Moon Plains Quotes

I wanted the monster back and that was plainly wrong.

If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me? Will the air over the plain quiver with a color that I have had on, or the children invent a game in which my name is, or the full moon throw a shadow over the gravel of the drive that was like me, or will the eagles of the Ngong Hills look out for me?

Sometimes it's best to hide in plain sight.

Light as feathers the witches fly, The horn of the moon is plain to see; By a firefly under a jonquil flower A goblin toasts a bumble-bee.

When there is the moon, the night automatically becomes beautiful; there might be no need for extra light. Light must be saved for those moments when the night is dark, and the moon doesn't appear in the sky. Plain paths are not always straightforward. You might encounter uneven, sometimes steep, sometimes flat obstacles along the way. That's the nature of a path. Therefore, after reaching an easy path, the walking stick should not be discarded.

She said to the Daisy girl with her big brown eyes: 'I will not have it plain. No. Fancy. It must be fancy!' She meant her future. A moon-daisy dropped to the floor, down from her hair, like a faintly derisive sign from heaven.

Who had they been, all these mothers and sisters and wives? What were they now? Moons, blank and faceless, gleaming with borrowed light, each spinning loyally around a bigger sphere. ‘Invisible,’ said Faith under her breath. Women and girls were so often unseen, forgotten, afterthoughts. Faith herself had used it to good effect, hiding in plain sight and living a double life. But she had been blinded by exactly the same invisibility-of-the-mind, and was only just realizing it.

Though, as every gambler knows, the biggest killer in this godless universe is the random roll of the dice. Plain stinking jungle variety bad luck. The thing that gets us all.

We sleepwalkers of the day! We artists! We who conceal naturalness! We who are moon- and God-struck! We untiring wanderers, silent as death, on heights that we see not as heights but as our plains, as our safety.

I think most kids have a place they go to when they're scared or lonely or just plain bored. They call it NeverLand or The Shire, Boo'ya Moon if they've got big imaginations and make it up for themselves. Most of them forget. The talented few - like Scott - harness their dreams and turn them into horses.

I don't need a mate,” she muttered, staring up at the bright circle of the early autumn moon. “But can't you send me a nice, sexy, strongmale to dance with? Pretty please?” She hadn't had a lover for close to eight months now, and it was starting to hurt on every level. “He doesn't even have to be smart, just good between the sheets.” Good enough to unsnap the tension in her body, allow her to function again. Because sex wasn't simply about pleasure for a cat like her—it was about affection, about trust, about everything good. “Though right this second, I'd take plain old hot sex.” That was when Riley walked out of the shadows. “Got an itch, kitty?” Snapping to her feet, she narrowed her eyes, knowing he had to have deliberately stayed downwind in order to sneak up on her. “Spying?” “When you're talking loud enough to wake the dead?” She swore she could feel steam coming out her ears.

My brain is a vast, barren, jokeless plain where wolves howl at the moon over rocky overhangs and the wind kicks up twists of sand and tumbleweed.

I watched the moon through the window. It was a beautiful, floating illusion of a still point in the universe. Dark shadows passed over the plains, mountains and water.

The moon was coming slowly up over the hill in front of them. The countryside was bathed in light, pale and cold and silvery. Everything could be seen quite plainly, and Lotta and Jimmy thought it was just like daytime with the colours missing.

I am sad because I love you, because I love you so much, and because I am not a bee to buzz with you lightly. I am not a flower, not a tree, not a rain-hewn stone. I am not a storm or a cresting wave, not a thorn or a vine. I am not the sun stinging the water, not the moon on the snow. I am not a star in the dark. I am not the dew-wet wind, not the cloud-stained dawn. I am only a girl, a small, plain girl, a girl who must smear her lips in honey to be found sweet.

That evening was the evening of the full moon. The garden was an enchanted place where all the flowers seemed white. The lilies, the daphnes, the orange-blossom, the white stocks, the white pinks, the white roses - you could see these as plainly as in the daytime; but the coloured flowers existed only as fragrance.

The sky and the lands, the watery plains, the moon's gleaming face, the Titanic Sun and the stars are all strengthened by Spirit working within them, and by Mind, which is blended into all the vast universe and pervades every part of it, enlivening the whole mass.

ON THE DAY I DIE On the day I die, when I'm being carried toward the grave, don't weep. Don't say, He's gone! He's gone. Death has nothing to do with going away. The sun sets and the moon sets, but they're not gone. Death is a coming together. The tomb looks like a prison, but it's really release into union. The human seed goes down in the ground like a bucket into the well where Joseph is. It grows and comes up full of some unimagined beauty. Your mouth closes here, and immediately opens with a shout of joy there. --------------------------------- One who does what the Friend wants done will never need a friend. There's a bankruptcy that's pure gain. The moon stays bright when it doesn't avoid the night. A rose's rarest essence lives in the thorn. ---------------------------------- Childhood, youth, and maturity, and now old age. Every guest agrees to stay three days, no more. Master, you told me to remind you. Time to go. ----------------------------------- The angel of death arrives, and I spring joyfully up. No one knows what comes over me when I and that messenger speak! ------------------------------------- When you come back inside my chest no matter how far I've wandered off, I look around and see the way. At the end of my life, with just one breath left, if you come then, I'll sit up and sing. -------------------------------------- Last night things flowed between us that cannot now be said or written. Only as I'm being carried out and down the road, as the folds of my shroud open in the wind, will anyone be able to read, as on the petal-pages of a turning bud, what passed through us last night. ------------------------------------- I placed one foot on the wide plain of death, and some grand immensity sounded on the emptiness. I have felt nothing ever like the wild wonder of that moment. Longing is the core of mystery. Longing itself brings the cure. The only rule is, Suffer the pain. Your desire must be disciplined, and what you want to happen in time, sacrificed.

Look at the moon up there. You see her very plainly, don't you? She's very real. But if the sun were to shine you wouldn't be able to see her at all. It was rather like that. I was the moon... When the sun came out, Simon couldn't see me anymore... He was dazzled. He couldn't see anything but the sun — Linnet.

And so their spirits soared as they took positions own the passageways of battle all night long, and the watchfires blazed among them. Hundreds strong, as stars in the night sky glittering round the moon's brilliance blaze in all their glory when the air falls to a sudden, windless calm... all the lookout peaks stand out and the jutting cliffs and the steep ravines and down from the high heavens bursts the boundless bright air and all the stars shine clear and the shepherd's heart exults - so many fires burned between the ships and the Xanthus' whirling rapids set by the men of Troy, bright against their walls. A thousand fires were burning there on the plain and beside each fire sat fifty fighting men poised in the leaping blaze, and champing oats and glistening barley, stationed by their chariots, stallions waited for Dawn to mount her glowing throne.

Worst of all was the blizzard. People from the east or west coasts of America may think they have seen a blizzard. Likely they have not. It is almost exclusively a phenomenon of the plains, and got its name on the plains. It entailed wind-driven snow so dense and temperatures so cold that anyone lost in them on the shelterless plains was as good as dead.

Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls. Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.

I detested their blind, thoughtless, automatic acquiescence to it all, their simpleminded patriotism, their prideful ignorance, their love-it-or-leave-it platitudes, how they were sending me off to a war they didn't understand and didn't want to understand. I held them responsible. By God, yes, I did. All of them - I held them personally and individually responsible - the polyestered Kiwanis boys, the merchants and the farmers, the pious churchgoers, the chatty housewives, the PTA and the Lions club and the Veterans of Foreign Wars and the fine outstanding gentry out at the country club. They didn't know Bao Dai from the man in the moon. They didn't know history. They didn't know the first thing about Diem's tyranny, or the nature of Vietnamese nationalist, or the long colonialism of the French - this was all too damn complicated, it required some reading - but no matter, it was a war to stop the Communists, plain and simple, which was how they liked things, and you were a treasonous pussy if you had second thoughts about killing or dying for plain and simple reasons.

He says he loves my daughter. I think so too, for never gazed the moon upon the water as he'll stand and read as 'twere my daughter's eyes; and, to be plain, I think there is not half a kiss to choose who loves another best.

He could understand that the creatures, the fish and the owls, should feed and frolic at moon-rise, at moon-down and at south-moon-over, for these were all plain marks to go by, direct and visible. He marvelled, padding on bare feet past the slat-fence of the clearing, that the moon was so strong that when it lay the other side of the earth, the creatures felt it and stirred by the hour it struck. The moon was far away, unseen, and it had power to move them.

There were no lions any more. There had been lions once. Sometimes in the shimmer of the heat on the plains the motion of their running still flickered on the dry wind — tawny, great, and quickly gone. Sometimes the honey-colored moon shivered to the silence of a ghost-roar on the rising air.

. . . at eighteen the true narrative of life is yet to be commenced. Before that time we sit listening to a tale, a marvelous fiction, delightful sometimes, and sad sometimes, almost always unreal. Before that time our world is heroic, its inhabitants half-divine or semi-demon; its scenes are dreamscenes; darker woods and stranger hills, brighter skies, more dangerous waters, sweeter flowers, more tempting fruits, wider plains, drearier deserts, sunnier fields than are found in nature, overspread our enchanted globe. What a moon we gaze on before that time! How the trembling of our hearts at her aspect bears witness to its unutterable beauty!

If you point out the moon to a cat, she probably won’t look at the sky; she’ll come up and sniff your finger.

It is a region of high plains and of mountains, having limited fertility but esteemed for natural beauty. Its

If I know a song of Africa,—I thought,—of the Giraffe, and the African new moon lying on her back, of the ploughs in the fields, and the sweaty faces of the coffee-pickers, does Africa know a song of me? Would the air over the plain quiver with a colour that I had had on, or the children invent a game in which my name was, or the full moon throw a shadow over the gravel of the drive that was like me, or would the eagles of Ngong look out for me? I

All of those things - rock and men and river - resisted change, resisted the coming as they did the going. Hood warmed and rose slowly, breaking open the plain, and cooled slowly over the plain it buried. The nature of things is resistance to change, while the nature of process is resistance to stasis, yet things and process are one, and the line from inorganic to organic and back is uninterrupted and unbroken.

Nita stood still, listening to Joanne's footsteps hurrying away, a little faster every second- and slowly began to realize that she'd gotten what she asked for too- the ability to break the cycle of anger and loneliness, not necessarily for others, but at least for herself. It wouldn't even take the Speech; plain words would do it, and the magic of reaching out. It would take a long time, much longer then something simple like breaking the walls of the worlds, and it would cost more effort than even reading the Book of Night with Moon. But it would be worth it- and eventually it would work. A spell always works. Nita went home.

But I don't want to be a different girl," said Emily decidedly. She had no intention of lowering the Starr flag to Aunt Ruth. "I wouldn't want to be anybody but myself even if I am plain. Besides," she added impressively as she turned to go out of the room, "though I may not be very good-looking now, when I go to heaven I believe I'll be very beautiful.

The moon was rising higher outside, the stars glittering around it like diamonds, though it was plain to see that they weren’t all white. Some were blue or yellow, some pinkish red. The night sky was the best dressed lady at court, the stars her finest dress and the moon her perfect crown.

A dark and lonely plain lay before him, cut by a single strip of water that flowed slow-moving into the east: a ribbon of beaten silver bright beneath the glare of a full moon.… Floating on the nameless river, a ship, tall and proud, with pure white sails raised and ready.… Ranks of warriors holding lances, and two hooded figures walking among them, as if in a stately procession. The smell of willows and cottonwoods, and a sense of passing sorrow.…

I do not want a plain box, I want a sarcophagus With tigery stripes, and a face on it Round as the moon, to stare up. I want to be looking at them when they come Picking among the dumb minerals, the roots. I see them already-the pale, star-distance faces. Now they are nothing, they are not even babies. I imagine them without fathers or mothers, like the first gods. They will wonder if I was important.

Great laughter rang from all sides. I wondered what the spirit of the Mountain was thinking; and looked up and saw jackpines in the moon, and saw ghosts of old miners, and wondered about it. In the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great western slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the eastern Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. And beyond, beyond, over the Sierras the other side if Carson sink was bejeweled bay-encircled nightlike old Frisco of my dreams. We were situated on the roof of America and all we could do was yell, I guess - across the night, eastward over the plains where somewhere a man with white hair was probably walking toward us with the Word and would arrive any minute and make us silent.

If I know a song of Africa,-I thought-, of the giraffe and the African new moon lying on her back, of the ploughs in the fields and the sweaty faces of the coffee-pickers, does Africa know a song of me? Would the air over the plain quiver with a color that I have had on, or the children invent a game in which my name was, or the full moon throw a shadow over the gravel of the drive that was like me, or would the eagles of Ngong look out for me?

Mrs. Strickland was plainly nervous. "Well, tell us your news," she said. "I saw your husband. I'm afraid he's quite made up his mind not to return." I paused a little. "He wants to paint.

You asked him to go to bed with you?” “I did, and you’d think I’d smashed him in the balls with my wrench. So that’s the end of that.” Jude folded her hands, leaned forward. “I’m going to pry.” Brenna’s lips twitched. “Oh, you haven’t started that yet?” “Not nearly. What exactly did you say to him?” “I said, plain enough, that I thought we should have sex. And what’s wrong with that?” she demanded, gesturing with her spoon. “You’d think a man would appreciate clear, honest speaking.

I seen but little of this world, Except my corner of it; The city never drew me, For I knew I could not love it. What I loved best was watching The garden getting ripe And a pouch of sweet tobacco And my old cob pipe. What I loved best was a harvest moon Before a frosty morn And lamplight in the barn lot And them long, straight rows of corn. I was plain and country; That's where it starts and ends, But nobody loved her family more, Or treasured more her friends. I loved the changing seasons, And looking for life's reasons, And honey in the comb, and home.

Above it all drifted a silvery scythe blade of moon. Wayne looked up at it, and away, and then looked again. The moon had a hooked nose, a thoughtfully frowning mouth, and a single eye closed in sleep. When it exhaled, a wind rippled across the plains and silvery beds of cloud raced through the night. Wayne almost clapped his hands in delight to look upon it.

Abandoned by the Spanish, thousands of mustangs ran wild into the open plains that resembled so closely their ancestral Iberian lands. Because they were so perfectly adapted to the new land, they thrived and multiplied. They became the foundation stock for the great wild mustang herds of the Southwest. This event has become known as the Great Horse Dispersal.

The first generations of Comanches in captivity never really understood the concept of wealth, of private property. The central truth of their lives was the past, the dimming memory of the wild, ecstatic freedom of the plains, of the days when Comanche warriors in black buffalo headdresses rode unchallenged from Kansas to northern Mexico, of a world without property or boundaries. What Quanah had that the rest of his tribe in the later years did not was that most American of human traits: boundless optimism.

I think of a line that has always stayed with me, from Marwa Helal's "poem for brad who wants me to write about the pyramids." "This is where the poets will interject. They will say show- dont tell. But that assumes most people can see." It would be nice to go back to caring about the moon. So many of my favorite authors care about the moon. So much of my favorite literature orients in the direction of beauty. But surely any true appreciation of beauty would admit- exclaim, even- that no description of the moon, no matter how stunning, how true, reflects as much beauty back into the world as a missile obliterating a family in their home takes out of it. At the very least, one should not be able to have it both ways. One should not, with a modicum of self-respect, quote Morrison and Baldwin at every turn, but then, faced with the sort of injustice with which so much of their work contends, suddenly retreat into descriptions of whatever it is the finches are doing. What is this work we do? What are we good for? The literary critic Northup Frye once said, "all art is metaphor. And the metaphor is the grammatical definition of insanity. What art does is meet us at the site of our insanity. Our derangement. The plainly irrational mechanics of what it means to be human. There comes from this, then, at least a working definition of a soul. One's capacity to sit with the mysteries of a thing that cannot, in any rational way, be understood. Only felt. Only moved through. And sometimes that thing is so grotesque- what we do to one another so grotesque- that sitting with it feels an affront to the notion of art as a conduit of beauty. Still, sit. Sit.

The greatest threat of all to their identity, and to the very idea of a nomadic hunter in North America, appeared on the plains in the late 1860s. These were the buffalo men. Between 1868 and 1881 they would kill thirty-one million buffalo, stripping the plains almost entirely of the huge, lumbering creatures and destroying any last small hope that any horse tribe could ever be restored to its traditional life. There was no such thing as a horse Indian without a buffalo herd. Such an Indian had no identity at all.

It makes the ocean seem inconsequential, the moon unimportant, everything else nonexistent. It fills all the empty spaces inside him, the ones he didn't know were there, and the ones he thought he'd already filled. And the future is laid plain before him. Their future.

They did not noon nor did they siesta and the cotton eye of the moon squatted at broad day in the throat of the mountains to the east and they were still riding when it overtook them at its midnight meridian sketching on the plain below a blue cameo of such dread pilgrims clanking north.

I think most kids have a place they go to when they’re scared or lonely or just plain bored. They call it NeverLand or the Shire, Boo’ya Moon if they’ve got big imaginations and make it up for themselves. Most of them forget. The talented few—like Scott—harness their dreams and turn them into horses.

When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope

I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.

You lie awake, staring through a small open window at a full blue moon complete with a silly face. This is the dream. Sustainable employment. Some semblance of work-life balance. Talk white. Not a lot. Get contact lenses. Smile. They will assume you’re smart. The less you say the better. Try to project: responsible, harmless. An unthreatening amount of color sprinkled in. That’s the dream. A dream of blending in. A dream of going from “generic Asian man” to just plain “generic man”.

It was like a Stygian plain, like a vision of Hades: a land of shadows, vapours and water. Everything was going misty and disappearing like spirits. The moon was enchanting and pulling at the plain just as she enchants and pulls at the sea, drinking all that vast earthly dampness from the horizon with her silent, insatiable throat.

September looked down at her black silks. Everyone saw her as a Criminal. They did it because of how she looked. But that was the whole purpose of clothes, she supposed. Clothes are a story you choose to tell about yourself, a different one every day. Even folk who wore plain overalls every day and didn't comb their hair and knew more about cattle breeds than fashion were telling a story: I am a person who doesn't know or care about fashion because those aren't things worth knowing or caring about.

The car ran almost noiselessly. It ran as if gravity had no power over it. Houses glided past, churches, villages, the golden spots of the estaminets and bistros, a gleaming river, a mill, and then again the even contour of the plain, the sky arching above it like the inside of a huge shell in whose milky nacre shimmered the pearl of the moon.

He lay with a pack of panting dogs on a hill overlooking plains where antelope grazed. He marched with ants, and labored in the rigors of the nest, filing eggs. He danced the mating dance of the bower bird, and slept on a warm rock with his lizard kin. He was a cloud. He was the shadow of a cloud. He was the moon that cast the shadow of a cloud. He was a blind fish; he was a shoal; he was a whale; he was the sea. He was the lord of all he surveyed. He was a worm in the dung of a kite. He did not grieve, knowing his life was a day long, or an hour. He did not wonder who made him. He did not wish to be other. He did not pray. He did not hope. He only was, and was, and was, and that was the joy of it.

The sun, the moon, the stars, the seas, the hills and the plains, Are not these, O Soul, the Vision of Him who reigns?

I do not want a plain box, I want a sarcophagus With tigery stripes, and a face on it Round as the moon, to stare up. I want to be looking at them when they come

If the motions of the sun and moon and stars can be predicted and measured, and thus obey regular laws, how can they be the source of unnatural authority, since they too are plainly part of nature?

Across the immense plain of night lay the first Texas town, Dalhart, which I'd crossed in 1947. It lay glimmering on the dark floor of the earth, fifty miles away. The land by moonlight was all mesquites and wastes. On the horizon was the moon. She fattened, she grew huge and rusty, she mellowed and rolled, til the morning star contended and dews began to blow in our windows-and still we rolled.

In early missionary journals Osages were often described as being ‘the happiest people in the world.’… They had a sense of freedom because they didn’t own anything and nothing owned them. But the Osage Nation was in the way of the economic drive of the European world… and life as they once knew it would never be the same.” The statement continued, “Today our hearts are divided between two worlds. We are strong and courageous, learning to walk in these two worlds, hanging on to the threads of our culture and traditions as we live in a predominantly non-Indian society. Our history, our culture, our heart, and our home will always be stretching our legs across the plains, singing songs in the morning light, and placing our feet down with the ever beating heart of the drum. We walk in two worlds.

As wee now wonder at the blindnesse of our Ancestors, who were not able to discerne such things as seeme plaine and obvious unto us. So will our posterity admire our ignorance in as perspicuous matters.

I am the Wind that blows across the Sea I am the Wave of the Ocean I am the Murmur of the Billows I am the Bull of the Seven Combats I am the Vulture on the Rock I am a Ray of the Sun I am the Fairest of Flowers I am a Wild Boar in Valour I am a Salmon in the Pool I am a Lake on the Plain I am the Skill of the Craftsman I am a Word of Science I am the Spear-point that gives Battle I am the god who creates in the head of man the Fire of Thought. Who is it that Enlightens the Assembly upon the mountain, if not I? Who tells the ages of the moon, if not I? Who shows the place where the sun goes to rest, if not I? Who calls the cattle from the House of Tethra? On whom do the cattle of Tethra smile? Who is the god that fashions enchantments - the enchantment of battle and the wind of change? ― Amergin

O full and splendid Moon, whom I Have, from this desk, seen climb the sky So many a midnight,—would thy glow For the last time beheld my woe! Ever thine eye, most mournful friend, O'er books and papers saw me bend; But would that I, on mountains grand, Amid thy blessed light could stand, With spirits through mountain-caverns hover, Float in thy twilight the meadows over, And, freed from the fumes of lore that swathe me, To health in thy dewy fountains bathe me! Ah, me! this dungeon still I see. This drear, accursed masonry, Where even the welcome daylight strains But duskly through the painted panes.

It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.

If most of the time I felt like Jane Eyre, with “features so irregular and so marked… poor, obscure, plain, and little,” now I felt like the moon to her sun, borrowing her light so I could illuminate on my own.

All alone, outside the pueblo, on the bare plain of the mesa. The rock was like bleached bones in the moonlight. Down in the valley, the coyotes were howling at the moon. The bruises hurt him, the cuts were still bleeding; but it was not for pain that he sobbed; it was because he was all alone, because he had been driven out, alone, into this skeleton world of rocks and moonlight. At the edge of the precipice he sat down. The moon was behind him; he looked down into the black shadow of the mesa, into the black shadow of death. He had only to take one step, one little jump.. He held out his right hand in the moonlight. From the cut on his wrist the blood was still oozing. Every few seconds a drop fell, dark, almost colourless in the dead light. Drop, drop, drop. Tomorrow and tomorrow and tomorrow. He had discovered Time and Death and God.

There is someone special for everyone. Often there are two or three or even four. They come from different generations. They travel across oceans of time and the depths of heavenly dimensions to be with you again. They come from the other side, from heaven. They look different, but your heart knows them. Your heart has held them in arms like yours in the moon-filled deserts of Egypt and the ancient plains of Mongolia. You have ridden together in the armies of forgotten warrior-generals, and you have lived together in the sand-covered caves of the Ancient Ones. You are bonded together throughout eternity, and you will never be alone.

Think of all the requirements writers imagine for themselves: A cabin in the woods A plain wooden table Absolute silence A favorite pen A favorite ink A favorite blank book A favorite typewriter A favorite laptop A favorite writing program A large advance A yellow pad A wastebasket A shotgun The early light of morning The moon at night A rainy afternoon A thunderstorm with high winds The first snow of winter A cup of coffee in just the right cup A beer A mug of green tea A bourbon Solitude Sooner or later the need for any one of these will prevent you from writing. Anything you think you need in order to write— Or be “inspired” to write or “get in the mood” to write— Becomes a prohibition when it’s lacking. Learn to write anywhere, at any time, in any conditions, With anything, starting from nowhere. All you really need is your head, the one indispensable

Yes," he replied, "absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me." "She will have nothing to eat--you will starve her," observed Adèle. "I shall gather manna for her morning and night; the plains and hell-sides in the moon are bleached with manna, Adèle." "She will want to warm herself; what will she do for a fire?" "Fire rises out of the lunar mountains; when she is cold, I'll carry her up to a peak and lay her down on the edge of a crater." "Oh, she'll be uncomfortable there! And her clothes, they will wear out; how can she get new ones?" Mr. Rochester professed to be puzzled. "Hem!" said he. "What would you do, Adèle? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow." "She is far better as she is," concluded Adèle, after musing some time; "besides, she would get tired of living with only you in the moon. If I were mademoiselle, I would never consent to go with you.

All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle

The Mystery of Amergin; I am the wind which breathes upon the sea, I am the wave of the ocean, I am the murmur of the billows, I am the ox of the seven combats, I am the vulture upon the rocks, I am a beam of the sun, I am the fairest of plants, I am a wild boar in valour, I am a salmon in the water, I am a lake in the plain, I am a word of science, I am the point of the lance of battle, I am the God who creates in the head [i.e. of man] the fire [i.e. the thought]. Who is it who throws light into the meeting on the mountain? Who announces the ages of the moon [If not I]? Who teaches the place where couches the sun [If not I]? Ancient Author Unknown for certain: an ancient Druidic incantation

Adèle heard him, and asked if she was to go to school “sans mademoiselle?” “Yes,” he replied, “absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.” “She will have nothing to eat: you will starve her,” observed Adèle. “I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adèle.” “She will want to warm herself: what will she do for a fire?” “Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.” “Oh, qu’ elle y sera mal—peu comfortable!  And her clothes, they will wear out: how can she get new ones?” Mr. Rochester professed to be puzzled.  “Hem!” said he.  “What would you do, Adèle?  Cudgel your brains for an expedient.  How would a white or a pink cloud answer for a gown, do you think?  And one could cut a pretty enough scarf out of a rainbow.

Inside there are photos of the Great Wall of China, the Serengeti plains, the holey moon, all the paper wonders of the world and heavens, from when she was a little girl, alone and reading, and she wants nothing more than to turn herself into a paper doll and climb inside.

Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.

And while thou livest, dear Kate, take a fellow of plain and uncoined constancy; for he perforce must do thee right, because he hath not the gift to woo in other places: for these fellows of infinite tongue, that can rhyme themselves into ladies' favours, they do always reason themselves out again. What! a speaker is but a prater; a rhyme is but a ballad. A good leg will fall; a straight back will stoop; a black beard will turn white; a curled pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me; and take me, take a soldier; take a soldier, take a king. And what sayest thou then to my love? speak, my fair, and fairly, I pray thee

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

Look at the moon up there. You see her very plainly, don’t you? She’s very real. But if the sun were to shine you wouldn’t be able to see her at all. It was rather like that. I was the moon…When the sun came out, Simon couldn’t see me any more…He was dazzled. He couldn’t see anything but the sun–Linnet.

That evening was the evening of the full moon. The garden was an enchanted place where all the flowers seemed white. The lilies, the daphnes, the orange-blossom, the white stocks, the white pinks, the white roses—you could see these as plainly as in the day-time; but the coloured flowers existed only as fragrance.

Menopause had finally terminated her fantastically involved and complex relationship with her womb: a legendary saga of irregular bleeding, eleven-month pregnancies straight out of the Royal Society proceedings, terrifying primal omens, miscarriages, heartbreaking epochs of barrenness punctuated by phases of such explosive fertility that Uncle Thomas had been afraid to come near her—disturbing asymmetries, prolapses, relapses, and just plain lapses, hellish cramping fits, mysterious interactions with the Moon and other cœlestial phenomena, shocking imbalances of all four of the humours known to Medicine plus a few known only to Mayflower, seismic rumblings audible from adjoining rooms—cancers reabsorbed—(incredibly) three successful pregnancies culminating in four-day labors that snapped stout bedframes like kindling, vibrated pictures off walls, and sent queues of vicars, mid-wives, physicians, and family members down into their own beds, ruined with exhaustion.

Cassie. I know some things,” said Mama. “What things?” “I know you watch me all the time,” said Mama. I started to shake my head, but Mama stopped me. “I saw you in the night, watching. I saw you watching me with the goslings. I know you’re afraid.” “Grandfather told you,” I whispered. “He didn’t have to tell me,” Mama said. “I’m smart, you know.

She’d best get the hell outta here pretty damn quick. Finally he stood and tossed some cash on the littered table then glanced at the pretty lady shifter. He frowned and gave Joe a look. “With the hunt going down tonight, it might be a good idea to give the little blonde a heads up. She needs to hit the road.” When Joe nodded, Mad shrugged, determined to put some distance between himself and the sexy stranger. “Best take off and see what’s what, Joe. You take care now.” He felt the woman’s eyes on him as he made his way to the door and stopped to return her stare. A sound similar to white noise buzzed in his ears and fairly rattled his brain then stopped almost as soon as it started. Chills raced over his arms. What the fuck?

Analogies always deceive more than they reveal; I am no fan of analogies, I do not use them. Even metaphor, that mental operation we use with almost every word we speak, is slippery and deceptive. I always speak as plainly as I can. And yet language, and therefore thought, is a strange and imprecise game of metaphors and analogies, one that we must play to stay alive.

Great laughter rang from all sides. I wondered what the Spirit of the Mountain was thinking, and looked up and saw jackpines in the moon, and saw ghosts of old miners, and wondered about it. In the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great Western Slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the western Colorado desert and the Utah desert; all in the darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. We were on the roof of America and all we could do was yell, I guess—across the night, eastward over the Plains...

I’m going to town tomorrow,” said Papa, carrying plates to the house. “Who needs something wonderful?” Papa looked at me. “Want to come, Cassie? Buy something perfect?” Mama smiled. “I’ll have a new horse, if you don’t mind,” said Matthew. “You could get me a buggy,” said Maggie. “With a leather top.” “I’ll have another piece of cake,” said Grandfather, making everyone laugh.

Marry, if you would put me to verses or to dance for your sake, Kate, why you undid me: for the one, I have neither words nor measure, and for the other, I have no strength in measure, yet a reasonable measure in strength. If I could win a lady at leap-frog, or by vaulting into my saddle with my armour on my back, under the correction of bragging be it spoken. I should quickly leap into a wife. Or if I might buffet for my love, or bound my horse for her favours, I could lay on like a butcher and sit like a jack-an-apes, never off. But, before God, Kate, I cannot look greenly nor gasp out my eloquence, nor I have no cunning in protestation; only downright oaths, which I never use till urged, nor never break for urging. If thou canst love a fellow of this temper, Kate, whose face is not worth sun-burning, that never looks in his glass for love of any thing he sees there, let thine eye be thy cook. I speak to thee plain soldier: If thou canst love me for this, take me: if not, to say to thee that I shall die, is true; but for thy love, by the Lord, no; yet I love thee too. And while thou livest, dear Kate, take a fellow of plain and uncoined constancy; for he perforce must do thee right, because he hath not the gift to woo in other places: for these fellows of infinite tongue, that can rhyme themselves into ladies’ favours, they do always reason themselves out again. What! a speaker is but a prater; a rhyme is but a ballad. A good leg will fall; a straight back will stoop; a black beard will turn white; a curled pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me; and take me, take a soldier; take a soldier, take a king. And what sayest thou then to my love? speak, my fair, and fairly, I pray thee.

In roughly that same time period, while General George Armstrong Custer achieved world fame in failure and catastrophe, Mackenzie would become obscure in victory. But it was Mackenzie, not Custer, who would teach the rest of the army how to fight Indians. As he moved his men across the broken, stream-crossed country, past immense herds of buffalo and prairie-dog towns that stretched to the horizon, Colonel Mackenzie did not have a clear idea of what he was doing, where precisely he was going, or how to fight Plains Indians in their homelands. Neither did he have the faintest idea that he would be the one largely responsible for defeating the last of the hostile Indians. He was new to this sort of Indian fighting, and would make many mistakes in the coming weeks. He would learn from them. For now, Mackenzie was the instrument of retribution. He had been dispatched to kill Comanches in their Great Plains fastness because, six years after the end of the Civil War, the western frontier was an open and bleeding wound, a smoking ruin littered with corpses and charred chimneys, a place where anarchy and torture killings had replaced the rule of law, where Indians and especially Comanches raided at will. Victorious in war, unchallenged by foreign foes in North America for the first time in its history, the Union now found itself unable to deal with the handful of remaining Indian tribes that had not been destroyed, assimilated, or forced to retreat meekly onto reservations where they quickly learned the meaning of abject subjugation and starvation. The hostiles were all residents of the Great Plains; all were mounted, well armed, and driven now by a mixture of vengeance and political desperation. They were Comanches, Kiowas, Arapahoes, Cheyennes, and Western Sioux. For Mackenzie on the southern plains, Comanches were the obvious target: No tribe in the history of the Spanish, French, Mexican, Texan, and American occupations of this land had ever caused so much havoc and death. None was even a close second.

Sometimes I think that creativity is a matter of seeing, or stumbling over, unobvious similarities between things—like composing a fresh metaphor, but on a more complex scale. One night in Hiroshima it occurred to me that the moon behind a certain cloud formation looked very like a painkiller dissolving in a glass of water. I didn’t work toward that simile, it was simply there: I was mugged, as it were, by the similarity between these two very different things. Literary composition can be a similar process. The writer’s real world and the writer’s fictional world are compared, and these comparisons turned into text. But other times literary composition can be a plain old slog, and nothing to do with zones or inspiration. It’s world making and the peopling of those worlds, complete with time lines and heartache.

bags hanging blue-veined and round with milk, like full moons caught between their legs. She was sore and tired, but knew she had to get out of the barn before the men arrived to do the milking. Glancing down, she realized that a miracle had come to pass: the blood-soaked hay was fresh now, except for a small stain beneath her own bottom. And the two things she’d been holding when she fell asleep—the scissors

Together, now at the age of many of the Proctors who watched our antics from Olympus, we watch the three boys ride their horses across a moonslit plain. The boys were us once. Drunk on victory, they carried an owl standard and howled like idiots at the moons. We were idiots. Trapped in a world of lies, maybe the howls were the truest things that came out of our mouths. We were all just lonely and in search of a pack.

All alone, outside the pueblo, on the bare plain of the mesa. The rock was like bleached bones in the moonlight. Down in the valley, the coyotes were howling at the moon. The bruises hurt him, the cuts were still bleeding; but it was not for pain that he sobbed; it was because he was all alone, because he had been driven out, alone, into this skeleton world of rocks and moonlight. At the edge of the precipice he sat down. The moon was behind him; he looked down into the black shadow of the mesa, into the black shadow of death. He had only to take one step, one little jump. . . . He held out his right hand in the moonlight. From the cut on his wrist the blood was still oozing. Every few seconds a drop fell, dark, almost colourless in the dead light. Drop, drop, drop. To-morrow and to-morrow and to-morrow . . . He had discovered Time and Death and God.

Today our hearts are divided between two worlds. We are strong and courageous, learning to walk in these two worlds, hanging on to the threads of our culture and traditions as we live in a predominantly non-Indian society. Our history, our culture, our heart, and our home will always be stretching our legs across the plains, singing songs in the morning light, and placing our feet down with the ever beating heart of the drum. We walk in two worlds.

Today our hearts are divided between two worlds. We are strong and courageous, learning to walk in these two worlds, hanging on to the threads of our culture and traditions as we live in a predominantly non-Indian society. Our history, our culture, our heart, and our home will always be stretching our legs across the plains, singing songs in the morning light, and placing our feet down with the ever-beating heart of the drum. We walk in two worlds.

This is stupendous, Maggie,” he said. “Exquisite!” He caught me looking at him. “You and Caleb taught me about words.” I nodded. Grandfather couldn’t read when he had come back to the farm. All the years of his life he couldn’t read. Until Caleb taught him. “This cake is magnificent,” said Grandfather. “Tasty, lovely, glorious, stunning! Could I have another piece?” “Don’t forget we have more haying to do,” said Matthew. “This cake can only help,” said Grandfather.

She was my queen and I wanted to be her king. I wanted to sit at the throne of her body and love her forever, but it wasn't just sex, although that had been over the fucking moon. No, with us it was about two broken people who looked deep into the eyes of the other person and just-meshed. Call it fate or destiny or just plain old karma, but whatever it was, the moment I watched her dance in the rain, my heart had known, only it had taken my head a while to catch up.

A Creek man more than a hundred years old, named Speckled Snake, reacted to Andrew Jackson’s policy of removal: Brothers! I have listened to many talks from our great white father. When he first came over the wide waters, he was but a little man . . . very little. His legs were cramped by sitting long in his big boat, and he begged for a little land to light his fire on. . . . But when the white man had warmed himself before the Indians’ fire and filled himself with their hominy, he became very large. With a step he bestrode the mountains, and his feet covered the plains and the valleys. His hand grasped the eastern and the western sea, and his head rested on the moon. Then he became our Great Father. He loved his red children, and he said, “Get a little further, lest I tread on thee.” Brothers! I have listened to a great many talks from our great father. But they always began and ended in this—“Get a little further; you are too near me.

An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep.

And it bred caution in the unveiling of its powers. The Crippled God bred caution but not well enough, for the powers of the earth came to it in the end. Chained was the Crippled God, and so Chained was it destroyed. And upon this barren plain that imprisoned the Crippled God many gathered to the deed. Hood, gray wanderer of Death, was among the gathering, as was Dessembrae, then Hood’s Warrior—though it was here and in this time that Dessembrae shattered the bonds Hood held upon him.

On the hilltop above me sat the rising moon; pale yet as a cloud, but brightening momently; she looked over Hay, which, half lost in trees, sent up a blue smoke from its few chimneys; it was yet a mile distant, but in the absolute hush I could hear plainly its thin murmurs of life. My ear, too, felt the flow of currents; in what dales and depths I could not tell: but there were many hills beyond Hay, and doubtless many becks threading their passes. That evening calm betrayed alike the tinkle of the nearest streams, the sough of the most remote.

Reason and justice grip the remotest and the loneliest star. Look at those stars. Don't they look as if they were single diamonds and sapphires? Well, you can imagine any mad botany or geology you please. Think of forests of adamant with leaves of brilliants. Think the moon is a blue moon, a single elephantine sapphire. But don't fancy that all that frantic astronomy would make the smallest difference to the reason and justice of conduct. On plains of opal, under cliffs cut out of pearl, you would still find a notice-board, 'Thou shalt not steal.'" Valentin

The Erl-King O, who rides by night thro’ the woodland so wild? It is the fond father embracing his child; And close the boy nestles within his loved arm, To hold himself fast, and to keep himself warm. “O father, see yonder! see yonder!” he says; “My boy, upon what doest thou fearfully gaze?” — “O, ’tis the Erl-King with his crown and his shroud.” “No, my son, it is but a dark wreath of the cloud.” (Tke Erl-King speaks.) “O come and go with me, thou loveliest child; By many a gay sport shall thy time be beguiled; My mother keeps for thee full many a fair toy, And many a fine flower shall she pluck for my boy.” “O, father, my father, and did you not hear The Erl-King whisper so low in my ear?” — “Be still, my heart’s darling — my child, be at ease; It was but the wild blast as it sung thro’ the trees.” Erl-King. “O wilt thou go with me, thou loveliest boy? My daughter shall tend thee with care and with joy; She shall bear thee so lightly thro’ wet and thro’ wild, And press thee, and kiss thee, and sing to my child.” “O father, my father, and saw you not plain, The Erl-King’s pale daughter glide past thro’ the rain?” — “O yes, my loved treasure, I knew it full soon; It was the grey willow that danced to the moon.” Erl-King. “O come and go with me, no longer delay, Or else, silly child, I will drag thee away.” — “O father! O father! now, now keep your hold, The Erl-King has seized me — his grasp is so cold!” Sore trembled the father; he spurr’d thro’ the wild, Clasping close to his bosom his shuddering child; He reaches his dwelling in doubt and in dread, But, clasp’d to his bosom, the infant was dead! - From the German of Goethe, translation, 1797.

There is someone special for everyone. Often there are two or three or even four. They come from different enerations. They travel across oceans of time and the depths of heavenly dimensions to be with you again. They come from the other side, from heaven. They look different, but your heart knows them. Your heart has held them in arms like yours in the moon-filled deserts of Egypt and the ancient plains of Mongolia. You have ridden together in the armies of forgotten warrior-generals, and you have lived together in the sand-covered caves of the Ancient Ones. You are bonded together throughout eternity, and you will never be alone.

The guide–book warmly recommends the seashore when the wind is in the east (which it was) as the quickest and firmest route from Göhren to Thiessow; but I chose rather to take the road over the plain because there was a poem in the guide–book about the way along the shore, and the guide–book said it described it extremely well, and I was sure that if that were so I would do better to go the other way. This is the poem — the translation is exact, the original being unrhymed, and the punctuation is the poet’s — Splashing waves Rocking boat Dipping gulls — Dunes. Raging winds Floating froth. Flashing lightning Moon! Fearful hearts Morning grey — Stormy nights Faith! I read it, marvelled, and went the other way.

He saw then that there was a lens at one end, disguised as a dewdrop in the throat of an asphodel. Gently he took the egg in his hands, closed one eye, and looked. The light of the interior was not, as he had half expected, gold tinted, but brilliantly white, deriving from some concealed source. A world surely meant for Earth shone within, as though seen from below the orbit of the moon—indigo sea and emerald land. Rivers brown and clear as tea ran down long plains. His mother said, “Isn’t it pretty?” Night hung at the corners in funereal purple, and sent long shadows like cold and lovely arms to caress the day; and while he watched and it fell, long-necked birds of so dark a pink that they were nearly red trailed stilt legs across the sky, their wings making crosses.

In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.

What is the secret?” I asked. Anna smiled. “I knew you really weren’t tired of secrets.” She held out her left hand for me to see. On her third finger was a gold ring, a sparkling stone in the middle. “What does that mean?” I asked. “It means Justin and I are getting married,” said Anna. “No one else knows yet. I told you first.” I turned my head and smiled at her and she smiled back. “I saw you kiss him for a lot of seconds once,” I said. “How many seconds?” asked Anna. “Twenty-seven.” A cloud slipped over the sun and it was cool for a moment. “Cass?” “What?” “I passed that record a long time ago.” Anna and I laughed. Someone called from the house and we went to tell Caleb and Grandfather and Mama and Papa that Anna was getting married and had kissed Justin for longer than twenty-seven seconds.

As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.

Brothers! I have listened to many talks from our great white father. When he first came over the wide waters, he was but a little man … very little. His legs were cramped by sitting long in his big boat, and he begged for a little land to light his fire on…. But when the white man had warmed himself before the Indians’ fire and filled himself with their hominy, he became very large. With a step he bestrode the mountains, and his feet covered the plains and the valleys. His hand grasped the eastern and the western sea, and his head rested on the moon. Then he became our Great Father. He loved his red children, and he said, “Get a little further, lest I tread on thee.” Brothers! I have listened to a great many talks from our great father. But they always began and ended in this—“Get a little further; you are too near me.

The entire idea of it was arrogant and defiant and grandiose. Anna loved it. As she walked across a wide empty plain of steel that should have been covered in topsoil and crops, she thought that this audaciousness was exactly what humanity had lost somewhere in the last couple of centuries. When ancient maritime explorers had climbed into their creaking wooden ships and tried to find ways to cross the great oceans of Earth, had their voyage been any less dangerous than the one the Mormons had been planning to attempt? The end point any less mysterious? But in both cases, they’d been driven to find out what was on the other side of the long trip. Driven by a need to see shores no one else had ever seen before. Show a human a closed door, and no matter how many open doors she finds, she’ll be haunted by what might be behind it. A few people liked to paint this drive as a weakness. A failing of the species. Humanity as the virus. The creature that never stops filling up its available living space. Hector seemed to be moving over to that view, based on their last conversation. But Anna rejected that idea. If humanity were capable of being satisfied, then they’d all still be living in trees and eating bugs out of one another’s fur. Anna had walked on a moon of Jupiter. She’d looked up through a dome-covered sky at the great red spot, close enough to see the swirls and eddies of a storm larger than her home world. She’d tasted water thawed from ice as old as the solar system itself. And it was that human dissatisfaction, that human audacity, that had put her there. Looking at the tiny world spinning around her, she knew one day it would give them the stars as well.

Valerie, I love you so much. I wanted you to have a normal childhood—so I lived a double life. Hiding in plain sight. Living modestly.” He began to pace the room, the words tumbling out of him. “I tried to keep it up, but I’ve been so disrespected. Even by my own wife. I couldn’t do it anymore. I’ve settled for far less than I deserved, and I just couldn’t do it anymore. I decided it was time to leave for the city....For richer hunting grounds.” Cesaire was snarling now, a scary, powerful force. Valerie felt herself being drawn to it.... She took a deep, steadying breath. It was not just fear that she felt. What she felt was so much more complex than that, something she couldn’t understand. “Then why didn’t you just go?” “Because I loved you girls, and I wanted you to come with me. To share the wealth.” “But you had to wait until the blood moon.

What would have made [seeing Göbekli Tepe from Harran] easier, in antiquity, would have been a tall tower annexed to the temple that once stood here--a temple dedicated to Su-En (usually contracted to Sin), the Moon God of the Sabians. After telling us that there were "powerful images in this temple," the Greek Philosopher Libanius (AD 314-394), describes the tower, noting that "from its top one could overlook the entire plain of Harran." [...] A team from the Chicago Oriental Institute was about to start a major dig around the ruins of the Grand Mosque in 1986, but it seems that the Turkish authorities insisted on such restrictive practices that the project had to be abandoned. Current excavations by Harran University and the Sanliurfa Museum Directorate show little interest in recovery of substantive remains from the city's pre-Islamic period.

Nor, at the time, had it failed to enter his monomaniac mind, that all the anguish of that then present suffering was but the direct issue of a former woe; and he too plainly seemed to see, that as the most poisonous reptile of the marsh perpetuates his kind as inevitably as the sweetest songster of the grove; so, equally with every felicity, all miserable events do naturally beget their like. Yea, more than equally, thought Ahab; since both the ancestry and posterity of Grief go further than the ancestry and posterity of Joy. For, not to hint of this: that it is an inference from certain canonic teachings, that while some natural enjoyments here shall have no children born to them for the other world, but, on the contrary, shall be followed by the joy-childlessness of all hell's despair; whereas, some guilty mortal miseries shall still fertilely beget to themselves an eternally progressive progeny of griefs beyond the grave; not at all to hint of this, there still seems an inequality in the deeper analysis of the thing. For, thought Ahab, while even the highest earthly felicities ever have a certain unsignifying pettiness lurking in them, but, at bottom, all heart-woes, a mystic significance, and, in some men, an archangelic grandeur; so do their diligent tracings-out not belie the obvious deduction. To trail the genealogies of these high mortal miseries, carries us at last among the sourceless primogenitures of the gods; so that, in the face of all the glad, hay-making suns, and soft-cymballing, round harvest-moons, we must needs give in to this: that the gods themselves are not for ever glad. The ineffaceable, sad birth-mark in the brow of man, is but the stamp of sorrow in the signers.

Princess Violet and Caleb are very happy. They laugh all day long. Their children, Ondine and Tootie, are growing up, and Tootie is getting a little fat even though she eats only nuts and fruits. Caleb smiled when I read this to him. He was nicer to me now. He didn’t seem to mind me writing stories about him. Sometimes he even liked them. But writing was hard. Stories wouldn’t come, and I said so to Grandfather. He nodded. “Maybe there’s too much going on, Cassie. Too much in your head, filling it up.” “Mostly Mama and the terrible baby,” I said. “I do not plan to like that baby.” Grandfather sat down next to me. “Remember when I first came here? You didn’t much like me.” I thought Grandfather was mean then. I thought he was hateful and cranky. “You changed,” I said. “You changed, too,” said Grandfather. “You changed more,” I said, making Grandfather laugh.

Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.

Great laughter rang from all sides. I wondered what the Spirit of the Mountain was thinking, and looked up and saw jackpines in the moon, and saw ghosts of old miners, and wondered about it. In the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great Western Slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the western Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. We were on the roof of America and all we could do was yell, I guess—across the night, eastward over the Plains, where somewhere an old man with white hair was probably walking toward us with the Word, and would arrive any minute and make us silent.

When’s the day, Sarah?” asked Maggie. “Soon. A few weeks…a month? The end of summer. The truth is I’m too old for this. This baby,” said Mama. “I was too old when I came to live here.” I looked quickly at Mama. What did she mean “too old”? “No. I’m old,” said Papa. “No, I’m old,” said Grandfather, making everyone laugh. “Grandfather wins,” Caleb said. Maggie put her arms around me. “And Cassie, you are beautiful!” No one had ever called me beautiful. They had called me sneaky and elusive and imaginative. Not beautiful. “You look just like your mama.” I frowned. I looked at Mama. Big. “I think I look like Anna,” I said. “Ah no,” said Maggie. “You have your mama’s smile and her eyes.” I frowned again. “Actually, I think Cassie looks like Eleni, the cow,” said Caleb. There was laughter. “No,” said Mama. “I look like Eleni.” “Don’t worry, Sarah. Eleni is a very beautiful cow,” said Grandfather.

Yes,’ he replied, ‘absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.’ ‘She will have nothing to eat: you will starve her,’ observed Adele. ‘I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adele.’ ‘She will want to warm herself: what will she do for a fire?’ ‘Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.’ ‘Oh, qu’ elle y sera mal—peu comfortable! And her clothes, they will wear out: how can she get new ones?’ Mr. Rochester professed to be puzzled. ‘Hem!’ said he. ‘What would you do, Adele? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow.

The straight tree is the first to be chopped down; the well of sweet water is the first to run dry. Sir, your intention is to display your knowledge in order to astonish the ignorant, and by developing your self, to cast a light upon the crudeness of others. You shine, you positively glow, as if you carried with you the sun and moon. All this is why you cannot avoid disasters. I have heard the great fulfillment man say, “The boastful have done nothing worthwhile, those who do something worthwhile will see it fade, fame soon disappears.” There are few who can forget success and fame and just return to being ordinary citizens again! The Tao moves all, but the perfect man does not stand in its light, his Virtue moves all, but he does not seek fame. He is empty and plain, and seems crazy. Anonymous, abdicating power, he has no interest in work or fame. So he doesn’t criticize others and they don’t criticize him. The perfect man is never heard, so why, Sir, do you so want to be?

Ballad of the Moon" For Conchita García Lorca Moon came to the forge in her petticoat of nard The boy looks and looks the boy looks at the Moon In the turbulent air Moon lifts up her arms showing — pure and sexy —  her beaten-tin breasts Run Moon run Moon Moon If the gypsies came white rings and white necklaces they would beat from your heart Boy will you let me dance —  when the gypsies come they’ll find you on the anvil with your little eyes shut Run Moon run Moon Moon I hear the horses’ hoofs Leave me boy! Don’t walk on my lane of white starch The horseman came beating the drum of the plains The boy at the forge has his little eyes shut Through the olive groves in bronze and in dreams here the gypsies come their heads riding high their eyelids hanging low How the night heron sings how it sings in the tree Moon crosses the sky with a boy by the hand At the forge the gypsies cry and then scream The wind watches watches the wind watches the Moon Poetry (July/August 2016)

There are Californians who waiver in their allegiance to the climate of California. Sometimes the climate of San Francisco has made me cross. Sometimes I have thought that the winds in summer were too cold, that the fogs in summer were too thick. But whenever I have crossed the continent—when I have emerged from New York at ninety-five degrees, and entered Chicago at one hundred degrees—when I have been breathing the dust of alkali deserts and the fiery air of sagebrush plains—these are the times when I have always been buoyed up by the anticipation of inhaling the salt air of San Francisco Bay. If ever a summer wanderer is glad to get back to his native land, it is I, returning to my native fog. Like the prodigal youth who returned to his home and filled himself with husks, so I always yearn in summer to return to mine, and fill myself up with fog. Not a thin, insignificant mist, but a fog—a thick fog—one of those rich pea-soup August fogs that blow in from the Pacific Ocean over San Francisco. When I leave the heated capitals of other lands and get back to California uncooked, I always offer up a thank-offering to Santa Niebla, Our Lady of the Fogs. Out near the Presidio, where Don Joaquin de Arillaga, the old comandante, revisits the glimpses of the moon, clad in rusty armor, with his Spanish spindle-shanks thrust into tall leathern boots—there some day I shall erect a chapel to Santa Niebla. And I have vowed to her as an ex-voto a silver fog-horn, which horn will be wound by the winds of the broad Pacific, and will ceaselessly sound through the centuries the litany of Our Lady of the Fogs. Every Californian has good reason to be loyal to his native land. If even the Swiss villagers, born in the high Alps, long to return to their birthplace, how much more does the exiled Californian yearn to return to the land which bore him. There are other, richer, and more populous lands, but to the Californian born, California is the only place in which to live. And to the returning Californian, particularly if he be native-born, the love of his birthplace is only intensified by visits to other lands. Why do men so love their native soil? It is perhaps a phase of human love for the mother. For we are compact of the soil. Out of the crumbling granite eroded from the ribs of California’s Sierras by California’s mountain streams—out of earth washed into California’s great valleys by her mighty rivers—out of this the sons of California are made, brain, and muscle, and bone. Why then should they not love their mother, even as the mountaineers of Montenegro, of Switzerland, of Savoy, lover their mountain birth-place? Why should not exiled Californians yearn to return? And we sons of California always do return; we are always brought back by the potent charm of our native land—back to the soil which gave us birth—and at the last back to Earth, the great mother, from whom we sprung, and on whose bosom we repose our tired bodies when our work is done.

Tell me not here, it needs not saying, What tune the enchantress plays In aftermaths of soft September Or under blanching mays, For she and I were long acquainted And I knew all her ways. On russet floors, by waters idle, The pine lets fall its cone; The cuckoo shouts all day at nothing In leafy dells alone; And traveler's joy beguiles in autumn Hearts that have lost their own. On acres of the seeded grasses The changing burnish heaves; Or marshalled under moons of harvest Stand still all night the sheaves; Or beeches strip in storms for winter And stain the wind with leaves. Possess, as I possessed a season, The countries I resign, Where over elmy plains the highway Would mount the hills and shine, And full of shade the pillared forest Would murmur and be mine. For nature, heartless, witless nature, Will neither care nor know What stranger's feet may find the meadow And trespass there and go, Nor ask amid the dews of morning If they are mine or no.

stand here for ever as a warning.’ ‘If you had been the first to lift the Orthanc-stone, and not he, how would it be now?’ said Aragorn. ‘You might have done worse. Who can say? But now it is your luck to come with me, I fear. At once. Go and get ready, and bring anything that Pippin left behind. Make haste!’ Over the plains Shadowfax was flying, needing no urging and no guidance. Less than an hour had passed, and they had reached the Fords of Isen and crossed them. The Mound of the Riders and its cold spears lay grey behind them. Pippin was recovering. He was warm, but the wind in his face was keen and refreshing. He was with Gandalf. The horror of the Stone and of the hideous shadow over the moon was fading, things left behind in the mists of the mountains or in a passing dream. He drew a deep breath. ‘I did not know you rode bare-back, Gandalf,’ he said. ‘You haven’t a saddle or a bridle!’ ‘I do not ride elf-fashion, except on Shadowfax,’ said Gandalf. ‘But Shadowfax will have no harness. You

Wessex Heights There are some heights in Wessex, shaped as if by a kindly hand For thinking, dreaming, dying on, and at crises when I stand, Say, on Ingpen Beacon eastward, or on Wylls-Neck westwardly, I seem where I was before my birth, and after death may be. In the lowlands I have no comrade, not even the lone man’s friend – Her who suffereth long and is kind; accepts what he is too weak to mend: Down there they are dubious and askance; there nobody thinks as I, But mind-chains do not clank where one’s next neighbour is the sky. In the towns I am tracked by phantoms having weird detective ways – Shadows of beings who fellowed with myself of earlier days: They hang about at places, and they say harsh heavy things – Men with a frigid sneer, and women with tart disparagings. Down there I seem to be false to myself, my simple self that was, And is not now, and I see him watching, wondering what crass cause Can have merged him into such a strange continuator as this, Who yet has something in common with himself, my chrysalis. I cannot go to the great grey Plain; there’s a figure against the moon, Nobody sees it but I, and it makes my breast beat out of tune; I cannot go to the tall-spired town, being barred by the forms now passed For everybody but me, in whose long vision they stand there fast. There’s a ghost at Yell’ham Bottom chiding loud at the fall of the night, There’s a ghost in Froom-side Vale, thin lipped and vague, in a shroud of white, There is one in the railway-train whenever I do not want it near, I see its profile against the pane, saying what I would not hear. As for one rare fair woman, I am now but a thought of hers, I enter her mind and another thought succeeds me that she prefers; Yet my love for her in its fulness she herself even did not know; Well, time cures hearts of tenderness, and now I can let her go. So I am found on Ingpen Beacon, or on Wylls-Neck to the west, Or else on homely Bulbarrow, or little Pilsdon Crest, Where men have never cared to haunt, nor women have walked with me, And ghosts then keep their distance; and I know some liberty.

When Aru opened her eyes, she found herself in the only place in the world that made her feel like she could breathe a bit easier, a place where broken things could be fixed, where all the answers lay in plain sight, where the aisles held the rare perfume of possibility tinged ever so slightly with the sweetness of mulch and wood chips…. “Aru, you really need to get over your Home Depot obsession,” said Nikita, staring down with her hands firmly planted on her hips. “Can’t you dream about someplace else?” “Nope,” said Aru. Of course, in the dream, Home Depot didn’t really look the same. First, Aru was sitting in an armchair that seemed to be made of cotton candy for no apparent reason. For another, the aisle banner over her head said FLOORING, but instead of the shelves being filled with things like wood laminate or vinyl plank, she was staring at a rotating row of moon jellyfish and miniature thunderclouds. At the end of the aisle, which somehow seemed as if it were hundreds of feet away and yet close enough to touch, stood a huge podium where an endless supply of doors rotated.

Upon the deck, image to the roughest man on board of something that is graceful, beautiful, and harmless—something that it is good and pleasant to have there, and that should make the voyage prosperous—is Florence. It is night, and she and Walter sit alone, watching the solemn path of light upon the sea between them and the moon. At length she cannot see it plainly, for the tears that fill her eyes; and then she lays her head down on his breast, and puts her arms around his neck, saying, ‘Oh Walter, dearest love, I am so happy!’ Her husband holds her to his heart, and they are very quiet, and the stately ship goes on serenely. ‘As I hear the sea,’ says Florence, ‘and sit watching it, it brings so many days into my mind. It makes me think so much—’ ‘Of Paul, my love. I know it does.’ Of Paul and Walter. And the voices in the waves are always whispering to Florence, in their ceaseless murmuring, of love—of love, eternal and illimitable, not bounded by the confines of this world, or by the end of time, but ranging still, beyond the sea, beyond the sky, to the invisible country far away!

Hearing the rising tide, I think how it is pressing also against other shores I know — rising on a southern beach where there is no fog, but a moon edging all the waves with silver and touching the wet sands with lambent sheen, and on a still more distant shore sending its streaming currents against the moonlit pinnacles and the dark caves of the coral rock. Then in my thoughts these shores, so different in their nature and in the inhabitants they support, are made one by the unifying touch of the sea. For the differences I sense in this particular instant of time that is mine are but the differences of a moment, determined by our place in the stream of time and in the long rhythms of the sea. Once this rocky coast beneath me was a plain of sand; then the sea rose and found a new shore line. And again in some shadowy future the surf will have ground these rocks to sand and will have returned the coast to its earlier state. And so in my mind’s eye these coastal forms merge and blend in a shifting, kaleidoscopic pattern in which there is no finality, no ultimate and fixed reality — earth becoming fluid as the sea itself.

Tips for Preparing Artichokes To cook an artichoke, slice 1 inch off the tip. Cut off about ½ inch or less of the very bottom piece of the stem to expose the fresh green bottom, keeping the remaining stem attached. Then, using a large, sharp knife, slice the artichoke in half lengthwise. Once sliced in half, you can see the fuzzy inedible choke part. Use a small, pointed knife to cut a deep half-moon-shaped incision where the heart meets the choke. Scoop out and discard the fibrous and hairy choke from the center of each half. Place the artichoke in a steamer basket over several inches of water. Bring the water to a boil, cover, and steam for eighteen minutes. Set the artichoke aside until it’s cool enough to handle. To eat, peel off the outer leaves one at a time. Tightly grip the outer end of the leaf, place the opposite end in your mouth, and pull through your teeth to remove the soft, pulpy, delicious portion of the leaf. You can also scrape off the edible portion with a butter knife. Then you can eat it plain or prepare a healthful dip or dressing to use as a dip. Continue until all the leaves are removed. Cut the remaining heart into pieces and enjoy!

But I don't know anyone who has an easy life forever. Everyone I know gets their heart broken sometime, by something. The question is not, will my life be easy or will my heart break? But rather, when my heart breaks, will I choose to grow? Sometimes in the moments of the most searing pain, we think we don't have a choice. But we do. It's in those moments that we make the most important choice: grow or give up. It's easy to want to give up under the weight of what we're carrying. It seems sometimes like the only possible choice. But there's always, always, always another choice, and transformation is waiting for us just beyond that choice. This is what I know: God can make something beautiful out of anything, out of darkness and trash and broken bones. He can shine light into even the blackest night, and he leaves glimpses of hope all around us. An oyster, a sliver of moon, one new bud on a black branch, a perfect tender shoot of asparagus, fighting up through the dirt for the spring sun. New life and new beauty are all around us, waiting to be discovered, waiting to be seen. I'm coming to think there are at least two kinds of pain. There's the anxiety and fear I felt when we couldn't sell our house. And then there's the sadness I felt when I lost the baby or when my grandma passed away. Very different kinds of pain. The first kind, I think, is the king that invites us to grow. The second kind is the kind that invites us to mourn. God's not trying to teach me a lesson through my grandma's death. I wasn't supposed to love her less so the loss hurt less acutely, I'm not supposed to feel less strongly about the horror of death and dying. When we lose someone we love, when a dear friend moves away, when illness invades, it's right to mourn. It's right to feel deep, wrenching sadness. But then there's the other kind of pain, that first kind. My friend Brian says that the heart of all human conflict is the phrase "I'm not getting what I want." When you're totally honest about the pain, what's at the center? Could it be that you're not getting what you want? You're getting an invitation to grow, I think, as unwelcome as it may be. It's sloppy theology to think that all suffering is good for us, or that it's a result of sin. All suffering can be used for good, over time, after mourning and healing, by God's graciousness. But sometimes it's just plain loss, not because you needed to grow, not because life or God or anything is teaching you any kind of lesson. The trick is knowing the difference between the two.

Pauline Trio One could sing October rain, and one had a gift for plain chant and prayer, a domain unsettled by love or its intimate other. What fits with this theology no one dares to say. These twins so perfectly in tune must know "the modesty of nature," the perfect art and texture that sustains the other name. Paris could not be the frame for loyal Romans, their shame worn upon their bodies light as air, and nothing is quite as endurable as death. Those who have taken this path move with an abiding breath. Such a common dance this dense intention of love's expense. Keep this for that special hour when the Roman drops his sour gift for abandoned splendour; et c'est la nuit, the footfall that troubles that other Paul. I have learned the felicity of fire, how in its wake something picks at buried seed. Think this a most festive deed, nature's mistake, borrowed flare of a village dance, satire of the sun's course, light you read through waste, repair. Death had freed that first opaque habitation (what a widening gyre), an aspen ache, a lustrous scar that might lead to a hidden grove, or breed astonishment in its loss; all entire, a shaping breath proposes its own pyre. Solitude guides me through this minor occasion; moon is my mentor, one on a spree. This notion, night's philanthropy, courts my favor. Devotion, love's predecessor, sings its tidy discretion. Such gentility reins all vigor, all caution.

In Praise of Darkness" Old age (the name that others give it) can be the time of our greatest bliss. The animal has died or almost died. The man and his spirit remain. I live among vague, luminous shapes that are not darkness yet. Buenos Aires, whose edges disintegrated into the endless plain, has gone back to being the Recoleta, the Retiro, the nondescript streets of the Once, and the rickety old houses we still call the South. In my life there were always too many things. Democritus of Abdera plucked out his eyes in order to think: Time has been my Democritus. This penumbra is slow and does not pain me; it flows down a gentle slope, resembling eternity. My friends have no faces, women are what they were so many years ago, these corners could be other corners, there are no letters on the pages of books. All this should frighten me, but it is a sweetness, a return. Of the generations of texts on earth I will have read only a few– the ones that I keep reading in my memory, reading and transforming. From South, East, West, and North the paths converge that have led me to my secret center. Those paths were echoes and footsteps, women, men, death-throes, resurrections, days and nights, dreams and half-wakeful dreams, every inmost moment of yesterday and all the yesterdays of the world, the Dane's staunch sword and the Persian's moon, the acts of the dead, shared love, and words, Emerson and snow, so many things. Now I can forget them. I reach my center, my algebra and my key, my mirror. Soon I will know who I am.

I still cherish my childhood memories of the sun opening the dusky eyelids of the west and the misty mornings against the backdrop of of Kgalatlou Mountain. The green prime of summer, twingling leaves of acacia yrees of Manthakge Plains, pure clear sky, the smooth plough fields and lush green meadows. In winter, that green carpet will be replaced by drearily looking land like a dim picture of the drowned past, all signs of life and feeling gone out of it, with the plough fields scorched and naked, the streams of Manyane silent, and the grass of the meadows looking like burned powder.  I still remember and cherish the touch of autumn nights and the ruddy moon leaning over Madibong. When I think about this, a sorrowful silent tear always roll down my cheek, I become sad and gripped by grief because of what has now become of the land of my forefathers. I have known and cherished its distinguished  rocks, fauna, and flora since I could stand and walk. I know its mountain slopes, plains, its rocks, and bushes like the veins and knuckles at the back of my hand. The ever changing beauty of Leolo Mountains, from the aloes of Segodi Boulders to the lilies of Legaletlweng; the imposing Letheleding Boulders towering over Manyane Dale. The interesting contrast of granite ingenious sedimentary rocks of Leolo Mountains and the red sand rock of Seolwane Mountain, the red sandy soil of Leruleng, the dark clay soil of Marakane and the red fertile loom soil of Sehalbeng Plains. The Magnetite rocks Ga - Sethadi and the shale rocks of Malatjane.

To Anita Pollitzer Canyon, Texas 11 September 1916 Tonight I walked into the sunset — to mail some letters — the whole sky — and there is so much of it out here — was just blazing — and grey blue clouds were rioting all through the hotness of it — and the ugly little buildings and windmills looked great against it. But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept on walking — The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and sometimes sheet lightning with a sharp bright zigzag flashing across it —. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon — Well I just sat there and had a great time all by myself — Not even many night noises — just the wind — I wondered what you are doing — It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldnt tell which house was home — I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful — Pat.

Look not too long in the face of fire, o man! Never dream with thy hand on the helm! Turn not thy back to the compass; accept the first hint of the hitching thriller; believe not the artificial fire, when its redness makes all things look ghastly. To-morrow, in the natural sun, the skies will be bright; those who glared like devils in the forking flames, the morn will show in far other, at least gentler, relief; the glorious, golden, glad sun, the only true lamp- all others but liars! Nevertheless the sun hides not Virginia's Dismal Swamp, nor Rome's accursed Campagna, nor wide Sahara, nor all the millions of miles of deserts and of griefs beneath the moon. The sun hides not the ocean, which is the dark side of this earth, and which is two thirds of this earth. So, therefore, that mortal man who hath more of joy than sorrow in him, that mortal man cannot be true- not true, or undeveloped. With books the same. The truest of all men was the Man of Sorrows, and the truest of all books is Solomon's, and Ecclesiastes is the fine hammered steel of woe. "All is vanity." All. This wilful world hath not got hold of unchristian Solomon's wisdom yet. But he who dodges hospitals and jails, and walks fast crossing grave-yards, and would rather talk of operas than hell; calls Cowper, Young, Pascal, Rousseau, poor devils all of sick men; and throughout a care-free lifetime swears by Rabelais as passing wise, and therefor jolly;- not that man is fitted to sit down on tomb-stones, and break the green damp mould with unfathomably wondrous Solomon. But even Solomon, he says, "the man that wandereth out of the way of understanding shall remain" (i.e., even while living) "in the congregation of the dead." Give not thyself up, then, to the fire, lest it invert thee, deaden thee; as for the time it did me. There is a wisdom that is woe; but there is a woe that is madness. And there is a Catskill eagle in some souls that can alike dive down into the blackest gorges, and soar out of them again and become invisible in the sunny spaces. And even if he for ever flies within the gorge, that gorge is in the mountains; so that even in his lowest swoop the mountain eagle is still higher than other birds upon the plain, even though they soar.

Would that the structure brave, the manifold music I build, Bidding my organ obey, calling its keys to their work, Claiming each slave of the sound, at a touch, as when Solomon willed Armies of angels that soar, legions of demons that lurk, Man, brute, reptile, fly,—alien of end and of aim, Adverse, each from the other heaven-high, hell-deep removed,— Should rush into sight at once as he named the ineffable Name, And pile him a palace straight, to pleasure the princess he loved! Would it might tarry like his, the beautiful building of mine, This which my keys in a crowd pressed and importuned to raise! Ah, one and all, how they helped, would dispart now and now combine, Zealous to hasten the work, heighten their master his praise! And one would bury his brow with a blind plunge down to hell, Burrow awhile and build, broad on the roots of things, Then up again swim into sight, having based me my palace well, Founded it, fearless of flame, flat on the nether springs. And another would mount and march, like the excellent minion he was, Ay, another and yet another, one crowd but with many a crest, Raising my rampired walls of gold as transparent as glass, Eager to do and die, yield each his place to the rest: For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night— Outlining round and round Rome's dome from space to spire) Up, the pinnacled glory reached, and the pride of my soul was in sight. In sight? Not half! for it seemed, it was certain, to match man's birth, Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth, As the earth had done her best, in my passion, to scale the sky: Novel splendours burst forth, grew familiar and dwelt with mine, Not a point nor peak but found and fixed its wandering star; Meteor-moons, balls of blaze: and they did not pale nor pine, For earth had attained to heaven, there was no more near nor far. Nay more; for there wanted not who walked in the glare and glow, Presences plain in the place; or, fresh from the Protoplast, Furnished for ages to come, when a kindlier wind should blow, Lured now to begin and live, in a house to their liking at last; Or else the wonderful Dead who have passed through the body and gone, But were back once more to breathe in an old world worth their new: What never had been, was now; what was, as it shall be anon;

ACT I Dear Diary, I have been carrying you around for a while now, but I didn’t write anything before now. You see, I didn’t like killing that cow to get its leather, but I had to. Because I wanted to make a diary and write into it, of course. Why did I want to write into a diary? Well, it’s a long story. A lot has happened over the last year and I have wanted to write it all down for a while, but yesterday was too crazy not to document! I’m going to tell you everything. So where should we begin? Let’s begin from the beginning. I kind of really want to begin from the middle, though. It’s when things got very interesting. But never mind that, I’ll come to it in a bit. First of all, my name is Herobrine. That’s a weird name, some people say. I’m kinda fond of it, but that’s just me I suppose. Nobody really talks to me anyway. People just refer to me as “Him”. Who gave me the name Herobrine? I gave it to myself, of course! Back in the day, I used to be called Jack, but it was such a run-of-the-mill name, so I changed it. Oh hey, while we’re at the topic of names, how about I give you a name, Diary? Yeah, I’m gonna give you a name. I’ll call you… umm, how does Doris sound? Nah, very plain. I must come up with a more creative name. Angela sounds cool, but I don’t think you’ll like that. Come on, give me some time. I’m not used to coming up with awesome names on the fly! Yes, I got it! I’ll call you Moony, because I created you under a full moon. Of course, that’s such a perfect name! I am truly a genius. I wish people would start appreciating my intellect. Oh, right. The story, right, my bad. So Moony, when it all started, I was a miner. Yep, just like 70% of the people in Scotland. And it was a dull job, I have to say. Most of the times, I mined for coal and iron ore. Those two resources were in great need at my place, that’s why so many people were miners. We had some farmers, builders, and merchants, but that was basically it. No jewelers, no booksellers, no restaurants, nothing. My gosh, that place was boring! I had always been fascinated by the idea of building. It seemed like so much fun, creating new things from other things. What’s not to like? I wanted to build, too. So I started. It was part-time at first, and I only did it when nobody was around. Whenever I got some free time on my hands, I spent it building stuff. I would dig out small caves and build little horse stables and make boats and all. It was so much fun! So I decided to take it to the next level and left my job as a miner. They weren’t paying me well, anyway. I traveled far and wide, looking for places to build and finding new materials. I’m quite the adrenaline junkie, I soon realized, always looking for an adventure.

Excuse me,” I say. “Can you tell me where I am?” She lifts her eyes skyward as if I’ve asked about the moon. “Brooklyn?” The blinking curiosity, stubborn chin, and laugh lines remind me of someone. Her hand flutters to secure an errant scarf end and I know. It’s as plain as the downward-curving nose on her face. I have run across myself on this street in Brooklyn. “I’m looking for Fourth Street.” I show her the address and she says, “That’s my house!” “Are you the woman selling her wedding dress?” “Yes,” she says, having fun. “Are you seeing this?” I say. She retreats as if to avoid a swing. “That you look like me?” “The resemblance is uncanny,” she says. “I’m Ada.” She holds out her hand to shake. “It’s around the corner.” “Right,” I say. “We spoke on the phone.” “Yes,” she says. “You’re getting married in a few days.” Her mannerisms are what people have told me about myself. The absentminded way of dragging her fingers over her forehead. The pointed, blinking concentration. “Nothing like the last minute,” I say. “If you wait until the last minute, it only takes a minute to do.” Her horsey, off-putting laugh is what I’ve always feared about mine.

And so the queen strode into the night, Seeking, Waiting, Watching, Arrow drawn tight, Then--- Sharp brilliance of moon, Scorching glory of sun, Furious splendor of stars, The unicorn stepped onto the plains.

The night the old man Dragonfly came to my grandfather’s house the moon was full. It rose like a great red planet above the black trees on the crooked creek. Then there came a flood of pewter light on the plain, and I could see the light ebb toward me like water, and I thought of rivers I had never seen, rising like ribbons of rain. And in the morning Dragonfly came from the house, his hair in braids and his face painted. He stood on a little mound of earth and faced east. Then he raised his arms and began to pray. His voice seemed to reach beyond itself, a long way on the land, and he prayed the sun up. The grasses glistened with dew, and a bird sang from the dawn. This happened a long time ago. I was not there. My father was there when he was a boy. He told me of it. And I was there.

Aunt Elizabeth was one of those people who never do understand anything unless it is told them in plain language and hammered into their heads. And thy they understand it only with their brains and not with their hearts.

Equally as much! In a far off place, a land distant but beautiful, Where the night is dark though the Moon is bright and full, There where they say is the place just right for you and me, A place where just with you my love, I wish to be, Under the Sun, under the Moon and under the Sky too, Where everywhere is the splendour of you, just you, When we get there, today, tomorrow or whenever, Let us be there forever with the feelings of love that we shall forsake never, I know this place exists somewhere, But when I am with you Irma, it feels this place is everywhere, In the streets, on the highways, in the markets, on the mountains and plains as well, Almost like the echo of mountain side church bell, So let me hold your hand Irma and be with you, For I am nowhere when I am without you, Then I shall not care about this fantasy place, whether it is far or near, Because in your presence my love everything becomes very clear, Like a dream that has been kissed by the reality, And that is the wonder of love Irma, you are the dream and you are the reality, So let me hold your hand once again and feel your touch, And let me confess, “My love, I still love you equally as much!

So with hearts made high these sat night-long by the outworks of battle, and their watchfires blazed numerous about them. As when in the sky the stars about the moon’s shining are seen in all their glory, when the air has fallen to stillness, and all the high places of the hills are clear, and the shoulders out-jutting, and the deep ravines, as endless bright air spills from the heavens and all the stars are seen, to make glad the heart of the shepherd; such in their numbers blazed the watchfires the Trojans were burning between the waters of Xanthos and the ships, before Ilion. A thousand fires were burning there in the plain, and beside each one sat fifty men in the flare of the blazing firelight. And standing each beside his chariot, champing white barley and oats, the horses waited for the dawn to mount to her high place.

day dream?

Buffalo Hump wanted to see the ocean because the ocean would always be as it was. Few things could stay forever in the way they were when the spirits made them. Even the great plains of grass, the home of the People, would not be always as it had been. The whites would bring their plows and scar the earth; they would their put cattle on it and the cattle would bring the ugly mesquite trees. The grass that had been high forever would be trampled and torn. The llano would not be always as it had been. The ocean and the stars were eternal, things whose power and mystery were greater than the powers of men.

The man woke with a shudder in the hospital room and looked about him helplessly, spooked by some nameless night terror, and when he looked out of the window he saw not the city streets but the white dusty plains of a crater like something on the moon, and it was full of clowns.

If there were not thousands who still conceive that the sun and moon were created and are kept going for no other purpose than to lighten the darkness of our little planet; if only the other day a grave gentleman had not written a perfectly serious essay to show that the world is a flat plain, one would scarcely believe that there could still be people who doubt that ancient Egyptian is now read and translated as fluently as ancient Greek. Yet an Englishman whom I met in Egypt — an Englishman who had long been resident in Cairo, and who was well acquainted with the great Egyptologists who are attached to the service of the khedive — assured me of his profound disbelief in the discovery of Champollion. "In my opinion," said he, "not one of these gentlemen can read a line of hieroglyphics.

Wanted fan for plain sedition, like the singing of this tune. If NASA hadn't failed us we'd have cities on the moon. If it weren't for fucking NASA we'd at least have walked on Mars. If I never can make orbit, then I'll never reach the stars.

This, to put it plainly, is what hostile brands do: They refuse to play the game of persuasion in its old-school form. They say the things that other brands won’t say, the things that risk chasing us away. I suppose you could think of the approach as a kind of reverse psychology, but that doesn’t quite capture it, either.

Your hand, my wonder, is now icy cold. The purest light of the celestial dome has burned me through. And now we are as two still plains lying in darkness, as two black banks of a frozen stream in the chasm of the world. Our hair combed back is carved in wood, the moon walks over our ebony shoulders. A distant cockcrow, the night goes by, silent. Rich is the rime of love, withered the dowry. Where are you, living in what depths of time, love, stepping down into what waters, now, when the frost of our voiceless lips does not fend off the divine fires?

It’s Matthew and Maggie,” said Papa.

A baby,” said Mama.

I saw you lookin' over, with that sunshine smile Your eyes were sayin' somethin', you've been here for a while In this honky-tonk light, I can see it clear You're lookin' for some country, and luckily, I'm here I know you want me, it's easy to see In the way you're swayin' to this guitar's melody I know you need me, like a song needs a tune So come a little closer, we'll light up this room We're two-steppin' closer, with every beat The rhythm's got us movin', from our heads to our feet There's magic in the music, and sparks in the air With every little glance, I catch, I know we're quite the pair So let's raise our glasses, to nights like these Where the music's our language, and you're all I wanna read We'll dance 'til the morning, under the moon's soft gleam 'Cause I know you want me, and you're my country dream I know you want me, it's plain as day In the way you're smilin', every time I look your way I know you need me, like a lyric needs a rhyme So let's make this evening, a hit for all time

Sunshine Smile”. I saw you lookin' over, with that sunshine smile Your eyes were sayin' somethin', you've been here for a while In this honky-tonk light, I can see it clear You're lookin' for some country, and luckily, I'm here I know you want me, it's easy to see In the way you're swayin' to this guitar's melody I know you need me, like a song needs a tune So come a little closer, we'll light up this room We're two-steppin' closer, with every beat The rhythm's got us movin', from our heads to our feet There's magic in the music, and sparks in the air With every little glance, I catch, I know we're quite the pair So let's raise our glasses, to nights like these Where the music's our language, and you're all I wanna read We'll dance 'til the morning, under the moon's soft gleam 'Cause I know you want me, and you're my country dream I know you want me, it's plain as day In the way you're smilin', every time I look your way I know you need me, like a lyric needs a rhyme So let's make this evening, a hit for all time

Mate,’ he replied, turning to lock eyes with me, ‘drinking non-alcoholic beer is like going down on your sister: it might taste kind of the same, but it is just plain wrong.’ Big Ben had a knack for analogy that often impressed and horrified at the same time.

Life's Just a Day Sunrise over fields, golden waves of grain, Tractor trails and morning dew, simple and plain. Life's just a day, on this old family farm, Where the rooster's crow, is our wake-up alarm. Yeah, shit happens, out here in the sticks, But we patch it up, with our country tricks. Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, yeah, but we take it in stride. We love, we lose, but we still find our way, Oh-oh, life's just a day, and we're okay. Oh-oh, life's just a day, and we're okay. Barn dances at night, under a silver moon, Harvests that come, none too soon. Needed you more, but you gave me less, Now I'm sowing seeds, of newfound happiness. Yeah, shit happens, even when you plow straight, But we learn to bend, before it's too late. Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, yeah, but we take it in stride. We love, we lose, but we still find our way, Oh-oh, life's just a day, and we're okay. Oh-oh, life's just a day, and we're okay. Through the dust and the dirt, we find our way, With the strength of the earth, we build our day. And when the sun sets, painting the sky, We'll remember the day, with a satisfied sigh. Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, yeah, but we take it in stride. We love, we lose, but we still find our way, Oh-oh, life's just a day, and we're okay. Oh-oh, life's just a day, and we're okay. Life is but a day, and it's fleeting, they say, But in every furrow, there's a chance to sway. To the rhythm of the land, to the heartbeat of life, Through the good and the bad, the peace and the strife.

Each drop of dew reflecting Not a fraction of the light of the moon, But each drop of dew on each blade of grass Reflecting the entirety of that moon

them entertained and supplied with a surfeit of horseflesh. But none to really worry about. Their source of food and sustenance, the buffalo, roamed the plains in record numbers and still ranged into every corner of Comancheria. The tribe’s low birth rates virtually guaranteed that their nomadic life following buffalo herds was infinitely sustainable. Their world was thus suspended in what seemed to be a perfect equilibrium, a balance of earth and wind and sun and sky that would endure forever. An empire under the bright summer moon. For those who witnessed the change at a very intimate and personal level, including Cynthia Ann and her husband, the speed with which that ideal world was dismantled must have seemed scarcely believable. She herself, the daughter of pioneers who were hammering violently at the age-old Comanche barrier that had defeated all other comers, now adopted into a culture that was beginning to die, was the emblem of the change. Somehow she and her husband, Peta Nocona, survived the cataclysm. As nomads, they moved constantly. One imagines her on one of these migrations, on horseback, moving slowly across the open grassy plain with hundreds of others, warriors in the vanguard, toward a wide, hazy horizon that would have looked to white men like unalloyed emptiness. There were the long trains of heavily packed mules and horses and the ubiquitous Comanche dogs. There were horses dragging travois that carried the huge tent poles and piled buffalo hides and scored the earth as they went along—perfectly parallel lines drawn on the prairie, merging and vanishing into the pale-blue Texas sky. All trailed by the enormous horse remuda, the source of their wealth. It must have been something to behold. Cynthia Ann lived a hard life. Women did all of the brutally hard work, including most of the work that went into moving camp. They did it from dawn till dark, led brief difficult lives, and did not complain about it; they did everything except hunt and fight. Her camp locations show just how far she roamed. Pah-hah-yuco’s camps were found in 1843 north of the Red River and south of modern-day Lawton, Oklahoma, on Cache Creek (the encampment was on a creek bank on the open prairie and stretched for half a mile).25 In 1844 he was camped on the Salt Plains of present-day north-central Oklahoma, on the Salt Fork of the Arkansas River,26 well north of the Washita, where Williams found him in 1846. In 1847 his band was spotted a hundred miles north of Austin, in rolling, lightly timbered prairie, camped in a village of one hundred fifty lodges,27 and again that same year in a village in the limestone hills and mesas west of Austin. She was identified as being with the Tennawish band in 1847, who often camped with the Penateka (with whom Pah-hah-yuco was often

Cowboy Dreams [Verse] On this lonely road I walk alone Searching for a place to call my own In the silence I hear my heart’s cry A cowboy soul reaching for the sky [Verse 2] Dusty boots and a world so wide Across the plains where the wind resides Stars above and a fire low Chasing visions in the moon's soft glow [Chorus] Cowboy dreams in the night Dancing through the endless light Chasing dreams I'll never find But never looking back behind [Verse 3] Saddle up with the morning sun Another day another run Through the valleys and the mountain high Living wild until I die [Bridge] Oh the road is cold and long But I find my strength in song Every step another chance For a cowboy's heart to dance [Chorus] Cowboy dreams in the night Dancing through the endless light Chasing dreams I'll never find But never looking back behind

She left my world spinning like windmills on the plains of la Mancha.

even if it meant pulling Oponn kicking and screaming on to this plain to face whatever lay ahead.

At dusk the four of them stopped en route home to sit on the riverbank under a canopy of cottonwood trees. Loretta hugged her bent knees, gazing at the reflection of leaves and fading sunlight on the water, only half-aware of Amy and Swift Antelope’s chatter. Hunter stretched out beside her, head propped on one hand, his eyes never leaving her. She was acutely conscious of his gaze, and when it started to unnerve her, she finally turned to look at him. Banked embers of passion glowed in his eyes. Smiling, he plucked a blade of grass and feathered it along her arm, reaching up under her loose sleeve. Next he directed his attention to her leg, tracing a circle around the top of her moccasin, grazing the curve of her calf, the back of her thigh beneath her skirt. Loretta’s belly knotted, and delicious shivers coursed down her spine. She felt a blush creeping up her neck. He was deliberately calling to her mind the things he had done to her last night, something a white man would never dream of doing, not in the company of others. Hunter had grown up running wild on the plains with other children, boys and girls alike, garbed in nothing but a string and cloth. She had been stifled by rules of propriety and layer upon layer of muslin. To him, making love was as natural as eating when one was hungry or drinking to slake one’s thirst. He felt no shame, no shyness, no sense of secrecy. I want, I take. It is a very simple thing. It wasn’t simple, though. Not for her.

Smiling, he plucked a blade of grass and feathered it along her arm, reaching up under her loose sleeve. Next he directed his attention to her leg, tracing a circle around the top of her moccasin, grazing the curve of her calf, the back of her thigh beneath her skirt. Loretta’s belly knotted, and delicious shivers coursed down her spine. She felt a blush creeping up her neck. He was deliberately calling to her mind the things he had done to her last night, something a white man would never dream of doing, not in the company of others. Hunter had grown up running wild on the plains with other children, boys and girls alike, garbed in nothing but a string and cloth. She had been stifled by rules of propriety and layer upon layer of muslin. To him, making love was as natural as eating when one was hungry or drinking to slake one’s thirst. He felt no shame, no shyness, no sense of secrecy. I want, I take. It is a very simple thing. It wasn’t simple, though. Not for her. Hunter grew amused, watching Loretta. When she threw him an accusing glance, he noted that her pupils had flared until her irises were almost black. Crimson rode her cheeks, and a rosy flush colored her slender throat. He wondered if her entire body was pink and wish they were alone so he could find out. Soon. Tonight he would build a fire so she couldn’t hide in shadows, and he would learn every inch of her, slowly.

That was another thing about boys: No one assumed the blew a gasket for any reason other than they were just really upset. They were allowed to just be, and nobody blamed where the moon was in its cycle, or whether or not they had the ill fortune of leaking from their privates. It was plain unfair.

He gazed into the darkness at the flickering shadows. Above the tops of the trees on the opposite side of the river, he could see endless stretches of starlit sky. He longed for home where the plains stretched forever, where the wind sighed through the river canyons, sweet with the smell of grass and mesquite. If only his friends hadn’t come across a mute yellow-hair and ridden to tell him.

When they reached the river, he turned left. “Tohobt Pah-e-hona, Blue Water River. You call it the Brazos, eh?” He pointed ahead of them. “Pah-gat-su, upstream.” Jabbing a thumb over his shoulder, he said, “Te-naw, downstream. You will listen good, Blue Eyes, and learn. Tosi tivo talk is dirt in my mouth.” His tone set Loretta off balance. Dirt in his mouth? If he hated the whites so much, why on earth had he taken her? Upstream, downstream, she couldn’t remember the words. She didn’t want to. The language of murderers. All she wanted was to be free of the whole filthy lot of them. Another rock jabbed her insole, and she winced, missing a step. He released her elbow and swept her off her feet into his arms. He took her so much by surprise that if she could have screamed, she would have. Their eyes locked, his mocking, hers wide. Though he now bore Loretta’s weight, her position was such that her back was in danger of breaking if she didn’t loop an arm around his neck. He stood there, looking down at her and waiting. Her mouth went dry. She wished he would just toss her over his shoulder again and be done with it. Being carried like a sack of grain wasn’t very dignified, but at least that way she didn’t have to cling to him. That determined glint she was coming to know too well crept into his eyes. He gave her a little toss, not enough to drop her, but enough to give her a start. Instinctively she hooked an arm around his neck. His lips slanted into a satisfied grin, a grin that said as clearly as if he had spoken that he would have the last word, always. He started walking again. The firm cords of muscle that ran down from his neck undulated beneath her fingers, his warm skin as smooth as fine-grained leather. His hair, silken and heavy, brushed against her knuckles. Beneath her wrist she could feel the crusty cut on his shoulder from Aunt Rachel’s bullet. Remembering the wound he had inflicted on his arm last night, she wondered just how many scars he had. Strangely, the longer she was around him, the less she noticed the slash on his cheek. His was the kind of face that suffered imperfections well, features chiseled, skin weathered to a tough, burnished brown, as rugged as the sharp-cut canyons and endless plains from whence he’d sprung.

Suppose in the beginning there is an open plain without any mountains or trees, completely open land, a simple desert without any particular characteristics. That is how we are, what we are. We are very simple and basic. And yet there is a sun shining, a moon shining, and there will be lights and colors, the texture of the desert. There will be some feeling of the energy which plays between heaven and earth. This goes on and on. Then, strangely, there is suddenly someone to notice all this. It is as if one of the grains of sand had stuck its neck out and begun to look around. We are that grain of sand, coming to the conclusion of our separateness. This is the “birth of ignorance” in its first stage, a kind of chemical reaction. Duality has begun.

That is true. But nevertheless, you are like the prisoners in the cave, your legs and necks shackled by your maps and your walls so that all you can see is the shadows thrown by the fire on the wall of the cave. You think they are the truth, but they are only a shadow of the truth, which lies—” He gestured to the sky and the plain and the distant spiral curl that was the growing city of Sarai. “—out here, under the gaze of the sun and the moon and the stars.

She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds.

She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds. She waved, flashed a thumbs-up, then waved again as they sailed on, leaving laughter in their wake. With her teeth still gritted in a smile, she said, “This will be all over the Cove five seconds after they get back. Sooner if they have radio signal.” She turned back to Cooper, who was grinning shamelessly, hands linked behind his head now, as if preparing for his plank walk. “Very funny,” she said, trying to ignore how the posture made his biceps flex and showed off the definition in his six-pack. She couldn’t help but note that some of the blueberries had slid all the way down to the waistband of his cargo shorts, leaving streaks of blue on his skin, like arrows pointing to where she should go to resume their little game. She realized she was staring when her eyes slid a little lower still and--she jerked her gaze back to his, realizing he’d made her blush again. She typically wasn’t much of a blusher either. But she didn’t usually find herself playing food Twister with a half-naked man. Rather than finding a mocking smile waiting for her, the curve of his lips was amused, maybe even a little affectionate. Like she was being cute or something. She’d show him cute. Then she met his eyes and saw there was nothing amused or even borderline condescending to be found there. Incendiary was the word that came to mind.

However, Galileo got into trouble when he turned his telescope toward a wider horizon. The discovery of the four moons orbiting Jupiter — Io, Europa, Ganymede, and Callisto — suggested that the Earth was not the centre of the universe about which all celestial bodies orbited. By challenging the geocentric model of the Solar System, Galileo found himself accused of heresy and was placed under house arrest for the rest of his life.

Sigils are made by combining the letters of the alphabet after a process of simplification. For example, the word ‘Woman’ in Sigil form is or or , etc. The word ‘Tiger’ or , ‘Hat’ , ‘Come’ , ‘Moon’ , ‘It ’ or , etc. The idea is to obtain a simple form that can be easily visualised at will, yet has not too much pictorial relation to the desire. The true method has a much greater virtue, which cannot be explained briefly, being the secret of thought form, as degrees of suggestion, and what is in a name.74 We have now agreed as to how a Sigil is made, and what virtue it has. Verily, whatever a person believes by sigils is the truth, and is always fulfilled. This system of sigils is believed

let the practitioner imagine within himself the mystic union of the Ego and Absolute. When the resulting nectar of ecstasy is emitted, let him drink of it again and again. If this sexual ecstasy manifests itself physically, let him imagine another’s body; he has that Sigil for just such an emergency. Although this is not the primary purpose of the exercise, he will find it exceedingly agreeable. After this astonishing experience his passion is incomparable: there is nothing in the world he will desire unless he wills. That is why people do not understand me. The ecstasy in its emotion generates everything. Know it as the nectar of life, the Syllabub61 of Sun and Moon. Verily he steals the fire from heaven: the greatest act of bravery in the world.

As she placed one elegant Christian Louboutin pump in front of the other, Karla controlled the rage in her heart. From an incandescent sun of fury, it cooled to an earthly ice age before descending to a hellish frost. It was no accident, she thought to herself as she retrieved her card pass from her bag, Hayden mooning behind her nonchalantly, that the lowest circle of Dante’s inferno was a plain of ice, in the centre of which the traitor Judas had his head stuck up Satan’s arse. Well, perhaps she was elaborating slightly, but at that precise moment she would have liked to have torn her companion a new asshole - starting preferably at his chest.

Notwithstanding the fog which rose around, I perceived the walls and roofs of the houses of Soissons, with a half-moon peering from behind them. I alighted, and, with a heart fully acknowledging the sublimity of nature, gazed upon the imposing scene. A grasshopper was chirping in the neighboring field; the trees by the road side were softly rustling; and I saw, with the mind's eye, Peace hovering over the plain, now solitary and tranquil, where Caesar had conquered, Clovis had exercised his authority, and where Napoleon had all but fallen. It shows that men — even Caesar, Clovis, and Napoleon — are only passing shadows; and that war is a fantasy which terminates with them; whilst God — and Nature, which comes from God — and Peace, which comes from Nature — are things of eternity.

Pussy Riot is a mask: a symplifying, modernizing mask. Prison, confinement, these are also masks, different masks, ones that help people of our generation to shake off cynicism and irony. When you put on a mask, you leave your own time, you abandon the world in which any sincerity will be mocked, you move into the world of cartoon heroes, where Sailor Moon and Spiderman, those consummate modern role models, can be found. (...) The masks that members of Pussy Riot wear hold, if any, a therapeutic function: yes, we belong to a generation raised on irony, but we also put on masks to reduce that impotent irony. We go out in the streets and speak plainly, without varnish, about the things that matter most.

Human ways were just plain baffling sometimes. A dog's instinct was to size up a stranger by sniffing their scent. That made so much sense! His brain stored smells very precisely. He could remember if he'd smelled that creature before, if he’d found its urine on a tree or in the grass. But humans hated it when you sniffed their crotch as a dog. In human form, well, it was so far out of line, it would land you in a fight. Roman should know. He'd gotten in a few fights for that very reason when he was still young enough not to understand.

Elen had not expected an otherworldly creature to be so earthly plain, but as her tutor often stated, beauty came in many forms, and hers was knowledge.

I think it is impossible for [one] to cross the Atlantic without admitting that in both the northern and southern hemispheres of the New World, Nature has not only outlined her works on a larger scale, but has painted the whole picture with brighter and more costly colors than she used in delineating and in beautifying the Old World.... The heavens of America appear infinitely higher, the sky is bluer, the clouds are whiter, the air is fresher, the cold is intenser, the moon looks larger, the stars are brighter, the thunder is louder, the lightning is vivider, the wind is stronger, the rain is heavier, the mountains are higher, the rivers larger, the forests bigger, the plains broader.

unchallenged military masters of the south plains. They did not need elaborate religious rituals or complex social

drinking non-alcoholic beer is like going down on your sister: it might taste kind of the same, but it is just plain wrong.

Nothing happened here. Nothing extraordinary for its time. Two nuns held slaves like any priest or explorer or settler in the New World. It is the others, the ones they held, who keep the memory, who imagine over and over again where they might be. It is they who keep these details alive and raw like yesterday. They twist and turn in all imaginations to come, in plain sight or in disguise. This fragile place and its muscular dreams. Nothing really happened here

Look north, he said, In the middle of that vast plain is a single lonely peak. In the light of the setting sun you can just make out the ruins of A-fang-kung, the palace of the great Ch'in Shih-huang, among the weeds and the high grass. Look west. The wind is rustling the woods where the gray mountain mist hides Mou-ling, the tomb of Emperor Han Wu-ti. In the east you can see the white wall reflecting the green hills where a red rooftop pierces the sky and the pale moon comes and goes. No one leans on the on the jade balustrades at Huang-ch'ing-kung where Emperor Hsuan Tsung frolicked with his ill-fated concubine Yang Kue-fei. Those three emperors were for ten millennia the heroes of our history. Where are they now? [Fenkl translation]

Shay finally realized what she’d lacked before. All animals might want to live, but not all animals had a reason to live. I should have died so many times, but I haven’t. And I’m just glad to still be alive and have a reason for it. She laughed harder. Gratitude. What a novel feeling. “It’s a great night to be alive, Lily,” Shay explained. “Maybe every night’s a great night, but I’m really feeling it this night.” She threw her head back and howled at the moon.

The Vackna rang loud, Waking-horn bold and blaring, In the hills ringing as red sun was rising, Filling all Vigrið, This Battle-Plain, This land of ash, This land of ruin. Gods stirred from slumber deep, Fell Snaka, the slitherer shed his skin, that slayer of souls. Wolf-waking, hard-howling Ulfrir, the breaker of chains ran roaring, Racing to the Guðfalla, The gods-fall. Orna, eagle-winged came shrieking, wings beating, talons rending, beak biting, flesh tearing. Deep-cunning dragon, Lik-Rifa, Corpse-tearer from Dark-of-Moon Hills, tail lashing as she swept low. Berser raging, jaws frothing, claws ripping. Gods in their war glory, Brave Svin, mischievous Tosk, deceitful Rotta, Gods and kin, their warriors willing, Blood-tainted offspring, waging their war, all came to the Battle-Plain. Death was dealt, Red ran the rivers, Land laden with slaughter’s reek. There they fought, There they fell, Berser pierced, Orna torn, Ulfrir slain. Cunning Lik-Rifa laid low, chained in chamber deep, Beneath boughs of Oskutreð, the great Ash Tree. And Snaka fell, serpent ruin, venom burning, land-tearing, mountain breaking, cracked the slopes of Mount Eldrafell. Frost and fire, Flame and snow, Vaesen clambered from the pit, And the world ended… And was born anew… A silence settled, all staring at the skáld, though

The steppe! Stepan loved it too. A bright and warm memory surfaced within him, a recollection of a still night and the dreamy expanse of plains, of the endless reaches of the sky and the earth, the blue silence of the moon’s rays. Lying face up in the grass, with arms outspread, without a hat, barefoot and looking at the golden, azure, red, and green shimmering of the stars scattered across the sky by someone’s benevolent and powerful hand. To feel that hand in the air blowing faintly across your face. To fall asleep tired from observing the infinite space, secretly in union with it. And in the morning, from behind the mounds, sunrise — a ray of light from the red ocean, a terrible, giant icicle of cold fire, flowering slowly into a searing ball.

When we are commanded to take heed to all the flock, it is plainly implied that flocks must generally be no larger than we are capable of overseeing, or taking heed to. God will not lay upon us natural impossibilities. He will not require men to leap up to the moon, to touch the stars, or to number the sands of the sea. If the pastoral office consists in overseeing all the flock, then surely the number of souls under the care of each pastor must not be greater than he is able to take such heed to as is here required.

Because I'm not a queen. I'm just a girl who loves fucking," I said, the words plain and awkward in response to his romantic tone. He made a soft sound between choking and laughing, and a hand reached up between us to cup my jaw. "You are a great deal more than that.

There comes the shadow-dark dragon flying, The gleaming serpent, up from Dark-of-Moon Hills; He flies over the plain, and in his pinions he carries corpses. The Voluspa

Robert, plain-spoken man that he was, made no attempt to gloss over the fact that her appearance was not up to her usual standards. “You look as if you've been attacked by dogs,

In 1871 the buffalo still roamed the plains: Earlier that year a herd of four million had been spotted near the Arkansas River in present-day southern Kansas. The main body was fifty miles deep and twenty-five miles wide.7 But the slaughter had already begun. It

Be the girl who dances in the rain Let your spirit out Be anything but plain Be the girl who shines at night Like a full moon Be bold and bright

We should be listening to the stars in the heavens and the sun and the moon, to the mountains and the plains, to the forest and rives and seas that surround us, to the meadows and the flowering grasses, to the songbirds and the insects and to their music especially in the evening and the early hours of the night. We ned to experience, to feel, and to see these myriad creatures all caught up in the celebration of life. [...] We have lost sight of the fact that these myriad creatures are revelations of the divine and inspirations to our spiritual life. Our inner spiritual world cannot be activated without experience of the outer world of wonder for the mind, beauty for the imagination, and intimacy for the emotions.

With Cyrus’s unqualified victory over Babylon, the power center of civilization moved eastward. The plains between the two rivers were now ruled by the Persians, a neighboring empire from the mountains. The final fall of the Moon God would not take place for another thousand years, until a messenger of God named Muhammad would destroy his likeness inside another temple, called the Kaaba. But the golden age of Mesopotamia was over. And the defeat of Belshazzar and Nabonidus signified a major cultural shift: the first major defeat of the nature gods.

She let his words wash over her. For, beyond the small, curving window, she saw black, gray, brown-white, a mesh of curves and inky darkness, sliding across her view like oil. It was a crescent bathed in sunlight, pocked with craters, wrinkled by hills. On the plains she could see boulders, pinpoints of brightness sending long, needle-fine shadows across the dusty ground. And the crescent was growing. The ship was flying into the shadow of the Moon toward the terminator, the line between night and day. The sunlit crescent narrowed, even as it spread across space. It was soon too large to be captured by a single window, and she leaned forward to see the sweep of the Moon, from horn to skinny horn. At last the crescent narrowed to invisibility, and she was flying over the shadowed Moon, a hole in the stars. She found she was holding her breath. The noises of the ship’s systems, little gadgets humming and ticking, seemed sacrilegious in this huge dark quiet. There was an explosion of light. She craned to see. Far ahead of the craft, the sun was rising over the Moon. A line of fire had straddled the horizon, poking through the mountains and crater rims there. The light fled across the bare surface, casting shadows hundreds of miles long from mountains and broken crater walls. The smaller, younger craters were wells of darkness in the flat light.

I love a sunburnt country" "The love of field and coppice, Of green and shaded lanes. Of ordered woods and gardens Is running in your veins, Strong love of grey-blue distance Brown streams and soft, dim skies I know but cannot share it, My love is otherwise. I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of drought and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror – The wide brown land for me! A stark white ring-barked forest All tragic to the moon, The sapphire-misted mountains, The hot gold hush of noon. Green tangle of the brushes, Where lithe lianas coil, And orchids deck the tree-tops And ferns the warm dark soil. Core of my heart, my country! Her pitiless blue sky, When sick at heart, around us We see the cattle die – But then the grey clouds gather, And we can bless again The drumming of an army, The steady, soaking rain. Core of my heart, my country! Land of the Rainbow Gold, For flood and fire and famine, She pays us back threefold – Over the thirsty paddocks, Watch, after many days, The filmy veil of greenness That thickens as we gaze.

I like to think that the Moon is there even if I am not looking at it." Unfortunately, this frequently-repeated quote of Einstein has been partly responsible for the production of a number of pseudo-scientific books (and even movies) suggesting that quantum reality is somehow conjured into existence by human observation, or human consciousness. This is surely a complete fallacy, and is based on a lack of understanding of the principles of quantum mechanics. As the physicist Carver Mead has said: "That is probably the biggest misconception that has come out of the Copenhagen view. The idea that the (human) observation of some event makes it somehow more 'real' became entrenched in the philosophy of quantum mechanics. Even the slightest reflection will show how silly it is. An observer is an assembly of atoms. What is different about the observer's atoms from those of any other object? What if the data are taken by computer? Do the events not happen until the scientist gets home from vacation and looks at the printout? It is ludicrous!

God is not a robot. He isn’t a comptroller of an accounting company trying to make things add up or work out. He is a being full of deep emotion, longing, and memories of what it used to be like. The incarnation therefore isn’t about an equation but about remembering what home used to be like and making a plan to get back there. Consider this reboot of the Genesis creation account. It may help you see God’s emotion a little better. First off, nothing … but God. No light, no time, no substance, no matter. Second off, God says the word and WHAP! Stuff everywhere! The cosmos in chaos: no shape, no form, no function—just darkness … total. And floating above it all, God’s Holy Spirit, ready to play. Day one: Then God’s voice booms out, “Lights!” and, from nowhere, light floods the skies and “night” is swept off the scene. God gives it the big thumbs up, calls it “day”. Day two: God says, “I want a dome—call it ‘sky’—right there between the waters above and below.” And it happens. Day three: God says, “Too much water! We need something to walk on, a huge lump of it—call it ‘land’. Let the ‘sea’ lick its edges.” God smiles, says, “Now we’ve got us some definition. But it’s too plain! It needs colour! Vegetation! Loads of it. A million shades. Now!” And the earth goes wild with trees, bushes, plants, flowers and fungi. “Now give it a growth permit.” Seeds appear in every one. “Yesss!” says God. Day four: “We need a schedule: let’s have a ‘sun’ for the day, a ‘moon’ for the night; I want ‘seasons’, ‘years’; and give us ‘stars’, masses of stars—think of a number, add a trillion, then times it by the number of trees and we’re getting there: we’re talking huge! Day five: “OK, animals: amoeba, crustaceans, insects, fish, amphibians, reptiles, birds, mammals … I want the whole caboodle teeming with a million varieties of each—and let’s have some fun with the shapes, sizes, colours, textures!” God tells them all, “You’ve got a growth permit—use it!” He sits back and smiles, says, “Result!” Day six: Then God says, “Let’s make people—like us, but human, with flesh and blood, skin and bone. Give them the job of caretakers of the vegetation, game wardens of all the animals.” So God makes people, like him, but human. He makes male and female.… He smiles at them and gives them their job description: “Make babies! Be parents, grandparents, great-grandparents—fill the earth with your families and run the planet well. You’ve got all the plants to eat from, so have all the animals—plenty for all. Enjoy.” God looks at everything he’s made, and says, “Fantastic. I love it!” Day seven: Job done—the cosmos and the earth complete. God takes a bit of well-earned R&R and just enjoys. He makes an announcement: “Let’s keep this day of the week special, a day off—battery-recharge day: Rest Day.”2 I’m not normally a paraphrase guy, but we always read the creation story like a textbook. I love this rendition because it captures the enthusiastic emotion that God felt about everything He created, especially humans. He loved it all. He loved us. Most of all, He loved the way things were.

We lay contentedly together, occasionally kissing, my fingers twined in his hair. I loved the feel of it, its texture, its color, and I brushed it back along the nape of his neck. “You’re tickling me,” he said with a smile. “Are you trying to keep me awake?” “No.” I laughed, pushing up on my elbow to look down at him. “It’s just--” I stopped, staring at the birthmark on his neck, the mark of the Bleeding Moon, as it had been called in the legend, and my hand began to shake. “What is it, Alera?” he asked, alarmed. “Nothing. It’s just…” I struggled to form a cohesive thought, for in all my dreams of a life with him, of having children with him, this question had never before occurred to me. “Just what?” He sat up, placing a hand on his neck where I had been playing with his hair. “When we have a child, what will happen? I mean, the High Priestess told me, when she was our prisoner in the cave, that the powers of the Empress of Cokyri were supposed to pass to her firstborn daughter upon the child’s birth, but that they were split between her and her brother when she was born a twin. The possibility of the powers reuniting and passing into the High Priestess’s firstborn daughter gave us our negotiating leverage with the Overlord.” “Yes, but what does that have to do with anything?” “Well, you have powers, too. I’m wondering…” A shadow fell over his face. “You’re wondering if my powers are unique to me. Or might a child of ours inherit them.” “Yes, or if…” I took a deep breath. “Could they pass from your body and into the child upon birth, like the magic of the Empress of Cokyri?” From the expression on Narian’s face, it was plain this was the first time he had ever considered the question. “I don’t know, Alera. The source of my power derives from an ancient legend and the circumstances surrounding my birth.” He touched my face, then added, “Perhaps it’s time we took another look at the origin of the legend--and we should find out if anything else was ever written about the powers I was destined to have.” I sighed. “I wish London were here. He uncovered the scrolls that foretold your birth, hidden somewhere in Cokyri. He would know what else was written.” Narian nodded, but said nothing more, and I tried to imagine what he must be feeling. Were his powers a blessing or a curse? Would he want them to pass to a child of his? And if a child held them, what manner of life would he or she lead? Then I asked myself the same questions, and an overriding answer became startlingly clear. “It would be good to know, Narian. But it doesn’t matter. I want children with you, and I do not fear the powers you hold, nor would I fear them in the hands of our own child.” He nodded, then settled on his back. I snuggled against him, lost in thought. At some point, I would fall asleep; it did not appear that he intended to do the same.

Once she started awake to a sound like the low roll of drums, and to the south she saw an endless congregation of antelope that moved across the nighted plain, raising a cloud of dust behind them that swallowed the stars and turned the moon rusty brown as a scrape of ruined iron. Near dawn, in that darkest hour, she raised her head again and saw to the north the passage of sails. They hovered across the deep like a parade of phantom cavaliers tilted upon hellish steeds. They passed in waves, ranks upon ranks of ghostly warlords bent toward the coming dawn as if to impale the sun itself and set it atop a spike in the blackened sky.

Mindfulness is presymbolic. It is not shackled to logic. Nevertheless, mindfulness can be experienced—rather easily—and it can be described, as long as you keep in mind that the words are only fingers pointing at the moon. They are not the moon itself.

Cassie? What are you doing?” I jumped as Grandfather came up behind me. “I’m watching Mama.” “I can see that. You do it all the time. Why?” “I have to!” I blurted it out. Grandfather stared at me for a minute. Then he took my hand. “Come with me,” he said. I looked back at Mama. “I can’t,” I repeated. “Come,” repeated Grandfather, ignoring me. He pulled me into the cool, dark barn. Caleb looked up from cleaning a bridle. “Caleb. Your papa needs the bridles,” said Grandfather. “Now?” “Yes.” Caleb picked up another bridle and went out to the field to hitch up the horses. He didn’t look at me. Grandfather pointed to a wooden trunk. “Sit there, Cassie.” “I don’t have time, Grandfather.” “Yes, you do.” “You are still mean,” I told Grandfather.