Mister Roberts Quotes

We've searched our database for all the quotes and captions related to Mister Roberts. Here they are! All 22 of them:

I put my hand over my erection and turned away. "No. That's not for you. I have to go to the bathroom." "Well get up! I have a whole day of birthday activities planned and you're spoiling my fun with your sleeping...and your pee boner." I laughed. "I hate it when you call it that." "Yeah? Well I hate that I can't play with it. Why the hell is it so hard if I'm not supposed to play with it? That's false advertising, Mister.
C.J. Roberts (Epilogue (The Dark Duet, #3))
When I think of Robert Frost's poems, like "The Road Not Taken", I feel the support of someone who is on my side, who understands what life's choices are like, someone who says, "I've been there, and it's okay to go on".
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
He said he was between jobs, but that he was goin' back into the business of settlin' accounts." Matthew thought that over. It meant something, certainly. But what?
Robert McCammon (Mister Slaughter (Matthew Corbett, #3))
He had purposefully left out the words try to.
Robert McCammon (Mister Slaughter (Matthew Corbett, #3))
What manner of ship is this? What does it do? What is its combat record? Well, those are fair questions, if difficult ones. The Reluctant, as was said, is a naval auxiliary. It operates in the back areas of the Pacific. In its holds it carries food and trucks and dungarees and toothpaste and toilet paper. For the most part it remains on its regular run, from Tedium to Apathy and back; about five days each way. It makes an occasional trip to Monotony, and once it made a run all the way to Ennui, a distance of two thousand nautical miles from Tedium. It performs its dreary and unthanked job, and performs it, if not inspiredly, then at least adequately.
Thomas Heggen (Mister Roberts)
_Listen!_ Said the October wind, as it swirled and swooped through the streets of New York! _I have a story to_ tell!
Robert McCammon (Mister Slaughter (Matthew Corbett, #3))
need help . . . with a question," he'd said. "A mystery. Even more than the monster's tooth, in McCaggers' attic. It's about God. Why does God . . . allow such evil in this world? If God is supposed to watch over . . . over every little bird. Why?
Robert McCammon (Mister Slaughter (Matthew Corbett, #3))
The first truth about mortals is that none of us wants to die, but all of us are going to. It’s in the name – mortals – the dying ones. If you don’t understand that bit, you won’t understand the rest of it. Here you are, some 5-hundred years old and you haven’t yet figured out something that a 3 year old human is starting to understand. You see, as soon as we can even think, our brains are wrapping themselves around that One Truth, that one offensive, undeniable, irrevocable Truth. The rest of our existence grows up in the shadow of a dead leaning tree, which will at one point in the not unimaginable future fall and crush all that has grown up beneath it… …Rescue them for what? Why from dying! Does that mean they won’t die? No, it just means they won’t die today. At best, we’re talking about delaying the inevitable death sentence laid on our friends. Now how does this particular truth strike you, Mister Immortal…? …And why? Why not merely stand now and fall sooner rather than later? Because there is something precious and sacred about rearguard action. It’s an active retreat that’s been repeated valiantly and ceaselessly from the beginning of mortal time. It just seems wrong to give up. It seems invalid and invalorous. More importantly, it’s indecent to simply lie down and be overrun… …Instead we rage against it and sing our defiance through bloodied teeth. Somehow, in our pointless battle, we find moments for compassion and passion and love. Yes, love. What other reason would a mortal creature have for descending into the Abyss of Gehenna to rescue another mortal soul, sentenced to return in time to that very place, except that that soul is... his beloved, whose very existence is what makes him fight rather than lie down, is what makes him absurdly threaten an immortal creature so beyond him in strength and power and knowledge and years. Love is what makes him hold a hand up to strike an immortal being who will not even feel the blow, but will strike back with lightning fingers rather than fingers of flesh… …If you immortals have so much time, you’d think you could spend some time of it listening to mad mortals rather than always interrupting!
J. Robert King (Abyssal Warriors (Planescape: Blood Wars, #2))
We are connected to each other, Mister Galt. We are considerate. We think about others. We give to others. But in return we get it back. We do affect each other. Human beings—all life forms—are not fully free, nor are they meant to be. Complete freedom isn’t any beautiful thing, because it means you’re not getting anything back either. I think we need to be beholden to each other.
Robert Peate (Sisyphus Shrugged)
The name is somewhat familiar, but I can’t recall a face to go with it.” Obviously disappointed in her reaction, her uncle said irritably, “You apparently have a poor memory. If you can’t recall a knight or an earl,” he added sarcastically, “I doubt you’ll remember a mere mister.” Stung by his unprovoked remark, she said stiffly, “Who is the third?” “Mr. Ian Thornton. He’s-“ That name sent Elizabeth jolting to her feet while a blaze of animosity and a sock of terror erupted through her entire body. “Ian Thornton!” she cried, leaning her palms on the desk to steady herself. “Ian Thornton!” she repeated, her voice rising with a mixture of anger and hysterical laughter. “Uncle, if Ian Thornton discussed marrying me, it was at the point of Robert’s gun! His interest in me was never marriage, and Robert dueled with him over his behavior. In fact, Robert shot him!” Instead of relenting or being upset, her uncle merely regarded her with blank indifference, and Elizabeth said fiercely, “Don’t you understand?” “What I understand,” he said, glowering, “is that he replied to my message in the affirmative and was very cordial. Perhaps he regrets his earlier behavior and wishes to make amends.” “Amends!” she cried. “I’ve no idea whether he feels loathing for me or merely contempt, but I can assure you he does not and has never wished to wed me! He’s the reason I can’t show my face in society!” “In my opinion, you’re better off away from that decadent London influence; however, that’s not to the point. He has accepted my terms.” “What terms?” Inured to Elizabeth’s quaking alarm, Julius stated matter-of-factly, “Each of the three candidates has agreed that you will come to visit him briefly in order to allow you to decide if you suit. Lucinda will accompany you as chaperon. You’re to leave in five days. Belhaven is first, then Marchman, then Thornton.” The room swam before Elizabeth’s eyes. “I can’t believe this!” she burst out, and in her misery she seized on the least of her problems. “Lucinda has taken her first holiday in years! She’s in Devon visiting her sister.” “Then take Berta instead and have Lucinda join you later when you go to visit Thornton in Scotland.” “Berta! Berta is a maid. My reputation will be in shreds if I spend a week in the home of a man with no one but a maid for a chaperon.” “Then don’t say she’s a maid,” he snapped. “Since I already referred to Lucinda Throckmorton-Jones as your chaperon in my letters, you can say that Berta is your aunt No more objections, miss,” he finished, “the matter is settled. That will be all for now. You may go.” “It’s not settled! There’s been some sort of horrible mistake, I tell you. Ian Thornton would never want to see me, any more than I wish to see him!” “There’s no mistake,” Julius said with completely finality. “Ian Thornton received my letter and accepted our offer. He even sent directions to his place in Scotland.” “Your offer,” Elizabeth cried, “not mine!” “I’ll not debate technicalities any further with you, Elizabeth. This discussion is at an end.
Judith McNaught (Almost Heaven (Sequels, #3))
you’re spoiling my fun with your sleeping… and your pee boner.” I laughed. “I hate when you call it that.” “Yeah? Well I hate that I can’t play with it. Why the hell is it so hard if I’m not supposed to play with it? That’s false advertising, Mister.
C.J. Roberts (Dark Duet: Platinum Edition (Dark Duet, #1-3.5))
Ce soartă va avea condiția omenească dacă marile mistere ale vieții vor fi în sfârșit elucidate? Ce se va întâmpla când acele convingeri pe care le acceptăm exclusiv pe baza credinței... vor fi dovedite categoric ca fiind reale? Sau, dimpotrivă, ca fiind doar un mit? Am putea spune că unele întrebări ar fi mai bine să rămână fără de răspuns.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
Mister Gilsom,” Munson continued, “you treat the patient. Gray, blue, didn’t matter. Mattered to some, but not to me. Way I figured it, someone in blue did my job on the other side, taking care of any of our boys that came his way. I wanted him to think the same way as I did
Robert Edward (Edge of a Knife (The American Mage War #1))
When I think of Robert Frost’s poems, like “The Road Not Taken,” I feel the support of someone who is on my side, who understands what life’s choices are like, someone who says, “I’ve been there, and it’s okay to go on.
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
As he considered the fungal universe the bathmat most certainly harboured, Mister Bob vowed to get a new one. There was something sinister about that bathmat anyway. It looked like it might start behaving erratically.
Robert Wringham (Rub-A-Dub-Dub)
As he considered the fungal universe the bathmat most certainly harboured, Mister Bob vowed to get a new one. There was something sinister about that bathmat anyway. It looked like it might start crawling around erratically.
Robert Wringham
LITTLE LOST PUP He was lost! — Not a shade of doubt of that; For he never barked at a slinking cat. But stood in the square where the wind blew raw, With a drooping ear, and a trembling paw, And a mournful look in his pleading eye. And a plaintive sniff at the passer-by That begged as plain as a tongue could sue, " Oh, Mister, please may I follow you?" A lorn, wee waif of a tawny brown Adrift in the roar of a heedless town. Oh, the saddest of sights in a world of sin Is a little lost pup with his tail tucked inl Well, he won my heart (for I set great store On my own red Bute, who is here no more) So I whistled clear, and he trotted up. And who so glad as that small lost pup? Now he shares my board, and he owns my bed, And he fairly shouts when he hears my tread. Then if things go wrong, as they sometimes do. And the world is cold, and I'm feeling blue. He asserts his right to assuage my woes With a warm, red tongue and a nice, cold nose, And a silky head on my arm or knee, And a paw as soft as a paw can be. When we rove the woods for a league about He's as full of pranks as a school let out; For he romps and frisks like a three-months colt. And he runs me down like a thunder-bolt. Oh, the blithest of sights in the world so fair Is a gay little pup with his tail in air! - Anonymous
Robert Frothingham (Songs of Dogs, an Anthology Selected and Arranged by Robert Frothingham. (1920) [Leather Bound])
Waters: And mind your p's and q's. Robert: I know my p's and q's, and the whole alphabet for that matter. you've got no need to tell me how to act, mister.
Catherine Cookson (The Moth)
Inasmuch as the prime minister had just bestowed on me the highest honor of the State of Guinea, I could make a long speech. And so I was able to say: “I am worried about Guinean society, which is built on the oppression of the insignificant by the powerful, on contempt for the poor and the weak, on the cleverness of poor stewards of the public good, on the bribery and corruption of the administration and the institutions of the republic. . . I am speaking to you, Mister President of the Republic, even though you are not here. Endowed by the Lord with all sorts of natural and culture resources, Guinea, paradoxically, stagnates in poverty. . . I am concerned about the young people; they have no future because they are paralyzed by chronic unemployment. I am also concerned about national unity, cohesion, and harmony, which are greatly compromised by the lack of political dialogue and the refusal to accept differences. In Guinea, the law, justice, ethics, and human values no longer provide a frame of reference and a safeguard to regulate social, economic, and political life. Democratic freedoms are taken hostage by ideological trends that can lead to intolerance and dictatorship. In the
Robert Sarah (God or Nothing: A Conversation on Faith)
He began: “Jesse James was a lad who killed many a man. He robbed the Glendale train. He stole from the rich and he gave to the poor, he’d a hand and a heart and a brain.” The man strolled the room, coming so near Bob that Bob pulled back his crossed legs as the man sang the chorus in a higher pitch. “Oh, Jesse had a wife to mourn for his life, three children, they were brave; but that dirty little coward that shot Mister Howard has laid Jesse James in his grave.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
Gentlemen, progress has never been a bargain. You've got to pay for it. Sometimes I think there's a man behind a counter who says, 'All right, you can have a telephone; but you'll have to give up privacy, the charm of distance. Madam, you may vote; but at a price; you lose the right to retreat behind a powder-puff or a petticoat. Mister, you may conquer the air; but the birds will lose their wonder, and the clouds will smell of gasoline!
Jerome Lawrence, Robert Edwin Lee
Mr. Cobb,” he said. And in just those two words his Boston Back Bay accent rolled over me as dramatically as if he were one of my mother’s leading men making an entrance, the “Mister” coasting on a schwa to a vanished “r
Robert Olen Butler (The Star of Istanbul (Christopher Marlowe Cobb Thriller #2))