Thousand Oaks Quotes

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A thousand Dreams within me softly burn: From time to time my heart is like some oak Whose blood runs golden where a branch is torn.
Arthur Rimbaud (Complete Works)
He's not-" Daniel started to say. He watched a red-tailed hawk land in an oak tree over their heads. "He's not good enough for you." Luce had heard people say that line a thousand times before. It was what everyone always said. Not good enough. But when the words passed Daniel's lips, they sounded important, even somehow true and relevant, not vague and dismissive the way the phrase had always sounded to her in the past. "Well, then," she said in a quiet voice, "who is?" Daniel put his hands on his hips. He laughed to himself for a long time. "I don't know," he said finally. "That's a terrific question." Not exactly the answer Luce was looking for. "It's not like it's that hard," she said, stuffing her hands into her pockets because she wanted to reach out for him. "To be good enough for me." Daniel's eyes looked like they were falling, all the violet that had been in them a moment before turned a deep, dark gray. "Yes," he said. "Yes, it is.
Lauren Kate
But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.
Catherynne M. Valente (Deathless)
But I hope I will never have a life that is not surrounded by books, by books that are bound in paper and cloth and glue, such perishable things for ideas have lasted thousands of years . . . I hope I am always walled in by the very weight and breadth and clumsy, inefficient, antiquated bulk of them, hope that I spend my last days on this Earth arranging and rearranging them on thrones of good, honest pine, oak, and mahogany, because I just like to look at their covers, and dream of the promise of the great stories inside.
Rick Bragg
Because half a dozen grasshoppers under a fern make the field ring with their importunate chink, whilst thousands of great cattle, reposed beneath the shadow of the British oak, chew the cud and are silent, pray do not imagine that those who make the noise are the only inhabitants of the field.
Edmund Burke
The soft light of morning falls upon ripening forests of oak and elm, walnut and hickory, and all Nature is thoughtful and calm.
John Muir (A Thousand-Mile Walk to the Gulf)
You will make an interesting High King,' I tell him. He looks alarmed. 'I most definitely will not. The Folk adore Cardan and they're terrified of my sister, two excellent things. I hope they rule Elfhame for a thousand years and then pass it down to one of a dozen offspring. No need for me to be involved.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Evening prayer I spend my life sitting, like an angel in a barber's chair, Holding a beer mug with deep-cut designs, My neck and gut both bent, while in the air A weightless veil of pipe smoke hangs. Like steaming dung within an old dovecote A thousand Dreams within me softly burn: From time to time my heart is like some oak Whose blood runs golden where a branch is torn. And then, when I have swallowed down my Dreams In thirty, forty mugs of beer, I turn To satisfy a need I can't ignore, And like the Lord of Hyssop and of Myrrh I piss into the skies, a soaring stream That consecrates a patch of flowering fern.
Arthur Rimbaud (Complete Works)
But I hope I will never have a life that is not surrounded by books, by books that are bound in paper and cloth and glue, such perishable things for ideas that have lasted thousands of years, or just since the most recent Harry Potter. I hope I am always walled in by the very weight and breadth and clumsy, inefficient, antiquated bulk of them, hope I spend my last days on this Earth arranging and rearranging them on thrones of good, honest pine, oak, and mahogany, because they just feel good in my hands, because I just like to look at their covers, and dream of the promise of the great stories inside.
Rick Bragg (My Southern Journey: True Stories from the Heart of the South)
Men live their lives trapped in an eternal present, between the mists of memory and the sea of shadow that is all we know of the days to come. Certain moths live their whole lives in a day, yet to them that little span of time must seem as long as years and decades do to us. An oak may live three hundred years, a redwood tree three thousand. A weirwood will live forever if left undisturbed. To them seasons pass in the flutter of a moth's wing, and past, present, and future are one.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The final stretch of drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure, with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat at the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blooming geraniums. But their eyes were drawn inevitably to the wildflowers. Thousands of them, a meadow of fireworks stretching nearly to the steps of the cottage, a sea of red and orange and purple and blue and yellow nearly waist deep, rippling in the gentle breeze. Hundreds of butterflies flitted about the meadow, tides of moving color undulating in the sun.
Nicholas Sparks (The Best of Me)
But a smell shivered him awake. It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close. The vapors invaded Nicholas' nostrils and his hair rose to their roots. His eyes were as heavy as manhole covers, but he opened them. Through the dying calm inside him snaked a tremble of fear. The trees themselves seemed tense, waiting. The moonlight was a hard shell, sharp and ready to ready be struck and to ring like steel. A shadow moved. It poured like oil from between the tall trees and flowed across dark sandy dirt, lengthening into the middle of the ring. Trees seem to bend toward it, spellbound. A long, long shadow...
Stephen M. Irwin (The Dead Path)
But I hope that I will never have a life that is not surrounded by books, by books that are bound in paper and cloth and glue, such perishable things for ideas that have lasted thousands of tears, or just since the most recent Harry Potter. I hope I am always walled in by the very weight and breadth and clumsy, inefficient, antiquated bulk of them, hope that I spend my last days on this Earth arranging and rearranging them on thrones of good, honest pine, oak, and mahogany, because they just feel good in my hands, because I just like to look at their covers, and dream of the promise of the great stories inside.
Rick Bragg
Can what's buried beneath the ground on Oak Island possibly be worth what the search for it has already cost? Six lives, scores of personal fortunes, piles of wrecked equipment, and tens of thousands of man-hours have been spent so far, and that's not to mention the blown minds and broken spirits that lie in the wake of what is at once the world's most famous and frustrating treasure hunt.
Randall Sullivan (The Curse of Oak Island: The Story of the World's Longest Treasure Hunt)
Innocence had nothing to do with the state of her virginity but with the state of her heart. A woman could screw a thousand men, and if she still was able to love, she could hold her innocence in her soul.
Sophie Oak (Pure Bliss (Nights in Bliss, Colorado, #6))
As we've seen way too many times throughout history, the meaning of the Bible can be twisted and manipulated by anyone with an agenda. When faced with this sort of distortion, it's helpful to recall that there are seven lines in the entire Bible about homosexuality, whereas there are hundreds, maybe thousands, about caring for the poor and outcast. Perspective is key.
Kaya Oakes (Radical Reinvention: An Unlikely Return to the Catholic Church)
Mother’s estate—our estate—a thousand acres centered in a million more. Lawns the size of small prairies with grass so perfect it beckoned a body to lie on it, to nap on its soft perfection. Noble shade trees making sundials of the Earth, their shadows circling in stately procession; now mingling, now contracting to midday, finally stretching eastward with the dying of the day. Royal oak. Giant elms. Cottonwood and cypress and redwood and bonsai. Banyan trees lowering new trunks like smooth-sided columns in a temple roofed by sky. Willows lining carefully laid canals and haphazard streams, their hanging branches singing ancient dirges to the wind.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
He'd been planting trees in the wilderness for 3 years. He'd planted a hundred thousand of them. Out of those, twenty thousand had come up. Of the twenty thousand he expected to lose half, because of rodents or the unpredictable ways of Providence. That still meant ten Thousand Oaks would grow where before there had been nothing.
Jean Giono (The Man Who Planted Trees)
Two sturdy oaks I mean, which side by side, Withstand the winter's storm, And spite of wind and tide, Grow up the meadow's pride, For both are strong
Staci Hart (A Thousand Letters (The Austens #2))
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)
The tree blossoms, and bears its fruit, which falls, rots, withers, and even the seed is lost! Go, count the rings of the oak and of the sycamore; the lie in circles, one about another, until the eye is blinded in striving to make out their numbers; and yet a full change of the seasons comes round while the stem is winding one of those little lines about itself, like the buffalo changing his coat, or the buck his horns; and what does it all amount to? There does the noble tree fill its place in the forest, loftier, and grander, and richer, and more difficult to imitate, than any of your pitiful pillars, for a thousand years, until the time which the Lord hath given it is full. Then come the winds, that you cannot see, to rive its bark; and the waters from the heavens, to soften its pores; and the rot, which all can feel and none can understand, to humble its pride and bring it to the ground. From that moment its beauty begins to perish. It lies another hundred years; a mouldering log, and then a mound of moss and earth; a sad effigy of a human grave.
James Fenimore Cooper (The Prairie (Leatherstocking Tales, #5))
Abundance of the Heart. He describes an experience with nature and his father. An environment of trust can have to do with a special experience, a place, another person, or people. My first real discovery of nature in life came one morning in April 1916. My father put me on the back of his bike, where I had a little seat, and said, "Off we go." And then he turned in the wrong direction for I thought he was taking me down to Quakers' meeting--it was a Sunday. "No," he said, "we are going somewhere else today." And we rode for about eight miles, and we stopped at a wood. . . . We went into the wood; and there, suddenly, was a great pool of bluebells stretching for perhaps a hundred yards in the shade of the oak trees. And I could scarcely breathe because the impression was so great. The experience then was just the bluebells and the scent; now, when I recall it, it is also the love of my father who chose to do that that morning--to give me that experience. I am sure he had been there the day before, found it, and thought, "I'll take my son there." As we rode there and as we rode back, we heard the distant thud of the guns at the Battle of the Somme, where thousands were dying every day. That overwhelming experience of a natural phenomenon, a demonstration of beneficent creation, and at the same time hearing those guns on the Somme--that experience has remained with me almost more clearly than anything else in my life. [The Abundance of the Heart (Salt Lake City: Bookcraft, 1986), p. 88]
Arthur Henry King
I’m lying on the ground looking up at the branches of an oak tree. Dappled light is shining through the canopy, the leaves whisper ancient incantations. This tree, in its living stage, rooted in sights and sounds that I’ll never know, has witnessed extinctions and wars, loves and losses. I wish we could translate the language of trees – hear their voices, know their stories. They host such an astonishing amount of life – there are thousands of species harbouring in and on and under this mighty giant. And I believe trees are like us, or they inspire the better parts of human nature. If only we could be connected in the way this oak tree is connected with its ecosystem.
Dara McAnulty (Diary of a Young Naturalist)
There are good ships and there are wood ships, the ships that sail the sea. But the best ships are friendships, and may they always be. A toast to your coffin. May it be made of hundred-year-old oak. And may we plant the tree together tomorrow. Here’s to Eve, the mother of us all, and here’s to Adam, who was Johnny-on-the-spot when the leaf began to fall. Give a man a match and he’ll be warm for a minute, but set him on fire and he’ll be warm for the rest of his life. Leprechauns, castles, good luck, and laughter. Lullabies, dreams, and love ever after. Poems and songs with pipes and drums. A thousand welcomes when anyone comes . . . That’s the Irish for you!
Stephen Revell (Picture Perfect (Weddings by Design #1))
Investing is not only for rich people. Look at nature - the small grasses invest just like the big magnolia trees. The wildflowers invest just like the oak trees. Investing is a natural phenomena, a condition of living in natural and efficient systems. It isn’t an exclusive thing. Of course the oak trees are investing on a much larger scale than the wildflowers, but they do not have a monopoly on natural phenomena. So whether you are working with one hundred, one thousand or a few hundred thousand… get investing. But get a professional investor working on your behalf as soon as possible. You can get started at any level, but a professional investor will get you the greatest results. I’d love for that to be Mayflower-Plymouth.
Hendrith Vanlon Smith Jr.
The committee hanged the body “from an oak tree on the courthouse lawn.” People reportedly displayed Neal’s fingers and toes as souvenirs. Postcards of his dismembered body went for fifty cents each. When the sheriff cut down the body the next morning, a mob of as many as two thousand people demanded that it be rehanged. When the sheriff refused to return it to the tree, the mob attacked the courthouse and rampaged through Marianna, attacking any colored person they ran into. Well-to-do whites hid their maids or sent cars to bring their workers to safety. “We needed these people,” said a white man who sat on his porch protecting his interests with a loaded Winchester. Florida Governor David Sholtz had to call in the National Guard to quell the mob. Across
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Desert oak Meaning: Resurrection Allocasuarina decaisneana | Central Australia Kurkara (Pit.) have deeply furrowed, cork-like bark, which is fire-retardant. Slow-growing but fast to develop a taproot that can reach subsurface water at depths over ten meters. Mature trees form a large, bushy canopy. Many found in the central desert are likely to be more than one thousand years old.
Holly Ringland (The Lost Flowers of Alice Hart)
My child, he had a child. My daughter, he had a daughter. She was just old enough to cook a holiday meal, and do a little sewing for himS in those days he merely sailed between Mexico and Peru and hundreds of times she waves him farewell or welcome. We have no way of know whether she was more beautiful or intelligent than the thousands of other girls that lived about him, but she was his. I suppose it seems ignoble to you that a great oak of a man should go about the world like a blind man about an empty house merely because a chit of a girl has been withdrawn from it. No, no, you cannot understand this, my adored one, but I understand and grow pale...You will laught at me, but I think he goes about the hemispheres to pass the time between now and his old age.
Thornton Wilder
If you plant an acorn ... it may grow to become an oak tree. Yet there is no acorn within that wooden body. Has the acorn been reborn as a tree? Or does the acorn grow up to be something else entirely? It's my belief that the acorn and the tree are an idea, spread out over an abstraction of time. And if that new tree, when fully grown, drops one acorn or a thousand, that idea keeps progressing as this thing we call life.
Jamie Ford (The Many Daughters of Afong Moy)
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.' 'Granted; - but would you use the same argument with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - ' 'Heaven forbid that I should think so!' I interrupted her at last." 'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse. Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
Anne Brontë
STARS Here in my head, language keeps making its tiny noises. How can I hope to be friends with the hard white stars whose flaring ad hissing are not speech but a pure radiance? How can I hope to be friends with the yawning spaces between them where nothing, ever, is spoken? Tonight, at the edge of the field, I stood up very still, and looked up, and tried to be empty of words. What joy was it, that almost found me? What amiable peace? Then it was over, the wind roused up in the oak trees behind me and I fell back, easily. Earth has a hundred thousand pure contraltos- even the distant night bird as it talks threat, as it talks love over the cold, black fields. Once, deep in the woods, I found the skull of a bear and it was utterly silent- and once a river otter, in a steel trap, and it too was utterly silent. What can we do but keep breathing in and out, modest and willing, and in our places? Listen, listen, I’m forever saying, Listen to the river, to the hawk, to the hoof, to the mockingbird, to the jack-in-the-pulpit- then I come up with a few words, like a gift. Even as now. Even as the darkness has remained the pure, deep darkness. Even as the stars have twirled a little, while I stood here, looking up, one hot sentence after another.
Mary Oliver
Most often they speak according to their kind – the deep rumble of oak, the whisper of the birch, or the singsong chant of the alder. The evergreen stands of pine have voices sharp as needles. But the forest can speak as one, when it must. When the trees so choose, they think with one mind. When there is danger, especially, they speak in one voice of a thousand echoes. I hate it when they do this. For the forest mind is always right, and will hear no argument.
Maryrose Wood (Nightshade (The Poison Diaries, #2))
Whatever the final cost of HS2, all those tens of billions could clearly buy lots of things more generally useful to society than a quicker ride to Birmingham. Then there is all the destruction of the countryside. A high-speed rail line offers nothing in the way of charm. It is a motorway for trains. It would create a permanent very noisy, hyper-visible scar across a great deal of classic British countryside, and disrupt and make miserable the lives of hundreds of thousands of people throughout its years of construction. If the outcome were something truly marvellous, then perhaps that would be a justifiable price to pay, but a fast train to Birmingham is never going to be marvellous. The best it can ever be is a fast train to Birmingham. Remarkably, the new line doesn’t hook up to most of the places people might reasonably want to go to. Passengers from the north who need to get to Heathrow will have to change trains at Old Oak Common, with all their luggage, and travel the last twelve miles on another service. Getting to Gatwick will be even harder. If they want to catch a train to Europe, they will have to get off at Euston station and make their way half a mile along the Euston Road to St Pancras. It has actually been suggested that travelators could be installed for that journey. Can you imagine travelling half a mile on travelators? Somebody find me the person who came up with that notion. I’ll get the horsewhip. Now here’s my idea. Why not keep the journey times the same but make the trains so comfortable and relaxing that people won’t want the trip to end? Instead, they could pass the time staring out the window at all the gleaming hospitals, schools, playing fields and gorgeously maintained countryside that the billions of saved pounds had paid for. Alternatively, you could just put a steam locomotive in front of the train, make all the seats inside wooden and have it run entirely by volunteers. People would come from all over the country to ride on it. In either case, if any money was left over, perhaps a little of it could be used to fit trains with toilets that don’t flush directly on to the tracks, so that when I sit on a platform at a place like Cambridge or Oxford glumly eating a WH Smith sandwich I don’t have to watch blackbirds fighting over tattered fragments of human waste and toilet paper. It is, let’s face it, hard enough to eat a WH Smith sandwich as it is.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
It turned out that between 1945 and 1947, 18 people were injected with plutonium, specifically: 11 at Rochester, New York, 3 at the University of Chicago, 3 at UC San Francisco, and 1, Ebb Cade, at Oak Ridge. Several thousand human radiation experiments were conducted between 1944 and 1974. In 1994, President Clinton appointed the Advisory Committee of Human Radiation Experiments (ACHRE) to investigate these and other experiments funded by the United States government. Their final report was published in 1996.
Denise Kiernan
Upstream One tree is like another tree, but not too much. One tulip is like the next tulip, but not altogether. More or less like people—a general outline, then the stunning individual strokes. Hello Tom, hello Andy. Hello Archibald Violet, and Clarissa Bluebell. Hello Lilian Willow, and Noah, the oak tree I have hugged and kissed every first day of spring for the last thirty years. And in reply its thousands of leaves tremble! What a life is ours! Doesn’t anybody in the world anymore want to get up in the middle of the night and sing?
Mary Oliver (Upstream: Selected Essays)
Now, the linden, it turns out, is a radical tree, as different from an oak as a woman is from a man. It's the bee tree, the tree of peace, whose tonics and teas can cure every kind of tension and anxiety - a tree that cannot mistaken for any other, for alone in all the catalog of a hundred thousand earthly species, its flowers and tiny hard fruit hand down from surfboard bracts whose sole perserve purpose seems to be to state its own singularity. The lindens will come for her, starting with this ambush. But the full adoption will take years.
Richard Powers (The Overstory)
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
But I hope I will never have a life that is not surrounded by books, by books that are bound in paper and cloth and glue, such perishable things for ideas that have lasted thousands of years, or just since the most recent Harry Potter. I hope I am always walled in by the very weight and breadth and clumsy, inefficient, antiquated bulk of them, hope that I spend my last days on this Earth arranging and rearranging them on thrones of good, honest pine, oak, and mahogany, because the just feel good in my hands, because I just like to look at their covers, and dream of the promise of the great stories inside.
Rick Bragg
Fir, cedar, pines, oaks, and maples densely timbered this section. But it was the redwoods that never failed to fill him with awe. Their feathery-looking needles and reddish bark. The way they stretched up to incredible heights and the sheer magnitude of their circumferences. How long ago had God planted their seeds? Hundreds of years? Thousands? As he stood amongst those mighty giants, he realized the land wasn’t his at all. It was God’s. God had formed and planted the seeds. He’d tended the soil and caused it to rain. He’d needed no man. Least of all Joe. Yet over and over Joe had thought of this as his own. My land. My logging camp. My house. My woman. My everything. Picking up his ax, he returned to his work. But in his mind, he reviewed a list of men in the Bible who’d left everything they held dear for parts unknown. Abraham. Jacob. Joseph. Moses. Even a woman. Esther. In every case, their circumstances were much more severe than his. God hadn’t commanded Joe to leave his land, though he’d prayed for guidance. Fasted. Read his Bible. But God had remained silent. Joe simply assumed God was letting him choose. But no matter what he chose, none of it was really his. It was all God’s. And God was sharing it with him. So which did he want? Both. Like a spoiled child, he definitely wanted both. But if he could only have one, wouldn’t he still be a man blessed? Yes. And he’d praise God and thank Him. But that didn’t immediately make the grief shrivel up and blow away. Eyeing where he wanted the tree to fall, he adjusted his stance. I want Anna, Lord. I choose Anna. Yet as long as he lived, he’d always miss this land. He’d miss the Territory. He’d miss the logging. He’d miss his friends. The cypress began to pop and splinter. Jumping away, he braced his feet, threw back his head, and shouted with everything he had. “Timber-r-r-r-r-r-r-r-r-r-r-r-r!” The tree wavered, then crashed to the forest floor. Noise resounded through the copse. The ground shook. Debris flew. Before any of it settled, Joe fell to his knees, doubled over, and sobbed.
Deeanne Gist (A Bride in the Bargain)
THE TENTH KEY The Tenth Enochian Key creates rampant wrath and produces violence. Dangerous to employ unless one has learnt to safeguard his own immunity ; a random lighting bolt! ... THE TENTH KEY (English) The thunders of wrath doth slumber in the North, in the likeness of an oak whose branches are dung-filled nests of lamentation and weeping laid up for the Earth, which burn night and day and vomit out the heads of scorpions and live sulphur mingled with poison. These be the thunders that in an instant roar with a hundred mighty earthquakes and a thousand as many surges, which rest not, nor know any time here. One rock bringeth forth a thousand, even as the heart of man doth his thoughts. Woe! Woe!, Yea!, woe be to the Earth, for her iniquity is, was, and shall be great. Come away! But not your mighty sounds!
Anton Szandor LaVey (The Satanic Bible)
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin. She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp. "Don't," she said weakly. His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?" Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened? "No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate." Gabriel looked blank for a moment. "Oh, that. That was a compliment." Pandora scowled. "It would only be a compliment if I had a beard and a peg leg." Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming." "Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong." "No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?" "Even when I plunder and pillage like a Viking?" she asked darkly. "Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling." "You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe. Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'" Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
This was an unprecedented moment in American history as well. For the dead of the Tulsa massacre were hardly alone. Over the course of four centuries, thousands of African Americans had been the victims of murderous racism. Slaves had been shot, stabbed, and tortured to death, their bodies tossed in unmarked graves. Lynchings had claimed hundreds more, as Black men and women had their life force stolen from them beneath railroad trestles, telephone poles, and ancient oak and elm trees, their limbs creaking and swaying beneath the extra weight. And then there were the one who simply disappeared, into labor camps and county jail cells, or patches of wood and swamp, lit only by the pine knobs and kerosene lamps of their executioners. The victims of racism weren't few. They were legion. But here, in this aging cemetery in the heart of the country, was the first time than an American government -- federal, state, or local -- had ever actively set out to locate the remains of victims of American racism.
Scott Ellsworth (The Ground Breaking: An American City and Its Search for Justice)
Something marvelous is happening underground, something we’re just learning how to see. Mats of mycorrhizal cabling link trees into gigantic, smart communities spread across hundreds of acres. Together, they form vast trading networks of goods, services, and information. . . .  There are no individuals in a forest, no separable events. The bird and the branch it sits on are a joint thing. A third or more of the food a big tree makes may go to feed other organisms. Even different kinds of trees form partnerships. Cut down a birch, and a nearby Douglas-fir may suffer. . . .  In the great forests of the East, oaks and hickories synchronize their nut production to baffle the animals that feed on them. Word goes out, and the trees of a given species—whether they stand in sun or shade, wet or dry—bear heavily or not at all, together, as a community. . . .  Forests mend and shape themselves through subterranean synapses. And in shaping themselves, they shape, too, the tens of thousands of other, linked creatures that form it from within. Maybe it’s useful to think of forests as enormous spreading, branching, underground super-trees.
Richard Powers (The Overstory)
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
Sitting in a bar for hours on end wouldn’t help matters, but Tristan Archer figured he might as well try it out. It may take him far longer to get drunk than it would if he were human, yet he figured he’d give it a go. After the hellish few months he’d had, he would try anything at this point. He ran a hand through his short, auburn hair that tended to look brown in the bar’s lighting and sighed. He shouldn’t have accepted his friend Levi’s invitation to dinner and drinks at Dante’s Circle in the human realm. He should have rejected the offer and gone back to the thousand other things he had to do within the fae realm and inside the Conclave. Tristan wasn’t just any fae. He was a nine-hundred-year-old fae prince with responsibilities that lay heavily on his shoulders. He was also a Conclave member, where he helped govern every paranormal realm in existence with another fae member and two others from each race. That was how he’d become friends with Levi, a wizard and prince in his own right. So here he was, in Dante’s Circle, a bar owned and named after a royal blue dragon; the meeting place of seven women and their mates with a history he couldn’t immediately comprehend. Of course, it was because one of those women that he’d rather be in the fae realm instead of the dark bar with oak paneling and photos on the walls that spoke of generations of memories and connections. He’d been here a few times in the past, always on the outside of the circle of lightning-struck woman and their mates, but never fully excluded. They’d welcomed Tristan into their fold, even if they didn’t understand why it hurt him so to be that close to what he couldn’t have. Or maybe they understood all too well. After all, one of their own was the reason for his confusion, his torture. The object of his desire. “If you keep glowering at her over in the corner, you’ll end up scaring her more than she already is,” Seth said from his side. Tristan closed his eyes and took a deep breath, immediately regretting the action as soon as he did. The man next to him smelled of the sea. And hope. His heart ached and his dick filled. Seth Oceanus was a merman, a friend, and his mate. His true half. Or at least one of them. Not that he or Seth could do anything about it when the other part of their triad didn’t feel the same way.
Carrie Ann Ryan (An Immortal's Song (Dante's Circle, #6))
We cannot casually accept the loss of oaks without also accepting the loss of thousands of other plants and animals that depend on them. Oak declines in the United Kingdom, for example, threaten the survival of some 2,300 other species (Mitchell et al. 2019). Fortunately, there is no reason why we should accept the loss of oaks as inevitable; there is no trick to restoring oak populations, and no shortage of places in which to restore them. If you were to add up the amount of land in various types of built landscapes that is not dedicated to agriculture—suburban developments, urban parks, golf courses, mine reclamation sites, and so forth—it would total 603 million acres, a full 33% of our lower 48 states. We have not targeted these places for conservation in the past, but that was back when our conservation model was based on the notion that humans and their tailings were here and nature was someplace else. That model of mutual exclusion has failed us dismally; there simply are not enough untrammeled places left to sustain the natural world that until now has sustained us. Our only option, then, is to find ways to coexist with other species. That’s right, we must construct ecosystems that contain all their functional parts right where humans abound.
Douglas W. Tallamy (The Nature of Oaks: The Rich Ecology of Our Most Essential Native Trees)
demonstrating that the first of these, the integral fast reactor, was safe even under the circumstances that destroyed Three Mile Island 2 and would prove disastrous at Chernobyl and Fukushima. The liquid fluoride thorium reactor (LFTR), an even more advanced concept developed at Tennessee’s Oak Ridge National Laboratory, is fueled by thorium. More plentiful and far harder to process into bomb-making material than uranium, thorium also burns more efficiently in a reactor and could produce less hazardous radioactive waste with half-lives of hundreds, not tens of thousands, of years. Running at atmospheric pressure, and without ever reaching a criticality, the LFTR doesn’t require a massive containment building to guard against loss-of-coolant accidents or explosions and can be constructed on such a compact scale that every steel mill or small town could have its own microreactor tucked away underground. In 2015 Microsoft founder Bill Gates had begun funding research projects similar to these fourth-generation reactors in a quest to create a carbon-neutral power source for the future. By then, the Chinese government had already set seven hundred scientists on a crash program to build the world’s first industrial thorium reactor as part of a war on pollution. “The problem of coal has become clear,” the engineering director of the project said. “Nuclear power provides the only solution.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
Very strange, very wonderful, seemingly very improbable phenomena may yet appear which, when once established, will not astonish us more than we are now astonished at all that science has taught us during the last century,” Charles Robert Richet, Nobel Prize winner in physiology, has declared. “It is assumed that the phenomena which we now accept without surprise, do not excite our astonishment because they are understood. But this is not the case. If they do not surprise us, it is not because they are understood, it is because they are familiar; for if that which is not understood ought to surprise us, we should be surprised at everything—the fall of a stone thrown into the air, the acorn which becomes an oak, mercury which expands when it is heated, iron attracted by a magnet, phosphorus which burns when it is rubbed… The science of today is a light matter; the revolutions and evolutions which it will experience in a hundred thousand years will far exceed the most daring anticipations. The truths—those surprising, amazing, unforeseen truths—which our descendants will discover, are even now all around us, staring us in the eyes, so to speak, and yet we do not see them. But it is not enough to say that we do not see them; we do not wish to see them; for as soon as an unexpected and unfamiliar fact appears, we try to fit it into the framework of the commonplaces of acquired knowledge and we are indignant that anyone should dare to experiment further.
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
Laura Brooks (Greek Isles (Timeless Places))
Untamo again reflected, "How can we o'ercome the infant, That destruction come upon him, And that death may overtake him?" Then he bade his servants gather First a large supply of birch-trees, Pine-trees with their hundred needles, Trees from which the pitch was oozing, For the burning of the infant, And for Kullervo's destruction. So they gathered and collected First a large supply of birch-trees, Pine-trees with their hundred needles, Trees from which the pitch was oozing, And of bark a thousand sledgefuls, Ash-trees, long a hundred fathoms. Fire beneath the wood they kindled, And the pyre began to crackle, And the boy they cast upon it, 'Mid the glowing fire they cast him. Burned the fire a day, a second, Burning likewise on the third day, When they went to look about them. Knee-deep sat the boy in ashes, In the embers to his elbows. In his hand he held the coal-rake, And was stirring up the fire, And he raked the coals together. Not a hair was singed upon him, Not a lock was even tangled. Then did Untamo grow angry. "Where then can I place the infant, That we bring him to destruction, And that death may overtake him?" So upon a tree they hanged him, Strung him up upon an oak-tree. Two nights and a third passed over, And upon the dawn thereafter, Untamo again reflected: "Time it is to look around us, Whether Kullervo has fallen, Or is dead upon the gallows." Then he sent a servant forward, Back he came, and thus reported: "Kullervo not yet has perished, Nor has died upon the gallows. Pictures on the tree he's carving, In his hands he holds a graver. All the tree is filled with pictures, All the oak-tree filled with carvings!
Elias Lönnrot (The Kalevala)
New trout, having never seen rain on the river, rise eagerly to ripples on the Mink. Some windows close against the moist and some open for the music. Rain slips and slides along hawsers and chains and ropes and cables and gladdens the cells of mosses and weighs down the wings of moths. It maketh the willow shiver its fingers and thrums on doors of dens in the fens. It falls on hats and cats and trucks and ducks and cars and bars and clover and plover. It grayeth the sand on the beach and fills thousands of flowers to the brim. It thrills worms and depresses damselflies. Slides down every window rilling and murmuring. Wakes the ancient mud and mutter of the swamp, which has been cracked and hard for months. Falls gently on leeks and creeks and bills and rills and the last shriveled blackberries like tiny dried purple brains on the bristles of bushes. On the young bear trundling through a copse of oaks in the woods snorffling up acorns. On ferns and fawns, cubs and kits, sheds and redds. On salmon as long as your arm thrashing and roiling in the river. On roof and hoof, doe and hoe, fox and fence, duck and muck. On a slight man in a yellow slicker crouched by the river with his recording equipment all covered against the rain with plastic wrap from the grocery store and after he figures out how to get the plastic from making crinkling sounds when he turns the machine on he settles himself in a little bed of ferns and says to the crow huddled patiently in rain, okay, now, here we go, Oral History Project, what the rain says to the river as the wet season opens, project number …something or other … where’s the fecking start button? …I can’t see anything … can you see a green light? yes? is it on? damn my eyes … okay! there it is! it’s working! rain and the river! here we go!
Brian Doyle (Mink River: A Novel)
Wait until the truffles hit the dining room---absolute sex," said Scott. When the truffles arrived the paintings leaned off the walls toward them. They were the grand trumpets of winter, heralding excess against the poverty of the landscape. The black ones came first and the cooks packed them up in plastic quart containers with Arborio rice to keep them dry. They promised to make us risotto with the infused rice once the truffles were gone. The white ones came later, looking like galactic fungus. They immediately went into the safe in Chef's office. "In a safe? Really?" "The trouble we take is in direct proportion to the trouble they take. They are impossible," Simone said under her breath while Chef went over the specials. "They can't be that impossible if they are on restaurant menus all over town." I caught her eye. "I'm kidding." "You can't cultivate them. The farmers used to take female pigs out into the countryside, lead them to the oaks, and pray. They don't use pigs anymore, they use well-behaved dogs. But they still walk and hope." "What happened to the female pigs?" Simone smiled. "The scent smells like testosterone to them. It drives them wild. They destroyed the land and the truffles because they would get so frenzied." I waited at the service bar for drinks and Sasha came up beside me with a small wooden box. He opened it and there sat the blanched, malignant-looking tuber and a small razor designed specifically for it. The scent infiltrated every corner of the room, heady as opium smoke, drowsing us. Nicky picked up the truffle in his bare hand and delivered it to bar 11. He shaved it from high above the guest's plate. Freshly tilled earth, fields of manure, the forest floor after a rain. I smelled berries, upheaval, mold, sheets sweated through a thousand times. Absolute sex.
Stephanie Danler (Sweetbitter)
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
Kevin Phan (How to Be Better by Being Worse)
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Buytendijk, F. (2010) Dealing with Dilemmas: Where Business Analytics Fall Short, New York, John Wiley. Hampden-Turner, C. (1990) Charting the Corporate Mind: Graphic Solutions to Business Conflicts, New York, The Free Press. Trompenaars, F., Woolliams, P. (2009) ‘Towards a Generic Framework of Competence for Today’s Global Village’, in: The SAGE Handbook of Intercultural Competence, ed. D.K. Deardorff, Thousand Oaks, Sage.
Fons Trompenaars (10 Management Models)
Benjamin Fitzpatrick was admitted to the practice of law in Alabama in 1821. Within five years, having participated in some law suits regarding conflicting property claims among slaveholders, he had built up a clientele sufficiently broad to allow him to begin acquiring slaves. In 1826 Fitzpatrick purchased three slaves for a thousand dollars; in 1827 he bought a fifteen-year-old boy for four hundred dollars. The following year he spent over five hundred dollars on a seventeen-year-old girl and her six-month-old son, $975 on a sixteen-year-old girl along with a twelve-year-old mulatto and a nine-year-old boy. Later in 1828, he added a boy named Peter and a woman named Betsey
James Oakes (The Ruling Race)
SIR – Bello’s comment (November 29th) that “The appointment of a capable economic team is good for Brazil but signals its president’s weakness” reminded me very much of the following quote from Lyndon Johnson: “If one morning I walked on top of the water across the Potomac river, the headline that afternoon would read: ‘President Can’t Swim’.” Robert Hillman Thousand Oaks, California
Anonymous
The hills cast a shadow on themselves, bruise-blue turning to forgetful black. High up, [...] rocky outcrops crawl with manzanita, shedding their curling, crimson barks. Bay laurels rim the logger-made meadows. Canyons thicken with orange madrone peeling to creamy, clammy green. Coast live oaks [...] gather on the crags. And down in cool ripatian corridors smelling of silt and decaying needles, redwoods work a plan that will take a thousand years to realize [...]
Richard Powers (The Overstory)
I don’t know where prayers go, or what they do. Do cats pray, while they sleep half-asleep in the sun? Does the opossum pray as it crosses the street? The sunflowers? The old black oak growing older every year? I know I can walk through the world, along the shore or under the trees, with my mind filled with things of little importance, in full self-attendance. A condition I can’t really call being alive. Is a prayer a gift, or a petition, or does it matter? The sunflowers blaze, maybe that’s their way. Maybe the cats are sound asleep. Maybe not. While I was thinking this I happened to be standing just outside my door, with my notebook open, which is the way I begin every morning. Then a wren in the privet began to sing. He was positively drenched in enthusiasm, I don’t know why. And yet, why not. I wouldn’t persuade you from whatever you believe or whatever you don’t. That’s your business. But I thought, of the wren’s singing, what could this be if it isn’t a prayer? So I just listened, my pen in the air.
Mary Oliver (A Thousand Mornings: Poems)
He thought back to dog sledding as a boy. During the day he scouted Doc’s property in wheeled sleds through thousands of acres of switchgrass, dirt, and live oaks. At night he sat with King by a small fire, even in the summer, and read books like the Call of the Wild, Winterdance, and Stone Fox. He read aloud to King the great adventures of Balto and the race to Nome, and stories of the un adulterated wild by John Muir.
Wesley Banks (Faith In Every Footstep (Kyle Walker Book 1))
Spring, love, happiness!” this oak seemed to say. “Are you not weary of that stupid, meaningless, constantly repeated fraud? Always the same and always a fraud? There is no spring, no sun, no happiness! Look at those cramped dead firs, ever the same, and at me too, sticking out my broken and barked fingers just where they have grown, whether from my back or my sides: as they have grown so I stand, and I do not believe in your hopes and your lies.” As he passed through the forest Prince Andrew turned several times to look at that oak, as if expecting something from it. Under the oak, too, were flowers and grass, but it stood among them scowling, rigid, misshapen, and grim as ever. “Yes, the oak is right, a thousand times right,” thought Prince Andrew. “Let others—the young—yield afresh to that fraud, but we know life, our life is finished!
Leo Tolstoy (War and Peace (Maude translation))
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Does Kurokawa feel that deep-time thinking in business is better than short-term thinking? He is an even-minded person, and I admit that I expected him to reply that both are important. Instead he said, "Of course." He offered one more history lesson: in 1915, Tokyo decided to commemorate their recently deceased emperor with a Shinto shrine and sacred forest. At the time, the area they selected was marshy farmland on the outskirts of the city. The forester planned out the project in stages, beginning with a hundred thousand young trees that would be planted around the few existing pines. Over a hundred years, a broad-leaf woods of oak, chinquapin and camphor trees would rise to become an untended forest. No one involved in the planning would live to see the final outcome. Today the mature forest covers a slow-rising hill alongside Harajuku subway station. It's a green respite, where a sense of calm prevails and there's clean air for your lungs-and it is surrounded to the horizon on every side by the megalopolis of Toyko. Kurokawa became speechless with awe at the brilliance of the deep-time vision. 'If you don't think that way,' he said at last, 'what kind of passion do you have for human life?
J.B. MacKinnon (The Day the World Stops Shopping: How Ending Consumerism Saves the Environment and Ourselves)
Three thousand,” Rye shouted. He looked at the younger men. “Three thousand and I let you live. You go a single dollar over, and all bets are off. I will let him off the leash and you will not like how your evening ends.” Max took up the topic. His voice was low, so Rachel couldn’t hear him. “It won’t be a fair fight, boys. You try taking our woman, and you better watch your back the rest of your damn lives. You understand me?
Sophie Oak (Three to Ride (Nights in Bliss, Colorado, #1))
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the golden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Under pine trees the forest floor is nothing but old, brown pine needles, thousands and thousands of them. However, if you go to an area where our native deciduous trees are growing—the oaks, ashes, birches, hazels, hawthorns, beeches—then you see that all sorts of things thrive under their branches. There are the magical greens of the mosses and ferns, the bright white of the wood anemones, the acres of shining bluebells in May, the foxgloves in early summer. And every autumn the trees create their own rich carpet of dazzling colors.
Hazel Prior (Ellie and the Harpmaker)
High up, beyond his sight, rocky outcrops crawl with manzanita, shedding their curling, crimson barks. Bay laurels rim the logger-made meadows. Canyons thicken with orange madrone peeling to creamy, clammy green. Coast live oaks like the one that crippled him gather on the crags. And down in cool riparian corridors smelling of silt and decaying needles, redwoods work a plan that will take a thousand years to realize.
Richard Powers (The Overstory)
I switch on the light beside my bed and the old, beautiful room takes shape – the four-poster with its carved oak pillars, the dark oak chest, the dressing table with its prude petticoat of spotted muslin, the low, uneven ceiling, the wavy oak floor. How many hundreds and thousands of people have awakened in this room; awakened to their sorrows and their joys, their hopes and their fears?
D.E. Stevenson (Mrs Tim of the Regiment (Mrs. Tim #1))
I switch on the light beside my bed and the old, beautiful room takes shape – the four-poster with its carved oak pillars, the dark oak chest, the dressing table with its prude petticoat of spotted muslin, the low, uneven ceiling, the wavy oak floor. How many hundreds and thousands of people have awakened in this room; awakened to their sorrows and their joys, their hopes and their fears? Strange that I should have slept so well, untroubled by the haunting of their thoughts!
D.E. Stevenson (Mrs Tim of the Regiment (Mrs. Tim #1))
Some people loved the cities, with their culture, art, and endless opportunities for interesting social interaction. Some like the country, its simplicity and wide open spaces. But Alyssa Aronson only truly felt at peace when she was surrounded by the mightiest of earth’s living things. And with the possible exception of the Sequoia Forest in Northern California, teeming with trees that made the tallest, thickest specimens anywhere else look like adorable little babies, no place was more majestic than the Hoosier National Forest, two hundred thousand acres of soaring central hardwood trees, primarily oak and hickory.
Douglas E. Richards (Quantum Lens)
Through a break in the willows, if the fog isn't too heavy, you can see the edge of what everyone around here calls the Waters, where a sort of island rises up, accessible by a bridge three planks wide, strung between oil barrels floating on the watery muck. There, under the branches of sycamores, oaks, and hackberries, the green-stained Rose Cottage sinks on the two nearest corners so that it appears to be squatting above the bridge, preparing to pitch itself into the muck. Beyond the cottage, the trees give way to a mosquito-infested no-man's-land of tussocks, marshes, shallows, hummocks, pools, streams, and springs a half mile wide between solid ground and the Old Woman River. This is where Herself harvested wild rice, cattails, staghorn sumac, and a thousand other plants.
Bonnie Jo Campbell (The Waters)
Furl your banners and hang you heads,” muttered the wind, “this is no time for tourney. Cast into my four arms those gaudy trappings, for what can cause you joy, O trees, at such a time as this?” “This rising Sun and the long bright bright day,” the beech cried out. “The setting Sun and the cool dark night,” the oak said quietly. “And the rain,” the pine murmured gratefully, “wit it’s gentle fingers finer than my needles.” The maple was silent. The wind spun around it’s rough gray trunk and sent a shower of gold into the sky. “O wind,” the maple said, “the side passage of the year from cold to heat, from growing to fruition, from birds nesting to their migrations, is joy enough for us. Let us celebrate it, O wind, before the snow lays it’s white fingers on us and bids us be silent for a time.” The maple spoke wistfully, golden leaves tumbling down the day at every word. “You speak of memories,” the wind went on. “I who have roamed the earth have seen suffering and cruelty and sorrow. You who stand so still in one place always must believe me.” “For you, O wind, perhaps it has been a year of sad revelation,” the beech said softly; “but for us it has been a year like all others—rising suns and waxing moons, rains and dews and storms, and the seasons marching in orderly procession around us.” “Ah,” the wind wailed, clutching at gold and scarlet and green, “how can you hold those banners high when evil still stalks the earth?” The trees quivered and were silent. The wind raged around them, and his fury brought down cascades of leaves, which he sent hurling over the dry ground. “We hold our banners high in faith, O wind,” the pine spoke out, lifting its voice so the wind would hear, “emblem for this brief moment of the pledge we have made. We have heard before of these things that you would tell us. The stars have told us many strange tales, and the moon has told us even stranger ones. But we must still be faithful.” “To what?” moaned the wind, annoyed that his words could not deter the trees from their galliard ways. “To the everlasting right at the heart of things,” replied the maple. “Evil has but a little day, O wind, and good has a thousand.” The banners were fading and falling, and the wind laughed to himself that the brave words of the trees must be as thin and fleeting. He stamped and reached high, swept over the ground and leapt aloft, while leaves fell in a gilded shower about him. Cheering at his triumph, he looked through bare branches to the sky, heavy with scudding clouds. Oak, maple, beech were silenced now. Dark trunks stood rooted in the earth, crossed boughs were held uplifted to the heavens. The pine swayed slowly, it’s heraldic blazon of sable and vert gleaming darkly. “Look higher, wind, than those bare boughs. Look wider.” The wind looked, and there, outlined against the sunset gold, on every twig tight buds were tipping: the crimson secret of the oak, the enscaled cradle of the maple, the little sheathed sword of the beech. “Faith, my friend,” the pine said in a whisper, “faith has the last word always.” The wind bowed low, low enough to kiss the leaves that swirled around him in a moment of ecstasy; then the wind went on his way down the archway of the year that was luminous with promise.
Elizabeth Yates (Patterns on the Wall)
I love you. I miss you. Please get out of my house. Nothing today hasn’t happened before: I woke alone, bundled the old dog into his early winter coat, watered him, fed him, left him to his cage for the day closing just now. My eye drifts to the buff belly of a hawk wheeling, as they do, in a late fall light that melts against the turning oak and smelts its leaves bronze. Before you left, I bent to my task, fixed in my mind the slopes and planes of your face; fitted, in some essential geography, your belly’s stretch and collapse against my own, your scent familiar as a thousand evenings. Another time, I might have dismissed as hunger this cataloguing, this fitting, this fixing, but today I crest the hill, secure in the company of my longing. What binds us, stretches: a tautness I’ve missed as a sapling, supple, misses the wind.
Donika Kelly
She can't die, and not just because there's a chance I won't survive. She can't die because I know I can't live without her even if I do. Somewhere between the shock of our attraction at the top of the turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I've allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing. I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren's treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell. We hadn't even kissed, and I fell. Or maybe it was when she threw her knives at Barlowe or when jealously ate me alive seeing Aetos kiss the mouth I'd dreamed about countless times. Looking back, there were a thousand tiny moments that pulled me over the edge for the woman asleep in the bed I always pictured her in.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
WAS A WIDOWER and lived by myself in New Iberia, a city of twenty-five thousand people on Bayou Teche in the southwestern part of the state. For years I had been a detective with the Iberia Parish Sheriff’s Department and also the owner of a bait shop and boat rental business outside of town. But after Alafair, my adopted daughter, went away to college and the home my father built in 1935 burned to the ground, I sold the baitshop and dock to an elderly black man named Batist and moved into a shotgun house on East Main, on the banks of the Teche, in a neighborhood where the oak and pecan trees, the azaleas, Confederate roses, and philodendron managed to both hide and accentuate the decayed elegance of a bygone era.
James Lee Burke (Crusader's Cross (Dave Robicheaux, #14))
She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell. We hadn’t even kissed, and I fell. Or maybe it was when she threw her knives at Barlowe or when jealousy ate me alive seeing Aetos kiss the mouth I’d dreamed about countless times. Looking back, there were a thousand tiny moments that pulled me over the edge for the woman asleep in the bed I always pictured her in.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I was present at the beginning of time. I was there when the first coals of the universe turned red and burned for an age. I was dust floating in dead black nothing for half an eternity. I was a star when it formed. I was a star when it died. I was a ray of light bolting across a galaxy for ten thousand years, only to be caught and devoured by an oak leaf.
Josiah Bancroft (The Hod King (The Books of Babel, #3))
Ted L. Nancy 560 N. Moorpark Rd., #236 Thousand Oaks, CA 91360 July 10th, 1995 MR. ALBERT H. MEYER, PRESIDENT AMERICAN SEATING COMPANY 901 Broadway Grand Rapids, Michigan 49504 Dear Mr. Meyer: I had a seating question and I was referred to you because I understand you manufacture stadium and arena seating. My question: When entering or exiting a seat in a stadium which is the proper side to face the person sitting down? Rear to them or crotch to them? I am always at a quandry when this problem comes up. To hence: last week at a sporting event I had to leave my seat. There were a row of people - ALL FROM THE SAME FAMILY - that were sitting down the row. I exited my seat, stood up and faced away from this family. Then I moved down the row realizing my buttocks were not 2 inches from this whole guy’s family. I had shown an entire family my rear end! But then again If I had turned around and moved down the aisel THAT WAY, wouldn’t that be worse? Stadium seating is the only situation in life where you can show whole rows of people your butt or crotch. And it’s acceptable! Can something be done about this seating? Should the rows be changed? I suggest a single row straight up to the top. You walk into the stadium you simply find your seat number and go up until you get it. Question: Is there a gracious way to exit? Thank you, Sir, for your response. Ted L. Nancy
Ted L. Nancy (Letters from a Nut)
she had cried approximately two thousand gallons of tears
Nichole Van (Refine (House of Oak, #4))
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Truth does grow, but it grows homogeneously, like an acorn into an oak; it does not swing in the breeze, like a weathercock. The leopard does not change his spots nor the Ethiopian his skin, though the leopard be put in bars or the Ethiopian in pink tights. The nature of certain things is fixed, and none more so than the nature of truth. Truth may be contradicted a thousand times, but that only proves that it is strong enough to survive a thousand assaults.
Fulton J. Sheen (Old Errors and New Labels (Fulton J. Sheen))
One of the most ambitious men to exploit the timber trade was Hugh F. McDanield, a railroad builder and tie contractor who had come to Fayetteville along with the Frisco. He bought thousands of acres of land within hauling distance of the railroad and sent out teams of men to cut the timber. By the mid-1880s, after a frenzy of cutting in south Washington County, he turned his gaze to the untapped fortune of timber on the steep hillsides of southeast Washington County and southern Madison County, territory most readily accessed along a wide valley long since leveled by the east fork of White River. Mr. McDanield gathered a group of backers and the state granted a charter September 4, 1886, giving authority to issue capital stock valued at $1.5 million, which was the estimated cost to build a rail line through St. Paul and on to Lewisburg, which was a riverboat town on the Arkansas River near Morrilton. McDanield began surveys while local businessman J. F. Mayes worked with property owners to secure rights of way. “On December 4, 1886, a switch was installed in the Frisco main line about a mile south of Fayetteville, and the spot was named Fayette Junction.” Within six months, 25 miles of track had been laid east by southeast through Baldwin, Harris, Elkins, Durham, Thompson, Crosses, Delaney, Patrick, Combs, and finally St. Paul. Soon after, in 1887, the Frisco bought the so-called “Fayetteville and Little Rock” line from McDanield. It was estimated that in the first year McDanield and partners shipped out more than $2,000,000 worth of hand-hacked white oak railroad ties at an approximate value of twenty-five cents each. Mills ran day and night as people arrived “by train, wagon, on horseback, even afoot” to get a piece of the action along the new track, commonly referred to as the “St. Paul line.” Saloons, hotels, banks, stores, and services from smithing to tailoring sprang up in rail stop communities.
Denele Pitts Campbell
Because half a dozen grasshoppers under a fern make the field ring with their importunate chink, whilst thousands of great cattle, reposed beneath the shadow of the British oak, chew the cud and are silent, pray do not imagine that those who make the noise are the only inhabitants of the field.
Yuval Levin (The Great Debate: Edmund Burke, Thomas Paine, and the Birth of Right and Left)
Ebb Cade was not the only test subject. It turned out that between 1945 and 1947, 18 people were injected with plutonium, specifically: 11 at Rochester, New York, 3 at the University of Chicago, 3 at UC San Francisco, and 1, Ebb Cade, at Oak Ridge. Several thousand human radiation experiments were conducted between 1944 and 1974. In 1994, President Clinton appointed the Advisory Committee on Human Radiation Experiments (ACHRE) to investigate these and other experiments funded by the United States government. Their final report was published in 1996.
Denise Kiernan (The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II)
So it is with humans. We cannot hear the trees talking, except as a vague noise of roaring and hushing which we attribute to the wind in the leaves, because they talk too slowly for us. These noises are really the syllables and vowels of the trees. "You may speak for yourselves," said Athene. Oak spoke first, as became the noblest of all. He stood throbbing his leaves in the twilight, to which Time had mixed down day and night; stretching out his great muscular branches; yawning, as it were, like a noble giant of the earth who cracks his limbs in the morning when he wakes. "Ah," said the oak. "It's good to be alive. Look at my biceps, will you? Do you see how the other trees are afraid of Gravity, afraid that he will break their branches off? They point them up in the air, or down at the ground, so as to give the old earth-giant his least purchase upon them. Now I am ready to challenge Gravity, and I can stretch my branches straight out in a line parallel to the earth. He may swing on them for all I care, but, bless you, they won't break. Do you know how long I live? A thousand years is my expectation. Three hundred years to grow, three hundred years to live, and three hundred years to die. And when I am dead, what of that? They make me into timber, into ships and house beams that will be good for another thousand. My leaves come the last and go the last. I am a conservative, I am; and out of my apples they make ink, whose words may live as long as me, even as me, the oak.
T.H. White (The Sword in the Stone (The Once and Future King, #1))
And indeed I have often thought that the susceptibilities of furniture and china have never been sufficiently allowed for by families. Even a much-used saucepan must have its dreary little memories when put into the dustbin at last, and as for chairs! Is it inconceivable that, apart from their feeling for their room and their owners, the tree-life persists in them? Have not seeds buried with mummies for two thousand years sprouted under the very eye of the excavator? You cannot live with a thing and use it without humanizing it to a certain extent, and those men who bluffly announce that their pipe is their ‘friend’ have hit upon a truth more subtle than they know; and perhaps those women who (always contemptuously) get called ‘slaves to their household goods and chattels’ are only, in their turn, more unconsciously susceptible to the dormant life in oak, mahogany and walnut?
Rachel Ferguson (A Harp in Lowndes Square)
Jeff often used an analogy in those days when describing our efforts to innovate and build new businesses. “We need to plant many seeds,” he would say, “because we don’t know which one of those seeds will grow into a mighty oak.” It was an apt analogy. The oak is one of the sturdiest and longest-living trees in the forest. Each tree produces thousands of acorns for every one tree that eventually rises to the sky.
Colin Bryar (Working Backwards: Insights, Stories, and Secrets from Inside Amazon)
Yin, R. K. (2014). Case study research: Design and method (5th ed.). Thousand Oaks, CA: Sage.
John W. Creswell (Qualitative Inquiry and Research Design: Choosing Among Five Approaches)
Thomas, G. (2015). How to do your case study (2nd ed.). Thousand Oaks, CA: Sage.
John W. Creswell (Qualitative Inquiry and Research Design: Choosing Among Five Approaches)
As the climate continued to warm (and the ocean continued to rise), plant life inevitably began to spring up among these hills, providing the basis for an ever-improving soil. Thirteen thousand years ago, jack pines and spruce trees began to grow; a few thousand years later, oaks appeared. What is now Nantucket Sound was then a valley of ponds, lakes, and forests. It was not until just 5,000 years ago—a drop in the bucket of geological time—that the ever-encroaching ocean flooded this valley and Nantucket became an island.
Nathaniel Philbrick (Away Off Shore: Nantucket Island and Its People, 1602-1890)
Each pregnant Oak ten thousand acorns forms Profusely scatter'd by autumnal storms; Ten thousand seeds each pregnant poppy sheds Profusely scatter'd from its waving heads; The countless Aphides, prolific tribe, With greedy trunks the honey'd sap imbibe; Swarm on each leaf with eggs or embryons big, And pendent nations tenant every twig ... —All these, increasing by successive birth, Would each o'erpeople ocean, air, and earth. So human progenies, if unrestrain'd, By climate friended, and by food sustain'd, O'er seas and soils, prolific hordes! would spread Erelong, and deluge their terraqueous bed; But war, and pestilence, disease, and dearth, Sweep the superfluous myriads from the earth... The births and deaths contend with equal strife, And every pore of Nature teems with Life; Which buds or breathes from Indus to the Poles, And Earth's vast surface kindles, as it rolls!
Erasmus Darwin (The Temple of Nature)
Nenhum historiador profissional ignora que os homicídios em massa devidos a conflitos religiosos, por mais horror que nos inspirem, jamais produziram um número de vítimas nem mesmo remotamente comparável ao dos modernos movimentos revolucionários inspirados em ideologias “científicas”. O mais completo estudo quantitativo do assunto foi feito por R. J. Rummel, professor emérito de ciência política na Universidade do Havaí. As conclusões de sua pesquisa de quatro décadas são apresentadas nos livros Understanding Conflict and War, 5 vols., Thousand Oaks (CA), Sage Publications, 1975-1981, e Death By Government, New Brunswick (NJ), Transaction Publications, 1994. Ampliando o conceito para além da nuance racial implícita na palavra “genocídio”, o prof. Rummel propõe o termo “democídio” para descrever de maneira mais genérica as matanças de povos inteiros. O desenho que ele obtem do estudo dos homicídios em massa ao redor do mundo não difere, em substância, do consenso usual dos historiadores, mas lhe acrescenta a precisão do método quantitativo e a nitidez das escalas comparativas. Em suma, o número de seres humanos mortos em menos de oito décadas pelas duas ideologias evolucionistas, nazismo e comunismo (140 milhões de pessoas), ultrapassa em dez milhões a taxa total de mortos dos homicídios em massa conhecidos no mundo desde 221 a.C. até o começo do século XX, dos quais os resultantes de motivos religiosos são apenas uma fração, e a parte devida aos cristãos uma fração da fração.
Olavo de Carvalho (O Mundo Como Jamais Funcionou)
Y’know, I keep track of our subscribers—over a hundred and fifty thousand of them. We’ve been getting a lot of changes of address these last few years—to Oak Ridge, Tennessee, and Santa Fe, New Mexico, plus Hanford, Washington.” Riley shot back, “Which means?” “Most of our readers are scientists and engineers. They’re going places I never heard of, lots of ’em.” For
Gregory Benford (The Berlin Project)
The four officers had been zealous in their work, using their batons to break Rodney King’s cheekbone and ankle and eleven bones at the base of his skull, damaging his facial nerves and knocking the fillings out of his teeth. Each blow, said Rodney King, felt like “when you get up in the middle of the night and jam your toe on a piece of metal.” But the four cops were nonetheless now walking free. Freed by a jury in Ventura County, about an hour’s drive north of Florence and Normandie. Freed in Ventura’s Simi Valley, a then semirural, overwhelmingly white community, with a black population of 2 percent. Known as Cop Heaven by the cops themselves, Simi Valley, along with its sister city Thousand Oaks, had a population of about 4,000 active police officers, many of whom were part of the LAPD’s 7,900-member force. The
Joe Domanick (Blue: The LAPD and the Battle to Redeem American Policing)
President Truman called the development of the atom bomb, “the greatest achievement of organized science in history.”248 The Manhattan Project scientists, engineers and private contractors had done what few believed possible: they had built three new towns—Oak Ridge, Hanford and Los Alamos—and a behemoth industrial plant as large as that of all of America’s automobile manufacturers put together.249 They had transformed Fermi’s historic nuclear chain reaction, a reaction yielding only enough energy to light a flashlight bulb, into the most powerful weapon mankind had ever known. And they had done it in just over a thousand days.
Michael Joseloff (Chasing Heisenberg: The Race for the Atom Bomb (Kindle Single))
Honestly, I sometimes wonder if humans are any more efficient than the mighty oak tree that drops thousands of acorns year after year in the desperate attempt to create one or two saplings.
Nathan H. Lens
Vera’s ideas require a re-thinking of the evidence which has been previously interpreted as showing a dense forest. His view is that the open parkland explains why hazel, pedunculate oak and sessile oak (and other light-demanding species) have been well represented in pollen records for thousands of years, along with that of shade-tolerant species such as limes, elms, ash, common beech and hornbeam. In closed-canopy forests and forest reserves where large gaps are not present, oaks tend gradually to diminish because their seedlings, unlike those of the shade-tolerant trees, cannot grow at the low light levels present in the limited gaps which do form. He also contends that a partial explanation for the very high proportion of tree pollen dating from this period is that grazing may have been so efficient that production of grass pollen per unit area was greatly reduced. Svenning (2002) counters this by pointing out in a review of north-west Europe that in many studies non-tree pollen correlates well with other measures of openness such as beetle, snail and plant macrofossils and concludes that forested conditions were the norm with open vegetation being restricted to floodplains or poor soils (sandy or calcareous) and in the continental interior of north-west Europe.
Peter A. Thomas
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The seed of a tree falls from the safety of its branch onto concrete. Another finds ground but there is no rain. Another is chewed up and eaten by an animal. Another is so lucky as to sprout but then is thwarted under a falling log. None of these things is a tree. The seedlings of animals, including humans, are no less voluminous and their deaths no more tragic. This process of selection is repeated naturally and necessarily for every actualized human being as for every mighty oak. For every tree in the forest, there are thousands of tree dreams deferred. To pull out the hearse and have a funeral for every aborted fetus is indicative of
Ani DiFranco (No Walls and the Recurring Dream: A Memoir)
Like oak tissues above the ground, oak root systems are massive and built from carbon. But what makes oaks a particularly valuable tool in our fight against climate change is their relationship with mycorrhizal fungi: mycorrhizae make copious amounts of carbon-rich glomalin, a highly stable glycoprotein that gives soil much of its structure and dark color. Oak mycorrhizae deposit glomalin into the soil surrounding oak roots throughout the life of the tree. Every pound of glomalin produced by oak mycorrhizae is a pound of carbon no longer warming the atmosphere, and glomalin remains in soil for hundreds, if not thousands, of years.
Douglas W. Tallamy (The Nature of Oaks: The Rich Ecology of Our Most Essential Native Trees)