Resembles Mother Quotes

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I Am Vertical But I would rather be horizontal. I am not a tree with my root in the soil Sucking up minerals and motherly love So that each March I may gleam into leaf, Nor am I the beauty of a garden bed Attracting my share of Ahs and spectacularly painted, Unknowing I must soon unpetal. Compared with me, a tree is immortal And a flower-head not tall, but more startling, And I want the one's longevity and the other's daring. Tonight, in the infinitesimal light of the stars, The trees and flowers have been strewing their cool odors. I walk among them, but none of them are noticing. Sometimes I think that when I am sleeping I must most perfectly resemble them-- Thoughts gone dim. It is more natural to me, lying down. Then the sky and I are in open conversation, And I shall be useful when I lie down finally: The the trees may touch me for once, and the flowers have time for me. "I Am Vertical", 28 March 1961
Sylvia Plath (The Collected Poems)
It is no accident, Ma, that the comma resembles a fetus— that curve of continuation. We were all once inside our mothers, saying with our entire curved and silenced selves, more, more, more. I want to insist that are being alive is beautiful enough to be worthy of replication. And so what? So what if all I ever made of my life was more of it?
Ocean Vuong (On Earth We're Briefly Gorgeous)
i don't know when love became elusive what i know, is that no one i know has it my fathers arms around my mothers neck fruit too ripe to eat, a door half way open when your name is a just a hand i can never hold everything i have ever believed in, becomes magic. i think of lovers as trees, growing to and from one another searching for the same light, my mothers laughter in a dark room, a photograph greying under my touch, this is all i know how to do, carry loss around until i begin to resemble every bad memory, every terrible fear, every nightmare anyone has ever had. i ask did you ever love me? you say of course, of course so quickly that you sound like someone else i ask are you made of steel? are you made of iron? you cry on the phone, my stomach hurts i let you leave, i need someone who knows how to stay.
Warsan Shire
My Lord, I find thy face apelike and thy form misshapen. Thy beard, moreover, is an offense against decency, resembling more closely the scabrous fir which doth decorate the hinder portion of a mongrel dog than a proper adornement for a human face. Is it possible that thy mother, seized by some wild lechery, did dally at some time past with a randy goat? -Mandorallen
David Eddings
When she turned, she only saw one silhouette against the dark. Nezha had come alone. Unarmed. He always looked different in the moonlight. His skin shone paler, his features looked softer, resembling less the harsh visage of his father and more the lovely fragility of his mother. He looked younger. He looked like the boy she'd known at school
R.F. Kuang (The Burning God (The Poppy War, #3))
How can it be, after all this concentrated effort and separation, how can it be that I still resemble, so very closely, my own detestable mother?
Gabrielle Hamilton (Blood, Bones, and Butter: The Inadvertent Education of a Reluctant Chef)
Even though I was drunk as a skunk at the time, I still remembered what happened after that. Less than two seconds later he was inside me and I was waving good-bye to my virginity. I wanted it to last forever. I saw stars, came three times that night and it was the most beautiful experience of my life. Yeah right. Are you kidding me? Have you lost your virginity lately? It hurts like a mother effer and it's awkward and messy. Anyone that tells you she had anything even close to resembling an orgasm during the actual event itself is a lying sack of sh*t. The only stars I saw were the ones behind my eyelids as I squeezed them shut and waited for it to be over.
Tara Sivec
The only woman's body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
Because this ideal of the attractive but not whorish white woman, in a good marriage but not self-effacing, with a nice job but not so successful she outshines her man, slim but not neurotic over food, forever young without being disfigured by the surgeon’s knife, a radiant mother not overwhelmed by nappies and homework, who manages her home beautifully without becoming a slave to housework, who knows a thing or two but less than a man, this happy white woman who is constantly shoved under our noses, this woman we are all supposed to work hard to resemble – never mind that she seems to be running herself ragged for not much reward – I for one have never met her, not anywhere. My hunch is that she doesn’t exist.
Virginie Despentes (King Kong Theory)
While he bore no real resemblance to anyone in my family, his features were a collection of my mother's and father's best attributes, with a few of Gregory Peck's thrown in.
Lisa Lutz (The Spellman Files (The Spellmans, #1))
I only do His will, replied Death. I am his gardener. I take all His flowers and trees, and transplant them into the gardens of Paradise in an unknown land. How they flourish there, and what that garden resembles, I may not tell you.
Hans Christian Andersen (The Story of a Mother)
Ethiopians imagine their gods as black and snub-nosed; Thracians blue-eyed and red-haired. But if horses or lions had hands, or could draw and fashion works as men do, horses would draw the gods shaped like horses and lions like lions, making the gods resemble themselves. Xenophanes
Christopher Hitchens (The Missionary Position: Mother Teresa in Theory and Practice)
That day, instead, I saw clearly the mothers of the old neighbourhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swallen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts (...) they appeared to have lost those feminine qualities that were so important to us girls (...) They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
But Dorian, tall, toned, and elegant, bore no resemblance to him. And then there was the matter of Dorian’s sapphire eyes—not even his mother had his eyes. No one knew where they came from.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.
David Ebershoff (The 19th Wife)
If you're not Gryffindor, we'll disinherit you," said Ron, "but no pressure." "Ron!" Lily and Hugo laughed, but Albus and Rose looked solemn. "He doesn't mean it," said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry's eye, he nodded covertly to a point of some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist. "Look who it is" Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, with emphasised the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, Ginny staring at him, nodded curtly and turned away again. "So that's little Scorpius" said Ron under his breath. "Make sure you beat him in every test, Rosie. Thank God you inherited your mother's brains." "Ron for heaven's sake," said Hermione, half-stern, half-amused. "Don't try to turn them against each other before they've even started school!" "You're right, sorry" said Ron, but unable to help himself, he added, "don't get too friendly with him, though Rosie. Granddad Weasley would never forgive you if you married a pure-blood." "Hey!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Her name was Mary, and there ends any resemblance to the mother of our Lord.
Sue Monk Kidd (The Invention of Wings)
Present, rather than past, is the mother of future. So, your future must take after your present. But if it resembles more your past, the granny must be a slut!
Raheel Farooq
Marianne's abilities were, in many respects, quite equal to Elinor's. She was sensible and clever; but eager in everything: her sorrows, her joys, could have no moderation. She was generous, amiable, interesting: she was everything but prudent. The resemblance between her and her mother was strikingly great.
Jane Austen (Sense and Sensibility)
It's ridiculous. Here I sit in my little room, I, Brigge, who have got to be twenty-eight years old and about whom no one knows. I sit here and am nothing. And yet this nothing begins to think and thinks, up five flights of stairs, these thoughts on a gray Paris afternoon: Is it possible, this nothing thinks, that one has not yet seen, recognized, and said anything real and important? Is it possible that one has had thousands of years of time to look, reflect, and write down, and that one has let the millennia pass away like a school recess in which one eats one's sandwich and an apple? Yes, it is possible. ...Is it possible that in spite of inventions and progress, in spite of culture, religion, and worldly wisdom, that one has remained on the surface of life? Is it possible that one has even covered this surface, which would at least have been something, with an incredibly dull slipcover, so that it looks like living-room furniture during the summer vacation? Yes, it is possible. Is it possible that the whole history of the world has been misunderstood? Is it possible that the past is false because one has always spoken of its masses, as if one was telling about a coming together of many people, instead of telling about the one person they were standing around, because he was alien and died? Yes, it is possible. Is it possible that one believed one has to make up for everything that happened before one was born? Is it possible one would have to remind every single person that he arose from all earlier people so that he would know it, and not let himself be talked out of it by the others, who see it differently? Yes, it is possible. Is it possible that all these people know very precisely a past that never was? Is it possible that everything real is nothing to them; that their life takes its course, connected to nothing, like a clock in an empty room? Yes, it is possible. Is it possible that one knows nothing about girls, who are nevertheless alive? Is it possible that one says "the women", "the children", "the boys", and doesn't suspect (in spite of all one's education doesn't suspect) that for the longest time these words have no longer had a plural, but only innumerable singulars? Yes, it is possible. Is it possible that there are people who say "God" and think it is something they have in common? Just look at two schoolboys: one buys himself a knife, and the same day his neighbor buys one just like it. And after a week they show each other their knives and it turns out that they bear only the remotest resemblance to each other-so differently have they developed in different hands (Well, the mother of one of them says, if you boys always have to wear everything out right away). Ah, so: is it possible to believe that one could have a God without using him? Yes, it is possible. But, if all this is possible, has even an appearance of possibility-then for heaven's sake something has to happen. The first person who comes along, the one who has had this disquieting thought, must begin to accomplish some of what has been missed; even if he is just anyone, not the most suitable person: there is simply no one else there. This young, irrelevant foreigner, Brigge, will have to sit himself down five flights up and write, day and night, he will just have to write, and that will be that.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
Immunity is a public space. And it can be occupied by those who choose not to carry immunity. For some of the mothers I know, a refusal to vaccinate falls under a broader resistance to capitalism. But refusing immunity as a form of civil disobedience bears an unsettling resemblance to the very structure the Occupy movement seems to disrupt--a privileged 1 percent are sheltered from risk while they draw resources from the other 99 percent.
Eula Biss
Even with this disaster I had dragged us all into, she was still proud to be my mother. It occurred to me that I had never seen my mother defeated, even when life presented difficulties and disappointments. I hoped that our resemblance extended beyond our blue eyes.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
She is not the child that mirrors me, and yet when you put us side by side, there are definite similarities. It's not in the shape of the mouth but the set of it, the sheer determination that silvers our eyes.
Jodi Picoult (My Sister’s Keeper)
Robin Hood and the Merry Men gathered around the mural of Robin Hood. The resemblance between the real Merry Men and the painted Merry Men was striking; however, Robin Hood was depicted very effeminately in the painting. He wore bright green tights and had a short curly bob and no facial hair. "I DON'T UNDERSTAND," Robin Hood said. "WHAT IS MY MOTHER DOING IN THIS PAINTING?
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
The MRI has a repertoire of noises that resemble, in no particular order: a game-show buzzer for a wrong answer, urgent knocking, a modem from 1992, a grizzly-bear growl, and a man with a raspy voice shouting what sounds like "mother cooler!
A.J. Jacobs (Drop Dead Healthy: One Man's Humble Quest for Bodily Perfection)
I know, 0 Caesar, that thou art awaiting my arrival with impatience, that thy true heart of a friend is yearning day and night for me. I know that thou art ready to cover me with gifts, make me prefect of the pretorian guards, and command Tigellinus to be that which the gods made him, a mule-driver in those lands which thou didst inherit after poisoning Domitius. Pardon me, however, for I swear to thee by Hades, and by the shades of thy mother, thy wife, thy brother, and Seneca, that I cannot go to thee. Life is a great treasure. I have taken the most precious jewels from that treasure, but in life there are many things which I cannot endure any longer. Do not suppose, I pray, that I am offended because thou didst kill thy mother, thy wife, and thy brother; that thou didst burn Eome and send to Erebus all the honest men in thy dominions. No, grandson of Chronos. Death is the inheritance of man; from thee other deeds could not have been expected. But to destroy one's ear for whole years with thy poetry, to see thy belly of a Domitius on slim legs whirled about in a Pyrrhic dance; to hear thy music, thy declamation, thy doggerel verses, wretched poet of the suburbs, — is a thing surpassing my power, and it has roused in me the wish to die. Eome stuffs its ears when it hears thee; the world reviles thee. I can blush for thee no longer, and I have no wish to do so. The howls of Cerberus, though resembling thy music, will be less offensive to me, for I have never been the friend of Cerberus, and I need not be ashamed of his howling. Farewell, but make no music; commit murder, but write no verses; poison people, but dance not; be an incendiary, but play not on a cithara. This is the wish and the last friendly counsel sent thee by the — Arbiter Elegantiae.
Henryk Sienkiewicz (Quo Vadis)
Tell me. Has your daughter made the journey with you?” “She is here,” the hag says. A girl steps from the crowd to bow low before Cardan. She is young, with a mass of unbound hair. Like her mother, her limbs are oddly long and twig-like, but where her mother is unsettlingly bony, she has a kind of grace. Maybe it helps that her feet resemble human ones. Although, to be fair, they are turned backward.
Holly Black (The Wicked King (The Folk of the Air, #2))
Even though I was drunk as a skunk at the time, I still remembered what happened after that. Less than two seconds later he was inside me and I was waving good-bye to my virginity. I wanted it to last forever. I saw stars, came three times that night and it was the most beautiful experience of my life. Yeah right. Are you kidding me? Have you lost your virginity lately? It hurts like a mother effer and it's awkward and messy. Anyone that tells you she had anything even close resembling an orgasm during the actual event itself is a lying sack of shit. The only stars I saw were the ones behing my eyelids as I squeezed them shut and waited for it to be over.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Her kitsch was the image of home, all peace, quiet, and harmony, and ruled by a loving mother and a wise father. It was an image that took shape in her after the death of her parents. The less her life resembled the sweetest of dreams, the more sensitive she was to its magic, and more than once she shed tears when the ungrateful daughter in a sentimental film embraced the neglected father as the windows of the happy family's house shone out into the dying day.
Milan Kundera (The Unbearable Lightness of Being)
When you have a despicable person as a parent, I truly believe you can't escape hating any part of yourself that resembles him or her. Whether it's a physical similarity, a talent, a propensity or an inclination that you share, all commonalities are abhorrent to you. I look like my father. I have his thick dark hair and bright blue eyes. I have my mother's nose, but I have my father's wide, full mouth and his height. I am his child, and I hate the man. I hate that I look like him.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Women, for their part, are always complaining that we raise them only to be vain and coquettish, that we keep them amused with trifles so that we may more easily remain their masters; they blame us for the faults we attribute to them. What stupidity! And since when is it men who concern themselves with the education of girls? Who is preventing the mothers from raising them as they please? There are no schools for girls—what a tragedy! Would God, there were none for boys! They would be raised more sensibly and more straightforwardly. Is anyone forcing your daughters to waste their time on foolish trifles? Are they forced against their will to spend half their lives on their appearance, following your example? Are you prevented from instructing them, or having them instructed according to your wishes? Is it our fault if they please us when they are beautiful, if their airs and graces seduce us, if the art they learn from you attracts and flatters us, if we like to see them tastefully attired, if we let them display at leisure the weapons with which they subjugate us? Well then, decide to raise them like men; the men will gladly agree; the more women want to resemble them, the less women will govern them, and then men will truly be the masters.
Jean-Jacques Rousseau (Emile, or On Education)
The Lord continues to be committed to us even when we sin. He continues to love us. In some ways, the nature of his love for us resembles an enduring marriage, or how a father or mother may love a misbegotten child. Hosea was being called to be like God when he had to love a person who would have been difficult to love. We are difficult to love when we sin; a sin is always a transgression against the Lord.
Min Jin Lee (Pachinko)
The fact that Cincinnati thought I resembled him in any way sickened me. It made me want to run and hide. When I was a child in Detroit and terrors chased me, I would run to my hiding spot, a crawl space under the front porch of the boardinghouse we lived in. I’d wedge my small body into the cool brown earth and lie there, escaping the ugliness that was inevitably going on above me. I’d plug my ears with my fingers and hum to block out the remnants of Mother’s toxic tongue or sharp backhand. It became a habit, humming, and a decade later, I was still doing it. Life had turned cold again, the safety of the cocoon under the porch was gone, and lying in the dirt had become a metaphor for my life.
Ruta Sepetys (Out of the Easy)
GOD. Sometimes I think there might be a god out there, and that every once in a while he tunes in to see what we're up to, and have a good laugh at how we like to dress him up in various costume. Robes, thorny crowns, yarmulkes and curls, saris and butt-hugging yoga pants. Male, female, a genderless reincarnation factory; a Mother Earth or a withholding Father Christmas. I would think it would amuse the hell out of him. That we're all idolaters, worshiping figments of our own creation who bear no resemblance to him. Maybe he's sitting in some alternate dimension somewhere, saying, 'Shit, I didn't even create the world! I was just cooking my dinner, not paying attention to the heat, and suddenly here was this big band and a few hours later, a bunch of dinosaurs...
Suzanne Morrison (Yoga Bitch: One Woman's Quest to Conquer Skepticism, Cynicism, and Cigarettes on the Path to Enlightenment)
Someday in our future it may be possible for women everywhere not to be restricted to those roles society deems natural, God-given, or appropriately feminine. A woman will not need to be disguised as a man to go outside, to climb a tree, or to make money. She will not need to make an effort to resemble a man, or to think like one. Instead, she can speak a language that men will want to understand. She will be free to wear a suit or a skirt or something entirely different. She will not count as three-quarters of a man, and her testimony will not be worth half a man's. She will be recognized as someone's sister, mother, and daughter. And maybe, someday, her identity will not be confined to how she relates to a brother, a son, or a father. Instead, she will be recognized as an individual, whose life holds value only in itself.
Jenny Nordberg (The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan)
On every formal visit a child ought to be of the party, by way of provision for discourse. In the present case it took up ten minutes to determine whether the boy were most like his father or mother, and in what particular he resembled either, for of course every body differed, and every body was astonished at the opinion of the others.
Jane Austen (Sense and Sensibility)
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
It occurred to me that I had never seen my mother defeated, even when life presented difficulties and disappointments. I hoped that our resemblance extended beyond our blue eyes.
Piper Kerman (Orange Is the New Black)
her mother touch my hand and say, ‘If there is such a thing as good marriage, it is because it resembles friendship rather than love.
Matt Haig (How to Stop Time)
Wearing anything remotely clingy made her middle resemble cake mixture. To be fair, cake mixture was what it had seen most of in the last few months.
Emma Robinson (The Undercover Mother)
As a child, I struggled to find a solid resemblance between my mother and myself, some link that would prove I came from her.
Gillian Flynn (Sharp Objects)
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin. I have missed him. I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp. “Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.” Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.” I grimace/smile. “My mom?” “Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.” “Galen,” I say. “Hmmm?” “How bad am I hurt?” He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.” “Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense. “Your mother says it’s only a flesh wound. She’s been treating it.” “Mom is here?” “She’s downstairs. Uh…You should know that Grom is here, too.” Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.” He laughs. “I will, I promise. But I want to make you comfortable first.” “Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things. He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.” I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition. What’s changed? And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone? And is it my fault?
Anna Banks (Of Triton (The Syrena Legacy, #2))
It is no accident, Ma, that the comma resembles a fetus--that curve of continuation. We were all once inside our mothers, saying, with our entire curved and silent selves, more, more, more.
Ocean Vuong (On Earth We're Briefly Gorgeous)
This resembled hedgehog fur so precisely that Percy, who rarely noticed fashion, was struck momentarily speechless by the shocking similarity between this hat and his mother's Erinaceinae nature.
Gail Carriger (Reticence (The Custard Protocol, #4))
One day Turtle had savaged an innocent bowl of batter into something that almost (but not quite) resembled muffins. Her mother, who had a great deal to bear on other fronts which do not enter the scope of this story, except to say that Turtle had three older brothers, each more reprehensible than the last, opened the back door and told Turtle to take herself and her regrettable muffins to her grandmother, and if she had to stay the night, so much the better, as there was going to be a great deal of screaming presently, and Turtle was a bit young to be hearing all the words that Turtle’s mother planned to be using. 
T. Kingfisher (Toad Words and Other Stories)
She bore an uncanny resemblance to my mother, but the same beauty bloomed differently in each of them. My mother's fairness was exquisite and untouchable, roaming alone in an abandoned castle. Khalto Bahiyas' beauty took you in immediately. Hers was easy and disclosed hordes of laughter stolen from wherever it could be found. Gravity, sun, and time has scrawled on their faces the travails of hard work, childbirth, and destitution.
Susan Abulhawa
Wasn’t I proud of all we accomplished–the prestigious home in the Hudson Valley, the apartment in Manhattan, the eight phone lines, the friends and the picnics and the parties, the weekends spent roaming the aisles of some box-shaped superstore of our choice, buying ever more appliances on credit? I had actively participated in every moment of the creation of this life–so why did I feel like none of it resembled me? Why did I feel so overwhelmed with duty, tired of being the primary breadwinner and the housekeeper, and the social coordinator and the dog walker and the wife and the soon-to-be mother, and — somewhere in my stolen moments–a writer…?
Elizabeth Gilbert (Eat, Pray, Love)
But where were my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses; or if they had, all my past life was now a blot, a blind vacancy in which I distinguished nothing. From my earliest remembrance I had been as I then was in height and proportion. I had never yet seen a being resembling me or who claimed any intercourse with me. What was I? The question again recurred, to be answered only with groans.
Mary Wollstonecraft Shelley (Frankenstein)
Once the baby was here, her body would return to normal and the rest of her life would follow. She’d be able to stay awake past 9 p.m., wear clothes that didn’t resemble camping equipment and be out and about researching nightlife for ‘Girl About Town’.
Emma Robinson (The Undercover Mother)
Even to my mother, her hard-won autonomy must at times have resembled a cage. Still, it was a cage of her own design, different from and superior to the one my father and her parents, and Gloversville itself ,would have put her in, if she'd allowed them to.
Richard Russo
If there is, indeed, an anti-Marian spirit, what might it look like? Well, a woman in its grip would not value children. She would be bawdy, vulgar, and angry. She would rage against the idea of anything resembling humble obedience or self-sacrifice for others. She would be petulant, shallow, catty, and overly sensuous. She would also be self-absorbed, manipulative, gossipy, anxious, and self-servingly ambitious. In short, she would be everything that Mary is not. She would bristle especially at the idea of being a virgin or a mother.
Carrie Gress (The Anti-Mary Exposed: Rescuing the Culture from Toxic Femininity)
They always told me that a woman's soul emerged only in bed, her sex anointed by the man. Before him, my mother hinted, our sex most resembled an oyster nourished in salt water, far from the captive reality of earth ["I Love My Husband," Landscapes of a New Land, Marjorie Agosin, editor].
Nélida Piñon
If we think of eroticism not as sex per se, but as a vibrant, creative energy, it’s easy to see that Stephanie’s erotic pulse is alive and well. But her eroticism no longer revolves around her husband. Instead, it’s been channeled to her children. There are regular playdates for Jake but only three dates a year for Stephanie and Warren: two birthdays, hers and his, and one anniversary. There is the latest in kids’ fashion for Sophia, but only college sweats for Stephanie. They rent twenty G-rated movies for every R-rated movie. There are languorous hugs for the kids while the grown-ups must survive on a diet of quick pecks. This brings me to another point. Stephanie gets tremendous physical pleasure from her children. Let me be perfectly clear here: she knows the difference between adult sexuality and the sensuousness of caring for small children. She, like most mothers, would never dream of seeking sexual gratification from her children. But, in a sense, a certain replacement has occurred. The sensuality that women experience with their children is, in some ways, much more in keeping with female sexuality in general. For women, much more than for men, sexuality exists along what the Italian historian Francesco Alberoni calls a “principle of continuity.” Female eroticism is diffuse, not localized in the genitals but distributed throughout the body, mind, and senses. It is tactile and auditory, linked to smell, skin, and contact; arousal is often more subjective than physical, and desire arises on a lattice of emotion. In the physicality between mother and child lie a multitude of sensuous experiences. We caress their silky skin, we kiss, we cradle, we rock. We nibble their toes, they touch our faces, we lick their fingers, let them bite us when they’re teething. We are captivated by them and can stare at them for hours. When they devour us with those big eyes, we are besotted, and so are they. This blissful fusion bears a striking resemblance to the physical connection between lovers. In fact, when Stephanie describes the early rapture of her relationship with Warren—lingering gazes, weekends in bed, baby talk, toe-nibbling—the echoes are unmistakable. When she says, “At the end of the day, I have nothing left to give,” I believe her. But I also have come to believe that at the end of the day, there may be nothing more she needs. All this play activity and intimate involvement with her children’s development, all this fleshy connection, has captured Stephanie’s erotic potency to the detriment of the couple’s intimacy and sexuality. This is eros redirected. Her sublimated energy is displaced onto the children, who become the centerpiece of her emotional gratification.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
The term matriarch implies the existence of a social order in which women exercise social and political power, a state which in no way resembles the condition of black women or all women in American society. The decisions that determine the way in which black women must live their lives are made by others, usually white men. If sociologists are to casually label black women matriarchs, they should also label female children playing house and acting out the role of mother matriarchs. For in both instances, no real effective power exists that allows the females in question to control their own destiny.
bell hooks (Ain't I a Woman: Black Women and Feminism)
The unicorns, led by costumed grooms, were behaving well about their horns, and the painted rhapsodies all round the cart were more than flattering while the pseudo-king, sceptred in ermine, was positively handsome, as well as resembling the real one quite a lot. The small boy acting as the Dauphin, was obviously his son. It was easy to guess that the angel and the other three children, demure on tasselled cushions, were also related. Reminded by the red heads before her, the Queen Dowager spoke absently to Margaret Erskine. ‘I must tell your mother to destroy that marmoset. Mary teases it, and it bites.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
Marianne's abilities were, in many respects, quite equal to Elinor's. She was sensible and clever; but eager in everything: her sorrows, her joys, could have no moderation. She was generous, amiable, interesting: she was everything but prudent. The resemblance between her and her mother was strikingly great. Elinor
Jane Austen (Jane Austen: The Complete Works)
Now, here's the real beauty of this contorting contradiction. Both working mothers and stay-at-home mothers get to be failures. The ethos of intensive mothering has lower status in our culture ("stay-at-home mothers are boring"), but occupies a higher moral ground ("working mothers are neglectful"). So, welcome to the latest media catfight: the supposed war between working mothers and stay-at-home mothers. Why analyze all the ways in which our country has failed to support families while inflating the work ethic to the size of the Hindenburg when you can, instead, project this paradox onto what the media have come to call, incessantly, "the mommy wars." The "mommy wars" puts mothers into two, mutually exclusive categories--working mother versus stay-at-home mother, and never the twain shall meet. It goes without saying that they allegedly hate each other's guts. In real life, millions of mothers move between these two categories, have been one and then the other at various different times, creating a mosaic of work and child-rearing practices that bears no resemblance to the supposed ironclad roles suggested by the "mommy wars." Not only does the media catfight pit mother against mother, but it suggests that all women be reduced to their one role--mother--or get cut out of the picture entirely.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
She would see, for instance, her mother touch my hand and say, ‘If there is such a thing as good marriage, it is because it resembles friendship rather than love.’ Or, on questioning why she looked so sad, she would remark, ‘My life has been full of terrible misfortunes, most of which never happened.’ ‘That’s Montaigne, isn’t it?
Matt Haig (How to Stop Time)
Even though I was drunk as a skunk at the time, I still remembered what happened after that. Less than two seconds later he was inside me and I was waving good-bye to my virginity. I wanted it to last forever. I saw stars, came three times that night and it was the most beautiful experience of my life. Yeah right. Are you kidding me? Have you lost your virginity lately? It hurts like a mother effer and it's awkward and messy. Anyone that tells you she had anything even close to resembling an orgasm during the actual event itself is a lying sack of shit. The only stars I saw were the ones behind my eyelids as I squeezed them shut and waited for it to be over.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
It is no accident, Ma, that the comma resembles a fetus—that curve of continuation. We were all once inside our mothers, saying, with our entire curved and silent selves, more, more, more. I want to insist that our being alive is beautiful enough to be worthy of replication. And so what? So what if all I ever made of my life was more of it?
Ocean Vuong (On Earth We're Briefly Gorgeous)
Dellarobia noted they were not a perfect physical match: Nelda plump and rosy-cheeked, her mother fine-boned. The resemblance blazed in their wide brown eyes and the way they nodded, the gnomy caps bobbing. Mother-daughter adventurers. She felt a pang of longing, as she often did in church. Everybody had a mother and a God; those were standard issue.
Barbara Kingsolver (Flight Behavior)
I can’t do this anymore, Ezra. All my life, I’ve worked overtime at trying to please everyone around me, everyone who gave anything that resembled love. My mother, my father, my friends, my job”—she could barely utter—“you. If no one else does before I leave this earth, I have to account for my own love. I have to do what’s best for me. I’m going home.
Love Belvin (In Love with Ezra (Love Unaccounted Book 2))
I don't want to be married anymore. In daylight hours, I refused that thought, but at night it would consume me. What a catastrophe. How could I be such a criminal jerk as to proceed this deep into a marriage, only to leave it? We'd only just bought this house a year ago. Hadn't I wanted this nice house? Hadn't I loved it? So why was I haunting its halls every night now, howling like Medea? Wasn't I proud of all we'd accumulated—the prestigious home in the Hudson Valley, the apartment in Manhattan, the eight phone lines, the friends and the picnics and the parties, the weekends spent roaming the aisles of some box-shaped superstore of our choice, buying ever some appliances on credit? I had actively participated in every moment of the creation of this life—so why did I feel like none of it resembled me? Why did I feel so overwhelmed with duty, tired of being the primary breadwinner and the housekeeper and the social coordinator and the dog-walker and the wife and the soon-to-be mother, and—somewhere in my stolen moments—a writer...? I don't want to be married anymore.
Elizabeth Gilbert (Eat, Pray, Love)
People, like Sybell, believe one can only sympathize with what one has experienced. That is why they are always saying, 'as a mother,' or 'as a wife.' If that were true the world would have to get on without sympathy, for no two people have the same experience. Only a shallow nature believes that a resemblance in two cups means that they both contain the same wine.
Mary Cholmondeley (Red Pottage)
Chaos that closely resembled panic awaited. Shuttles raced to the presumed safety of the planet below while fighters crisscrossed the perimeter of the station. Platoon-sized formations of frigates and several cruisers formed up and accelerated away. To where the approaching attackers were located? She didn’t give a damn what her mother said in public. This was a bona fide insurrection.
G.S. Jennsen (Abysm (Aurora Renegades, #3))
For no obvious reason, I began to look closely at the women on the stradone. Suddenly it seemed to me that I had lived with a sort of limited gaze: as if my focus had been only on us girls, Ada, Gigliola, Carmela, Marisa, Pinuccia, Lila, me, my schoolmates, and I had never really paid attention to Melina’s body, Giuseppina Pelusi’s, Nunzia Cerullo’s, Maria Carracci’s. The only woman’s body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swollen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings? Would Lila be misshapen like Nunzia? Would Fernando leap from her delicate face, would her elegant walk become Rino’s, legs wide, arms pushed out by his chest? And would my body, too, one day be ruined by the emergence of not only my mother’s body but my father’s? And would all that I was learning at school dissolve, would the neighborhood prevail again, the cadences, the manners, everything be confounded in a black mire, Anaximander and my father, Folgóre and Don Achille, valences and the ponds, aorists, Hesiod, and the insolent vulgar language of the Solaras, as, over the millenniums, had happened to the chaotic, debased city itself? I
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
Immunity is a public space. And it can be occupied by those who choose not to carry immunity. For some of the mothers I know, a refusal to vaccinate falls under a broader resistance to capitalism. But refusing immunity as a form of civil disobedience bears an unsettling resemblance to the very structure the Occupy movement seeks to disrupt—a privileged 1 percent are sheltered from risk while they draw resources from the other 99 percent.
Eula Biss (On Immunity: An Inoculation)
I’m not really sure why Ziggy puts up with me. I’m broken. Mostly because of the broken woman who spawned me. I swear, adults should have to get a license to make a kid. Prove they’ve got their shit together before they bring a child into the world. My mom tried, I think. She thought she could piece herself into something resembling a mother by dropping the drugs and dropping the need to feed her overblown selfish streak. But she failed.
Rachel A. Marks (Fire and Bone (Otherborn, #1))
Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.
Richard Powers (The Overstory)
my mother waited for me, gazing at the canal with a patience that she would never have shown before, in Combray, in the days when she invested in me hopes that had never been rewarded and wanted to hide from me the extent of her love for me. Now she clearly felt that a show of coldness would change nothing, and the affection which she lavished on me resembled the food that is no longer forbidden to a sick person when we realize that they have no chance of recovery.
Marcel Proust (The Fugitive: In Search of Lost Time, Volume 6 (Penguin Classics Deluxe Edition))
I told my mother, knowing the pain I was causing her, which she did not show, and which betrayed itself in her only by that look of serious concern she wore when she compared the gravity of making me unhappy or of doing me harm, the look she had worn in Combray for the first time when she had resigned herself to spending the night beside me, that look which at this moment bore an extraordinary resemblance to that of my grandmother when she allowed me to drink cognac,
Marcel Proust (Sodom and Gomorrah)
A passerby discovered a toddler sitting on the chilly concrete on an alley, playing with the wrapper of a cat food container. By the time she was brought to the hospital, her limbs were blue with cold. She was a wizened little thing, too thin, made of sticks. She knew only one word, her name. Wren. As she grew, her skin retained a slight bluish cast, resembling skimmed milk. Her foster parents bundled her up in jackets and coats and mittens and gloves, but unlike her sister, she was never cold. Her lip colour changed like a mood ring, staying bluish and purple even in summer, turning pink only when close to a fire. And she could play in the snow for hours, constructing elaborate tunnels and mock-fighting with icicles, coming inside only when called. Although she appeared bony and anaemic, she was strong. By the time she was eight, she could lift bags of groceries that her adoptive mother struggled with. By the time she was nine, she was gone.
Holly Black (The Stolen Heir (The Stolen Heir Duology #1))
(Swann’s illness was the same that had killed his mother, who had been attacked by it at precisely the age which he had now reached. Our existences are in truth, owing to heredity, as full of cabalistic ciphers, of horoscopic castings as if there really were sorcerers in the world. And just as there is a certain duration of life for humanity in general, so there is one for families in particular, that is to say, in any one family, for the members of it who resemble one another.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
Warning: “Good Intentions” contains violence, explicit sex, nudity, inappropriate use of church property, portrayals of beings divine and demonic bearing little or no resemblance to established religion or mythology, trespassing, bad language, sacrilege, blasphemy, attempted murder, arguable murder, divinely mandated murder, justifiable murder, filthy murder, sexual promiscuity, kidnapping, attempted rape, arson, dead animals, desecrated graves, gang activity, theft, assault and battery, panties, misuse of the 911 system, fantasy depictions of sorcery and witchcraft, multiple references to various matters of fandom, questionable interrogation tactics, cell phone abuse, reckless driving, consistent abuse of vampires (because they deserve it), even more explicit sex, illegal use of firearms within city limits, polyamory, abuse of authority, hit and run driving, destruction of private property, underage drinking, disturbances of the peace, disorderly conduct, internet harassment, bearers of false witness, mayhem, dismemberment, falsification of records, tax evasion, an uncomfortably sexy mother, bad study habits, and a very silly white guy inappropriately calling another white guy “nigga” (for which he will surely suffer). All characters depicted herein are over the age of 18, with the exception of one little girl who merely needs to get her cat out of a tree. Don’t worry, nothing bad happens to her. She makes it through the story just fine.
Elliott Kay (Good Intentions (Good Intentions, #1))
Even to my mother, her hard-won autonomy must at times have resembled a cage. Still, it was a cage of her own design, different from and superior to the one my father, and her parents, and Gloversville itself, would have put her in, if she'd allowed them to. In retrospect, what astonishes me is the courage she must have summoned in order to imagine, by working in Schenectady, by having her own checking account, by going out on the occasional date, that she was outside the cage she was so clearly trapped in.
Richard Russo (Elsewhere)
Our ghoulish mission was to search for bodies. It was rich hunting that day and the many thereafter. We started on a small scale—here a leg, there an arm, and an occasional baby—but struck a mother lode before noon. We cut our way through a basement wall to discover a reeking hash of over one hundred human beings. Flame must have swept through before the building’s collapse sealed the exits, because the flesh of those within resembled the texture of prunes. Our job, it was explained, was to wade into the shambles and bring forth the remains. Encouraged by cuffing and guttural abuse, wade in we did. We did exactly that, for the floor was covered with an unsavory broth from burst water mains and viscera. A number of victims, not killed outright, had attempted to escape through a narrow emergency exit. At any rate, there were several bodies packed tightly into the passageway. Their leader had made it halfway up the steps before he was buried up to his neck in falling brick and plaster. He was about fifteen, I think.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
A similar obligatory likeness of George adorned Mrs Glover’s bedside table. Trussed in uniform and uncomfortable before a studio backdrop that reminded Sylvie of the Amalfi coast, George Glover no longer resembled a Sistine Adam. Sylvie thought of all the enlisted men who had already undergone the same ritual, a keepsake for mothers and sweethearts, the only photograph that would ever be taken of some of them. ‘He could be killed,’ Bridget said of her beau, ‘and I might forget what he looked like.’ Sylvie had plenty of photographs of Hugh. He led a well-documented life.
Kate Atkinson (Life After Life)
The savage knows nothing of 'the law of Christ.' He will bear no other's burden. The sick must die; the wounded must perish; the feeble must go to the wall. Only the mightiest and most muscular survive and produce another generation. 'The law of Christ' ends all that. The luggage of life must be distributed. The sick must be nursed; the wounded must be tended; the frail must be cherished. These, too, must be permitted to play their part in the shaping of human destiny. They also may love and wed, and become fathers and mothers. The weaknesses of each are taken back into the blood of the race. The frailty of each becomes part of the common heritage. And, in the last result, if our men are not all Apollos, and if our women do not all resemble Venus de Medici, it is largely because we have millions with us who, but for 'the law of Christ/ operating on rational ideals, would have had no existence at all. In a Christian land, under Christian laws, we bear each other's burdens, we carry each other's luggage. It is the law of Christ, the law of the cross, a sacrificial law. The difference between savagery and civilization is simply this, that we have learned, in our very flesh and blood, to bear each other's burdens and so fulfil the law of Christ.
F.W. Boreham (The Luggage of Life......Plus .....George Augustus Selwyn, Bishop of New Zealand (Illustrated))
Runach took the book in hand and went to look for that Bruadarian lass, who was likely having a conversation with the flora and fauna of his grandfather's garden... He just hadn't expected her to be singing. It wasn't loud singing, though he could hear it once he'd wandered the garden long enough to catch sight of her, standing beneath a flowering linden tree, holding a blossom in her hand. Runach came to a skidding halt and gaped at her. Very well, so he had ceased to think of her as plain directly after Gobhann, and he had been struggling to come up with a worthy adjective ever since. He supposed he might spend the rest of his life trying, and never manage it. It was difficult to describe a dream. He had to sit down on the first bench he found, because he couldn't stand any longer. He wondered if the day would come where she ceased to surprise him with the things she did. Her song was nothing he had ever heard before, but for some reason it seemed familiar in a way he couldn't divine. It was enough for the moment to simply sit there and watch as she and the tree--and several of the flowers, it had to be said--engaged in an ethereal bit of music making. It was truthfully the most beautiful thing he had ever heard, and that was saying something, because the musicians who graced his grandfather's hall were unequalled in any Elvish hall he'd ever visited. And then Runach realized why what she was doing sounded so familiar. She was singing in Fadaire. He grasped for the rapidly disappearing shreds of anything resembling coherent thought, but it was useless. All he could do was sit on that very cold bench and listen to a woman who had hardly set foot past her place of incarceration, sing a song in his mother's native tongue, that would have brought any elf in the vicinity to tears if they had heard it. He knew because it was nigh onto bringing him to that place in spite of his sorry, jaded self.
Lynn Kurland (River of Dreams (Nine Kingdoms, #8))
LIVING WITH COMPASSION One aspect of Buddhism that I found to be especially compelling was the teachings on compassion. The Buddha was known as the “compassionate one,” and according to religion scholars, his moral teachings bear a close resemblance to those of Jesus, who told his followers at the Last Supper: “This is my commandment, that you love one another as I have loved you. No one has greater love than this, to lay down one’s life for one’s friends.” In a similar vein, the Buddha said, “Just as a mother would protect her only child at the risk of her own life, even so, cultivate a boundless heart towards all beings. Let your thoughts of boundless love pervade the whole world.
Phil Jackson (Eleven Rings: The Soul of Success)
Our study of psychoneurotic disturbances points to a more comprehensive explanation, which includes that of Westermarck. When a wife loses her husband, or a daughter her mother, it not infrequently happens that the survivor is afflicted with tormenting scruples, called ‘obsessive reproaches’ which raises the question whether she herself has not been guilty through carelessness or neglect, of the death of the beloved person. No recalling of the care with which she nursed the invalid, or direct refutation of the asserted guilt can put an end to the torture, which is the pathological expression of mourning and which in time slowly subsides. Psychoanalytic investigation of such cases has made us acquainted with the secret mainsprings of this affliction. We have ascertained that these obsessive reproaches are in a certain sense justified and therefore are immune to refutation or objections. Not that the mourner has really been guilty of the death or that she has really been careless, as the obsessive reproach asserts; but still there was something in her, a wish of which she herself was unaware, which was not displeased with the fact that death came, and which would have brought it about sooner had it been strong enough. The reproach now reacts against this unconscious wish after the death of the beloved person. Such hostility, hidden in the unconscious behind tender love, exists in almost all cases of intensive emotional allegiance to a particular person, indeed it represents the classic case, the prototype of the ambivalence of human emotions. There is always more or less of this ambivalence in everybody’s disposition; normally it is not strong enough to give rise to the obsessive reproaches we have described. But where there is abundant predisposition for it, it manifests itself in the relation to those we love most, precisely where you would least expect it. The disposition to compulsion neurosis which we have so often taken for comparison with taboo problems, is distinguished by a particularly high degree of this original ambivalence of emotions.
Sigmund Freud (Totem and Taboo Resemblances Between the Psychic Lives of Savages and Neurotics)
Sometimes, instructing children in the old days, he had been asked by some black lozenge-eyed Indian child, What is God like? and he would answer facilely with references to the father and the mother, or perhaps more ambitiously he would include brother and sister and try to give some idea of all loves and relationships combined in an immense and yet personal passion....But at the centre of his own faith there always stood the convincing mystery—that we were made in God's image. God was the parent, but He was also the policeman, the criminal, the priest, the maniac, and the judge. Something resembling God dangled from the gibbet or went into odd attitudes before bullets in a prison yard or contorted itself like a camel in the attitude of sex. He would sit in the confessional and hear the complicated dirty ingenuities which God's image had thought out, and God's image shook now, up and down on the mule's back, with the yellow teeth sticking out over the lower lip, and god's image did its despairing act of rebellion with Maria in the hut among the rats. He said, Do you feel better now? Not so cold, eh? Or so hot? and pressed his hand with a kind of driven tenderness upon the shoulders of God's image. Such a lot of beauty. Saints talk about the beauty of suffering. Well, we are not saints, you and I. Suffering to us is just ugly. Stench and crowding and pain. That is beautiful in that corner—to them. It needs a lot of learning to see things with a saint's eye: a saint gets a subtle taste for beauty and can look down on poor ignorant palates like theirs. But we can't afford to.
Graham Greene (The Power and the Glory)
They were all fine, handsome fellows; Fritz, now twenty-four, was of moderate height, uncommonly strong, active, muscular, and high-spirited. Ernest, two years younger, was tall and slight; in disposition, mild, calm, and studious; his early faults of indolence and selfishness were almost entirely overcome. He possessed refined tastes and great intellectual power. Jack, at twenty, strongly resembled Fritz, being about his height, though more lightly built, and remarkable rather for active grace and agility than for muscular strength. Franz, a lively youth of seventeen, had some of the qualities of each of his brothers; he possessed wit and shrewdness, but not the arch drollery of Jack. All were honorable, God-fearing young men, dutiful and affectionate to their mother and myself, and warmly attached to each other. Although
Johann David Wyss (The Swiss Family Robinson)
Whenever Elliot Norther’s wife was nervous she baked. With the murder of Harriet Mason, her husband’s close colleague at the Faculty, she had been unable to resist a couple of Victoria sponges. During the frenzied press speculation about the identity of the murderer, a Dundee cake had appeared, followed swiftly by a Battenberg and a Lemon Drizzle. Since news of the Wildencrust murder broke, the kitchen, dining room and study had come to resemble the storerooms of an industrial bakery, every surface heaving with the weight of sponge and cream. Yesterday, having at last been overwhelmed by the fear and rumour that swept the town, she had taken herself off to her mother’s house in Hampstead, leaving her husband to soldier on alone. When he had last seen his wife, Elliot Norther noticed that she had been putting the finishing touches to an impressive, triple-tiered wedding cake, beating a batch of royal icing into a sickly paste.
Robert Clear (The Cambridge List)
fear of death.” Our study of psychoneurotic disturbances points to a more comprehensive explanation, which includes that of Westermarck. When a wife loses her husband, or a daughter her mother, it not infrequently happens that the survivor is afflicted with tormenting scruples, called ‘obsessive reproaches’ which raises the question whether she herself has not been guilty through carelessness or neglect, of the death of the beloved person. No recalling of the care with which she nursed the invalid, or direct refutation of the asserted guilt can put an end to the torture, which is the pathological expression of mourning and which in time slowly subsides. Psychoanalytic investigation of such cases has made us acquainted with the secret mainsprings of this affliction. We have ascertained that these obsessive reproaches are in a certain sense justified and therefore are immune to refutation or objections. Not that the mourner has really been guilty of the death or that she has really been careless, as the obsessive reproach asserts; but still there was something in her, a wish of which she herself was unaware, which was not displeased with the fact that death came, and which would have brought it about sooner had it been strong enough. The reproach now reacts against this unconscious wish after the death of the beloved person. Such hostility, hidden in the unconscious behind tender love, exists in almost all cases of intensive emotional allegiance to a particular person, indeed it represents the classic case, the prototype of the ambivalence of human emotions. There is always more or less of this ambivalence in everybody’s disposition; normally it is not strong enough to give rise to the obsessive reproaches we have described. But where there is abundant predisposition for it, it manifests itself in the relation to those we love most, precisely where you would least expect it. The disposition to compulsion neurosis which we have so often taken for comparison with taboo problems, is distinguished by a particularly high degree of this original ambivalence of emotions.
Sigmund Freud (Totem and Taboo Resemblances Between the Psychic Lives of Savages and Neurotics)
There’s a thing called passing, which is not only about transgender people but about everybody. It has to do with the way the bigotry and meanness of the world get parceled out, based on how you might, or might not, look or act like everybody else. The way there’s a particular kind of anti-Semitism that gets leveled at people who “look Jewish,” whatever that means. African Americans with darker skin sometimes are on the receiving end of more bigotry than people whose skin is lighter. Gay men who “act gay” get treated one way, those who pass as straight get treated another. It’s a whole pyramid of bigotry, with people who most resemble the dominant culture at the top, and people whose difference makes them stand out at the bottom. It’s inconceivable, if you think about it, the complex ways people have come up with for being horrible to one another. Inconceivable. You keep using that word. I do not think it means what you think it means. As a trans girl, I pass without much effort, thanks in part to the random luck of genetics, and also thanks to my mother getting me on puberty-blocking hormones when I was twelve.
Jodi Picoult (Mad Honey)
You’re good at this,” said Ronan. “What?” He leaned to touch the baby’s head. “Being a mother.” “What is that supposed to mean?” Ronan looked awkward. Then he said glibly, “Nothing, if you don’t like it.” He glanced at Benix, Faris, and the others, but they were discussing thumbscrews and nooses. “It didn’t mean anything. I take it back.” Kestrel set the baby on the grass next to Faris. “You cannot take it back.” “Just this once,” he said, echoing her earlier words during the game. She stood and walked away. He followed. “Come, Kestrel. I spoke only the truth.” They had entered the shade of thickly grown laran trees, whose leaves were a bloody color. They would soon fall. “It’s not that I wouldn’t want to have a child someday,” Kestrel told Ronan. Visibly relieved, he said, “Good. The empire needs new life.” It did. She knew this. As the Valorian empire stretched across the continent, it faced the problem of keeping what it had won. The solutions were military prowess and boosting the Valorian population, so the emperor prohibited any activities that unnecessarily endangered Valorian lives--like dueling and the bull-jumping games that used to mark coming-of-age ceremonies. Marriage became mandatory by the age of twenty for anyone who was not a soldier. “It’s just--” Kestrel tried again: “Ronan, I feel trapped. Between what my father wants and--” He held up his hands in flat-palmed defense. “I am not trying to trap you. I am your friend.” “I know. But when you are faced with only two choices--the military or marriage--don’t you wonder if there is a third, or a fourth, or more, even, than that?” “You have many choices. The law says that in three years you must marry, but not whom. Anyway, there is time.” His should grazed hers in the teasing push of children starting a mock fight. “Time enough for me to convince you of the right choice.” “Benix, of course.” She laughed. “Benix.” Ronan made a fist and shook it at the sky. “Benix!” he shouted. “I challenge you to a duel! Where are you, you great oaf?” Ronan stormed from the laran trees with all the flair of a comic actor. Kestrel smiled, watching him go. Maybe his silly flirtations disguised something real. People’s feelings were hard to know for certain. A conversation with Ronan resembled a Bite and Sting game where Kestrel couldn’t tell if the truth looked like a lie, or a lie like the truth. If it was true, what then?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She took one look at Alessandro and Bree and placed a hand on her chest. “Jesus, Mary and Joseph. Francesca, lass. Is that you?” And then she fainted. “Holy shit!” Bree rushed to the fallen nun's side, ignoring Sister McReady’s scowl of disapproval at her language. “Mommy! You killed da penguin lady!” Will cried out in surprise. Bree lightly slapped the old woman’s face and felt a rush of relief when the Mother Superior stirred. The last thing she needed on her conscience was a dead nun. The old woman’s blue eyes opened and anger filled them when her gaze shifted to Alessandro. “You. You spawn of the devil. Why don’t ye take yerself back where ye came from and leave our poor Francesca alone?” “Oh, Mother Superior, yer confused is all. Come now. On yer feet, mum,” Sister McReady said helping the old woman up. “Uh, I’m sorry. Sister. Francesca was my great aunt. My name is Bree.” “Bree? Jaysus but it’s a ridiculous resemblance it is,” the old woman panted, holding her chest. “And you?” She asked turning to Alessandro. “Of course yer not Adriano Dardano, of course but I’ll be a drunken fairy if yer not the spitting image of that demon of temptation, sent to corrupt our poor Francesca. Such a good girl she was,” Sister Brannigan murmured, tears filling her eyes. “Such a good girl.
E. Jamie (The Betrayal (Blood Vows, #2))
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
In fact, if I really think about it, what I loved best in my daughters was what seemed alien to me. In them—I felt—I liked most the features that came from their father, even after our marriage stormily ended. Or those which went back to ancestors of whom I knew nothing. Or those which seemed, in the combining of organisms, an ingenious invention of chance. It seemed to me, in other words, that the closer I felt to them, the less responsibility I bore for their bodies. But that alien closeness was rare. Their troubles, their griefs, their conflicts returned to impose themselves, continuously, and I was bitter, I felt a sense of guilt. I was always, in some way, the origin of their sufferings, and the outlet. only of obvious resemblances but of secret ones, those we become aware of later, the aura of bodies, the aura that stuns like a strong liquor. Barely perceptible tones of voice. A small gesture, a way of batting the eyelashes, a smile-sneer. The walk, the shoulder that leans slightly to the left, a graceful swinging of the arms. The impalpable mixture of tiny movements that, combined in a certain way, make Bianca seductive, Marta not, or vice versa, and so cause pride, pain. Or hatred, because the mother’s power always seems to be that she gives unfairly, beginning in the living niche of the womb.
Elena Ferrante (The Lost Daughter)
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Soon, things were heating up in the kitchen. The first course was a variation on a French recipe that had been around since Escoffier, Baccala Brandade. Angelina created a silky forcemeat with milk, codfish, olive oil, pepper, and slow-roasted garlic, a drizzle of lemon juice, and a shower of fresh parsley, then served it as a dip with sliced sourdough and warmed pita-bread wedges, paired with glasses of bubbly Prosecco. The second course had been a favorite of her mother's called Angels on Horseback- freshly shucked oysters, wrapped in thin slices of prosciutto, then broiled on slices of herb-buttered bread. When the oysters cooked, they curled up to resemble tiny angels' wings. Angelina accented the freshness of the oyster with a dab of anchovy paste and wasabi on each hors d'oeuvre. She'd loved the Angels since she was a little girl; they were a heavenly mouthful. This was followed by a Caesar salad topped with hot, batter-dipped, deep-fried smelts. Angelina's father used to crunch his way through the small, silvery fish like French fries. Tonight, Angelina arranged them artfully around mounds of Caesar salad on each plate and ushered them out the door. For the fifth course, Angelina had prepared a big pot of her Mediterranean Clam Soup the night before, a lighter version of Manhattan clam chowder. The last two courses were Parmesan-Stuffed Poached Calamari over Linguine in Red Sauce, and the piece de resistance, Broiled Flounder with a Coriander Reduction.
Brian O'Reilly (Angelina's Bachelors)
When I was nineteen years old, I discovered a collection of books in the Harvard library written by Jacob Boehme. Do you know of him?" Naturally she knew of him. She had her own copies of these works in the White Acre library. She had read Boehme, though she never admired him. Jacob Boehme was a sixteenth-century cobbler from Germany who had mystical visions about plants. Many people considered him an early botanist. Alma's mother, on the other hand, had considered him a cesspool of residual medieval superstition. So there was considerable conflict of opinion surrounding Jacob Boehme. The old cobbler had believed in something he called "the signature of all things"- namely, that God had hidden clues for humanity's betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator's love. That is why so many medicinal plants resembled the diseases they were meant to cure, or the organs they were able to treat. Basil, with its liver-shaped leaves, is the obvious ministration for ailments of the liver. The celandine herb, which produces a yellow sap, can be used to treat the yellow discoloration brought on by jaundice. Walnuts, shaped like brains, are helpful for headaches. Coltsfoot, which grows near cold streams, can cure the coughs and chills brought on by immersion in ice water. 'Polygonum,' with its spattering of blood-red markings on the leaves, cures bleeding wounds of the flesh.
Elizabeth Gilbert (The Signature of All Things)
If you are an evangelical reading this book, then I would ask you to look around and see what your witness has wrought. The nation is polarized. The candidates you back want to take us back to a mythical time—apparently the 1950s—that honestly did not exist. The bile and hatred of some of the leaders you emulate make it impossible for people to believe whatever witness you have left. While you are clinging to God and guns, mothers are clinging to pictures of children who have been shot dead in classrooms, in streets, in malls, in cars. More people go hungry today than ever before. Inequality is mounting. Calls for law and order mean more Black and Brown bodies dead at the hands of the police. The nation’s infrastructure is failing. Disdain for science has left America behind during a pandemic, while the rest of the world moves forward. The president you followed slavishly declared “American carnage” in his inaugural speech. Look around. You helped make this carnage we now experience. All of these things have occurred because evangelicals, through religious lobbying and interference, supported the political structures that curtailed, limited, or struck down truly important issues. The polarization we are experiencing in government has stymied progress. That polarization has taken on a resemblance to ideological and theological battles. Your nationalistic evangelicalism is hurting others. Your racism is actively engaged in killing bodies and souls. My analysis and prognostications may be dire, but it is never too late to make amends.
Anthea Butler (White Evangelical Racism: The Politics of Morality in America)
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
To be a mother I must leave the telephone unanswered, work undone, arrangements unmet. To be myself I must let the baby cry, must forestall her hunger or leave her for evenings out, must forget her in order to think about other things. To succeed in being one means to fail at being the other. The break between mother and self was less clean than I had imagined it in the taxi: and yet it was a premonition, too; for later, even in my best moments, I never feel myself to have progressed beyond this division. I merely learn to legislate for two states, and to secure the border between them. At first, though, I am driven to work at the newer of the two skills, which is motherhood; and it is with a shock that I see, like a plummeting stock market, the resulting plunge in my own significance. Consequently I bury myself further in the small successes of nurture. After three or four weeks I reach a distant point, a remote outpost at which my grasp of the baby’s calorific intake, hours of sleep, motor development and patterns of crying is professorial, while the rest of my life resembles a deserted settlement, an abandoned building in which a rotten timber occasionally breaks and comes crashing to the floor, scattering mice. I am invited to a party, and though I decide to go, and bathe and dress at the appointed hour, I end up sitting in the kitchen and crying while elsewhere its frivolous minutes tick by and then elapse. The baby develops colic, and the bauble of motherhood is once more crushed as easily as eggshell. The question of what a woman is if she is not a mother has been superceded for me by that of what a woman is if she is a mother; and of what a mother, in fact, is.
Rachel Cusk (A Life's Work: On Becoming a Mother)
She picked through the bits of jewelry, the stud earrings and ruby ring that belonged to their mother, Shirin. There was something almost meditative about this ritual of hers, combing through the photos and small keepsakes, even if she touched on some painful memories. It was as if her fingers were actually tracing the milestones each piece represented. Her hand closed on a smooth, round object, something resembling a marble egg. It was a miniature bar of lotus soap, still in its wrapper, bought on their last trip to the 'hammam'. The public bathhouse had been a favorite spot of theirs, a place the three of them liked to go to on Thursdays, the day before the Iranian weekend. Marjan held the soap to her nose. She took a deep breath, inhaling the downy scent of mornings spent washing and scrubbing with rosewater and lotus products. All at once she heard the laughter once again, the giggles of women making the bathing ritual a party more than anything else. The 'hammam' they had attended those last years in Iran was situated near their apartment in central Tehran. Although not as palatial as the turquoise and golden-domed bathhouse of their childhood, it was still a grand building of hot pools and steamy balconies, a place of gossip and laughter. The women of the neighborhood would gather there weekly to untangle their long hair with tortoiseshell combs and lotus powder, a silky conditioner that left locks gleaming like onyx uncovered. For pocket change, a 'dalak' could be hired by the hour. These bathhouse attendants, matronly and humorous for all their years spent whispering local chatter, would scrub at tired limbs with loofahs and mitts of woven Caspian seaweed. Massages and palm readings accompanied platters of watermelon and hot jasmine tea, the afternoons whiled away with naps and dips in the perfumed aqueducts regulated according to their hot and cold properties.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
Hasan, the Begger: Believe it or not, they call this purgatory on earth “holy-suffering”. I am a leper stuck in limbo. Neither the dead nor the living want me among them. Mothers point me out on the streets to scare their misbehaving little ones, and children throw stones at me. Artisans chase me from their storefronts to ward off the bad luck that follows me everywhere, and pregnant women turn their faces away whenever they set eyes on me, fearing that their babies will be born defec-tive. None of these people seem to realize that as keen as they are to avoid me, I am far keener to avoid them and their pitiful stares. Friday is the best day of the week to beg except when it is Ramadan, in which case the whole month is quite lucrative. The last day of Ramadan is by far the best time to make money. That is when even the hopeless penny-pinchers race to give alms, keen to compensate for all their sins, past and present. Once a year, people don't turn away from beggars. To the contrary, they specifically look for one, the more miserable the better. So profound is their need to show off how generous and charitable they are, not only do they race to give us alms, but for that single day they almost love us. I’ve realized that the trees and I had something in common. A tree shedding its leaves in autumn resembled a man shedding his limbs in the final stages of leprosy. I am naked tree. My skin, my organs, my face are falling apart. Every day another part of my body abandons me. And for me, unlike the trees, there would be no spring in which I would blossom. What I lost, I lost forever. When people looks at me, they don’t see who I am but what I am missing. Whenever they places a coin in my bowl, they do so with amazing speed and avoid any eye contacts, as if my gaze is contagious. In their eyes I am worse than a thief or a murderer. As much as they disapproves of such outlaws, they don’t treat them as if they are invisible. When it comes to me, however, all they see is death staring them in the face. That's what scares them--to recognize that death could be this close and this ugly.
Elif Shafak (The Forty Rules of Love)
Life within a Templar house was designed where possible to resemble that of a Cistercian monastery. Meals were communal and to be eaten in near silence, while a reading was given from the Bible. The rule accepted that the elaborate sign language monks used to ask for necessities while eating might not be known to Templar recruits, in which case "quietly and privately you should ask for what you need at table, with all humility and submission." Equal rations of food and wine were to be given to each brother and leftovers would be distributed to the poor. The numerous fast days of the Church calendar were to be observed, but allowances would be made for the needs of fighting men: meat was to be served three times a week, on Tuesdays, Thursdays and Saturdays. Should the schedule of annual fast days interrupt this rhythm, rations would be increased to make up for lost sustenance as soon as the fasting period was over. It was recognized that the Templars were killers. "This armed company of knights may kill the enemies of the cross without stated the rule, neatly summing up the conclusion of centuries of experimental Christian philosophy, which had concluded that slaying humans who happened to be "unbelieving pagans" and "the enemies of the son of the Virgin Mary" was an act worthy of divine praise and not damnation. Otherwise, the Templars were expected to live in pious self-denial. Three horses were permitted to each knight, along with one squire whom "the brother shall not beat." Hunting with hawks—a favorite pastime of warriors throughout Christendom—was forbidden, as was hunting with dogs. only beasts Templars were permitted to kill were the mountain lions of the Holy Land. They were forbidden even to be in the company of hunting men, for the reason that "it is fitting for every religious man to go simply and humbly without laughing or talking too much." Banned, too, was the company of women, which the rule scorned as "a dangerous thing, for by it the old devil has led man from the straight path to paradise the flower of chastity is always [to be] maintained among you.... For this reason none Of you may presume to kiss a woman' be it widow, young girl, mother, sister, aunt or any other.... The Knighthood of Christ should avoid at all costs the embraces of women, by which men have perished many times." Although married men were permitted to join the order, they were not allowed to wear the white cloak and wives were not supposed to join their husbands in Templar houses.
Dan Jones (The Templars: The Rise and Spectacular Fall of God's Holy Warriors)
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)