β
For someone who loved words as much as I did, it was amazing how often they failed me.
β
β
M.L. Rio (If We Were Villains)
β
You can justify anything if you do it poetically enough.
β
β
M.L. Rio (If We Were Villains)
β
You only have to forgive once. To resent, you have to do it all day, every day.
β
β
M.L. Stedman
β
But that is how a tragedy like ours or King Lear breaks your heartβby making you believe that the ending might still be happy, until the very last minute.
β
β
M.L. Rio (If We Were Villains)
β
How tremendous the agony of unmade decisions.
β
β
M.L. Rio (If We Were Villains)
β
Scars are just another kind of memory.
β
β
M.L. Stedman (The Light Between Oceans)
β
What is more important, that Caesar is assassinated or that he is assassinated by his intimate friends? β¦ That,β Frederick said, 'is where the tragedy is.
β
β
M.L. Rio (If We Were Villains)
β
Per aspera ad astra. Iβd heard a variety of translations, but the one I liked best was Through the thorns, to the stars.
β
β
M.L. Rio (If We Were Villains)
β
One thing I'm sure Colborne will never understand is that I need language to live, like foodβlexemes and morphemes and morsels of meaning nourish me with the knowledge that, yes, there is a word for this. Someone else has felt it before.
β
β
M.L. Rio (If We Were Villains)
β
Were you in love with him?'
'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.
β
β
M.L. Rio (If We Were Villains)
β
Itβs not the whole truth. The whole truth is, Iβm in love with him still.
β
β
M.L. Rio (If We Were Villains)
β
Actors are by nature volatileβalchemic creatures composed of incendiary elements, emotion and ego and envy. Heat them up, stir them together, and sometimes you get gold. Sometimes disaster.
β
β
M.L. Rio (If We Were Villains)
β
There is no comfort like complicity.
β
β
M.L. Rio (If We Were Villains)
β
Which of us could say we were more sinned against than sinning? We were so easily manipulated - confusion made a masterpiece of us.
β
β
M.L. Rio (If We Were Villains)
β
You were real to me. Sometimes I thought you were the only real thing.
β
β
M.L. Rio (If We Were Villains)
β
I never asked where he went, worried he wouldnβt ask me to follow.
β
β
M.L. Rio (If We Were Villains)
β
The things about Shakespeare is, he's so eloquent...he speaks the unspeakable. He turns grief and triumph and rapture and rage into words, into something we can understand. He renders the whole mystery of humanity comprehensible.
β
β
M.L. Rio (If We Were Villains)
β
Secrets carry weight, like lead.
β
β
M.L. Rio (If We Were Villains)
β
I don't know, it's like I look at you and suddenly the sonnets makes sense. The good ones, anyway.
β
β
M.L. Rio (If We Were Villains)
β
For us, everything was a performance.β A small, private smile catches me off guard and I glance down, hoping he wonβt see it. βEverything poetic.
β
β
M.L. Rio (If We Were Villains)
β
Hatred is the sincerest form of flattery.
β
β
M.L. Rio (If We Were Villains)
β
Do you blame Shakespeare for any of it?β
The question is so unlikely, so nonsensical coming from such a sensible man, that I canβt suppress a smile. βI blame him for all of it.
β
β
M.L. Rio (If We Were Villains)
β
James laughed brokenly, and I felt something deep between my lungs crack clean in two.
β
β
M.L. Rio (If We Were Villains)
β
When did we become such terrible people?β
βMaybe weβve always been terrible.
β
β
M.L. Rio (If We Were Villains)
β
The future is wide and wild and full of promise, but it is precarious, too. Seize on every opportunity that comes your way and cling to it, lest it be washed back out to sea.
β
β
M.L. Rio (If We Were Villains)
β
Wholeness, she had learned, was not the absence of pain but the ability to hold it.
β
β
M.L. Wang (The Sword of Kaigen)
β
Sometimes life turns out hard, Isabel. Sometimes it just bites right through you. And sometimes, just when you think it's done its worst, it comes back and takes another chunk.
β
β
M.L. Stedman (The Light Between Oceans)
β
Imagine having all your own thoughts and feelings tangled up with all the thoughts and feelings of a whole other person. It can be hard, sometimes, to sort out which is which.
β
β
M.L. Rio (If We Were Villains)
β
One sin, I know, another doth provoke; Murderβs as near to lust as flame to smoke.
β
β
M.L. Rio (If We Were Villains)
β
Weβre only ever playing fifty percent of a character. The rest is us, and weβre afraid to show people who we really are. Weβre afraid of looking foolish if we reveal the full force of our emotions.
β
β
M.L. Rio (If We Were Villains)
β
How could we explain that standing on a stage and speaking someone else's words as if they are your own is less an act of bravery than a desperate lunge at mutual understanding?
β
β
M.L. Rio (If We Were Villains)
β
But in Shakespeare's world, passion is irresistible, not embarrassing.
β
β
M.L. Rio (If We Were Villains)
β
Perhaps when it comes to it, no one is just the worst thing they ever did.
β
β
M.L. Stedman (The Light Between Oceans)
β
History is that which is agreed upon by mutual consent.
β
β
M.L. Stedman (The Light Between Oceans)
β
The real sky was enormous overhead, making our mirrors and twinkling stage lights seem ridiculous- Manβs futile attempt to imitate God
β
β
M.L. Rio (If We Were Villains)
β
There are still more days to travel in this life. And he knows that the man who makes the journey has been shaped by every day and every person along the way. Scars are just another kind of memory....Soon enough the days will close over their lives, the grass will grow over their graves, until their story is just an unvisited headstone.
β
β
M.L. Stedman (The Light Between Oceans)
β
We live with the decisions we make, Bill. Thatβs what bravery is. Standing by the consequences of your mistakes.
β
β
M.L. Stedman (The Light Between Oceans)
β
Make art, make mistakes, and have no regrets.
β
β
M.L. Rio (If We Were Villains)
β
I felt her sigh, and when she breathed her sadness out, I breathed it in.
β
β
M.L. Rio (If We Were Villains)
β
You donβt think ahead in years or months: you think about this hour, and maybe the next. Anything else is speculation.
β
β
M.L. Stedman (The Light Between Oceans)
β
No one ever has or ever will travel quite the same path on earth...
β
β
M.L. Stedman (The Light Between Oceans)
β
Sometimes it's good to leave the past in the past.
β
β
M.L. Stedman (The Light Between Oceans)
β
Anything can feel like punishment if itβs taught poorly.
β
β
M.L. Rio (If We Were Villains)
β
I seemed doomed to always play supporting roles in someone elseβs story. Far too many times I had asked myself whether art was imitating life or if it was the other way around.
β
β
M.L. Rio (If We Were Villains)
β
Courage, man; the hurt cannot be much.
β
β
M.L. Rio (If We Were Villains)
β
So what do you do? Ignore your grief, or indulge it?
β
β
M.L. Rio (If We Were Villains)
β
You canβt quantify humanity. You canβt measure itβnot the way you mean to. People are passionate and flawed and fallible. They make mistakes. Their memories fade. Their eyes deceive them.
β
β
M.L. Rio (If We Were Villains)
β
It is a luxury to do something that serves no practical purpose: the luxury of civilization.
β
β
M.L. Stedman (The Light Between Oceans)
β
We had, like seven siblings, spent so much time together that we had seen the best and worst of one another and were unimpressed by either.
β
β
M.L. Rio (If We Were Villains)
β
Then he remembered Ralph's words--"no point in fighting your war over and over until you get it right.
β
β
M.L. Stedman (The Light Between Oceans)
β
But I stayed where I was, afraid to move toward him, afraid I might lose my footing on solid ground, detach from what had anchored me before and drift out into the void of space - a vagabond, wandering moon.
β
β
M.L. Rio (If We Were Villains)
β
Listen, sonβ¦ when I was your age, I had to face truths that seemed to break the world. Thatβs what happens when you come into contact with people who arenβt quite like you. You learn over time that the world isnβt broken. Itβs justβ¦ got more pieces to it than you thought. They all fit together, just maybe not the way you pictured when you were young.
β
β
M.L. Wang (The Sword of Kaigen)
β
When it was his turn to speak I watched him closely, uncertain whether he was acting only, or if he and I were both gnashing secrets between our teeth.
β
β
M.L. Rio (If We Were Villains)
β
I am all too aware of my own desperate need to find a message in the madness, and as it takes shape I am suspicious, afraid to hope. But the implications of the text and its small part in our story are impossible to ignore, too critical for a scholar as meticulous as James to overlook.
β
β
M.L. Rio (If We Were Villains)
β
I knew by then the way the story went. Our little drama was rapidly hurtling towards its climactic crisis. What next, when we reached the precipice?
First, the reckoning. Then, the fall.
β
β
M.L. Rio (If We Were Villains)
β
I need language to live, like foodβlexemes and morphemes and morsels of meaning nourish me with the knowledge that, yes, there is a word for this. Someone else has felt it before.
β
β
M.L. Rio (If We Were Villains)
β
That's how life goes on - protected by the silence that anesthetizes shame.
β
β
M.L. Stedman (The Light Between Oceans)
β
A decade later, a fifteen-year-old Hiroshi would become known as the youngest swordsman ever to master the Whispering Blade. What the world would never know, was that he was the second youngest.
β
β
M.L. Wang (The Sword of Kaigen)
β
When it comes to their kids, parents are all just instinct and hope. And fear.
β
β
M.L. Stedman (The Light Between Oceans)
β
From Hamlet. Thatβs what he reminded me of.β βOh,β he said. βNot sure I can see him as a sparrow. Too . . . delicate.β βSo what sort of bird would he be?β βDunno. The sort that smacked into a window trying to have a go at its own reflection.
β
β
M.L. Rio (If We Were Villains)
β
The water, too, was still, and I thought, what liars they are, the sky and the water. Still and calm and clear, like everything was fine. It wasnβt fine, and really, it never would be again.
β
β
M.L. Rio (If We Were Villains)
β
Something changed irrevocably, in those few dark minutes James was submerged, as if the lack of oxygen had caused all our molecules to rearrange.
β
β
M.L. Rio (If We Were Villains)
β
He'd never been in my house and I was self-conscious, embarrassed by it. I was painfully aware of the fact that we didn't have enough books.
β
β
M.L. Rio (If We Were Villains)
β
He was too spotless to talk of blood and murder like Macbeth, but in the red glare of the fire he no longer looked so angelic. Instead he was handsome the way you think of the devil as handsomeβforbiddingly so.
β
β
M.L. Rio (If We Were Villains)
β
Itβs much easier to tell yourself youβre a good person than it is to actually be one.
β
β
M.L. Wang (Blood Over Bright Haven)
β
What are you?β Takeru whispered.
Something bigger than myself , she realized. βIβm Matsuda Misaki,β she said with pride and honesty she never attached to those words before. βIβm your wife.β
And she attacked him.
β
β
M.L. Wang (The Sword of Kaigen)
β
You know, you scare the hell out of me [...] I don't know, it's like, I look at you and suddenly the sonnets make sense.
β
β
M.L. Rio
β
Your family's never in your past. You carry it around with you everywhere.
β
β
M.L. Stedman (The Light Between Oceans)
β
If a lighthouse looks like it's in a different place, it's not the lighthouse that's moved.
β
β
M.L. Stedman (The Light Between Oceans)
β
But if I learned one thing from Firebird, itβs that a personβs tragedy doesnβt define them or cancel all the good in their life.
β
β
M.L. Wang (The Sword of Kaigen)
β
There are times when the ocean is not the ocean - not blue, not even water, but some violent explosion of energy and danger: fierceness on a scale only gods can summon.
β
β
M.L. Stedman (The Light Between Oceans)
β
Nothing unites men like a common enemy.
β
β
M.L. Rio (If We Were Villains)
β
Putting down the burden of the lie has meant giving up the freedom of the dream.
β
β
M.L. Stedman (The Light Between Oceans)
β
Iβve hope to live, and am prepared to die.
β
β
M.L. Rio (If We Were Villains)
β
Iβve never needed a sword to protect youβto raise you the way your father wanted. Caring for my family meant putting away the fighter, so I did.
β
β
M.L. Wang (The Sword of Kaigen)
β
Soon enough the days will close over their lives, the grass will grow over their graves, until their story is just an unvisited headstone.
β
β
M.L. Stedman (The Light Between Oceans)
β
Through the thorns, to the stars
β
β
M.L. Rio (If We Were Villains)
β
Wherever we go we do harm, forgiving
ourselves as wheels do cement for wearing
each other out. We set this house
on fire, forgetting that we live within.
(from "To a Meadowlark," for M.L. Smoker)
β
β
Jim Harrison
β
Remember-doubts may check pride, but too much doubt will keep you from doing what must be done.
β
β
M.L. Forman (Slathbog's Gold (Adventurers Wanted, #1))
β
There were seven of us then, seven bright young things with wide precious futures ahead of us, though we saw no farther than the books in front of our faces.
β
β
M.L. Rio (If We Were Villains)
β
Was I not always his right-hand man, his lieutenant? Banquo or Benvolio or Oliver - little difference.
β
β
M.L. Rio (If We Were Villains)
β
Truth over delusion. Growth over comfort.
β
β
M.L. Wang (Blood Over Bright Haven)
β
Sometimes, you're the one who strikes it lucky. Sometimes, it's the other poor bastard who's left with the short straw, and you just have to shut up and get on with it.
β
β
M.L. Stedman (The Light Between Oceans)
β
Nothing makes sense to him either. His whole world is falling apart, and once he realizes he canβt stop it or fix it or change it, thereβs only one thing left to do.β My eyes adjusted slowly, maddeningly. βWhatβs that?β His shadow shrugged in the gloom. βAbsolve yourself. Blame it on fate.
β
β
M.L. Rio (If We Were Villains)
β
The oceans never stop ... the wind never finishes. Sometimes it disappears, but only to gather momentum from somewhere else, returning to fling itself at the island ... Existence here is on the scale of giants. Time is in the millions of years; rocks which from a distance look like dice cast against the shore are boulders hundreds of feet wide, licked round by millennia ...
β
β
M.L. Stedman (The Light Between Oceans)
β
Being over there changes a man. Right and wrong don't look so different anymore to some.
β
β
M.L. Stedman (The Light Between Oceans)
β
The question isnβt: How do I stop feeling this way? Thatβs stupid. I canβt. The question is: What can I do with this feeling?
β
β
M.L. Wang (Blood Over Bright Haven)
β
We were always surrounded by books and words and poetry, all the fierce passions of the world bound in leather and vellum. (I blame this in part for what happened.)
β
β
M.L. Rio (If We Were Villains)
β
Everyone in the room was watching Jamesβhow could they not?βbut I was the only one who really knew him, every inch.
β
β
M.L. Rio (If We Were Villains)
β
Oliver, I donβt understand,β he said. βWhy?β
βYou know why.β I was done pretending otherwise.
β
β
M.L. Rio (If We Were Villains)
β
When we first walked through those doors, we did so without knowing that we were now part of some strange fanatic religion where anything could be excused so long as it was offered at the altar of the Muses. Ritual madness, ecstasy, human sacrifice.
β
β
M.L. Rio (If We Were Villains)
β
Very slowly, he turned a full circle, taking in the nothingness of it all. It seemed his lungs could never be large enough to breathe in this much air, his eyes could never see this much space, nor could he near the full extent of the rolling, roaring ocean. For the briefest moment, he had no edges.
β
β
M.L. Stedman (The Light Between Oceans)
β
Stay,β she said softly and tugged him in until their bodies leaned together. βStay and watch the sun set with me.
β
β
M.L. Wang (The Sword of Kaigen)
β
This,β James said, when he had disappeared. βThis is the excellent foppery of the world, that, when we are sick in fortuneβoften the surfeit of our own behaviorβwe make guilty of our disasters the sun, the moon, and the starsΒ β¦ as if we were villains on necessity; fools by heavenly compulsion; knaves, thieves, and treachers by spherical predominance; drunkards, liars, and adulterers by an enforcβd obedience of planetary influence; and all that we are evil in, by a divine thrusting-on!
β
β
M.L. Rio (If We Were Villains)
β
Humans withdraw to their homes, and surrender the night to the creatures that own it: the crickets, the owls, the snakes. A world that hasn't changed for hundreds of thousands of years wakes up, and carries on as if the daylight and the humans and the changes to the landscape have all been an illusion.
β
β
M.L. Stedman (The Light Between Oceans)
β
When he wakes sometimes from dark dreams of broken cradles, and compasses without bearings, he pushes the unease down, lets the daylight contradict it. And isolation lulls him with the music of the lie.
β
β
M.L. Stedman (The Light Between Oceans)
β
My martyrdom is not the selfless kind. I can't look at Filippa, shamed by all the injuries I've inflicted- like a man with a bomb strapped to his chest, ready to blow himself up without a thought for the collateral damage.
β
β
M.L. Rio (If We Were Villains)
β
This... you are my story... and I was so selfish, so tied to that shadow that I missed it. And my son, Iβ Iβm so sorry it took me this long to understand. Iβm sorryββ the words caught in her throat, choking her, until pain shot through her chest, forcing her to let them out. βI never loved you the way I should have.
β
β
M.L. Wang (The Sword of Kaigen)
β
As soon as we notice that certain types of event "like" to cluster together at certain times, we begin to understand the attitude of the Chinese, whose theories of medicine, philosophy, and even building are based on a "science" of meaningful coincidences. The classical Chinese texts did not ask what causes what, but rather what "likes" to occur with what.
β
β
M.L. von Franz
β
Coming back last time to the house she grew up in, Isabel had been reminded of the darkness that had descended with her brothers' deaths, how loss had leaked all over her mother's life like a stain. As a fourteen-year-old, Isabel had searched the dictionary. She knew that if a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent loss a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter. That seemed odd. As to her own status, she wondered whether she was still technically a sister, now that her adored brothers had died.
β
β
M.L. Stedman (The Light Between Oceans)