Elegant Lady Quotes

Glam culture is ultimately rooted in obsession, and those of us who are truly devoted and loyal to the lifestyle of glamour are masters of its history. Or, to put it more elegantly, we are librarians.

Why should one not enjoy in a light-hearted sort of way stories of ladies and gentlemen who fall in love and express their feelings for each other, often in most elegant phrases?

Ladies should also remember that gentlemen look more to the effect of a dress in setting off the figure and countenance of a lady than to its cost. Very few gentlemen have any idea the value of ladies' dresses. This is a subject for female criticism. Beauty of person and elegance of manners in women will always command more admiration from the opposite sex than beauty, elegance or costliness of clothing." The Scholars' Companion and Ball Room Vade Mecum Thomas Hillgrove, 1857

If you do not apologize to Lady Honoria,” Marcus said, his voice so mild as to be terrifying, “I will kill you.” There was a collective gasp, and Daisy faked a swoon, sliding elegantly into Iris, who promptly stepped aside and let her hit the floor. “Oh, come now,” Mr. Grimston said. “Surely it won’t come to pistols at dawn.” “I’m not talking about a duel,” Marcus said. “I mean I will kill you right here.

Don't let the cat out or the concierge in: this is the first principle of socialist ladies.

I had not seen "Pride and Prejudice," till I read that sentence of yours, and then I got the book. And what did I find? An accurate daguerreotyped portrait of a common-place face; a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses.

Fashion sighs after trends. I want timeless elegance. Fashion has no time. I do. I say: Hello Lady, how can I help you? Fashion has no time to even ask such a question, because it is constantly concerned with finding out: What will come next? It is more about helping women to suffer less, to attain more freedom and independence.

this was a Julian she’d never seen, a Julian with his expression stripped down to the elegant bones of his face.

Usu­al­ly, very ear­ly in the morn­ing. Ger­man la­bor­ers were go­ing to work. They would stop and look at us with­out sur­prise. One day when we had come to a stop, a work­er took a piece of bread out of his bag and threw it in­to a wag­on. There was a stam­pede. Dozens of starv­ing men fought des­per­ate­ly over a few crumbs. The work­er watched the spec­ta­cle with great interest. Years later, I witnessed a sim­ilar spec­ta­cle in Aden. Our ship’s pas­sen­gers amused them­selves by throw­ing coins to the “natives,” who dove to retrieve them. An el­egant Parisian la­dy took great plea­sure in this game. When I no­ticed two chil­dren des­perate­ly fighting in the wa­ter, one try­ing to stran­gle the oth­er, I implored the la­dy: “Please, don’t throw any more coins!” “Why not?” said she. “I like to give char­ity…

Opulence without elegance seems to be her motto.

She was simple, not being able to adorn herself, but she was unhappy, as one out of her class; for women belong to no caste, no race, their grace, their beauty and their charm serving them in place of birth and family. Their inborn finesse, their instinctive elegance, their suppleness of wit, are their only aristocracy, making some daughters of the people the equal of great ladies.

When Hitler marched across the Rhine To take the land of France, La dame de fer decided, ‘Let’s make the tyrant dance.’ Let him take the land and city, The hills and every flower, One thing he will never have, The elegant Eiffel Tower. The French cut the cables, The elevators stood still, ‘If he wants to reach the top, Let him walk it, if he will.’ The invaders hung a swastika The largest ever seen. But a fresh breeze blew And away it flew, Never more to be seen. They hung up a second mark, Smaller than the first, But a patriot climbed With a thought in mind: ‘Never your duty shirk.’ Up the iron lady He stealthily made his way, Hanging the bright tricolour, He heroically saved the day. Then, for some strange reason, A mystery to this day, Hitler never climbed the tower, On the ground he had to stay. At last he ordered she be razed Down to a twisted pile. A futile attack, for still she stands Beaming her metallic smile.

Mariko realized that every person she’d ever met, from the smallest of children to the most notorious of thieves, had a life as intricate and significant as that of an emperor or a samurai or an elegant lady of the court.

It really is too bad that sometimes inconvenient facts surface to thumb their noses at remarkably elegant hypotheses.

Don't let that young giant come near me, he worries me worse than mosquitoes," whispered the old lady to Amy, as the rooms filled and Laurie's black head towered above the rest. "He has promised to be very good today, and he can be perfectly elegant if he likes," returned Amy, gliding away to war Hergules to beware of the dragon, which warning cased him to haunt the old lady with a devotion that nearly distracted her.

But no monk am I in my head, God grant me pardon," he whispered. His body drew closer, velvet and taut elegance. "My confessor has chastised me oft, and bade me study on my sins at length. And so, lady"--he kissed her, the hunger in it sinking down through her like a comet falling--"I have studied.

...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.

Like the Baron, Mathilde developed a formula for acting out life as a series of roles—that is, by saying to herself in the morning while brushing her blond hair, "Today I want to become this or that person," and then proceeding to be that person. One day she decided she would like to be an elegant representative of a well-known Parisian modiste and go to Peru. All she had to do was to act the role. So she dressed with care, presented herself with extraordinary assurance at the house of the modiste, was engaged to be her representative and given a boat ticket to Lima. Aboard ship, she behaved like a French missionary of elegance. Her innate talent for recognizing good wines, good perfumes, good dressmaking, marked her as a lady of refinement.

She was a plain-faced old woman, without graces and without any great elegance, but with an extreme respect for her own motives. She was usually prepared to explain these—when the explanation was asked as a favour; and in such a case they proved totally different from those that had been attributed to her

She turned towards me immediately. The easy elegance of every movement of her limbs and body as soon as she began to advance from the far end of the room, set me in a flutter of expectation to see her face clearly. She left the window—and I said to myself, The lady is dark. She moved forward a few steps—and I said to myself, The lady is young. She approached nearer—and I said to myself (with a sense of surprise which words fail me to express), The lady is ugly! Never

Lady Middleton piqued herself upon the elegance and extravagance of her table, and all her domestic arrangements; she loved to surprise English visitors with displays of hospitality native to her homeland, such as flavouring her soups with monkey urine and not telling anyone she had done so until the bowl had been drained.

If you do not apologize to Lady Honoria,” Marcus said, his voice so mild as to be terrifying, “I will kill you.” There was a collective gasp, and Daisy faked a swoon, sliding elegantly into Iris, who promptly stepped aside and let her hit the floor.

Since my daughter died I am perfectly aware of death's proximity; and now, in my seventies, death is my friend. It's not true that she looks like a skeleton armed with a scythe and trailed by a rotten odor; she is a mature and elegant lady who smells of gardenias. At first she was lurking in the neighborhood, then in the house next door, and now she is waiting patiently in my garden. Sometimes, when I pass in fornt of her, we greet each and she reminds me that I should enjoy this day as if it were my last.

...the ladies of Cranford always dressed with chaste elegance and propriety...

The hunt for spouses is an activity on a par with fox-hunting or hawking, though the weapons and dramatis personae differ. Just as grizzled old men know the habits of hares and quail, so do elegant society gossips know every titbit about the year’s eligible men and women.

Almost every woman inherently wants to have the 'desirability advantage,' but few are willing to admit not to mention work on it. The following advice is strictly meant for sensual ladies: Don't be afraid to be your most gorgeous self or to look sexy. Yes, it will give you an unfair advantage, but what's really important is that it will teach you the art of living a sensual lifestyle, an art without which life (and love) would be utterly boring if not depressing.

He would likely either leave engaged or unconscious, depending on how things went with Lady Miranda and her brothers. Women weren’t usually forgiving when they learned they’d been fooled, and men were rarely restrained when a sister felt her honor had been slighted.

Any one who imagines ten days too short a time—not for falling into leanness, lightness, or other measurable effects of passion, but—for the whole spiritual circuit of alarmed conjecture and disappointment, is ignorant of what can go on in the elegant leisure of a young lady’s mind.

I call [fourth-wave feminism] fainting–couch feminism, a la the delicate Victorian ladies who retreated to an elegant chaise when overcome with emotion. As an equality feminist from the 1970s, I am dismayed by this new craze. Women are not children. We are not fragile little birds who can’t cope with jokes, works of art, or controversial speakers. Trigger warnings and safe spaces are an infantilizing setback for feminism—and for women.

Oh, don't I wish I could manage things for you as I do for my heroines! You're pretty enough and good enough already, so I'd have some rich relation leave you a fortune unexpectedly; then you'd dash out as an heiress, scorn everyone who has slighted you, go abroad, and como home my Lady Something in a blaze of splendor and elegance.

Speaking in a gentle way doesn’t only show politeness, it’s a mark of self-possession. Self-possessed people don’t see the need to draw attention by raising their voice.

good cotton, riding well, shooting straight, dancing lightly, squiring the ladies with elegance and carrying one’s liquor like a gentleman were the things that mattered.

Mrs Cutler, who had taken an immediate fancy to the elegant French lady, now appeared with a tray of strawberries and cream.

What could be a happier gift in a companion than a quick, fanciful mind which saved one repetitions and reflected one's thought on a polished, elegant surface?

A dress should be tight enough to show you’re a woman, and loose enough to prove you’re a lady.

Elegance is 15% confidence, 30% intelligence, 15% appearance, and 40% charm.

You are a lady, Miss Kelley. No other woman of my acquaintance is as graceful in her demeanor or as elegant in her thinking.

Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?

Why should one not enjoy in a light-hearted sort of way stories of ladies and gentlemen who fall in love and express their feelings for each other, often in the most elegant phrases?

True elegance is not shaped by self-importance and superiority, but by making people feel important. By doing this, the person who makes people feel important becomes truly important.

her inclination for good company, and power of appreciating what was elegant and clever, shewed that there was no want of taste, though strength of understanding must not be expected.

Colin tried to remember if he’d prayed for the Lord to teach him patience recently because he could think of no other reason why God would constantly be throwing Lady Georgina into his path.

She is not conventionally beautiful or accomplished or elegant,” Magnus continued, “but she is attractive. She does not even know how much, but every man she meets feels it and is drawn to her. The thing is, though, that most ladies feel drawn to her too. So it is not flirtation, you see. It is simply the extraordinary attractiveness of her character.” -Slightly Dangerous (Bedwyn Saga #6)

shop owner named Nadia Denham . . . An elegant name that evokes lovers and dances, spiced teas in fragile cups, and secrets, lots of secrets. Old ladies keep the best secrets. And the most horrible ones.

Honestly, of all the unnecessary things her mother had taught her in the last eighteen years, she couldn’t have found two minutes to say, “A lady always brings something to occupy herself while she waits”?

They have the same relationship that all progressive middle-class women have with their cleaning ladies, although Maman really thinks she is the exception: a good old rose-colored paternalistic relationship (we offer her coffee, give her decent pay, never scold, pass on old clothes and broken furniture, and show an interest in her children, and in return she brings us roses and brown and beige crocheted bedspreads).

Anne could believe, with Lady Russell, that a more equal match might have greatly improved him; and that a woman of real understanding might have given more consequence to his character, and more usefulness, rationality, and elegance to his habits and pursuits.

Like Scout Finch in To Kill a Mockingbird, I saw the effortless grace and elegance of the women around me and realized that “there was some skill involved in being a girl,” and I knew I didn’t just want to grow up and be a woman. I wanted to grow up and be a lady.

As we all know, poodles are a type of curly-haired dog preferred by petit bourgeois retirees, ladies very much on their own who transfer their affection upon their pet, or residential concierges ensconced in their gloomy loges. Poodles come in black or apricot. The apricot ones tend to be crabbier than the black ones, who on the other hand do not smell as nice. Though all poodles bark snappily at the slightest provocation, they are particularly inclined to do so when nothing at all is happening. They follow their master by trotting on their stiff little legs without moving the rest of their sausage-shaped trunk. Above all they have venomous little black eyes set deep in their insignificant eye-sockets. Poodles are ugly and stupid, submissive and boastful. They are poodles, after all

After this Daisy was never at home, and Winterbourne ceased to meet her at the houses of their common acquaintances, because, as he perceived, these shrewd people had quite made up their minds that she was going too far. They ceased to invite her, and they intimated that they desired to express observant Europeans the great truth that, though Miss Daisy Miller was a young American lady, her behaviour was not representative - was regarded by her compatriots as abnormal. Winterbourne wondered how she felt about all the cold shoulders that were turned towards her, and sometimes it annoyed him to suspect that she did not feel at all. He said to himself that she was too light and childish, too uncultivated and unreasoning, too provincial, to have reflected upon her ostracism or even to have perceived it. Then at other moments he believed that she carried about in her elegant and irresponsible little organism a defiant, passionate, perfectly observant consciousness of the impression she produced. He asked himself whether Daisy's defiance came from the consciousness of innocence or from her being, essentially, a young person of the reckless class. It must be admitted that holding oneself to a belief in Daisy's "innocence" came to see Winterbourne more and more a matter of fine-spun gallantry. As I have already had occasion to relate, he was angry at finding himself reduced to chopping logic about this young lady; he was vexed at his want of instinctive certitude as to how far her eccentricities were generic, national, and how far they were personal. From either view of them he had somehow missed her, and now it was too late.

... since with women there is neither caste nor rank; and beauty, grace, and charm act instead of family and birth. Natural fineness, instinct for what is elegant, suppleness of wit, are the sole hierarchy, and make from women of the people the equals of the very greatest ladies.

Georgia, a lack of the niceties of classical education carried no shame, provided a man was smart in the things that mattered. And raising good cotton, riding well, shooting straight, dancing lightly, squiring the ladies with elegance and carrying one’s liquor like a gentleman were the things that mattered.

Lady Dunreath, in the meantime, suffered torture; after she had seen Malvina turned from the abbey, she returned to her apartment; it was furnished with the most luxurious elegance, yet she could not rest within it. Conscience already told her, if Malvina died, she must consider herself her murderer: her pale and woe-worn image seemed still before her: a cold terror oppressed her heart, which the terrors of the night augmented. The tempest shook the battlements of the abbey; and the wind howled through the galleries, like the moan of some wandering spirit of the pile, bewailing the fate of one of its fairest daughters.

Oh, my poor Sparrow!’ he said, mocking her. ‘Never have I encountered so heartrending a sight! A job-horse?’ ‘No,’ replied Phoebe. ‘My cousin Anne’s favourite mount. A very safe, comfortable ride for a lady, Duke.’ ‘I beg your pardon! I have not seen him show his paces, of course.’ She cast him a glance of lofty scorn. ‘He has none. He has a very elegant shuffle, being just a trifle tied in below the knee.’ ‘But such shoulders!’ Gravity deserted her; she burst into laughter, which made Miss Mary Ingham turn her head to look at her in wondering reproof, and said: ‘Oh, dear, did you ever set eyes on such a flat-sided screw?

Behind her, the two Sharpe sisters came out to cross the courtyard. He dragged in a heavy breath as the younger one caught his eye. Masters approached to look out the window, too. "And there she comes, the most beautiful woman in the world." "And the most maddening," Jackson muttered. "Watch it, Pinter," Masters said in a voice tinged with amusement. "That's my wife you're talking about." Jackson started. He hadn't been staring at Mrs. Masters. "I beg your pardon," he murmured, figuring he'd best not explain. Masters would never accept that Lady Celia was to her sister as a gazelle was to a brood mare. The newly wedded barrister was blinded by love. Jackson wasn't. Any fool could see that Lady Celia was the more arresting of the two. While Mrs. Masters had the lush charms of a dockside tart, Lady Celia was a Greek goddess-willowy and tall, small-breasted and long-limbed, with a fine lady's elegant brow, a doe's soft eyes... And a vixen's temper. The damned female could flay the flesh from a man's bones with her sharp tongue. She could also heat his blood with one unguarded smile. God save him, it was a good thing her smile had never been bestowed on him. Otherwise, he might act on the fantasy that had plagued him from the day he'd met her-to shove her into some private closet where he could plunder her mouth with impunity. Where she would wrap those slender arms about his neck and let him have his way with her.

An elegantly crafted novel, "The Reluctant First Lady" clearly documents author Venita Ellick as an exceptionally accomplished writer able to skillfully weave memorable characters into a riveting story line from beginning to end. As engaging as it is entertaining, "The Reluctant First Lady" is highly recommended for both personal reading lists and community library contemporary fiction collections.

Equally disagreeable is the man who, when leaving in the middle of the night, takes care to fasten the cord of his headdress. This is quite unnecessary; he could perfectly well put it gently on his head without tying the cord. And why must he spend time adjusting his cloak or hunting costume? Does he really think that someone may see him at this time of night and criticize him for not being impeccably dressed? A good lover will behave as elegantly at dawn as at any other time. He drags himself out of bed with a look of dismay on his face. The lady urges him on: “Come, my friend, it’s getting light. You don’t want anyone to find you here.” He gives a deep sigh, as if to say that the night has not been nearly long enough and that it is agony to leave. Once up, he does not instantly pull on his trousers. Instead, he comes close to the lady and whispers whatever was left unsaid during the night. Even when he is dressed, he still lingers, vaguely pretending to be fastening his sash. Presently he raises the lattice, and the two lovers stand together by the side door while he tells her how he dreads the coming day, which will keep them apart; then he slips away. The lady watches him go, and this moment of parting will remain among her most charming memories. Indeed, one’s attachment to a man depends largely on the elegance of his leave-taking. When he jumps out of bed, scurries about the room, tightly fastens his trouser-sash, rolls up the sleeves of his Court cloak, over-robe, or hunting costume, stuffs his belongings into the breast of his robe and then briskly secures the outer sash—one really begins to hate him.

She was no longer the fair-haired, colourless girl whom I had seen at the church fifteen years before, but a stout, over-dressed lady, one of those ladies with no age, no character, no elegance, no wit, nor any of the attributes that constitute a woman. She was merely a mother, a fat, commonplace mother, the breeder, the human brood-mare, the procreating machine made of flesh, with no interests but her children and her cookery-book.

Ruth enjoys teaching summer school. The students are always keen, often they are older people who have always dreamt of being archaeologists, merchant bankers inspired by Time Team, old ladies with a surprisingly detailed knowledge of Bronze Age burial customs. There are usually lots of foreigners too, because the university needs the money: Americans with complicated dietary needs, earnest Chinese students, casually elegant Italians.

Amanda Werner and several other beautiful, elegant, conically breasted foreign ladies, from unspecified vaguely defined countries, plus a few bucolic co-called humorists, comprised Buster's perpetual core of repeats. Women like Amanda Werner never made movies, never appeared in plays; they lived out their queer, beautiful lives as guests on Buster's unending show, appearing, Isidore had once calculated, as much as seventy hours a week.

How was your journey?" he asked. "You don't have to make small talk with me," she said. "I don't like it, and I'm not very good at it." They paused at the shade of portico, beside a sweet-scented bower of roses. Casually Lord St. Vincent leaned a shoulder against a cream-painted column. A lazy smile curved his lips as he looked down at her. "Didn't Lady Berwick teach you?" "She tried. But I hate trying to make conversation about weather. Who cares what the temperature is? I want to talk about things like... like..." "Yes?" he prompted as she hesitated. "Darwin. Women's suffrage. Workhouses, war, why we're alive, if you believe in séances or spirits, if music has ever made you cry, or what vegetable you hate most..." Pandora shrugged and glanced up at him, expecting the familiar frozen expression of a man who was about to run for his life. Instead she found herself caught by his arrested stare, while the silence seemed to wrap around them. After a moment, Lord St. Vincent said softly, "Carrots." Bemused, Pandora tried to gather her wits. "That's the vegetable you hate most? Do you mean cooked ones?" "Any kind of carrots." "Out of all vegetables?" At his nod, she persisted, "What about carrot cake?" "No." But it's cake." A smile flickered across his lips. "Still carrots." Pandora wanted to argue the superiority of carrots over some truly atrocious vegetable, such as Brussels sprouts, but heir conversation was interrupted by a silky masculine voice. "Ah, there you are. I've been sent out to fetch you." Pandora shrank back as she saw a tall msn approach in a graceful stride. She knew instantly that he must be Lord Sy. Vincent's father- the resemblance was striking. His complexion was tanned and lightly time-weathered, with laugh-lines at the outer corners of his blue eyes. He had a full head of tawny-golden hair, handsomely silvered at the sides and temples. Having heard of his reputation as a former libertine, Pandora had expected an aging roué with coarse features and a leer... not this rather gorgeous specimen who wore his formidable presence like an elegant suit of clothes. "My son, what can you be thinking, keeping this enchanting creature out in the heat of midday?

I spent an hour yesterday watching the ladies bathe. What a sight! What a hideous sight! The two sexes used to bathe together here. But now they are kept separate by means of signposts, preventive nets, and a uniformed inspector – nothing more depressingly grotesque can be imagined. However, yesterday, from the place where I was standing in the sun, with my spectacles on my nose, I could contemplate the bathing beauties at my leisure. The human race must indeed have become absolutely moronic to have lost its sense of elegance to this degree. Nothing is more pitiful than these bags in which women encase their bodies, and these oilcloth caps! What faces! What figures! And what feet! Red, scrawny, covered with corns and bunions, deformed by shoes, long as shuttles or wide as washerwomen’s paddles. And in the midst of everything, scrofulous brats screaming and crying. Further off, grandmas knitting and respectable old gentlemen with gold-rimmed spectacles reading newspapers, looking up from time to time between lines to savor the vastness of the horizon with an air of approval. The whole thing made me long all afternoon to escape from Europe and go live in the Sandwich Islands or the forests of Brazil. There, at least, the beaches are not polluted by such ugly feet, by such foul-looking specimens of humanity.

The two last were in full tide of spirits, and the Baron rallied in his way our hero upon the handsome figure which his new dress displayed to advantage. 'If you have any design upon the heart of a bonny Scottish lassie, I would premonish you when you address her to remember the words of Virgilius: "Nunc insanus amor duri me Martis in armis, Tela inter media atque adversos detinet hostes." Whilk verses Robertson of Struan, Chief of the clan Donnochy, unless the claims of Lude ought to be preferred primo loco, has thus elegantly rendered: "For cruel love has gartan'd low my leg, And clad my hurdies in a philabeg." Although indeed ye wear the trews, a garment whilk I approve most of the two, as more ancient and seemly.' 'Or rather,' said Fergus, 'hear my song: "She wadna hae a Lowland laird, Nor be an English lady; But she's away with Duncan Græme, And he's rowed her in his plaidy.

For my own part, I liked Lady Warminster, although at the same time never wholly at ease in her presence. She was immaculately free from any of the traditional blemishes of a mother-in-law; agreeable always; entertaining; even, in her own way, affectionate; but always a little alarming: an elegant, deeply experienced bird – perhaps a bird of prey – ready to sweep down and attack from the frozen mountain peaks upon which she preferred herself to live apart.

Mrs. Goddard was the mistress of a School--not of a seminary, or an establishment, or any thing which professed, in long sentences of refined nonsense, to combine liberal acquirements with elegant morality, upon new principles and new systems--and where young ladies for enormous pay might be screwed out of health and into vanity--but a real, honest, old-fashioned Boarding-school, where a reasonable quantity of accomplishments were sold at a reasonable price,

Then the door creaked open, and standing in front of us was a tall Middle Eastern woman—at least, I assumed she was Middle Eastern, because she wore a long black gown that covered everything but her hands, and her head was completely veiled. Her eyes glinted behind a curtain of black gauze, but that was about all I could make out. Her coffee-colored hands looked old, but well-manicured and elegant, so I imagined she was a grandmother who had once been a beautiful lady.

It was such an awful book. No lady of standing would be caught reading such a story. It was replete with visions that were wholly unchristian. But it had opened a world Tillie didn’t know, and that was always heavenly. She wished the mysterious Carpathian Mountains were yet undiscovered and that she could be the first to witness their grandeur. She thought of this monster, this Dracula, and despite her disgust, recognized how elegant and romantic he was. He was in love, and he was lonely. Tillie

Maisie had a sense of her launching the question with effect; yet our young lady was also conscious of hoping that Sir Claude would declare that preference. We have already learned that she had come to like people’s liking her to ‘know’. Before he could reply at all, none the less, her mother opened a pair of arms of extraordinary elegance, and then she felt the loosening of his grasp. ‘My own child,’ Ida murmured in a voice—a voice of sudden confused tenderness—that it seemed to her she heard for the first time.

Discreet as you are, Rohan, one can’t help but notice how ardently you are pursued. It seems you hold quite an appeal for the ladies of London. And from all appearances, you’ve taken full advantage of what’s been offered.” Cam stared at him without expression. “Pardon, but are you leading to an actual point, my lord?” Leaning back in his chair, St. Vincent made a temple of his elegant hands and regarded Cam steadily. “Since you’ve had no problem with lack of desire in the past, I can only assume that, as happens with other appetites, yours has been sated with an overabundance of sameness. A bit of novelty may be just the thing.” Considering the statement, which actually made sense, Cam wondered if the notorious former rake had ever been tempted to stray. Having known Evie since childhood, when she had come to visit her widowed father at the club from time to time, Cam felt as protective of her as if she’d been his younger sister. No one would have paired the gentle-natured Evie with such a libertine. And perhaps no one had been as surprised as St. Vincent himself to discover their marriage of convenience had turned into a passionate love match. “What of married life?” Cam asked softly. “Does it eventually become an overabundance of sameness?” St. Vincent’s expression changed, the light blue eyes warming at the thought of his wife. “It has become clear to me that with the right woman, one can never have enough. I would welcome an overabundance of such bliss—but I doubt such a thing is mortally possible.” Closing the account book with a decisive thud, he stood from the desk. “If you’ll excuse me, Rohan, I’ll bid you good night.” “What about finishing the accounting?” “I’ll leave the rest in your capable hands.” At Cam’s scowl, St. Vincent shrugged innocently. “Rohan, one of us is an unmarried man with superior mathematical abilities and no prospects for the evening. The other is a confirmed lecher in an amorous mood, with a willing and nubile young wife waiting at home. Who do you think should do the damned account books?” And, with a nonchalant wave, St. Vincent had left the office.

She felt surprised that it was still light outside, as if inside the store she had lost all sense of time. The pavement around her was heaving with humanity; pedicab after pedicab rushed past on the road, all of them taken. Pedestrians and vehicles flowed on by, as if separated from her by a wall of glass, and no more accessible than the elegant mannequins in the window of the Green House Ladies’ Clothing Emporium—you could look, but you couldn’t touch. They glided along, imperviously serene, as she stood on the outside, alone in her agitation.

Out of the corner of his eye, he saw another woman sitting over in a wing chair, a pleasantly attractive lady wearing the tasteful clothes of a senior redactrice, or senior civil servant, the stylish black skirt, the dark stockings, the black pumps, and the starched white linen blouse of her caste. The dark hair was swept up in a chignon, elegant and functional, dark eyes glistened as she smiled at him in a professional manner. He could see that she was a woman who met men in a highly assured way—serene, and expert at creating a proper distance.

Next,” he murmured, evasively, “you’ll be suggesting I wear my Order of the Bath . . .” “That’s right! You’re a real knight, aren’t you?” “Of course he’s a real knight, you idiot!” Aisling chided. “Why do you think he’s called Sir Graham?” The admiral executed a courtly, elegant bow that elicited excited squeals from both girls. “Yes, ladies, I am a knight. The king bestowed the Order on me following my actions at the Nile.” He gave them a secretive, wicked look from beneath his long lashes. “Surely, now, you’ll not suggest that I don my Order, too?

Some actors wear their roles like clothing," he said. "No matter what part they're playing, you can always easily see who it is beneath the costume." "It's how drag queens do women, darling," volunteered the elegant Miss X. [...] "The really amazing actors strip themselves down to nothing-they make themselves a blank slate, and you can never guess what they're going to look like or act like in their next film because they completely transform themselves." "It's how transsexuals do women, darling," opined Doris Fish with an arched eyebrow in my direction.

At elegant dinners," wrote the French historian Imbert de Saint-Armand a hundred years later in MARIE ANTOINETTE AND THE DOWNFALL OF ROYALTY (1891), "a little guillotine is brought in with the dessert and takes the place of a sweet dish. A pretty woman places a doll representing some political adversary under the knife; it is decapitated in the neatest possible style, and out of it runs something red that smells good, a liqueur perfumed with ambergris, into which every lady hastens to dip her lace handkerchief. French gaiety would make a vaudeville out of the day of judgement.

I love my passengers. I remember one woman in particular--a senior who had gotten on my bus. She seemed completely lost. She said she was going to a restaurant on City Island Avenue. I could see she was confused. There was just something about her. She looked so elegant, but with a fur coat on a hot summer day, so I said, 'Are you okay?' and she said, 'I'm fine, but I don't know what restaurant I'm meeting my friends at.' I said, 'Get on. Sit in the front.' I asked a gentleman to get up so she could sit near me, and I said, 'I'll run in and I'll check each restaurant for you.' So I checked the restaurants and no luck, but at the very, very last restaurant on the left, I said, 'It's got to be this one. Let me swing the bus around,' and I swung it around. I said, 'Don't move. Let me make sure this is the place before you get out.'It was a hot day, and she's got fur on. She could pass out. So I said, 'Stay here, sweetie. It's nice and cool in here.' I went in and I said 'There's a lady in the bus and she's not sure of the restaurant,' and I saw a whole bunch of seniors there and they said, 'Oh, that's her!' I ran back to the bus and I said, 'sweetie, your restaurant is right here.' I said, 'Let me kneel the bus.' Kneeling the bus means I bring it closer to the ground so she gets off easier. And I said, 'Don't move.' I remember my right hand grabbed her right hand. I wanted to make her feel special, like it was a limousine. It was a bus, but I wanted to make her feel like it was a limousine. And she said, 'I have been diagnosed with cancer--but today is the best day of my life.' And I've never forgotten that woman (Weeping). She's diagnosed with cancer and just because I helped her off the bus, she said she felt like Cinderella. Can't get better than that. And doing your job and getting paid to do a job where you can do something special like that? It's pretty awesome.

I can’t help thinking,” she confided when he finished answering her questions about women in India who covered their faces and hair in public, “that it is grossly unfair that I was born a female and so must never know such adventures, or see but a few of those places. Even if I were to journey there, I’d only be allowed to go where everything was as civilized as-as London!” “There does seem to be a case of extreme disparity between the privileges accorded the sexes,” Ian agreed. “Still, we each have our duty to perform,” she informed him with sham solemnity. “And there’s said to be great satisfaction in that.” “How do you view your-er-duty?” he countered, responding to her teasing tone with a lazy white smile. “That’s easy. It is a female’s duty to be a wife who is an asset to her husband in every way. It is a male’s duty to do whatever he wishes, whenever he wishes, so long as he is prepared to defend his country should the occasion demand it in his lifetime-which it very likely won’t. Men,” she informed him, “gain honor by sacrificing themselves on the field of battle while we sacrifice ourselves on the altar of matrimony.” He laughed aloud then, and Elizabeth smiled back at him, enjoying herself hugely. “Which, when one considers it, only proves that our sacrifice is by far the greater and more noble.” “How is that?” he asked, still chuckling. “It’s perfectly obvious-battles last mere days or weeks, months at the very most. While matrimony lasts a lifetime! Which brings to mind something else I’ve often wondered about,” she continued gaily, giving full rein to her innermost thoughts. “And that is?” he prompted, grinning, watching her as if he never wanted to stop. “Why do you suppose, after all that, they call us the weaker sex?” Their laughing gazes held, and then Elizabeth realized how outrageous he must be finding some of her remarks. “I don’t usually go off on such tangents,” she said ruefully. “You must think I’m dreadfully ill-bred.” “I think,” he softly said, “that you are magnificent.” The husky sincerity in his deep voice snatched her breath away. She opened her mouth, thinking frantically for some light reply that could restore the easy camaraderie of a minute before, but instead of speaking she could only draw a long, shaky breath. “And,” he continued quietly, “I think you know it.” This was not, not the sort of foolish, flirtatious repartee she was accustomed to from her London beaux, and it terrified her as much as the sensual look in those golden eyes. Pressing imperceptibly back against the arm of the sofa, she told herself she was only overacting to what was nothing more than empty flattery. “I think,” she managed with a light laugh that stuck in her throat, “that you must find whatever female you’re with ‘magnificent.’” “Why would you say a thing like that?” Elizabeth shrugged. “Last night at supper, for one thing.” When he frowned at her as if she were speaking in a foreign language, she prodded, “You remember Lady Charise Dumont, our hostess, the same lovely brunette on whose every word you were hanging at supper last night?” His frown became a grin. “Jealous?” Elizabeth lifted her elegant little chin and shook her head. “No more than you were of Lord Howard.” She felt a small bit of satisfaction as his amusement vanished. “The fellow who couldn’t seem to talk to you without touching your arm?” he inquired in a silky-soft voice. “That Lord Howard? As a matter of fact, my love, I spent most of my meal trying to decide whether I wanted to shove his nose under his right ear or his left.” Startled, musical laughter erupted from her before she could stop it. “You did nothing of the sort,” she chuckled. “Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.” “Wouldn’t I?” he asked softly. “Those are two very different issues.

One day when we had come to a stop, a worker took a piece of bread out of his bag and threw it into a wagon. There was a stampede. Dozens of starving men fought desperately over a few crumbs. The worker watched the spectacle with great interest. YEARS LATER, I witnessed a similar spectacle in Aden. Our ship’s passengers amused themselves by throwing coins to the “natives,” who dove to retrieve them. An elegant Parisian lady took great pleasure in this game. When I noticed two children desperately fighting in the water, one trying to strangle the other, I implored the lady: “Please, don’t throw any more coins!” “Why not?” said she. “I like to give charity …

Literately’ was used in a novel by Elizabeth Griffiths. While no other examples of use have been forthcoming, it is, in my opinion, an elegant extension of ‘literate’. Dr. Murray agreed I should write an entry for the Dictionary, but I have since been told it is unlikely to be included. It seems our lady author has not proved herself a ‘literata’- an abomination of a word coined by Samuel Taylor Coleridge that refers to a ‘literary lady’. It too has only one example of use, but its inclusion is assured. This may sound like sour grapes, but I can’t see it catching on. The number of literary ladies in the world is surely so great as to render them ordinary and deserving members of the literati.

For too long we have been the playthings of massive corporations, whose sole aim is to convert our world into a gargantuan shopping 'mall'. Pleasantry and civility are being discarded as the worthless ephemera of a bygone age; an age where men doffed their hats at ladies, and children could be counted on to mind your Jack Russell while you took a mild and bitter in the pub. The twinkly-eyed tobacconist, the ruddy-cheeked landlord and the bewhiskered teashop lady are being trampled under the mighty blandness of 'drive-thru' hamburger chains. Customers are herded in and out of such places with an alarming similarity to the way the cattle used to produce the burgers are herded to the slaughterhouse. The principal victim of this blandification is Youth, whose natural propensity to shun work, peacock around the town and aggravate the constabulary has been drummed out of them. Youth is left with a sad deficiency of joie de vivre, imagination and elegance. Instead, their lives are ruled by territorial one-upmanship based on brands of plimsoll, and Youth has become little more than a walking, barely talking advertising hoarding for global conglomerates. ... But now, a spectre is beginning to haunt the reigning vulgarioisie: the spectre of Chappism. A new breed of insurgent has begun to appear on the streets, in the taverns and in the offices of Britain: The Anarcho-Dandyist. Recognisable by his immaculate clothes, the rakish angle of his hat and his subtle rallying cry of "Good day to you sir/ madam!

Even in the warm faelight of the foyer, the gown glittered and gleamed like a fresh-cut jewel. We had taken my gown from Starfall and refashioned it, adding sheer silk panels to the back shoulders, the glittering material like woven starlight as it flowed behind me in lieu of a veil or cape. If Rhysand was Night Triumphant, I was the star that only glowed thanks to his darkness, the light only visible because of him. I scowled up the stairs. That is, if he bothered to show up on time. My hair, Nuala had swept into an ornate, elegant arc across my head, and in front of it... I caught Cassian glancing at me for the third time in less than a minute and demanded, 'What?' His lips twitched at the corners. 'You just look so...' 'Here we go,' Mor muttered from where she picked at her red-tinted nails against the stair banister. Rings glinted at every knuckle, on every finger; stacks of bracelets tinkled against each other on either wrist. 'Official,' Cassian said with an incredulous look in her direction. He waved a Siphon-topped hand to me. 'Fancy.' 'Over five hundred years old,' Mor said, shaking her head sadly, 'a skilled warrior and general, famous throughout territories, and complementing ladies is still something he finds next to impossible. Remind me why we bring you on diplomatic meetings?' Azriel, wreathed in shadows by the front door, chuckled quietly. Cassian shot him a glare. 'I don't see you spouting poetry, brother.' Azriel crossed his arms, still smiling faintly. 'I don't need to resort to it.

Rothbury inhaled the familiar lemon-tinged air wafting before him. He remained silent, ignoring the zing of awareness thrumming through him, and listened for the sound of footfalls instead. Whoever had entered the room, it was definitely a young woman. He'd bet one of his prized Arabians on it, but it wasn't Cordelia. She smelled perpetually of pungent roses, which he had been partial to in the beginning of their short love affair, but which now merely reminded him that the woman connected to it was just as clingy and thorny as the flower itself. But this scent- he inhaled deeply as it now surrounded him- inspired contentment, which was a miracle in itself, considering all he wanted to do presently was break free, find Lady Gilton, and throttle her elegant neck. "Who's there?" Rothbury demanded, his tone firm but quiet. He pulled at the twisted silk binds holding his wrists together behind him, noting they were finally starting to tear. "Come now," he said in a tone he used on skittish horses. "Tell me who's there.

Even in her dark bombazine dress, as high-necked and pristine as a nun's habit, Larissa Crossland possessed a soft, elegant beauty. With her dark sable hair always seeming on the verge of tumbling from its pins, and sultry pale green eyes, she was original and striking. However, her looks generated little heat. She was often admired but never pursued... never flirted with or desired. Perhaps it was the way she used cheerfulness like a weapon, if such a thing were possible, keeping everyone at a distance. It seemed to many in the town of Market Hill that Lara was an almost saintly figure. A woman with her looks and position could have managed to snare a second husband, yet she had chosen to stay here and involve herself in charitable works. She was unfailingly gentle and compassionate, and her generosity extended to nobleman and beggar alike. Young had never heard Lady Hawksworth utter an unkind word about anyone, not the husband who had virtually abandoned her nor the relatives who treated her with contemptible stinginess.

Gadzooks, lady! Where’d you learn to throw like that?” The awe in the boy’s tone brought heat to her cheeks. “A pirate taught me,” she snapped, stomping forward to reclaim her blade. For heaven’s sake. Did all males assume women to be helpless creatures incapable of fending for themselves? Pressing her shoe against the snake’s neck, she held the lifeless rattler down and yanked the knife free. There wasn’t much blood, but still, she couldn’t exactly lift her skirts and slip it back into the sheath strapped to her thigh with Darius and a child looking on in rapt attention. “A pirate, Miss Greyson?” Darius regarded her with a raised brow, obviously not as awestruck as the gaping boy at his side. She sighed. “All right, so my father was an ordinary seaman, not a pirate. But I used to imagine him a pirate while we had our lessons.” She tossed a wink at the boy. “Made it so much more fun, you know. My father ensured I was proficient with pistols, too, but I preferred the blades. So much more elegant and lighter weight. Much better suited to a lady, wouldn’t you say? Pistols are dirty things, what with all that black powder and the flash from the flintlock every time one pulls the trigger.” She gave a little shudder, and the boy cracked a smile.

Once upon a time, there was a princess. All of her life the king and queen told her that princesses behaved like ladies, wore beautiful dresses, trained in proper manners and elegance, and were to always wait for a handsome prince to come and save them if ever needed. Princes behaved like gentlemen, wore the finest suites, trained in swordsmanship and sailing, and were always ready to save a princess. This was the perfect formula for a "happily ever after", or at least that's what her parents always told her. What if they were wrong? Could her "happily ever after" look different? One day, this particular human found herself to be in a bit of a pickle. She somehow ended up in the den of a vicious, multi-headed, fire-breathing dragon. She was not about to wait around for a prince to save her, partly because she didn't have time, and partly because she didn't need a prince. She had no sword, no shield, and no idea what to do. (...) She behaved with nobility, wore the most impenetrable armor, wielded her weapon with stength, trained her brain and her body, and never ever waited to be saved. She could slay dragons and fo to afternoon tea with the queen in the same day. She could marry a princess. She was herself, and she lived happily ever after.

It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods--though the work was suppressed--'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre felt later, that in a choice between Terror and Slavery one chooses Terror, 'not for its own sake, but because, in this era of flux, it upholds the exigencies proper to the aesthetics of Art.' The fictions of modernist literature were revolutionary, new, though affirming a relation of complementarity with the past. These fictions were, I think it is clear, related to others, which helped to shape the disastrous history of our time. Fictions, notably the fiction of apocalypse, turn easily into myths; people will live by that which was designed only to know by. Lawrence would be the writer to discuss here, if there were time; apocalypse works in Woman in Love, and perhaps even in Lady Chatterley's Lover, but not n Apocalypse, which is failed myth. It is hard to restore the fictive status of what has become mythical; that, I take it, is what Mr. Saul Bellow is talking about in his assaults on wastelandism, the cant of alienation. In speaking of the great men of early modernism we have to make very subtle distinctions between the work itself, in which the fictions are properly employed, and obiter dicta in which they are not, being either myths or dangerous pragmatic assertions. When the fictions are thus transformed there is not only danger but a leak, as it were, of reality; and what we feel about. all these men at times is perhaps that they retreated inso some paradigm, into a timeless and unreal vacuum from which all reality had been pumped. Joyce, who was a realist, was admired by Eliot because he modernized myth, and attacked by Lewis because he concerned himself with mess, the disorders of common perception. But Ulysses ,alone of these great works studies and develops the tension between paradigm and reality, asserts the resistance of fact to fiction, human freedom and unpredictability against plot. Joyce chooses a Day; it is a crisis ironically treated. The day is full of randomness. There are coincidences, meetings that have point, and coincidences which do not. We might ask whether one of the merits of the book is not its lack of mythologizing; compare Joyce on coincidence with the Jungians and their solemn concordmyth, the Principle of Synchronicity. From Joyce you cannot even extract a myth of Negative Concord; he shows us fiction fitting where it touches. And Joyce, who probably knew more about it than any of the others, was not at tracted by the intellectual opportunities or the formal elegance of fascism.

And as he looked with this intention, he was struck anew with her great beauty. He had never seen her in such dress before and yet now it appeared as if such elegance of attire was so befitting her noble figure and lofty serenity of countenance, that she ought to go always thus apparelled. She was talking to Fanny; about what, he could not hear; but he saw his sister’s restless way of continually arranging some part of her gown, her wandering eyes, now glancing here, now there, but without any purpose in her observation; and he contrasted them uneasily with the large soft eyes that looked forth steadily at one object, as if from out their light beamed some gentle influence of repose: the curving lines of the red lips, just parted in the interest of listening to what her companion said—the head a little bent forwards, so as to make a long sweeping line from the summit, where the light caught on the glossy raven hair, to the smooth ivory tip of the shoulder; the round white arms, and taper hands, laid lightly across each other, but perfectly motionless in their pretty attitude. Mr. Thornton sighed as he took in all this with one of his sudden comprehensive glances. And then he turned his back to the young ladies, and threw himself, with an effort, but with all his heart and soul, into a conversation with Mr. Hale.

What an idiot he was! Had he really thought he could get away with kissing a marquess's daughter? And not just any marquess's daughter, either. Celia looking oh so tempting in her sumptuous purple gown. Lovely, angry Celia. Lady Celia, he reminded himself. But he'd never be able to think of her like that again, not when the taste and smell of her still filled his senses. Hearing voices behind him, he slipped into an empty room to wrangle his emotions into some semblance of control. But it was no use. He could still feel her body yielding to his, still hear her rapid breathing as he'd taken every advantage. Damn her and her soft mouth and her delicate sighs and her fingers curling into the nape of his neck so that all he wanted to do was press her down onto a bench... "Hell and blazes!" He thrust his hands through his hair. What in thunder was he supposed to do about her? And why had she let him kiss her, anyway? Why had she waited until he'd made a complete fool of himself before she'd drawn that damned pistol? Oh. Right. That was why. To make a fool of him herself. To lull him into a false sense of security so she could prove she could control any situation. Well, he'd stymied that, but it was little consolation. He'd behaved like a damned mooncalf, devouring her mouth as if he were a wolf and she were supper. If he'd allowed her to speak of their kiss, she probably would have pointed out exactly how insolent he'd been. Would have warned him never to do anything so impudent again. She didn't need to tell him. He'd learned his lesson. Yes. He had. The memory of her mouth opening beneath his surged up inside him, and he balled his hands into fists. No. He hadn't. All he'd learned was that he wanted her more intensely now than ever. He wanted to kiss her again, and not just her mouth but her elegant throat and her delicate shoulder and the soft, tender mounds of her breasts... A curse exploded out of him. This was insanity! He had to stop making himself mad by thinking about her as if- "There you are, sir," said a voice behind him. I thought that might have been you who came in here." "What the hell is it?" he growled as he rounded on whoever had been fool enough to run him to ground.

Then I’ll sing, though that will likely have the child holding his ears and you running from the room.” This, incongruously, had her lips quirking up. “My father isn’t very musical. You hold the baby, I’ll sing.” She took the rocking chair by the hearth. Vim settled the child in his arms and started blowing out candles as he paced the room. “He shall feed his flock, like a shepherd…” More Handel, the lilting, lyrical contralto portion of the aria, a sweet, comforting melody if ever one had been written. And the baby was comforted, sighing in Vim’s arms and going still. Not deathly still, just exhausted still. Sophie sang on, her voice unbearably lovely. “And He shall gather the lambs in his arm… and gently lead those that are with young.” Vim liked music, he enjoyed it a great deal in fact—he just wasn’t any good at making it. Sophie was damned good. She had superb control, managing to sing quietly even as she shifted to the soprano verse, her voice lifting gently into the higher register. By the second time through, Vim’s eyes were heavy and his steps lagging. “He’s asleep,” he whispered as the last notes died away. “And my God, you can sing, Sophie Windham.” “I had good teachers.” She’d sung some of the tension and worry out too, if her more peaceful expression was any guide. “If you want to go back to your room, I can take him now.” He didn’t want to leave. He didn’t want to leave her alone with the fussy baby; he didn’t want to go back to his big, cold bed down the dark, cold hallway. “Go to bed, Sophie. I’ll stay for a while.” She frowned then went to the window and parted the curtain slightly. “I think it’s stopped snowing, but there is such a wind it’s hard to tell.” He didn’t dare join her at the window for fear a chilly draft might wake the child. “Come away from there, Sophie, and why haven’t you any socks or slippers on your feet?” She glanced down at her bare feet and wiggled long, elegant toes. “I forgot. Kit started crying, and I was out of bed before I quite woke up.” They shared a look, one likely common to parents of infants the world over. “My Lord Baby has a loyal and devoted court,” Vim said. “Get into bed before your toes freeze off.” She gave him a particularly unreadable perusal but climbed into her bed and did not draw the curtains. “Vim?” “Hmm?” He took the rocker, the lyrical triple meter of the aria still in his head. “Thank you.” He

Mowbray! Been a while since you bothered with the season. What brings you to town?” Lord Adrian Montfort, Earl of Mowbray, shifted his gaze from the couples whirling past on the dance floor and to the man who approached: the tall, fair, eminently good-looking Reginald Greville. He and Greville, his cousin, had once been the best of friends. However, time and distance had weakened the bond—with a little help from the war with France, Adrian thought bitterly. Ignoring Reginald’s question, he offered a somewhat rusty smile in greeting, then turned his gaze back to the men and women swinging elegantly about the dance floor. He replied instead, “Enjoying the season, Greville?” “Certainly, certainly. Fresh blood. Fresh faces.” “Fresh victims,” Mowbray said dryly, and Reginald laughed. “That too.” Reginald was well-known for his success in seducing young innocents. Only his title and money kept him from being forced out of town. Shaking his head, Adrian gave that rusty smile again. “I wonder you never tire of the chase, Reg. They all look sadly similar to me. I would swear these were the very same young women who were entering their first season the last time I attended…and the time before that, and the time before that.” His cousin smiled easily, but shook his head. “It has been ten years since you bothered to come to town, Adrian. Those women are all married and bearing fruit, or well on their way to spinsterhood.” “Different faces, same ladies,” Adrian said with a shrug. “Such cynicism!” Reg chided. “You sound old, old man.” “Older,” Adrian corrected. “Older and wiser.” “No. Just old,” Reg insisted with a laugh, his own gaze turning to the mass of people moving before them. “Besides, there are a couple of real lovelies this year. That blonde, for instance, or that brunette with Chalmsly.” “Hmmm.” Adrian looked the two women over. “Correct me if I’m wrong, but my guess is that the brunette—lovely as she is—doesn’t have a thought in her head. Rather like that Lady Penelope you seduced when last I was here.” Reg’s eyes widened in surprise at the observation. “And the blonde…” Adrian continued, his gaze raking the woman in question and taking in her calculating look. “Born of parents in trade, lots of money, and looking for a title to go with it. Rather like Lily Ainsley. Another of your conquests.” “Dead-on,” Reginald admitted, looking a bit incredulous. His gaze moved between the two women and then he gave a harsh laugh. “Now you have quite ruined it for me. I was considering favoring one or both of them with my attentions. But now you have made them quite boring.” -Reg & Adrian

You look like a goddess,” he murmured as he raked his eyes down her form. And she melted into a puddle. “Thank you.” She tried to sound cool and sophisticated. “I much prefer wearing a gown that’s not too tight.” “Except where it should be.” He dropped his gaze pointedly to her bosom. The frank admiration in his eyes made her glad that she’d let Betty guide her choice for tonight. After that other scandalous gown, she’d been reluctant to wear anything low cut, but this one did look beautiful on her, even with its décolletage. Salmon had always been a good color for her, and the satin rouleaux trim made her feel pretty and elegant. “So it’s presentable enough for dinner with your family?” she asked. “They don’t even deserve to see you in it.” The low rumble of his voice made her breath catch in her throat. “I only wish that you and I could-“ “You do look lovely,” said another voice. Lord Gabriel came up from behind Oliver, dressed all in black as usual. A look of pure mischief crossed his face. “Sorry I’m late, Miss Butterfield, but thank you, brother, for keeping her company until I arrived.” Oliver glared at him. “What the devil do you mean?” “I’m taking the young lady down to dinner.” “That office should be left to her fiancé, don’t you think?” Oliver bit out. “Pretend fiancé. You have no real claim on her. And since you had her to yourself all day…” Lord Gabriel offered his arm. “Shall we, Miss Butterfield?” Maria hesitated, unsure what to do. But Oliver was a danger to her sanity, and his brother wasn’t. So she was better off with Lord Gabriel. “Thank you, sir,” she said, taking his arm. “Now just wait one blasted minute. You can’t-“ “What? Be friendly to our guest?” Lord Gabriel asked, his face a mask of innocence. “Really, old boy, I didn’t realize it mattered that much. But if it upsets you to see Miss Butterfield on the arm of another man, I’ll certainly yield the field.” Lord Gabriel’s words seemed to give Oliver pause. Glancing from Maria to his brother, he smiled, though it didn’t nearly reach his eyes. “No, it’s fine,” he said tightly. “Perfectly fine.” When they headed down the hall with Oliver following behind, Lord Gabriel flashed her a conspiratorial glance. She wasn’t sure what the conspiracy was, but since it seemed to irritate Oliver, she went along. The incident was only the first in a series that continued throughout the week. Whenever she and Oliver found themselves alone, even for a moment, one of his siblings popped up to offer some entertainment-a stroll in the gardens, a ride into Ealing, a game of loo. With each instance, Oliver grew more annoyed, for no reason that she could see. Unless… No, that was crazy.

Though I’m surprised that you read novels.” “I do have other interests than shooting, you know.” “I never said otherwise.” “But you think me a complete tomboy. Admit it.” He measured his words. “I think you a woman with a few unusual interests that happen to be similar to those of some men. Those interests don’t, however, make you a tomboy.” No tomboy would fire his blood the way she did right now in her elegant redingote, despite the black smudges of power along its sleeves and the mud caked along its hem. And no tomboy would have kept him up last night imagining what it would be like to raise her skirts so he could run his hands along the pale swaths of thigh that lay above her garters. “And yet,” she said hoarsely, “you kissed me as if I were some mannish chit beneath your notice. God forbid you should treat me as a desirable woman in front of my suitors. It might give them ideas.” He stared at her, thunderstruck. She was angry because he’d accorded her the respect she deserved? “Forgive me, my lady,” he said acidly. “I didn’t think you’d want me to toss you down in the grass and ravish you. I see I was mistaken.” Two spots of color appeared on her cheeks. “There is a vast space between ravishing me and treating me like a child. The gentlemen expected you to kiss me on the lips, as they would have. You won such a kiss, after all. When you didn’t take it, I’m sure they thought it was because I was somehow…unattractive to you. And that only hurts my cause.” Her cause, which was to be affianced to one of those arses. Anger boiled up in him. “Let me see if I understand you correctly. You wanted me to kiss you with some degree of passion so your suitors would be convinced if your desirability as a woman. Is that right?” She cast him a resentful look, then nodded. He strode up close, unable to contain his temper. “Isn’t it enough for you that they’re already barking at your heels like randy hounds? That they’re seizing your hand at the breakfast table and inviting you for tete-a-tete practice at their estates?” “What good does that do me when you seek to turn their affections away at every turn? You provoked me to accept that shooting challenge because you wanted me to frighten them off with my enthusiasm for guns. Admit it.” All right, so that was true. But he had good reason for it. “I wanted them to see you for who you really are and not the woman you keep pretending to be.” “Pretending to be?” she said in a choked voice. “And who is that? A lady worthy of marriage? You wanted to expose me as some…adventuress or man in woman’s attire or…oh, I don’t know what.” “No!” he protested, suddenly all at sea in their argument. “You know what, Mr. Pinter? Ever since we made our agreement, you’ve only made matters worse, for some nefarious reason of your own.” She planted her hands on her hips and gave him a look of pure defiance. “So you’re dismissed from my employ. I no longer require your services.

When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.

The party was at its peak and everyone was taking full advantage of the moment. Each lady had her eye on a certain marked beau. Elegant women conversed with eligible men, handsome and well bred. Ruby felt sorry for the under-endowed ladies and plain girls, who stood together in a small group with their mothers. Passing by the conniving little circle, she heard too clearly the strategies they had concocted. They were like vultures hunting for rotten meat. Mothers sent out their girls to meet the wealthiest and nearly deceased men of the ton.

Don’t talk about things you hate. Talk about things you love. Spread enthusiasm, not distaste.

Happiness is your responsibility. Always remember that being happy is a decision, a choice. You control your mind, and your mind controls your feelings, and your feelings reflect on your behavior.

If there are people in your life who put you down – kids, siblings, inconsiderate peers, a colleague with a grudge and a snappy attitude to go with it, a boyfriend or husband always forgetting things – talk to them. Let them know you won’t be a doormat any longer. Self-respect begets respect. Mutual respect equals amity. Amity is peace. Peace is happiness. Happiness is the root of true elegance.

Desiderata.

If you compare yourself with others, you may become vain and bitter; for always, there will be greater and lesser persons than yourself.

Maeve, open up!” “Gray, darling? Is that you?” “For God’s sake, Maeve, open the goddamned door, now!” “Now Gray, that’s no way to talk to royalty.” He pounded savagely against the door, nearly holing the elegant wood. “Jesus, Maeve, OPEN THE GODDAMNED DOOR!

In writing, endeavor to make your style clear, concise, elegant, and appropriate for all subjects. Avoid repetitions, erasures, insertions, omissions, and confusion of ideas, or labored construction.