Modest Clothing Quotes

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The Master said, “A true gentleman is one who has set his heart upon the Way. A fellow who is ashamed merely of shabby clothing or modest meals is not even worth conversing with.” (Analects 4.9)
Confucius
When a woman veils her body in modest clothing, she is not hiding herself from men. On the contrary, she is revealing her dignity to them.
Jason Evert
Darling, a true lady takes off her dignity with her clothes and does her whorish best. At other times you can be as modest and dignified as your persona requires.
Robert A. Heinlein (The Notebooks of Lazarus Long)
It seems to be the fashion nowadays for a girl to behave as much like a man as possible. Well, I won't! I'll make the best of being a girl and be as nice a specimen as I can: sweet and modest, a dear, dainty thing with clothes smelling all sweet and violety, a soft voice, and pretty, womanly ways. Since I'm a girl, I prefer to be a real one!
Mrs. George de Horne Vaizey
Jared had his back to the wall, which Kami thought was a reflex when he was uncomfortable. She wanted to shield him. “He was doing some—Zen jogging,” she claimed. Jared flicked her an incredulous glance. “Yes,” he said slowly. “Zen jogging. I wasn’t wearing that many clothes because—that’s part of the process. You’re meant to commune with the elements. Normally, I wouldn’t have worn my jeans, but I put them on because I know the English are a modest people.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
What do you mean, the police were suspicious because you weren’t wearing enough clothes?” Ash demanded, staring coldly at Jared. “Where were your clothes?" "He was doing some—Zen jogging,” she claimed. Jared flicked her an incredulous glance. “Yes,” he said slowly. “Zen jogging. I wasn’t wearing that many clothes because—that’s part of the process. You’re meant to commune with the elements. Normally, I wouldn’t have worn my jeans, but I put them on because I know the English are a modest people.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Lamen though of modest origins was a thoughtful young man who spoke Veretian very well, even if his knowledge of cloth was lacking. ‘I
C.S. Pacat (The Adventures of Charls, the Veretian Cloth Merchant (Captive Prince Short Stories, #3))
Beside the plain blue homespun and white linen which modestly clothed Aunt Rachel and Judith, Kit’s flowered silk gave her the look of some vivid tropical bird lighted by mistake on a strange shore.
Elizabeth George Speare (The Witch of Blackbird Pond)
Zen jogging. I wasn't wearing that many clothes because --that's part of the process. You're meant to commune with the elements. Normally I wouldn't have worn my jeans, but I put them on because I know the English are a modest people.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
All the way, Zoe kept her chin up and pretended she wasn’t mortified, but his sour expression stayed with her. She wasn’t good at making American friends. She changed her language, conduct, and clothing, but it didn’t seem to matter. Whether she wore modest Middle-Eastern clothing or cute Western fashions, everyone knew she didn’t belong.
Michael Ben Zehabe
Oh, Anyone can make a quilt,' she said modestly. 'It's just scraps, from the clothes you've sewn.' 'Yes, but the talent is in joining the pieces, the way you have.' 'Look,' Om pointed, 'look at that - the poplin from our very first job.' 'You remember,' said Dina, pleased. 'And how fast you finished those first dresses. I thought I had two geniuses.' 'Hungry stomachs were driving our fingers,' chuckled Ishvar. 'Then came that yellow calico with orange strips. And what a hard time this young fellow gave me. Fighting and arguing about everything.' 'Me?Argue?Never.' ......... He steeped back, pleased with himself, as though he had elucidated an intricate theorem. 'So that's the rule to remember, the whole quilt is much more important than the square'.
Rohinton Mistry (A Fine Balance)
Civil order mattered. Zoe didn’t know why Farah continued to wear the headscarf, but most Middle-Eastern women wore modest clothing to anchor themselves to a moral order, in an upside-down world. Zoe wore the chador as a protective shell, to erase herself, to avoid thinking, to envelop herself in the complete custody of her adopted Muslim sisters. In their care she would come out healed, able to process the bigotry that caused the murder of her Jewish parents. Then, when she was whole again, she would reclaim her place in the world. Though others couldn’t see it, behind the nameless, shapeless, Middle-Eastern garb, she was healing. The chador cocooned and nurtured her. Dour exteriors meant blossoming interiors . . . to Zoe. Judaism centered her, but Islam shielded her. Both served their purpose . . . for now.
Michael Ben Zehabe
Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence. An artist, therefore, as you must candidly confess, cannot sculpture nudity with a pure heart, if only because he is compelled to steal guilty glimpses at hired models. The marble inevitably loses its chastity under such circumstances. An old Greek sculptor, no doubt, found his models in the open sunshine, and among pure and princely maidens, and thus the nude statues of antiquity are as modest as violets, and sufficiently draped in their own beauty. But as for Mr. Gibson's colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really do not understand what they have to say to this generation, and would be glad to see as many heaps of quicklime in their stead.
Nathaniel Hawthorne (The Marble Faun)
Our homes, clothing, and lifestyle should be modest within our circle and neighborhood so we can be as generous as possible. The Christian community should model to the world a society in which wealth and possessions are seen as tools for serving others and not as means of personal advancement and fulfillment.
Timothy J. Keller (God's Wisdom for Navigating Life: A Year of Daily Devotions in the Book of Proverbs)
Aristotle tells us that the high-pitched voice of the female is one evidence of her evil disposition, for creatures who are brave or just (like lions, bulls, roosters and the human male) have large deep voices…. High vocal pitch goes together with talkativeness to characterize a person who is deviant from or deficient in the masculine ideal of self-control. Women, catamites, eunuchs and androgynes fall into this category. Their sounds are bad to hear and make men uncomfortable…. Putting a door on the female mouth has been an important project of patriarchal culture from antiquity to the present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death…. Woman is that creature who puts the inside on the outside. By projections and leakages of all kinds—somatic, vocal, emotional, sexual—females expose or expend what should be kept in…. [As Plutarch comments,] “…she should as modestly guard against exposing her voice to outsiders as she would guard against stripping off her clothes. For in her voice as she is blabbering away can be read her emotions, her character and her physical condition.”… Every sound we make is a bit of autobiography. It has a totally private interior yet its trajectory is public. A piece of inside projected to the outside. The censorship of such projections is a task of patriarchal culture that (as we have seen) divides humanity into two species: those who can censor themselves and those who cannot…. It is an axiom of ancient Greek and Roman medical theory and anatomical discussion that a woman has two mouths. The orifice through which vocal activity takes place and the orifice through which sexual activity takes place are both denoted by the wordstoma in Greek (os in Latin) with the addition of adverbs ano and kato to differentiate upper mouth from lower mouth. Both the vocal and the genital mouth are connected to the body by the neck (auchen in Greek, cervix in Latin). Both mouths provide access to a hollow cavity which is guarded by lips that are best kept closed.
Anne Carson (Glass, Irony and God)
Why do foreigners always ask about clothing?” one woman doctor asked. “Why does it matter so much what we wear? Of all the issues in the world, is that really so important?” Another said: “You think we’re victims, because we cover our hair and wear modest clothing. But we think that it’s Western women who are repressed, because they have to show their bodies—even go through surgery to change their bodies—to please men.
Nicholas D. Kristof (Half the Sky: Turning Oppression into Opportunity for Women Worldwide)
Astra is a beauty. (...) Astra is so beautiful that I have no wish to describe her beauty. I will say only that her beauty is the expression of her soul. Her beauty lives in her quiet walk, in her shy movements, in her always-lowered eyelids, in her barely perceptible smile, in the soft outline of her girlish shoulders, in the chastity of her poor, almost beggarly clothing, in her thoughtful grey eyes. She is a white water lily in a pond shadowed by the branches of trees, born amid still, contemplative water. (...) The world of modest female beauty finds its expression in Astra. As for what may lie hidden in the depths of these waters, no-one can say unless he breaks the water's smooth surface, walks barefoot through the cutting sedge and treads the silty, sucking mud — now cold, now strangely warm. But I only stand on the shore, admiring the lily from a distance
Vasily Grossman (An Armenian Sketchbook)
The airport in Sofia was a tiny place; I'd expected a palace of modern communism, but we descended to a modest area of tarmac and strolled across it with the other travelers. Nearly all of them were Bulgarian, I decided, trying to catch something of their conversations. They were handsome people, some of them strikingly so, and their faces varied from the dark-eyed pale Slav to a Middle-Eastern bronze, a kaleidoscope of rich hues and shaggy black eyebrows, noses long and flaring, or aquiline, or deeply hooked, young women with curly black hair and noble foreheads, and energetic old men with few teeth. They smiled or laughed and talked eagerly with one another; one tall man gesticulated to his companion with a folded newspaper. Their clothes were distinctly not Western, although I would have been hard put to say what it was about the cuts of suits and skirts, the heavy shoes and dark hats, that was unfamiliar to me.
Elizabeth Kostova (The Historian)
I pass to the Stationery Department. I buy several fountain and stylographic pens - it being my experience that, though a fountain pen in England behaves in an exemplary manner, the moment it is let loose in desert surroundings, it perceives that it is at liberty to go on strike and behaves accordingly, either spouting ink indiscriminately over me, my clothes, my notebook and anything else handy, or else coyly refusing to do anything but scratch invisibly across the surface of the paper. I also buy a modest two pencils. Pencils are, fortunately, not temperamental, and though given to a knack of quiet disappearance, I have always a resource at hand. After all, what is the use of an architect if not to borrow pencils from.
Agatha Christie (Come, Tell Me How You Live)
How do you judge the professionals you patronize? Too many people judge them by display factors. Extra points are given to those who wear expensive clothes, drive luxury automobiles, and live in exclusive neighborhoods. They assume a professional is likely to be mediocre, even incompetent, if he lives in a modest home and drives a three-year-old Ford Crown Victoria. Very, very few people judge the quality of the professionals they use by net worth criteria. Many professionals have told us they must look successful to convince their customers/clients that they are.
Thomas J. Stanley (The Millionaire Next Door: The Surprising Secrets of America's Wealthy)
What is the actual link between material consumption and objective and subjective quality of life once the basic needs for food, clothes, shelter, and mobility are well satisfied? Going from material misery to modest material comfort will make many things in life better but, obviously, the link is not an endless escalator. But if so, where is the saturation point? Can such a level actually be quantified in a meaningful way? These questions must be asked even if there are no easy answers, mainly because of the situation that is the very opposite of the material poverty outlined at the beginning of this section: too many people live in the condition of material excess and this does not endow them with a higher physical quality of life than that enjoyed by moderate consumers and it does not make them exceptionally happy. At the most fundamental level, the question is about the very nature of modern economies. All but a tiny minority of economists (those of ecological persuasion) see the constant expansion of output as the fundamental goal. And not just any expansion: economies should preferably grow at annual rates in excess of 2%, better yet 3%. This is the only model, the only paradigm, and the only precept, as the economists in command of modern societies cannot envisage a system that would deliberately grow at a minimum rate, even less so one that would experience zero growth, and the idea of a carefully managed decline appears to them to be outright unimaginable. The pursuit of endless growth is, obviously, an unsustainable strategy (Binswanger, 2009), and the post-2008 experience has shown how dysfunctional modern economies become as soon as the growth becomes negligible, ceases temporarily or when there is even a slight decline: rising unemployment, falling labor participation, growing income inequality, and soaring budget deficits.
Vaclav Smil (Making the Modern World: Materials and Dematerialization)
condemn. His analysis of equality as a moral principle, his “fairness objection,” does not get beyond the schoolyard taunt that such-and-such is “not fair.” Yet if charging tolls on congested highways is “unfair to commuters of modest means” (in Sandel’s repeated formulation of the first principle), what is to stop society from concluding that charging for bread and housing and clothing and cable TV and Fritos is “unfair”?7 Nothing. The society ends in full-blown statism, a modern leviathan. The unanalyzed dictum that it’s “unfair” that Carden does not have his own 5,000-square-foot supersuite at the Bellagio in Las Vegas (he really does find it troubling) would slip down to allocation by state direction by the Communist or Nazi Party for everything. Byelorussia.
Deirdre Nansen McCloskey (Leave Me Alone and I'll Make You Rich: How the Bourgeois Deal Enriched the World)
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
D. Todd Christofferson
Elsewhere that same day, sleet covered the dead grass outside a modest lavender home in the northern village of Oščadnica like bits of confetti. The piercing wind picked up, keeping afloat a host of identical LSNS flags, green cloth dancing under the murky winter sky. Within the thirty-person crowd, greetings all around. ‘At guard,’ they said to one another, saluting coyly, using a fascist phrase that was popular under Tiso’s rule. The green-clad audience former rows and stood with folded hands over their laps, as local LSNS František Drozd placed a multicolored wreath of flowers at the foot of the home where Tiso once lived. Drozd broke the momentary silence and welcomed the crowd. As the Sunday morning mass concluded across the street, churchgoers poured out of the church. A handful of them—dressed smartly in church digs—joined the procession. A gaggle of police officers stood next to their cars in the adjacent parking lot, rubbing their gloved hands together to stay warm, boredom sketched across their faces.
Patrick Strickland (Alerta! Alerta!: Snapshots of Europe's Anti-fascist Struggle)
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
He was the son of a very wealthy industrialist who was to play a rather important part in the organizing of the next International Exhibition. I was struck by how knowledgeable this young man and the other few male friends of the girls were in things like clothes, ways of wearing them, cigars, English drinks, horses—a form of erudition that in him was highly developed, which he wore with a proud infallibility, reminiscent of the scholar’s modest reticence—an expertise that was quite selfsufficient, without the slightest need for any accompanying intellectual cultivation. He could not be faulted on the appropriate occasions for wearing dinner jacket or pajamas, but he had no idea of how to use certain words, or even of the most elementary rules of good grammar. That disparity between two cultures must have been shared by his father, who, in his capacity as president of the Association of Property Owners of Balbec, had written an open letter to his constituents, now to be seen as a placard on all the walls, in which he said, “I was desirous of talking to the Mayor about this matter, however, he was of a mind to not hear me out on my just demands.” At the Casino, Octave won prizes in all the dancing competitions—the Boston dip, the tango, and so on—a qualification, if he should ever need one, for a good marriage, among seaside society, a milieu in which a young girl quite literally ends up married to her “partner.” He lit a cigar and said to Albertine, “If you don’t mind,” as one excuses oneself for going on with an urgent piece of work in the presence of someone. For he always “had to be doing something,” though in fact he never did anything. Just as a total lack of activity can eventually have the same effects as overwork, whether in the emotional domain or in the domain of the body and its muscles, the constant intellectual vacuum that resided behind the pensive forehead of Octave had had the result, despite his undisturbed air, of giving him ineffectual urges to think, which kept him awake at night, as though he were a metaphysician with too much on his mind.
Marcel Proust (In the Shadow of Young Girls in Flower)
What types of looks are you drawn to in others? What is your current go-to outfit, and what do you love about it? Do you consider yourself more modest, or do you like to push boundaries? What three adjectives would you use to describe the spirit that you want your clothes to help you embody? (fiery, serious, warm, and so on) What accessories do you gravitate toward? What colors inspire you? Are there particular brands that you love? What celebrity or influencer style speaks to you most? Which parts of your body do you want to accentuate?
Latham Thomas (Own Your Glow: A Soulful Guide to Luminous Living and Crowning the Queen Within)
The people are more modest than Americans and Europeans. So much so that, as soon as I reached Kathmandu, I bought local clothes. Loose shirts and vests and baggy pants that gathered at the ankles and probably made me look like a giant genie.
JoAnn Ross (Home to Honeymoon Harbor (Honeymoon Harbor #0.5))
The imposter's long, sturdy traveling cloak covered plain, dark, modest traveling clothes. Like the duchess, she was tall and well-rounded, and she spoke with the duchess's aristocratic accent. Also like the duchess, she wore her black hair smoothed back from her face. Yet for the discerning eye, the differences were obvious. The imposter had a sweeter, rounder face, dominated by large blue eyes striking in their serenity. Her voice was husky, warm, rich. Her hands rested calmly at her waist, and she moved with serene grace, not at all with the brisk certainty of the duchess. She was slow to smile, slow to frown, and never laughed with glorious freedom. Indeed, she seemed to weigh each emotion before allowing it egress, as if sometime in the past every drop of impulsiveness had been choked from her. It wasn't that she was morose, but she was observant, composed, and far too quiet.
Christina Dodd (One Kiss From You (Switching Places, #2))
For a time he devoted himself to the study of the Scriptures and then (1180) gave himself to travelling and preaching, taking as a guide the Lord’s words: “He sent His disciples two and two before His face into every city and place whither He Himself would come. Therefore said He unto them, The harvest truly is great but the labourers are few: pray ye therefore the Lord of the harvest, that He would send forth labourers into His harvest. Go your ways: behold I send you forth as lambs among wolves. Carry neither purse nor scrip nor shoes: and salute no man by the way.” Companions joined him, and, travelling and preaching in this way, came to be known as the “Poor Men of Lyons”. Their appeal for recognition (1179) to the third Lateran Council, under Pope Alexander III, had already been scornfully refused. They were driven out of Lyons by Imperial edict and (1184) excommunicated. Scattered over the surrounding countries, their preaching proved very effectual, and “Poor Men of Lyons” became one of the many names attached to those who followed Christ and His teaching. An inquisitor, David of Augsburg, says: “The sect of the Poor Men of Lyons and similar ones are the more dangerous the more they adorn themselves with the appearance of piety… their manner of life is, to outward appearance, humble and modest, but pride is in their hearts”; they say they have pious men among them, but do not see, he continues, “that we have infinitely more and better than they, and such as do not clothe themselves in mere appearance, whereas among the heretics all is wickedness covered by hypocrisy.
E.H. Broadbent (The Pilgrim Church: Being Some Account of the Continuance Through Succeeding Centuries of Churches Practising the Principles Taught and Exemplified in The New Testament)
All Hale Kate: Her story is as close to a real-life fairy tale as it gets. Born Catherine Elizabeth Middleton, the quiet, sporty girl next door from the small town of Bucklebury - not quite Cinderella, but certainly a "commoner" by blue bloods' standards - managed to enchant the most eligible bachelor in the world, Prince William, while they were university students 15 years ago. It wasn't long before everyone else fell in love with her, too. We ached for her as she waited patiently for a proposal through 10 years of friendship and romance (and one devastating breakup!), cheered along with about 300 million other TV viewers when she finally became a princess bride in 2011, and watched in awe as she proceeded to graciously but firmly drag the stuffy royal family into the 21st century. And though she never met her mother-in-law, the late, beloved, Princess Diana, Kate is now filling the huge void left not just in her husband's life but in the world's heart when the People's Princess died. The Duchess of Cambridge shares Di's knack for charming world leaders and the general public alike, and the same fierce devotion to her family above all else. She's a busy, modern mom who wears affordable clothes, does her own shopping and cooking, struggles with feelings of insecurity and totes her kids along to work (even if the job happens to involve globe-trotting official state visits) - all while wearing her signature L.K. Bennett 4 inch heels. And one day in the not-too-distance future, this woman who grew up in a modest brick home in the countryside - and seems so very much like on of us- will take on another impossibly huge role: queen of England.
Kate Middleton Collector's Edition Magazine
We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.
Terri Irwin (Steve & Me)
Let us get used to dining out without the crowds, to being a slave to fewer slaves, to getting clothes only for their real purpose, and to living in more modest quarters.” —SENECA
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
tape already marked the area around the body. A first responding officer jumped to his feet, holding the scene log on a clipboard. “Good morning, sir.” The young man spoke in the nasal voice of someone whose nose is blocked. Lei spotted white cotton sprouting from his nostrils. “Hey. Nice up here if it weren’t for the smell.” She took the clipboard, and each of them signed in. Passing the tape, Lei spotted the hand first, extended toward them from beneath the ferns, palm up. The tissue was swollen and discolored, masked in a filmy gray gauze of mold that seemed to be drawing the body down into the forest floor. Lei could imagine that in just a few weeks, the body would have been all but gone in the biology of the cloud forest. The victim lay on his stomach, his head turned away and facing into a fern clump, black hair already looking like just another lichen growing on the forest floor. The body was at the expansion phase, distending camouflage-patterned clothing as if inflated. A black fiberglass arrow fletched in plastic protruded from the man’s back. Lei and Pono stayed well back from the body. Lei unpacked the police department’s camera from her backpack, and Pono took out his crime kit. The modest quarter-karat engagement
Toby Neal (Shattered Palms (Lei Crime, #6))
Tugging at his collar to loosen it, he pushed at the half-open door and entered the room. Miss Hathaway stood near the doorway, waiting with tightly leashed impatience, while Merripen remained a dark presence in the corner. As Cam approached and looked into her upturned face, the panic dissolved in a curious rush of heat. Her blue eyes were smudged with faint lavender shadows, and her soft-looking lips were pressed into a tight seam. Her hair had been pulled back and pinned, dark and shining against her head. That scraped-back hair, the modest restrictive clothing, advertised her as a woman of inhibitions. A proper spinster. But nothing could have concealed her radiant will. She was … delicious. He wanted to unwrap her like a long-awaited gift. He wanted her vulnerable and naked beneath him, that soft mouth swollen from hard, deep kisses, her pale body flushed with desire.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
February 4–15: The couple visits holy places, Osaka, Mount Fuji, Yokohama, and the Izu Peninsula. Marilyn looks especially comfortable among a group of women dressed in traditional Japanese clothing. In some shots she wears a hat and a modestly cut suit. Marilyn accepts the Japanese emperor’s gift of a natural pearl necklace. In Korea to entertain the troops General John E. Hull invites Marilyn to entertain American troops in Korea. A disturbed DiMaggio opposes the invitation, but Marilyn accepts it. Marilyn writes photographer Bruno Bernard from Japan: “I’m so happy and in love. . . . I’ve decided for sure that it’ll be better if I only make one or two more films after I shoot There’s No Business Like Show Business and then retire to the simple good life of a housewife and, hopefully, mother. Joe wants a big family. He was real surprised when we were met at the airport by such gigantic crowds and press. He said he never saw so much excitement, not even when the Yankees won the World Series.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
You really told them you wanted to marry me?” I asked. The smile had taken over his whole face now. “I told you before: I fell under your spell before you even knew you had magic, before you saved a kingdom, back when there was no chance you would be allowed to marry me. Nothing’s really changed since then, except that now any children we have might be wizards themselves, and I’ll be hopelessly outnumbered. “So, yes, I want to marry you. Someday. If you’ll have me,” he said modestly. “Of course I will, you idiot,” I said with a shriek, and threw myself into his arms. Some things, though, never change, regardless of how many countries you save. I tripped at the last moment, and we both went down in a laughing heap. It didn’t stop me from kissing him for so long that we both were gasping by the time it ended. “So what should I call you now?” he said when we had our breath back. “Savior of Thorvaldor? Soon-to-Be-Master Wizard? Chief Councillor of Wise Words? My own love?” “Sinda,” I said, without the slightest twinge of old memories, or something lost, or regret. “Just Sinda. Though I like that last one almost as much.” Kiernan reached out and tucked a strand of escaping hair behind my ear. “I think I like Sinda best myself,” he said. We hauled ourselves up and, still laughing, brushed grass and sticks from our clothes. Then, arms around each other, we began the walk back to Philantha’s house to tell her that her scribe had just gotten a new job and become engaged in the same afternoon. I looked back up the hill once, toward the palace, and then turned away. I would go there tomorrow, but right now, it didn’t matter. Today I only had to walk with Kiernan, to visit Philantha, to finally be just myself. For once, for the first time, it was enough.
Eilis O'Neal (The False Princess)
9 And I want women to be modest in their appearance.[*] They should wear decent and appropriate clothing and not draw attention to themselves by the way they fix their hair or by wearing gold or pearls or expensive clothes. 10 For women who claim to be devoted to God should make themselves attractive by the good things they do.
Anonymous (Holy Bible Text Edition NLT: New Living Translation)
Why does it matter so much what we wear? Of all the issues in the world, is that really so important?” Another said: “You think we’re victims, because we cover our hair and wear modest clothing. But we think that it’s Western women who are repressed, because they have to show their bodies—even go through surgery to change their bodies—to please men.
Anonymous
the Sea Venture was the largest vessel in the fleet, she was small compared with all but the most modest, modern oceangoing vessels. Described as a galleon, she was in reality a merchant ship, properly called a carrack. The ship’s provenance is uncertain. It is believed that she was about six years old and that she was owned by a group of businessmen known as the Company of Merchant Adventurers, for whom she made trading voyages between London and Holland, carrying mostly wool and cloth. In 1609 she was purchased or chartered by the Virginia Company as the flagship of the Virginia-bound fleet. Like other ships of her type, she had a high sterncastle and forecastle and a wide, well-rounded hull that allowed her to carry large amounts of cargo. Because of her short, chubby hull shape and high profile, the Sea Venture, like other vessels of this kind, had a tendency to wallow and roll alarmingly in high seas and was not well able to sail into the wind.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
As so often in the New Testament, the call to prayer is also the call to think: to think clearly about God and the world, and God’s project for the whole human race. Don’t rest content with the simplistic agendas of the world that suggest you should either idolize your present political system or be working to overthrow it. Try praying for your rulers instead, and watch not only what God will do in your society but also how your own attitudes will grow, change and mature. 1 TIMOTHY 2.8–15 Women Must Be Allowed to Be Learners 8So this is what I want: the men should pray in every place, lifting up holy hands, with no anger or disputing. 9In the same way the women, too, should clothe themselves in an appropriate manner, modestly and sensibly. They should not go in for
N.T. Wright (Paul for Everyone: The Pastoral Letters: 1 and 2 Timothy, and Titus (The New Testament for Everyone))
e live in a day and age where manners have been all but forgotten. We can remedy that with our children and grandchildren. When teaching the "M" word, show your children manners can be fun. One way is to have interesting pretend conversations that teach saying "hello," "goodbye," "I'm happy to meet you," and "thank you very much." Make a game of teaching kids how to set a table. Knife here. Fork there. Napkin fluffed in a napkin ring-and a pretty bowl of flowers or other decoration in the middle. Make a date with your grandchildren and take them out to lunch so they can practice their skills. Yes, manners can be used even if they're just ordering grilled cheese sandwiches! Manners will help children have kinder hearts, think of others, and stand them in good stead when they grow up and join the workforce. Love has manners, and emphasize how much they're showing they care when they use their good manners. hat's the greatest gift we can give to our often impersonal and violent society? Our feminine selves! Does that surprise you? Let me share a few simple truths about being a woman of God. Women have always had the ability to transform their surroundings, to make them more comfortable and inviting so friends can find comfort and joy. Let's rejoice in this gift and make the most of it. The beautiful woman is disciplined, modest, discreet, gracious, self-controlled, and organized. Scripture says that as women our worth is far above jewels. Strength and dignity are our clothing. When we open our mouths, wisdom and the teaching of kindness are on our tongues. We are women who fear the Lord. Let's live up to that description and celebrate who we are in Christ.
Emilie Barnes (365 Things Every Woman Should Know)
THINGS I DON'T LIKE TO SEE. I'm a modest young man, I'd have you all know, And I can't bear to hear or to see anything low; From a child all my friends could not fail to detect, That my notions were moral and strictly correct. Now some of you, doubtless, may think me an ass, And declare my confession is naught for a farce; Still, to what I have said I'll religiously stick, And, to use a low phrase, stand my ground like a brick. Stop, a few minutes you are able to spare, A bit of my mind I intend to lay bare; Tho' with my way of thinking you'll p'raps not agree, I'll tell you a few things I don't like to see. I don't like to see vulgar girls in the town Pull their clothes up, and stand to be goosed for a crown; Nor a man with light trousers, of decency shorn, Stop and talk to young ladies while having the horn. I don't like to see women wear dirty smocks, Nor a boy of fifteen laid' up with the pox; And I don't like to see, it's a fact by my life— A married man grinding another man's wife. Nor I don't like to see - you'll not doubt it, I beg, A large linseed poultice slip down a man's leg; Nor a gray-headed sinner that's fond of a find. When a girl under twelve he is able to grind. In church, too, believe me, I don't like to see A chap grope a girl while she sits on his knee; Nor a lady whose visage is allover scabs, Nor a young married lady troubled with crabs. Nor I don't like to see, through it's really a lark, A clergyman poking a girl in the park; Nor a young lady, wishing to be thought discreet, Looking in print-shops in Holywell Street. I don't like to see, coming out of Cremorne, A girl with her muslin much crumpled and torn;
Anonymous (The Pearl)
The faith that I had once possessed demanded disintegration. Of course I could use my brain-as long as it led me to the correct, predetermined conclusions about science, biblical interpretation, and public policy. Of course, I could use my heart- as long as it didn't empathize with the wrong people or end up on the wrong side of complex moral dilemmas. Of course I could use my conscience- until it grew troubled by certain teachings and actions of the church. Of course I could use my body- as long as it remained heterosexual, cisgender, attractive but not too attractive, feminine but not too feminine, modest, appropriately clothed, restrained, demure, uncomplicated, and especially sexually dormant until my wedding night, at which point it would magically transform into a sex carnival for my husband.
Rachel Held Evans (Wholehearted Faith)
AKKA MAHADEVI Around nine hundred years ago in southern India, there lived a female mystic called Akka Mahadevi. Akka was a devotee of Shiva. Ever since her childhood, she had regarded Shiva as her beloved, her husband. It was not just a belief; for her it was a living reality. The king saw this beautiful young woman one day, and decided he wanted her as his wife. She refused. But the king was adamant and threatened her parents, so she yielded. She married the man, but she kept him at a physical distance. He tried to woo her, but her constant refrain was, “Shiva is my husband.” Time passed and the king’s patience wore thin. Infuriated, he tried to lay his hands upon her. She refused. “I have another husband. His name is Shiva. He visits me, and I am with him. I cannot be with you.” Because she claimed to have another husband, she was brought to court for prosecution. Akka is said to have announced to all present, “Being a queen doesn’t mean a thing to me. I will leave.” When the king saw the ease with which she was walking away from everything, he made a last futile effort to salvage his dignity. He said, “Everything on your person—your jewels, your garments—belongs to me. Leave it all here and go.” So, in the full assembly, Akka just dropped her jewelry, all her clothes, and walked away naked. From that day on, she refused to wear clothes even though many tried to convince her otherwise. It was unbelievable for a woman to be walking naked on the streets of India at the time—and this was a beautiful young woman. She lived out her life as a wandering mendicant and composed some exquisite poetry that lives on to this very day. In a poem (translated by A. K. Ramanujan), she says: People, male and female, blush when a cloth covering their shame comes loose. When the lord of lives lives drowned without a face in the world, how can you be modest? When all the world is the eye of the lord, onlooking everywhere, what can you cover and conceal? Devotees of this kind may be in this world but not of it. The power and passion with which they lived their lives make them inspirations for generations of humanity. Akka continues to be a living presence in the Indian collective consciousness, and her lyrical poems remain among the most prized works of South Indian literature to this very day. Embracing
Sadhguru (Inner Engineering: A Yogi’s Guide to Joy)
That isn’t the problem,” Abraham replied. “There’s certain words in there that are against her beliefs.” He cited the word adore. There was also a problem with the phrase — roughly translated — “If he doesn’t come back, kill me, sky, eat me, dirt, take me, Jesus.” “She can’t do it. José, you gotta understand.” Hernández removed adore and replaced “take me, Jesus” with the line, “I want to die.” That led to hours of deep discussion with Abraham about God, Jesus, and religion. “Hey, compadre, bring me the Bible,” he shouted out. With the Good Book in hand, Abraham began to talk theology. “He was trying to convince me there was no Holy Spirit, that Jesus is just a teacher,” said Hernández, himself a born-again Christian. “He said, ‘Before you get out of here, I’m gonna convert you.’ He was trying to explain his beliefs and what he thinks about life after death, who he thinks Jesus was. It was really deep. A lot of people see him as a hard business guy, but I know how strong his beliefs are — so strong he tried to convince me.” Hernández left Corpus believing the same things he had when he arrived. But he also realized that both Abraham and Selena shared a deep spirituality he’d rarely seen before. Neither was a member of the Jehovah’s Witnesses. As long as Selena pranced around the stage in clothes that were provocative and revealing, she couldn’t be accepted into the faith. Bustiers and bare midriffs did not qualify as the sort of modest dress required of women of the church. But that didn’t stop them from believing God’s kingdom was an actual government ruling in heaven that would soon return to earth to bring
Joe Nick Patoski (Selena: Como la Flor)
And she thought it was good to be sad. Not miserable, since she'd never felt that way because she was modest and simple but that indefinable thing as if she were romantic. Of course she was neurotic, that goes without saying. It was a neurosis that kept her going, my God, at least that: crutches. Every once in a while she wandered into the better neighborhoods and gazed at the shop windows glittering with jewels and satin clothes–just to mortify herself a bit. Because she needed to find herself and suffering a little is a way of finding.
Clarice Lispector
I can't have it and you can't have it and we won't get it so don't bet on it or even think about it just get out of bed each morning wash shave clothe yourself and go out into it because outside of that all that's left is suicide and madness so you just can't expect too much you can't even expect so what you do is work from a modest minimal base like when you walk outside be glad your car might possibly be there and if it is- that the tires aren't flat then you get in and if it starts—you start. and it's the damndest movie you've ever seen because you're in it— low budget and 4 billion critics and the longest run you ever hope for is one day.
Charles Bukowski
My wife and I are that other kind of rich: the misers among you, in our quaint three-bedroom house in the suburbs, unrenovated since the 1990s, one modest hatchback car between us, our big-box store generic clothes, our outdated phones and computers. Lucky in our birthright privileges, in our inheritance, in our jobs, in the stock market, hoarding cash for reasons that stopped being clear to us long ago, that make less and less sense the older we get. We have no children. Our parents are dead. We keep working, we clean our own toilets, rake our own yard. We use our vacations to go camping in-state. We’ll give it all away upon our deaths, and there will be one of those shocked news stories about people like us and our secret millions, the sudden windfall upon our pet causes and distant nieces and nephews. Why don’t we help anyone while we’re alive? Our once-reasonable anxieties grown distorted, outsized, habitual. There will never be enough money to make us feel safe.
Kim Fu (Lesser Known Monsters of the 21st Century)
She was made up as if she would be dancing Ballet Folklórico, but the free hair was a game changer. Instead of a tight knot on the crown of her head, her hair cascaded down her back. Who knew she had so much volume? "Gracias, Mamá." Mamá embraced her and then went to the kitchen. Carolina put on her clothes, a modest green dress--- formfitting and flattering. The soft fabric caressed her skin instead of scratching it. Gone were the dirty pants and muddy shoes. She felt beautiful, a feeling she wasn't used to experiencing.
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
The princess was dressed in one of the girl’s modest gray frocks, a leather belt secured snugly at her waist. Somehow, the lady managed to make even the simple garment look regal.
Micheline Ryckman (The Maiden Ship (The Maiden Ship, #1))
He takes his time, and the movement of his hips and shoulders, along with the way he holds his head slightly upturned, are all evidence of his colossal self-confidence. It oozes out of him and he radiates success, power, and determination. His slender body is shaped perfectly for my modest taste: wide shoulders, narrow hips, strong arms and muscles, his summer clothes doing nothing to hide their soft outline. I am not really an admirer of male bodies, but I am definitely having trouble resisting the urge to undress this one and see the whole picture, so to speak. He is manly, but it is not a manliness that comes from time spent at the gym, but rather from nature – organically. Nobility, gentility, and elegant manners all make up Alex’s very being. You can find them in his every movement, gesture, phrase, word, and look.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
Opening the lid, Beatrix found her neatly folded clothes and a drawstring muslin bag containing a brush and a rack of hairpins, and other small necessities. There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
She had decided that the women wouldn’t be wearing overly conservative, modest clothes. If a woman was up to no good, she would want to look like the majority.
Thomas Perry (A Small Town)
The twelve degrees of humility, which he lays down in his Rule,1017 are commended by St. Thomas Aquinas.1018 The first is a deep compunction of heart, and holy fear of God and his judgments, with a constant attention to walk in the divine presence, sunk under the weight of this confusion and fear. 2. The perfect renunciation of our own will. 3. Ready obedience. 4. Patience under all sufferings and injuries. 5. The manifestation of our thoughts and designs to our superior or director. 6. To be content, and to rejoice, in all humiliations; to be pleased with mean employments, poor clothes, &c., to love simplicity and poverty, (which he will have among monks, to be extended even to the ornaments of the altar,) and to judge ourselves unworthy, and bad servants in every thing that is enjoined us. 7. Sincerely to esteem ourselves baser and more unworthy than every one, even the greatest sinners.1019 8. To avoid all love of singularity in words or actions. 9. To love and practise silence. 10. To avoid dissolute mirth and loud laughter. 11. Never to speak with a loud voice, and to be modest in our words. 12. To be humble in all our exterior actions, by keeping our eyes humbly cast down with the publican,1020 and the penitent Manasses
Alban Butler (The Lives of the Saints: Complete Edition)