Morocco Love Quotes

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See that little stream — we could walk to it in two minutes. It took the British a month to walk to it — a whole empire walking very slowly, dying in front and pushing forward behind. And another empire walked very slowly backward a few inches a day, leaving the dead like a million bloody rugs. No Europeans will ever do that again in this generation.” “Why, they’ve only just quit over in Turkey,” said Abe. “And in Morocco —” “That’s different. This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.” “General Grant invented this kind of battle at Petersburg in sixty- five.” “No, he didn’t — he just invented mass butchery. This kind of battle was invented by Lewis Carroll and Jules Verne and whoever wrote Undine, and country deacons bowling and marraines in Marseilles and girls seduced in the back lanes of Wurtemburg and Westphalia. Why, this was a love battle — there was a century of middle-class love spent here. This was the last love battle.
F. Scott Fitzgerald (Tender is the Night)
He who has never hunted, never loved, never sought out the fragrance of a flower, and never quivered at the sound of music, is not a human being but a donkey. —Arab proverb
Julia Drosten (The Lioness of Morocco)
I have never been to Japan. I have never been to India, or to Morocco, or to Germany, or to most of the places Arthur Less has traveled to over the past few months. I have never climbed an ancient pyramid. I have never kissed a man on a Paris rooftop. I have never ridden a camel. I have taught a high school English class for the best part of a decade, and graded homework every night, and woken up early in the morning to plan my lessons, and read and reread Shakespeare, and sat through enough conferences and meetings for even those in Purgatory to envy me. I have never seen a glowworm. I do not, by any reckoning, have the best life of anyone I know. But what I am trying to tell you (and I only have a moment), what I have been trying to tell you this whole time, is that from where I sit, the story of Arthur Less is not so bad. Because it is also mine. That is how it goes with love stories.
Andrew Sean Greer (Less (Arthur Less, #1))
If Moroccans are dying in Indo-China, if it rains too much or not enough, if there is no work, if one’s wife is sick and penicillin is expensive, or if the French are still in Morocco, it is all the fault of America. She could change everything if she chose, but she does nothing because she does not love the Moslems.
Paul Bowles (Travels: Collected Writings, 1950-1993)
POEM FOR SOUKAÏNA” **** To tell of my new Moroccan Love, Ô, I court her everyday. But just as a pearl in the mud is a pearl, So is my Love just an Arab girl… in that I offer her constant, loving woos, but she’ll ask me in return that I give her flooze*. That’s when I kiss her and shrug, and I say, “Someday.” And she gives me her love free anyway. * * * Ô, my Love is a child of the souks. In Casablanca born. A gypsy thief, “Soukaïna” named. We met in the souks of Marrakech, It was here my heart she tamed. Ô, she came at nineteen to Marrakech, In search of wild fun. And she lived in Marrakech seven years, Before my heart she won.
Roman Payne
Please, please, you have to, I never ask you for anything, please just do it." "What are you talking about? You always ask me for everything." "Okay, then, but you always do it, so don't change the rules now." He knows its true. That's just the way they work. As much as he grouses and sneers and makes a big show of authority, he can't deny the kid a thing. If he wants a vintage Aston Martin so he can play at being James Bond, he gets one. If he wants to go one top, he can. He says he's never been to Africa and Lindsay goes online and books flights that same day to Morocco because he wants to see the smile when he presents Valentine with tickets. When the kid suggests setting a camcorder up in the bedroom so they can watch the tape back later and laugh at their stupid sex-faces, Lindsay goes along with it, wincing all the way, because he always says no and he never really means it in the end. This is love, he supposes, and it's mental.
Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
A Nazi initiation into the upper reaches of the SS was to gouge out the eye of a pet cat after feeding the cat and cuddling it for a month. This exercise was designed to eliminate all traces of pity-poison and mold a full Übermensch. There is a very sound magical postulate involved: the practitioner achieves superhuman status by performing some atrocious, revolting, subhuman act. In Morocco, magic men gain power by eating their own excrement. But dig out Ruski’s eyes? Stack bribes to the radioactive sky. What does it profit a man? I could not occupy a body that could dig out Ruski’s eyes. So WHO gained the whole world? I didn’t. Any bargain involving exchange of qualitative values like animal love for quantitative advantage is not only dishonorable, as wrong as a man can get, it is also foolish. Because YOU get nothing. You have sold your YOU.
William S. Burroughs (The Cat Inside)
There's only a yard of stuff in it, worth a pound if that," I went on, horrified by the waste of money. "And how many yards of canvas in a Fragonard? And how much do planks of wood cost, or the skin of a darling goat before some clever person turns them into commodes and morocco? Art is more than yards, just as one is more than flesh and bones.
Nancy Mitford (Love in a Cold Climate (Radlett & Montdore, #2))
Every little thing makes a difference, whether you decide it yourself or whether it’s pure accident. So many people have had the whole course of their lives changed by something perfectly simple like, let’s say, crossing the street at one point instead of another.” “Yes, yes, yes, I know,” Stenham said with exaggerated weariness. “As far as I’m concerned that’s just as boring, and a lot more false, by the way. The point I’m trying to make is that he loves his world of Koranic law because it’s his, and at the same time he hates it because his intuition tells him it’s at the end of its rope. He can’t expect anything more from it. And our world, he hates that too, just on general principles, and yet it’s his only hope, the only way out—if there is one for him personally, which I doubt.
Paul Bowles (The Spider's House)
I take the roasting pan of braised chicken thighs with shallots and tomatoes and mushrooms in a white wine Dijon sauce out of the fridge and pop it in the oven to reheat. I dump the celery root potato puree out of its tub and into my slow cooker to gently warm, then grab the asparagus that I steamed yesterday and set it on the counter to take the chill off. I pull the butter lettuce I bought at Whole Foods out and separate the leaves into a bowl, filling it with cool water as I go, and when they are clean, I pop them into my salad spinner and whizz the crap out of them. They go into the big wooden salad bowl I got in Morocco. When dinnertime comes I'll chop the asparagus and add it to the salad along with some tiny baby marinated artichokes, no bigger than olives, toss with a peppery vinaigrette. The sourdough baguette I picked up goes into the table intact; I love to just let guests tear pieces off at the table. The three cheeses I snagged at the cheese counter get set to the side so that they will be appropriately room temp by the time I serve them after dinner. I might not be French, but all those years there have stuck, and I simply cannot have dinner without some cheese after.
Stacey Ballis (How to Change a Life)
She shook her hair in the cool breeze and inhaled, the scents of lavender and rose and jasmine sweet in the lucent air. They passed fields where delicately scented rosa centifolia bushes grew. "How was the rose crop this year?" "Excellent. We had a mild spring and a generous rainfall. Twenty to twenty-five blossoms on every branch. Our rose was indeed the 'queen of the flowers' this year, to quote the Greek poet Sappho." He lifted his chin and peered at her down his nose. "Our rose de mai is expensive, Danieeele, but far superior to others." Laughter bubbled in her throat. "Your Gallic pride is showing, Philippe." He expressed a puff of air between pursed lips. "Bulgaria? Morocco? You can't tell me their roses are better than mine." "Just different," she said with patience. "Moroccan roses have a rich perfume, and Bulgaria's Valley of the Roses produces lovely damascena roses scented with a brilliant tinge of pear.
Jan Moran (Scent of Triumph)
Your Grace should know that I am burdened by the greatest misfortune a human being can suffer,” he said with disarming humility. “I no longer believe.” “We know, my son,” the Bishop answered without surprise. “How could we not know!” He said this with a certain joy, for he too, as a King’s Cadet in Morocco, had lost his faith at the age of twenty, surrounded by the din of battle. “It was the thundering certainty that God had ceased to exist,” he said. In terror he had dedicated himself to a life of prayer and penitence. “Until God took pity on me and showed me the path of my vocation,” he concluded. “What is essential, therefore, is not that you no longer believe, but that God continues to believe in you. And regarding that there can be no doubt, for it is He in His infinite diligence who has enlightened us so that we may offer you this consolation.
Gabriel García Márquez (Of Love and Other Demons)
He who has never hunted, never loved, never sought out the fragrance of a flower, and never quivered at the sound of music, is not a human being but a donkey. —Arab proverb Chapter Twenty London, October 1859 Big Ben gloomily rung seven times.
Julia Drosten (The Lioness of Morocco)
We couldn’t stop following the news. Every ten seconds we refreshed our browsers and gawked at the headlines. Dully we read blogs of friends of friends of friends who had started an organic farm out on the Wichita River. They were out there pickling and canning and brewing things in the goodness of nature. And soon we’d worry it was time for us to leave the city and go. Go! To Uruguay or Morocco or Connecticut? To the Plains or the Mountains or the Bay? But we’d bide our time and after some months or years, our farmer friends would give up the farm and begin studying for the LSATs. We felt lousy about this, and wonderful. We missed getting mail. We wondered why we even kept those tiny keys on our crowded rings. Sometimes we would send ourselves things from the office. Sometimes we would handwrite long letters to old loved ones and not send them. We never knew their new address. We never knew anyone’s address, just their cross streets and what their doors looked like. Which button to buzz, and if the buzzers even worked. How many flights to climb, and which way to turn off the stairs. Sometimes we missed those who hadn’t come to the city with us— or those who had gone to other, different cities. Sometimes we journeyed to see them, and sometimes they ventured to see us. Those were the best of times, for we were all at home and not at once. Those were the worst of times, for we inevitably longed to all move here or there, yet no one ever came— somehow everyone only left. Soon we were practically all alone. Soon we began to hate the forever cramping of our lives. Sleeping on top of strangers and sipping coffee with people we knew we knew but couldn’t remember where from. Living out of boxes we had no space to unpack. Soon we named the pigeons roosting in our windowsills; we worried they looked mangier than the week before. We heard bellowing in the apartments below us and bedsprings creaking in the ones above. Everywhere we saw people with dogs and wodnered how they managed it. Did they work form home?Did they not work? Had they gone to the right schools? Did they have connections? We had no connections. Our parents were our guarantors in name only; they called us from their jobs in distant, colorless, suburban office parks and told us we could come home anytime, and this terrified us always. But then came those nights, creeping up on us while we worked busily in dark offices, like submariners lost at sea, sailing through the dark stratosphere in our cement towers. We’d call each other to report: a good thing happened, a compliment had been paid, a favor had been appreciated, an inch of ground had been gained. We wouldn’t trade those nights for anything or anywhere. Those nights, we remembered why we came to the city. Because if we were really living, then we wanted to hear the cracking in our throats and feel the trembling in our extremities. And if our apartments were coffins and our desks headstones and our dreams infections— if we were all slowly dying — then at least we were going about that great and terrible business together.
Kristopher Jansma (Why We Came to the City)
The first time Avis knelt on a chair and stirred eggs into flour to make a vanilla cake, she had an inkling of how higher orders of meaning encircle the chaos of life. Where philosophy, she already intuited, created only thought- no beds made, no children fed- in other rooms there were good things like measuring spoons, thermometers, and recipes, with their lovely, interwoven systems and codes. Avis labored over her pastries: her ingredient base grew, combining worlds: preserved lemons from Morocco in a Provencal tart; Syrian olive oil in Neapolitan cantuccini; salt combed from English marshes and filaments of Kashmiri saffron secreted within a Swedish cream. By the time Avis was in college, her baking had evolved to a level of exquisite accomplishment: each pastry as unique as a snowflake, just as fleeting on the tongue: pellucid jams colored cobalt and lavender, biscuits light as eiderdown.
Diana Abu-Jaber (Birds of Paradise)
She discovered a whole square devoted to seafood- squid and sea bass, shrimp, prawns, rock lobsters, octopus, sea cucumbers, and a pallet of unidentifiable slugs and snails, creatures with fluorescent fins and prehistoric shells, things Marguerite was sure Dusty Tyler had never seen in all his life. In Morocco, the women did the shopping, all of them in ivory or black burkhas. Most of them kept their faces covered as well; Candace called these women the "only eyes." They peered at Marguerite (who wore an Hermés scarf over her hair, a gift from one of her customers) and she shivered. Marguerite's favorite place of all was the spice market- dozens of tables covered with pyramids of saffron and turmeric, curry powder and cumin, fenugreek, mustard seed, cardamom, paprika, mace, nutmeg.
Elin Hilderbrand (The Love Season)
I had to demonstrate that I had mastered the routes only a resident of the medina, the ancient city, would know. If I could not master the alleys, I would be forever hounded by the hawkers and illicit guides who preyed upon the unsuspecting, the weak, the lost, the tourists.
Azzedine T. Downes (The Couscous Chronicles: Stories of Food, Love, and Donkeys from a Life between Cultures)
the club had become a gathering place for international spies, who traded classified information about the Soviet Union’s infiltration into Africa. Code-named the “Safari Club,” the covert group was comprised of intelligence operatives from France, Saudi Arabia, Egypt, Morocco and Iran, which were united in the fight against Communism.
Howard Johns (Drowning Sorrows: A True Story of Love, Passion and Betrayal)
1973 was the year when the United Kingdom entered the European Economic Union, the year when Watergate helped us with a name for all future scandals, Carly Simon began the year at number one with ‘You’re So Vain’, John Tavener premiered his Variations on ‘Three Blind Mice’ for orchestra, the year when The Godfather won Best Picture Oscar, when the Bond film was Live and Let Die, when Perry Henzell’s film The Harder They Come, starring Jimmy Cliff, opened, when Sofia Gubaidulina’s Roses for piano and soprano premiered in Moscow, when David Bowie was Aladdin Sane, Lou Reed walked on the wild side and made up a ‘Berlin’, Slade were feeling the noize, Dobie Gray was drifting away, Bruce Springsteen was ‘Blinded by the Light’, Tom Waits was calling ‘Closing Time’, Bob Dylan was ‘Knocking on Heaven’s Door’, Sly and the Family Stone were ‘Fresh’, Queen recorded their first radio session for John Peel, when Marvin Gaye sang ‘What’s Going On’ and Ann Peebles’s ‘I Can’t Stand the Rain’, when Morton Feldman’s Voices and Instruments II for three female voices, flute, two cellos and bass, Alfred Schnittke’s Suite in the Old Style for violin and piano and Iannis Xenakis’s Eridanos for brass and strings premiered, when Ian Carr’s Nucleus released two albums refining their tangy English survey of the current jazz-rock mind of Miles Davis, when Ornette Coleman started recording again after a five-year pause, making a field recording in Morocco with the Master Musicians of Joujouka, when Stevie Wonder reached No. 1 with ‘Superstition’ and ‘You Are the Sunshine of My Life’, when Free, Family and the Byrds played their last show, 10cc played their first, the Everly Brothers split up, Gram Parsons died, and DJ Kool Herc DJed his first block party for his sister’s birthday in the Bronx, New York, where he mixed instrumental sections of two copies of the same record using two turntables.
Paul Morley (A Sound Mind: How I Fell in Love with Classical Music (and Decided to Rewrite its Entire History))