Moist Rain Quotes

Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.

To preserve the silence within--amid all the noise. To remain open and quiet, a moist humus in the fertile darkness where the rain falls and the grain ripens--no matter how many tramp across the parade ground in whirling dust under an arid sky.

Rain is a lullaby heard through a thick, isolating blanket of clouds. It is the tinkling harp of water droplets; a moist breath whistling through willow reeds; a pattering beat background to the mourner's melody. Rain is a soft song of compassion for the brokenhearted.

After the rains departed the skies and settled on earth - clear skies; moist brilliant earth - greater clarity returned to life alone with the blue above and made the world below rejoice with the freshness of the recent rain. It left heaven in our souls and a freshness in our hearts.

Mr Horsefry was a youngish man, not simply running to fat but vaulting, leaping and diving towards obesity. He had acquired at thirty an impressive selection of chins, and now they wobbled with angry pride.* * It is wrong to judge by appearances. Despite his expression, which was that of a piglet having a bright idea, and his mode of speech, which might put you in mind of a small, breathless, neurotic but ridiculously expensive dog, Mr Horsefry might well have been a kind, generous and pious man. In the same way, the man climbing out of your window in a stripy jumper, a mask and a great hurry might merely be lost on the way to a fancy-dress party, and the man in the wig and robes at the focus of the courtroom might only be a transvestite who wandered in out of the rain. Snap judgements can be so unfair.

A song of despair The memory of you emerges from the night around me. The river mingles its stubborn lament with the sea. Deserted like the dwarves at dawn. It is the hour of departure, oh deserted one! Cold flower heads are raining over my heart. Oh pit of debris, fierce cave of the shipwrecked. In you the wars and the flights accumulated. From you the wings of the song birds rose. You swallowed everything, like distance. Like the sea, like time. In you everything sank! It was the happy hour of assault and the kiss. The hour of the spell that blazed like a lighthouse. Pilot's dread, fury of blind driver, turbulent drunkenness of love, in you everything sank! In the childhood of mist my soul, winged and wounded. Lost discoverer, in you everything sank! You girdled sorrow, you clung to desire, sadness stunned you, in you everything sank! I made the wall of shadow draw back, beyond desire and act, I walked on. Oh flesh, my own flesh, woman whom I loved and lost, I summon you in the moist hour, I raise my song to you. Like a jar you housed infinite tenderness. and the infinite oblivion shattered you like a jar. There was the black solitude of the islands, and there, woman of love, your arms took me in. There was thirst and hunger, and you were the fruit. There were grief and ruins, and you were the miracle. Ah woman, I do not know how you could contain me in the earth of your soul, in the cross of your arms! How terrible and brief my desire was to you! How difficult and drunken, how tensed and avid. Cemetery of kisses, there is still fire in your tombs, still the fruited boughs burn, pecked at by birds. Oh the bitten mouth, oh the kissed limbs, oh the hungering teeth, oh the entwined bodies. Oh the mad coupling of hope and force in which we merged and despaired. And the tenderness, light as water and as flour. And the word scarcely begun on the lips. This was my destiny and in it was my voyage of my longing, and in it my longing fell, in you everything sank! Oh pit of debris, everything fell into you, what sorrow did you not express, in what sorrow are you not drowned! From billow to billow you still called and sang. Standing like a sailor in the prow of a vessel. You still flowered in songs, you still brike the currents. Oh pit of debris, open and bitter well. Pale blind diver, luckless slinger, lost discoverer, in you everything sank! It is the hour of departure, the hard cold hour which the night fastens to all the timetables. The rustling belt of the sea girdles the shore. Cold stars heave up, black birds migrate. Deserted like the wharves at dawn. Only tremulous shadow twists in my hands. Oh farther than everything. Oh farther than everything. It is the hour of departure. Oh abandoned one!

Lost in the forest, I broke off a dark twig and lifted its whisper to my thirsty lips: maybe it was the voice of the rain crying, a cracked bell, or a torn heart. Something from far off: it seemed deep and secret to me, hidden by the earth, a shout muffled by huge autumns, by the moist half-open darkness of the leaves. Wakening from the dreaming forest there, the hazel-sprig sang under my tongue, its drifting fragrance climbed up through my conscious mind as if suddenly the roots I had left behind cried out to me, the land I had lost with my childhood—- and I stopped, wounded by the wandering scent.

Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.

There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-

Or I would be the rain itself, wreathing over the island, mingling in the quiet of moist places, filling its pores with its saturated breaths. And I would be the wind, whispering through the tangled woods, running airy fingers over the island’s face, tingling in the chill of concealed places, sighing secrets in the dawn. And I would be the light, flinging over the island, covering it with flash and shadow, shining on rocks and pools, softening to a touch in the glow of dusk. If I were the rain and wind and light, I would encircle the island like the sky surrounding earth, flood through it like a heart driven pulse, shine from inside it like a star in flames, burn away to blackness in the closed eyes of its night. There are so many ways I could love this island, if I were the rain.

The spring rains woke the dormant tillers, and bright green shoots sprang from the moist earth and rose like sleepers stretching after a long nap. As spring gave way to summer, the bright green stalks darkened, became tan, turned golden brown. The days grew long and hot. Thick towers of swirling black clouds brought rain, and the brown stems glistened in the perpetual twilight that dwelled beneath the canopy. The wheat rose and the ripening heads bent in the prairie wind, a rippling curtain, an endless, undulating sea that stretched to the horizon.

I grew thinner and more ragged. I slept in rain or sun, on soft grass, moist earth, or sharp stones with an intensity of indifference that only grief can promote.

Do you realize, Tyler,' says Anna-Louise, 'the entire time we were in the forest it rained steadily and not once did we approach a state of moistness? There was a storm and we didn't even know.

I have never fully unbosomed myself to any human being; I have never been encouraged to trust much in the sympathy of my fellow men. But we have all a chance of meeting with some pity, some tenderness, some charity, when we are dead: it is the living only who cannot be forgiven - the living only from whom men's indulgence and reverence are held off, like the rain by the hard east wind. While the heart beats, bruise it - it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition - make haste - oppress it with your ill-considered judgements, your trivial comparisons, your careless misrepresentations. The heart will by and by be still - ubi saeoa indignatio ulterius cor lacerate nequit; the eye will cease to entreat; the ear will be deaf; the brain will have ceased from all wants as well as from all work. Then your charitable speeches may find vent; then you may remember and pity the toil and the struggle and the failure; then you may give due honour to the work achieved; then you may find extenuation for errors, and may consent to bury them ("The Lifted Veil")

I saw you there, In a dress of virgin white. Like an angel descended from heaven To be here amongst ordinary mortals. I saw you there, Your big, brown eyes. Like the moist soil after the rains Full of hope, courage & life. I saw you there Your dark hair, curly. Like the dark clouds trying vainly to mask The moons eternal beauty. I saw you there Inspiring hope and life. Like the rainbow that brings a smile after thunder Lighting and the dull grey sky. I saw you there and realised the purpose of this life. Like the firely loves the light, to love you for the rest of my life. I saw you there and met my true self. I never knew Love This was Love. Love at first sight.

Sitting on the porch alone, listening to them fixing supper, he felt again the indignation he had felt before, the sense of loss and the aloneness, the utter defenselessness that was each man's lot, sealed up in his bee cell from all the others in the world. But the smelling of boiling vegetables and pork reached him from the inside, the aloneness left him for a while. The warm moist smell promised other people lived and were preparing supper. He listened to the pouring and the thunder rumblings that sounded hollow like they were in a rainbarrel, shared the excitement and the coziness of the buzzing insects that had sought refuge on the porch, and now and then he slapped detachedly at the mosquitoes, making a sharp crack in the pouring buzzing silence. The porch sheltered him from all but the splashes of the drops that hit the floor and their spray touched him with a pleasant chill. And he was secure, because someewhere out beyond the wall of water humanity still existed, and was preparing supper.

I seemed to be walking on and on forever through a peaceful, languid garden of rice paddies. This was no longer the territory of savages, but of an ancient and high civilization. Here and there farmers were plowing their fields, using water buffaloes. As a buffalo started to move, snowy herons would fly down and perch on its back and horns. But they flew away again in fright whenever a buffalo reached the edge of the field the farmer turned his plow. Once, as I was walking along, a moist wind began to blow and the sky quickly filled with black clouds. Herons were tossing in the wind like downy feathers. Soon the rain came. Rainfall in Burma is violent. Before I knew it, I was shut in by a thick spray. I could hardly breathe--I felt as if I were swimming. After a while the rain stopped and the sky cleared. All at once the landscape brightened and a vast rainbow hung across the sky. The mist was gone, as if a curtain had been lifted. And there, under the rainbow, the farmers were singing and plowing again.

And to the flour add water, only a thin stream whispering gathered rains of a reticent winter. And to the flour add oil, only a glistening thread snaking through ridges and ravines of what sifts through your fingers, what sinks, moist and burdened between your palms. And in the kneading hinge forward, let the weight of what you carry on your shoulders, the luster of your language, shade of your story press into the dough. And to the dough bring the signature of your fingertips, stretch the canvas before you, summer linen of wheat and autumn velvet of olive oil, smooth like a map of silence and fragrance, of invisible terrains of memory.

It started to rain suddenly and ferociously as they pulled up in front of Rose’s house. A mist covered the truck. It was as if a fire hose had opened up on the dusty, dry earthen roads. The smell of moist earth and damp, pungent flowering trees gave off the last bit of heat from the former Carolina summer sun of a few minutes ago. Now cooled suddenly by the rainwater, an immediate fog to rose off the hot metal of the truck and the soil. It was impossible to see more than a few feet in the formidable rain and sudden fog. Rose pulled Carmen to her and wrapped herself around her, one hand playing around through her T as she kissed her, one hand pushing gently at her pants.

And there was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one’s clinging shirt post–June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody roast death-red on a platter; a hedgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.

Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.

Love is giving, love is learning, love is willing to receive love and love in return, love is not only your bloodline, but love is also everywhere. Love is what you make of it, whether it’s the birds singing you a personal melody or the waves in the ocean washing away the hate and turning it into unconditional, endless love. Love is the people who would never think of giving up on you. Love is the people who put your broken pieces back together. Love is when the storm comes— and the wind isn’t too friendly, but it’s here for a purpose as it blows the branches on the trees. The rain is pounding on the daisy in someone’s front yard, yet the daisy weathers the storm and needs that extra shower—after the storm, the ground is still moist, there are still puddles of water and the rain still lingers on, but when you look up there is a rainbow of love.

And it is said that extraordinary rains generally dash down after great battles, whether it is that some divine power drenches and hallows the ground with purifying waters from Heaven, or that the blood and putrefying matter send up a moist and heavy vapour which condenses the air, this being easily moved and readily changed to the highest degree by the slightest cause.

The touch, the rain, and a tempest begin as the soft pink and forest greens turn into haunting greys, for now, I walk into nostalgia's arms. Those moist memories, now they turn into roses in my deeps....."...

A temperate rain forest has a cool, moist, even climate, not too hot or cold. Redwoods flourish in fog, but they don't like salt air. They tend to appear in valleys that are just out of sight of the sea. In their relationship with the sea, redwoods are like cats that long to be stroked but are shy to the touch.

I will begin with this: Do not roam among the haggard and the meek. Do not fight for scraps of food that are moist with stagnant rains. Do not enter the crucible of egoistic men who compete over dime and dollar. Rise, my student. And insist First upon the glory of Freedom. So that no arena can contain you. And no man can equal you. For your journey is unlike any other man in the field.

The rain whispered down, soft as the touch of cobwebs, shrouding the green of the land in swathes of clinging grey. Maude had grown accustomed to the damp climate, to the clouds that constantly swept in, heavy and moist, off the Irish Sea. She had become used to hearing the soft, guttural tongue of the native Gaels in place of French and the stretched vowels of the English; to feeling as if she was living on the edge of the world, where the seasons moved, but time stood still. And always it rained.

The rain passed, yielding to a wonderful silence. Viktor went out into the garden. The moist air was warm and clean; every strawberry leaf, every leaf on every tree, was adorned with a drop of water—and each of these drops was a little egg, ready to release a tiny fish, a glint of sunlight, and Viktor felt that somewhere in the depth of his own breast shone an equally perfect raindrop, an equally brilliant little fish, and he walked about the garden, marvelling at the great good that had come his way: life on this earth as a human being.

In Seattle, warm temperatures, associated with moist, Pineapple Express air, have already produced a rainfall of two inches between 7 PM yesterday and 7 AM this morning. I am now going out on a limb and projecting that this flow will stagnate over Puget Sound and the deluge will continue for hours. We are in the midst of a most notable weather show. * See, that’s what I mean about loving Cliff Mass. Because, basically, all he’s saying is it’s going to rain. * From: Ollie-O To: Prospective Parent Brunch Committee REAL-TIME FLASH! The day of the PPB has come. Unfortunately, our biggest get, the sun, is going to be a no-show. Ha-ha. That was my idea of a joke.

These pastries are gorgeous colors," she said. "I didn't even know I liked green, but I do. It reminds me of her. I keep thinking of her grandparents' house in India. My mother and aunt grew up in the city, but their grandparents grew coffee on a plantation a few hours away. Have you ever heard of Coorg? It's this region in the south of India where people grow tea and coffee, and they have the most beautiful forests, and we used to go there every year when I was little. My mother would take me out to show me the coffee blossoms and the tigers in the forests. It was always so green there, and the air always felt like rain. And now it's raining here and it's all just wet and cold and I'm scared that-" She broke off. "I don't know. Sorry. I'm probably not making much sense." Lila was quiet for a moment, and then she said, "What are you scared of?" Anna shook her head. She couldn't shape the words, and she wasn't sure she could say them to someone she had only just met anyway. To distract herself, she took a bite of one of the pan dulce Lila had given her. It almost melted in her mouth, moist and sweet and perfectly crumbly. "This is amazing," she said. Lila beamed. "I'm glad you like it." Another bite, another taste. Lila continued to swing gently, back and forth, in an oddly soothing rhythm. The taste of the pan dulce on Anna's tongue felt soft, comforting, like a friend holding her hand.

she throws herself into her safest refuge: herself; this moist trace on her cheeks, this burning in her eyes, are the tangible presence of her suffering soul; gentle on one's skin, barely salty on one's tongue, tears are also a tender and bitter caress; the face burns under a stream of mild water; tears are both complaint and consolation, fever and soothing coolness. They are also a supreme alibi; sudden as a storm, coming out in fits, a cyclone, shower, deluge, they metamorphose the woman into a complaining fountain, a stormy sky; her eyes can no longer see, mist blurs them: they are no longer even a gaze, they melt in rain; blinded, the woman returns to the passivity of natural things. She must be vanquished: she is lost in her defeat; she sinks, she drowns, she escapes man who contemplates her, powerless as if before a cataract. He judges this way of behaving as unfair: but she thinks that the battle has been unfair from the beginning because no effective weapon has been put into her hands.

When You're Not Here and When You Are" Waking early, alone, I crave the ripening hay in your field, the smell of weeds tangled in brine, and along the inland road, honeysuckle, sharp as juice sucked from raw crabs by the cove. Oh, the fine wet inside of your flowers in your field after rain. The acrostic of sifting earth with moist fingers, separating essence from essence, a pebble rolling in soil. I could lie around all day wanting the brush of your lips. Between your lips, the dark field meets a night sky. I am inside each ragged breath and the pause between. Your legs— a bridge to the twilight where, overhead, stars pulse. On such cold nights you take me as if I were spice in your coffee, stir me, your beautiful strong arms, your unbearable aching. I rely on the warmth of your voice to illuminate the dark. Like a forest that parts and cinches a road. A clasp undone. The cat purrs. A rustling as the leaves stir. In the yielding light, a pale sky warms. There. The grassy rise is splashed with rain.

And there was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one's clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone's kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease/ A bloody roast death-red on a platter; a hedgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one's own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one's beloved's name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.

Do you know what makes me the happiest? When I see somebody's dream getting the light of morn. When I see the happy giggle of a child with the most enchanting twinkle in that eye. When I see the breaking dawn to watch the rising sun. When I see a smile walking along the horizon painting the crimson rays of a setting sun. When I see a sobbing heart finally taking a flight to a deep unknown within the canvas of its soul. When I see the rain touch the earth and caress its voice in a mirthful melody of stories unfinished. When I see a rainbow dancing along a silver lining of a roaring storm. When I see the radiance on a freckled face of an old woman holding the hand of her forever old man. When I see the moist mist of that coffee slowly becoming the poison of my muse. When I see my wandering heart falling in love with beautiful lands and strangers of soulful cord. When I see how Life is beautiful in all its breathtaking shortness marked in moments of happy surprise lulling across the door of my distant dream clutched in a canopy of dreams lived. And now when I see that beguiling smile of Life, I know how happiest that stardust shines which twinkles in my eye and the soul of my distant dream.

New trout, having never seen rain on the river, rise eagerly to ripples on the Mink. Some windows close against the moist and some open for the music. Rain slips and slides along hawsers and chains and ropes and cables and gladdens the cells of mosses and weighs down the wings of moths. It maketh the willow shiver its fingers and thrums on doors of dens in the fens. It falls on hats and cats and trucks and ducks and cars and bars and clover and plover. It grayeth the sand on the beach and fills thousands of flowers to the brim. It thrills worms and depresses damselflies. Slides down every window rilling and murmuring. Wakes the ancient mud and mutter of the swamp, which has been cracked and hard for months. Falls gently on leeks and creeks and bills and rills and the last shriveled blackberries like tiny dried purple brains on the bristles of bushes. On the young bear trundling through a copse of oaks in the woods snorffling up acorns. On ferns and fawns, cubs and kits, sheds and redds. On salmon as long as your arm thrashing and roiling in the river. On roof and hoof, doe and hoe, fox and fence, duck and muck. On a slight man in a yellow slicker crouched by the river with his recording equipment all covered against the rain with plastic wrap from the grocery store and after he figures out how to get the plastic from making crinkling sounds when he turns the machine on he settles himself in a little bed of ferns and says to the crow huddled patiently in rain, okay, now, here we go, Oral History Project, what the rain says to the river as the wet season opens, project number …something or other … where’s the fecking start button? …I can’t see anything … can you see a green light? yes? is it on? damn my eyes … okay! there it is! it’s working! rain and the river! here we go!

From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.

THE POUNDING RAIN HAD STOPPED as suddenly as it had begun. Sheets of silver green neon clung hungrily to the moist black asphalt like some reptilian skin.

In the evening or after the rain, the whole earth, its womb moist with a seed redolent of bitter almond, rests after having given herself to the sun all summer long.

Medieval writers blamed the pestilence variously on God’s wrath, the prevalence of vice, the coming of the Antichrist, the impending resurrection of Frederick II Hohenstaufen, the excessive tightness of women’s clothes, misalignment of the planets, sodomy, evil vapours, rain, Jewish conspiracy, the tendency of hot and moist people to overindulge in sex and baths, and under-ripe vegetables, which doctors of medicine were sure caused ‘windy ulcers’.

The rain is here because of the mountain. Warm, moist air from the Pacific Ocean flows over Western Washington and bumps into the Cascade Range. The air cools and condenses into clouds; it rains. From on high it looks as if a barn of cotton blew in and snagged on the jagged ridges of the Cascades.

Now it takes a certain twist of mind to be able to write anything. And another twist to be able to write every day in a house that’s falling down around you with a mother who’s working her way through the wine cellar and a moist Bank Manager who’s expecting At the very least, Mrs Kittering-Swain, a gesture. My father had both twists. As Matty Nolan said about Father Foley, Poor Man, when he came back with the brown feet after thirty years in Africa, he was Far Gone. Virgil had that power of concentration that he passed on to me. He filled one Salmon Journal and started on the next. He went a bit Marcus Aurelius who (Book 746, Meditations, Penguin Classics, London) said men were born with various mania. Young Marcus’s was, he said, to make a plaything of imaginary events. Virgil Swain meet Marcus. Imaginary events, imaginary people, imaginary places, whatever you’re having yourself. Gold-medal Mania. I suppose it was just pole-vaulting really, only with a smaller pole. Point is, he was very Far Gone.

Think of something to say. Keep him here. Something funny and interesting and cool. "I put my wellies on because I was sure it was going to rain and now my feet are getting horribly moist," Ellie said, and it was the single worst thing she'd ever said to anyone.

Consider this analogy. When it rains heavily, the water does not necessarily penetrate the earth. If the surface is dry and hard, the rain water floods the surface and runs off. But if it rains gradually for many days continuously, and the ground is moist, then the water seeps deep into the earth, which is good for cultivation and for life. Similarly in ourselves, we must moisten our muscles and nerves through the expansion and extension of the various asana. In this way, the stress that saturates the brain is diffused throughout the rest of the body, so the brain is rested and released from strain and the body releases its stress and strain through movement. Similarly, while doing the various types of pranayama the whole body is irrigated with energy. The nerves are soothed, the brain is calmed, the hardness and rigidity of the lungs are loosened. The nerves are made to remain healthy. There is a certain vibration, which you can make rhythmic and subtler in your asana and pranayama practice without force or stress. You are one with yourself and that is in and of itself a meditative state.

We had the same oily skin, dripping and dark. We were warned never to let our hands land on our cheeks or our foreheads, told that our blotting fingerpads would make things only worse. By the end of the day, our faces would appear to be entirely behind water. It was just the rain combing back out of us, we were told. By morning, the pillowcases would be moist with our heatdrops.

you married a woman and did moist, clumsy things with her in bed.

Do not roam among the haggard and the meek. Do not fight for scraps of food that are moist with stagnant rains. Do not enter the crucible of egoistic men who compete over dime and dollar. Rise, my student. And insist First upon the glory of Freedom. So that no arena can contain you. And no man can equal you. For your journey is unlike any other man in the field.

In a band all along the top of the frontage, staining the stone in greens and browns, some words had been set in letters of bronze. "NEITHER RAIN NOR SNOW NOR GLO M OF NI T CAN STAY THESE MES ENGERS ABO T THEIR DUTY," Moist read aloud. "What the hell does that mean?" "The Post Office Was Once A Proud Institution," said Mr. Pump. "And that stuff?" Moist pointed. On a board much further down the building, in peeling paint, were the less heroic words: DONT ARSK US ABOUT: rocks, trolls with sticks, all sorts of dragons, Mrs. Cake, huje green things with teeth, any kinds of black dogs with orange eyebrows, rains of spaniels, fog, Mrs. Cake "I Said It Was A Proud Institution," the golem rumbled.

The October wind, which had promised rain all day, hesitated in its reckless flight down the moist pavements to hurl a handful of fine drops at the windows of the drawing room in the big Hampstead house. The sound was sharp and spiteful, so that the silence between the two women within became momentarily shocked, as if it had received some gratuitous, if trivial, insult.

MODERN SCIENCE CAN SOLVE ANY TECHNICAL PROBLEM IT RECOGNISES therefore 257 THE GREAT FUTURE OF MANKIND WE CAN DOME THE CRATERS OF THE MOON AND GROW FORESTS IN THEM and then STRIP FROM VENUS HALF THE CLOUDS WHICH MAKE HER SURFACE A FACSIMILE OF ANCIENT HELL AND GIVE HER MOIST AIR RAINING AN OCEAN WHICH, STOCKED WITH PLANKTON AND WHALES, WILL COMPOSE A WARM PACIFIC PLANET WITH VOLCANIC ISLANDS WHERE SLOWLY NEW LIFE WILL TAKE ROOT and then HOLLOW THE LARGEST ASTEROIDS, LIGHT ARTIFICIAL SUNS IN THEM, ACCELERATE THEIR AXIAL ROTATION TO PRODUCE CENTRIFUGAL INTERIOR GRAVITY, BUILD HORIZONLESS GARDEN CITIES ROUND THE WALLS AND LET ADVENTUROUS GENERATIONS SAIL TO THE STARS IN THEM because WITHOUT FIGHTING OTHERWORLDLY HUNS, PLUNDERING OTHERWORLDLY AZTECS, KOWTOWING TO OTHERWORLDLY SUPERMEN, WE CAN CREATE ALL THE GOOD WORLDS WE EVER IMAGINED and thus LOVE, SEX, BIRTH, CHILDREN NEED NO LONGER LEAD TO POVERTY, FAMINE, WAR, DEBT, SLAVERY, REVOLUTION, THEY WILL BECOME OUR GREATEST GIFT TO THE UNIVERSE WHICH ENGENDERED US! However THE COST OF FERTILISING THE WASTE OF THE UNIVERSE, STARTING WITH THE MOON, IS SO GREAT THAT ONLY A RICH PLANET CAN AFFORD IT so we must EMPLOY EVERY LIVING SOUL TO FERTILISE OUR OWN DESERTS, RESTOCK OUR OWN SEAS, USE UP OUR OWN WASTE, IMPROVE ALL GROUND, NOURISH EDUCATE DELIGHT ALL CHILDREN UNTIL ALL ARE STRONG, UNAFRAID, CREATIVE, PRACTICAL ADULTS WHO LOVE AND UNDER-STAND THE WORLD THEY LIVE IN AND THE MANY WORLDS THEY COULD LIVE IN 258 GLORY RAGE RADIANCE for it is technically possible to CREATE A WORLD WHERE EVERYONE IS A PARTNER IN THE HUMAN ENTERPRISE AND NOBODY A MERE TOOL OF IT yes God we can BECOME GARDENERS AND LOVERS OF THE UNIVERSE BY FIRST TREATING OTHERS AS WE WISH THEY WOULD TREAT US AND LOVING OUR NEIGHBOURS AS OURSELVES (What happened three nights later when you went home to Denny?) FUCK OFF YA FUCKIN BASTARDING BAMPOT YE! LEA ME ALANE YE BLEEDN CUNTYE! YE ROTTN PRICKYE! Yes I’ll tell you about that but not right now. Give me a bit more time. Please. God.

This Darren,” Chiara finally says as we approach Riomaggiore, still huddled under the bright umbrella. “Is he the same boy you told me about in Roma? The one you saw times two?” “Two times,” I correct, “and yes. Same guy.” She stops in her tracks. The rain’s still sheeting down, so I stop with her to keep as dry as possible. I slide my hand over my tote bag to check it. It’s just a little moist, not soaking wet. Yet. We really need to keep moving. “And he happened to be there when you were hurt?” Her wide eyes stare back into mine. “And he left. And he came back.” “Yes…” She places her free hand on my shoulder, our skin clammy from the humidity. “Can you not see?” I swallow hard. “You’re scaring me.” Her tone is serious. “Pippa. This is why you are here. Why you knew you must come here.” A shiver travels down my spine. Could that be? Did I feel the pull of Cinque Terre because I’d find Darren here again? “I know things,” Chiara continues, still looking me in the eye. “And I know that Darren is for you.” But there could be another reason I was led here. “Are you just saying that because you don’t want me with Bruno?” “Run from the truth all that you want. It always has a way of finding you.