamonia, #5))
“
The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.
”
”
Francesca Lia Block (Echo)
“
Song of Upbringing"
I
infancy
the snow that fell on me
was like floss silk
childhood
the snow that fell on me
was like sleet
seventeen to nineteen
the snow that fell on me
dropped like hail
twenty to twenty-two
the snow that fell on me
seemed like balls of ice
twenty-three
the snow that fell on me
looked like a blizzard
twenty-four
the snow that fell on me
became so mournful
II
the snow that falls on me
falls like petals
when the burning firewood makes a noise
and the frozen sky darkens
the snow that fell on me
so delicate and lovely
fell reaching out a hand
the snow that fell on me
was like tears
that sink into a burning forehead
to the snow that fell on me
I offered heartfelt thanks and prayed to God
that I would live a long life
the snow that fell on me
was so chaste
”
”
Chūya Nakahara
“
Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air.
Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashinable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
I sit up in bed and watch her fiddle about in the back of my wardrobe. I think she's got a plan. That's what's good about Zoey. She'd better hurry up though, because I'm starting to think of things like carrots. And air. And ducks. And pear trees. Velvet and silk. Lakes. I'm going to miss ice. And the sofa. And the lounge. And the way Cal loves magic tricks. And white things- milk, snow, swans.
”
”
Jenny Downham (Before I Die)
“
I wear a pony coat with skin like watered silk and muff of lamb. My fingers lie in depths of warmth. I have a jacket of silver sequins and heavy bracelets of rich corals. I wear about my neck a triple thread-like chain of lapis lazulis and pearls. On my face is softness and content like a veil of golden moonlight. And I have never in all my lives been so lonely.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
Humans will be like decayed gentry. We'll have the glorious mansion called the past that is falling into disrepair. We'll have a piece of land that we didn't look after very well called the planet. And we'll have some nice clothes and a lot of stories. We'll be fading aristocracy. We'll be Blanche Dubois in a moth-eaten silk dress. We'll be Marie Antionette with no cake.
”
”
Jeanette Winterson (Frankissstein: A Love Story)
“
I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air —
I have a rendezvous with Death
When Spring brings back blue days and fair.
It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath —
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.
God knows 'twere better to be deep
Pillowed in silk and scented down,
Where love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear...
But I've a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous.
”
”
Alan Seeger
“
We are sorry, child. We did not mean to love you so well.
This was a truth I hadn’t understood until now.
You see, nothing good can come from being loved by old gods. Their love of mortals turns them neglectful and petty. When they move on, they lay waste in their path—cicada wings and bear paw prints, sacs of spider silk, echoes and anemone, the limbs of lovers now rendered to stars.
”
”
Roshani Chokshi (The Last Tale of the Flower Bride)
“
A girl like me?”
“Yeah, a girl like you.” Cash’s lids drop down part way over his eyes, making them look like heavy, bedroom eyes, and his voice is like the silk sheets I can imagine him sleeping on. “Feisty, sexy, gorgeous as hell. I bet you’ve never met a man you couldn’t wind around your little finger.”
He’s watching me like he wants to undress me right where we are—in an empty bar with low light and soft music. And there’s a tiny part of me that would love for him to do exactly that.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
I notice Rose, dressed in a silk black robe, by the coffee pot. She tries to fix the machine, but Connor whispers to her too, drawing her away from the broken thing. With fire beneath her yellow-green gaze, Rose looks just as unaltered by the years. Just as fucking immortal. Just as enduring. Is it surprising—that they’d be equal in this measure too? It never has been to me. As I pass them to the side door, I see their spouse’s names on their lips. Richard. Rose. War and love is in their eyes
”
”
Krista Ritchie
“
I had a dog
who loved flowers.
Briskly she went
through the fields,
yet paused
for the honeysuckle
or the rose,
her dark head
and her wet nose
touching
the face
of every one
with its petals
of silk,
with its fragrance
rising
into the air
where the bees,
their bodies
heavy with pollen,
hovered—
and easily
she adored
every blossom,
not in the serious,
careful way
that we choose
this blossom or that blossom—
the way we praise or don’t praise—
the way we love
or don’t love—
but the way
we long to be—
that happy
in the heaven of earth—
that wild, that loving.
”
”
Mary Oliver (Dog Songs: Poems)
“
...I can't abide snakes."
"I don't even think of her as a snake."
"Ce'Nedra," he said patiently, "she's long and skinny, she wriggles, she doesn't have any arms or legs, and she's poisonous. By definition, she's a snake."
"...I'm bitterly disappointed in you, Prince Kheldar. She's a sweet, loving, brave little creature, and you're insulting her." He looked at her for a moment, then rose to his feet and bowed floridly to the earthenware bottle. "I'm dreadfully sorry, dear Zith," he apologized. "I can't think what came over me. Can you possible find it in your cold little green heart to forgive me?"
Zith hissed at him, a hiss ending in a curious grunt.
"She says to leave her alone," Sadi told him.
"Can you really understand what she's saying?"
"In a general sort of way, yes. Snakes have a very limited vocabulary, so it's not all that difficult to pick up a few phrases here and there." The eunuch frowned. "She's been swearing a great deal lately, though, and that's not like her. She's usually a very ladylike little snake."
"I can't believe I'm actually involved in this conversation," Silk said, shaking his head and going off down the hall toward the back of the house.
”
”
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
“
Luna. If I could, do you think I would spare my babies from the pain and love and suffering of the body from the first breath drawn? If I could, I would spill a silk sack of secrets down, like fireflies in the hot magic air. But my dear ones might not be ready. They might just swat those sacred secrets away like mosquitoes. If I could, do you think I would use my lunar power to rob them of their beautiful, poignant, soulful earth opera?
”
”
Rebecca Wells (The Crowning Glory of Calla Lily Ponder)
“
Great. Lovely. Can I have your hat?”
“My … hat?” The elderly woman looked up at the oversized hat. The sides drooped magnificently, and the thing was festooned with flowers. Like, oodles of them. Silk, he figured, but they were really good replicas.
“You have a lady friend?” Aunt Gin asked. “You wish to give her the hat?”
“Nah,” Wayne said. “I need to wear it next time I’m an old lady.”
“The next time you what?” Aunt Gin grew pale, but that was probably on account of the fact that Wax went stomping by, wearing his full rusting mistcoat. That man never could figure out how to blend in.
”
”
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
“
She used to imagine her parents and happy endings she would never have. Now she envisioned torments that were all too real.
She pictured one of Cinderella's stepsisters planting her foot on a cutting board - and biting down hard as the cleaver chopped through the bone of her big toe.
She imagined a princess used to safety, luxury, throwing the rank hide of a donkey over her shoulders, its boneless face drooping past her forehead like a hideous veil.
And she imagined her future self, flat on her back in bed, limbs as heavy as if they'd been chained down. Mice scurried across her body, leaving footprints on her dress. Spiders spun an entire trousseau's worth of silk and draped her in it, so it appeared she wore a gown of the finest lace, adorned with rose petals and ensnared butterflies. Beetles nestled between her fingers like jeweled rings - lovely from a distance, horrific up close.
”
”
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
“
I will tell you about the lady I loved."
The girls settled together on the entrance steps, not even breathing, for fear it would rustle the rosebushes about them and mask Mr. Keeper's words. Mr. Keeper stood unmoving on the dance floor.
"Once upon a time," he said. His voice dripped in silk strands. "There was a High King, who wanted more than anything to kill the Captain General who incited a rebellion against him. It consumed him. The desire to kill the Captain General filled him to his core, and he spent every breath, every step, thinking of ways to murder the Captain General.
"But he was old, and time passed, as it always does."
Mr. Keeper paused. Bramble cast a slightly bemused glance at Azalea, her eyebrow arched.
"So," Mr. Keeper continued, "he took an oath. He filled a wine flute to the brim with blood. And he swore, on that blood, to kill the Wentworth General, and that he would not die until he did.
"And then, he drank it.
"The end."
There was a very ugly, naked silence after that. The girls' mouths gaped in perfect Os.
"Sorry?" said Delphinium. "I missed the part about the lady?"
"Ah," said Mr. Keeper. "The blood. It was hers.
”
”
Heather Dixon Wallwork (Entwined)
“
She drew herself up and took in a breath, concentrating on her inflection so that she could indulge him in his game. Then she leaned forward and, in her best, most sincerely love-struck voice, breathed, "I love thee."
Sonny's face was just inches from hers. His storm-gray eyes flashed, and the dark silk of his hair drifted across his cheek as he leaned in his head. "Perfect."
So was the kiss.
Perfect.
"I love thee," Sonny murmured, all pretense gone.
”
”
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
“
Unfortunately, life is unfair and not all babies are brought into the world with the same amount of anticipation and affection, as others. No matter what anyone says; we are really not all given an equal start at life. And so what must children be made up of, to come into a world like this one? Children must be made up of silk. They must be brought up with a serenity in their skin but a bulletproof strength in their souls. This is the new breed of children. Ones that are soft to the touch but are truly unbreakable. And unbreakable in a beautiful way; not in a lost way.
”
”
C. JoyBell C.
“
Riley paused, turning back to face Jack. "Just so you know, we are gonna need some definite PDAs tonight.
Think you can handle that?" There was irritation in Riley's voice, a subtle change, a certain stress. Jack imagined it was a manifestation of fear, and it made him feel better to think that. In answer Jack moved carefully past Riley, sliding a hand over the younger man's black silk shirt, his fingers brushing Riley's left nipple. He heard a hiss of indrawn breath as his hard thigh touched Riley briefly.
"I can handle anything you need, Het-boy," he said, his voice low and growled. "Just follow my cues."
Riley followed him to the top of the stairs, and Jack held out his hand. "Husband?" he smirked.
Riley took his hand, and they started down the sweeping staircase. "Fuck you, asshole," Riley forced out behind a covering smile.
"Not if I fuck you first," Jack said, fast and clear, smirking again as Riley stumbled on the next step.
”
”
R.J. Scott (The Heart of Texas (Texas, #1))
“
ISCARIOT"
"A box of doves
I placed beside your chest
Liar
A stork of silk
With rubies in it's nest
Fire
Of my love
Will burn thee to a wizened word
For ere to go unheard.
A mare of wood
Elder, elm and oak
Liar
Will keep you fair
If you jest me no joke
Fire
Of my love
Will burn thee to a wizened word
For ere to go unheard.
I'm old and bruised
But my fate is that of youth
Liar
Trickster you
Be a grisly dragon's tooth
Fire
Of my love
Will burn thee to a wizened word
For ere to go unheard.
You gashed the heart of my heart
Like a Portuguese
Witch,
I'd planned for you this land
But you devoured my hand.
”
”
Marc Bolan (Marc Bolan Lyric Book)
“
Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof.
“You shouldn’t make friends with crows,” he’d told her.
“Why not?” she asked.
He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue.
The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world.
“Why not?” she’d repeated, eyes still closed.
He said the first thing that popped into his head. “They don’t have any manners.”
“Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
If this is how it's going to be -you getting all broody and distracted every time you fall in lust with somebody -well, I haven't the stomach for it. I won't put up with it, not for a dukedom. Not for three dukedoms. I deserve better than the role of a quietly accepting wife. I'm an interesting woman. I read. I have opinions. I appreciate poetry. I have a sense of humor."
"I know all that. I've always known."
"I deserve to be loved, truly loved -mind, body and soul. And in case you haven't noticed, there's a line of men ready to give me all that. Why on earth should I settle for a man who can't give me anything but friendship. Why should I settle for you?
”
”
Loretta Chase (Silk Is for Seduction (The Dressmakers, #1))
“
My dreams were always the same I could see myself laughing . I was standing somewhere in a forest a raindrop rolled down a branch and fell on my nose . My hair was a sparkling red color and I was wearing a white flowing ball gown made from silk. I could feel him the one I loved staring at me intensely . His eyes as gold as the sun . I could hear him saying my love Fleur .. you are everything to me. His fingertips lightly shivering as he touched my face beckoning for me to come closer. I don't know what I would do if I lost you . "Are you sure you want to be with me?" My body protested as I fought for him to stay but he never did. As soon as I woke up his presence was gone.
”
”
Isabella Kruger (Afterlife (A Discovery of Vampires, #1))
“
I have a plan," he said.
"Yes," she said.
"Let's get married," he said.
"Yes," she said.
"Let's conquer the world," he said.
"Yes," she said. No one in her family had ever been accused of dreaming small.
"Let's bring the beau monde to its knees."
"Yes."
"Let's make them beg for your creations."
"Yes," she said. "Yes, yes, yes."
"Is tomorrow too soon?" he said.
"No." she said. "We've a great deal to do, you and I, conquering the world. We must start at once. We've not a minute to lose."
"I love hearing you say that," he said.
He kissed her. It lasted a long time.
And they would last, she was sure, a lifetime. On that she'd wager anything.
”
”
Loretta Chase (Silk Is for Seduction (The Dressmakers, #1))
“
Nothing truly ends. It changes. Change is eternal. In being changed, you too are eternal. You are here in this moving moment and in being here, you are also forever. A fire becomes ash, which becomes earth. Sadness becomes joy, sometimes within the same cry. Birds molt feathers, then grow new ones for winter. Love becomes grief. Grief become memory. Wounds become scars. Doing becomes being. Pain becomes strength. Noon becomes night. Rain becomes vapor and then rain again. Hope becomes despair then hope again. A pear ripens, falls, transforms as it is tasted. A caterpillar disappears into its silk wrapped cocoon and things go dark, and then…
”
”
Matt Haig (The Comfort Book)
“
but was this funny? was this funny? was this funny? why was this funny? why was Sugar Kane funny? why were men dressed as women funny? why were men made up as women funny? why were men staggering in high heels funny? why was Sugar Kane funny, was Sugar Kane the supreme female impersonator? was this funny? why was this funny? why is female funny? why were people going to laugh at Sugar Kane & fall in love with Sugar Kane? why, another time? why would Sugar Kane Kovalchick girl ukulelist be such a box office success in America? why dazzling-blond girl ukulelist alcoholic Sugar Kane Kovalchick a success? why Some Like It Hot a masterpiece? why Monroe's masterpiece? why Monroe's most commercial movie? why did they love her? why when her life was in shreds like clawed silk? why when her life was in pieces like smashed glass? why when her insides had bled out? why when her insides had been scooped out? why when she carried poison in her womb? why when her head was ringing with pain? her mouth stinging with red ants? why when everybody on the set of the film hated her? resented her? feared her? why when she was drowning before their eyes? I wanna be loved by you boop boopie do! why was Sugar Kane Kovalchick of Sweet Sue's Society Syncopaters so seductive? I wanna be kissed by nobody else but you I wanna! I wanna! I wanna be loved by you alone but why? why was Marilyn so funny? why did the world adore Marilyn? who despised herself? was that why? why did the world love Marilyn? why when Marilyn had killed her baby? why when Marilyn had killed her babies? why did the world want to fuck Marilyn? why did the world want to fuck fuck fuck Marilyn? why did the world want to jam itself to the bloody hilt like a great tumescent sword in Marilyn? was it a riddle? was it a warning? was it just another joke? I wanna be loved by you boop boopie do nobody else but you nobody else but you nobody else
”
”
Joyce Carol Oates (Blonde)
“
[speaking of a friend named Lavendar Lewis] 'I think her parents gave her the only right and fitting name that could possibly be given her,' said Anne. 'If they had been so blind as to name her Elizabeth or Nellie or Muriel she must have been called Lavendar just the same, I think. It's so suggestive of sweetness and old-fashioned graces and "silk attire." Now, my name just smacks of bread and butter, patchwork and chores.'
'Oh, I don't think so,' said Diana. 'Anne seems to me real stately and like a queen. But I'd like Kerenhappuch if it happened to be your name. I think people make their names nice or ugly just by what they are themselves. I can't bear Josie or Gertie for names now but before I knew the Pye girls I thought them real pretty.'
'That's a lovely idea, Diana,' said Anne enthusiastically. 'Living so that you beautify your name, even if it wasn't beautiful to begin with...making it stand in people's thoughts for something so lovely and pleasant that they never think of it by itself. Thank you, Diana.
”
”
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
“
make an agreement to exercise mutual control over each other. The unspoken pact between them is, “It’s my job to make you happy, and your job to make me happy. And the best way to get you to work on my life is to act miserable. The more miserable I am, the more you will have to try to make me feel better.” Powerless people use various tactics, such as getting upset, withdrawing, nagging, ridiculing, pouting, crying, or getting angry, to pressure, manipulate, and punish one another into keeping this pact. However, this ongoing power play does nothing to make them happy and mitigate their anxiety in the long term. In fact, their anxiety only escalates by continually affirming that they are not actually powerful. Any sense of love and safety they feel by gaining or surrendering control is tenuous and fleeting. A relational bond built on mutual control simply cannot produce anything remotely like safety, love, or trust. It can only produce more fear, pain, distrust, punishment, and misery. And when taken to an extreme, it produces things like domestic violence.
”
”
Danny Silk (Keep Your Love On: Connection Communication And Boundaries)
“
There were just all those evenings we sat together and it doesn't seem possible that it will never be again. It was like we were the only two people in the world. No one will ever understand how happy we were...I could sit there all night watching her, just the shape of her head and the way the hair fell from it with a special curve, so graceful it was, like the shape of a swallow-tail. It was like a veil or a cloud, it would lie like silk strands all untidy and loose but lovely over her shoulders, I wish I had words to describe it like a poet would or an artist. She had a way of throwing it back when it had fallen too much forward, it was just a simple natural movement. Sometimes I wanted to say to her, please do it again, please let your hair fall forward and toss it back. Only of course it would have been stupid. Everything she did was delicate like that. Just turning a page. Standing up or sitting down, drinking, smoking, anything. Even when she did things considered ugly, like yawning or stretching, she made it seem pretty. The truth was she couldn't do ugly things. She was too beautiful.
”
”
John Fowles (The Collector)
“
The eyes themselves were of that baffling protean gray which is never twice the same; which runs through many shades and colorings like intershot silk in sunshine; which is gray, dark and light, and greenish gray, and sometimes of the clear azure of the deep sea. They were eyes that masked the soul with a thousand guises, and that sometimes opened, at rare moments, and allowed it to rush up as though it were about to fare forth nakedly into the world on some wonderful adventure -- eyes that could brood with the hopeless somberness of leaden skies; that could snap and crackle points of fire like those that sparkle from a whirling sword; that could grow chill as an arctic landscape, and yet again, that could warm and soften and be all adance with love-lights, intense and masculine, luring and compelling, which at the same time fascinate and dominate women till they surrender in a gladness of joy and of relief and sacrifice.
”
”
Jack London
“
For weeks Octavio returned to the shelter of the trees. The woman would appear as the sun reached midday. She would walk to the edge of the trees, find her chair and drag it to the boat pond. Every Sunday the same chair, the same spot. Every Sunday a book.
He needed only one word to imagine a hundred stories: she -
was a dancer; cooling her feet after a morning of twists and leaps.
was the daughter of a sea captain, remembering her childhood as the toy boats crossed the pond.
was an empress hiding among her subjects, shielding her face with a scarf made from the silk of ten thousand worms. Five thousand green, five thousand blue.
was a teacher, a lover of learning, patient and gentle with her students.
She - was a reader.
He had a library.
”
”
C.S. Richardson (The Emperor of Paris)
“
The Love I Gave You Once
My beloved,
My own,
Do not demand the love
I gave you once.
For a moment, I really believed
That you alone gave meaning
To my withered life;
That the accelerating pain
Of my unrequited love,
Would make me forget
All other torments
Of this troubled world;
That your face lent stability
To the restless spring;
That nothing else mattered
In this empty world
But your deep, seductive eyes.
For a moment, I really believed
That if I could only possess you,
I could conquer Fate itself.
But all that was false,
A mere illusion.
This world of ours bleeds
With more pains than just the pain of love;
And many more pleasures beckon us all the time
Than just the fleeting pleasures of a reunion with you.
For untold centuries,
The affluent have always woven many webs of intrigue,
Dark and cruel and mysterious,
And dressed them up in silks and brocades.
And for all those years,
On every street and in every bazaar,
Human bodies have been brazenly sold,
Dressed in dust and bathed in blood,
Malnourished, misshapen and baked by disease.
Time and time again,
My eyes are diverted
To this tragic scene,
Your beauty is alluring as ever,
Your arms inviting as always:
But how can I ever ignore
All this ugliness, all this pain?
Yes, my love,
This world of ours bleeds
With more pains that just the pain of love;
And many more pleasures beckon us all the time
Than just the fleeting pleasure of a reunion with you.
My beloved,
My own,
Do not demand the love
I gave you once.
”
”
Faiz Ahmad Faiz
“
Eroan Ilanea, you’re my everything. I don’t need a dragon, I’m all-dragon with you. I’m not going anywhere, because I have everything I need right here. I love you now, I loved you yesterday, and I’ll love you a hundred years from now, until you’re as old as that ancient Order elf in Ashford and I’m so old I’ll frighten all the little elflings with inappropriate war stories.”
“You already do that,” Eroan said, but smiling again.
Lysander touched his nose to Eroan’s. “I’ll love you until all the other dragons are gone and the world is as it was, with billions of humans and hidden elves and houses and cities, and it’s just you and me, wondering when we got old. I’ll love you until your Ashford tree is as tall as the highest mountain. I’m never going to stop loving you because you’re my heart and my soul and my reason for living.” Eroan sighed against Lysander’s mouth, and it was all he could do not to ravish him right there. “Did you doubt it?” he asked.
“Not you,” Eroan said, a touch of heat in his face. “I doubted myself.”
“Well, don’t.
”
”
Ariana Nash (Reunion (Silk & Steel #4.5))
“
It was pitiful for a person born in a wholesome free atmosphere to listen to their humble and hearty outpourings of loyalty toward their king and Church and nobility; as if they had any more occasion to love and honor king and Church and noble than a slave has to love and honor the lash, or a dog has to love and honor the stranger that kicks him! Why, dear me, ANY kind of royalty, howsoever modified, ANY kind of aristocracy, howsoever pruned, is rightly an insult; but if you are born and brought up under that sort of arrangement you probably never find it out for yourself, and don't believe it when somebody else tells you. It is enough to make a body ashamed of his race to think of the sort of froth that has always occupied its thrones without shadow of right or reason, and the seventh-rate people that have always figured as its aristocracies -- a company of monarchs and nobles who, as a rule, would have achieved only poverty and obscurity if left, like their betters, to their own exertions...
The truth was, the nation as a body was in the world for one object, and one only: to grovel before king and Church and noble; to slave for them, sweat blood for them, starve that they might be fed, work that they might play, drink misery to the dregs that they might be happy, go naked that they might wear silks and jewels, pay taxes that they might be spared from paying them, be familiar all their lives with the degrading language and postures of adulation that they might walk in pride and think themselves the gods of this world. And for all this, the thanks they got were cuffs and contempt; and so poor-spirited were they that they took even this sort of attention as an honor.
”
”
Mark Twain
“
The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from ever corner of the world, but no matter where it is told, it is always the same story,
A boy on horseback, wandering at night, in the woods or on the plains or along the shores. The sound of a lute drifts in the evening air. Over head are the stars of a clear sky, a sheet of light so bright that he reaches up, trying to touch them. He stops and descends from his horse. Then he waits. He waits until exactly midnight, when the newest constellation in the sky blinks into existence.
If you are very quiet and do not look away, you may see the brightest star in the constellation glow steadily brighter. It brightens until it overwhelms every other star in the sky, brightens until it seems to touch the ground, and then the glow is gone, and it its place is a girl.
Her hair and lashes are painted a shifting silver, and a scar crosses one side of her face. She is dressed in Sealand silks and a necklace of sapphire. Some say that, once upon a time, she had a prince, a father, a society of friends. Other say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.
She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen.
These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on.
--"The Midnight Star", a folktale
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
Scuffing her bare feet into slippers, she shrugged into a silk robe, then hesitated, looking down at Perrin. He would be able to see her clearly, if he woke, but to her, he was just a shadowed mound. She wished her mother were there, now, to advise her. She loved Perrin with every fiber of her being, and he confused every fiber. Actually understanding men was impossible, of course, but he was so unlike anyone she had grown up with. He never swaggered, and instead of laughing at himself, he was... modest. She had not believed a man could be modest! He insisted that only chance had made him a leader, claimed he did not know how to lead, when men who met him were ready to follow after an hour. He dismissed his own thinking as slow, when those slow, considering thoughts saw so deeply that she had to dance a merry jig to keep any secrets at all. He was a wonderful man, her curly-haired wolf. So strong. And so gentle.
”
”
Robert Jordan (The Path of Daggers (The Wheel of Time, #8))
“
I’m riding a tram and, as is my habit, slowly absorbing every detail of the people around me. By ‘detail’ I mean things, voices, words. In the dress of the girl directly in front of me, for example, I see the material it’s made of, the work involved in making it – since it’s a dress and not just material – and I see in the delicate embroidery around the neck the silk thread with which it was embroidered and all the work that went into that. And immediately, as if in a primer on political economy, I see before me the factories and all the different jobs: the factory where the material was made; the factory that made the darker coloured
thread that ornaments with curlicues the neck of the dress’ and I see the different workshops in the factories, the machines, the workmen, the seamstresses. My eyes’ inward gaze even penetrates into the offices, where I see the managers trying to keep calm and the figures set out in the account books, but that’s not all: beyond that I see into the domestic lives of all those who spend their working hours in these factories and offices...A whole world unfolds before my eyes all because the regularly irregular dark green edging to a pale green dress worn by the girl in front of me of whom I see only her brown neck.
‘A whole way of life lies before me.
I sense the loves, the secrets, the souls of all those who worked just so that this woman in front of me on the tram should wear around her mortal neck the sinuous banality of a thread of dark green silk on a background of light green cloth.
I grow dizzy. The seats on the tram, of fine, strong cane, carry me to distant regions, divide into industries, workmen, houses, lives, realities, everything.
I leave the tram exhausted, like a sleepwalker, having lived a whole life.
”
”
Fernando Pessoa (The Book of Disquiet)
“
And it is in New York I have those strangest things of all: human friendships. Not many friendships and not of spent familiarities: for I don't like actual human beings too much around me. But yet friendships made of the edges of thoughts and vivid pathos and pregnant odds and ends of nervous human flesh and fire.
It is in New York I go to the apartment of a Friend at the end of an afternoon. In the apartment are some persons having tea, men and women. The Friend greets me at the door. She wears maybe a dress of thin dark and light silk, shaped in the quaint outlandish fashion of the hour. And she has shrewd kindly eyes like a Rembrandt portrait, and a worn New-York-ish Latin-ish brain and heart both of which are made of steel, sparkle and the very plain red meat of living. She says, 'Hello-Mary-Mac-Lane,' and clasps my hand, and we exchange a glance of no real understanding at all but suggesting warmed challenge of personality, and an oblique sweet call of depth to depth, and of friendship which by mere force of preference and of our separate quality and calibre is true rather than false. So close and no closer may friendship be. And friendship with-all, is closer than any love. It is the closest human beings ever come to meeting.
”
”
Mary MacLane (I, Mary MacLane: A Diary of Human Days)
“
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Traffic was in confusion for several days. For red to mean "stop' was considered impossibly counterrevolutionary. It should of course mean "go." And traffic should not keep to the right, as was the practice, it should be on the left. For a few days we ordered the traffic policemen aside and controlled the traffic ourselves. I was stationed at a street corner telling cyclists to ride on the left. In Chengdu there were not many cars or traffic lights, but at the few big crossroads there was chaos. In the end, the old rules reasserted themselves, owing to Zhou Enlai, who managed to convince the Peking Red Guard leaders. But the youngsters found justifications for this: I was told by a Red Guard in my school that in Britain traffic kept to the left, so ours had to keep to the right to show our anti-imperialist spirit. She did not mention America.
As a child I had always shied away from collective activity. Now, at fourteen, I felt even more averse to it. I suppressed this dread because of the constant sense of guilt I had come to feel, through my education, when I was out of step with Mao. I kept telling myself that I must train my thoughts according to the new revolutionary theories and practices. If there was anything I did not understand, I must reform myself and adapt. However, I found myself trying very hard to avoid militant acts such as stopping passersby and cutting their long hair, or narrow trouser legs, or skirts, or breaking their semi-high-heeled shoes. These things had now become signs of bourgeois decadence, according to the Peking Red Guards.
My own hair came to the critical attention of my schoolmates. I had to have it cut to the level of my earlobes. Secretly, though much ashamed of myself for being so "petty bourgeois," I shed tears over losing my long plaits. As a young child, my nurse had a way of doing my hair which made it stand up on top of my head like a willow branch. She called it "fireworks shooting up to the sky." Until the early 1960s I wore my hair in two coils, with rings of little silk flowers wound around them. In the mornings, while I hurried through my breakfast, my grandmother or our maid would be doing my hair with loving hands. Of all the colors for the silk flowers, my favorite was pink.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
Candlelight flickered in the adjacent bedroom. She followed the ambient warmth to the threshold and paused there, marveling at what she saw. Lucan’s austere bedroom had been transformed into something out of a dream. Four tall black pillar candles set into intricate silver sconces burned in each corner. Red silk draped the bed. On the floor before the fireplace was a cushioned next of fluffy pillows and even more crimson silk. It looked so romantic, so inviting.
A room intended for lovemaking.
She took a step farther inside. Behind her, the door closed softly on its own.
No, not quite on its own. Lucan was there, standing on the other side of the room, watching her. His hair was damp from a shower. He wore a loosely tied, satiny red robe that skated around his bare calves, and there was a heated look in his eyes that melted her where she stood.
“For you,” he said, indicating the romantic setting. “For us tonight. I want things to be special for you.”
Gabrielle was moved, instantly aroused by the sight of him, but she couldn’t bear to make love the way things had been left between them.
“When I left tonight, I wasn’t going to come back,” she told him from the safety of distance. If she went any closer, she didn’t think she’d have the strength to say what had to be said. “I can’t do this anymore, Lucan. I need things from you that you can’t give me.”
“Name them.” It was a soft command, but still a command. He moved toward her with careful steps, as though he sensed she might bolt on him at any second. “Tell me what you need.”
She shook her head. “What would be the use?”
A few more slow steps. He paused just beyond an arm’s length. “I’d like to know. I’m curious what it would take to convince you to stay with me.”
“For the night?” she asked quietly, hating herself for how badly she needed to feel his arms around her after what she’d been through these past several hours.
“I want you, and I’m prepared to offer you anything, Gabrielle. So, tell me what you need.
”
”
Lara Adrian (Kiss of Midnight (Midnight Breed, #1))
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down…
All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does.
Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough.
Don’t be afraid, says Yeshua. Far more can be mended than you know.
She is weeping. The executee helps her to stand up.
”
”
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk...
I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up.
Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief.
It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers.
To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret!
And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!...
Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long?
The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
”
”
Jean Lorrain (Monsieur de Phocas)