Coquette Love Quotes

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Trapped don't undress my love you might find a mannequin: don't undress the mannequin you might find my love. she's long ago forgotten me. she's trying on a new hat and looks more the coquette than ever. she is a child and a mannequin and death. I can't hate that. she didn't do anything unusual. I only wanted her to.
Charles Bukowski (Love Is a Dog from Hell)
She was a coquette; he was sure she had a spirit of her own; but in her bright, sweet, superficial little visage there was no mockery, no irony. Before long it became obvious that she was much disposed towards conversation.
Henry James
One day I realized, I am what I'm looking for. The love I've been searching the world for. When I devoutly love myself it's fulfilling, and it attracts others. They fight to love me twice as much.
Euphoria Godsent
I’m madly in love with myself. That’s why you can’t get enough of me.
Euphoria Godsent
To understand the peculiar power of the Coquette, you must first understand a critical property of love and desire: the more obviously you pursue a person, the more likely you are to chase them away.
Robert Greene (The Art of Seduction)
To understand the peculiar power of the Coquette, you must first understand a critical property of love and desire: the more obviously you pursue a person, the more likely you are to chase them away. Too much attention can be interesting for a while, but it soon grows cloying and finally becomes claustrophobic and frightening. It signals weakness and neediness, an unseductive combination.
Robert Greene (The Art of Seduction)
A Paris Quand un amour fleurit Ça fait pendant des semaines Deux cœurs qui se sourient Tout ça parce qu´ils s´aiment A Paris Au printemps Sur les toits les girouettes Tournent et font les coquettes Avec le premier vent Qui passe indifférent Nonchalant Car le vent Quand il vient à Paris N´a plus qu´un seul souci C´est d´aller musarder Dans tous les beaux quartiers De Paris' À Paris, Francis Lemarque
Lepota L. Cosmo (Love in Paris - Poetic Guide to the Romance of the City)
The source of love, as I learned later, is a curiosity which, combined with the inclination which nature is obliged to give us in order to preserve itself. […] Hence women make no mistake in taking such pains over their person and their clothing, for it is only by these that they can arouse a curiosity to read them in those whom nature at their birth declared worthy of something better than blindness. […] As time goes on a man who has loved many women, all of them beautiful, reaches the point of feeling curious about ugly women if they are new to him. He sees a painted woman. The paint is obvious to him, but it does not put him off. His passion, which has become a vice, is ready with the fraudulent title page. ‘It is quite possible,’ he tells himself, ‘that the book is not as bad as all that; indeed, it may have no need of this absurd artifice.’ He decides to scan it, he tries to turn over the pages—but no! the living book objects; it insists on being read properly, and the ‘egnomaniac’ becomes a victim of coquetry, the monstrous persecutor of all men who ply the trade of love. You, Sir, who are a man of intelligence and have read these least twenty lines, which Apollo drew from my pen, permit me to tell you that if they fail to disillusion you, you are lost—that is, you will be the victim of the fair sex to the last moment of your life. If that prospect pleases you, I congratulate you
Giacomo Casanova (History of My Life, Vols. I & II)
And I would have contented, or, at least, I would clearly have enlightened him, and taught him well never again to expect of me the part of officious soubrette in a love drama; when, following his, soft, eager, murmur, meeting almost his pleading, mellow—“Do content me, Lucy!” a sharp hiss pierced my ear on the other side. “Petite chatte, doucerette, coquette!” sibillated the sudden boa-constrictor; “vous avez l’air bien triste, soumis, rêveur, mais vous ne l’êtes pas: c’est moi qui vous le dis: Sauvage! la flamme à l’âme, l’éclair aux yeux!” “Oui; j’ai la flamme à l’âme, et je dois l’avoir!” retorted I, turning in just wrath: but Professor Emanuel had hissed his insult and was gone.
Charlotte Brontë (Villette)
Pushkin said that some readers would condemn Tatiana–they would call her impulsive or unseemly. But those readers weren't being truthful. What they really meant was that Tatiana wasn't strategic. She didn't know how to play games. 'The coquette reasons cooly; Tatiana in dead earnest loves and unconditionally yields.' I loved Tatiana, because she didn't hide what she felt, and I loved Pushkin for calling out the kind of people who conflated discretion and virtue. You still met people like that: people who acted as if admitting to any feelings of love, before you had gotten a man to buy you stuff, was a violation–not of pragmatism, or even of etiquette, but of morality. It meant you didn't have self-control, you couldn't delay gratification, you had failed the stupid marshmallow test. Ugh. I refused to believe that dissimulation was more virtuous than honesty. If there were rewards you got from lying, I didn't want them.
Elif Batuman (Either/Or)
she’s trying on a new hat and looks more the coquette than ever. she is a child and a mannequin and death.
Charles Bukowski (Love is a Dog from Hell)
We’re social animals with a biological imperative to reproduce. That’s it. That’s all. Love is a neurochemical response with a shelf life long enough to perpetuate the species.
The Coquette (The Best of Dear Coquette: Shady Advice From A Raging Bitch Who Has No Business Answering Any Of These Questions)
It is rare that a profound revery does not spring from that glance, where it falls. All purities and all candors meet in that celestial and fatal gleam which, more than all the best-planned tender glances of coquettes, possesses the magic power of causing the sudden blossoming, in the depths of the soul, of that sombre flower, impregnated with perfume and with poison, which is called love.
(null)
For myself, never encouraging any of the advances that were made to me, my lovers dropped off like the untimely shoots of spring. I did not even coquet with them; because I found, on examining myself, I could not coquet with a man without loving him a little; and I perceived that I should not be able to stop at the line of what are termed innocent freedoms, did I suffer any.
Mary Wollstonecraft (Maria: or, The Wrongs of Woman)
Love is a neurochemical response with a shelf life long enough to perpetuate the species. And hey, I don’t wanna hear you complaining about it either, because quite frankly, you’re one lucky motherfucker to have air in your lungs and the opportunity to be confused by it at all. The last breath you just took is one more than a hundred billion human beings who came before you will ever get to take again, and one day, the last breath you just took will be the last breath you’ll ever take. That day is the point of relationships, that day when you cease to fucking exist, because it’s guaranteed, my friend. This shit all ends, so cram as much love, joy and shout-it-from-the-rooftops happiness as you possibly can into whatever time you can make for yourself.
The Coquette (The Best of Dear Coquette: Shady Advice From A Raging Bitch Who Has No Business Answering Any Of These Questions)
What he had just seen was no longer the ingenuous and simple eye of a child; it was a mysterious gulf which had half opened, then abruptly closed again. There comes a day when the young girl glances in this manner. Woe to him who chances to be there! That first gaze of a soul which does not, as yet, know itself, is like the dawn in the sky. It is the awakening of something radiant and strange. Nothing can give any idea of the Free eBooks at Planet eBook.com 1199 dangerous charm of that unexpected gleam, which flashes suddenly and vaguely forth from adorable shadows, and which is composed of all the innocence of the present, and of all the passion of the future. It is a sort of undecided tenderness which reveals itself by chance, and which waits. It is a snare which the innocent maiden sets unknown to herself, and in which she captures hearts without either wishing or knowing it. It is a virgin looking like a woman. It is rare that a profound revery does not spring from that glance, where it falls. All purities and all candors meet in that celestial and fatal gleam which, more than all the bestplanned tender glances of coquettes, possesses the magic power of causing the sudden blossoming, in the depths of the soul, of that sombre flower, impregnated with perfume and with poison, which is called love.
Hugo